#or maybe bc of that?? it’s a weird kind of ableism w/ him and a lot of profs. if he’d known i had real diagnoses idk if he would’ve helped

[bodymachine]

look away im having thoughts about the two medieval lit classes i took in college

[moodr1ng]

(making my own post after being in someones replies again lol) i do think there was kind of a Moment on tumblr in i wanna say circa 2019-2021 where a lot of the accumulated biphobia that was present in the lgbt community at large and in particular on tumblr sort of blew up into a number of bi bloggers starting to talk a lot more on the subject and make a lot of posts explaining the material consequences of biphobia, the lack of support bisexuals have always gotten from the rest of the community, the specific biphobic opinions/takes that are popular both offline and in online communities, and also a lot of conversations about bisexuality, what its like to be bisexual, what it means to us, a ton of education on bisexual history, a lot of trans and nonbinary bisexuals talking about how bisexuality interacts w our genders, etc. at the time and being involved in all of this tangentially it felt a bit like a sort of tumblr bisexual renaissance where the pot finally boiled over and a ton of us started to be really loud and in your face about bisexuality and biphobia. i think this was a major reason for why a lot of takes that had previously been very widespread and either accepted or at least treated as debatable (thinking about butch/femme discourse for example) got rolled back and a lot of people who had been very casually biphobic all over the place suddenly changed their tune, switched their public opinions, and started sharing a lot more of support for bisexuals (though, tbh, i dont think i have seen literally one apology for past biphobia).

i do think there was some discourse that went a bit too far and ended up counterproductive (ive personally rolled back a lot of my past anger about the pansexuality vs bisexuality shit into a view that i think is a lot more charitable and community-oriented), but overall bisexuals on here did a lot of work to get heard, get understood, and get some much-needed support by the rest of the lgbt community, and there were also a lot of behind the scenes conversations where bi people created spaces like very active discord servers where bisexuality was explored in-depth among bisexuals, which tbh i largely credit for me being able to comfortably identify as bigender.

but, well, this Moment of bisexuals being loud and proud about bisexuality and refusing to continue to tolerate biphobia was met with, like, extremely caustic and vicious backlash which has led SO many bi bloggers who i followed, knew, was in servers and dms with, was/am friends with etc to either quit tumblr or move to new blogs where they only keep around vetted people and no longer widely engage w the topic of biphobia. my alter ran one of those blogs which i dont think could have really been qualified as popular, but which had a ton of constant interaction and some really big posts, all of which led to daily biphobic harassment as well as scrutiny of every other part of his identity and repeated cruelty about things that it was incredibly inappropriate for people to attack him on - some of you who followed him will recall the repeated attacks and accusations of ableism for his 'weird' typing style, despite a disclaimer on his blog that he types like this bc of autism+adhd+did, as well as a lot of vitriol and aggression which i think was at least partially racially motivated. like, im not even willing to disclose the url or his name here because im STILL paranoid about getting harassed years after he deactivated, which, like many others i know, he did because the constant biphobia was so bad for his mental health that the blog even just continuing to exist was not sustainable.

im not sure to what degree the conversations that were started on here during this time are continuing - im not seeing much of it anymore, but then again maybe im just not following the people having them - but it certainly feels like that Moment has died down now, though i certainly still feel the aftereffects in how a lot of people have changed their stances on bisexuality. it does feel like an acute loss still that so many bi people were effectively shut down and harassed off tumblr or into silence and reclusiveness by the backlash to bisexuals speaking out (and this especially imo affected bisexuals of color, especially black bisexuals, as per usual on tumblr). i miss the posts i would get to read daily as well as the very active discord servers and other conversations i got to be privy to at the time. i think this, as much as the discussions on biphobia themselves, rendered very explicit the degree of biphobia thats present within the lgbt community. as soon as a number of bisexuals got fed up with it and started to talk about it openly, the open and unashamed biphobia also ramped up.

ig the thing im stuck on is - were not talking about it as much, but all the people who dedicated themselves to harassing bisexuals into silence for years are still here. some stances have been changed and a lot of performative "we love bisexuals!" posts got shared but ultimately the work is still cut out for us going forward. however, i dont think i or my alter will be doing any of that work on tumblr in the future. the focus will have to be on real-life community to spare ourselves the backlash that comes from speaking about this on here.

idk, not sure how to end this whole tirade. i just happened to be thinking about all this earlier today and a mutual brought it up again just now so its on my mind. i do still miss that sense of heightened bisexual community that came from all of this. i personally not only was able to re-identify as bisexual after identifying as gay for a few years bc these conversations led me to reevaluate my sexuality in a more accepting light, but also i unlearned a ton of internalized biphobia which i had not only tolerated but often strongly believed myself, usually with a sort of self-flagellating notion of "i have to bow down to the rest of the community and accept that my opinion is inherently lesser because bisexuality is an inferior sexuality" which i only stopped believing after being in these bisexual communities. ig i just have to be content with the circle of bi friends ive built both online and offline and what benefits ive gained from these discussions.

[lazaruspiss]

!!! ok first of all thank u for the food, nom nom eating this post up rn

Second of all i hope u dont me adding a handful of notes as i reread this a few times bc it is Gold

BiB. my absolute beloved.

Jason: Wow! My bestest big brother killed someone who deserved it, so now I (the person he's rejecting only because I kill people who deserved it) have a real chance at being his family again!! :D Hooray! :) Dickie-Bird why don't you look happy to see me? :) Dickie-Bird I went out of my way to get us matching outfits and stalked your work and killed people in your name so it's nice and easy to make room for me in your life! :) :) :)

HEY. HEY REMEMBER WHEN I WENT "oh shit im starting to think jason might remind dick of blockbuster" bc AUGH. JASON. 'i'm killing people in your name! why arent you happy!' JASON. head in hands. BiB was so soon after but just long enough that the dust has technically settled enough that dick isn't as vulnerable as he could've been after all that. (every time i read a nightwing story i have to sit back and wonder how dick hasn't completely lost the will to live yet. and then i remember he already has but just feels too guilty to leave. maybe i should add a depression scale to my nightwing notes.)

i've read all of jason's appearances in B&R (2009) bc i wanted to check on some things about his and dick's dynamic and i absolutely loved it, i even have a little mini theory about the pill helmet look (which was cute as hell, haters can bite me): it's much closer to joker's red hood costume than any of jason's typical costumes! it feels purposeful, that alongside dick becoming batman comes jason (trying) to be his joker, not bc he's trying to actually emulate joker in any real way but bc he's trying to put himself in the "loving arch enemy" position with dickbats. or maybe i just have some brainrot about them, lol.

i do give B&R dami a pass to be a mildly bigoted shit bc ive babysat plenty of kids and esp at his age a lot of them just Say Shit, when it was from him i found it funny and endearing bc his age just kind of lends itself to dami saying shit like that w/o any real awareness of it. the actual writing and depiction of fat people/mental illness/queerness is pretty frustrating though. if it was just a weird 10 y/o being mean then it would make total sense to me, but the story itself perpetuates some pretty nasty shit. that said i still havent read it all the way through bc pyg makes me um. Feel Things. in my- ok yeah, TMI. B&R isnt good, but it is right up my fucked up little alley.

