#or maybe I'm just grasping at straws here

[baileyfox1999]

Astushi Kyouka and Lucy should dress up as team rocket Lucy being Jesse because similar hair colors Kyouka being James (I don't really have a reason for that) and Astushi being Meowth because cat

[horsechestnut]

Villain Cass Arc bad, but I do think it's very cute that she is immediately like "I want Tim to be my partner. Surely he'll understand, he's brother shaped :)"

[yourfatherjustinmcelroy]

Aabria you can't keep getting away with this................ anyway I need a hat that says I love Season 2 Episode 6 of Misfits and Magic

This is the clip I was talking about. Like why is he so…. Yknow…. 👀👀

[girlsfightingarena]

I fully believe that Anna had it so down bad for Kazuya. Besides hating Nina, why would she bother working for him?

[dollgxtz]

His Watchful Eye Pt. 4

Word Count: 11.9k

Tags: yandere!sylus, sylus x fem!reader, noncon, dubcon, drugging, kidnapping, obedience training, forced breeding, forced pregnancy, stalking, pet names like kitten, sweetie, pretty, ownership, manipulation, attempted rape, xavier appears

Taglist: @ngh-ch-choso-ahhhh, @eliasxchocolate, @nozomiaj, @xmiisuki, @sylus-kitten, @its-regretti, @m0onlustre, @ve1vet-cake @letgobro, @starkeysslvt, @yarafic, @prince-nikko, @leiaglamela, @connorsui @iluvmewwwww75 , @biggest-geo-oogami-enjoyer @mysssticc @babygirl-panda19 @someone-somewheres-stuff, @zaynesjasmine1

AN: Bit of a late upload for you night owls and a nice surprise for my early risers! Someone tell me to stop making the chapters longer, thank you LOL. This chapter was a lot of fun to write and I hope you guys enjoy! This is on AO3 as usual! :D

"So… uh, what’s your dog’s name?" you asked, trying to keep up the conversation and maybe get him to reveal more. Your voice was casual, but inside, your nerves were on high alert. "Dog? What dog?" he said absentmindedly, his eyes still glued to the window. His response was automatic, dismissive, as if he hadn’t even registered the question. "You...said that noise earlier was your dog? Right?"

Read Pt.1, Pt.2, Pt.3 Pt.5

Xavier drummed his fingers rhythmically on the glass counter, each tap growing more impatient as the seconds stretched on. His eyes darted around the cluttered store, scanning the shelves filled with everything from worn-out sneakers to high-end dress shoes. The store clerk had disappeared into the back room several minutes ago, leaving him alone with his thoughts. Xavier wasn't entirely sure what he was hoping to find here.

He had strolled in with nothing more than a photo of a shoe print—a faint clue at best��but it felt more productive than sitting idly by, doing nothing while the answers to your disappearance slipped further out of reach. At least this was action, however uncertain.

Was this even a tangible way to find you? Was he grasping at straws, wasting precious time on a hopeless lead?

And the most haunting question of all—were you even still alive?

Xavier squeezed his eyes shut, as if closing them tightly enough could block out the flood of dark thoughts threatening to overwhelm him. He couldn’t afford to let his mind go there, not now. Pushing the fear and uncertainty away, he tried to focus on the faint glimmer of hope that had brought him here in the first place. Anything was better than surrendering to despair.

"This is all I could find on it. It's certainly a unique pair," the shop clerk continued, offering a slight smile. "I'm not as technologically advanced as most shops around here, so sorry to disappoint. But, may I ask—why come to my little shop instead of one of those fancy places downtown?"

Xavier took the pamphlet, glancing over the information quickly before shifting his gaze back to the clerk. "Well," he began, a small grin tugging at the corner of his mouth, "I heard you were the kind of guy who could identify a pair of shoes just by its print."

The clerk chuckled softly, his weathered face creasing with the effort. "You've been a great help, actually," Xavier added, sliding the pamphlet into his jacket pocket with a nod of appreciation.

The clerk gave an approving nod, the lines of his face softening in quiet satisfaction before he turned his back again, settling into the familiar rhythm of his work. Xavier headed toward the door, the faint creak of floorboards beneath his boots echoing through the small, dimly lit shop. His hand hovered over the door handle, but just as his fingers brushed the cool metal, a nagging thought rooted him in place. He paused, heart pounding slightly as the question formed in his mind.

He turned back, the weight of uncertainty pulling at his voice. "Say... you wouldn’t happen to know where this shoe was originally made, would you?"

The clerk stopped, mid-motion, his hands faltering over a pile of worn soles. The question seemed to hang in the air, drawing out a moment of silence as the man stared down, his brow furrowing. It was clear he hadn’t thought about it in some time. Xavier felt a flicker of hope, unsure if it would lead him anywhere, but desperately clinging to the possibility.

The clerk finally turned, his face thoughtful, his voice quieter now. "Yeah..." he said slowly, as if pulling the memory from a fog. "Last I saw of that shoe, it came from a company based in the... er, N1—no, wait..." His brow furrowed deeper as he worked to piece it together. "N109 Zone. Yeah, that’s the one."

His words hung in the air, carrying a weight Xavier couldn’t ignore. The clerk’s tone wasn’t just casual recollection—it was tinged with something more, like the memory of that particular shoe stirred something deeper. Xavier felt the knot of tension in his chest tighten.

Xavier felt his breath catch in his throat. N109 Zone. The name alone sent a chill down his spine. He had heard plenty about that place—mostly rumors, but enough to know that it was a dangerous, lawless sector. Few dared to go there unless they had no other choice, and even fewer came back with stories worth telling. It was a no-man’s-land, a forgotten corner of land where control was lost long ago. The kind of place where people disappeared without a trace.

His mind raced, piecing it together. If the shoe had come from there... Did that mean you were there too? His stomach churned at the thought. The faint hope he had clung to started to blur with the creeping dread of what fate could have fallen upon you in the N109 Zone.

"You’re sure about that?" he asked, his voice betraying the slight anxiety creeping in around the edges. The clerk glanced up from his work, noticing the shift in Xavier’s tone.

"Yeah," the clerk said, more firmly this time. "I’m sure. That shoe—rare brand—hard to forget. The company folded years ago, but they used to operate out of the N109 Zone. Only place I’ve ever seen them sold."

Xavier swallowed hard, the words sinking deep. If the shoe came from N109, it could be a clue—a dangerous one, but still the only lead he had. He felt the urgency building inside him, a gnawing sense that time was running out, but also the undeniable question of what he might find if he went there.

Could you really be in a place like that? His mind struggled to fill in the gaps, but there were too many unknowns. Were you okay?

"I...appreciate your help," Xavier muttered, his voice thick with tension. He clenched and unclenched his fist, trying to steady his breathing.

"You're not actually thinking of going there, are you?" the store clerk asked, his voice edged with disbelief as he raised an eyebrow. He leaned slightly forward over the counter, studying Xavier with a mixture of concern and amusement. "No offense, but a pretty fella like you doesn’t exactly look like the type who could survive in a place like that. Not really worth the hassle for a pair of shoes don't you think?"

Xavier paused, a faint smile tugging at the corners of his lips. He didn’t turn around immediately, letting the weight of the clerk’s words linger for a moment. Finally, he glanced back over his shoulder, his expression calm, almost casual. "I'll be fine," he said, his voice steady, though the tension in his body remained. "I've dealt with much worse."

The clerk blinked, surprised by Xavier's calm demeanor, but said nothing more.

Xavier turned to face the door once again, his hand resting on the handle as he prepared to step out into the cold streets. "Thanks again," he added, his tone carrying a finality that didn’t invite more questions.

Without waiting for a response, he pushed open the door and walked out, leaving the shop behind. His heart pounded a little harder now, not just from the looming threat of the N109 Zone, but from the resolve building inside him. There was no turning back now.

He had a tangible clue—a real, solid lead to your whereabouts. For the first time in weeks, the haze of uncertainty lifted ever so slightly. But now that he knew you were possibly in one of the most dangerous areas anyone could imagine, time was no longer on his side. Every second that ticked by felt heavier, pulling him deeper into the urgency of the situation. The N109 Zone wasn’t just dangerous; it was a place where people vanished, a place where hope died. He had no time to waste, but rushing in blindly would be suicide. He needed a plan.

Stepping into the cold evening air, Xavier pulled the pamphlet from his jacket pocket, its crinkled edges soft from being handled. His eyes scanned over the contents carefully. Make and model—simple enough, not much help now. A detailed diagram of the shoe—useful for recognition, maybe, but not a lifeline. Then his eyes caught something else—a faint address printed near the top. It was partially worn, barely legible, but there.

His heart skipped a beat. An address? Could this be where the shoe was made? Or where it was sold? Either way, it was another piece of the puzzle, and right now, it was the closest thing to a breadcrumb trail he had. He squinted at the faded letters, trying to make out every detail.

If this address was in the N109 Zone, it could lead him right into the heart of the danger. But it could also lead him to you.

His mind raced. First, he needed to confirm the location. Then he needed a plan—something better than just walking straight into the N109 Zone and hoping for the best.

Pulling out his hunter’s watch, Xavier quickly scanned the address printed on the pamphlet. The small device whirred to life, its holographic screen flickering as it worked to process the faint, worn-out text. A soft ding echoed in the quiet street as it started searching for the location. Xavier watched the screen intently, his heart pounding with a mixture of hope and apprehension.

