#or some kind of marsupial

[zekreet]

The cancer started this January, spreading to my brain over the months, damaging it further and further until I lost my ability to think independently like a functioning member of society. My entire being demands that I, at the very least, think about these parasites. It is in my nature that they are brought up every five seconds. I've begun hallucinating them everywhere I go. The meds aren't working.

turned them into furries.... or rather baldies ....

[pearl-kite]

Okay I finished the thing I've been working on for the last month and have nothing else planned, so I'mma try this again:

psspsspss send me prompts and a palette

Borrowing these from here (I just wanted to narrow it down a little):

[sevenseasaurus]

so do the rest of you guys just simplify your dreams when explaining them to people or do I just remember a significantly weirder degree of depth than the average bear

[scrytime]

I present you with two ancient greek words– one which sounds like 'nein' and has the n sound of no/non from english and the romance languages, and one which sounds like a funny pronunciation of the word 'ok'– and ask you to guess which one means yes and which one means no.

Go on. Guess. :)

[inkedmyths]

Actually that makes for a really funny poll idea

[lomemarsupial]

why's the grace all slimey?

[project-catgirlpillar]

Tons of people telling me that dachshunds are indeed hunds and i Just wan't to say that No they're Not. You're wrong. They aren't dogs though tbf i have No Idea what they actually are

The Term dachshund is so weird from a German Perspective Like you do realize this is neither a Dachs Nor a Hund right?

[gl1tchr]

What animal do you think each of the Riddles are?

Most seem to think rat, fox, etc and I see it.. but the one I see them all being is a Raccoon. Think about it.. mask, hands, the ability to be sneaky and do crimes. But I’d love to see your take! I do see that one bald edward (you posted a photo of kissing his bald head, I don’t know what his universe is called apologies) being a vulture of some kind.

here's some Visions I was granted I think you'll enjoy

Zero Year is definitely giving Raccoon the most to me (aside from the TMNT Riddler that's - literally a raccoon). Mischievous, sneaky, and a little round even. And, since his mask it black, it looks the Most like a raccoon's eyes :]

Arkham Knight Opossum. DON'T call him a rodent, it'll lead to a half-hour rant about how he's a MARSUPIAL, not a rodent. "Actually, there's an 'O' at the beginning-". Gets irate when he has to explain opossum are actually extremely clean and don't carry rabies.

22 Weasel <33 While Ed does give powerful rat aura, it felt mildly evil to turn him into an animal he clearly has some level of fear of/hate for fgkds so I've made him a weasel. Mousy brown, weirdly vertical, and big wet eyes that Look at you.

BTAS kitty. I feel like you could to an entire version of this with different cat breeds, but BTAS gives me classic ginger tabby. A mischievous little tomcat who loves to chase his Batman.

2004 Greyhound. insane 2004 Riddler cameo but I was gifted this from a seraphim. He has real long features n just an overall pitiful demeanor. Plus hit little choker looks like the thick collars they have to special make for greyhounds because of their dumb bicycle heads

Sale Riddler Mouse. I rlly feel like this just makes sense, he's such an unserious little guy. Literally picked on like a cartoon mouse by Batman the entire time. He's not a rat!!! he is a Fancy Mouse <3

fox Carrey Riddler. I'll be real. HAven't watched Batman Forever. Jim Carrey frightens and perturbs me. But just based on the images of him barring his teeth at me like he's gonna bite, he Feels like a fox. Quit GRINNING at me like that.

One Bad Day <333 my beloathed <3333 I agree with you, vulture fits him so well. can't wait for Batman to snap his dumb neck

[ranticore]

I gave up on editing and did this instead check it out. I had a rough time with the zeta because they kept getting too anthro dog-ish and I wanted them to read as primates. The one pictured there is a crew member on a whaling vessel (chef and lookout).

Image description and transcript of text below the cut:

[Figure 1 description: Front and side views of a zeta's face with the skull and external anatomy overlaid and separate. The skull is similar to a baboon's with massive broad fangs and a huge saggital crest on top for muscle attachment. Figure 2 description: a bar of colours ranging from dark brown, to reddish, to pale cream, to violet, to blue, to dark blue. Beneath it are several blue markings resembling a stylised 'A' or an arrow. Figure 3 description: a pair of zeta standing together. They are blue, brown, and cream in colour and wearing fancy black collars with dark tassels, and knuckle-guards to protect their feet. They have stocky muscular bodies and ape-like heads. One is propped up on their elbows over the back of the other, looking in a different direction.]

Text reads:

Terrestrial Zeta of Siren: Overview

Zeta are large quadrupedal mammals primarily found in the Eastern continent, the only area of significant continuous land. They are specialists at hunting and killing the local wildlife, most of which have strong chitinous shells and can be thought of as similar to millipedes or isopods. Zeta maxillary canines (1c) are the largest on Siren, laterally flattened and lacking sharp points, instead used to crush and split open the shells of their main prey, and they have huge saggital crests to support their jaw muscles. Zeta were formerly aquatic and still retain tail flukes and dense bones from that evolutionary era (3). They have a plantigrade, knuckle-walking locomotion and lack tongues. Zeta are marsupial and unisex.

Fig. 2 shows the coat colour variation. It is divided into red phase and blue phase shades. While most individuals have both phases, some are solely red or solely blue. Zeta are the only people on Siren who have naturally occurring blue pigments in their skin and hair, and blue eyes. The settlers who genetically engineered zeta also programmed in the logo of their megacorporation, which was a stylised blue letter 'A', which would appear like a tattoo from birth on the skin of zeta, formed of their own pigments. Over subsequent milennia, the logo has become indistinct and abstract, and the blue pigment is no longer limited to this particular marking, but found all over.

Kattakati

During the development of zeta, the genetic engineers wanted to produce a creature which would never have solidarity with a member of its own kind. They tampered with the brains of their creations, thinking that they had produced a creature with no sense of community, empathy, solidarity, or sympathy. In the intervening years zeta have developed a novel way to regain those traits, for their own survival. Early aquatic and terrestrial zeta developed a form of eusociality, viewing members of their pack as themselves, as limbs of one being, and over time this developed into the Dry Bowl practice of Kattakati pairing. This consists of a pair of zeta who have entered a binding agreement to consider one another a single being (3). Legally, socially, and culturally, a kattakati is one person. It has a single name and will not allow others to distinguish between its component bodies in any meaningful way, as they are supposed to be taken as a complete whole, together. It is frowned upon to consider the pair anything other than one guy. The two halves of a kattakati do not necessarily agree on all things, but this is not a contradiction; a person often thinks contradicting thoughts, and feels contradicting things. The nature of the bond is not platonic, romantic, or sexual, and a kattakati might make friends and date other people (you can't date just one half - you need to date the whole guy).

[bunji-enthusiast]

Bunji I was wondering if you’ve seen Rise of the Guardians

And was hoping you could make reader like North/Santa or Bunny or even Tooth or Pitch I think they would be fun to write and read

(I feel like Sandman would be like Groot and I font want you to make doubles and I feel like Jack would be super easy to write and he’s everyone’s favorite but I wouldn’t mind if you decide to write either of them)

𝐀𝐧𝐨𝐧𝐲𝐦𝐨𝐮𝐬 𝐖𝐚𝐭𝐜𝐡𝐞𝐫

Bunnymund!reader

Summary || Somewhere between dimensions—where Spring kisses the void and reality feels like soft soil underfoot. The air is heavy with residual magic and fractured molecules, the kind of place that shouldn’t exist…but does, because you do.

