#or maybe the critic

[caitmayart]

in response to the Among Us and CR collab

enjoy the stupidity of my brain

[hoshizoralone]

reflection

[thatwavephenomenon]

me: i sure hope the crows are not gonna be solely depicted in veilguard as a brave force who 'fight for all' when they are at their core a criminal organization who is known to buy children to indoctrinate them and turn them into assassins, by putting them in overcrowded warehouses and making them fight for scrapes in order not to starve, to later torture those who reach adulthood to finish their initiations and kill them anyways if they dare to try getting out

bioware: i cooka da pizza

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[buggachat]

something so fucked up about Chat Noir’s whole deal is that he is in a lot of ways Adrien playing a character. Like Adrien picked up his miraculous and was told he’d be a superhero so he was like “ok, time to act like a superhero!” and he lets himself have fun w it and play up the role and let loose and kind of just allow himself to be silly and goofy and have fun and for once in his life not care about performing Perfection™.

But. But none of the other characters KNOW THAT. So everyone just sees Chat Noir and is like “look at this guy’s ego. He’s so full of himself. Surely it’d be fair to knock him down a few pegs” without being aware of how few pegs he actually HAS. He’s like the “insecure character who overcompensates in ego” trope except he’s really not doing it unironically, he’s just having a fun LARP pretending to have self worth in his off-hours but nobody else is on the same page about it being a game and he refuses to tell them. He just dramatically pouts about it and lets them laugh and pretends like he’s not internalizing it and it is almost 3 am and my brain forced me to write this instead of sleeping I’m gonna take a melatonin

[leenalecklin]

Breathing is something you don’t think about until you can’t do it anymore.💀

Story of Frill being brought back is something that has been hiding in my folders for several years unfinished. I’m still not quite happy with it, but I guess it’s time to accept it and move on to something else. 

Frill is my DnD character. A skeleton bard with a lot of package to carry on his bony shoulders. 

[ot3]

i do get why people are going so hard in on reminding each other that depicting something bad in fiction isn't the same as endorsing that thing. but also i feel like that's a talking point that cedes a lot of ground i'm not willing to cede re: the right to engage with works that do endorse a bunch of bigoted or harmful shit. interacting with a work of fiction that wholeheartedly espouses a worldview you do not agree with isn't a trojan horse that injects hitler particles into your bloodstream or something. like sometimes you read a book and your main takeaway is 'wow this author thinks women are cattle' or something along those lines and nothing about the process of having read that book has in any way damaged your moral integrity. it's fine! it's fine. you can learn a lot about yourself by reading shit that's hostile to your worldview.

[elzorton]

Maybe you are just the first beautiful, kind face that I have ever seen

[yashley]

"And that was the experience that bent you towards the Lord of the Hells?"

bonus:

[cloud-ya]

finally beat dark gaia today, had to draw werehog about it

[olessan]

Essek and the rest of Bells Hells: Okay, we're going to Eiselcross, an icy, glacially-locked wasteland. Everyone grab some stuff to dress accordingly.

Dorian, Imogen, and Ashton:

[lauraneedstochill]

if I see one more post about Aegon “bullying Aemond his entire life”, I will go fucking ballistic, I swear to g—

scratch that, I will actually go ballistic right now. this is the “Aegon doesn’t deserve such a shitty treatment” club and I’m the self-proclaimed CEO. we are about to do some analyzing and reading so BUCKLE UP.

gonna make one thing clear first — Aemond was bullied when he was a child. no one denies that, no excuses can be made for that. I’d only like to note that there wasn’t only one bully. here’s a quick reminder:

now that we successfully counted to three, let’s look over Aegon’s other horrible crimes relationship with Aemond throughout the years.