The map on the watch blinked, the dot moving erratically across an unmarked, shadowy area. It drifted back and forth, as though even the advanced technology in his hands was confused, struggling to pin down an exact location. Xavier frowned, watching the dot jitter across the screen. His stomach tightened with frustration. Was the address too old? Was it leading him nowhere?

Just when he thought the device might give up entirely, the dot paused. The holographic screen flickered once more, and with a soft chime, it glowed green in confirmation. The hunter's watch had finally locked on to a spot. Xavier stared at it, a sinking feeling settling in his gut. The place it had marked was deep within N109 Zone, tucked away in the heart of the most dangerous, uncharted part of the city.

He exhaled slowly, his mind running through a million possibilities. The watch’s confirmation meant something tangible, something real—but what waited for him there? He couldn’t shake the thought that this could be a trap, a place where the trail might lead to nothing, or worse, to more danger than he could anticipate. But it was also the only clue he had to your whereabouts.

Xavier closed his hand around the watch, feeling its faint warmth through his fingers. He knew what he had to do, but the enormity of it settled on his shoulders. This wasn’t just a simple lead anymore—it was a beacon, calling him into the depths of the N109 Zone. And whatever waited for him there, he would face it.

Because finding you was all that mattered.

As Xavier made his way through the still, empty streets back to his apartment, the first hints of dawn began to creep over the horizon, casting a faint, orange glow across the sky. His mind was already racing, formulating a plan. Gear, weapons,—he’d need everything ready before venturing into the N109 Zone.

But just as he turned the corner, his phone rang, the sharp sound cutting through the early morning quiet. Xavier stopped, his brow furrowing as he fished the phone out of his pocket. It was a jarring sound—no one should be calling him at this early hour.

He glanced at the screen, squinting in confusion. The number was unknown, unfamiliar. His immediate thought was Captain Jenna—she was the only one who’d be up this early, possibly reaching out with new intel—but this wasn’t her number.

He hesitated, thumb hovering over the screen. Unknown number. His instincts screamed caution. In his line of work, random calls at odd hours rarely led to anything good. The number could belong to anyone—a lead, a warning, or worse, a trap.

But then again, it could be something important—something connected to you. He couldn't ignore the possibility.

Should he answer? The phone rang again, and with each buzz, the knot of uncertainty in his stomach tightened. Whoever it was, they wanted to reach him badly enough to call at this ungodly hour.

With a deep breath, Xavier made a decision and swiped to answer the call. "Hello?" His voice was guarded, careful.

For a moment, all Xavier could hear was silence, a thick void that made his pulse quicken. Then, suddenly, the sound of crackling static filled his ears, distorting the line. He frowned, his grip tightening on the phone. The static grew louder, chaotic, until it was abruptly interrupted by a voice—scared, desperate, and unmistakably familiar.

"Xavier? Is that you??"

His heart nearly stopped.

You kept running until your legs gave out, your breath ragged and chest burning, but you couldn’t stop. Not yet. An hour ago, you had been trapped, bound in your captor's suffocating bedroom, that thick invisible leash tightening around your neck with each passing day, stealing your hope, your strength. Every second felt like eternity in that room, but somehow, with some luck of a power outage of all things, you’d broken out of your cage. You’d ran—bolted into the cold night without looking back.

And now, you were almost free.

But “freedom” wasn’t what you had imagined. The streets stretched out before you, bleak and lifeless. It felt wrong. There was no joy in the air, no welcoming breeze to assure you of safety—only the gnawing sense that you had escaped one cage just to enter another. You recalled something Sylus, your captor, had mentioned in passing.

"Its always 'night' here", he'd said with a small smile, and now you truly realized he hadn’t been lying.

Darkness swallowed the entire area, a thick, unnatural veil over everything. Even though your eyes had adjusted to the lack of light, the eerie, half-flickering streetlights cast only dim pools of sickly yellow across the cracked pavement. The shadows loomed, stretching too far, hiding too much. You shivered, not just from the cold but from the haunting silence that wrapped around you.

The air itself felt thick, as if it was suffocating under the weight of secrets too dark, too dangerous to be spoken aloud. Each alley you passed felt like it was watching you, whispering silent threats from the shadows. Exhaustion clung to your limbs, and you had finally stopped, collapsing onto a broken bench under one of the few flickering streetlights that still worked. The cold metal dug into your skin, but you barely noticed. You were too busy trying to catch your breath, to steady your thoughts.

Where do you go now? You scanned your surroundings again, looking for anything that could offer direction, but the streets were as desolate as before. The same cracked pavement, the same looming shadows. No signs. No people. Just an eerie quiet.

A fleeting thought entered your mind—maybe there’s a train station nearby? The idea seemed almost laughable. Would it even take you to Linkon? And would you even make it to a station without getting caught?

You shook your head, mentally cursing yourself for the thought. Hitchhiking was another idea that crossed your mind—no way, you scolded yourself, brushing off the notion as quickly as it came. You probably couldn't trust anyone here. Not in a place like this. Here, trusting a stranger was as reckless as running blind into the dark.

But what other choice did you have? You couldn’t stay still for long; resting too much would make you an easy target. With a deep, shuddering breath, you forced yourself to stand again. Your legs trembled beneath you, but you kept moving, hoping—praying—you’d find someone who wasn’t out to harm you. Something that could help guide you out of this nightmare. Each step felt heavier than the last, the weight of fear pressing harder on your chest.

As your bare feet dragged across the cracked concrete, the desperation gnawed at you more fiercely. You were lost—physically and mentally. Each street looked the same, the darkness playing tricks on your eyes. Panic swelled in your throat. How long could you keep going like this? How much longer could you walk before your legs gave out? Before someone found you?

Your breaths came quicker, shallow with fear. You needed a way out, but the deeper you walked into the N109 Zone, the more it felt like the place was swallowing you whole. You were running out of time. Running out of hope.

And then finally, as if the cruel universe had decided to grant you another fleeting moment of mercy, you saw it—a faint glow of lights in the distance. Squinting, you could just make out a corner store, its soft, artificial light spilling onto the cracked sidewalk. A few people were loitering outside, giving the place a rare sense of life. A tired-looking woman clutched her child's hand tightly, and a man stood by, lazily smoking a cigar, his eyes scanning the street in disinterest. A couple of others hovered nearby, exchanging quiet words under the dim streetlight.

You couldn't believe your eyes. A store? Here? In the N109 Zone? It seemed almost surreal, like it had been plucked from another world and dropped into this forgotten wasteland. But it made sense in a grim way. Even in a place like this, people have to eat. Make a living.

With a rush of desperate energy, you hurried toward the store, your bare feet slapping against the cold pavement. The people outside cast looks in your direction, but don't say anything. You stopped just short of the entrance, glancing down at yourself for the first time. You must look insane. A nightgown hung loosely around your body, dirty and torn at the edges. No shoes. No socks. Your hair was tangled and wild from the running. The sight of yourself made you wince in embarrassment, but there was no time to care about that now.

Pushing the door open, you were greeted by a dimly lit but surprisingly ordinary scene. The inside of the corner store looked like any other—aisles of candy, snacks, cheap knick knacks and toys stacked high. It was a stark contrast to the dangerous, shadowy streets just outside. But one sight caught your attention above all: the food.

Your stomach growled loudly, twisting with hunger. You hadn’t eaten since the chicken dinner Sylus had provided before your “outburst.” You hadn't been able to finish it, and now the exhaustion from running had made the hunger almost unbearable. Your mouth watered at the thought of eating, but there was one major problem—you had no gold.

Your heart sank as you stared at the rows of candy bars and instant noodles. How were you going to get anything?

Anxiously, you shuffled toward the front counter, your nerves jangling with every step. When you reached it, you hesitated for a moment, staring at the small bell. With trembling fingers, you tapped it.

A disheveled-looking man, his hair sticking out in uneven tufts, glanced up from behind the counter. He had been glued to his phone, and the interruption clearly annoyed him. His eyes landed on you, and for a brief second, he just stared, taking in your disarrayed appearance before rolling his eyes in annoyance.

"Can I...help you?" he asked, dragging out the words as if the very act of speaking was a burden.

You swallowed hard, trying to find the right words, but your mind raced with too many conflicting emotions—fear, embarrassment, hunger. What could you even say?

"I've been kidnapped," you blurt out, your voice shaky and desperate. You opened your mouth to explain further, to tell him everything—how you had escaped, how you were on the run, how you needed help—but before you could get another word out, the man snorted.

"Yeah, I've heard that one before," he said dismissively, leaning back on his chair with an exaggerated sigh. "Who hasn't been kidnapped at least once around here?"

His casual tone hit you like a slap. The raw urgency in your voice was met with nothing but apathy. Your heart sank. He wasn’t going to take you seriously. You were just another story in a place like this, another desperate face with nowhere to go. You stood there, frozen, trying to comprehend how someone could be so indifferent to your situation.

You swallowed hard, fighting back the frustration welling up inside you. "Please, I'm serious. I just need—"

"Look," the man interrupted, cutting you off again, his eyes barely lifting from his phone. "You want something, buy it. Otherwise, move along. I’m not here for charity cases."