Note // funny you say this, cause I already had something in the works for Bunnymund!Reader for this thing! I love, love this movie with my heart. Definitely a timeless piece ❤️

You don’t remember falling. But you remember landing.

Sharp. Sudden. Like your name was ripped from the wind and tossed into this world without a warning.

The crater you made is still steaming when she floats down.

Atom Eve. All will and pink light. Her hair rides the breeze like a flame not quite ready to burn out. She's cautious, her hands flickering with latent transmutation energy. Not a villain, not a victim—but unsure if you're either.

You flick your ear. Dust yourself off. Aster Bunnymund doesn’t do ‘damsel’ and certainly doesn’t do ‘defenseless.’

“Alright,” you say, stepping forward, claws flexed just a little, your boomerangs humming low on your back. “Which galactic gremlin decided it'd be real cute to hijack the Easter Bunny mid-delivery route?”

Eve cocks a brow. “You talk. That’s new.”

You smirk. “So do you. Should I clap?”

“Are you… a kangaroo?”

The air stills.

You tap your foot twice. A flash of light, and a tunnel opens behind you, lined in wildflowers and softly glowing eggs. You don’t go through. Not yet. But you let her see.

“You bite your tongue, sheila,” you mutter, crossing your arms. “I’m a Pooka. Guardian of Hope. Bringer of Spring. The original chocolate alchemist. And definitely not your average marsupial.”

Her eyes flick to the ground, registering the blooms sprouting beneath your feet—life, actualized by magic and intent.

Then back to your eyes. “Right. Definitely not average.”

You sense her hesitation. Not fear. Curiosity, laced with that righteous concern heroes carry like second skin.

“Look,” she starts, her voice gentler now, “I thought you were a threat. Some kind of illusion—this place messes with matter. You fell through a quantum rip that shouldn’t even be here. Which… doesn’t explain the sentient eggs.”

“Oi. Barry and the boys are sensitive. Don’t call ‘em eggs.”

The sentient eggs in question hop into formation behind you, saluting Eve with wobbly pride.

She tries not to laugh. Fails. “Okay. That’s… kinda adorable.”

You roll your eyes.

“Fine,” you sigh, finally relaxing. “Not here to fight. Was delivering some Hope to a struggling planet—next thing I know, boom. Spliced sideways through a transdimensional chocolate storm and now I'm talking to a bio-alchemist in a pink cape who nearly atomized me on arrival.”

She floats down fully now, feet touching the ground with a quiet crunch of flower petals.

“Sorry,” she says, sincere. “I don’t usually go full defense mode unless I’m—”

“Stressed?”

She blinks. “Yeah. How’d you know?”

You tilt your head. “You glow differently when you’re carrying too much. Hope’s a tricky thing. Harder to hold when it’s not your own.”

There’s a pause. A silence. One of those rare, golden ones.

Then she says, “How’d I get so lucky?”

You shrug, flashing a half-smile. “Maybe the universe thinks you needed a reminder. Or maybe…” You gesture at the blooming life between you. “Maybe Hope shows up where it’s most at risk of being lost.”

She doesn’t answer. Not with words.

But she nods, slow and soft, and for a second, you both just stand there—two beings carved by magic and trauma and too many choices, meeting not as enemies, not even as allies. Just as beings who get it.

You tap your foot once. A tunnel flares open.

“Take care, Atom Eve,” you say, stepping toward the glow. “And if you ever need a bit of Hope again…” You wink. “Just look for the chocolate.”

And with that, the Guardian of Hope vanishes into the soil.

Spring lingers in your wake.

Somewhere on the outskirts of a war-torn city, where spring never had the chance to bloom. The sky is smeared with ash and steel-gray clouds. Blasted concrete and shattered windows sprawl like broken bones. Inside a crumbling clinic, laughter echoes—soft, weak, and impossibly brave.

They’re just kids. Orphaned. Sick. A few too young to understand what war means. But they believe in you.

And that’s more powerful than any weapon.

And, you’re bleeding.

Not badly—but enough. A slash across the arm from one of those shadow-stitched mercs, the kind of thing that smells like sulfur and broken dreams. Hired muscle. Or worse—Fearlings in disguise.

But you don’t move. You crouch low in front of the children, boomerangs already humming, glowing faintly in your palms.

They cower behind you. A girl tugs on your fur. “Bunny?”

“Shh. Gotcha, darl’, don’t worry.”

You flick your wrist.

A bladed boomerang arcs into the night, cracking into one of the creeping figures slinking across the rooftop. It falls in a burst of ash and bone.

The others don’t run. They laugh.

Too many. Even for you.

But you're the Guardian of Hope, dammit. You don’t run either.

You push the kids back toward the cracked stairwell, the one you reinforced with roots and a bit of stubborn magic. Not much time. Not much strength left.

And then—A ripple in the air. A pink shimmer. A shift.

And suddenly they’re gone.

Not the kids—the shadows.

They implode, flash-fried into bursts of energy and torn atoms. You blink, senses whirling.

And there she is.

Atom Eve.

Hovering in the ash, surrounded by a corona of light and fury.

Eyes glowing, palms still hot from the transmutation. Hair snapping behind her like a banner of war.

“You again,” you mutter, straightening with a wince. “Told you to look for chocolate, not carnage.”

She lands next to you, quick scan of the kids huddled behind your barrier. Her eyes soften. Then harden again as more figures crawl from the smoke.

“Guess I was looking for both.”

One of the mercs lunges. You step into it, elbow crackling against its ribs, and spin a kick that launches it back toward a waiting construct of hers—an energy spike that spears it midair.

“Nice form,” she murmurs.

“Yours ain’t bad either.”

Then: a pause.

“They’re sick,” you say suddenly, voice low as the ground shakes beneath another blast. “Some of ‘em don’t have much time. But they believe. They still believe.”

“I saw.” Her jaw clenches. “That’s why I’m here.”

You fight side by side. Like it’s instinct. Like you’ve done it a hundred times before.

Boomerangs whip through shadow.

Constructs burn holes in the dark.

You summon roots from below—twisting vines of life that bind and break the enemy—and she builds shields around the children, hexagons of raw will and pink brilliance.

The battle burns hot, fast, and then—

Still.

Just rubble. Breathing. And the tiny sound of coughing behind you. You crouch by the kids again. One hands you a melted egg, soft and slightly lumpy.

“You dropped this,” he says.

You smile—tired, cracked, but real.

“Thanks, mate.”

Eve walks over, sits beside you in the dust.

“You always do this?” she asks, watching the children settle back down, laughing despite the ruins.

“Only on Tuesdays,” you grunt. “And maybe when the world’s got the nerve to forget what Hope looks like.”

She doesn’t speak for a while.

Then, soft: “You shouldn’t have had to do it alone.”

You glance over.

‘Neither should you.’ You think. You nudge the egg toward her. “Go on. Eat it. Might turn you into a rabbit.”

She laughs, actually laughs, and takes a bite.

“You’re insane,” she says.

“Probably,” you reply. “But Hope usually is.”