The romantic side plot with Artemis is... odd. Either the author, Scott Lobdell, intended to write Jason as a desperate loser trying to date his uninterested lesbian friend who he co-parents with, or he accidentally wrote a romance so awkward and comp-het that I cannot wrap my head around reading it as reciprocated. This works for me because I have a lot of fun reading Jason as a desperate loser who's not even actually in love with her, he just is desperate to cling to the closest thing he's ever gotten to a nuclear family and in denial about being either aro/ace or gay.

haha. me too jason. <-(aro queer who tried so hard to date. embarrassing.)

and i'm actually pretty interested to see how they handle bizarro, even more so as someone who has needed accommodations myself for mental functionality reasons. (the plus side of knight terrors: nightwing #2 being as bad as it was is that now if i run into ableism in comics i can go "at least its not that" lol. However they handle biz is bound to be better, that issue lowered the bar farther than i thought was possible for me.)

My Jason Todd Rec List and Character Manifesto!

This is a fuckin mess my ghouls, but I got categories and I got opinions and who can stop me from typing em out? Certainly not @lazaruspiss who is the reason this thing got made!

The format is gonna be

title and page numbers (No #s if I'm recommending the whole title) picture Summary and general notes My estimate of how unhinged he is in this portrayal What his morals are like; note this isn't about whether he's a protagonist or antagonist

Since cream rises to the top, let us start with:

The Creme de la Creme

The best of the best. The most fun, the most compelling, the most interesting looks into his character.

Green Arrow (2001) #69 - #72

This one really does have it all. Jason runs rings around both Batman and Green Arrow at the same time, all the while going after a goal neither of them ever truly figures out in large part because this story wasn't afraid to let Bruce be either wrong or lying about Jason's motives. It also wonderfully leverages the ways in which the Bats and the Arrows are really good foils for each other. I think I'm going to be turning over the ways these interactions went down for a long ass time. I've been really wanting to go page by page for a comparison between the way Jason treats Mia in this and the way Jason treats Tim in the Titans Tower showdown. Bottom line for this one: It's just so good!

Jason's sanity level: Six out of Ten hinges affixed. He's got a solid grip on things, is reasonably level headed, only problem is he might have completely forgotten how to interact with other human beings outside of combat. Love him for that.

Jason's moral compass bearing: Sympathetic Villain. Decidedly willing to mow down some "brain donors", and his goals are pretty morally grey, but he clearly still has a strong code of ethics.

Joker: the Man Who Stopped Laughing

With Jason's return to being an antagonist after a long stint in the Hero bin comes his return to being really fucking dangerous and whip smart! My boy quotes serious philosophy that gives him a real point to make against non lethal vigilantes and cops! I also think the part where he lets himself be arrested just... it says so much and all of it is wonderfully interesting and feels fitting for his character. He's kept deeply human, and just all of this portrayal gels together really well.

At the time of writing, this comic hasn't even been properly published yet, so I'm going off of like 9 issues in which he appears less than the Joker, but what is there is phenomenal.

Also I like that he's friends with my favorite, Stephanie Brown :3

Jason's sanity level: Nine out of Ten hinges affixed. Level headed, calm, careful, really the only reason this isn't a 10/10 is cause he's obsessively focused, which like, honestly is pretty reasonable I think.

Jason's moral compass bearing: Clearly Justified Antihero. I almost put down Hero on this one, but ultimately he is just far enough over the line with how he treats the less threatening of the rogues like Killer Moth.

Batman (1940) #408 - #411 Jason's debut featuring Ma Gunn's School and his first ever outing as Robin fighting Two-Face

Just LOOK at this PRECIOUS BOY! I wanna pinch him on his cheeks and give him a handful of these bad boys

Jason has a ton of personality to him right out the gate. The first story has Ma Gunn as the villain and she's a lot of fun. The second story in here with Two-Face is also enlightening with regards to Jason's early personality, even if it's not quite as fun.

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Hero.

Under the Red Hood would be next if it wasn't already filed under ->

Foundational Texts

This is the shit that defines Jason as a character. Much is mutable in any given comic, but somehow, someway, all depictions of Jason are impacted and informed by these three stories. Enough has been said about all of them that I'm gonna keep it brief.

Red Hood: The Lost Days

Jason's sanity level: Eight out of Ten hinges affixed.

Jason's moral compass bearing: Antihero. He kills some incredibly nasty people, while also doing some genuinely heroic shit. The only places where his morals deteriorate are in the presence of Batman and the Joker.

Under the Red Hood

Jason's sanity level: Four out of Ten hinges affixed. Remember how his morals deteriorated in the face of Batman and the Joker? Yeah, that's mostly because he's way, way too personally invested to think straight about them. He's strategic as fuck, but this is not a stable man's strategy for dealing with his issues.

Jason's moral compass bearing: Sympathetic Villain. He is a revenant, a vengeful juggernaut, and breaks an awful lot of eggs making this brilliant disaster of an omelette.

Batman (1940) #426 - #429 A Death in the Family

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Hero.

Joker becoming an ambassador to Iran plotlines count: One too many.

Solid Storylines

These ain't the vaulted heights, but not everything has to be the Sistine Chapel. They're solid, and if you're wanting more Jason I do certainly recommend them.

Countdown Presents: The Search for Ray Palmer and Countdown to Infinite Crisis

Jason is in what I like to call his Purposeless Depression Era during this. It's after his plans in Under the Red Hood fail and he's really just got no place to go, no place to be, and in fact is keenly aware that on a cosmic level, he truly does not belong in this world anymore. He's supposed to be dead. There's something I find quite neat about this team up, with Donna Troy and Kyle Raynor and Bob, it's out of the ordinary for Jason, it's not bat related, and the ways he fits and doesn't fit with the other characters are just neat.