You glanced at the counter, the rows of candy, snacks, and drinks just inches away, knowing you had nothing to pay with. Desperation clawed at your insides. You were exhausted, starving, and running out of options.

"I don't have any gold... do you ha-have a phone?" you asked again, your voice trembling as you blinked back the hot tears threatening to spill. How could someone be so indifferent to the obvious suffering staring him in the face?

"Broken," he said flatly, still not bothering to look up from his phone. His disinterest was like a physical blow. "And… gold? What are you, some Linkcunt citizen?"

The venom in his words hit you like a slap, and for a moment, you were too stunned to respond. Linkcunt citizen? The insult was harsh, dripping with disdain, and it sent a sudden wave of anger rushing through you.

"Yes, I’m from Linkon," you correct, the frustration and fear bubbling over into your voice. "What’s with the attitude? What did I do to you? I'm asking for help!"

He finally looked up, a smirk tugging at the corner of his mouth, but it wasn’t friendly. It was mocking.

"What did you do? Nothing. That’s the problem. Linkon folk come down here thinking they’re better than everyone, tossing around their fancy gold and expecting the world to hand them everything." He shook his head, his expression a mix of amusement and contempt.

"You want help? Then you’d better figure out how things work around here real fast, princess. No one's gonna hand you anything for free."

You felt your fists clench at his words, the anger mixing with a deeper sense of helplessness. You hadn’t asked to be here. You hadn’t asked for any of this. And yet, standing in this grimy corner store in the depths of the N109 Zone, it was clear that no one cared about your suffering. Not here. You weren’t in Linkon anymore.

Taking a deep breath, you forced yourself to calm down, swallowing the anger rising in your throat. Getting into a fight with this clerk wouldn’t help you, not now. But the bitterness of his words lingered, and you realized just how alone you truly were in this place.

Silently, you turned your back to the greasy man behind the counter, his words still echoing in your mind as you began to walk up and down the aisles. Every step felt heavier than the last, the weight of hunger, thirst, and sheer exhaustion pulling at you. Your stomach growled, gnawing at your insides, reminding you just how long it had been since you'd eaten.

But something else gnawed at you too—something that made your skin crawl with discomfort. You hadn't changed your pad for hours, and now the sticky, damp feeling clung uncomfortably between your legs. The sudden realization hit you, a wave of disgust washing over you as you winced.

Swallowing hard, you glanced over toward the feminine hygiene aisle. Rows of necessities lined the shelves—pads, tampons, basic supplies—just out of reach. You stared at them, your stomach twisting in knots. It wasn't just food you needed now. You couldn’t go on like this.

But you had no credit cards. No way to purchase anything. Nothing.

Your eyes flicked back toward the front of the store, where the disinterested clerk sat, still engrossed in his phone. He wasn’t paying attention to you. He didn’t care. Nobody here did.

You felt a knot tighten in your throat as the harsh reality of the situation settled in. You had to steal. There was no other choice. You hated the thought of it—hated how low it made you feel—but survival wasn’t a matter of pride. Not here. Not now.

Your fingers trembled as you looked back at the shelves. You knew what you had to do.

The clerk still wasn’t paying attention, his face lit by the glow of his phone. His indifference might be your only saving grace. You could do this—quickly, quietly, and then you’d be gone.

With shaky hands you reach for a plastic bag that had fallen on the ground. The bag felt like a shield, something to hide the weight of what you were about to do. You didn’t think twice as you moved toward the feminine hygiene aisle, knowing you couldn’t walk any further in your current state. You reached for a pack of pads, your movements slow and deliberate. Your heart pounded in your chest, loud enough that it felt like the entire store could hear it.

Next, you hurried down the snack aisle, grabbing a few protein bars, a small bag of chips, and a bottle of water, all of which disappeared into the bag as your pulse raced in your ears.

You glanced toward the counter, your body tense with anxiety. The clerk still hadn’t looked up, completely absorbed in his phone. The faint, unmistakable sound of pornography drifted from his speakers, making your stomach churn in disgust. You twisted your face, feeling a wave of revulsion wash over you, but you couldn’t afford to stop now.

He was utterly oblivious to your frantic movements, his attention locked on the screen, but that didn't ease the gnawing sensation in your gut. Every step felt like you were tiptoeing across a minefield, a ticking clock counting down to disaster. Even though he wasn’t watching, you couldn’t shake the feeling that someone—or something—was.

With the bag now heavy in your hands, you made your way toward the exit, each step carefully measured, your breath shallow as you fought to keep calm. The distance between you and the door seemed endless, as if every inch stretched into miles. But finally, your trembling hand closed around the cold metal of the handle.

Your heart raced as you crossed the threshold, bracing yourself for the inevitable—a shrill, deafening alarm that would shatter the silence and expose your crime to the world. You waited for it, your breath caught in your throat, ready to bolt at the first sound.

But nothing came.

No alarm. No piercing siren. The only thing you could hear was the frantic beating of your own heart as the door swung shut behind you with a quiet click.

For a moment, you stood there, frozen in place, not daring to move. The cool night air brushed against your skin, grounding you in the eerie quiet. The world outside the store felt impossibly still. It took a few seconds for your brain to register that you had made it out—unseen, unheard.

You swallowed hard, keeping your head down as you hurried past the few patrons lingering near the store. Their eyes followed your every step, and you could feel their gazes crawling over you, judging, curious. Did they happen to care, or did you just look that insane?

The woman with the child pulled her daughter closer as you passed, her eyes narrowing in suspicion. The man smoking his cigar gave you a long, leering stare, as if trying to figure out what your story was. The others whispered quietly among themselves, but you couldn’t make out the words, nor did you want to. You kept walking, willing yourself to be invisible, but the tension in the air made your skin prickle.

Once you were a safe distance away from the store, you ducked down an empty alley, the shadows wrapping around you like a cloak. The world outside was still bleak, the flickering streetlights casting only the faintest glow, but here in the quiet, you finally had a moment to breathe.

You found a relatively clean spot, tucked behind an old dumpster, and set the bag down beside you. Your hands shook as you reached into the bag for the pack of pads. The discomfort and itch between your legs had grown unbearable, and the relief of changing, even in such a grim place, was something you couldn't put off any longer.

Quickly, you adjusted yourself, wincing at the feeling of the old pad peeling away. You worked fast, knowing you couldn’t linger here for long. Once you were done, you felt a small sense of relief—at least one problem had been solved.

Next, you pulled out the snacks. The hunger was still clawing at you, and the sight of the protein bars and chips made your stomach ache even more. Tearing into a protein bar, you ate quickly, barely tasting the food as you devoured it, desperate to fuel your exhausted body. The bottle of water came next, and you drank it down in large, gulping swallows.

For the first time since you had escaped, you felt a flicker of calm. It wasn’t much, and it wouldn’t last, but here in this dark corner, with food in your stomach and a small bit of comfort, you allowed yourself a brief moment to breathe.

But the quiet didn’t last. You knew you couldn’t stay hidden forever. You had to get moving at some point or Sylus would find you. This place was unforgiving, and survival demanded more than just temporary refuge.

Tucking the remaining items back into the bag, you sigh in satisfaction, glancing around to make sure no one had followed you. The streets were still empty. For now, you were alone. You had survived one more step in this nightmare, but you knew it wasn’t over yet.

Some time passes and you can slowly feel yourself falling asleep against the dumpster.

As you crouched in the dim alley, trying to fight off exhaustion and gather your thoughts, the sound of footsteps broke the silence. Slow, steady, and casual, accompanied by a faint, off-key whistling. You stiffened, instinctively pulling the bag closer to your chest.

The footsteps stopped just a few feet away, and then came the voice—low, cautious, but curious.

"Hey, you okay?"

You glanced up warily, your eyes landing on the figure standing at the mouth of the alley. He was tall, maybe in his mid-thirties, with shaggy, unkempt brown hair that fell just above his eyes. His clothes were worn—faded jeans and a jacket that had seen better days—but he didn’t look like the rough types you usually imagined when you thought of the N109 Zone. His posture was relaxed, hands tucked casually into his pockets, but his sharp, dark eyes were fixed on you, a flicker of concern—or maybe something else—dancing behind them.

His face was hard to read. He had a slight stubble covering his jaw, giving him a rugged, almost tired appearance. His lips quirked in what might’ve been a faint smile, but it didn’t reach his eyes. There was something unsettling about the way he looked at you—like he was curious, but also sizing you up. Not in an aggressive way, but in a way that made you wonder why he’d stopped to talk to you at all.

"Are you... lost?" he asked, stepping forward slowly, the whistling tune dying in the air. His voice was softer now, almost as if he was trying to be gentle, but his presence made the space around you feel even smaller.

"What happened to your arm?"

You swallowed hard, trying your best to keep your gaze on him. You had honestly completely forgotten about the scar on you arm. As much as you wanted to explain, every instinct screamed to stay wary. This wasn’t a place where strangers helped out of kindness, and you knew better than to trust easily. But as exhausted and desperate as you were, you weren’t sure if you could afford to push away help, even from someone who might have their own agenda.

"I—I need help," you stammered, your voice shaky, barely managing to push the words past your tightening throat. Your body trembled, a mix of nerves and exhaustion leaving you on edge. You hugged the bag tighter to your chest, every muscle in your body tense. "But... don't come any closer just yet."

