#oriental theme

[visenyaism]

correct me if i’m wrong cos i don’t watch dune.. but i’ve seen people call paul a tragic character. except isn’t he a whole white coloniser tricking indigenous poc into believing he’s a prophet to serve his own interests? that’s inherently evil that cannot be a tragic character imo

so yes that is correct that is what happens. the tragedy is that he is a sixteen year old boy who gets a vision of this happening and he is TERRIFIED and absolutely does not want this to happen at all. He does not want the holy war he does not want to be the chosen one he initially very much wants to fight alongside the fremen as equals trying to liberate themselves from their current colonizer without becoming the messiah because they have common political cause.

And then the entire second half of the first book (and the second movie) are about the concessions he makes to himself bit by bit by bit (well it’s the only way to save his mom and sister. well it’s the only way to prevent nuclear war. well he does want his revenge. well maybe he IS special.) Until by the end he has lost 100% of his humanity, fully wants to be the messiah and is willing to manipulate people into thinking so, and has declared himself duke of arrakis in his father’s name and made a play for the imperial throne.

you’re right that it’s evil. the book and these movies agree with you. the tragedy is watching a child who desperately wanted to avoid this slowly completely lose himself to it anyways. i don’t think “tragic” and “evil” are inherently mutually exclusive.

[audliminal]

Survivability Bias Pt 3

Masterpost

Content warning: This chapter involves depiction of a train derailment and subsequent fire throughout. There is also brief mention of death. I will be putting a brief summary in the description if you prefer not to read this part.

Danny jolts up from his fitful sleep. He’s intangible and invisible before he’s even fully sitting up and he’s in the air before he registers the loud boom that woke him. Any concerns about his bright transformation are made totally irrelevant by the warning sirens blaring in his head.

Wait, no. Those are real sirens.

In the distance, lights are now accompanying the sirens; flashing as they speed down what looks like main street. It’s pretty clear where they’re going too, from the violent orange glow cascading over the tops of the nearby buildings.

I knew it, Danny thinks, flying towards whatever disaster is unfolding. probably it’s stupid to get involved, when he still knows so little about this place, but- well, old habits die hard. It doesn’t take long for the problem to become obvious, and Danny freezes as he struggles to process the scene before him.

The metal carnage is nothing like Danny’s ever seen before; what looks to be a freight train has derailed at the worst possible location, sending its cars careening into the various apartment buildings and stores on the east side of town, and to make matters worse, one of them has clearly crashed straight into the gas station by the freeway, and fire is spreading faster than Danny could have imagined.

Danny can already see two buildings blazing, but he quickly focuses his attention towards the carnage of the train itself. Luckily it’s fairly obvious what direction it was headed, and Danny moves fast, looking for the engine. In ghost form, physical sensations always feel a little more distant but even through that, Danny can feel his heart rabbiting in his chest. Luckily it takes less than a minute to find the engine, but as he approaches it, the presence of death catches in his throat, and he immediately knows it’s a lost cause.

He can’t sense any actual ghosts, though, so instead Danny whips around to stare at the derailed cars. He’s far more used to fighting than he is rescues, but he can hardly just ignore the possibility of people trapped, so he carefully begins phasing through the wreckage, searching and listening for signs of anyone. Already, people are starting to gather outside; both those who were nearby and those who have managed to escape on their own, and Danny is careful to maintain his invisibility as he works. 

Danny’s made it through about half the wreck by the time he spots the firetrucks arriving, he’s pretty certain that nobody’s trapped under any of the cars, and he’s also thinking more clearly. The fire has also gotten worse now, and Danny watches as fully equipped firefighters spill out onto the street, already jumping to work as the fire chief shouts out orders. Some rush to start battling the flames, but others head towards the crowd.

They’re getting headcounts, Danny realizes. It seems so obvious in retrospect, but of course, Danny would have to be visible to check with anyone. And now that they’re here, anything he tries to do in secret would probably just make things harder. There is, of course, an easy solution to that, but- Danny has yet to find any evidence that all the meta stuff is anything but propaganda.

