#originally it was going to be a 5+1 thing but i never got enough inspiration for that

[griseldabanks]

Had a facepalm moment earlier of discovering the brilliant fic you wrote for someone’s Qui-Gon and Obi-Wan prompt and hoping you’d write more, and then…several days later…realizing…PROMPTS. That’s how this works. Anyway, can’t believe I didn’t send you one earlier, but: Qui-Gon and Obi-Wan for "I missed you”, if you’re up for it?

Let Me Count the Ways ask game

It had been a long, exhausting day, but Obi-Wan didn't feel tired in the least. Packing up all of his belongings (few as they were) and moving them across the Dune Sea would have been a tiring endeavor, even if he hadn't just come from a harrowing trip halfway across the galaxy. And then, of course, there was a new cave to find, preliminary preparations to be made before nightfall in order to make his new home habitable...but none of that mattered.

Wrapping his cloak around himself against the chill of the desert night, Obi-Wan sat on the shelf of rock where he'd placed his bedroll. He pulled his legs up onto the blanket, closed his eyes, and opened himself to the Force.

Warmth and light that had nothing to do with his small heating unit suffused him from the inside out. For a moment, he hesitated. Then he reached out tentatively and murmured, “Master Qui-Gon?”

“Obi-Wan.”

His eyes popped open, and there, sitting beside him on the rock as if he'd been there the whole time, was Qui-Gon. Translucent and tinged blue—like a hologram and yet not—Qui-Gon looked the same as he had the day he'd died. The same twinkle in his eyes, the same hint of humor lingering in the creases at the corners of his eyes, in the twitch of his beard, in the lilt of his voice....

“You're here,” was all Obi-Wan could think to say.

Qui-Gon nodded patiently. “So I am.”

“I missed you.” Unbidden, tears welled up in his eyes. “I missed you so much, Qui-Gon.”

Qui-Gon's eyebrows knitted together with a look of sympathy. “I know.”

If he'd been here physically, he would have reached out and placed a reassuring hand on Obi-Wan's shoulder. Now, he didn't move, but Obi-Wan felt a gentle ripple in the Force washing over him, warm and familiar. Obi-Wan closed his eyes to savor that feeling, something he hadn't experienced in so long.

How many times a day would Obi-Wan feel that presence brush against his, like the touch of a hand? Checking to see where the other was, reassurance in a moment of trouble, a brief reminder or admonishment that needed no words. As unique and unmistakable as a voice, as a fingerprint forever marked in his soul.

And yet, for some twenty-odd years, he hadn't felt Qui-Gon's presence even once.

When Obi-Wan opened his eyes, he felt like a boy again. Like that twelve-year-old boy who had just become a Padawan and wondered if he would ever truly please his Master.

“I needed you,” he whispered, the desperation in his own voice surprising him. “I called to you, again and again. Where were you?”

Qui-Gon's eyes were as kind as ever as he folded his arms inside the voluminous sleeves of his robe. “Tell me, Padawan: What happens to us when we die?”

Now he really did feel like a boy again. This was a question even the youngest of younglings could answer. “We become one with the Force.”

Qui-Gon nodded, as though that settled the matter.

It didn't take a genius to understand what Qui-Gon was getting at. The dead became one with the Force, and the Force was a Jedi's constant companion. In a way, Qui-Gon had never really left.

And yet, Obi-Wan still couldn't shake the feeling of abandonment. He dropped his gaze to his hands clasped in his lap. “There have been so many times I needed your guidance, Master,” he whispered. “And never, not once, did I hear your voice.”

“And were you listening?” Qui-Gon's voice was gentle, oh so gentle, but still it made shame swirl in Obi-Wan's gut.

Because he hadn't been listening. He had closed himself off from the Force for so long, terrified of being found out, of being hunted down, of unintentionally betraying Luke to those who would kill him in an instant. And if he didn't leave even the slightest crack open for the Force to seep through, that meant Qui-Gon couldn't reach him either.

He really was like a child. A child with his fingers in his ears, demanding to know why no one would talk to him.

A warm brush of the Force, like a consoling hand placed on his back. Qui-Gon didn't even have to say anything, because he had already said it a thousand times, in a thousand situations over the years they'd worked together. Accept the shame, then let it go. You are not your mistakes. Learn from them, and they will help you grow.

Taking a deep breath, Obi-Wan envisioned his lungs filling with stale air from the years he had languished here on Tatooine. The years he had let the burden of his guilt press down on his shoulders till he could hardly raise his head in the morning. Then he breathed out, imagining the guilt and shame floating out like wisps of smoke on the air.

Opening eyes he hadn't realized he'd closed, Obi-Wan turned to look at Qui-Gon again. “I called to you when I went to face Vader.”

Qui-Gon nodded, eyes warm with compassion. “I was there.”

“I needed you...so many times...here on Tatooine.”

“I was there.”

Qui-Gon's form wavered, and Obi-Wan blinked, letting tears trickle into his beard. “When...I went to confront Anakin...on Mustafar...when I-I thought that I had...that I had....”

All he could see was his master's eyes, full of sympathy and compassion, understanding and acceptance. “I was there, Obi-Wan.”

For a moment, he held Qui-Gon's gaze. Then he dropped his head into his hands and let the tears flow. “So...every time....”

“Always.”

“You saw...every time I've failed....”

“And every success.” Like a warm blanket, Qui-Gon's presence folded around him in an embrace he felt in the depths of his soul. “I am proud of you, Obi-Wan. You have become a greater man and a greater Jedi than I ever could have foreseen.”

The heat of the twin suns seemed lodged permanently in Obi-Wan's chest. “Only because of your guidance, Master.”

They smiled at each other, and even though they looked nothing like they had when Obi-Wan had been an apprentice, the connection between them was as strong as ever.

[galvanizedfriend]

Klaroline Fanfiction Masterlist

It's been a minute since I last updated my masterlist so I decided to go ahead and start a new one. Yokan // ▪ Multi-chapters

. The Wolf Series [I, II, III and Outtakes - Incomplete] When Caroline wakes up shackled, powerless and very far away from Mystic Falls, she knows she's in serious trouble. But when a woman named Sophie Deveraux reveals the reason why she's been kidnapped and taken to New Orleans, she realizes things are far worse than she could've ever imagined.

[The Originals rewriting where Caroline is a witch and gets pregnant with Klaus' child. Seasons 1, 2 and 3 complete, season 4 coming.]

. Vice and Virtue [6/6 - Complete] As the second son of a Duke, Klaus Mikaelson has the means and all the time in the world to indulge in every manner of wild activity with very little respect for the regiment of polite society. That is until his brother decides he's had enough of his vulgar ways and gives him an ultimatum. Caroline Forbes is a young debutante in search of true love and adventure. Except her aunt wishes for her to marry a somber Viscount who's already buried three wives. When their paths cross, they realize they might yet strike a deal that could satisfy their relatives and benefit them both.

[AH Regency!AU inspired by Bridgerton and a dozen other period novels I have been reading lately.]

. Pedulum [2/2 - Complete] This is what Klaus Mikaelson knows: death isn't the end for him. From the moment he is brought into the world to his final shuddering breath, Klaus' life is pretty much the same as everyone else's. The difference lies in what happens after he dies: he goes right back to the beginning, a child in London with the memory of dozens of lives lived before. Nothing ever really changes, including the fact that no matter how hard he tries, he can never save Caroline Forbes' life for too long.

[AH/soulmates!AU with a slight magical twist. Technically a one-shot, chapter 2 is just an alternate ending.]

. We'll Always Have New Orleans [3/15 - Incomplete] Caroline wakes up in a world where everything looks exactly the same, only nothing really is. For starters, she's no longer a vampire, and no one else in Mystic Falls has ever heard of witches, vampires or werewolves - no one except for Klaus, who woke up just as human and twice as angry about it. Their search for answers and a way out takes them all the way to New Orleans, and Caroline could never anticipate how much this crazy fake world was about to alter her reality forever.

[Canon-divergence!AU. Set right after TVD 4x18.]

. Speed Dating [4/4 - Complete] Klaus is having a bad month, so Caroline decides it's a great idea to drag him along to a round of Speed Dating. Other men in the room do not approve.

AH/AU fluff that was inspired by an episode of House (yes, it is fluff, I promise).

. Gasoline [2/2 - Complete] "He doesn't apologize, of course he doesn't. He doesn't care. He calls everyone love. It's not meant to mean anything. Except it did, once, and it makes Caroline's stomach churn away inside, as she feels Klaus crawling underneath her skin like he never left at all. I've still got you."

AH/Band!AU. Two years after Klaus walked out on his band - on her -, Caroline finds herself in her least favorite place on earth - New Orleans. She really did try to stay away from him, escaping an event just to keep off his radar. He finds her anyway.

. Like It's Christmas Again [2/2 - Complete] As Christmas approaches, Caroline Forbes, a New York-based event planner, is sent to a quaint small town in Virginia to organize their holiday festival. But her plans are momentarily hindered by the presence of Klaus Mikaelson, the Mayor's brother and a grumpy billionaire lacking in any holiday spirit, who's in town to close the sale of his family's manor - the charming estate she was hoping to use as a venue.

[AKA that time when I committed Christmas fic. AU/AH inspired by a Hallmark movie, I kid you not.]

. Spin [5/5 - Complete] Since she was seven years old, Caroline Forbes has been preparing herself to become President of the United States. But before she gets to the Oval Office, she needs to win the election for senior student president at the prestigious Saint Sebastian High - which would be in the bag if only goddamn Klaus Mikaelson hadn't decided to run against her.

[AH/AU lovers-to rivals-to-lovers The Politician!AU where everyone takes school elections way more seriously than they should.]

. How Far I'd Go [2/2 - Complete for now] Set in TVD S6/TO S2. Unable to control Caroline after she turns her humanity off, Stefan reaches out to the only person he can think of for help.