The man's eyes narrowed slightly, his expression shifting, though he made no move forward. He stayed where he was, his hands still in his pockets, the dim streetlight casting long shadows on his face. For a moment, there was silence, the air thick with tension as he watched you.

"Okay," he said finally, his voice calm and even, though the curiosity in his eyes never wavered. He tilted his head, taking in your ragged appearance with a deeper interest. "No problem. I’m not here to scare you. Just trying to figure out what you're doing out here all alone."

You bit your lip, unsure of how to respond. You needed help, but trust was a dangerous thing in a place like this. Still, you were running out of options. Your mind raced as you tried to decide what to say next.

You hesitated, your mind racing as you weighed the risks. Could you trust him? Telling the truth might make you vulnerable, but lying wouldn’t get you far either. You had to say something—anything—to explain why you were here.

"I was kidnapped," you said, the words tumbling out before you could stop them. Your voice wavered, a tremor of fear running through you as you spoke. "I escaped… I don’t know where I am. I just need to get somewhere safe and rest so I can get home later."

The man’s expression shifted slightly, a flicker of surprise crossing his face. He studied you, eyes narrowing as if trying to assess whether or not you were telling the truth. His silence stretched on for what felt like an eternity, making your heart pound faster in your chest.

"You’re serious?" he finally asked, his tone more subdued now, almost disbelieving but not dismissive. He took a small step back, showing that he wasn’t going to invade your space. "You really got away from someone?"

You nodded, the tension in your body still coiled tight, waiting for his reaction. You couldn't tell if he believed you, but you hoped—desperately—that he wouldn’t press too hard or turn you away.

The man stared at you for a moment longer, his eyes scanning your face, as if trying to read the truth in your expression. Finally, he let out a slow breath, his posture softening just slightly.

"Alright," he said, his voice low but firm. "If you're telling the truth... then you’ve got bigger problems than just being lost."

He glanced around, checking the street behind him as if making sure no one else was nearby, then he looked back at you, his face more serious now. "You can’t stay out here. This place— the N109 Zone—it’s not somewhere you want to be wandering around alone, especially if someone’s looking for you."

You felt a shiver run down your spine. You already knew the N109 Zone was dangerous, but hearing it from him made it feel even more real.

"Look," he continued, his voice softening. "I’m not gonna hurt you. If you need help, I can take you somewhere safer. But you’ve gotta trust me, and you’ve gotta move quick. If they’re after you, it’s only a matter of time before they find you out here."

He waited, his eyes searching yours, as if trying to see if you’d accept his offer—or run.

You hesitated for a long moment, scanning the man’s face for any sign of deceit. His expression was calm, almost unnervingly so, but something about his demeanor made you feel that, for now, you didn’t have much of a choice. If he meant harm, he could’ve acted already. Swallowing hard, you nodded.

“Okay,” you whispered, your voice barely above a breath. “I’ll come with you.”

He nodded in return, offering nothing more than a grunt of acknowledgment before turning and motioning for you to follow. "My place isn’t far. You can rest there, maybe clean up a bit. It’ll give you a few hours before you have to figure out what’s next."

You fell in step behind him, your bare feet quiet against the cracked pavement. The streets were eerily silent, save for the occasional distant hum of passing cars. You hugged the bag closer to your chest, still tense but too tired to think about running. As you walked through the dim streets, a question lingered in the back of your mind.

"I'm surprised you stopped to help me," you finally said, your voice tentative. "Most people here…they wouldn’t have even looked twice."

He glanced back at you, barely breaking stride, and shrugged. "I’ve seen worse things in this place. Trust me, a girl lost in an alley isn't the strangest thing I’ve come across." His tone was casual, almost detached, as if this was just another day in the chaotic world of the N109 Zone.

His nonchalance unnerved you. Why was he so calm? Your anxiety spiked for a moment, thoughts racing. Maybe you had made the wrong choice. Maybe he had his own agenda, like everyone else in this place. But then again, he hadn’t tried to harm you. If he wanted to, he would've done so. You weighed your options, feeling the tug of paranoia, but exhaustion and desperation had their hold. You pushed the doubt aside. For now, you decided to trust him, even if only for a few hours.

As you walked in silence, the two of you eventually came across something you hadn’t expected to see: an old, grimy phone booth, its glass cracked but still intact, standing at the edge of a corner. A relic from another time, long since forgotten by most.

Your heart skipped a beat. A phone. You might be able to call Xavier.

"Do you have any… uh, quarters?" you asked, your voice tight with desperation. You hadn’t thought about it before, but now it seemed obvious. Linkon City had long left behind the need for such old currency—everything there was digital, clean, modern. But here, in the N109 Zone, where everything felt stuck in time, of course they still used quarters. It made sense in this broken-down world.

He stopped, watching you for a moment before sighing. "Yeah, hang on." He fumbled in his pockets for a few seconds, fishing around with a slight look of annoyance. After a bit of clattering, he pulled out a few quarters, handing them over to you without a word.

Your hands trembled as you took them. This could be your chance—your lifeline. You stepped inside the booth, hoping that the old machine would still work, and stared at the dirty receiver.

You stared at the old rotary dial for a moment, panic rising in your chest. You tried to remember how it worked as you slipped the coins in the slot. It had been so long since you’d read about one of these—everything in Linkon was sleek, touch-based, connected by the web. But here, in this forgotten part of the world, you were holding a piece of the past. The process felt foreign, archaic.

Your mind raced, desperately trying to recall Xavier’s number. What was it? You racked your brain, images of his scribbled phone number from messages, fragments of conversations, all blurred together. The numbers danced in your head as you tried to piece them together.

Your heart pounded louder, matching the beat of the seconds slipping away. You were running out of time. With a trembling hand, you began dialing the numbers, trying to focus on every movement, praying you’d gotten it right.

The dial clicked as it spun back after each number, the mechanical sound unnervingly slow. The receiver crackled in your ear as the phone began to ring.

Please, Xavier... please pick up.

The ringing felt endless, each second a heavier weight pressing on your chest. You squeezed your eyes shut, gripping the receiver tight. The noise around you seemed to fade into the background as you waited, hoping, praying that on the other end of the line, he’d be there—ready to hear you, ready to help.

The phone rang again... and again.

Your breath caught in your throat, a prayer hanging on the edge of each ring.

"Hello?" A timid, cautious male voice came through the receiver, muffled by the crackling static, but it was unmistakable.

Relief crashed over you like a wave, and you nearly collapsed right there in the grimy phone booth, your knees buckling as the sound of Xavier's voice reached your ears. After everything—you finally had a connection to him. Tears welled up in your eyes, your breath shaky as you clutched the receiver tighter.

"Xavier!! Xavier, thank god!" you cried, your voice raw with desperation. "I don't even know where to start..."

But after your outburst, only silence greeted you. The line crackled, sputtering with age, the static drowning out whatever response might have come. Frustration surged through you as you gripped the receiver, shaking it in a vain attempt to clear the line. You banged the phone against the booth, biting back a sob as the interference persisted. This thing must be older than you thought. How could it fail you now?

Finally, the crackling stopped, leaving only a tense, quiet hum on the other end.

"Xavier? Is that you??" you asked, your voice trembling, barely holding back the panic. You couldn’t bear the thought of losing this fragile connection—this one thin lifeline.

The line crackled for a moment before Xavier’s voice came through, steady and calm, but with a layer of unmistakable relief.

"It’s you…," Xavier said, his voice soft but firm, as if he’d been holding onto hope for so long that hearing your voice felt like a lifeline. "I’m so glad you’re alive. Are you okay? Where are you?"

The sound of his voice sent another wave of emotion crashing over you. You sob, your body trembling with a mix of exhaustion and relief. For the first time in what felt like forever, you weren’t alone. He had been looking for you, and now, he was coming.

"Xavier…I was kidnapped," you sobbed, the words finally breaking free, the fear and terror of the last few days pouring out. "I escaped. I’m cold, hurt and scared..."

His response was immediate, his tone both calming and steady, as if he was trying to comfort you even from miles away. "I’m here now. I’ve got you. Just breathe, okay? I’m coming for you. I just need a better idea of where you are."

You took a shaky breath, trying to keep it together, but the tears threatened to spill over. "I don’t know where exactly… all I know is I’m in the N109 Zone. I found a phone booth near a corner store. Everything around here looks abandoned."

There was a brief pause on the other end as Xavier processed the information. "Alright," he said firmly. "Stay there, I'll try and track the location of the phone booth. I’m on my way. Just… hold on a little longer, okay?"

"I—" you hesitated for a moment, glancing back toward the man who had helped you. "I actually found a really nice man. He’s letting me rest at his place. He hasn’t hurt me at all, so don’t worry. He says his place isn’t far from here. I’ll come back to the phone and give you the details after I see it."

Xavier’s voice tightened slightly, the concern clear. "I don’t like the sound of that. Just… be careful. I’m coming as fast as I can. Don’t take any unnecessary risks, alright? If anything feels wrong, leave. Fight like hell if you need to."

"I will," you whispered, gripping the receiver tightly. "Just hurry, please."

"I promise I’m coming," Xavier said, his voice steady but laced with urgency. He paused, just for a second, before continuing. "One more thing though—do you remember who took you? I’ll need a name, in case…in case I don't find you when I arrive. I don’t want to lose you again."

