#or trying to save nature

[ghostbsuter]

He'd moved to metropolis on a whim.

The city was big, he's earning good money via commissioned things (most people come to him for cosplay actually, who knew that knowing how to build a sci-fi gun that doesn't even work would be this wanted??) and he's got a nice apartment!

Superman and Supergirl were the active heroes, he didn't need to involve himself anymore with the world of heroes, he would continue as a civilian. It was better this way.

So how come LexLuthor, of all people, what is his luck?, sends him an invitation to LexCorp AND once declined, seemed to have created some sort of energy absorbing weapon that directly zoomed in on his immediate whenever around?

Civilian life is one thing.

Being rescued via Super for the 9th time is another.

"Hey Danny." Supergirl grins, they're floating to the side as Superman deals with Lex.

"Hey, Supergirl." Danny replies with a sigh, holding his bag.

[poorly-drawn-mdzs]

As an owner of an xxy calico Jin rusong as an xxy calico is both so fun to see but so fitting and so sad in context of your warrior cats au

May I offer you a small consolation in the form of a slightly older Jin Rusong kitty?

[surreal-duck]

some business to take care of

[finalgirlsamwinchester]

supernatural was truly just. a fifteen year long experimental study looking into an audience's ability to empathise with the Narrative Scapegoat. the results? most people are still filled with the medieval urge to throw rotten fruit at the resident Freak in the town square.

[claitea]

thought it would be fun to put alto in a plasma grunt uniform and it was a good excuse to doodle the ranger n i keep thinking of as well

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[triglycercule]

can the mtt commit more crimes that just murder please i know theyre the MURDER time trio but ppppleasse,,,, please,,,,,,

they'd be terrible to be next to on the highway. horror's going 160 mph amd has long past gone over the speed limit. dust's out for BLOOD and by blood i mean your tires. he's somehow sniping those round rubber wheels from the high moving vehicle with the precision of a master fruit ninja player. if your car explodes or flips over in the process that's not his fault. and then to make matters worse for everyone on the highway killer's in the backseat scratching up the doors and windows of your car with a knife everytime horror gets close to another car and oops he accidentally just disfigured your face also did i mention theyre all drunk during this

ok so theyve all got the classic face WHY DONT THEY ABUSE IT!!!! horror gets to do a little paper mache to cover up his head hole and then wearing glasses. killer i dont know what the FUCK he can do to get rid of his perpetual tears but let's just pretend that theyre conveniently gone for now. and then all dust has to do is put down his hood! anyways identity theft is cool. imagine how much they could totally fuck up classic's reputation with this. set up fake tinder profiles and then scam people for their credit card info/free dates (while ordering every expensive thing) and stealing wallets. walking into various grillby's's around the multiverse and telling terrible jokes. like ACTUALLY bad jokes. and then of course just being a huge piece of shit at the bar. god theres so many things they could do pretending to be classic. which one of us is hikaru looking ahh except the only difference between the three is the color of the stains on their clothes (either gray (dust) black (killer) or red. well faded red (horror))

ROBBERY!!!! ROBBERIES PLURAL!!!??? train robbery gas station robbery bank robbery GOVERNMENT robbery (what would you rob the government for?? documents??? idk) anyways. mtt robbing a train except its just a really shitty plan and they dont know jackshit about what theyre doing. killer's taken over the conductor's cabin and now he is booking it. how fast are trains allowed to go idk but the maximum. anyways meanwhile horror's on the tracks fucking up the rails with his strength or whatever (listen i know he's weak but picking and choosing what hcs i believe in is my art) and dust is there to teleport him away before the train crashes into him and turns him into a trolley problem victim. and then of course that shit doesnt fucking work and the train just ends up flipping over and catching on fire or something (killer survives because of course he does he's killer). and then in the end dust just has to flip the entire train over and they just stroll into the part that actually HAS the money

and then they go out and get ice cream. sometimes the murderers need to take a break from murdering and just do NORMAL crime yk???