Even as Danny considers the dilemma, he knows what he’s going to do. He’s survived danger before, after all, and if he can keep people from assuming ghost, then he’ll have an advantage on them even if it comes to the worst. Besides, there’s that whole great powers-great responsibility thing, so in a way, it’s kind of his responsibility...

Danny floats out of the wreckage before shifting into visibility, figuring it’s probably polite to approach in their field of sight.

“What can I do to help?” Danny asks, causing most of the crowd to stare in shock. Belatedly he realizes he’s still floating, but actually that’s probably a good thing. Makes it clear he’s a meta right off the bat, at least

“New hero, huh? Powerset?” The man responds promptly, leveling Danny with an even gaze. Probably the lack of shock is a good thing. Probably.

“Uh, flight obviously, enhanced strength as well, and um... The ability to turn people and things intangible?” Danny responds promptly. It’s far from his full set, but he figures those are the most relevant, and keeping most of his tricks under his sleeve makes him feel better about what he’s doing.

“Is the fire gonna hurt you? I’m not sending some kid in there to die of third degree burns or smoke inhalation.” The man frowns, giving Danny the distinct feeling he’s not particularly impressed with Danny’s answer.

“Oh! Yeah, no, I’ll be fine! I like, don’t exactly need to breathe? And I’m fine in extreme heat too, so it shouldn’t be a problem...” Danny trails off and the head firefighter narrows his eyes as he tries not to flinch at the assessing look. To Danny’s right, someone shouts and when he turns to look, he sees a firefighter wave their arm and plant some kind of flag before moving on. No longer paying attention to Danny, the chief walks over and speaks to another firefighter. Danny wonders if he’s been dismissed, but before he can do anything, the chief calls out to him.

“Alright kid, you’re up, I guess,” he says, when Danny walks over. “We don’t know how injured he is, so do not move him, but if you’re strong enough to move this stuff fast and safe, that’ll be a damn good help.” He gestures to the twisted mess that Danny’s pretty sure was the edge of a building. 

Danny nods, stepping forward to examine the rubble. The firefighter that spotted the man points to a couple beams.

“Those beams are protecting him from the worst of it right now, but we’ll need to move them in order to get him out, so you gotta make sure that there’s nothing that’ll fall on him him when you move them.” 

“Righty-o,” Danny says, stepping forward to grab the two support beams he’d pointed too. He carefully examines the rubble collapsed around and over it. It’s sort of like a puzzle, he realizes - not quite the same as fixing his parents tech; certainly nothing here is supposed to be smashed together like that, but-

Danny blinks and refocuses. If he  just moves a few things first, he thinks he can get enough cleared away and just intange the beams. He tries to be fast as he does, without forgetting the emphasis the chief had put on safety, and after a few moments, he’s ready to move the beams. He gets into a good position, and then carefully makes them intangible, ready to react if anything bad happens. When nothing does, he carefully pulls them up and away, watching as the waiting firefighters rush in and start to work on actually extracting the guy.

He watches for a bit as a backboard appears and they begin a very slow and careful process of getting the guy onto it.

“Kid,” the chief calls, pulling Danny’s attention away.The chief guides him towards one of the buildings that’s on fire. “Got two people trapped on the third floor here. The stairs are unsafe, so if you can, get yourself up there, locate them, and get them out.”

Danny nods, not waiting for further instruction. He flies up two floors, and goes straight through the wall with his intangibility. The majority of this building isn’t terribly damaged, but one side has collapsed in on itself so if that’s where the stairs were, he can understand the difficulty. The air inside is already thick with smoke, and he quickly stops breathing, belatedly remembering that he’s supposed to not get smoke inhalation. Luckily, it doesn’t take long to catch the sound of voices, and Danny follows it to a room where two people are huddled next to an open window. Right, that’s a smart way to limit the danger of the smoke.

“Rides here!” Danny announces cheerfully, dropping his intangibility. Both people startle as they spot him, but one recovers relatively quickly.

“Him first,” they say, nodding towards their companion, who definitely looks more dazed.