Your heart raced as memories of your captor flashed in your mind. "Yeah! His name is S—"

"Your time is up. Please enter more quarters for an additional 3 minutes," the automated voice cut in sharply, drowning out your words.

Panic surged through you. The call had abruptly ended, the receiver in your hand now silent except for the monotonous prompt asking for more coins. You frantically searched your pockets, but you had no more quarters.

"Your time is up. Please enter more quarters for—"

You screamed, the frustration boiling over as you kicked the phone, the clanging metal reverberating through the phone booth. Your hand gripped the receiver so tightly your knuckles lost circulation, and with a final surge of anger, you thrashed against the booth, the tears you’d been holding back now streaming down your face.

"Xavier!?" you yelled into the dead line, your voice cracking with desperation. He had to hear you. He had to. But all that came through was the cold, indifferent tone of the automated voice, endlessly repeating its demand for more quarters, as if mocking your panic.

You slammed the receiver down, the booth suddenly feeling too small, too suffocating. Every second that ticked by was a second lost, a moment Xavier might not know who had taken you, might not know how to find you.

With a deep, shaky breath, you stepped out of the booth, blinking away the tears.

"Do...you have any more quarters?" you ask, more tears threatening to spill from your face at any moment now.

The man outside the phone booth shifted awkwardly and shook his head, his eyes flickering between you and the dark street. He had watched you from the moment you’d rushed into the booth, but now, as you sobbed, his discomfort was clear. He took a slow step forward, clearing his throat, but didn’t say anything at first, unsure of what to do.

"You, uh... you okay?" he asked finally, his voice soft but uneasy. He scratched the back of his neck, glancing around as if he wasn’t used to being in such an emotional situation.

You wiped at your eyes, trying to calm your breathing, but the tears kept coming. The overwhelming frustration of losing the connection with Xavier left you feeling exposed and helpless. You didn’t know what to say to the man, couldn’t find the words to explain the weight of everything crashing down on you at once.

He hesitated, then sighed, taking another step closer. "Look, uh… if it’s about the call, I’m sure your guy’s coming. Sounds like he cares. You just... you know, gotta hang in there. We’ll get to my place soon, and you can rest."

His words, though clumsy, were an attempt at comfort. But even as he tried to reassure you, his uncertainty showed in the way he avoided your gaze, as if he wasn’t quite sure how to handle someone breaking down in front of him.

You sniffed, nodding slightly, feeling drained from the outburst. "Yeah… yeah, I’ll be fine," you muttered, wiping your face with the sleeve of your nightgown, though you weren’t sure you believed it.

The two of you resumed walking, your steps slow and heavy as you sniffled, trying to hold back the tears that still threatened to spill. The man walked beside you, his hands shoved into his pockets, glancing at you now and then with an awkwardness that was hard to miss. He wasn’t saying much, just occasionally looking around as if he wished there was something more he could do, but he seemed completely out of his depth when it came to comforting anyone, let alone a woman on the verge of breaking down.

"You’ll, uh, feel better once we get there," he mumbled, his voice low and sheepish. "It’s not much, but at least you can get some sleep. Maybe eat something."

You nodded, biting your lip as you fought to compose yourself, trying not to let your emotions overwhelm you again. The air between you felt thick, filled with unspoken words and awkward tension. He kept glancing at you as if he wanted to say something more, but each time, he swallowed the words, guiding you quietly through the darkened streets.

The city around you was eerily quiet, the desolation of the N109 Zone even more pronounced in the silence. The flickering streetlights barely illuminated your path, casting long shadows that stretched across the cracked pavement. You hugged your arms close to your body, your mind still reeling from the failed call, but you focused on just putting one foot in front of the other.

The man cleared his throat, his voice hesitant. "I’m… not really good at this kind of thing, you know," he admitted, his tone awkward, almost apologetic. "But you’ll be safe. I’ll make sure of it."

You nodded again, not trusting yourself to speak. His words were clumsy, but there was a strange sincerity in them. Despite his unease, it seemed like he really was trying to help, even if he didn’t quite know how to do it.

As the silence stretched on, the weight of everything hanging between you, you glanced at him through the dim light. His awkwardness, his uncertainty—it was all so clear. But despite everything, he had helped you. He had taken you in when you had nowhere else to go. Given you the last of his quarters. You swallowed, trying to ground yourself in the moment.

"I didn’t catch your name, by the way," you said softly, your voice still a little shaky.

He blinked, as if surprised you’d asked. His steps slowed for a moment before he gave a small, awkward shrug. "Oh, uh, yeah. I guess I didn’t say." He rubbed the back of his neck, his eyes darting to the ground as he seemed to search for the right words. "It’s Reese," he finally muttered. "Not much of a name, but it’s mine."

You offered a small, tired smile, your voice soft. "Reese… thanks for helping me. I don’t know what I would’ve done if—" You stopped yourself, the weight of your situation pressing on your chest again.

He glanced at you from the corner of his eye and gave a sheepish nod. "Yeah, well… I’m no hero. Just didn’t seem right to leave you out there. Not in a place like this."

As the two of you walked in silence, Reese cleared his throat, glancing over at you with a bit more confidence than before. "So… what’s your name? Figured if we’re gonna be walking together, I should know who I’m helping."

You hesitated, your heart racing slightly. Trust wasn’t something you could afford so easily, not here, not now. Despite his awkward attempts to help, you weren’t ready to give him your real name. Better to be cautious, you reminded yourself. You forced a small smile, trying to keep your voice steady.

"It’s...Mephisto," you said, the lie rolling off your tongue before you could second-guess it. You had vaguely remembered Sylus calling out the name to someone from outside the door, to who you weren't sure. One of his men probably.

Reese nodded, seemingly taking your answer at face value, no suspicion in his expression. "Alright," he said, giving a half-smile. "Nice to meet you Miss Mephisto, despite the strange name."

You nodded back, feeling the weight of the lie settle inside you. It wasn’t much, but it gave you a small layer of protection—just in case. You still didn’t know Reese’s full intentions, and trust here could be a dangerous thing.

"Nice to meet you too, Reese," you replied softly, glancing around the darkened street.

After what felt like an eternity of walking through the dark, desolate streets of the N109 Zone, you and Reese finally reached his place. The house stood at the end of a narrow alley, tucked between two crumbling, abandoned buildings. It wasn’t much to look at—dingy, with peeling paint and windows that seemed to have long lost their clarity. The front door sagged slightly on its hinges, the wood scuffed and weathered, as if it had seen better days a long time ago.

Reese unlocked the door with a bit of effort, pushing it open with a low creak. Inside, the air was stale but warm, a stark contrast to the cold outside. The place was small, cluttered, and dimly lit by a single overhead bulb. The furnishings were old, mismatched, and worn—a threadbare couch sat in the corner, covered in a faded blanket. The walls were bare except for a few crooked picture frames, and the carpet looked like it hadn’t been cleaned in years. Still, despite its grimy appearance, there was a strange sense of comfort to the place, like someone had lived here for a long time and had made it home in their own way.

"You can sit over there if you want," Reese said, motioning to the couch. "It’s not much, but it’s better than the streets."

You nodded, stepping inside cautiously. Your eyes scanned the room, taking in the details—the scuffed coffee table with a few empty bottles on it, the stack of old magazines piled up against one wall. It didn’t scream danger, but you couldn’t shake the wary feeling settling in the pit of your stomach. Something about the whole situation made you uneasy. Maybe it was the dim lighting, the smell of old dust, or just the lingering doubt about trusting someone so easily in a place like this.

Still, exhaustion weighed heavily on your body, and the promise of rest—any rest—was too tempting to ignore. You sat down on the couch, the worn cushions sinking under you, and pulled the bag of pads closer to your chest. Reese seemed harmless enough, but you reminded yourself to stay on guard. You weren’t out of danger yet.

Reese busied himself, tossing a few items around to clear space, but the house remained eerily quiet.

As you settled into the couch, trying to make yourself as comfortable as possible, a sudden noise from the backyard broke the uneasy silence. It was faint, but distinct—a thud, followed by the faint sound of something shuffling or dragging. Your heart leapt, and you sat up a little straighter, your eyes darting toward the back of the house.

“What was that?” you asked, your voice tense as you turned to look at Reese.

He froze for a split second, the calm, awkward demeanor you’d come to expect from him faltering. His eyes widened slightly, and he gave a nervous laugh, rubbing the back of his neck. "Oh, that?" he said, his voice higher than usual. "It’s just… my dog. Yeah, he’s in the shed out back. I forgot to mention him earlier."

You watched him closely, feeling the tension spike in the room. There was something off about the way he said it, the quickness in his tone as if he were scrambling to come up with an explanation.

"Your dog?" you repeated, trying to keep your voice steady, though doubt gnawed at the back of your mind.

"Yeah," he said, nodding a bit too enthusiastically. "He’s old, doesn’t like people much, so I keep him out there. No big deal."

His words didn’t do much to settle your nerves. You stared at him for a moment longer, weighing his response, trying to decide if he was telling the truth. The uneasy feeling from earlier returned, stronger this time, creeping up your spine.

"Right," you muttered, still watching him carefully, but you decided not to push further. Not yet.

"Um... coffee?" Reese blurted out suddenly, his voice still laced with that nervous edge. He offered a forced smile, clearly trying to redirect the tension hanging thick in the air. He rubbed his hands together, glancing toward the small, cluttered kitchen. "I could make us some. Might help, you know, after everything you’ve been through."