I especially recommend Gotham by Gaslight. The plot will be a lil hard to follow if you haven't read the others, but Jason by the end hopes to return to Victorian Era Steampunk Gotham and the moments of him hoping to literally leave his universe behind are both sweet and sorrowful.

Jason's sanity level: Ten out of Ten hinges affixed. He's just sad and lonely.

Jason's moral compass bearing: Hero. Even if only Donna is willing to tentatively try to see him that way.

Robin (1993) #177 and one page of #182 and the front half of #183

Despite how much Jason is known for it, I think this is the only time we see him trying to run organized crime outside of Under the Red Hood (and uh debatably Battle for the Cowl). Short lil string of appearances, but critical for understanding how he's seen by Tim during this era if you care about that, and it really cemented my understanding of Jason being strangely honest and forthright.

I think the major way other Bats fail to comprehend him is that they expect him to manipulate through lying, which just isn't his style. He doesn't lie about his motives; he doesn't obfuscate his tactics; he doesn't hide how he's feeling. Hell, he doesn't even try to lie his way out of prison! I could not tell you why this series of interactions gave me this impression but it is why I have such faith that when Jason says something, he probably just means it, even when characters like Dick or Tim assume otherwise.

Pity this was the lead up to Battle for the Cowl.

Jason's sanity level: Ten out of Ten hinges affixed. He's even attempting to pick himself up out of his Purposeless Depression Era slump at the start.

Jason's moral compass bearing: Antihero.

Nightwing (1996) #118 - #122 aka Brothers in Blood aka the One Where Jason Gets Tentacles

COWARDS and KNAVES will tell you "the tentacles are so icky and everyone is so OOC" or whatever but again they are KNAVES and COWARDS because bitch this shit is GREAT

Jason: Wow! My bestest big brother killed someone who deserved it, so now I (the person he's rejecting only because I kill people who deserved it) have a real chance at being his family again!! :D Hooray! :) Dickie-Bird why don't you look happy to see me? :) Dickie-Bird I went out of my way to get us matching outfits and stalked your work and killed people in your name so it's nice and easy to make room for me in your life! :) :) :)

Dick:

Jason's sanity level: Two out of Ten hinges affixed. My mans is off his rocker and I adore him like this. Frankly, the entire storyline is unhinged, and it only feels appropriate that Jason is similarly bonkers in yonkers.

Jason's moral compass bearing: Villain. You can sympathize with him, and he is still trying to carry out justice, but I have to call it for straight villain when he's threatening to bomb a building full of innocent people.

Batman and Robin (2009) #23 - #25

I don't have much to say about this one. It's good. The above page is pretty much the highlight.

Wait actually I do have something to say and it is that I would like to lick Jason's abs, pls & thx, because the other highlight is that Winick clearly believes in redeeming Jason's value as a villain through sex appeal and it is working lmao

Jason's sanity level: Ten out of Ten hinges affixed. Certifiably sane, he's passed all his psych exams!

Jason's moral compass bearing: Villain. He threatens to bomb a train station full of innocent people. While he does do that in service of freeing himself and Scarlet, thus making it not completely self centered, I still gotta put him firmly in Villain.

Nightwing (2016) 2021 Annual

In high contrast to the previous two in which Jason acts as a villain to Dick, this one has them working together and the tentative peace and cautious trust they've got going is interesting to me. This Team Z era Jason is interesting to me in general, though I don't know much about him.

Jason's sanity level: Nine out of Ten hinges affixed. He's quite chill, but there's just this little edge to him that says his relationship to violence is a little too casual a little too deep to really be fully hinged.

Jason's moral compass bearing: Edgy Hero.

Your Mileage May Vary

These stories I can't recommend without major caveats or warnings, but I still think are worth mentioning.

Batman: Three Jokers <- I read it while typing this up, so I got a lotta thoughts

Guh, this one is just fucking sad

So, I don't mind a story being blunt with its message as long as the message actually holds up. Unfortunately, this three parter's attempt at the cycle of violence lesson is... bad. Real bad.

Jason in it is neat! This is a good Jason portrayal somehow despite literally everything about the way this comic frames him! The narrative expects us to believe he is a danger to society on the cusp of becoming another Joker, because he *checks notes* shot the Joker dead, shot at a Joker loyal guy, and roughly interrogated an injured child abuser. At no point does he show signs of wanting to hurt innocent people. At no point does he show signs of doing any hurting without premeditation or a need to defend himself. I'm baffled by this.

My kingdom for a fucking CRUMB of nuance, I swear, smh...

I hear a lot of people hate his one sided romance towards Barbara. This is understandable as it squanders the opportunity to have a female character not be stuck as the narrative sponge for man emotions. I like it from the perspective of a Jason fan, and give condolences for the Barbara fans. It's not healthy, and good fucking job on the janitor sweeping away his letter to her so poor Babs doesn't have to deal with that shit, but I do like Jason's desperation to be loved by someone, anyone, who might show him compassion.

Jason's sanity level: Six out of Ten hinges affixed. He's sad, he's lonely, he needs some PTSD specific therapy, he's a bit creepy about his crush on Barbara, but quite frankly he has it together a lot more than the narrative would like us to believe. The way the other characters treat him like he's some kind of monster just waiting to snap and start maiming people indiscriminately makes me really uncomfortable.

Jason's moral compass bearing: Antihero. Quite frankly I'm tempted to say Hero out of spite.

Red Hood and the Outlaws (2016) #1 - #43

There are three transcendental character moments in this run that I think make it worth reading even if not all of it's your cup of tea. On the other hand though there are some big issues that could very easily be deal breakers. Oh and anything after #43 is a wasteland and #43 is included purely for the implication that being transgender made a woman immortal.

The narrative structure is really heavily dependent on rule of emotional impact/cool/allegorical usefulness. Many events will not make any fucking sense based on petty things like basic logic or the laws of physics, but they do work just fine in the area of what makes the story more fun or the emotional beats hit harder. Stronger than average suspension of disbelief is necessary for the reward of getting a lot of stuff that's, like, just really fuckin cool.

The romantic side plot with Artemis is... odd. Either the author, Scott Lobdell, intended to write Jason as a desperate loser trying to date his uninterested lesbian friend who he co-parents with, or he accidentally wrote a romance so awkward and comp-het that I cannot wrap my head around reading it as reciprocated. This works for me because I have a lot of fun reading Jason as a desperate loser who's not even actually in love with her, he just is desperate to cling to the closest thing he's ever gotten to a nuclear family and in denial about being either aro/ace or gay.