“Right, here we go!” Danny says, stepping forward, and scooping the person up, and wasting no time flying directly through the building, and down to the waiting paramedics. There’s no stretcher currently available, so Danny gently sets them on the ground away from the worst of the smoke, before flying back to get the other person. They’re already standing up, and waste no time in wrapping their arms around his neck as he picks them up and flies them out to the medics as well.

Danny hardly has time to set the person down, before the chief is pulling him away again. They send him in to save a couple other trapped people, but after that, it sounds like everybody is accounted for, because the chief starts focusing all their energy on putting out the fire, rather than just containing it.

Danny is surprised to find himself pulled into helping with this part too. He gets assigned to a fire attack team, and Danny trails along after the two firefighters as the enter the building and begin to fight the fire from the inside.Occasionally, one of them will point at some piece of wall or ceiling and ask him to check what’s on the other side. He goes where they say, looking for signs of the fire, and when he does spot flames, occasionally tearing stuff down so they can get to it with their fire hose. It’s honestly a fascinating process. Danny’s never been anywhere near a major fire and the fact that the firefighters actually do more damage to the building as they work echoes in Danny’s brain as a morbid refrain.

What they’re doing is clearly working though, because he can actually feel the ambient temperature going down as time goes on. He briefly wonders if he should be trying to use his ice powers when one of his teammates complains about how hot it is, but they have protection, and he doesn’t want to risk any more info on him getting out. And anyways, he’s busy enough just doing his job. By the time they leave the building, Danny is exhausted. The interrupted night’s sleep is making itself known, alongside the surprising realization that Danny has actually worked harder tonight than he ever has before.

He lets himself half-collapse against a wall beside one of the fire trucks, once they finish their work putting out the fire. Beside him, his teammates are divesting themselves of their gear. it’s funny, Danny was anxious about revealing himself at first, but this whole night - and Danny belatedly realizes the sun is beginning to drift above the horizon now - he’s not been scared at all. Sure he’s been worried; with people in danger he’s hardly going to feel good, but in the last few hours he’s both worked harder than he has in any of his fights, and he’s done it without feeling terrible. Now, with just everyone accounted for and just about all of them either fine or in the hands of doctors, he feels odd.

It’s not a bad feeling or anything, kind of like when he successfully beats a hard level in a video game, or how he used to feel when he finished science projects in middle school.

Satisfaction, he realizes. And that’s what it is, though it’s far stronger than any version of it that he’s ever felt before. He does have a lot to feel proud of too. He  helped, even though he wasn’t sure it was safe to, and he might’ve actually saved somebody’s life tonight.

“You did good, kid.” One of his teammates says, echoing Danny’s thoughts. He startles a bit, feels himself flushing, and then in his embarrassment, he feels himself tumble over into a full blush. It’s always felt more embarrassing blushing in his ghost form. The way his skin actually glows with the green tinge is just so obviously inhuman, and he tries to avoid, tries his best to seem normal and alive, even when he’s a ghost.

Of course, these people don’t know he’s a ghost, but from what he’s seen, most of the heroes out there at least look functionally human, and he waits for the firefighters around him to freak out at the reminder that he isn’t even remotely one of them.

“Damn,” one whistles. Green glow is a new one. Makes your freckles real cute though.” The others laugh, and the other of his teammates steps forward to pat him gently on the back.

“Stop embarrassing my new favorite hero,” the chief says, walking up to join them. “You gotta name?” 

“Oh, yeah!” Danny answers, desperate for a distraction from this line of conversation. “I’m Danny!”

“Danny,” the chief responds flatly. he almost sounds exasperated, though Danny can’t imagine why, unless...

Unless that absolutely sounds like he just introduced himself normal and they think he’s a hero and he sounds like a dumbass without a secret identity, which- technically isn’t exactly wrong. 

“Yup!” Danny says, trying to make it sound intentional. “Danny Phantom at your service! Y’know cause of the intangibility and like. It just sounded good?” There. That sounds plausible. If he actually does end up having to be a hero, though, he’ll probably need a different first name. If he gets a civilian identity, that is.