[Slices of moments of Klaus in Mystic Falls while Caroline has her humanity off.] ▪ One-shots

. The Sound of Settling Klaus hates his job at Mikaelson & Sons. He hates wearing a suit. He also hates his brothers constantly butting into his life. Everything will be better once he gets his much desired transfer to the New York branch. Caroline Forbes is the owner of Mystic Café, and when Klaus accidentally wanders into her coffee shop, his whole perspective changes. [AH/Coffee Shop!AU where Klaus is a lawyer. Fluffity Fluff. Lots of Mikaelsons and some Carenzo friendship.] . The Witch Queen Caroline always knew she was different. She was keyed into her own otherness very early on. Strange things happened around the Forbes women. Her mother never really had to spell it out to her, give it a name. Caroline could always sort of feel it, and then at some point the feeling blossomed into comprehension, and comprehension hardened into fact. And with that came an altogether different kind of certainty: this was not a secret she'd be able to keep forever. One day, no matter how hard she tried to hide it, everyone would find out. And when they did, they would come for her.

. Worst Things Have Happened Klaus Mikaelson is a prince with a very dark secret that threatens to destroy his family's legacy. Caroline Forbes is a sorceress whose job is to make sure his secret remains buried. But would it hurt him to put some clothes on? [Royal!AU, with a magical twist.] . The Unexpected Grace of Falling Apart The whole incident was bound to go down as a funny anecdote to be shared among friends, a Oh, you think you've had the worst hook-up ever? Hold my beer kind of story. Provided, of course, that she never had to see him ever and could just wipe him out of her life and memory for good. Given that they live in different time zones, it shouldn't be too much of a hassle.

That is precisely why Caroline is livid when she emerges from the arrivals area at Richmond airport to find Douchebag, in the flesh - sunglasses indoors and all, like the proper jerk that he is - holding up a sign that readsClarisse.

[AH/AU. It's Tyler's wedding weekend and Caroline is back in Mystic Falls for the first time after the most traumatic and depressing year of her life. And it's about to get even worse as she's made to share breathing space with Klaus, The Worst Guy Ever. Except they might have to join forces to save the wedding, and to the discovery that things might not be what the seem. As Caroline teeters on the edge of a breakdown she'd been trying very hard to conceal, an unexpected savior appears to help her through the haze.]

. love, the monster's got me now [Canon compliant. Set in TVD S03E09 Homecoming.]

"Don't run," he says calmly, sounding almost bored, but with a clear warning. "I'm in the mood for a chase. Little spoiler: you can't outrun me." His eyebrows twitch up when he finally turns around to face her, lips curling into an amused grin. "Tyler's girl," he states, gesturing towards the now empty yard. "You missed out on the celebrations, I’m afraid."

[Or: the missing Klaroline scene between "There's your pretty little girlfriend, Caroline" and "There's a whole world out there waiting for you." Klaus and Caroline meet after Homecoming.]

. When It's Gone Suddenly, Caroline hates how nice the bed feels. How soft the pillows are. How smooth and cool and expensive those goddamn sheets are against her skin. She hates the giddiness in her belly, like she's a stupid schoolgirl when she's not allowed to be one anymore. She hates how right the space between Klaus' arms felt, how easily she molded against him. His lips were as full and as soft as they looked, but his hands were gentler and more reverent than they had any right to be, and Caroline hates it. Hates it, hates it, hates it. She hates that it suits her, hates that she wants it, hates that none of it is hers to keep.

[Set after TVD S04E19 Pictures of You. Caroline hears about Klaus' impending departure after a mysterious letter and decides to have some words.] . Wishing Each Sigh Might Be the Last The first time she sees him, Caroline thinks he's an angel.

[Set in 1800s New Orleans. As Caroline lies dying, she prays for God to send help or end her torment and save her soul. She thinks an angel has come for her. But he's no angel at all.] . Feel the Madness Closing In Set in TO S3. Caroline is in New Orleans when Lucien and the Ancestors make a move against the Mikaelson family - and they know exactly who to target in order to get to Klaus. Paranoia sets in, sending him to a very dark place, and Caroline finally learns the price of being loved so profoundly by a monster. . Issues When Klaus' Hollywood career takes a down turn after a nasty divorce and a viral mug shot, his manager decides his life is not yet miserable enough, bringing in a PR company famous for its high-profile damage control cases.

[AH!AU where Klaus is a problematic movie star and Caroline is a PR agent with no time for his BS.]

[rqbossman]

Hello Mr Bossman! (and possibly anyone else who reads this)

Its an honour to be here, I have a few questions. First i appologise for the long paragraph, you may dismiss it for the questions at the bottom. For context, i am here after finishing TMA and being up to date with TMAP, i then went over and listened to RQG, and have just finished listening to Epilogue 3 and might i just say, good sir I am grateful for your podcasts. I am currently just a few months away from my final exams of High School, and as someone who even just 1 year ago was very lost, struggling with school and being just overwhelmed. TMA isnt exactly comforting, but the characters and plot managed to serve as a good form of escapism while sorting myself out. I found my self engaging more in creative things that i had originally put aside in favour of maths and science (which i hated but thought i needed to do). I started drawing again, even if just fanart. and i found things going well. By finding podcasts, story telling and these communities have helped me in my own understanding of what i want in life. I got an ADHD diagnosis earlier this year, and almost directly after started RQG and as my first hyperfixation (that i was aware of as an hyperfixation) gosh dang it hit hard. (in a good way). Ive been able to do so much more creative writing and drawings, and got re-involved with a small dnd group with some friends who i played one game with almost 4 years ago now. So overall, inspirational sounds cringe, but it was. Im doing my best with the upcoming exams, but trying to get in to Medicine is not my only prority, and the fact ive been re-introduced to my first love (Literature and story telling), im planning to go do an Arts degree and i know i wouldnt have been able to confidently make this decision, or even have survived this long in the school system without the work you and your coworkers do. Now the sap is out of the way, Question time! (if you could answer even just one of these questions it would be so cool)(they go in order of RQ relevant to random stuff)(dont feel pressured to answer all/any. i know i wrote alot): 1. what would you say is the best way to draft out a long-form story. (with "Erasing the Line" as an example) Did you start at the end, with the links to the overarching plot.

2. When working with the players (in a form of TTRPG), what did you do to make sure you didnt miss relevant timing of plot points/ avoid creating spoilers while still giving enough detail?

3. What are good places to start with making a job out of storytelling/voice acting/audio etc. In the case of RQ, how is this a job and where do i sign up please! /j (what i mean is, how is best way/how did you find all the people involved and was there a common path that you were all on before getting to where you are now?) 4. Do you have recommendations for Terry Pratchett Books, i may be an literary-leaning student, but it seems i have never actually properly read any of his books. so where is best place to start?/What did you read first?

5. Similar authors or similar inspirations? Did you have a favourite podcast you listen to in your free time that you havnt had a hand in producing/directing/working on. 6. Favourite song/album/artist. And more specifically, what you like listening to in background when doing either writing or (for ttrpg) character research/game planing. 7. Since the olympics are on at the moment, what has been your favourite sport to watch, if you have been watching at all. Thank you for your time :)

Thankyou for all the kind words. Knowing our work is helping people really keeps our engines fired up. Let's see if I can't answer your questions: 1. I "sandbox" which is where I just shove everything I can think of into an unorganised bullet point list. Characters, setting, plot, all of it in one big mess. Then I decide what type of story you want to tell, copy and paste to a new document and then start to organise the thoughts (with the sandbox on standby if new stuff comes in I don't know what to do with). I think of it like scultping, you cut away bits and reshape until something comes out the other end that is story shaped. Only then do I attempt to build the sandcastle and put something coherant together like a synopsis or scratch draft etc.

2. Very tricky. I did a complete review and update of all notes after each recording session and don't forget the audio eas edited. I made lots of gaffs that you never heard as audience.

3. I contacted anyone I could convince to take part and just proved I was serious by overworking. I don't reccomend that route. Unfortunately it really is "who" you know. That doesn't mean chase established professionals as much as it means you need to get out there and associate with other up-and-comers who match your vibe. For me the route was long and windy and not a particularly good example. 4. I normally recommend people do not read his books in publication order. Don't get me wrong, its wonderful watching his craft grow from one title to the next but I would recommend new readers tip their toe into his later works to see if they like where he ended up before committing the time. I often recommend 'Monstrous Regiment' as people's first one. My favourite though is 'Thief of Time.'

5. I don't get much time to listen to podcasts in the last couple of years. I used to listen to a lot of non fiction. 'Stuff you Should Know' and that ilk. I also read a fair amount of classic YA fiction to unwind (Windinsger trilogy, Bartimeous, stuff like that.) 6. Paul Simon's Graceland but when working I assemble a playlist for each seperate project that is tonally appropriate. If I really need to focus I listen to Classical Minimalism. Or the Old School Runescape soundtrack. I'm allowed to be ecclectic. 7. I am actually in an incredibly busy work crunch at the moment so haven't seen any of it!

[saraannereads]

On the portrayal of Illyrian culture in ACOTAR

I’m Sara - by ethnic origin, I am Arabic and Turkish. I was othered my entire childhood and dealt with seriously atrocious racist attacks.

As I got older, those things lessened and people started assuming I was white or biracial in part due to my having dyed my hair blonde.

Since then, I’ve experienced racism of a different kind - I get told I am a “shallow white girl” who doesn’t have the right to speak about issues facing POC by people from all different ethnicities.

I’ve had enough of that. I may not look like your typical WOC but I am a woman of color. And I will not be silenced.

Why I am not offended by the portrayal of Illyrian culture in Sarah J Maas’s books:

1. I’m from a Muslim family and grew up going to mosques in the Western World, where some of the very oppressive and sexist ideals about women and their place in society were preached from the stands and actively shared by members of the community.