[luxurystark-jackson]

spn is so fun because its like dean has crises about his sexuality meanwhile sam has crises about whether he is a monster or just a very broken human

[basofy]

i think you can be as critical about the venezuelan opposition and maría corina and edmundo as you want but arent venezuelans allowed to choose for themselves even if the options arent perfect? are you willing to justify electoral fraud and police brutality, class inequality, bad management of resources, lack of maintenance of the country, breach of the law, lack of investment in health services and education etc etc just because the person doing it is someone you like or because you don't like the other option? are people at fault for wanting something different?

[xchronicles]

After watching the Screen Rant interview, I want Season 3 of Prodigy without Admiral Janeway or Chakotay appearing at all. Holo Janeway is more than enough. Kate is clearly against J/C for whatever reason, and she even went after Brett for wanting Gwyn/Dal. I'd rather enjoy Season 3 with the Protostar kids only and not get frustrated with the J/C stuff. Please, I'm begging. Brett, my beloved.

Media and art are escapism. We live in super messed up times, and I just want two imaginary, make-believe characters to kiss so my mind can escape into something positive and feel the love that the world is so clearly missing. People find comfort in art and can feel a bit of love through imaginary characters in this messed up world. The rest of Prodigy is about hope; J/C is about (romantic) love, and it's a positive path to take, especially in times where men are being taught to hate women by idiots like Tate. And here you have a character, a man (Chakotay), who gives zero fucks about power dynamics and gender roles. We want them together as a middle finger to the gender roles imposed by social norms. Janeway hates to cook and do house chores, Chakotay does not. Janeway likes to be in command, Chakotay is fine being her support. They are breaking the tiresome stereotypes, and dunking on the shippers for wanting them to be together is just playing into the 'a strong woman can only be strong if she is forever alone' trope. It's an outdated mindset.

That is why Kate. For every girl and woman who was told repeatedly she'll be alone and that no man would want her because she didn't fit the gender role. Because she wanted to be in power and be loved at the same time. For daring to want both. Women can have both. Women are allowed to have both. Being in a romantic relationship is not weak, and it's freaking weird to be saying that having two characters be in a romantic relationship who clearly love each other beyond words would do them a disservice. What does that teach the kids? That you have to choose? That having a powerful bond and a romantic relationship is mutually exclusive? It's weird, and I'm tired of pretending that it's not.

[cautiouslyyyoptimistic]

Cursed au where before transmigration shen yuan was OBSESSED with tomodachi life and miitopia with luo binghe as the primary mii that he spoiled to death. He didn't use any QR codes, this binghe mii is crafted by his own two hands with PERFECTION. And no!!! He's not sharing his QR code on the forums!!!

[thechanglingchronicles]

Do you want to kiss under the giant cat bridge i built and then moved to spawn after i found out the world was ending surrounded by cats that we bred together in hopes of living just a little longer in this world with people we’ve lived countless lives with while the world is closing in on us and our friends are dying and it feels so familiar because we’ve done this before but this time we could be together will you let me hold you this time as the world comes crashing down on us just like it has it the countless lives we’ve lived together before I built a butterfly garden in hopes you’d see yourself with me and you built mushrooms in your home and I can’t help but feel like I should be going home with you like we did once before like this should have been a world we could grow old together but the walls our closing in on us and the fates are separating us but could we hold hands as we go in a world where we should have been safe our friends are fighting to the death and you die and it’s not even in my arms and I’ve failed to keep you safe you root for me in life and then die trying to assist me in your final breath and I can’t even avenge you

I can only hope we will see each other in our next life

[skunkes]

even though i did weeks of research before buying em i am now just barely realizing several months later that maybe prismacolors are the better choice for my way of drawing and coloring, instead of the polychromos i bought and have. Alas!

[finemealprompt]

DP x DC Prompt #33

Sam Manson was getting sick and tired of seeing nature getting destroyed around her. Pollution grows, killing nature. Killing their planet. People didn't care about the world they were leaving behind. It wasn't going to affect them, after all. It was going to affect Sam. Her generation. Her descendants.

Rage grows, and grows, and grows. She decides it's time to do something about it.

She even meets someone on the way.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[zytes]

odds n’ ends