“Well, Phantom,” the chief grins, that same assessing look from before back, but noticeably more relaxed now that there’s no immediate danger. “We’re damn grateful for all your help, and if you need anything you come let us know, alright?”

“Yeah, one of his teammates echoes. “You’re an honorary firefighter now, you should come hang out at the station sometime!” A couple of the others echo the sentiment. It’s surprisingly kind, and Danny smiles at the unrelenting wave of welcome.

“I’ll think about it,” he offers uncertainly. “For now, I think I ought to go back to sleep for a few more hours.”

“That sounds like a good idea, Danny,” the chief says. “Just make sure to get something to eat first. You’ve burned a lot of calories today.”

“Yeah, will do,” Danny offers an awkward salute to the man, and then, before he can actually fall asleep standing up, he takes off to hunt down a good spot for a nap.

[monstrousinnature]

Sibficest

Sibling x Sibling/Sibcon shipcest flag

A flag for fictional pairings/ships consisting of siblings, even if they aren’t biologically related; this flag can also be used by selfshippers.

this label is for fictional characters only; this term does NOT support real life incest/consang.

tagging @proship-flags

[canisalbus]

hey! do you consider yourself a furry? if so, do you enjoy being in the community? if not, what label do you use, and why? (been wanting to ask this for a while:))

Sure, I don't mind being called a furry. My art certainly qualifies as furry art and my characters are furry characters. But I've never been that connected or active in the furry fandom in general. There's a lot of core experiences that I'm missing: I don't have a fursona, I don't own a fursuit and I've never been to a furry con. My online circles are very furry-centric but I don't think any of my irl friends consider themselves furries, despite our shared tastes and interests.

[sakiyaki-sashimi]

@lanternsandlightmares

@microwaved-meat

@ac1dic-angel

@uranpyrochlore

@sillystringstar

Hello! I have gathered u today for the project sekai fan unit RP! How this is gonna work is that once we decide on a theme/story, you make a character that could fit in the band and make a sideblog for that character! I don’t police what ur OCs are like, all I ask is that they are in age range of the normal PJSEKAI characters! I know yall are super creative so I’m excited to see those when that time comes :3

First we need to decide on a theme :3 I have a chill idea and if u have some reblog! After a little bit I’ll decide which theme we’re doing! Btw if u like any specific idea already mentioned make sure to write that too!

- I think a detective theme would be pretty fun, where the characters solve mysteries around the school Hyouka style! Maybe one of theme has a detective or police parent and they steal a file so one day these high schoolers start genuinely working on a murder case XD

- Maybe some sort of enemies-to-friends type theme would be cool? Think breakfast club, where one’s a sportsy person and one’s an artist and one’s the popular girl and one’s a nerd but they all meet up and are forced to hang out for whatever reason but slowly become friends!

Note that I love fantasy and all that stuff so if any of ur ideas are magical based don’t be afraid to tell me them! Also: I love crossovers, but let’s not suggest them for this specifically bc I’m worried that not everyone would know the second source material

Lastly! This is meant to be fun!! If it’s not fun just quickly @ me (I don’t rly do DMs, sorry!) and say that u don’t wanna do it anymore! U don’t have to offer an explanation, I won’t be mad :333

Have fun with idea making!

[rabidbatboy]

🧼 — THE FIRST RULE OF MOGAI CLUB IS:

DESTIEL GAY: a flag for gays who feel connected to destiel, the pairing between dean and castiel from supernatural

DESTIEL LESBIAN: a flag for lesbians who feel connected to destiel, the pairing between dean and castiel from supernatural

TAGGING: @flageditsarchive @orientation-archive @radiomogai

YOU DO NOT TALK ABOUT MOGAI CLUB — 🫧

[flo-n-flon]

And the last part of the WoTtober prompts:

Fire - Aludra Nendenhald

Ambition - Mili Skane

Palace - Shalon din Togara Morning Tide and Ailil Riatin

Well - Mazrim Taim

Fan - Hurin

Curiosity - Seaine Herimon

Counsel - Aleis Barsalla

Bonus: Key - Siuan Sanche

I hope you enjoyed this challenge with me

[animatedglittergraphics-n-more]

requested by @vminscollar

[squidfreak]

Squid Sapphic + Octopus Sapphic

Squid and octopus themed sapphic flags, also made in mine for people who like squids/octopuses and/or are a squid/octopus!