📍 the night Aemond lost his eye (S1EP7), Rhaenyra suggests he should be “sharply questioned” (she means tortured) so they can learn who told him that her sons were bastards. Viserys, in his perpetual denial, angrily asks Aemond “who spoke these lies” to which he replies that it was Aegon. it is clear that Aemond does that to deflect suspicion from their mother but his words come as a surprise to Aegon.

he’s in a tough spot — Viserys demands the answers “as their king”, not their father (to signify his authority and pressure them into telling the truth). and Alicent screamed in Aegon’s face and slapped him just a minute ago, so he may be less eager to defend her. he can easily lie and say that he overheard some maids gossiping or that he can’t remember where the rumor came from. instead, it takes Aegon about 5 seconds to back Aemond up.

📍 we didn’t get many scenes with young Aegon and Aemond in general, but here’s a short bit people keep overlooking: when Harwin and Criston start fighting, Aemond and Aegon instantly gravitate toward each other. and moreover, Aegon puts a hand over Aemond’s back (which to me is either a protective or a comforting gesture). what a horrible brother, truly.

📍 next we see them all grown up before dinner in S1EP8. I think it’s safe to assume that if Aegon has been bullying Aemond all these years, Aemond wouldn’t want to spend a second in his company. he’s seated between Helaena and Otto, both of whom are dear to him, so Aemond can stay at the table and chat with them. and YET, not only does Aemond voluntarily talks to Aegon, but their conversation seems friendly (you can barely hear it in the show so here’s the enhanced audio). Aemond makes a joke about Aegon’s drinking habits — Aegon quips back — and then, what a shocker! Aemond starts venting his frustrations to Aegon (“Even when the noose is so tight, they expect us to break bread”). nothing would’ve stopped him from venting to Otto but Aemond stays with Aegon. he wouldn’t have done that if there hadn’t been some level of trust between them. he wouldn’t have done that if he hated Aegon’s guts.

📍 at dinner, when Aegon pisses Jace off and the brunet springs to his feet, Aemond stands up too, which forces Jace to act as if nothing happened and come up with a toast. Aegon watches him with a shit-eating grin on his face. it’s the face that screams “I know you won’t dare to act up in front of my brother and my brother has my back”.

when Aemond makes a toast and calls Rhaenyra’s sons “strong”, Aegon raises a cup to that. he can sit this one out — Aemond has his personal vendetta against the boys, and it would be safer for Aegon not to meddle. but what does he do instead? when Luke gets up from the table (clearly intending to go to Aemond), Aegon instantly stands up, comes up to Luke and not just stops him but slams his face into the table right in front of Rhaenyra without thinking twice. and it doesn’t look like Aegon is just messing with him — no, it looks like he wanted to do that for a while. like Aegon finally got his chance to stand up for his brother too. AND he also stops Baela from joining the fight.

📍 S1EP9 is when we get a glimpse of Aemond’s ambitions: he deems himself better than Aegon, he thinks he deserves to be king. but once he finds Aegon and they get into a fight, it turns out that Aegon knows that Aemond is a better choice. he doesn’t want to fight him, he begs Aemond to let him go. and Aemond can do that — Criston has his back to them, so Aemond could’ve pretended that Aegon managed to break free. and even once they caught Aegon, I have no doubt that Aemond could’ve helped him escape. but it seems that, despite his displeasure, Aemond values his family the most. he can’t betray his mother’s trust, and he knows Aegon is the first in line to the throne. Aemond envies him, yes, he may even hate him because of that. but he values his family the most.

📍 as @florisbaratheons noted, during the coronation scene, when Aegon glances at his family, Aemond looks right at him and gives that tiny nod that says “I may hate this and think I am better for the job as king. But I’ve got your back.” I like that Aemond is the one who keeps eye contact in that scene. He could’ve turned away to signal his dissatisfaction with the situation, there wouldn’t have been any consequences for that. But he didn’t.