The wind is calmer now. The smoke from the fight drifts upward in lazy curls, not frantic anymore—just memory. Shadows retreat into their holes when the light’s too strong, and right now, there's nothing brighter than the kids’ laughter.

You sit on a broken chunk of concrete, one leg stretched out, the other bent, arm resting casually over your knee like you didn’t just take down half a strike team with glowing boomerangs and sheer obstinance.

The smallest of the kids—Lani, maybe six—climbs into your lap without asking. You don’t flinch. Don’t pull away.

You just smile, slow and fond, like this is the part you actually came for.

“Bunny,” she says, whispering like she thinks it’s a secret. “When I grow up, can I be magic too?”

You chuckle, adjusting your arm so she’s more comfortable.

“‘Course you can,” you say. “Already are. You laughed during a war. That’s top-tier sorcery.”

She giggles, muffling it in your fur.

Eve watches from a few feet away, leaning on the edge of the clinic wall. She doesn’t try to interrupt. She just watches, her arms folded, but not in that defensive way—not anymore.

There's a softness in her face that wasn't there when you first met. It’s cautious. Thoughtful. A little sad.

You look over and catch her eye.

“Something on your mind, love?” you ask, voice low but not unkind.

Eve hesitates, then walks over slowly. She crouches near the kids, but keeps a respectful distance, like she doesn’t want to disrupt the magic.

“How do you do it?” she asks, barely above a whisper. “They’re hurting. The world’s burning down around them, and still... they laugh. You make them laugh.”

You shrug a little. “Hope ain’t a shield, Eve. Not really. It’s… a seed. A fragile little thing you plant in the worst dirt, with barely any light. You don’t tell it what to be. You just give it a chance.”

She lets that sit for a beat. Her eyes flick to Lani, then the others playing with your eggshell constructs, turning them into crowns and pretend swords.

“I’ve tried to fix things,” she says. “Big things. Buildings. Systems. Families. I can rewrite molecules but not… not what people carry in them. Not always.”

You tap your claw against your chest, just once.

“’Cause you’re trying to heal cracks by covering ‘em in steel. Doesn’t work. Not when what people need is to remember why it’s worth fixing in the first place.”

Eve looks at you. Really looks.

And something clicks behind her eyes.

Not a solution. Just… space. Space for something new to grow. Lani suddenly looks up at her.

“You’re the pink spark lady, right?”

Eve blinks. “Uh… yeah. That’s me.”

“You were really cool,” the kid says. “You made the bad guy pop like a balloon!”

Eve smiles, surprised at herself. “Thanks. I was kinda hoping no one noticed how shaky my hands were.”

“I did,” says a boy behind her, grinning through missing teeth. “You were shaking, but you didn’t stop.”

Eve exhales slowly. That means more than she expected.

You give her a small nod.

“See? Told you. Magic.”

She looks at you again, not with awe—but with something gentler.

Respect. Maybe even belief.

“...You know,” she says, “I think I get it now.”

You grin.

“No you don’t.”

She frowns. “Excuse me?”

“You don’t get it,” you repeat, standing slowly as Lani slides off your lap. “Not yet. You’re startin’ to. But the real secret is you never fully get it. You just keep showing up.”

A beat. Then you add, “You gonna keep showing up?”

Eve looks down at her hands. Then at the kids. Then back to you.

“Yeah,” she says. “I think I am.”

The kids are asleep now. Safe. Tucked under makeshift blankets, heads resting on one another, small chests rising and falling. Eve stands by the doorway, arms folded, eyes scanning the distant skyline. And you—well, you’re still seated, sharpening the edge of a boomerang that doesn’t really need sharpening. Just something to do with your hands.

That’s when the hum starts.

Low. Unnatural.

A moment later, a distortion peels into the air with a flicker of blue light. A thin ripple opens like a tear in fabric—and a man steps through.

Long coat. Balding head. A wicked scar running down his jaw. Cool green light from a teleportation badge still flickering on his collar.

Cecil Stedman.

Your ears twitch.

You feel the shift in the air before he speaks. Not malice. Not even threat. Just calculation. Cold as steel.

“You're taller in person,” Cecil says, looking right at you.

You stay seated, brushing a few egg fragments from your lap. “And you're more wrinkled than the rumors.”

He doesn’t laugh. But the corner of his mouth moves, like it almost happened.

Eve turns slightly, but doesn’t speak yet. Just watches. Like she’s weighing something.

Cecil’s eyes scan the scene. The kids. The cracked earth. The torn-open shadows that haven’t quite dissolved.

“I saw the fight,” he says. “Drone footage. Satellite pings. You held your own.”

“Did more than that,” you mutter. “These little ones are still breathin’, aren’t they?”

Cecil nods once. Slowly. Like he’s filing away the confirmation in a long ledger of debts and dangerous favors.

“Hope,” he says after a beat. “That’s what you’re about, right?”

You glance at him. “That a problem?”

“No. It’s inefficient. Messy. Wildly unpredictable.” He pauses. “But it works. Sometimes.”

There’s a longer silence. Eve shifts, finally stepping in.

“What do you want, Cecil?”

He looks at her. Not surprised. Not threatened either. But there's a flicker of... awareness. A different kind of calculation now.

“You,” he says plainly. “And him.”

You snort. “What, the GDA looking to hire a rabbit now?”

“I’m looking for results. You got them.” He steps forward, one boot crushing an empty eggshell. “I’ve got too many variables on the board, and not enough people who know how to work outside the rules without setting the board on fire.”

Eve folds her arms tighter. “You want us to work with you?”

“No. I want you to work near me,” Cecil says. “I know better than to try and leash a wildfire. But I also know you’ve both seen what’s coming. You feel it, even if you can’t name it yet.”

You look up slowly.

“…Pitch,” you murmur. “Or somethin’ worse. Somethin’ whisperin’ to the broken pieces of this world.”

Cecil doesn’t blink. “I don’t care if it’s called Pitch or the goddamn Boogeyman. If it threatens Earth, it goes in the ground.”

The air’s quiet again. Except for the soft breathing of the kids. You flick your boomerang into its holster with a clean snap.

“You don’t believe in what I do,” you say. “But you’re not stupid enough to ignore it.”

Cecil’s voice is low. “I don’t believe in magic eggs. Or flower-covered boomerangs. But I believe in results. You saved these kids. That earns respect. And maybe… a line I can call when the sky starts cracking.”

Eve glances at you.

You meet her eyes.

There’s no need to speak.

You just stand. Tall. Dust-covered. Ears twitching in the wind.

Then: “We’re not soldiers.”

Cecil nods. “Good. I’ve got too many of those already.”

He turns, raising his badge. Light flickers. But before he disappears, he looks back once.

“I’ll be in touch.”

Then he's gone. Just the wind again.

Eve exhales. “He’s the kind of guy who puts a knife in your hand and tells you it’s for the greater good.”

You nod. “Aye. But if the blade’s comin’ either way… might as well decide where to aim it.”

Eve chuckles dryly. “And here I thought I was the jaded one.”

You grin. “I’m ancient, love. Comes with the ears.”

The world is quiet here. Not because it’s peaceful—but because it’s trying to be. The kind of quiet that grows in between the cracks of heartbreak and healing.

You hadn’t planned to stop.