Squid Achillean + Octopus Achillean

Squid and octopus themed achillean flags, also made in mine for people who like squids/octopuses and/or are a squid/octopus!

Squid Lesbian + Octopus Lesbian

Squid and octopus themed lesbian flag, also made in mine for people who like squids/octopuses and/or are a squid/octopus!

Squid Gay + Octopus Gay

Squid and octopus themed gay flags, also made in mine for people who like squids/octopuses and/or are a squid/octopus!

[rubynymphyy]

Pokeddexy Day 27: Coolest Pokemon

.... yes it was a pun. also because I really wanted to include her: Parfait, she/her, adamant and likes to thrash about! she will whoop your ass. she will whoop anyone's ass. central part of championship team strategies, If She's Going Down You're Coming Down With Her.

main concept was.. The Skull! The Skull! The Skull! and destiny bond, and her focus sash that makes sure she gets at least 1 chance to use destiny bond every time...

[babymagi]

I wasn't aware that it was like normal to post commissions that you've bought I just like having cute art to look at especially these ones (I cycle through them being my wallpaper) but I do kinda want to show them off ehe

These are all drawn by the absolutely lovely @julymarte who's an absolutely amazing artist and person, I highly recommend checking her art and comics out :)

Magi Chibis

Orient Chibis

Magi Sketches

[emblazons]

I'm gonna keep it 300: Once I realized that byler v mlvn (at least in canon) was never a competition of "ships" or even heteronormativity versus queer rep but a conversation about thematic points being made by the duffers, I ceased feeling any real doubt about the outcome of this segment of the intertwined character narratives.

Why? Because The Duffers (while notoriously mum about their plotlines and twists) are vocal as hell about what they value & what "lessons" they're trying to drive home.

With The Duffers (unlike a lot of TV writers today) its "find the thematic line and you find the endgame plot." That's literally it. And tbh, even if I was someone who couldn't stand byler for whatever reason, from a narrative theme perspective, its pretty clear that

"15 year old boy who both longs for and fears the consequences of nonconformity finds the bravery to get out of a relationship that fuels those insecurities while leaning into his relationship with his fellow-nonconforming best friend"

tracks more with The Duffers value system than

"boy and his superhero love interest spend their 5th consecutive season barely seeing eye to eye on interests and problem-solving while relying on other people who know them better than they know each other to fix their relationship before dramatically separating and coming back in a melodramatic flourish."

Like. I don't even need to do more mental work than that to understand whats happening with this part of the story, because after 7 entire years of watching the rest of the show, its clear they'e written Mike and El into the same corner that's broken up every other dysfunctional relationship in Stranger Things, from Stncy to Joyce and Bob: a lack of common interest and a lack of common goals.

When you look at that, and combine it w/ any knowledge of the—

"What's wrong with playing DnD as an adult" "we are nerds and children at heart" "we hated HS & did other people's assignments to stay relevant" "one of us married a fellow horror fan who shares our interests (Ross) and the other has decided not to officially partner (Matt)"

—Duffer Brothers? lmao.

The only snag I ever hit trying to understand that was the S3 tone shift...and even they admit that was their narrative "play" season, which (however you feel about that as a writing decision) says every single thing about what's gonna happen when things get "more serious" (while moving back to S1 energy) in S5. 🤷🏽‍♀️

[un-pearable]

legitimately anyone who is a self described fan of children’s cartoons over the age of 12 needs to watch Infinity Train. it explicitly bridges the gap between the tone, tropes, and storytelling limitations of Y7 and the level of complexity than we want from it. every single person writing pages long screeds about character development and nuance in shows that are primarily marketed at a younger audience but have significant meaning to older age groups would get so fuckin much out of the themes and story of Infinity Train, which is explicitly a story about those more complex themes.