2. I was chronically shamed by my peers in the community for being into my education and for wearing makeup or for daring to speak to boys.

3. The above happened in the United States in the community I grew up in because oppressive, sexist ideals travel across immigration. I clawed my way out of this community and will never look back.

3. Honor killings still happen where I’m from. To this day.

4. Genital mutilation still happens in the regions where I’m from to this day.

5. Women are not allowed to drive in some countries in the region where I’m from to this day.

6. Women are publicly beaten or stoned to death in those regions to this day.

7. Women have to be fully covered up when they leave the house in the region where I’m from to this day.

8. Women are silenced and told not to speak in public - even just to talk to someone - and not to leave their houses without a male chaperone in the region where I’m from to this day.

9. Women are glorified birthing vessels and it is socially accepted for men to have multiple wives to have as many children as possible in the region where I’m from to this day.

10. Women do not have full equality or even basic, fundamental human rights in the the region where I’m from to this day.

How does this relate to Illyrian culture and ACOTAR?

Do I really need to explain the answer to that? I realize that some people may have grown up in Middle Eastern families and not had the experience I had. Some of my experience is also due to Islamic religious ideas and not simply cultural ideals. And there are some people who may love where they came from and have had a radically different experience than my own. That does NOT make my experience less valid, nor does it make my criticisms of the culture and countries I’m referring to less valid or accurate.

To me, the portrayal of the Illyrians is an accurate representation of what goes on in some pockets of the mid east, and for that very reason, I’m not offended.

In fact, wing clipping is essentially the fictional version of genital mutilation, which still happens in the cultures that people say Illyria is inspired by.

It is not racist to look at something and call it out for what it is. If I were to say, every single ME person I’ve ever met adheres to some of the more fundamentalist and sexist rhetoric I heard and continue to see, that would be racist and untrue.

The reality is there will also always be people who attack Sarah J Maas because she’s Jewish, especially at this time with conversations about Zionism running rampant. I married a Jewish man. I’ve seen anti-semitism firsthand. I also saw it growing up among the more nationalistic people I grew up with who hated the idea of an Israeli country.

What you can do:

Stand up for women around the world who don’t enjoy the same freedoms you do, and quit picking fights about a book series. Look to solve real problems instead of making some up.

Note - If you attack me in the comments, I will not respond. I will immediately block. This was not an easy post for me to make in any way, and I feel vulnerable having shared so much.

[miraculouslbcnreactions]

“it could mean that they didn't think further than season five and we're about to get a lot of awkward writing.”

Genuinely, I’m pretty sure this exact problem is about to rear it’s ugly head into the plot so hard. Once it becomes obvious enough next season, I think this is about to become the biggest gripe people have with the show.

I don’t subscribe to the “Chloé was rewritten by TA out of spite” theories—however—it is almost **impossible** that season 5 didn’t, at the very least, have the bones of the plot laid out *when it was still intended as the final season,* and then those bones were **heavily** rearranged when contracts were signed for Miraculous Ladybug to continue production beyond that point.

This is quickly having a domino effect on the plot, where storylines are being re-sculpted left and right to somehow tie-up the arc of the previous 5 seasons, whilst still maintaining pre-reveal status quo for the seasons still to come. The most glaring problem with this is, of course, that they had to royally shoot Marinette in the foot to make that work.

I don’t want to put my tin-foil hat on too much, but Adrinette getting together sans reveal is just a symptom of the show continuing past it’s original intended “end of life”. We were likely supposed to get exactly what is holding Adrinette back from being interesting right now—the reveal—in the original midseason finale of season 5 instead of Kwami’s Choice.

What’s an even more cynical thought—if season 5 was the end of the show like intended at one point, there is ZERO chance that Marinette would have even NEEDED to lie to Adrien about his father. *THAT’S* what frustrates me most about the season 5 finale. Not that it’s shocking, not that it subverts expectations, that it’s so glaringly obvious the main character is making a decision simply because the plot for future seasons implodes on itself if she thinks logically for 1.2 seconds. It’s not interesting. It’s only there because they wrote themselves into a corner they never intended to be in 5 years ago.

And as the seasons tick on and on, the cycle is just going to continue to chase itself in circles under the guise of “drama” and “plot”, but in reality the episodic nature of the show means that none of the plot lines will ever conclude in a satisfying way

(Post that inspired this ask)

it is almost **impossible** that season 5 didn’t, at the very least, have the bones of the plot laid out *when it was still intended as the final season,* and then those bones were **heavily** rearranged when contracts were signed for Miraculous Ladybug to continue production beyond that point.

Now that is a theory I can get behind and will even admit to subscribing to. Season five absolutely feels like it was written to be the final season and we know that it was, originally, supposed to be the final season. It's not a conspiracy theory to say, "I think that they may have committed to elements of season five before they got a sixth season and that ended up making season five into a bit of a mess."

I'd be fascinated to know the behind-the-scenes timing of things and what was written before the season-six greenlight and what they were allowed to change after season six became a thing. Things like scripts, lore bibles, and plot lines get signed off on by a lot of people! It's entirely possible that the writers' hands were tied on certain elements of season five. If the leaked, season-five Bible is to be believed, it says that it was signed off by TF1 & Disney and has a date of 1/29/21, about three months before season six was officially announced, implying that major elements of season five may have been set in stone all the way back in early 2021:

[Image description: footer for the leaked Bible reading "Ladybug - Bible FINAL VERSION updated season 5 - approved by TF1 & Disney 1/29/21 - CONFIDENTIAL]

This may mean that the writers literally weren't allowed to make major changes to season five because they'd already gone through the approval process for the overall plot. It's also possible that they could have redone things, they just didn't have time based on production timelines or maybe they did have time and just couldn't think up a new version of season five in the time they had. There's no way to be sure with the limited information we have. Maybe season five is exactly what they wanted it to be!

It's hard to buy that, though, because a lot of the awkward writing makes so much more sense if there was supposed to be an identity reveal at the end of Kwami's Choice. Like why Adrien is worrying about how to tell Marinette that he's leaving, but he never once stops to think about Ladybug. If he knows they're the same person, that's suddenly perfectly understandable.

I also full agree that the lie at the end of season five feels like another stalling tactic and not a piece in a well-crafted narrative. It's really common for the writing to get stilted in TV shows and movie series that get renewed past their expiration dates because no plot can last forever. Even the best writers can't draw a concept out to the end of time and Miraculous doesn't seem have the best writers. Now that they've been greenlit for ten freaking seasons, I think we're in for a wild ride and I don't mean the fun kind. Serious identity shenanigans like the love square are not designed to last for 86+ hours. (The show has 26 20-minute episodes per season, so if you multiply that by 10, you get a little over 86 hours + specials and such.)

I just don't see how they're going to draw out the identity reveal for another five seasons without making the love square a toxic waste dump, but I also don't think that they're ever going to do an identity reveal in the mid game. They're saving that sucker for the end no matter how much it ruins the story. (Watch season six prove me wrong, lol. You never know.)

[remturtle]

Art WIP dump :3

Some info about the pieces for those interested:

Image 1:

A WIP of a Kuroshitsuji/Black Butler OC inspired by Lucifer Morningstar from The Sandman (very good show btw, highly recommend.) a few twists and tweaks have been added, and lore from the manga regarding demons had been taken into account as well (not much mind you, mainly Sebastian’s first appearance in the cult and his shape-shift-iness)

The relationship they share with Sebastian was going to be a metaphor for harmful drug addiction and toxic codependent relationships- but I never got around to fleshing out info and their dynamics (or finalising a design for that matter)

Image 2:

had an idea for yuu/Vil angst that was literally just yuu dying mid-overblot, never got around for finishing it but I had the idea to have their blot-infected corpse start to fuse with vil’s overblot form to create a nasty-looking abomination thing. (Twisted Wonderland)

Image 3:

A riff on the phantom of the opera - I had an idea for a world filled with old thriller/mystery/classics characters like victor frankenstien, Jekyll and Hyde, Dracula, Carmilla, Sherlock Holmes and the likes. Tbh the whole idea is a bit gimmicky but I’m having fun with it :3

Image 4:

originally created as a twst OC based on madame mim: Memphis/mimzy/mim. I came up with some twst universe lore related to malleus and his house (because I love fueding noble houses and the chaos it creates narratively). He is a type of draconic-fae but I never dug too deep into that for the twst lore. I initially struggled through several design before settling (for the moment) on this design- and thought it would be hilarious to making him the fruitiest straight man alive. And I think we all appreciate a guy whose in touch with both his masculinity and his femininity :D

Image 5:

I cannot stress enough how much I’m low-key embarassed by this but… I started playing my favourite childhood game again and was struck with the urge for fanart so I came up with a cool, slightly darker au for it. The art is of Greely and Peck, who act as the demigods/deities. Haven’t yet decided what I want them to reside over but I liked the idea of them acting as a duo because of how often they’re paired together in lore. (Yes. This is Animal Jam. The national geographic kids game.)

That’s about it, hope you enjoyed the ramble :3

[universalwhoreofthesouth]

Repudiation - MITO

Pairing: ex boyfriend! MITO x gn! reader

Genre: angst (but with a “happy” ending)

Warning(s): mito is his own individual (no ian mentions), mentions toxic relationship, mito refuses to let you go, the m in mito stands for mad man, bonnie & clyde mentions (ifykyk), slight self harm mention

A/N: I got inspired to write this because 1. I love Mito and his involvement with The Other Side lore and 2. I read pt. 1 and 2 of Set My Wings On Fire by @nirvanawrites111

A/N: Is it fucked up that I was lowkey giggling while writing this?