You were passing through—tunnel to tunnel, root to root, delivering hand-painted eggs and tiny woven charms of spring to a few kids at the hospital down the block. You were meant to disappear again. Back into the warren. No attachments.

But something held you here. A tug.

Hope sometimes plants itself in strange soil.

She’s kneeling in the garden bed, sleeves rolled up, dirt under her nails, hair tied in a lazy bun. The green shirt she wears looks lived-in—creases from cradling a baby, wrinkles from sighing too hard, maybe. There's a tiny little shovel in one hand and a ceramic rabbit figurine tucked between a patch of marigolds.

Your nose twitches.

“Symbolic, or just seasonal?” you ask from the fence.

She startles, turns—but doesn’t flinch. That’s rare. Most people do.

Her eyes lock onto yours with practiced wariness. The kind you only learn after losing something you thought was real.

Debbie Grayson.

You recognize her from the files North once handed you. And from the grief that trails behind her like a whisper in the breeze.

She squints at you, shading her eyes. “You’re not exactly hiding. Big, fluffy, and wearing what looks like boomerang holsters.”

You smirk. “Only the finest Outback leather.”

She stands, brushing her palms on her jeans. “So, what are you? Magic rabbit? Alien? Fever dream?”

“All three, if the day’s long enough.”

There’s a beat. Then, surprisingly, she laughs. A quiet, tired sound, but real.

You hop over the fence without a word, landing soft on the mulch beside her. “You’re Debbie.”

She nods. “And you’re real, apparently.”

“Name’s Bunnymund. E. Aster, if you’re formal.”

Her brow lifts. “Like the Easter Bunny?”

“Guardian of Hope,” you say with a half-bow and a twirl of one ear. “Not just eggs and chocolates. Though I do pride myself on presentation.”

Debbie leans back against the edge of a raised bed. There’s something sharper in her gaze now, like she’s connecting dots.

“You’re not here for Mark.”

“Nope.”

“Not for Cecil?”

You shake your head. “Never been fond of secret labs and grim philosophies. Man smells like old smoke and newer regret.”

That gets a full laugh from her, this time. She covers her mouth.

You take a seat beside a tomato plant, careful not to crush the stems. “I stopped by to see some kids. One of them said her mom used to tell her spring comes early if you smile hard enough. That sounded like magic to me.”

Debbie’s smile fades slightly. “That sounds like something I’d say to Mark. When he was little.”

You glance at her sideways. “You’re still sayin’ things like that. Just takes longer for the echoes to come back.”

There’s quiet between you. The kind that doesn't need to be filled.

She watches the breeze flutter through the wind chimes hanging by a wooden post. “Do you ever get used to it?”

“Losing someone you thought was unshakable?” you ask, ears low.

She nods.

“No,” you say gently. “But you get stronger around the shape of the hole.”

Debbie looks down at her hands. “I thought I married a good man. A hero. Turns out he was just… playing the part.”

“He was loved,” you say. “That part was real. Even if he didn't deserve it the way you hoped.”

She doesn’t answer. Just presses her fingers into the soil.

You reach into your satchel and pull out a small wooden egg. Painted in delicate brushstrokes—flowers, vines, tiny stars. You offer it to her.

“What’s this?” she asks.

“Hope. Takes different forms. Sometimes it’s a promise. Sometimes it’s just... the courage to keep showing up.”

She takes it slowly, like it might disappear if she touches it wrong.

“You’re stronger than he ever was,” you say softly. Debbie looks at you as you stand.

“I’ll be around,” you add. “If you ever need help. Or someone who still believes in good men. Even if they’re hard to find.”

You tap your foot once. A shimmer of light, and a tunnel begins to open beneath you.

She steps forward, voice quiet but steady. “Thank you.”

You pause just before disappearing.

“You keep planting,” you say. “I’ll keep watch.”

And then—gone.

Just wind, earth, and the quiet sound of chimes in a garden where grief and growth now share roots.

Chicago sleeps fitfully below, the sky strung up with restless stars. Streetlights flicker like uncertain thoughts. Somewhere between yesterday’s grief and tomorrow’s storm, you return.

You step out of the tunnel not with a bang, but with the soft whisper of dew on grass. The roof creaks beneath your weight—not built for seven-foot Pookas, but holding firm like everything else in Debbie’s life lately.

She’s already up here.

Wrapped in a coat two sizes too big—probably Nolan’s. There’s a glass of something amber by her side, untouched.

She doesn’t look surprised when she sees you.

“I was hoping you’d come back,” she says. Not like someone asking for a miracle—more like someone who knew the wind would shift eventually.

You tilt your head. “Rooftop stargazing. Classic grief move.”

She lets out a breath that’s halfway to a chuckle. “You’re not wrong.”

You sit beside her. Careful not to crack a tile. “It’s quieter up here. Easier to pretend the world makes sense when it’s small beneath your feet.”

Debbie leans forward, eyes tracing the skyline. “Mark’s gone. Off-world with Eve. I told him it was the right call, but—”

Her voice breaks, just for a second. “God, he’s still just a kid. My kid.”

You say nothing. Just let the moment be.

Debbie reaches for the glass. Holds it. Doesn’t drink.

“They left yesterday,” she says. “The GDA gave me the usual: ‘classified mission, planetary risk, he'll be fine.’ But I saw Cecil’s eyes. No one is ever just ‘fine’ when he’s involved.”

She turns to look at you now. Direct. Unblinking.

“I don’t need a bedtime story. I need to know if there’s anything you can do. You’re not from here. You’ve probably seen things we haven’t even dreamed of.”

You lean forward, arms resting on your knees. “I don’t work for Cecil. I don’t track missions. I don’t answer to flags or labs or secret satellites.” Then softer, “But I listen.”

Debbie exhales slowly. “And what do you hear?”

You close your eyes.

A hundred whispers ripple through the air—joy, dread, faith, pain. But one stands out: a flickering thread of hope that bends but doesn’t break.

“Your son’s still burning bright,” you say. “He’s scared. Determined. Holding the line.”

Her lips tighten. “So I just wait?”

“No,” you say. “You hold. You stay strong so he has something to come home to.”

There’s a long pause.

“I don’t feel strong,” she admits.

You reach into your satchel and hand her something—a pendant made of twined silvergrass, woven with delicate threads of moonlight.

“What’s this?” she asks, fingers tracing its soft spiral.

“Anchored hope,” you say. “You wear it when you’re scared, or angry, or tired of being the one who holds everyone else together. It won’t fix the pain, but... it reminds you why you endure it.”

Debbie closes her hand around it.

“Will it help?” she asks quietly.

You look at her—not the sadness, not the strength—but her, the full weight of all she’s endured and still choosing to stay kind.

“It already is,” you answer.

Silence settles in again, not awkward this time—just shared.

Then she says, “You’re not what I expected.”

You grin. “Few of us are.”

You stand to leave, but before you vanish into the earth again, she speaks once more.

“Come by again,” she says. “Even if it’s just for tea.”

You give a half-bow, one paw to your chest. “You got it, Debbie Grayson. And if tea turns into smashing the occasional lab or decking a morally grey GDA director—well, I’m flexible.”

She actually laughs, you disappear beneath the stars.

And above, a mother wraps her coat tighter, pendant in her hand, eyes on the sky—not waiting anymore, but holding.