You hesitated, still on edge from the strange noise outside and his quick, jittery explanation. Something didn’t feel right, but you weren’t sure if pushing him now would help or only make things worse. You forced a smile of your own, your mind still racing with questions.

"Sure," you said quietly, your voice flat as you tried to calm your nerves. "Coffee sounds good."

Reese nodded, too eagerly, and moved toward the kitchen, fumbling with an old coffee pot. The clattering of cups and the rush of water filled the silence, but your mind was still focused on that noise outside. A dog in the shed? It seemed like a weak excuse, but you didn’t know him well enough to push it.

You leaned back into the couch, the worn fabric sinking beneath you as your eyes drifted toward the back door. You couldn’t shake the feeling that something was off, that maybe Reese wasn’t telling you everything. You forced yourself to take a deep breath, trying to keep calm. You were exhausted, but you couldn't let your guard down.

Reese finished brewing the coffee after a few moments, bringing it over to you in a green, cracked mug. You took it from him with a polite smile, setting it down on the coffee table untouched. The steam curled up from the cup, filling the small room with the faint scent of stale coffee. Reese sat across from you, sipping from his own mug, but you couldn’t help but notice how distracted he seemed.

He kept glancing toward the window, then back at his watch, over and over. Each time, his face tensed a little more, as though he were expecting something—or someone. Your wariness only grew.

What is he looking for?

The air felt thick with unspoken tension, and your mind raced, trying to piece together what was happening. You couldn’t shake the feeling that the noise in the backyard wasn’t as innocent as he’d made it sound.

"So…uh, what’s your dog’s name?" you asked, trying to keep up the conversation and maybe get him to reveal more. Your voice was casual, but inside, your nerves were on high alert.

"Dog? What dog?" Reese said absentmindedly, his eyes still glued to the window. His response was automatic, dismissive, as if he hadn’t even registered the question.

"You...said that noise earlier was your dog? Right?"

A few moments passed in uncomfortable silence, and then you saw it—realization hit him like a brick. His eyes widened as he turned to look at you, panic flickering across his face.

You sat up straighter, your heart starting to race. He’d lied. And now he knew you knew.

"Uh, I mean—" he stammered, his voice shaky, "I meant, uh, Rex. Yeah, his name’s Rex. Sorry, I’m just… distracted." He forced a weak smile, but the panic was still there, clear as day. He wasn’t fooling anyone.

You shifted uncomfortably, the tension in the room thickening with every second that passed after Reese's panicked slip. His eyes kept darting between you and the window, as if something outside demanded his attention. Your pulse quickened as the uneasy feeling deepened. Something wasn’t right, and you knew you had to get out of there.

"I should…go," you said, forcing a smile as you slowly stood up, trying to keep your voice casual. "Y'know... Xavier’s probably found the phone booth by now. I should go back and meet him."

Reese blinked, his expression tightening for a split second. The forced calm he'd been trying to maintain wavered as he set his mug down on the table a little too quickly, the clink of the ceramic against wood echoing in the silence. "Go? Already?" He scratched the back of his neck again, his voice strained. "I mean, it’s cold, and it’s not safe out there… Maybe you should wait a little longer."

You swallowed hard, feeling the anxiety rising in your chest. Every instinct told you to get out, but you had to keep your cool. "Thanks for the coffee and everything, but I don’t want Xavier to worry," you replied, taking a step toward the door. "I’ll be fine. I’ve been through worse, remember?"

Reese stood up as well, his movements stiff, like he was trying to decide whether to stop you. His gaze flickered toward the window again, and his voice dropped. "Yeah, I get it. But, uh… maybe just a few more minutes. You don’t want to be out there alone, do you?"

You glanced toward the door, your heart pounding in your chest. The unease that had been lurking beneath the surface now felt like a solid weight pressing down on you. Something was very wrong, and you needed to leave—now.

"No, I’m leaving. Thank you for everything, but I need to go," you said, your voice steady despite the panic bubbling under the surface. You tried to move past Reese, your eyes focused on the door, your heart pounding with the hope of reaching it before things got worse.

But then Reese stepped in front of you, his whole demeanor changing in an instant. "No," he said flatly, his voice suddenly devoid of the awkwardness and sheepishness he’d shown before. His tone was cold, almost emotionless, as he closed the distance between you with startling speed.

Before you could react, you felt it—the cold press of metal against your neck. Your breath caught in your throat, and your body froze as the unmistakable sensation of a gun pressed hard into your skin.

"You're not going anywhere," he hissed, his voice low and menacing. His earlier nervousness was completely gone, replaced by something dark and dangerous. "Sit back down."

Your heart raced, your mind scrambling for a way out, but all you could feel was the sharp edge of fear coursing through you. You swallowed hard, trying not to move too quickly, knowing that with one wrong step, things could spiral even further out of control.

"Reese… please," you whispered, barely able to keep your voice from shaking. "You don’t have to do this."

His eyes flickered with something—anger, desperation—but his grip on the gun didn’t waver. "Just sit down, and no one has to get hurt."

Your mind raced, searching for a way out, but for now, all you could do was comply and hope that Xavier was still coming for you.

"I promised them a girl..." Reese muttered, his voice trembling slightly, though the gun still pressed firmly against your neck as you looked up at him from the couch. He glanced away from you, his guilt briefly flickering in his eyes. "Then you just... happened to be there. Right place, wrong time, I guess. So...this is how it has to be."

His words hung in the air, cold and final.

"I’m sorry," he added, though there was no comfort in his apology—just a hollow attempt at easing his own conscience.

Your breath hitched as you tried to process his words, the full weight of the situation crushing down on you. He wasn’t just some awkward guy helping you out of kindness. He had been waiting for someone—anyone—to fill a promise. And you had walked right into it.

As you stood there, your heart pounding in your chest, the cold barrel of the gun pressed against your neck, the door creaked open. Another man stepped into the room. He was taller than Reese, with a thick, rough appearance—his face shadowed by the dim light. His eyes swept the room, landing on you, taking in the situation with a detached indifference.

"Is this the girl you promised?" the man asked, his voice low and gruff, as if he’d been through this kind of scene too many times to be surprised by it. His gaze shifted briefly to Reese, then back to you, narrowing with interest.

You felt a chill run down your spine as his question hung in the air.

Reese didn’t move the gun from your neck, but you could feel the tension in his body shift as he glanced over at the man, clearly nervous about his arrival. "Yeah, this is her," Reese replied, his voice tight. "I just… need a few more minutes to get her to cooperate."

The other man stepped closer, his boots heavy on the floor. His eyes raked over you, cold and calculating. "No time for that," he said flatly. "Get her in the basement. You know how this works, Reese."

Your pulse quickened, fear gripping you tighter as you looked from one man to the other, your mind spinning with panic. What were they planning? You needed to find a way out, and fast, before things escalated even further.

"You’re making a mistake," you said, your voice shaking despite your best efforts to stay calm. "Someone’s coming for me. If you don’t let me go, it’s going to get a lot worse for both of you."

As the weight of your words hung in the air, you weren’t even sure who you were referring to in that moment—Sylus, the man who had kidnapped you in the first place, or Xavier, the one coming to save you. Both names were tangled up in your desperation, your mind too frantic to distinguish between them. All you could do was hope that the threat would ring true, that it would be enough to make Reese think twice.

The taller man smirked, clearly unimpressed. "We’ll see about that," he muttered, turning his back toward the door to pull up the carpet, leaving you alone with Reese and the gun still pressed to your neck. You watch as a metal trap door with a handle is revealed to have been hidden under the carpet and you gasp.

Instinct kicked in, and without thinking, you twisted suddenly, using the brief distraction in Reese’s hesitation to try and break free. You shoved his arm away with everything you had, knocking the gun off balance. For a moment, you thought you had a chance, adrenaline flooding your body as you fought with all the strength you could muster.

"Let go of me!" you screamed, thrashing and kicking as hard as you could. Your elbow connected with Reese's side, and he let out a sharp grunt, but his grip tightened. His face twisted in a mixture of frustration and fear, and he fought back, grabbing your arm and wrenching you toward him.

"Stop it!" Reese growled, struggling to maintain control, but you weren’t going down without a fight. You kicked at his legs, but his hold on you only grew stronger.

The door to the basement creaked open, and before you could react, the taller man reappeared, grabbing you by the other arm. His grip was like iron, and between the two of them, they overpowered you. Your heart pounded as you screamed and clawed, your feet scraping against the floor, but the force of their combined strength was too much.

"No! Please—" you gasped, trying to twist free, but they dragged you toward the open door.

The tall man grunted with effort as they forced you toward the dark, looming stairwell. "Get her down there already," he growled, his tone sharp and impatient.

You struggled even harder, but your muscles were weakening, the adrenaline starting to fade as fear took over. They shoved you roughly down the narrow staircase, and you stumbled, catching yourself against the damp wall. The dimness of the basement swallowed you whole, the air cold and musty. You could feel the fear wrapping around you, tighter with each step they forced you to take.

The taller man was close behind, his heavy footsteps echoing in the cold, damp basement. You felt his rough hand grab the bottom of your nightgown, his fingers curling into the fabric. Panic surged through you as his cold hand snaked across your belly, the touch sending a shiver of disgust up your spine.