Now, lets explore a lil bit of the whole Jason is a loser angle, cause it's not the whole story, there are many points in which Jason gets to be a badass motherfucker, but he is much, much less of the hypercompetant, highly determined, murderous threat he used to be. Almost none of the newer renditions of Jason are. This Jason in particular though is very soft and cuddly, and fits the archetype of man trying to be the edgy bad boy but who secretly just wants a hug and a warm glass of milk.

If I were to describe my personal Jason in a few sentences I would say that he is someone who loves himself viciously. He feels he has been wronged and is willing to burn down the world to rectify that. He will hold your ass at gunpoint and demand the hugs and warm glasses of milk that he fucking well deserves!

This Jason is about as far away from that as you can possibly get. I still like him though, and I do not count him as being a different character, because when you start with emotional logic that goes like this:

It wasn't my fault + I deserve better = I get to burn the world down in order to get better

It becomes extremely difficult to ever stop burning the world without also deciding "It was my fault" or "I don't deserve better". Jason is meant to have changed a lot, and this is a plausible evolution of the Jason I prefer.

Finally, the handling of Bizarro, a mentally disabled character, is a sensitive enough topic that your mileage will vary, even if I can't think of a bad thing to say about it. Jason and Artemis are really pretty good about treating him with respect, giving him help where he needs it and autonomy where he's capable of taking it. They raise him, but don't control him, and he is literally three days old when they find him so this isn't infantilization. It takes the framing of Lenny from of Mice and Men and Flowers for Algernon and rejects them in a way that I am satisfied with. You'll just have to read it for yourself to see if you're satisfied as well.

Jason's sanity level: Ten out of Ten hinges affixed. I kinda wish he was more unhinged.

Jason's moral compass bearing: Hero. He even saves a puppy and gives them pats.

Knight Terrors: Robin

Have you ever been in the mood for a syrupy sweet hurt/comfort fanfiction in which Jason and Tim were magically forced to talk about how much they like each other in order to overcome their own insecurities? Do you wish that existed as a lavishly illustrated two issue comic?

If you answered yes to those two questions then congratulations! It does exist, this is it, go have fun!

If you think that sounds like ham fisted garbage turning what should be several long arcs of serious reconciliation and deeply meaningful character moments into two issue fan service schlock then condolences! I wish you all the best in denial, as all comic fans sail that river sooner or later and I shall join you upon it someday.

What category do I fall into? Well I think this is definitely ham fisted, but I won't kick a boar out of bed as long as they ain't a bore, and this little ditty is certainly entertaining.

Jason's sanity level: Ten out of Ten hinges affixed.

Jason't moral compass bearing: Hero.

Batman and Robin Eternal

This is a decent portrayal of Jason in his modern, much friendlier, and much more bat family integrated rendition. He has some fun moments in it, and I like his staby bracers.

I don't like this comic. It commits the most dire of writing sins: Being boring. I think about Jason every second of every minute of every day; if your comic that majory features a good portrayal of him cannot hold my attention, then something has gone very wrong. Hopefully one of you will like it more than I do.

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Hero.

A Hot Take

I bet you thought the tentacles were the hot take! HAH! MuahahaahhHAHAHAH - Prepare now, puny mortals, to witness me defend Pill Helmet Jason AND his fashion choices!

No, I am not talking about Winick's redo late in the game, we've already been over that one. I mean I will defend Grant Morrison's flop era, three foot head gear wearin, goofy ass, unwashed ass, "how to build ur brand" reading maniac

It's time to talk about Batman and Robin (2009) #1 - #6

The interpretation of one scene makes or breaks this Jason:

If you believe he is being insincere and manipulating her into putting all her emotional eggs in the basket of his crusade, ignoring her wellbeing in favor of his 'brand', then this is probably the worst mischaracterization of Jason ever written.

If you believe he is being sincere, genuinely comforting her in the only way that he's got to deal with his own trauma, giving her real affection and not pushing her to take either option with the mask because he trusts her to make that decision for herself, then this gets Jason very right.

No matter what Morrison might have intended, I choose to believe it's the latter. This is terrible advice to give a trauma victim, but it makes perfect sense for Jason to believe that about his own trauma, and thus to pass that maladaptive view along. He doesn't try to assure her that the mask can come off safely or that he'll get her a doctor because he really can't promise her either of those things. It would be cruel to her to pretend that he's got a solution. Jason can't undo the damage that was done to her any more than he can force a dead Bruce to kill the Joker.

Instead he offers her purpose, and reassurance that she's gonna look badass if she never does take it off, and protects her when she's in trouble.

You can claim this is just him acting out his chosen Hero role, but like, WHY would he have chosen to method act that role 24/7 if he wasn't trying to BE a Hero who protects people like Scarlet? There's nothing in it for Jason to fake this.

I also think if he was being written out of character as a manipulator we would have seen him use a romantic or sexual angle which he absolutely doesn't do.

Dickie, you are such a funny Batman, they never shoulda brought Bruce back tbh.

Instead, he seems to be taking a more parental role, in a near perfect reflection of how Bruce took him in when he was a kid. Just he's doing it his way, meaning that whenever Scarlet goes further with the violence than Jason seems to want to, he backs her up instead of chastising her.

Speaking of violence and morals, Let the Punishment Fit the Crime is a coherent moral position to take, even if you (understandably) disagree with it, or disagree with what punishments fit which crimes. It's basically the same moral position as every other version of Jason there's ever been! Like, is he even killing more people than he used to in stories like Under the Red Hood? No, I don't think he is.

The branding thing is weird, lil annoying too after a while, but ultimately it still makes sense. And brings me around to my promised defense of his fashion choices.

First of all the symbolic importance of the fact that he wears white cannot be overstated in my mind. Will I elaborate? No, this post is way too long already lmao! Second off, it's supposed to be silly. I believe the silliness was a conscious, calculated choice, and the right one to make.

Jason doesn't believe that fear works, he's not trying for pure intimidation, and he knows that he's going to have to appeal to people in his bid to be seen as a Hero. Making himself seem big but non-threatening, a bright patch in the night, makes real sense.

Take a look at this view of Jason from Scarlet's POV when he comes to rescue her from the cops after she kills her dad:

He's got a smoking gun in his hand and he just shot two people dead, yet we're hard fuckin pressed to find him intimidating aren't we?? Cornball dialogue, and the silliest fuckin hat in the universe, because he's not meant to be from this era, he's emulating the Golden and Silver age comics and all their goofiness. He's trying to be the older, happier, sillier batman that used to exist (at least in his head), while doing what he believes is right and necessary.