Holding fast.

Within the week, Mark and Eve are back. Battered. Changed. Alive. Chicago breathes a little easier tonight, but the air still hums like a string pulled too tight. You feel it the moment you step through the tunnel into her backyard — the tension hasn’t left, it’s just wearing a different face.

You don’t knock. You never need to. The ground splits gently beneath your feet, and you step out beside the flowerbeds Debbie had finally gotten around to replanting. Poppies. You remember — she told you they were her mother’s favorite.

The back door creaks open before you can move.

Debbie leans on the frame, mug in her hand, tired warmth in her eyes.

“I figured I’d see you again,” she says, brushing a loose strand of hair behind her ear. “Come on in, unless you’ve got some mystical rule about doorways.”

You grin. “Only when dealing with vampires and bureaucrats.”

She actually laughs. That’s new. And healing.

You duck under the frame, careful not to knock anything over, and follow her to the kitchen. There’s a kettle warming. The scent of ginger and chamomile floats through the room.

“They’re upstairs,” she says, before you can ask. “Mark’s asleep. Eve’s pretending she doesn’t need rest. She’ll crash in an hour.”

She sets a second mug in front of you. “Thought you might want something warm.”

You tilt your head. “You brew tea for interstellar rabbits often?”

She smirks. “Only the ones who leave hope charms on my roof.”

You take a sip. “I hear those are limited edition.”

Silence laps at the edge of the moment. Comfortable now. Familiar.

Then, Debbie speaks again — softer.

“You were right, you know. About holding fast.”

You glance at her. She’s not looking at you, just watching the steam rise from her cup.

“I didn’t know how I’d do it. Not after Nolan. Not after everything he said to Mark. But then Mark came home, and he looked at me like... like he still needed me to be his anchor. Not just his mom. But his safe place.”

She looks up, eyes glistening—not with tears this time, but with something brighter. “So I held. And he came back. And I didn’t fall apart.”

You reach into your satchel, pull out a single egg. Painted in soft blues and greens, with a blooming tree etched across the shell in gold leaf. You slide it toward her.

“Spring’s not just a season. It’s a promise,” you say. “That even after the harshest winter, things can grow again.”

Debbie touches the egg gently, reverently. “Thank you, Bunny.”

You lean back in the chair, resting one foot over the other.

“You’re welcome, Debbie Grayson.”

She finishes her tea in silence, and you sit there together a while longer. No world-ending crises. No gods or monsters. Just two people — one human, one Pooka — breathing the same quiet air and watching the future grow roots beneath them.

The sun barely stretches through the windows, painting the walls in soft golds and peach-colored light. Somewhere upstairs, a floorboard creaks. Quiet footfalls. Slower than usual — sore, likely — but familiar all the same.

You're still seated at the kitchen table. Debbie’s already left, humming something to herself as she busied with breakfast. She hasn’t said much, just the occasional look, like she was still trying to believe things were calm enough for a morning this normal.

You feel him before you hear him.

Mark.

He’s moving carefully, like he’s not sure if his body’s ready to be up again. A low groan escapes as he comes into the kitchen, one hand rubbing at his shoulder.

His eyes land on you. He blinks, and again.

“...You’re still here?”

You offer a crooked grin, ears flicking in mock offense. “Hey, I brew a mean cup of chamomile.”

Mark’s face twitches — he’s trying not to smile. He fails.

He pulls a chair, sits slowly. Winces a little.

“I figured you’d disappear like you always do after everything cools down.”

“I was going to,” you say, resting your paws on the table. “But then I remembered someone owes me a rematch in bowling.”

Mark chuckles — hoarse, tired, but real. “You still cheated. You can’t hover the ball all the way to the pins.”

“Not my fault you never specified Earth rules.”

Silence settles for a moment. Not heavy, not awkward — just the kind that comes when you’ve both been to war and made it home.

Then Mark speaks, voice softer.

“Thanks for showing up.”

You look at him. Really look.

There’s still blood dried along the hem of his sleeve. Bruises darken under his eyes. But it’s his expression that catches you — worn, but clearer than it’s been in months. Like something inside finally stopped spiraling.

“Any time,” you say. “Especially if kids are involved. You did good, Mark.”

He glances down, jaw working.

“I didn’t feel like it. I got so—” His hands curl into fists. “I wanted to kill them. I almost did. I don’t think I even cared if I made it out.”

You lean forward.

“But you did. And you didn’t lose yourself. That’s what matters.”

He meets your eyes, searching for something in them. Something that says he isn’t alone in that kind of rage.

“What if it happens again?” he asks, quieter now. “What if I stop holding back?”

You tilt your head. “Then you lean on the people who remind you who you are.”

A beat.

“That includes me, by the way.”

Mark exhales, a slow smile forming. “Thanks, Bunny.”

You shrug, pawing a bit of toast from the tray. “Besides, I’m technically your emotional support cryptid at this point. Comes with the cape.”

Footsteps again. Eve.

She enters in a too-big sweatshirt and messy hair, still pretending not to be sore.

“Of course you’re still here,” she mutters, but there’s no venom in it. Just affection.

Mark glances between you both. “We’re doing pancakes or what?”

You grin.

“Only if I get the first one.”

Eve plops down beside Mark, elbow nudging his ribs — gently, though he still flinches with a groan. You smirk into your mug.

“Tough guy,” she teases.

“Don’t start,” Mark groans. “I’m lucky I’m not still in traction.”

“You’d heal in like… ten minutes.”

“Not the point, Eve.”

Before either of them can escalate into their usual back-and-forth, Debbie reappears from the hall, balancing a large plate of pancakes like it’s an Olympic sport. She’s already smiling when she sees the three of you sitting there — her expression softens in a way that feels... earned.

“Good,” she says. “You’re all here.”

She sets the plate in the middle of the table, and somehow it’s exactly the kind of pancakes that tell you you’re safe: golden, fluffy, warm. A few have smiley faces burned into them — probably for Oliver, but you nudge one onto your plate like you’re claiming treasure.

“Maple?” you ask innocently, peering up at her.

Debbie rolls her eyes, grabbing the syrup bottle and tossing it to you. “You’re lucky I like you.”

Eve reaches over to snatch one of the smiley pancakes before you can. “I saw that first.”

“You cheated, I sniffed it out.���

“You don’t even have a nose under all that fur!”

You both pause.

Mark points a fork at you. “Wait. Do you? Actually? Because I’ve been wondering—”

Debbie slaps a hand on the table, firm. “No anatomy talk at breakfast.”

Everyone freezes. Then laughs.

It’s… light. The kind of laughter that doesn’t come from jokes, but from relief. From being here. From being alive.

Mark tucks into his pancakes with a quiet hum, chewing slower than usual — thoughtful.

“You know,” he says, glancing around the table, “I can’t remember the last time it felt like this.”

“Like what?” Eve asks, leaning her head on her hand.

“Normal,” he says. “Not perfect, but… normal.”

You don’t say anything — you just nod.

Debbie stands behind him, running a hand through his hair without saying a word. The gesture makes him still. Then, almost shyly, he leans into it.

Eve watches him. Then glances at you. “Thanks for not vanishing this time,” she says.

You grin between bites. “Can’t vanish on an empty stomach.”

Debbie moves back to the stove, and as she does, she speaks without turning.