📍 what I find interesting about S1EP10 is the beginning of Aemond’s dialogue with Luke. that’s the boy Aemond wished to get back at for years and yet, he starts by saying “Did you think that you could just fly about the realm trying to steal my brother’s throne at no cost?”. Aemond could’ve skipped that part — imagine him saying smth along the lines of “Wait, Lord Strong! Don’t you think you and I have other matters to discuss?” (to which Luke answers that he doesn’t want to fight and the conversation goes on). instead, Aemond makes a point to remind Luke: my brother is the king, and I came here on his behalf. you can argue that Aemond doesn’t do it for Aegon specifically but for his family in general. but Aegon is a part of the family, and S1 Aemond has his priorities straight.

📍 as much as I hate comparing the show and the book (these are two different things and should be viewed as such), I’d like to remind you that Aegon was the only one who stood by Aemond’s side after Luke’s death. I wonder why we didn’t get that scene… I guess it’s because it would be kinda hard to call Aegon “the main bully” after he literally throws Aemond a feast. but we do get to see Aegon supporting his brother: in S2EP1 he welcomes Aemond at the small council meeting despite his mother’s protests (“Aemond is my closest blood and my best sword”). and he trusts Aemond wholeheartedly, that much is obvious.

📍 let’s get to the most controversial part — the brothel scene in S2EP3: some people believe Aegon is being a bully at that moment. those people seem to forget one little detail:

it’s been only a few days after the death of Aegon’s son whose murder was a direct result of Aemond’s ruthless actions. does Aemond ever address it? does he express his condolences? does he mayhaps help to catch the killers, being the skilled fighter that he is? the answer is NO.

I do think Aegon’s joke was cruel (I wrote a whole post about it) but that’s all it ever was — a JOKE. the humiliation comes not from the things he says but from the fact that Aemond is found in a vulnerable position and surrounded by a group of strangers while his brother laughs at him. TGC explained it best:

I also love @notbloodraven’s take on that scene:

Aegon lashing out so cruelly at Aemond seems to be an effort in making Aemond feel as badly as he does and blaming him for Jaehaerys without actually saying the words.

would this be the right way to act? no. but there’s no right way to grieve and to cope with the loss — and HIS SON WAS BEHEADED so maybe take 1% of the sympathy you show your favorite character(s) and cut Aegon some slack.

+ other things worth talking about:

📍 @bietrofastimoff23 analyzed S2EP3 beautifully and I can’t help but mention the scene that happens before Aegon goes to the brothel. it’s the moment when Larys suggests that Alicent and Aemond are plotting against Aegon. he isn’t surprised by the idea that his mother can do that — but the second his brother is mentioned, Aegon’s face falls and he shakes his head no. because there is no way Aemond would ever do that to him. and instead of asking for any proof, he asks Larys “who spreads these lies?” and then commands him to “tend to them.” Aegon can ask him to spy on Aemond, to find any dirt on him, find any weaknesses he can use — he does not.

📍 it turns out to be true — Aemond was plotting behind his brother’s back. which is treason btw (I don’t think Criston intended to keep things from Aegon — he probably believed that Aemond would let Aegon in on their plan). and Aegon does have the power to remind Aemond of his place — he can throw him off the council with a snap of his fingers, he can take offense at Aemond’s attempt to publicly humiliate him (their conversation in High Valyrian — Ewan himself calls it a “public execution”). but that’s not what happens: as TGC phrased it, Aemond’s betrayal “breaks a bit of Aegon’s heart off”. an actual bully would’ve immediately pushed back, but Aegon silently sits down and doesn’t argue, he’s so defeated he can’t utter a word. he has the means to be a bully but he doesn’t contemplate it for a second.

📍 I don’t want to talk about S2EP6 because it makes me sick but I will reiterate one thing: never ONCE Aegon made fun of Aemond’s disability or tried to cause him any physical harm. just want to point that out.

there is no moral to this story, I guess. if you managed to read till the very end, thank you. if you still hate Aegon, that’s your opinion and you are allowed to have one — but please, for the love of god, just stop making shit up. no, Aemond was NOT bullied as an adult, absolutely nothing suggests that he was. Aegon was naive to blindly trust him and it backfired on him, that’s the actual story. and if you are so eager to hold Aegon accountable for his mistakes, maybe it’s time for Aemond to take responsibility for his actions too.