The costume makes sense dammit!

Also it just doesn't look bad, I can't provide an argument for this, it's just true!!

Also also every one of these fuckers should be wearing a helmet too, this is basic brain safety, if you're gonna go around antagonizing fuckers with guns you need to make your head at least nominally bulletproof, it's that simple!!!

Now... do I recommend you read this? Well, Jason shares panel space with such characters as:

The living embodiment of the F-slur

A sneer directed at fat and genderqueer people

And our main villain: Schizophrenia is Evil + Transes are Scary

I do have the sneaking suspicion that Jason isn't interested in Scarlet in part to imply that he's gay, and I think that mostly because of how consistently every other villain is made queer.

I cannot in good conscience recommend something this openly bigoted to the vast majority of people. It's also besides that just... not terribly good. The writing is B tier at best. Pyg is probably the most likable element other than Dick tbh. Scarlet is also pretty neat, I like her. Damian is... okay. Uhhhhh Jason is not likable. I will defend this as a valid rendition of his character, but he's not likable pretty much at all in this.

However.

There are some people I know who I would recommend this to. They're all other queer people who enjoy grotesque, violent, provocative presentations of queerness as much as I do.

Reading it did not ruin my day, and it does not stoop to the ultimate low of being boring. If I had to reread this or Batman and Robin Eternal, I would reread this in a heartbeat, no competition. If you can find enjoyment in stuff like the Silence of the Lambs' sequel and prequel movies, you can find enjoyment in this.

Jason's sanity level: One out of Ten hinges affixed. Obsessive, not taking care of himself, possessed of some really maladaptive trauma coping frameworks, completely unhinged. My condolences to his mental health, but I do love to see it.

Jason's moral compass bearing: Antihero. It's weird because this is undeniably a much darker comic, and Jason certainly feels darker, but in terms of what he actually does, and what the other characters do, his violence is honestly very tame.

So, cards on the table, here is the core of who Jason is to me:

He's got clear moral motives and a drive to help as well as harm.

When confronted he does not back down; he does not let himself be overshadowed or silenced. He is confident in his decisions and every bit of push back is already accounted for in his head.

Everything he does is premeditated. He is not impulsive whatsoever.

He is painfully sincere, the way fire is painfully hot.

He desperately desires love and connection, but it will take many years of constant rejection and fighting before he is willing to accept any kind of compromise to his ethics for the sake of civility.

Under all the hurt and combativeness, he's a pretty goofy guy! He's got a sense of fun and likes to be flamboyant and silly when he can!

He's a villain, a hero, a protagonist, an antagonist, and everything between the extremes. He exists as a powerful counter-thesis to Batman, and as such DC can't ever fully answer the question of what to do with him. He exists in this waffling limbo state as his morals are debated, stretched, refuted, turned on their head. I think that makes him a wonderfully fascinating character to love.

I hope you enjoyed this and, like, go have fun reading comics!

[caroloftheshells]

recent screen exploits (herein: parasite, good time, mr robot, twin peaks)

parasite: ik i sound like every person ever when i say this but man what an incredible movie. i’m so happy i got to see it in theaters on i think its last day of matinee-price screenings in my area. the pacing was great and so were the visuals/camerawork-- everything makes sense in hindsight and it’s one of those movies that has really stuck with me days after seeing it. starts out as kind of a dark dramedy / heist movie and then hangs a left into the thriller zone. the way bong joon-ho uses physical levels/space/enclosures as well as more subtle visual cues to emphasize the social/class horror elements is really neat and something that i guess this shares with snowpiercer (which i’m using as a ref because that’s the only other one of his movies i’ve seen) but i think this movie feels more nuanced & precise wrt that in part because all the characters across the board feel more real and lived-in. also this gets bonus points for being a movie with a food allergy subplot that isn’t totally ridiculous and actually contributes to the story rather than being a weird deus ex machina-- as previously stated everything makes sense in context and i think that’s cool. anyway tl;dr it’s really compelling & funny & disturbing; favorite movie i’ve watched this year by far (it’s only been 17 days lol but still).

good time: robert pattinson runs around exploiting various people / ruining various lives in pink & green lighting for an hour and a half. this is one of those can’t-look-away train wreck sorts of movies where everything just continually gets worse for our protagonist as various forces close in on him, but also the dude gets less and less likable as things progress. robpat’s acting is great and he fully embodies that increasing level of unhinged scumbag. the score is also really good and successfully anxiety-inducing imo. that said i feel like this is almost a good movie about privilege/racism/the criminal justice system but maybe the writers didn’t quite go there or commit in terms of the framing. like, i guess i’d say i feel similarly abt how this one treats racism as i feel about blade runner 2049 and misogyny(?). it’s definitely there and it’s soaked into the plot but the framing of it is not super precise i guess from my viewing bc we’re constantly stuck with the white guy protagonist. uhh other cw’s for csa / statutory sa involving a teenager; ableism; shaky cam; drug use

mr robot: finally caught up through season 3 on this; no spoilers allowed for s4 because i just figured out how to watch it and haven’t yet. anyway i went back to this show after uhh several years and despite It All because the number of disaster lgbt’s outranks pretty much every other genre show i know of currently airing, and i like rami malek, and also i heard there was a sad and screwy wlw ship that seemed very much up my alley. so lo. anyway i’m still struck by how much i care about all these characters whose fundamental surrounding plot/situation is kinda meh. sam esmail was really like “how bout a show about sad anticapitalists in their 20s, mostly bisexuals & lesbians, having wonky relationships and coming to terms with their trauma” and the result is i guess i’m having fun. i appreciate the commitment to Going There re the abundance & complexity of the aforementioned characters while also giving us a few token cishet white men who are either evil or die. i mean tbf everybody’s probably gonna die at this point but w/e

twin peaks: i’ve only watched the first episode but i am finally jumping on this train and it is enjoyable thus far. as i said earlier i appreciate the sorta record-obsessed ditz representation we seem to be getting with our fbi protagonist dude. i have managed to avoid a significant portion of the lore here despite having been a scifi/specfic nerd my whole life so it’ll be interesting to see how it holds up in 2020

[labyrinthus-magici]

🔥!!!

Was looking at my muse list to think of something that stood out but since I couldn’t pick one I’ll just go w something that affects a lot of them but anyway like 

As an autistic person I personally thing the large majority of the magi/snb cast is autistic coded! The fandom as a whole (although it’s not just the magi fandom tbf it’s kind of all of them I’ve been in) ignores that a lot! 