“You’re welcome here,” she says. “As long as you need.”

You pause mid-chew.

It’s quiet again — but this time it’s that same warmth from earlier. The kind you can sit in for a long time and not want to leave.

Mark catches your gaze.

And you know, in that moment, he believes it too.

[whatcoloristhatcat]

Stray cat I caught the other day with kibble. He had a very long face, kind of weird. Didn't meow either. Must be some interesting genetics with this one 🤔

I BRAKE FOR NORTH AMERICA’S ONLY NATIVE MARSUPIAL

[mostlysignssomeportents]

Petard (Part II)

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/01/31/the-blood-speech/#dudeface-from-chiapas

Biden's FCC unanimously passed a rules banning landlords from accepting kickbacks to force all their tenants to use one ISP as a rental condition. Last week, Trump's FCC boss Brendan Carr (who voted for the rule just last year) killed it, saying that he was sticking up for tenants, who would somehow save money from this sleazy arrangement:

https://arstechnica.com/tech-policy/2025/01/fcc-chair-nixes-plan-to-boost-broadband-competition-in-apartment-buildings/

In some ways, this is to be expected. The Trump agenda is about trussing and plating working people so rich sociopaths can conveniently devour them whole. On the other hand, this move lays bare the long-run historical phenomena that led to this moment. Case in point: back in 2013, I wrote a sf story about this very subject, Petard, which was published in MIT Tech Review's 2014 anthology Twelve Tomorrows, edited by Bruce Sterling:

https://mitpress.mit.edu/9780262535595/twelve-tomorrows-2014/

I love that story, and upon re-reading it, I realized that it was extremely timely. So timely, in fact, that I decided to serialize it over four days on my newsletter. If you're feeling impatient, you can tune into a four-part podcast version from 2014 and 2018:

https://archive.org/details/Cory_Doctorow_Podcast_278

https://archive.org/details/Cory_Doctorow_Podcast_292

https://archive.org/details/Cory_Doctorow_Podcast_293

https://archive.org/details/Cory_Doctorow_Podcast_294_-_Petard_04

Here's part one of the story:

https://pluralistic.net/2025/01/30/landlord-telco-industrial-complex/#part-one

And now, onto part two!

My advisor is named Andronicus Andronicus Niyazov, and her parents had a sense of humor, clearly. She founded the Networks That Change lab three years ago after she fled Kazakhstan one step ahead of Gulnara's death-squad, but they say that she still provides material aid to the army of babushkas that underwent forced sterilization under old man Karimov's brutal regime. Her husband, Arzu, lost an eye in Gezi. They're kind of a twitter uprising power-couple.

I'm the only undergrad in the lab, and the grad students were slathering at the thought of having a bottle-washing dogsbody in residence. Someone to clean out the spam filters, lexically normalize the grant proposals, deworm the Internet of Things, get the limescale out of the espresso machine, and defragment the lab's prodigious store of detritus, kipple and moop.

Two days after telling them all where they could stick it, I got a meeting in AA's cube.

"Sit down, Lukasz," she said. My birth certificate read "Lucas," but I relished the extra consonants. I perched on a tensegrity chair that had been someone grad student's laser-cutter thesis project. It creaked like a haunted attic and its white acrylic struts were grubby as a snowbank a day after the salting trucks. AA's chair was patched with steeltape, huge black cocoony gobs of it. And it still creaked.

I waited patiently. My drop was in my overalls' marsupial pouch, and I stuffed my hands in there, curling my fingers around it and kneading it. It comforted me. AA closed the door.

"Do you know why my lab doesn't have any undergrads?" she asked.

I gave it another moment to test for rhetoricalness, timed out, then gave it a shot. "You don't want to screw around with getting someone up to speed. You want to get the wo rk done."

"Don't be stupid. Grad students need as much hand-holding as undergrads. No, it's because undergrads are full of the dramas. And the dramas are not good for getting the work done."

"Andronicus," I said, "I'm not the one you should be talking to –" I felt a flush creeping up my neck — "they –"

She fixed me with a look that froze my tongue and dried the spit in my mouth. "I spent four years in Dolinka prison in Kazakhstan. Three of my cellmates committed suicide. One of them bled out on me from the top bunk while I slept. I woke covered in her blood.." She looked at her screen, snagged her attention on it, ignored me for a minute while she typed furiously. Turned back. "What did your labmates do, Lukasz, that you would like to talk to me about?"

"Nothing," I mumbled. I hated being dismissed like this. Of course she could trump anything I was inclined to complain about. But it was so… invalidating.

"Never forget that there is blood in the world's veins, Lukasz. You've done something clever with your years on this planet. You're here to see if you can figure out how to do something important, now. We want to systematize the struggle here, figure out how to automate it, but eventually there will always be blood. You need to learn to be dispassionate about the interpersonal conflicts, to save your anger for the people who deserve it, and to channel that anger into a theory of action that leads to change. Otherwise, you will be an undergraduate who worries about being picked on."

"I know –" I said. "I know. Sorry."

She held out a hand to stop me fleeing. "Lukasz, there is change to be had out there. It waits for us to discover its fulcrums. That's the research project here. But the reason for the research is the change. It's to be the bag of blood in the streets or the board-room or the prison. That's what you're learning to do here."

I didn't say anything. She turned back to her screen. Her fingers beat the keyboard. I left.

I pretended not to notice three of AA's grad students hastily switching off their infrared laser-pointers as I opened her glass door and walked back out to the lab. Everyone, including AA, knew that they'd been listening in, but the formal characteristics of our academic kabuki required us all to pretend that I'd just had a private conversation.

I pulled my laptop out of my bag and uncrumpled its bent corners. I'd only made it a week before and I didn't have time or energy to fold up another one. It was getting pretty battered in my bag, though, the waxed cardboard shell getting more worn and creased in less time than ever before. Not even my most extreme couch-surfing voyages had been this hard on my essential equipment. The worst part was that the keyboard surface had gotten really smashed — I think I'd closed up the box with a sharpie trapped inside it — so the camera that watched my fingers as they typed on the letters printed on the cardboard sheet was having a hard time getting the registration right. I'd mashed the spot where the backspace was drawn so many times that I'd worn the ink off and had to redraw it (more sharpie — a cardboard laptop owner's best friend).

Now the screen was starting to go, the little short-throw projector attached to the pinhead-sized computer taped inside the back of the box was misreading the geometry of the mirror it bounced the screen image off of, which keystoned and painted the image on the rice-paper scrim set into the laptop's top half. The image was only off by about 10 degrees, but it was enough to screw up the touchscreen registration and give me a mild headache after only a couple hours of staring at it. I'd noticed that a lot of the MIT kids carried big plastic and metal and glass laptops, which had seemed like some kind of weird retro affectation. But campus life was more of an off-road experience than I'd suspected.

But I'd never go glass-and-plastic. AA thought that the way to win a war was to shed your blood. I have a limited supply of blood. There's a lot more cardboard out there. Why fight with meat and blood when you can use free infrastructure and good code to organize a resistance. You'll never win a war of atoms against the Powers That Be. They'll always have more lethal atoms. When they're hitting you with a baton, your glass-and-plastic number will crumple just as surely as a cardboard laptop. The best way to beat a policeman's baton was to be somewhere else when he was swinging it.