You screamed, thrashing wildly against his grip, but his strength overpowered you. The man leaned in, his breath hot against your ear as he whispered, "Wouldn't hurt to try her out before the boss gets here..." His voice was thick with lust, and his eyes gleamed with a hunger that turned your stomach.

His hand slid lower, his fingers beginning to snake inside your underwear. You could feel his hard on pressed against your backside. Fear and revulsion took over, and you knew you had to do something—anything—to stop him.

Thinking fast, you blurted out the first thing that came to your mind, your voice desperate and shaking. "I'm bleeding! I'm on my period!"

The words seemed to stop him in his tracks. His hand paused, the twisted hunger in his eyes faltering for a moment as confusion flickered across his face.

"You’re what?" he muttered, his brow furrowing. His grip loosened just slightly, enough for you to take a sharp breath, your heart still racing.

"I’m on my period," you repeated, your voice trembling. "It’s—it’s bad. You don’t want to do this right now."

For a brief second, his disgusted expression told you that he was weighing his options. The thought of period blood clearly repulsed him, and his hand slowly pulled away from your underwear, his lips curling in frustration.

"You’re lucky," he growled, wiping his hand on his pants, his face twisted with disdain. "But don’t think that saves you."

His hand shot up before you could react, grabbing a fistful of your hair and dragging you across the rough concrete floor toward the makeshift shower installed in the corner of the basement. Your scalp throbbed with each pull, the pain sharpening with every step, but you bit your lip, refusing to cry out.

He threw you against the cold, damp wall, the chill seeping through the thin fabric of your nightgown. You barely had time to catch your breath before he twisted the rusty shower handle. Water burst from the nozzle, freezing and unforgiving.

“So filthy,” he sneered, standing over you as the icy water soaked your clothes, plastering them to your skin. “Maybe this will help?"

The cold bit into your bones, and you hugged yourself, trembling, struggling to stay upright as the water pounded down. He stood there a moment longer, watching with twisted satisfaction, before finally turning away, leaving you shivering on the cold, wet floor of the basement.

Sobbing on the cold, unforgiving basement floor, you shiver, your body pressed against the damp concrete, each breath heavy with despair. The chill seeps into your skin, a numbing cold that echoes the hollow ache inside you. Your tears fall, silent and unnoticed, merging with the grime beneath you as exhaustion pulls you deeper into its grip. In the silence, a desperate wish slips through your mind for someone to save you—anyone, even him.

Though Sylus had stolen you away, his presence now haunts you like a ghost. In this unbearable solitude, even the memory of him feels like a twisted solace. You long for his shadow, for those red, gleaming eyes that once pierced through the darkness, and his stark white hair, a glimmer against the void.

At least he gave you warm baths.

The thought slips through your mind, shame twisting in your chest. How could you even think of Sylus now, when poor Xavier was likely out there, rushing to save you, unaware of the torment you’re enduring? Guilt coils around you, tightening with every heartbeat, yet you can’t shake the cruel comfort of that memory. Sylus, for all the wrong he had done, had never left you to freeze, never left you to shiver and break alone.

Your vision blurs as the weight of everything crushes you, and you can almost see him—an apparition of salvation in your mind. His image flickers, vivid and sharp, as your consciousness begins to fray at the edges. The world slips away, piece by piece, and the cold wraps tighter around you.

The cold water finally stops.

In this fading moment, you cling to that impossible hope, that he, with his red eyes and cold hands, might come for you—if only to save you from a fate worse than death.

[kajibunny]

Can I request Umemiya & Togame x reader where they have an aquarium date? I feel like it would be cute^_^ feel free to ignore, I hope you have a great day :D

🫧𓇼𓏲*ੈ aquarium date ˖𓍢ִִ໋🌊˚˖𓍢ִ✧˚ w/ the wind breaker boys

✿ featuring: hajime umemiya, jo togame, ren kaji ✿ contains: established relationship, fluff, unverified facts on sea creatures ✿ a/n: what a lovely idea! ( ˶ᵔ ᵕ ᵔ˶ ) actually this has been requested quite some time ago rip!! tho aquarium dates are definitely cute and i feel like there'd be lots of funny moments! i hope you don't mind but i added kaji in too, cutie~ thank you for your patience!! ✿ wc: 1.1k

ʚɞ umemiya -

ꕤ the aquarium tickets were a heartfelt gift from a generous townsperson who thought that you and umemiya were the cutest couple. he always talked about you, and shared how he was so lucky to have someone so kind, caring, sweet, and beautiful. the complete package, really. as soon as he had a free day without any scheduled patrols or activities, umemiya eagerly invited you to join him on a date at the aquarium.

ꕤ umemiya got selected as a volunteer for the sea lion show, due to his sparkly-eyed enthusiasm. he was being so cute and silly as he blew flying kisses to you while helping perform tricks and interacting with the sea lion, then when asked if he was here with someone today and if he'd like to give a shoutout, he proudly points at you and proclaims "that's the love of my life right there!" the crowd around you couldn't help but gush at his romantic declaration.

ꕤ as you and umemiya walk into the serene, dimly lit fish aquarium, he notices how the soft blue illumination of the tanks cast an ethereal glow on your face, and umemiya couldn't resist stealing a kiss from you, catching you by surprise from his spontaneous smooch.

ꕤ under the shimmering light of the fish tanks, umemiya pulls you close, whispering to you: "today has been the most amazing day and i'm glad i got to spend it with you." his voice filled with sincerity, as you two walk out of the aquarium hand in hand. "also, did you know my love for you is deeper than the ocean, my sea anemone?" he adds, as you giggle at his chosen pet name.

ꕤ he surprises you with a coral keychain from the gift shop, because he says it reminds him of you. corals bring life to the ocean, and you know how umemiya loves his plants, which provides the oxygen that we breathe, so he says you are like a coral that breathes life into him. (how cute is that!)

ʚɞ togame -

ꕤ togame actually went and bought the aquarium tickets for both of you, because he remembered how much of a marine life advocate you were, to the point that you detested plastic straws because of their detrimental effects on the turtles. he thought it was cool how every ticket bought contributed to help save the sea turtles, and at the same time, you two could also get a fun date out of it.

ꕤ he actually stops and reads the facts about the sea creatures and he tells you about the ones that he finds interesting, but he ends up unintentionally getting real smooth with it and tries to woo you (even if you two are already together).

ꕤ "did you know sea otters hold hands or grab onto each other while sleeping so they won't drift apart? maybe we should try that next time too." togame says as he grasps your hand in his, demonstrating his recently learned fact.

ꕤ by the time you two got to his favorite part, the turtles (it's your favorite too, since it reminds you of him), he would look at the sea turtles with you with so much affection.

ꕤ you point at the mating turtles and giggle, tugging on togame's shishitoren jacket and telling him to look at it. he chuckles and says: "us when we get home later." half jokingly.

ꕤ you two also attended an environmental awareness talk hosted by the aquarium on sea turtles, as togame wraps an arm around you, but his attention seems to be immersed in the talk, while your eyes were fixated on him, feeling a sense of wonder not just for the turtles, but also for togame, who was nodding and listening intently, and it reminded you of how much of a good listener he is to you too.

ꕤ you and togame get matching turtle keychains from the gift shop as a souvenir of your aquarium date. the keychains were the magnetic type, so they click together whenever you two are near each other, accentuating the fact that you two are each other's other half and are very, very attracted to one another.

ʚɞ kaji -

ꕤ kaji (sort of) won the aquarium tickets at the tonpu shopping district raffle, and he was extremely baffled because he doesn't even recall signing up for anything, but it turns out that kusumi and enomoto frantically entered his name daily, as soon as they overheard you mentioning to kaji that you wanted to go to the aquarium with him someday.

ꕤ you excitedly pulled kaji to go watch the dolphin show together, oblivious to the faded "splash zone" sign on your seat, resulting to getting quite a bit drenched despite his attempts to shield you with his arm. kaji blushed furiously and tried his best to look away when he realized he could see a glimpse of your undergarments through your top.

ꕤ he quickly pulled his hoodie over his head and handed it to you, telling you to put it on. with kaji only in a shirt in the chilly aquarium, you insisted he wait outside while you ventured into the gift shop. you returned a minute later to gift him a hoodie that you bought, adorned with cute baby dolphins and the words "i love dolphins" on it, proudly gifting it to him.

ꕤ he said "no way in hell am i wearing that." but he couldn't resist the sad look in your eyes as you pleaded with him: "please? for me, ren?" and that was all it took. for some reason, kaji just can't say no to you. you held too much power over him. he huffed and muttered a "fine", grumbling while reluctantly putting on the dolphin hoodie.

ꕤ you tried to take a picture of him wearing it, but he grabbed your hand and held it to drag you off to the other sea creature exhibits.

ꕤ upon reaching the shark tanks, you playfully nudge kaji to get his attention. "that looks like you whenever you're angry, ren!" you exclaim as you point at a shark gnawing at its food. "is this your way of telling me that you want me to bite you?" kaji looked at you like he was a predator and you were his prey. you blushed as he blamed you for starting it in the first place. kaji also blushed furiously as he realized the implications of what he just said.