It was a quarter before midnight. The cold raindrops poured down from the sky, tapping against your black umbrella as you walked from your now ex boyfriend’s house. Your mind was racing although you were upset.. You weren’t as upset as you’d thought you’d be. It was more complicated than explained. When you and.. Him Mito broke up, you thought that hole in your heart could never be filled again. Too broken to fix. Too wounded to be cured. Even when you were in a new relationship, your mind was still in the past imagining that he was with you instead. You felt your chest start to close in on itself, your lungs burning, aching for a release as your eyes watered, tears threatening to spill down your cheeks like a waterfall. Fuck.

You grabbed your phone, smacking your teeth when realizing that it’s almost dead. You swallowed down your urge to scream and cause a scene despite the empty sidewalk you were occupying. You tried to think of a solution. Maybe call someone? Try to call a taxi? You only had 5 percent battery left. You go to phone a friend until you hear whistling through the rain. At first you didn’t think much of it until you recognized the tune of said whistling. A tune he created and would always mimic with his fingers or guitar.

It can’t be…

Right?

“I’ve been looking for you (Y/N)” his gravelly voice still gave your spine chills. You kept walking but you knew he would follow you like he always did.

“I know you hear me speaking to you (Y/N)” You sigh and stop walking with your back turned to him.

“How did you find me?”

“That’s not a nice way to greet your love now is it?”

“Mito.”

“I love when you say my name angel” you could hear the cheekiness in his voice, making you more frustrated.

“What do you want?”

“There’s plenty that I want but I need you. I need to fix what we had” You scoffed.

“You need me? Even after everything you’ve done to me? I’d rather die”

“I visited death many times before darling so I know that’s an exaggeration from you”

“Can you just leave me alone? You’ve already ruined my life enough”

“If I really did ruin your life, you wouldn’t be standing to tell the tale, isn’t that right?”

“You’re fucking crazy.” You feel his eyes stare daggers into your back, piercing through your skin. Then he laughed but it didn’t sound joyful.

“I’d prefer the term, misguided, but I’ll play along with your game (Y/N) since I’m crazy” The air went stiff.

“Do you want me to show you crazy?” You flinched as you felt his warm breath brush against the nape of your neck, leaving goosebumps on your skin.

“Get off of me..”

“Answer my question~”

“No, I don’t”

“What a shame. I was going to show you what I did with the cunt’s body once you left the apartment” You turn around and face him, hoping you didn’t hear what you just heard.

“You what?”

“And you wonder how I always find you. A birdie told me that you had a boyfriend but I originally thought to leave you alone until I found out what the bastard did behind your back so I took matters into my own hands but I did get a little help” A wave of nausea hit you when he smiled despite saying the most corrupt thing.

“How did you.. Why?!” Mito wraps his arm around your waist, pulling you in closely.

“Because you’re mine and I always protect what’s mine”

“I’m not yours anymore Mito. You can go to jail for doing this” He smiles wickedly again.

“As if the police would catch me and as long as you don’t say a word, everything will be fine. I didn’t train a snitch, did I?” His dark eyes bored into yours, making you look away from the intense gaze.

“No.. you didn’t but this isn’t right! You killed my ex and expect me to go back to you after doing that!” You tried to push him off but it was pointless, him being twice your size in every way.

“Why would I expect something that I know is going to happen? The old (Y/N) would fawn over it”

“Well I’m not the old (Y/N) anymore, I matured”

“For the worse, you lost the fun in you” He chuckled, frustrating you.

“No, I realized that being with you would cause me nothing but hell”

“But you were happier then, no?” You bit your tongue, unable to defend yourself. You were happier with him. He took care of you when he wasn’t spiraling out of control. He loved you intensely, in ways not even a normal person can mimic. He would carve his own heart out and give it to you to prove his love for you. Though it did scare you at first, not wanting Mito to harm himself to show that he loved you but as time grew, you embraced it.

“I was happier but it only for a little while”

“So you’re saying you weren’t happy with me?”

“That’s not what-”

“Look me in my eyes when you say that.” You look back at Mito, seeing an unrecognizable glint in his eyes, instantly swallowing your words.

“Just as I thought. You’re a bad liar (Y/N). You swear up and down the street that you hate my guts and wished I left you alone but you secretly love it. You love when you’re all I think about. You enjoy corrupting my mind, you’re not innocent in this.” He hisses but his expression wasn’t anger, he was amused. You were caught, you didn’t know what to say in rebuttal. No matter how many times you said no, your heart said yes. Your heart said go back into his arms and everything will be okay. You didn’t realize that you started crying until you felt Mito’s rough hands caress your cheek, wiping your tears.

“I just.. Felt lost after we split. I didn’t know what to do”

“Neither did I, which is why I kept looking for you. You complete me (Y/N) but you kept running from me”

“Because I was afraid that everything wouldn’t be the same again” He chuckled.

“Nothing in this puny little world could make me love you any less darling. You’re my angel, the piece that makes me whole” Your heart swelled at his words.

“All I ask for is you to take me back and we try again” He takes your hand and presses his lips against your knuckle, right on the small “m” scar on your right hand.

“I want to try again” You whisper, the dead butterflies coming back to life.

[surachibee]

if you’ve been following a lot of my recent stuff, you’ve probably noticed (or maybe you haven’t, idk!) that I’ve been tagging a few art posts as ‘pitverse’. You’ve also probably noticed that I’ve provided no context to these posts what-so-ever! and that sucks! So to explain a bit, I present:

”surachi what the heck is pitverse”

Okay, first. ‘Pitverse’ is a working title. Maybe. It’s cheesy, but I kinda like it because it’s cheesy.

Anyways, if you’ve been following me for a while, you may or may not remember this art where I designed a bunch of pits that were loosely based on the different ending to the original Kid Icarus on the NES. Some took influence from different places (eg. the solider ending heavily drawing inspiration from Kid Icarus: of Myths and Monsters) and some were completely made up (eg. the farm ending’s design). It was fun! And it pretty much started this whole idea to begin with.

I’d draw some stuff here and there for it, but other than that I never really did much with the idea other than ‘oh hey look designs’. That is until it came up again a couple years later when I started to get *really* into oMaM stuff, which led to me coming back to the idea of a weird multiverse thing.

Thanks to a few friends, we talked about it and eventually it became like a four-swords adventure multiverse labyrinth thing. Pandora’s Labyrinth times twelve. So as it is right now, it’s like a hypothetical game where some new *evil big bad* takes a handful of Pits from different universes/timelines and plops them into some pocket dimension of different levels and challenges, and together, they have to find out what the heck going on.

Right now, I think I’m gonna try to keep it to three Pits for simplicity sake. Obviously, Pit from Kid Icarus: Uprising has to be here, that’s our guy. He’s also the protagonist! He’s left relatively unchanged in this AU. This also takes place in a post-game setting, so he’s already fought Hades. This applies to the other guys as well, even if their hypothetical “games” and adventures aren’t actually real (Factor) or heavily rewritten (Myth) here.

Good news is that Uprising Pit can still communicate with Palutena! But he’s the only one out of the bunch that can. (Would’nt that have been nice? Imagine all the work you could get done with THREE Palutenas [haha reference]). In this AU’s logic, Uprising’s world in the pocket-dimension what-ch-ma-have-it space is closer to the one where this takes place, so (Uprising) Palutena is able to establish a decent enough connection to at least communicate, though it’s not the best. The other Pit’s worlds are further away, so communication with their respective realms are off the table. This also causes other problems like occasionally “bugging out” and forgetting stuff since they’re so far from their original worlds. So Uprising Pit got kinda lucky.

Speaking of other Pits, there’s other Pits! Both of them draw inspiration from things previously done/involved in the franchise so they’re not entirely made up, but they do stray pretty far from their source material. Anyway..first, we have Factor! He’s heavily inspired by Factor 5’s rendition of Pit from their “Icarus” project back in 2007-2008 that was turned down. Here, this AU’s interpretation of the idea is a little more in line with the franchise’s overall light-hearted and goofy nature. (In this AU the Pit’s are taken from different points in time, so he would’ve been plucked from the future. I did this so 1. They all could look visually distinct from each other, and 2. the thought of Factor going “oh he doesn’t know about [x] yet” or Uprising Pit insisting Myth to NOT go after the wish seed in the future was funny.)

Next…there’s Myth! He’s based on Kid Icarus: of Myths and Monsters, and besides a few plot points he’s pretty much just a modern take on the character. He was easier to pin down because while the concept of Factor’s story was interesting, being banished from the heavens for some unspecified crime, it’s pretty vague in comparison. With Myth, there’s an entire game with a plot to go off of, even if this AU strays a bit from it.

That’s pretty much the basics of this AU! Just a couple of Pits going on an adventure getting into other-worldly shenanigans. I’m having a ton of fun with it and hopefully I can develop the idea more as I go along. Thanks for reading! There’s some extra footnotes and miscellaneous doodles below.

• This AU follows the idea that oMaM takes place in a different timeline than Kid Icarus: Uprising, hence it not being referenced (at least not on purpose, I’m looking at you aurum track accidentally having the same intro motif) or mentioned. Plus y’know, Sakurai not knowing it existed so there’s that. Might as well rework it into a weird explanation. (coping)

• All of these worlds take place in different timelines, so Factor isn’t an older version of Uprising Pit, nor is Uprising an older version of Myth. They’re all still Pit, and all of them have fought Medusa, but it had different outcomes (somewhat based on the endings) and at that point they diverged from each other. • I’ll probably change the naming of the Pits at some point. While they’re good right now, I’m not sure if I wanna keep Factor named after a company. Might have their names based off the titles of their respective games, so instead of “Factor”, “Myth”, and “Uprising” it’d be “Icarus” (based on the project’s internal name), “Myth”, and “Uprising”.

[davycoquette]

Questionnaire~

Thank you for the tag, @drchenquill!

1. Is writing a hobby or way of life?

I always call it a hobby, but almost always prefixed with some form of, "greatest," "most important," or "favorite." I think way of life fits a helluva lot better. I've been writing since I can remember.