I spent fifteen minutes unfolding the laser-cut cardboard and smoothing out the creases, re-sticking everything with fiber-tape from an office-supply table in the middle of the lab, and then running through the registration and diagnostics built into the OS until the computer was in a usable state again. The whole time, I was hotly conscious of the grad students' sneaky gaze on me, the weird clacking noise of their fingers on real mechanical keyboards — seriously, who used a keyboard that was made of pieces anymore? Was I really going to have to do that? — as their chatted about me.

Yes, about me. It's not (just) ego: I could tell. I can prove it. I was barely back up and running and answering all my social telephones when some dudeface from Chiapas sat down conspicuously next to me and said, "It's Lukasz, right?" He held out his hand.

I looked at it for a moment, just to make the point, then shook. "Yeah. You're Juanca, right?" Of course he was Juanca. He'd been burned in effigy by Zetas every year for four years, and his entire family, all the way to third cousins, were either stateside or in Guatemala or El Salvador, hiding out from narcoterrorists who were still pissed about Juanca's anonymizer, a mixmaster that was the number one go-to source of convictable evidence against Zeta members whose cases went to trial. If it wasn't for the fact that Juanca's network had also busted an assload of corrupt cops, prosecutors, judges, government ministers, regional governors and one Secretary of State, they'd have given him a ministerial posting and a medal. As it was, he was in exile. Famous. Loved. It helped that he was rakishly handsome — which I am not, for the record — and that he had a bounty on his head and had been unsuccessfully kidnapped on the T, getting away through some badass parkour that got captured in CCTV jittercam that made him look like he was moving in a series of short teleports.

"Yeah. You got the blood speech, huh?"

I nodded.

"It's a good one," he said. I didn't think so. I thought it was bullshit. I didn't say so.

We stared at each other. "Welp," he said. "Take it easy."

[bestanimal]

Round 3 - Mammalia - Notoryctemorphia

(Sources - 1, 2)

The marsupial order Notoryctemorphia is commonly called the “marsupial moles.” It contains just one genus with two known species: the Southern Marsupial Mole (Notoryctes typhlops) (image 2) and the Northern Marsupial Mole (Notoryctes caurinus) (image 1).

Marsupial moles are rarely seen and poorly known, with N. caurinus being one of the most poorly understood mammals in all of Australia. They are convergent with the placental moles, living a fossorial lifestyle and only coming aboveground after rain. Notoryctids use two enlarged, spade shaped, flat claws on the third and fourth digits of each forelimb to dig in an up-and-down motion. They are functionally blind, their eyes reduced to vestigial lenses under the skin that lack a pupil. They have no external ears, just a pair of tiny holes hidden under thick hair. They have a leathery shield over their muzzle and their tail is a short, bald stub encased in leathery skin. They do not make permanent burrows or tunnels, but rather “swim” through the soil from place to place in search of food. They feed on earthworms and insect eggs and larvae, but have also been recorded to eat adult insects, seeds, and lizards if given the chance. They are between 12 and 16 centimetres (4.7–6.3 in) long, weigh 40 to 60 grams (1.4–2.1 oz), and are uniformly covered in fairly short, very fine pale cream to white hair with an iridescent golden sheen. Little is known about the preferred habitat of notoryctids, but they are more often found in sandy dunes or flats, and they are probably restricted to areas where the sand or soil is soft.

Notoryctids have a small but well-developed pouch that faces backwards so it does not fill with sand while the mother digs. It contains just two teats, so the animal cannot support more than two young at a time.

The order Notoryctemorphia has been around since the Oligocene. Notoryctids themselves are represented by early Miocene fossils of Naraboryctes and Yalkaparidon.

(source)

Propaganda under the cut:

Notoryctids are the only marsupials with a true cloaca.

Fossil evidence suggests that marsupial moles have been burrowing long before the Australian deserts came into being, staying underground while the terrain slowly evolved from jungle to desert.

Nineteenth century scientists believed that marsupials and eutherians had evolved from the same primitive ancestor and were looking for a living specimen that would serve as the missing link. Because the marsupial mole closely resembled the golden moles of Africa, some scientists concluded that the two were related and that they had found the proof. This, of course, was not the case, as scientists later discovered when better preserved marsupial mole specimens could be examined and were found to have a pouch. The coincidental similarities of the two species are, in fact, the result of convergent evolution.

The fact that the marsupial moles’ middle ear seems to be morphologically suited for capturing low frequency sounds, and that they produce high pitched vocalizations when handled, indicates that this kind of sound that propagates more easily underground may be used as a form of communication between marsupial moles.

Despite being generally unknown to European scientists, the Southern Marsupial Mole (Notoryctes typhlops) was known for thousands of years to Australia’s Indigenous people and was part of their mythology. It was associated with certain sites and dreaming trails such as Uluru and the Anangu-Pitjantjatjara Lands. They were regarded with sympathy, probably due to their harmless nature, and were only eaten during hard times. Aboriginal people generally cooperate with researchers by teaching them tracking skills and help with finding specimens. Their involvement has been instrumental in gathering information about the species’ habitat and behavior.

Marsupial moles have a presumably high impact on soil turnover, as they do not build burrows or tunnels, instead allowing the sand and soft soil to backfill behind them as they “swim”.

Large numbers of marsupial moles were collected in the early twentieth century, and informal reports of a fur trade using their pelts were reported.

As very little is known about marsupial moles, it is hard to access their conservation status, but records seem to indicate that they have declined. As 90% of medium-sized marsupials in arid Australia have become threatened due to domestic cat and red fox predation, it is likely marsupial moles are also threatened by these invasive predators. One study found remains of marsupial moles in 5% of the cat and fox faecal pellets they examined.

[beccawise7]

Tuesday Tidbits:

~One minute of passionate kissing burns 6.4 calories. (Pucker up😘).

~A tiny, male marsupial in Australia, has sex for up to 12 hours straight. The exhausted males drop dead shortly after. (I'm all for being an overachiever, but this seems counterproductive). 😬😜

~70% of people surveyed said they lied on their resumes. 37% of those people admitted to lying at work frequently. 👀🤥

~Exercise improves brain performance & helps you sleep better. 🧠🏋️ #fact

~A female orgasm can burn between 60-100 calories, where male orgasms only burn 3-5. (Raise your hand, ladies, if you want to drop some calories). 🙋😂

~Men & women who perform oral sex on their partners are healthier & happier than those who don't. (I've been saying this for years). 🤣🤷

~It costs nothing to be kind. ✌️💜🖤✌️

Have a fabulous Tuesday & don't forget to laugh a little!

~beccawise7 💜🖤

[irradiatedsnakes]

dialtown furry world

yellow-footed rock wallaby oliver (he feels like a mammal to me, but something unconventional- hence, marsupial. the charismatic, energetic vibe of a macropod suits him, but not the implied violence of a full-on kangaroo, so i eventually settled on a wallaby, with the species in particular for visual reasons.)

great black-backed gull randy (while i originally considered something that swans prey upon, probably some kind of small fish, fig @/tigsbitties instead suggested something that is a predator of swans. which is much funnier. gulls also fit in with the sort of "trashy" vibe, slotting in neatly alongside pigeons, raccoons, and opossums.)

band-eyed brown horsefly karen (vibes-wise, much like oliver, she just really strikes me as some sort of insect. horsefly is a bit of an obvious joke, but i do like fly in particular, as a very mundane sort of animal, subdued in appearance, with hidden depth (at least, i think so. ever looked at robber flies? cool as fuck). which, i suppose, could be said about lots of bugs, but flies in particular i think are really underrated. as before, species chosen for design reasons.)

furry world gingi is visually identical to regular world gingi.