I have seen autistic Judar before which is VALID but it’s really frustrating when Judar and Morgiana are the only two you see (and Mor as an afterthought) bc they’re the ones with the more “stereotypical” traits (i.e Judar being antisocial/struggling with empathy which is probably due to trauma and not even his autism considering that. studies show that it’s allistic people who lack empathy for autistic people usually and not the other way around but I digress!) and I’ve been told that other characters who are autistic coded can’t be bc they’re like idk??? competant lmfao??? I don’t get when allistic people say a character can’t be autistic bc im like lmao good to know you know every autistic experience and trait! Maybe you can educate me on my own disorder that you don’t have bc you clearly know so much about it that you couldn’t possibly be overlooking something! 

Anyway my muses that I intentionally play as autistic and some of their main traits are bellow the cut bc it’s lengthy (The others I’m probably going to accidentally autistic code bc I. am autistic and it affects my writing but ahiodfhg)

Morgiana: Mor is a pretty obvious one, although I do love her autistic coding! So like most of these characters but with Mor esp you have to keep in mind that she canonly has c-ptsd (post traumatic stress disorder but when it’s not a single traumatic event but living long term in a traumatic environment such as an abusive home or any other variation) so that affects how many of her autistic traits present themselves. I do think that she’s become very good at masking (i.e hiding autistic traits) due to them being punished and because of that she is exhausted because masking is very taxing. I think that she started to unlearn this considerably once she joined the caravan with Leila’s encouragement but it was subtle bc while she did become close with Leila and Sahsa she didn’t open up entirely. 

Once she gets to Sindria though and starts opening up I think that she’ll relax a lot because she can see others with the same traits who don’t have to hide them. Masrur especially points out that it’s important for her to stim and because she’s not the only one who deos this, everyone is understanding and accommodating at times when she’s non verbal/not able to speak.  

One thing that really stood out to me about Mor is her hyperempathy. Because she doesn’t talk much, it’s hard for some people to pick up on, but Morgiana often has strong feelings of empathy for others. At first this is something that she struggles with, because it’s something that others have taken advantage of and used to hurt her, and because she’s afraid of her emotions as a whole. Later though, she learns that this can be her strength. Morgiana’s most powerful moments (in my opinion) like when she rescued Nadja, when she confronts Alibaba about the consequences of what the fog troupe is doing, and many other instances, are very emotionally charged. She’s also the first to empathize with the pirates that Madaura has brainwashed, and is able to get the others to empathize with them too. 

Morgiana was my first favorite magi character (the reason I even got into magi in the first place tbh) bc it was so empowering to see someone with many of my traits in an empowering role of a hero because of those traits and not just with them as an afterthought! 

Masrur: I’m going to focus on snb just because that’s what I’m more familiar with as I haven’t read the parts of magi that Masrur is spotlighted in in a long time although honestly all of this stuff applies to Masrur later but it presents itself differently because whilst autistic people never grow out of their traits, just like anything in a person, it changes and becomes more nuanced as a person gets older and gets more experience. 

But Masrur is another autistic coded character! A lot of his traits can technically be explained away by canon/plot details however in this house we don’t  think that because there’s technically an argument against autistic headcanons that it’s at all valid so ANYWAY 

To start we have the way he sees himself as different from others, the way he goes to sit by himself because he feels like he can’t fit in with everyone, how he’s not like them, how he’s just a monster with a single purpose that’s already been fulfilled. Normally, I wouldn’t count this exactly as an autistic trait however Hinahoho is the one that comes to talk to him because he can relate to this experience which is autistic coded so! One thing that’s a common experience in autistic people is feeling quite literally inhuman, usually in the form of an alien, fairy, or fictional character (as it was in my case). This is becuase of the isolation that we normally face in childhood. For Masrur, he feels different from the others, like who he is isn’t someone that would be wanted and that’s something that I can relate to quite strongly. It’s not until he comes to the Sindria trading company, a place full of Neurodivergent coded characters (the ones that aren’t autistic coded are coded as other disorders as well such as ADHD and BPD among others I don’t think there’s actually one person  there who’s neurotypical considering that. The entire theme of the Sindria trading company is that they take in people who are outcasts and in need of help and usually those people tend to be ND.) that he comes to realize that he does belong and that he is valued. 

In addition to that we do see him stimming or doing stim like behaviors at times, he sometimes is talkative and others seems mostly or entirely non verbal, he tends to misunderstand social queues, struggles with subjects that he’s not interested in, etc. 

I think it’s super important to take into account Masrur’s autistic coding because Masrur gets to be HAPPY. Like, yes, he does experience a lot of traumatizing things, but by the end of Magi he still has his family, he’s happilly married and a good father. These are things that people think autistic people can’t have or don’t deserve, and we never get to experience this things in character’s that are canonly autistic. So for me seeing an autistic coded character with such a positive development was something really positive, it’s the same way for a lot of these characters, seeing so many autistic coded characters getting the development that the deserved was what drew me to magi inittially if I’m perfectly honest. I didn’t know it at the time bc I had no idea I was autistic until last year (coincidentally from autistic friends also from this fandom!) but it really was what drew me in. 

Hinahoho: Oh God where do I even START with autistic icon Hinahoho? I think, out of any snb characters Hinahoho is the most heavily autistic coded. Like there is literally no other explanation for his character I can think of whenever I see him I get so happy bc I’m like!!! Yes!!!! Autistic dad!!! I love him!!!  

His backstory first and foremost focuses on his separation from the rest of the people in his tribe because he has unconventional interests (art!!) and that he isn’t able to pass the test and become and adult at the proper time. To start, being a “late bloomer” in things (or alternatively doing things too soon in some cases) is a common autistic experience. A lot of us due to many reasons (mostly due to ableism and lack of accommodations) we aren’t able to do the things that our peers do at the same times like drive, attend college, or move out of the house etc. This isn’t a lack of competence just that we aren’t able to go about things in a way that we are able to thrive in, and this is exactly what Hinahoho’s development highlights! He never does pass the warrior’s test in the way that is most traditional, instead Sinbad (whose an Adhd ND icon if you ask me but I haven’t added him to my muse list yet so aidofhg more on him and the other adhd icons in this series later ahidofhg) mentions how there’s multiple ways to be strong, how he doesn’t have to do things the same way as everyone else to be worth something. 