2. A journal full of writing notes or a clean, completed manuscript?

The journal one. I have like 900 I'm actively writing in at this very moment.

3. Who (or what) is your writing inspiration?

Cormac McCarthy. The love I have for my shitty characters. The agonizing unignorable need to put words on paper or screen.

4.Which is worse: someone you "idolize" reading your first draft or listening to you sing?

The singing one. I am not ashamed of my writing, but I have been taught to be ashamed of my singing lmfao. Which is weird and dumb because singing isn't something I go around telling people I can do decently - I don't tell people, "Oh, I sing," or, "I'm a singer." So, I have nothing to prove on that front, yet... I don't think I could make a peep of noise if someone said, "Sing me a song." Meanwhile, even when my writing's not at it's best, I'm like, "Yeah, I'm a writer. Here's some shit I wrote that isn't good. Sometimes I write good stuff, though."

5. Has writing from someone else's POV ever changed your own perspective?

I mean... in the literal sense, sure. A story looks different from the eyes of a character. By the same token, it helps me "understand" when people make choices I've not personally made. I think, for this reason, it's important to write about characters with different belief systems than we have - to write about them as sympathetic people with complex emotions. Not just to villainize or cathartically punish them, but to explore why people do the things they do and what life events might drive them in that direction. But cathartic character murder has its time and place, and who am I suggest what others write? Y'all do y'all.

6. Tumblr, AO3, LiveJournal, or FFN?

I have not used LiveJournal since I was a teen - is it still a thing people use??? That sounds nostalgic and fun. Not sure what FFN is; something to do with fanfiction? I only write original fiction, so that rules it out if so. AO3 is very cool, but the interface isn't my favorite. Also fanfic-heavy, so I never know if I've got a place there. Tumblr always freaked me right the fuck out, but the Writeblr community has proven to be my favorite writing community I've discovered online. And in a very short timespan, I might add!

7. AO3 wordcount, and are you satisfied with it?

I do not use AO3 but wordcounts can never be high enough 😎

8. What movie/book/fic gripped you irrevocably?

Probably too many to count. Little House on the Prairie A Separate Peace The Road Fight Club (recently rewatching this was humbling because it showed me how much of my writerly personality seems to be inspired by the way it rearranged my brain chemicals) Bullet Train (I fucken love this movie) Lawn Dogs Box of Moonlight Harold and Maude (book & movie) Pride and Prejudice (book & movie)

9. What’s the highest compliment you’ve ever been given, and have you been given it?

I've received some absolute banger compliments, and I don't want to dismiss any in favor of others. My favorite compliments are often ...questions? Just things that let me know people really did read, absorb, and are interested in things I wrote. Also, my love language is when people think about me of their own volition. So, any time people come to me apropos of nothing or say "this reminds me of you/your characters/your writing, I giggle and kick my feet and do a lil' happy dance.

10. What defines your writing style?

Gritty, casual. If it was art, it'd be the kind with the sketchlines still visible. Deep, silly. Visceral, I hope.

Taglist and blank template under the cut!

@albatris

@capnmachete

@harmonic-melodii

@illarian-rambling

@michellekarnold

@nathaniel-zellos

@sableglass

@saturnine-saturneight

1. Is writing a hobby or way of life?

2. A journal full of writing notes or a clean, completed manuscript?

3. Who (or what) is your writing inspiration?

4.Which is worse: someone you "idolize" reading your first draft or listening to you sing?

5. Has writing from someone else's POV ever changed your own perspective?

6. Tumblr, AO3, LiveJournal, or FFN?

7. AO3 wordcount, and are you satisfied with it?

8. What movie/book/fic gripped you irrevocably?

9. What’s the highest compliment you’ve ever been given, and have you been given it?

10. What defines your writing style?

[ghostinthegallery]

I can't believe The Silence and the Storm is over a year old! The first anniversary was May 27th (yes I missed my own fic's birthday in my defense I was traveling and forgot how time works).

I'm trying to compose my thoughts because this sure feels like a time a blog post would be fitting. However, my engrams are scrambled because...wow do I have too many feelings.

As some background, I've been a writer for a long time. And I've written 3-5 books (depends on how you count "completing" a book but it's 5 full drafts, 3 of which were heavily edited). I wanted to be a trade published writer (still do) and for a while I was feeling good about my chances! I got lucky and received some wonderful professional mentorship (and met one of my best friends during that program!). I took that guidance to query agents (a necessary step for access to most big/medium US publishers). I knew it would be hard and take time but...4 years later all I have to show are a few requests, hundreds of rejections, and one agent who asked me to rewrite my entire book only to reject me anyway (me, bitter? No not at all nooooo).

I'm a creative person and sharing my work feels like sharing a part of myself. Something that is not easy for me to do. After a while I just assumed I was missing something necessary. My work didn't resonate, but I didn't know how to fix it. I’d never reach anyone in the way I so desperately craved, and it was my fault for not being good enough. I felt broken.

During one of many major depressive episodes my spouse bought me a copy of The Infinite and the Divine. That book has changed my life. I was never much of a fanfic writer before. Either I thought the original work was too good and I didn't think I had anything to add or it was too bad so why would I bother with it when I could just go read/watch something better? 40k inspired me though. The ideas are incredible but underutilized enough that I felt like I had something to add.

So I started writing necron fic because why not? There wasn’t enough for me to read, and I needed more robot stories. Maybe I could rediscover my love of the craft, make some friends, make some robots kiss. Distract my mind from the horrors. So I posted a little OC fic and actually got some nice comments. Hey! Positive reinforcement! Hadn't had that in a while.

Emboldened, I continued in the most normal way possible. Going from a 7 chapter OC story to a giant civil war epic including every named necron character I could find with 6 (then 7...then 9) POVs. It was the type of grand space opera I've always wanted to write but never did because I didn’t think I had the skill and it's harder to sell. Luckily AO3 is free. Ain't no playing to the market there!

Now, a 40k necron civil war space opera is...niche. So I wasn't expecting much. I would have been happy with some kudos, some comments. Fan art felt like a pipe dream, but what are writers if not dreamers? The main goal was to enjoy myself. It was low pressure fun, I love the characters, what could go wrong?

Nothing, but I was wholely unprepared for things to go as right as they did. Y’all have been amazing. So many great comments and ideas exchanged, gorgeous art, fun asks, a lot of screaming (it’s fine probably don’t worry). I’ve never had such a strong outpouring of support for my work. It feels incredible. But also sometimes confusing. I’ve trained myself so well to handle rejection that I kind of forgot how to handle acceptance. Especially for something so personal. This is a weird story about undead space robots, there’s a lot of politics, sometimes the robots have sex. It’s got out there head canons, and 99% of the tyranid parts are pulled out of my ass because nobody knows how the space bugs work okay. My weirdness being embraced on this scale is one of the greatest feelings of my life. But it’s also new, and way out of my comfort zone. I’m being seen and adjusting to that.

Still, writing in this space has been one of the most consistently joyful things in my life for…well, over a year now! It’s changed how I view my art. I actually can create stories that touch people and make them feel things. I can take risks and have them pay off. I know not everyone will love this, but some people really seem to love it. That is mind blowing to me.

It’s making me reassess a lot about how I approach my art. Writing and other. I still plan to pursue publication. I want to get paid for my work, but this is making me consider alternate paths that might fit my style (and psyche) better. I don’t know what the future holds, but if you’d told me a year and a half ago that a big part of it would hinge on an AO3 gay robot skeleton space opera…I would have thought you were nuts, but also hoped you were right because that sounds rad as hell.

So in conclusion, thank you all so much for reading <3

[twunny20fission]

Books of 2024

Here are the books I read in 2024, with some thoughts on each

“The World We Make” by N.K. Jemison. A sequel to a book I was looking forward to, but found a bit disappointing. This one was fine. It really made the first book shine by comparison. The series was supposed to be a trilogy, but the author didn’t want to do it anymore. So this one felt rushed.

“Sweet Tooth, Book One” by Jeff Lemire. Visually great and well-written. Didn’t blow me away, but felt worthwhile. I’d like to read the next in the series, but it’s harder to find.

“Pageboy” by Elliot Page. This is one of those memoirs where you think, “well, they definitely didn’t hire a ghost writer.” Page is not a skilled writer. The stories he lived through were enough to be good nonetheless.

“Moon Knight, Vol. 1: The Midnight Mission” by Jed McKay, et al. Pretty tame for such an interesting character.

“Moon Knight, Vol. 2: Too Tough to Die” by Jed McKay, et al. Meandering, with a rushed ending. Meh.

“Safe & Sound” by Mercury Stardust. How to take care of a lot of stuff around your house. It was inspiring and affirming. Not a lot of it was necessarily useful to me presently. But it was still good.

“Usagi Yojimbo, Vol 6: Circles” by Stan Sakai. I love everything about Usagi. This is a strong volume.

“Evvie Drake Starts Over” by Linda Holmes. A great time. I took a swing on a type of book I don’t normally pick up, and I’m extremely happy I did. It’s a romance novel, but not AT ALL a bodice-ripper. A modern, thoughtful, realistic novel about an adult woman falling in love. Super good.

“The Subtle Art of Not Giving a Fuck” by Mark Manson. Nowhere near as good as I wanted it to be. Very bro-ey, and not particularly resonant.

“Ms. Marvel Vol 5: Super Famous” by G. Willow Wilson, et al. A very middle-of-the-road entry in Wilson’s Marvel volumes.

“Making It So: A Memoir” by Patrick Stewart. Outstanding. Exceeded every expectation, and my expectations were high. Even the less-than-flattering elements of his life were handled well.

“Ms. Marvel: The New Mutant” by Iman Vellani, et al. This book really hung its hat on “Iman Vellani got to write this one.” Which is great, but it wasn’t a spectacular book.

“An Immense World: How Animal Senses Reveal the Hidden Realms Around Us” by Ed Yong. Very disappointing. It could have been very cool, but it was not.