[mwolf0epsilon]

Railway Mimics AU - Info Post

Yet another one of my silly AUs where the engines are beasts, but this time instead of being experimented on, they've always been some strange species of marsupial-monotremes that supposedly evolved to mimic locomotives (and other vehicles/utility machines).

How do they do this, you may ask?

Why, by consuming the whole thing and assimilating its attributes of course!

AU Info under the cut ---

Summary: During the peak of the industrial revolution the world was plagued by a rather peculiar infestation. Creatures once considered to be a kind of highly troublesome fae, had begun to consume and assimilate newly arisen technology. Giving way to behemoth beasts that mimicked the things they'd consumed (primarily vehicles and steam locomotives) and that threatened both the safety and livelihoods of the local human populations. As the years came and went, however, this once-loathed infestation soon transformed itself into something quite unexpected, indeed: A mutualistic relationship between railway men and highly intelligent beast.

---General Info---

What are the mimics? - No one is entirely sure. In ancient times they were considered to be a kind of minor but troublesome fae that acted under a queen (kind of like bees or ants), but zoologists have dismissed this notion entirely and have been studying them for years. All anyone's managed to figure out is that they're some kind of missing link between marsupials and monotremes with a highly (and very unusual) specialized diet.

Were engines always alive in this world? - No, in this AU the engines (and other vehicles and heavy machinery) were not originally alive. They were just completely normal inanimate objects. This is what made the mimics such an issue in the beginning, since they were actively invading workshops and factories and eating what was essentially months/years of hard work. Not only that, but before anyone discovered that they could tame the mimics, a fully grown steam locomotive mimic could cause all kinds of chaos after gaining the attributes and size of such a powerful machine.

Are the mimics friendly? - Yes and no. A fully tamed/domesticated mimic is your friend because it has realized the benefit of having a mutually beneficial relationship with a human (protection from the elements, free food and healthcare, and less of a chance of being shot at by a frightened person that wants them off their property, and many more perks at the cost of some fairly easy labour that they don't mind doing at all). A wild mimic on the other hand will not hesitate to kill you if it feels threatened by your presence or thinks you're encroaching on it's territory (which is understandable, this is a highly intelligent beast after all, but still a beast). And this isn't even taking into account what happens when a tame mimic ends up going feral...

What do mimics eat? - It depends on the type of mimic, since their diets change depending on what kind of machine they assimilate! Steam locomotive mimics, for example, are omnivores (which comes in handy because they're not overly picky of what they eat, with some exceptions such as personal preference). Diesel locomotive mimics, on the other hand, are obligatory herbivores (which is one of the reasons why the Railway Industry began to push for the acquisition of Diesel Mimics). That said, there is one thing all mimics ultimately need to function properly, and that's their specific fuels. No one is sure why.

Are the mimics magical? - Despite what zoologists would rather believe, the original myths behind the mimics are true to some extent, and they are in fact a kind of minor fae... Whether or not that means fae are just very odd animals, or that the mimics are just pretending to be mindless beasts, is up for debate. But it's hard to deny the fact they seem intelligent enough to understand how a railway service works.

Mimic Compaction Abilities - Mimics are capable of shrinking down to smaller more compact sizes, and then expanding to their original size when the situation calls for it (such as dealing with extreme temperatures). Zoologists believe this is something similar (albeit more advanced) to the shrew's ability to lose between 30% and 50% of their body weight, but most people just write it off as magic. Gold Dust Inc. has figured out that a very specific kind of recipe of feed can force the process, and since then it's become a staple of Railway management. It's much easier to care for a smaller critter than a behemoth after all!

Gold Dust Inc. Feed™ - A special kind of feed for mimics that's used to either shrink them, or make them grow back to proper size. It seems to be completely nullified by carbonation in drinks, however, so there's posters all over the Railway Stations advising for both workers and passengers to avoid leaving their soda cans/bottles unattended.

Feral Mimics - A feral mimic is a mimic that has seemingly been abandoned and returned to the wild. They are highly aggressive and have re-adapted to surviving in wilderness, so they grow larger than their mimicry's basis, return to their original coloration/configurations, and grow noticeably shaggier fur and tusks. These mimics are considered extremely dangerous and there's a Hunter's Guild Association branch specifically commissioned to dispose of them, since they have no real fear of encroaching on human spaces.

---Extra Info/Fun Facts---

Steam Locomotive Mimic Personalized Locomotion

"Upgrading" A Mimic's Shape

The Mystery behind "Feralization"

Mimic Intellect

The Uncomfortable Reality of Mimic Railway Shows & More

The Mimic Language

Logistics Matter

Stealworks and Dieselworks Veterinary Services

Three Different Eras of Mimic Taming

Examples of Mimic Taming Methodology

Hiro and Spencer, the Half-Feral Mimics

Spencer the Outlier of A4 Pacific Mimics

Mimics and Food

The Duke of Boxford vs Specialists

Two-Headed Mimics

The Dark Origins of the Hunter's Guild Association's Mimic Control Branch

The Great Railway Show Incident

You Can't Out-Changeling A Changeling

Why Some People Shouldn't Be Allowed To Own Mimics

Size-Shifting 101

Sodor's Only Unplanned Mimic

Coaches and Trucks

Mimics and Affection

---Fics/Dialogue Posts---

One Night At The Sheds

Rude Questions

Young Cub Wishes and Cubhood Memories

---Art---

Edward, BoCo & the Twin Terrors

Henry & Crew

Percy & James and Special Jobs

Gordon & Thomas and Cause and Consequence

Gordon's Comeuppance

One Angry Cranestacean...

Edward Would Like Some Chips Please!

Gordon Pays Scot Out

A Merry Mimic Christmas

Kids Say the Darndest Things!

Circle of Cone of Shame

Happy Henry Day!

Young Gort & Baby Menaces

Gordon and Tabitha

Mimic BoCo Blender Sculpt

Mimic Scot Wants Salami

---OC Art---

Adeline and Dorothy (Gift for Rogue)

Cavan, Abraham, Junebug and Edmundo

No Thoughts, Head Empty

1/2 of Edmundo chasing Cândida

Seagull Mimic Meetup

Mimic Abraham Blender Sculpt

Bowler and Wish (Commission for Gronkgal)

Mimic Edmundo Blender Sculpt

Mimic Dorothy Blender Sculpt

Mimic Cirrus

Mimic Blaidd

---Fanart---

Victor and Hiro

Victor and Hiro (Again)

Hiro the Really Useful Boy!

Mimic Yoltzin!

The Duchess of Boxford holding Spencer

Yoltzin's First Day on Sodor

Loafing Victor

Mimic Cirrus

Mimic Hiro Discovers Fried Chicken

Mimics Devouring Their Creator

Mimic Abe Birthday Gift

Victor and Kevin Wearing Their Service Vests

Yoltzin and the Mimic Union

Mimic Cirrus with Flame Markings