There’s also the ableism that he faces from others in his tribe. In addition to judging him for not having become a warrior yet, he is bullied by others and treated like a child when he shouldn’t be. The others are so unkind to him for being “different” and “weird” and having “a personality like a fish left to dry” (WHATEVER THAT’S EVEN SUPPOSED TO MEAN LMAO I STILL DONT GET IT) that in his introduction he starts sobbing bc Sinbad said thank you to him like. Like God can I relate to this, honestly his experiences though not exactly the same as my own deeply resemble how I was before I found out that I’m autistic. 

Then, after he learns to love and accept himself and marries Rurumu (Oh!! That’s another thing, people acted like he was unlovable but Rurumu always loved him. He never had to change who he was or mask his autistic traits and that’s SO important because honestly I can’t even imagine someone who isn’t also autistic wanting me romantically especially when I see shit about people taking autistic people to homecoming and calling it “inspiring” and “selfless” and a “learning experience”) he then turns around and teaches others to do the same. I noticed that he becomes very close to both Drakon and Masrur who are both autistic coded and he helps teach them to love themselves like??? LIKE???? and with Masrur he literally points out that he can empathize so points for hyperempathy again. I’m loving how many magi characters have hyperempathy that is ultimately good. Bc it’s usually a weakness in character’s that have it. 

Drakon: Honestly once again idek where to start when his entire development is deeply autistic coded but we’ll start with his backstory. So to start there’s the power imbalance between him and his (neurotypical) siblings. Whilst he is the youngest, I think that the reason that he’s unfavored in the family and is the one always catching shit is because he’s autistic. This is something that happens so often is that when an autistic child has allistic siblings the allistic one is favored or if not favored they definetely get treated better because autistic children are particularly vulnerable and easy to manipulate. With Drakon’s childhood, although again the circumstances in my case aren’t exactly the same, I really am seeing my past self. 

He was from a young age branded as a prodigy, told he was already basically an adult even though he was still a child, and this is so common with autistic children who show a semblance of talent in something. However, he isn’t praised for this in a healthy encouraging way, instead he’s given the responsibilities and expectations of an adult already. In addition to that, he is conditioned to mask his autistic traits, in addition to being taught to devote his entire self to his cause. The fact that he internalized everything so deeply that he had a breakdown when he realized that he wasn’t wanting to die for his cause, that he thought he had to follow everything to the letter all the way down to his deepest feelings, is in my opinion an autistic trait as I showed exactly the same traits for other matters, internalizing things at the same intensity. He social scripts quite a bit, meaning that he has a strong sense of “this is how things SHOULD be so if they AREN’T this way then everything is in RUINS and we have to fix it IMMEDIATELY” he has the roles he’s been given and he strongly believes that everyone else has a role. This does become far more healthy once he’s unlearned the toxic things that he was taught but he still does it, but in a healthy way. Everyone has a role to fulfill, and he’s strict about this, when people aren’t doing what they’re supposed to be becomes irritable and struggles to keep functioning as normal. 

Then there’s the fact that his entire development is learning as a teenager that he’s become a monster, literally in this case, learning that he is hated so much that he resolves to leave his humanity behind, only to gain love and acceptance and learn to love himself in the form that he takes. While I don’t think every monster is autistic coded (as that would be problematic for obvious reasons) developments like this resemble our experiences so well? It’s a perfect metaphor for what it’s like, honestly. 

One reason I think that it’s important for me personally to acknowledge Drakon’s autistic coding is because he’s a strong leader and people think that autistic people cannot be leaders, that we’re incompetent. So to see a character with my traits be someone noble, to become king even, and to thrive is something super positive for me because again it’s something that people think we cannot do that we cannot have but we really can. 

Leila, Sahsa, & Nadja: With these three it’s mostly projecting just because we don’t see enough of them for them to really be that autistic coded HOWEVER tis my blog and you get to hear all my hcs asdfgh. I like to hc these three as autistic 1. bc Leila and Sahsa’s relationship is beautiful, and to contextualize that as a romance between two autistic women is really nice for me who as I mentioned before struggles to ever see myself having a love like that. 2. Leila and Sahsa take to Morgiana and encourage growth in her and I like the idea of them helping her to relax a little on hiding her autistic traits. 3. Because as an autistic person it’s difficult for me to interpret characters as not autistic (where not autistic is other’s defaults for me autistic is the default, so it would be more accurate for me to say I have some allistic headcanons rather than autistic ones lmao) I actually started headcanoning Leila as autistic by accident because I wrote a fic where she had a shutdown (which is when there’s too much stimulants i.e sound or sights etc. and we have to go lay down and rest and shut out the stimulants that are bothering giving us sensory overload.) and was like oh!! Time to make both her and Sahsa autistic bc who’s gonna stop me lmao. 

Also one headcanon I have for Nadja (in addition to her joining Leila and Sahsa’s caravan with her family) is that after Morgiana rescued her she developed a special interest in adventure and heroism which is really cute on one hand bc she always wants to learn stories of heroes from the locals of the places they visit and her parents are like aw she’s talkative sometimes! She’s making friends!!! But on the other hand she tags along on Leila and Sahsa’s “oops lmao just fought an entire band of thieves again” adventures and is that “Let me see what you have!” “A KNIFE!!” “NO!!!” vine so ahidfohg be careful u fuckin superb lil baby. 

Myron: Hers is a bit shorter since we don’t have a whole lot of her in canon, but her strict following of perceived social standards and social scripting makes me headcanon her as autistic. I also like the idea of her being autistic because so often people think that we can’t be proper or socially conscious but more often than not we overcompensate, the deal is that we struggle to understand neurotypical social cues not that we hate socializing. 

Titus: Oh man I shouldn’t have put him so far down on my muse list bc this one is going to be lengthy. There’s a reason whenever I info dump about my son to people that I always call him Autistic Gay Icon Titus Alexius.  

I’ll start with the fact that he struggles in social settings, i.e Sphintus thinking he’s so fuckin awkward at first. (Even tho I hc Sphintus as autistic too but like I said autistic is the default for me ahidfg) He has a special interest in magic, evidently, and is very info dumpy about it as times (though not as much as notable autistic icons Yamuraiha and Ugo). Also his best friends are Sphintus and autistic adhd icon Aladdin so like. Convenient. that the three most autistic coded kids at school becomes besties. asdfgh. Also none of the 4 magi are allistic tbh. 

ANYWAY that aside and glossing over the whole separation he feels from the others (which I could go into length but it’s similar to Drakon and Masrur’s and Hinahoho’s deal and this is getting so long already oof) can we just talk about how fucking POSITIVE his Hyper-Empathy is for his character and the story? 