“poyums” by Len Pennie. I dislike 95% of all poetry I've ever experienced. This book is in the other 5%. Even when I didn’t understand it (either because it was in Scots, because it was poetry, or both) it was great.

“Ms. Marvel Vol 6: Civil War II” by G. Willow Wilson, et al. Good art, mediocre plots, pretty decent dialogue.

“Camp Damascus” by Chuck Tingle. I listened to the audiobook, but I’m counting it. This was engaging start to finish. The creepy parts were good, and the sense of fun that the author brings to things was apparent throughout.

“Mighty Nein Origins: Beauregard Lionett” by Mae Catt, et al. None of these Origins books were great standalone stories. This one was *pretty* good.

“Sourcery” by Terry Pratchett. Another great entry in what might at this point be my favorite book series. Like ever. After I reckoned with the fact that I’d never read another Douglas Adams book, I figured that part of my brain would go fallow. Thank goodness for Sir Terry, and thank goodness he was so prolific. This one was exciting and emotional.

“Three Novels,” by Samuel Beckett. I don’t get what he was trying to do here. Beckett’s plays work for me. Whatever this was did NOT. I tortured myself into finishing it, after a months-long break.

“Star Trek: Lower Decks #1” by Ryan North, et al. Really enjoyable. You have to come into the book with a knowledge of how Lower Decks works. Which I have, and it was great. Ryan North has never missed.

“Survival Street” by James Asmus, et al. As with any good satire, this was hard to “enjoy.” It was too sharp an implement, but it was very well-executed. The idea is that the S*same St*eet m*ppets are real, living, immigrant people. And when the tyrannical government takes over and de-funds PBS and basically all non-propaganda children’s TV, they go HAM.

“Fourth Wing�� by Rebecca Yarros. Very glad I picked this one up. I get caught in the “do I really have bandwidth for a long book, or to start another series right now” of it all. But this one was worth it. But I wish it had been a little less infatuation-obsessed. The romance makes sense, and is even relevant to the plot. But the “oh, how could I ever have denied myself the exquisite pleasure of having this person’s skin under my fingertips” is just…blegh.

“The Adventure Zone, Vol. 6: The Suffering Game” by the McElroys, et al. The comics are not as good as the podcast. Part of that opinion might be nostalgia for the golden age of “about 10 years ago.” But it’s how I feel. This one fits in nicely with the others, which is to say it’s competently written and arted. There are one or two great bits per book, but overall it’s fine.

“Wyrd Sisters” by Terry Pratchett. I look back on every Discworld novel with a sense of it being the best one and not as good as at least one other one. My favorite is constantly in flux. This one stands out for its treatment of the magic of theater (and greater magick of headology) and its deeper insights into the witches.

“A Wizard of Earthsea” by Ursula Le Guin. I should have read this sooner. It pretty much holds up, though the style is clearly of a type that no one really uses anymore.

“Priestdaddy” by Patricia Lockwood. Bit of a disappointment. It was like reading a clever blog of an autobiography. I didn’t really hold together well. A lot of it was entertaining, but it wasn’t Great.

“Legends and Lattes” by Travis Baldree. Right up my alley. A very cozy, thoughtful story in a kind of hand-wavy fantasy world. Really enjoyed it.

“The Theory of Everything Else” by Dan Schreiber. Wasn’t exactly a narrative, wasn’t exactly just a list of facts & curiosities. It was okay. I feel like Schreiber is at his best in the audio format, in the company of other weirdos.

“Pyramids” by Terry Pratchett. Very cool expansion of Discworld. I’m hoping it is a foundation to something ahead, as I liked the characters and the new elements of the plane.

"Iron Flame" by Rebecca Yarros. A stellar second entry in the series. It was infuriating how engrossed I was for the last 150 or so pages especially. The spicy scenes still seem to be...too much. They stick out as an insanely different experience than the rest of the narrative. Look, I liked the book a lot. I had a hard time telling certain characters apart sometimes, and some of the narrative bits were too confusing until they weren't. This series is A Lot.

Metrics!

Total books: 31 Total (non-graphic novels and other picture-heavy books) pages: 6450 Total pages: 8403 Highest-rated: Making It So Lowest-rated: Three Novels Very Glad I Read It Award: poyums Honorable Mention: Evvie Drake Starts Over Glad It's Over Award: The World We Make Most disappointing: Three Novels

[modern-inheritance]

How do you come by most of your inspiration, if I may ask? Most of mine just… appears, or I see/hear something that triggers a chain reaction of thoughts and ideas. How does it work for you?

Heya! Thanks for the question!

So, for me, a lot of it is similar to yours. I also have a random little list, so let’s see here, uh…

1. Constantly muttering dialogue to myself. I say this frequently and it is not a joke, about 80% of my time alone I am muttering things the characters are saying to each other and if it fits and sounds right then I chunk it out in a document and build around it. Examples are the Nasuada and Arya conversation in Understanding, nearly every story in the 'For a Future Story' shorts, and quite a few more I can't remember at the moment.

2. I try to write what I know, which means if I find a sensation, typically tactile, that I latch on to then I can probably find a way to work it into a fic. Other times it's things that I've experienced physically. That creepy Durza story, Grip? I was remembering the time I tried to breathe through a precordial catch after I got another one after years of not having any. I felt like I was straight up dying, and I was stupid enough to try and breathe in again and spent a good minute laying there unable to move or breathe at all. Fun stuff! But also delightfully inspiring for torture and yes, before anyone asks, I indeed have had my head examined, and I am fine, if just a little bit...odd.

3. Chatterboxing with my coworker/friends. Some of them do indeed let me stream of consciousness talk about MIC and stuff. Some ideas come from there, though they mostly ignite the random 'omg what wait' posts rather than full blown stories.

4. Rereading the books on occasion helps! Reunion and this current MIC wild phase began there. Also, other media! The Escape series idea was originally started by a scene in the Halo web/miniseries 'Forward Unto Dawn' where Chief punches an ammo storage cage and rips it off its hinges.

5. I'm curious. If I have a question, no matter how strange or out of place or wild or disturbing, I go looking for an answer. Rabbit holes! I learn so much about the body, psych and physical reactions that I can't help but put them somewhere after I learn them. I am always trying to learn new things, and once I've learned of them, if they're something that applies, I go looking for first hand accounts and experiences to learn how other people go through them or feel them, because no one is all the symptoms, no one is all the same, ya know? AskReddit is, funny enough, a wonderful tool when it comes to that.

6. Yes, Arya lives rent free in my head. Sometimes Brom, Glen, Durza, and Islanzadi join her and they have conversations. Eragon and Saphira not so much, Murtagh is mostly absent due to his absence in the war, but they show up still. I've been recently informed this is called Brainrot, but it's only mildly contagious and not always detrimental, so I've held off seeking medical help.

7. Long time ideas. There are ideas and concepts and stories that I have been unable to fully write or get down for well on seven years now I think. Oh god, wait first iteration of MIC was in...2014/15, so...Oh god, I feel olllddd. BUT! These ideas never fully materialized at the time because I just don't have the right feel, the right things to connect them, or just not the right flow at the time. The Escape series was one of these! It took me YEARS to finally get a random spark at work that connected everything together and set off that hell of a ride to 12k+ words. That spark was, hilariously, boiled down to two words: Durza Parade.

8. You!! and people like you!! People who ask me questions about MIC make me think! And that's wonderful for ideas!! You guys make me think about the things I don't typically think about! I learn new things trying to answer! So thank you! For asking questions!

9. Congratulations, you made it to the end of list, so you get my biggest, baddest, TMI'est secret to how I go through bursts of inspo and writing: HORMONES. I have a form of birth control that allows me to choose when that happens and when it stops. If you ever see a lul in MIC and then a sharp spike in me doing the cat gif of scitterscramblezoomies on a bed, then you probably know I'm complaining about taxes on hygiene products but also hanging from the ceiling yelling things about torture and ptsd and recovery and everyone doing stupid slice of life and funny things and cuddling. And/or the hormones are back in the system and it spikes everything that way instead of with Shark Week. *Fingerguns* Which is what is currently going on. Had absolutely no effect going through Shark Week, currently losing my mind going back to regularly scheduled programing.

That's mostly it, I guess. Sorry I went overboard. Sorry for the TMI but honestly if anyone who has stuck with MIC the past year or two looks at the blog activity they could probably track that shit. Which I find fucking hilarious. I write about torture, I'm not shy anymore. Sorry.

Thanks for the ask, and thanks for the interest!! Hopefully you'll stick around for more stories and shorts and wildness to come!

[stella-fragmen]

No, that's not from 1966 dumbass

Long post ahead, you've been warned.

I had the most recent misfortune of coming across a yt short about how artists/culture take inspiration from art movements/culture of the past. Pretty normal stuff we've been doing that crap since the Renaissance at least. The short (with 1 million views, mind) used the example of Art Nouveau being popular in the Psychedelia movement in the 60s/70s.

Art Nouveau was my bread and butter as a teen; then when I went to study Graphic Design, I adored looking at the design work of the music industry, Psychedelia included. So, when this man on a green screen is pointing his fingies at a poster and going "and THIS was a poster Pink Floyd used in the 60s!!" and it's this:

Yeah, this doesn't look like a '66 poster to me. It's close! We have the garish hot pinks and greens and swirly typeface, but everything else? Something was off, and I was going to spend my morning figuring out why (it's my day off, I can do that).

The Design First thing that tipped my off was the colours, too damn many. A lot of these posters done were done using silkscreen, and let me tell you screen printing ink is not cheap. Colours this complex and varied weren't that common on posters like this. It'd a max of 4 colours, usually saturated enough to make your eyes bleed. Here's an eg from the same year the Pink Floyd concert "took place":

You might also notice the absolute wall of text on both sides of the nude lady. Because, y'know, this was first and foremost a poster to tell you about a concert going on, the text needs to be there. Having the text smooshed in the corner (where it's barely readable due to the black colouring) gives me, how you say, the ick.