+ some of my favorite critical posts about Aegon and Aemond: x, x, x, x, x, x, x, x.

P.S. I will not argue with anyone so please don’t waste your time — I consider all my arguments solid and that’s enough for me. if you are thinking of sending me anon hate, pls go take a walk instead, it will do you more good. 🌿

[cy-lindric]

Hi! So, while scroling through Pinterest, i came across this art:

which was credited to you. i cannot find the complet artwork in your profile, so i wanted to ask if youre the artist responsible for this piece.

(btw, your renditions of medieval clothing are beautiful!)

Hello ! I did make this a long time ago and the reason you didn't find it is probably because it's almost a decade old (and also very badly tagged). You can find the original post here. I think back then I had no idea what actual medieval clothing might look like, lol. How far we've come.

[chiakery]

I'm thinking about the Matron of Ravens one day telling her champion, her first and most trusted ally since ascending to godhood, that she's going to leave him for some time.

I'm thinking about Purvan Suul, months or years later, following a raven until he arrived in front of a hovel. Inside it, there was a family. A mother. A father. A young girl with dark hair and green eyes, swaddled in blankets.

I'm thinking about Emhira's parents, not understanding why this stranger decided to take care of them but being infinitely grateful for this blessing - a skilled ranger bringing food and helping find shelter whenever their family had to move was more than anyone could hope for in times like these.

I'm thinking about Emhira, still young and mostly human, growing up looking up to this man who was so close with her he could have been her second father. Begging him to take her hunting, to teach her how to make and repair arrows. Playing with his wolf who was always so very gentle with her. Learning about Fate and Death and Gods.

I'm thinking about Purvan, patient as death, answering all of Emhira's questions but never pushing her in any direction, even when he saw her talking to ravens or idly drawing in sand symbols no one had ever showed her.

I'm thinking about Purvan and how, one day, this girl who was his god who was a little and vulnerable thing he had protected for the past decade and half, finally remembered. How she smiled at him in just the right way or placed a hand on his cheek with this look in her eyes and he knew. And he fell to his knees, heart bursting with prayer and joy and relief and said: "My Lady, welcome back."

[vir-dirthera]

Thinking about how the elves have zero political representation in Thedas at the beginning at the Dragon Age series and the situation doesn't change at the end of Veilguard. Like they want you to forget that every political and religious power on the surface of mainland Thedas is run by humans.

Thinking about how Warden Mahariel asked for a boon from the rulers of Ferelden, for the Dalish to be given sovereign lands and was denied.

Thinking about Warden Tabris asking for Shianni to become the first elven noble, and how she was murdered in the epilogue slides.

Thinking about how Lavellan is the only elf who is a public political figure.

Thinking about how Briala can attempt to empower the elves from the most precarious situation where she has to joint rule with Celene and/or Gaspard of all people.

Thinking about how making Leliana divine was the most tangibly good thing you could do for the situation of the elves.

Thinking about the viddathari, elves who join the Qun so that they can be treated with some form of dignity.

You can have a world state where you do literally everything possible to help the elves and it's just a drop in the ocean. So of course elves are vanishing from society en masse to join Solas' cause because it appears to them as the only option they have to change the social order. Even if Solas is just using his followers for his own personal crusade, with everything we know about Thedas it's just a no brainer.

But no, we don't need any of that because now we have the Veil Jumpers, a loose coalition of elves and non-elves that is comprised of citizen archeologists who excel at getting lost in the woods and blowing themselves up.

[fulcrums501st]

When Vi became an enforcer, Sevika should have been like “you’re playing lapdog to topside, just like your old man” or like “and you called me a traitor?” or something