Okay so like. Let’s start with the 5th district, how after just a little while there he immediately jumped into action with LMAO TIME TO BLOW A HOLE IN THE SKY IM BUSTING EVERYONE OUT LADS. Like. Was it dumb? Yes. Was it noble and valid? YES! And he STILL SHOWED UP TO CLASS READY TO FIGHT THE NEXT DAY. He also tried to call out Mogamett how many times? And still stood his ground with the 5th district, even when Mogamett tried to manipulate him by saying he only cared out of his selfish desire to befriend Marga, he immediately analyzed himself critically and came to the conclusion that no, he really just wanted everyone there to be safe and happy. 

Then, when he goes to Reim and Just. Hhhhhh HE’S SO GOOD. AND HE HAS SO MUCH EMPATHY. The fact that he immediately begins changing things, is firm in that, but his main motivation is that he so desperately wants everyone to be safe and to live happily, the fact that his people’s problems are by extension his own because he feels real pain when others feel it. That’s hyper empathy and though it’s something that can be manipulated he doesn’t let that happen, he uses it for good! 

When he gives his speech about why they need to abolish slavery in Reim asap, he begins to cry and exclaims that any one of them could die tomorrow, that they need to priooritize the people that are in the now who are suffering that they have the power to help their people and to liberate their country and appeals to everyone’s emotions that way and breaks through. Also the other changes he makes?? Like making the Colosseum into a LARPing spot? That’s so fucking good? What a nerd? I love him???? 

I can go into more detail with Titus but for time reasons I won’t but. We stan Autistic Gay Icon Titus Alexius here. 

If you read all of this I love you sm thank you for reading this rambly mess. ahdiogfg 

[avianhaven]

i complained in the tags but actually im making a longer post bc wow it was bad, okay just general bullet points. also let it be known we stopped half way so this is all abt the first half / 2 thirds of the film

*the entire past the very beginning scene w him as a baby and the growing up transition for like at least a half hour, and rly entire movie past it, just involves scene after scene of this 12 yr old kid getting brualized in different ways. fun *i kno the original work is basically the same way but it’s like one of those survival of the fittest / nature is cruel, the fight for dominance of man and nature etc whatever kind of things w/ the added anthropomorphization of animals as a metaphor that literally no one has ever done well except maybe jack london and even he didnt do it Great but he did it better than everyone else so there’s that. *uhh idk if its in the original but human kid has a wolf friend / pack mate whatever who’s albino named boot but spelt differently in an attempt to make it uhhh idk, culturally specific but still done entirely with the intent of making a name close to english ( i googled it and i think all of the names are like that? apparently mowgli the book protag name is a completely made up fake name for one )

*talking abt something less heavy actually first off, so the music makes no sense. like not even the mess of a plot just on a technical level it sucked ASS. the transitions just fell from one scene to another, and some scenes were rly just like powerpoint transition scenes in terms of quality. the whole thing was SO disjointed it made no sense. also like, there was rly random BG music a few times? like this one scene w uhh big snake w a weird horse face and fucking jazz was playing, mightve happened when wolf dad dies or something too?? scene w kid in cage and like/ 1920s type gramophone type music it make no sense. whoever edited this movie was WACK. all the animals were ugly as all hell and the snake had a weird scene w the kid and it had RLY bad cg overlay of reflections of the kid but also the past and future like a shitty a christmas carol ripoff type of thing?? WACK.

and anyway he’s uhhh “special”, something the movie uses word for word, bc of his albinism and there’s a lot of subtle ableism in his who character and his final scene w him arguing w MC kid, and he also gets murdered by the white guy hunter and this is shown in a scene where MC kid is in his hut and sees his friend’s fucking head on a pike as a trophy like....real freaky unnecessary shit and highly ableist for reasons i cant fully extricate but are nonetheless there. *i mean like i said p much all “ #like i was talking to gus and making a point that most tarzan esque media plots tend to be racist propaganda in disguise in some way#intentionally or just inspiration porn for kill the savage save the man type mentality” like...the whole “oohhhh savage child raised in the wilderness and brought into SocietyTM and taught civilization things and then finds a weird balance between civ and nature or whatever is so...white propaganda-y and has a lot of colonialist Vibes from it, but the ableism aspect was also nice the whole “ohh im not a wolf i cant do Wolf things” and the white wolf kid being like that’s why we’re friends we’re different but we’re Special(TM) and then the kid yells and takes his anger out on his friend in a kind of weird gross way and it’s not mentioned again narratively until surprise! head on a pike emotional torture porn

*uhh so white guy hunter is randomly given a weird spotlight he wasnt in the original from what i know? like it’s a village full of people and the kid never actually speaks with any of them and it’s weird, like i kno they only got one actor and it takes course over the period of months so language aquisition is hard or whatever but hm like there’s a bunch of kid villagers who mock him when he first gets found, and he gets put in a cage when he first got found by them so that’s great. there’s a nice lady who baths him and gives him Shoes and idk if she’s even shown again rly, and there’s some random dude w a bovine or something. also random kids he maybe plays w which might be the same kids who mocked him?? idk *BUT YEAH white guy, he’s just...everywhere.....he’s the person who knocks the kid out initially i think? implied to have been the one to put him in a cage. the first to give him food, the first person the kid sees when he’s free from the cage and he gives him a knife randomly. there’s a scene w poacher british dude drunk and the kid like...follows him around and it has weird questionable imagery and connotations to it, and also the guy might’ve fucking yanked the kids hair during this scene?? and then after this the weird scene w albino wolf’s head as a trophy and the white guy makes weird drunk narrative word salad that doesnt really make sense or actually contribute to the narrative really so idk why they include this. the white dude just plays a much more prominent role than he ever needed to at all, ever, ever. also b4 the Bad Scene it seemed like the movie was trying to make him out into a Good Guy until trying to “shock’ everyone w him being bad? like there’s a weird scene where the kid learns to hug him it made no sense at all TBH. the only good scene was when he’s talking w the regular people and some old dude is like “you good?” and hes drunk and like fuck yeah and the old dude just gives another guy a look like Hm dont trust this stanky white man at all what a bitch, the only scene that matters.

*i forget what my original words abt it were, but like w only the white guy given any characterization it rly makes the rest of the movie, the people in it and the setting, feel rly cheap and performative....like very voyeuristic. just scenes of these Village People and we live in a society but it’s all music BG scenes of them farming or weaving or playing w none of them given any characterization really. there’s like one scene of them at Holi i think that i cant tell if it makes that feeling less or more so.....maybe slightly less but in other ways possibly more is the feeling. hm.