The Pink Floyd Now, enough about the design, we got to talk about the big thing.

Pink Floyd never played a concert on the 15th of March 1966. First off, it were a real concert, where's the other bands playing on the poster? Pink Floyd are good, but they would need someone else to warm up the crowd, especially for 5-hour performance.

So using my large brain to "google Pink Floyd dates" I found a few fan sites that recorded basically every performance they did. The band isn't exactly unknown and unloved, so these are easy to find stubs and posters to cross-reference dates. Even so, no such dates for 15th March '66.

Next we have something that would be a tip off for a knowledgable fan that this wasn't made in '66. Pink Floyd were "The Pink Floyd" until they dropped the "The" in late '66.

Unless the maker of the poster had to pay by the letter; this is all leading to a conclusion of work being made many decades later as to commemorate the band, the artist using a fake date for one reason or another.

But WHO is the artist?

The Artist If you try to reverse search this poster, you will have the ever wonderful joy of prints and posters that a shitty site is trying to sell you (most likely without any money going to the og artist). I only managed to find the artists name due to reddit comment left on a post where op had made the same assumption as the yt short man. Many thanks to The-Beer-Baron on reddit for that. The artist, my dear friends, is Bob Masse. His art spans back to the 60s psychedelia culture, all of which is archived in a lovely web 1.0 site.

It seems that he mainly does commemorative work/posters for bands, leaning more into Art Neauvou and Arts and Crafts (it's an art movement look it up) than his Psychedelic roots. I wasn't able to find the exact date of the Floyd Piece, but it does seem to appear in a '06 calendar, so we can safely say this is not an original 1966 Pink Floyd concert poster, of which any evidence of said concert is lost to time.

The Reason I Spent My Morning Doing This If you've been on the internet long enough, you know that ppl will spout incorrect facts bc they heard someone with a lot of confidence say it. I've been on Tumblr a while, I lived through Alexandrea's Genesis and users going "No but really-". In this case, it was a tiktoker with a 1.1 mill viewed YouTube short who saw a jpg and didn't dig any deeper.

I couldn't find who the artist was, because google showed me nothing but art prints claiming it was a real poster; or small/dead reddit posts where op repeated that false fact, and MAYBE a commenter went "hey this doesn't line up". As an artist, that would piss me off to no end.

Sure, it's small and not super harmful, but small incorrect facts like these can build up over time and if we don't check them out, we're more susceptible to bigger fibs.

TLDR: No, that's not from 1966 Dumbass

[wawamouse]

⭐, please !!!!! (if it suits you)

Dealer's choice, ei? I guess I will talk about "Life Gets Tedious Enough"/Something Deranged, my very first Oz fic(s). :) Immediate thoughts: horrible title. Doesn't match the theme I created with the rest of the series. The series also has a horrible name—"Something Deranged". Bit of a misnomer. The series is pretty tame. Fic #1 and the series title are both song lyric titles, that's why they don't match the theme. I honestly want to change both but idk what to so eh.

But yes, let's take a walk back to August 30, 2023. I will set the scene and first admit that the I had originally watched Oz in 2018 bc my college had HBO Go lol, but I had not watched it in its entirety (so Rewatch 3 is more like Rewatch 2 if we're honest…). I had read a lot of fanfic back then (mostly Miguel/Ryan) for obvious reasons (abundance) (Keller/Beecher didn't interest me that much) (I actually didn't ship anyone when I originally watched Oz — kind of amazing in retrospect). I download fanfic rather than bookmark it, so a partial Fringe rewatch in 2023 had led me to remember Charlie (Kirk Acevedo) was also in Oz, which led me to remember my treasure trove of Oz fic. I had actually used Miguel's character as the basis of an OC for a story I was writing back in 2018, about these two guys stuck at a cabin in the middle of nowhere, having to pull a lever everyday to prevent the sky from collapsing or whatever (as bad as it sounds), and I was like "hm" maybe I should reread some Oz fanfic to be re-inspired! (Note: I never did end up revisiting the story) Cue me rereading all the fic I had saved. Cue me rewatching parts of the actual show to contextualize the fanfic and Remember. Cue me being like "Hold on a sec, this Chico guy…"

Again, I didn't really ship anyone with anyone, but I thought Guerra was kind of funny for the atrocities (also and perhaps mostly because he was hot) (his pretty privilege...) (But also: him being a character that basically only exists to support Miguel's storyline = very funny. Very gay). In my Oz revisitation of '23, I was like "Wait, d'oh! enemies to lovers! Claaaassic! I'm sure this has been done!" Well, no spoilers there, it had been done. About 5 times, with only @/merelyafigment's wonderful "Dose" existing at the time I would've initially been crawling through the fanfiction archives. WOEEEEE!!! <My bafflement and disappointment.

Here was a dynamic that spanned nearly the entire show that seemed primed for the fanfic girlies (and me lol) to read into. Only 5 fics?? (I will say it was pretty serendipitous that 2 of them were Chinese, which I had taught myself to actually read starting basically just 3 years prior 🫡 物以类聚 人以群分 😆) That said, I think it was perfect that I got back into Oz when I did, though, because I didn't have much confidence in my fic writing ability before 2020 when I lost my mind and wrote 59 fics for a TV show I watched in April a month after most lockdowns began LOL. That experience was literally the only thing that made me go (SIGHHHH) "I guess I will have to be the change I wish to see in the world". And then I wrote "Life Gets Tedious Enough".

Ah, and now the commentary of the actual fic itself begins.

It's kind of funny to read it back and see where some of the characterisations and dialogue quirks I wrote into that fic, and that series in general, differ on how I would approach Miguel and Chico's characterisations now. Firstly, I used "hermano" a lot in that series, something I picked up from reading other fanfic which I don't use at all in my fic anymore, as I realised in subsequent rewatches that it's not really used in the show by anyone except by Ryan, mockingly.

I like the Chico hallucination choice I used in this series, though:

A part of him thinks nah, no way, remembering the fucking shadows—pointing at him, sending him away, back to Oz, that place he’d never left—remembering all those hands grabbing him, ghosts jumping on his back, sliding a garrote around his neck. But the green tab sliding out onto Alvarez’s finger brings to mind other memories, too—music pulsing through him, colors of the world warping to the beat, the world spinning, Alvarez seeming to glow in front of him— The little pill of Destiny sits pretty against the color of Alvarez’s skin, and Chico—Chico starts to lean forward.

And I see my penchant for writing Chico winding up Miguel until they straight up fight about it began here. There is a sensitivity and uncertainty I gave to Chico's characterisation in this series which began at the end of "Life Gets Tedious Enough" that carries into "Holding Up the Sky". I still flip flop on in terms of whether or not I think it's a stupid choice and random characterisation. There's definitely a lot in this series that I think I missed the mark on/feel self conscious about, but I was pretty satisfied with how "Life Gets Tedious Enough" turned out at the time that I wrote it, and I still think it's one of the better fics in the "Something Deranged" series. Idk. It's kind of a whatever series in general imo so I'm a little 🥴 that it's more or less got the most eyes on it out of all my Oz fanfics. It's okay, though. I was trying stuff out. I wish I had made "Thicker Than Water" a little more stand alone, though. It's highly referential to "Holding up the Sky", which is a bit of a weakness maybe... Although it was fun to rework certain moments into Chico's POV and change the emphasis of the scene or tweak the vibe, something I revisited in the alternating POVs with "Third Day of Spring". Worse fics in the series gotta be "Ripples in the Night" or "Aftershock", just because they are forgettable, I guess? Like among all the Oz fics I've written, those two ping the least in my brain and memory 😂. My favorite moments in the "Something Deranged" series gotta be when Chico no-nonsensely holds Miguel's hand in "Rolling On" and also in "Sun Dog" when they're standing in that patch of sun in the private hospital room, and Chico's leaning against Miguel :)

Okay, I've rambled way too much so I will leave things off here.

[coldflasher]

Answer the Questions and Tag 5 Fanfic Authors

Tagged by @kitkatt0430 and @softboydepot - Thank you both for the tag :D

1. How did you get into writing fanfiction?

So I was about 13 years old, I was scrolling through my brand new One Direction tumblr, username "its-a-1d-world", soon to become "curly-and-boobear-stylinson", a harrowing username that genuinely makes me shiver like someone just walked over my grave. Like I'm sure this means nothing to someone who wasn't in the fandom AND an extreme larrie but let me tell you. Imagine the most intensely cringe superwholock url you could have. It's on that level

And I remember seeing what we would soon come to very derisively refer to as a "harry het fic" on my dash. So like, in 1D fandom, you had your standard self-insert Y/N fics, you had the queer RPF where you were shipping the boys with each other, and then you had the "het fics", which is where someone would make up a female character for one of the boys (usually Harry bc that man had and still has an insane chokehold on teenage girls everywhere) to date. If anyone has had the misfortune to read and/or watch After by Anna Todd... that type of deal

ANYWAYS I was totally unaware of fanfic as a concept, which is quite funny because as a little baby writer I'd been writing extremely derivative pseudo-fanfic for quite a few years by that point, like stories inspired by Young Dracula or Narnia or whatever without really knowing what it was. But this Harry het fic floated across my dash and a little switch went in my brain because I was like WAIT. I COULD BE WRITING STORIES ABOUT THE BOYS?? Like this was so exciting to me because writing is like probably my biggest eternal special interest and One Direction was my like, most intense special interest at the time, so I was like WAIT. I CAN COMBINE THESE THINGS. And also PEOPLE WILL READ THEM AND COMMENT ON THEM and I was sooo convinced I was god's gift to writing at the time so I was like well OBVIOUSLY everyone will read MY fics and I'll get super fandom famous instantly.