it gamifies character development as part of it’s core conceit. each season gets more mature as it deals with more complex issues of morality and ethics and it’s still a silly epsiodic show with fun gags. it grows up as the story progresses with each anthologic installment giving you more complex interpersonal relationships and issues. there’s on screen cop murder. cults. incredibly gay coded music duo from the 80s that are the most divorced twenty year olds you’ve ever seen. a story that grows with you.

and you can’t fuckin watch it anywhere bc the animation industry is a puppet at the whims of investors in love with the impossible horizon

Infinity Train is the result of a decade of shows like Adventure Time and Gravity Falls and Steven Universe, of animators and artists’s growing desire to tell stories that grow with kids beyond their designated demographic in the American cultural conscience. and you can’t watch it.

they were going to talk about alzheimers. the thesis of infinity train is that animation is a medium, not a genre. a vehicle for exploring complex topics in a way that live action can’t. it’s a therapy train that traumatizes it’s riders more often than not. they covered everything from divorce’s impact on children to trans-coded identity crisis to the realities of a Lost Boys experience. what it means to be human. they were going to talk about alzheimers

it’s literally a vehicle for character development . it’s the midpoint on the spectrum between children’s media and mature writing. it is everything you seek out of fan fiction being explicit in the text. and you cant watch it bc it being animated means it’s worthless

[monstrousinnature]

Kincest

A term for when you are a character through kinning, but you also ship yourself with them.

Alternatively, when you and your partner are both the same character through kinning.

This term is a cousin to Altercest(link).

This term is not for anyone against selfshipping or proshipping.

WE ARE ANTIR-Q, RQs FUCK OFF.

black & white and also the symbol below

[flingza-roller]

im very normal about that trailer

[eri-pl]

Silmarils, grief and hope.

We all know grief is a big theme and all that, and related to Tolkien's life. But. The Silmarils.

Long chaotic post about "wanting the Silmarils is related to having unprocessed grief" and "the Silmarils are hope, but Not Like That".

(I'm not sure how many there are for whom it makes a difference, but I assume it's a non-zero amount: sort of Morgoth-pov at the very end which may be emotionally intense. For convenience, it's separated with a picture. The rest is much more calm, I think. Just chaotic and may have autocorrect errors.)

Why do so many people (allegedly) want them more than it would make sense, even if they aren't cursed?

So many events on the story of those jewels are related to grief. Feanor makes them after his mother does and he cannot process his feelings properly (which is not his fault; where would he learn to process them? But it is a thing.)

Then he loses them when his father dies and really wants them back, swears the oath. Then he does and his sons swear the oath again, and of course they don't process their grief properly either.

Oh and I forgot, before that, the Valar. They lose the Trees and want them back. Interestingly, it's not Manwe (the king) who is most focused on getting the Silmarils for that, nor Varda (most associated with them), but Yavanna (sure, it was her trees, but also she's the most loss-avoiding Vala, she misses each tree that is being cut) and Tulkas (lowest emotional intelligence of all proper Valar). Again, the perceived need to get the Silmarils is where there's some unprocessed grief, and most intense in those Valar who would have the hardest time processing it.

(and Aule! He actively advocates for granite keeping it. But I'm sure the "my best Maia joined Morgoth, I'm constantly bullied, my wife doesn't like me, and I am never a jerk despite it all" guy is pretty good at processing his negative feelings.)

(Also, how the sun and moon are made? The fruit grow when Nienna cries, and it is Nienna, she is processing the grief in a proper, healthy way. And it... It solves the problem (lack of light) for which the Silmarils were "necessary". Sure, the moon and sun are lesser, not as beautiful... But there's a theme there. Namely, the third of them. 🙂 Things change. You can't fix anything important by going Ctrl+Z on it. You have to go forward, not backwards.)

The Silmarils are the feeling of hope (see: reactions to Gil-Estel, and it's very name) they are a promise that it all will be good. They are a good thing, but to an untrained eye the promise seems much more immediate, much more like something that can be done here and now.

If I only had them, all would be fine.