So I wrote an incredibly terrible Harry het one shot with an original character and literally got crickets. Nobody read it. Very embarrassing. I think I wrote a handful of these and nobody wanted to know, which is fair enough because I'm sure they were very bad. But THEN I was like okay fine, well everyone is obsessed with Larry, including me (though I very much liked it in a "bromance" way at the time, so I'll write a Larry fic instead. This is Louis and Harry for the uninitiated. It was the biggest fandom ship. We shipped all and every configuration of the boys but Larry and Ziam were the hard hitters. I think I wrote a few different one shots for various pairings but then I did my first Larry multi-chapter

ANYHOO the Larry fic was a big hit, I got all the outpouring of compliments and attention that my enormous thirteen-year-old head was convinced I deserved and that was kind of it really lmao. I was hooked. When I tell you I'd update my fics MULTIPLE TIMES A DAY because I was writing so fast and so obsessively, like god idk what the fuck was going on in my head but it was the greatest high I have ever experienced in my life. I also got incredibly deeply involved in the conspiracy theory about Louis and Harry's secret gay relationship and spent the next five years of my life tinhatting obsessively but that's a whole other story

2. How many fandoms have you written in?

In terms of what I've posted to AO3, only a handful—as mentioned, I started off in the One Direction fandom, I've written for The Flash and Legends, and dabbled in Doctor Who. In terms of fandoms I've written little bits for but never shared... so many lmao, the list (as far as I can recall) includes the following:

Batwoman, Supergirl, The Bold Type, The Devil Wears Prada, Once Upon a Time, Supernatural, Torchwood, Twilight, X-Men, and bizarrely, The Witcher, apparently??? I have ZERO memory of that, but it's in my fanfic folder. No idea what that was about

3. How many years have you been writing fanfiction?

I think I started in 2011/early 2012, so upward of a decade at this point... eesh.

4. Do you read or write more fanfiction?

Definitely write. I do want to read more fic, but I have a hard time choosing what to read and I am very bad at using AO3's search functions to find what I want.

5. What is one way you’ve improved as a writer?

I've finally started finishing shit!! Big moment for me lmao

6. What’s the weirdest topic you researched for a writing project?

I read an entire book on public defenders for a fic where Barry becomes a public defender instead of a CSI. I own a copy of a book called Forensics for Dummies which I'm slowly working my way through for fic reasons... I feel like none of these are that weird lmao

7. What’s your favourite type of comment to receive on your work?

Who doesn't love the mega long comments pulling out random lines the reader liked to yell about them. I sometimes get so excited reading these comments that I lose sleep over it lmao i love them so much

8. What’s the most fringe trope/topic you write about?

Lmaoo this is a very odd one but I once wrote a Larry Stylinson fic where Harry was Slenderman and he was haunting Louis, and either Zayn or Liam was like a Van Helsing type who was trying to hunt Slenderman!Harry down and kill him. Or maybe it was Nick Grimshaw, the at the time host of the BBC1 radio breakfast show. He was the go-to fandom villain at the time

I never finished it but that was a cool time, someone in the fandom actually composed an instrumental piano piece inspired by Slenderman!Harry which is up there with the coolest things that have ever happened to me

In general I don't know if I necessarily go that fringe. I feel like it's somewhat obvious I have a bit of a thing for femdom, and also like. Coldwest/coldwestallen in general lmao, I guess that's fringe-ish

9. What is the hardest type of story for you to write?

Funnily enough probably pwp. I feel like smut is generally considered to be just an easy fun time but I feel like my line-editing process is not conducive to smut writing thing because I write the first draft in a haze of feral horny energy and then edit and revise it over and over to the point where I no longer find it sexy at all and am unable to tell whether it's even still hot or if I've totally killed the vibe in my quest to find the most poetic way of describing the way people fuck nasty. It's very frustrating ngl

10. What is the easiest type?

None of them. This is such a cop-out but everything I write is hard because I'm an insane perfectionist and everything HAS to be beautifully crafted so at this point everything is hard. But ngl I find multichapters easiest to draft in some ways just cos I can kinda cling to the high of "ooh a new idea" whilst also contributing to the same project because the "new ideas" are just new chapters, if that makes sense? It's fitting them all together that's the hard part lmao

11. Where do you do your writing? What platform? When?

I use a combination of Microsoft Word, Scrivener, and a notes app on my phone called Penzu, which is where I scribble down all the random snippets and ideas and bits and bobs that come to me during the day. The bulk of my drafting and editing is done in Word and I basically only use Scrivener for its notecard function where you can move scenes around really easily, and then I transfer everything back into Word because of Tracked Changes. Does Scrivener have that? Probably. Scrivener has everything

12. What is something you’ve been too nervous/intimidated to write, but would love to write one day?

Honestly it's never really a case of "too nervous/intimidated" because I genuinely have never encountered an idea where I was like "hmm idk if I can pull it off", I have extreme faith in my own capabilities to an almost delusional level lmao, it's always just "I do not have time". But I do have this extremely long Coldwestallen fic that's inspired by Hades and Persephone, with Barry as Persephone, Len as Hades, and Iris as a soooort of Demeter figure which i know is weird because Demeter is Persephone's mother, but whatever, she more embodies the familial connection of the whole team rather than being an actual blood relative if that makes sense

So the concept is basically Barry as Persephone spending half his time with Len and the Rogues in the criminal underworld (I thought I was so clever for that one lmao) and the rest with Team Flash, and then the lines blur and it becomes coldwestallen-y eventually, but it's soooo long and basically split into four novels that I have written between 25 and 50k for each. It's gonna take me literal YEARS to tackle this thing so I've kinda put it on hold for now but I miss it so much

13. What made you choose your username?

So I wrote a joke in a fic that I genuinely have no idea whether I even posted it or not, it might have been in Aftermath. But basically Barry's suit gets blown up and he gets photographed literally streaking through the city totally nude (you can't see anything bc he's moving too fast but you can tell he ain't wearing any clothes lmao) and there's a newspaper headline that's like "THE FLASHER???" Let me tell you I was very annoyed the other day when I learned they already made that joke on Supergirl

And then I just added "cold" for Len lmao

[amazing-spiderling]

Ask art🎨! 1. 3. 5. 13. 15. 25. 34

What got you into art? When did you start?

I feel like I was one of those kids who was always drawing. One of the earliest hobbies I remember having was drawing, and since my mom was a teacher, it seemed like we were never at a loss for pencils, crayons and markers in the house. I think I also developed a desire to imitate things I saw on television pretty early on. I remember being TRANSFIXED by the Saban "Grimm's Fairy Tales" that would play on occasional Saturdays as part of Nickelodeon's "Special Delivery" programming. This was old timey anime, but even as a kid I could tell there was something different about it that I liked, and I tried to imitate the style as best I could in the margins of my notebooks.

Later, I got into comic books, and I remember wanting to draw my favorite characters from those (Batman was an early one, eventually giving way to Nightcrawler and the X-Men.) Again, I'd copy pictures out of comics I snuck in my bag to school. By the time high school came around, I was holding pieces of paper up to a paused video on television to get anime characters exactly right (please understand the internet was still in its infancy, and google wasn't even a thing yet). So I guess the thing that "got me into" art was seeing things I liked, and wanting to make them too.

3. What digital programs, if any, do you prefer?

I pretty much only use CSP for drawing, and then I'll hop onto Photo Pea if i need to do any grunt work (resizing/reformatting etc)

5. Who is your biggest inspiration?

Mostly, other people in my fandom circles. When I see people creating art of the things I love, it makes ME want to make art of the things I love. Sometimes this is people posting art that makes me think "I want to try that" and other times it's just conversations that spark something in my mind, but I know I'd be waaaaaaaaay less productive if I didn't have a community of awesome creatives to keep me fueled up!

13. Where do you draw inspiration from?

Hmm. Stories, I think? Sometimes I have an idea with a story connected to it, but I don't know if it could sustain an entire fic, and would rather see it as one powerful image. Other times, I'll hear a song and it will spark a visual in my mind I want to get out. And of course, I love a good redraw. I'm quick to draw associations between things I like, and a lot of time that has to get expressed as art.

15. Any tips and advice?

So, I actually originally went to school for painting hahahaha. I was convinced I wanted to be a fine artist. But I spent a lot of my time in art school convinced that I had to reach certain (totally undefined) thresholds before I would be capable (or allowed?) to do certain things. Use certain materials, attempt certain projects. And to be fair, I was limited by some things, like money, my ability to go places and *get* said materials, my available time etc. But that wasn't the roadblock in my head. Many years later, I was sitting in on a panel of female creators who had made a place for themselves in the digital space, and one of them asked the audience how many of them had an idea for a website, a podcast, a webseries etc- anything creative they wanted to do. A lot of people raised their hands. Then she asked how many of them had a cellphone. Everyone raised their hand again.

"Then you already have everything you need to get started. This isn't the best camera or microphone or computer in the world, but it's enough for you to get going. You don't need anyone's permission to get started."

I think that she did a really good job of articulating an issue I'd given myself- I was waiting for permission to do things, and I didn't need it! I try to keep that in mind now whenever I want to try my hand at something new.

25. Most frustrating thing about art?

Having an idea you're really excited about. Wanting to draw it. And being unable to make yourself get up and do it. I probably spend just as much time figuring out ways to have better habits and rituals around making art as I do actually making it.

34. Piece you didn’t think would get noticed as much as it does?

I cranked out that Scott Pilgrim deleted scene redraw (the comic with Murderdock at a Mary Janes concert) in the course of a single evening because the idea came to me all of a sudden and I knew that if I didn't do it RIGHT THEN i never would. Since that movie kinda only has a cult following, and the scene was only available on the DVD version, (and Murderdock was more niche than he is now) it was really something I did for myself. The fact that a bunch of people have found the idea s funny as I did still surprises me.