And they are not this, Nienna would know, I'm pretty sure Varda knew too when she blessed them (she may have not realized how others see it). They are just a reminder of something unsaid. Estel, not amdir. (It's a little funny to me how this means "looking up" but it's not for this post)

Anyway, the Silmarils. Thingol who realizes he'll lose his daughter (doesn't know how much he would lose her, but a sad marriage to a diet Man is enough, also a kid growing up can be a grief in itself. Or maybe it is because she will be mortal, maybe he suffers from what @dfwbwfbbwfbwf called "pre-traumatic stress disorder"). And a Silmaril is the only thing that could let him through the pain of losing his daughter.

And then he carries it, of course he does, if he let it go he would have to face his pain. He dies and Luthien wears the jewel, then after her death - Dior. A chain of deaths and losses and a beautiful gem.

It is too much for their half-mortal eyes, too much hope to be able to let go of it even if they had a reason.

And Maedhros starts demanding it after Unnumbered Tears (unnumbered, unprocessed, unhealed), which sure, has also a more political/reasonable explanation (he's out of other options), but also, it's a lot of grief.

And it goes into a chain of deaths.

Melian never cared about the Silmaril (she cared about it as a problem, but not about having it). Beren gave it up easily. Earendil have it to the Valar (they have it back later).

The dwarves... There are two things here. One is generational trauma of "the sindar hunted our ancestors for sport"+general racism. The other is that dwarves generally have more need of hope I think... Elves are reborn, Men are said to go somewhere beautiful and mysterious, and the Dwarves??? It's very uncertain.

And at the end it is Makalaure "singing apology songs which doesn't make me less of a murderer, just a hypocrite, but at least helps me process my traumas" Kanafinwe who throws the hope away because someone else would make a better use of it probably, and goes on to live through his darkness.

It's so hard to face your pain and start looking not only at hope for you, but at hope for the others. And sometimes what the world needs to have more hope, is you facing your pain.

I can't find a clear name for what the Silmarils are/mean in this... Something close to hope, but also something you must let go of to process your grief... It's inherently good, but can be overused... I'm sure there's something fitting, I just can't find it.

And the "Feanor will break the Silmarils" thing? For the trees? Seriously? No. He will break then because he will learn to live without them, to live with his pain. He breaks then because they aren't relevant anymore. (Who said that about fulfilled hope not being called hope anymore? My favorite "I can write more weird and more enigmatic stuff that you, but it makes waaay more actual sense than your posts anyway" guy?) He breaks them, but it's not necessary, it's just natural.

(but also tbh they do look a little like seeds so idk why not have new trees, they are kinda cool... well my perception of them looking like seeds is based mostly on "need to break" anyway... My thinking goes in atypical ways)

And there's Morgoth. Oh of course there's Morgoth. The dark Vala who couldn't (wouldn't) process his feelings even if they came with a manual. (He's an Ainu. They very likely initially came with a manual. But he thought he knew better)

He wants to steal hope and blacken it, and destroy it, right?

So... He feeds the Silmarils to Ungoliant? Tries to break them? Hides them far away?

No.

He wears them on his face, even if it hurts terribly. It hurts like dying. This is how clinging to your ego defences feels like. "the pain demands to be felt", to quote my favorite psychology YouTuber writing someone else. If you don't face it, it will still burn. If you run away from it, it will still be there. If you cling to the "I am not sad, everything is fine, it's great", it will burn your face.

But anything else would mean admitting there's a problem. Admitting that they burn would mean admitting that he was wrong. That his pain is there, and also it's not purely (not mostly tbh) others' fault, that he's not the victim in here.

What pain?

Well if you want my opinion, it's funny that it was Finwe who guarded the Silmarils. Finwë who favored his older, more temperamental, more brilliant son and made him the crown prince. Finwë who never told Feanor to sit down and cut his BS. Finwë who everyone says it's such a great father. So if everyone says that, it is rational to expect such behavior, right? It's valid to be angry about being treated in a different way? It must be. Anything else would mean that he was wrong.

It's better to burn.