ꕤ as you walk home together, kaji shoves a lollipop into your hands, but not just any lollipop - a shark shaped one, and says he just got it for you as thanks for the hoodie. but deep inside, you knew that kaji got it for you because he wanted you to think of him (and maybe of him biting you).

© kajibunny 2024 / all rights reserved

[astonmartinii]

i don't wanna be funny anymore | daniel ricciardo social media au

pairing: daniel ricciardo x fem podcaster!reader

i don't wanna be funny anymore, i got a too short skirt, maybe i can be the cute one. is there room in the band? i don't need to be the front man, if not then i'll be the biggest fan

based on i don't wanna be funny anymore by lucy dacus (this song speaks to me, i love lucy (she's also AMAZING live))

MASTERLIST | TIPS

yourusername

liked by danielricciardo, maxverstappen1 and 341,203 others

yourusername: hey girl hey, new ep coming at you fast this friday all about rotting. as the twilight weather rolls in and it becomes the season of all too well, we'll talk about rotting, how we can do it right and how not to lose your mind this october (a cautionary tale, i've already lost mine)

view all comments

user1: my queen hands down five stars already

user2: the bag is so real and the way i know it's a tote that does NOT stay on your shoulder

yourusername: it's the enchante tote, shameless plug for my man

danielricciardo: you singlehandedly sell out my totes every time baby

user3: not this actual fan erasure 🤨

user4: babe be real, she has a massive platform and there was a direct correlation between the first time she plugged a tote and the fact that they sold out that day you guys just love being mean

user5: i'm mean cause i don't want some leech taking credit for dan's hardwork and his fans?

user6: he fucking said it? you guys grasp at straws every time so try and justify your agenda against her

maxverstappen1: idk what rotting is but i'll still listen to every second

yourusername: thanks maxy, though i'd say going on the sim for up to 14 hours of the day is bordering on rotting

maxverstappen1: productive rotting !

yourusername: yes, i guess your sweet little treats are trophies?

maxverstappen1: that would make sense (don't tell my trainer but i do enjoy the little fruity drinks from starbucks)

user7: yall wanna say we're mean but she's literally invalidating max, saying he's rotting on the sim is so invalidating to everything he went through when he was younger

user8: how did we get there? this grasp on straws has to be studied... from a joke about the sim to invalidating abuse?

user9: i honestly thank the lord for dan and max because they're so supportive no matter the shitstorm that yall throw at y/n everyday

user10: literally max is even listening to podcasts... real friends, i hope one day she feels confident enough to come to races

danielricciardo

liked by maxverstappen, georgerussell63 and 1,034,239 others

tagged: yourusername, enchante

danielricciardo: buckle up, enchante is going to the rodeo 🐎

view all comments

user13: i shall be breaking the bank

user14: dan so smart, he looks like a good boyf for including y/n but didn't include her face

user15: yall ever listen to yourself talk, you need to be put in time out for real

yourusername: we all know the phrase, save a horse, ride a...

danielricciardo: daniel?

yourusername: YUP

user16: ugh there are children who are fans of daniel, she's so gross

user17: do you ever get tired of doing all of that mental gymnastics?

yourusername: can't wait for the tote drop for this collection, yall WON'T be disappointed

user18: yes, i will always trust mother's tote recommendations

user19: anyone who carries that much shit knows what makes a good tote

yourusername: this one has survived two dostoevsky book, an unreasonably large water bottle, a laptop and microphone

user19: thank you ma'am

maxverstappen1: real love is dressing as a cowgirl for your needy boyfriend

yourusername: the things we do for love (i actually had so much fun)

user20: here y/n goes doing all the publicity, but never going to races, clearest gold digger attention whore wag of all time

user21: surely a real attention whore would go to every race to get the screen time and papped and all that jazz?

excerpt of y/n y/ln's podcast where she addresses her absences in the paddock.

yourusername

liked by danielricciardo, maxverstappen1 and 412,349 others

yourusername: life recently lol, the enchante tote is taking a beating

view all comments

user24: she's such a crybaby making dan use up an entire portion of his interview to coddle her

user25: she doesn't come to races cause of people like you invading her privacy and being rude and here you are ... proving her point

danielricciardo: pretty lady i can't wait to be back in your arms

yourusername: waiting outside the airport now

danielricciardo: we haven't even taken off yet babe

yourusername: i know i just miss you and can't wait to see your handsome face

user26: dan must be saying this shit at gun point cause there's no way he actually thinks she's pretty

user27: are you clinically blind? cause we must not be seeing the same girl

maxverstappen1: the aperol rawdogging the bag, you are SO brave

yourusername: living life on the edge, is this that thrill all you drivers talk about?

maxverstappen1: i may drive at over 200 kmh but i'd never risk my tote like that

yourusername: is it worse that i have a jar of olives in there as well, one drop and it's so over for me

maxverstappen1: OLIVES? remind me NOT to hug you when you pick us up

danielricciardo: if you want that hug you gonna have to get in line boy

user28: she picks them up from the airport? that's so cute

user29: someone tell her the gross girl aesthetic isn't cute

user30: babe don't worry no matter the aesthetic you have daniel will never want you x

maxverstappen1

liked by charles_leclerc, christianhorner and 982,344 others

tagged: yourusername, danielricciardo

maxverstappen1: finally went on my bff's (no 1 in the world) podcast after i finally convinced her yall ain't shit - oh and dan was there for emotional support x

view all comments

user31: SO ICONIC

user32: ep on repeat forever, they're so funny

yourusername: for a man who hates podcasts, you were a star i think the memes hit you hard

maxverstappen1: i enjoy the PROFESSIONALS could you imagine doing a podcast with lando

landonorris: why am i catching strays

danielricciardo: i wouldn't say that too loud, i got about 20 texts as soon as you posted this demanding i ask y/n to be on the show

yourusername: oooooooooo the girls are fighting

landonorris: so can i come on?

yourusername: i'm sure we can schedule something

maxverstappen1: don't say i didn't warn you y/n

user33: ugh now she's going to whore around the rest of the grid

user34: for real wasn't dan enough? she's not even pretty enough to whore herself out

user35: you people have no reading comprehension cause you see how dan says yall are insane and yall keep proving him right

danielricciardo: i'm so proud of you pretty girl

yourusername: i love you cowboy

danielricciardo: forever obsessed with you

user36: i'm living for y/n basically telling all these insecure weirdos to fuck off

yourusername

liked by maxverstappen1, christianhorner and 603,451 others

tagged: danielricciardo

yourusername: who was gonna tell me these cars are loud as shit irl

view all comments

user39: someone tell sky to stop zooming in on her i don't pay to her her ugly ass

user40: cry your heart out bro everyone else is happy

danielricciardo: oops i think you're my lucky charm you now have to come to every race ever sorry not sorry

yourusername: gosh i think that might be true - i'll be there! (but for real you are so so talented and don't need a lucky charm)

danielricciardo: i'm just so happy to share this with you, i love you so much, i'm sorry people have been so cruel

yourusername: people are passionate about you and rightly so, but i appreciate you protecting me baby

user41: imagine being this irrelevant and demanding protection in the paddock ... the audacity

user42: you finally came to the paddock and this is what you wore?

user43: she's wearing danny merch? if she didn't yall would have a problem with that as well so please just be quiet

maxverstappen1: i need you to come every weekend cause you're the only one drunk danny will listen to

yourusername: we had practice with all the wine tasting we did for his wine line

danielricciardo: i am NOT that bad

maxverstappen1: tbf it's usually him just crying about how much he loves you

yourusername: AWWWWWW (i also cry about how much i love you)

user44: gosh this is my favourite f1 couple

user45: hopefully now she has her dose of fame she'll fuck off

user46: HAVE A DAY OFF

danielricciardo

liked by maxverstappen1, yourusername and 1,451,677 others

tagged: yourusername

danielricciardo: as we're nearing our two year anniversary i wanted to say a couple things. one. i love you so much. when you came into my life i was in a bad place and you truly taught me to love myself again and how to love my sport again. you're the most amazing woman ever, the kindest soul and the most beautiful girl ever. two. i am so thankful for the support i have, i do not allow the disrespect some have given y/n. you guys have no real perception of relationships between athletes and fans. you do not have the right to comment on y/n in the way you are. you take extremely low blow and have the gall to confront her in public as well. do not call yourself a fan of mine when you treat the people i love like this. my team will now begin to monitor comment sections and will seek to block and report accounts doing this. thank you and i love you y/n.

comments on this post are turned off.

note: hope yall enjoyed!! i love danny and i saw the danny ric honky tonk this morning and had to write about him. i'd also had this idea for a while but didn't know who to write for lol. please listen to the song i love lucy so much and the song is so relatable xx

also anyone who has requested - i am working on them (but as per some questions in my asks, as for right now i do not write for footballers, if i become less disillusioned with the sport (thanks chelsea) this may change)

[gin-juice-tonic]

I deleted that last post because frankly I got embarrassed. But ultimately, I really would like to know if the new journal pages are suspicious on purpose.

Them being fake pages made by Bill is a theory I believe quite heavily in, and in my opinion there's a decent amount of evidence for it. It feels percentage-wise very few people agree. But I guess I just want to say, it's not that I'm just out here grasping at straws to discount a book I didn't like. What we know Ford to be like, what we know Bill to be like, and most importantly what we know journal 3 to be like, those are what the theory is driven by.

When I first looked at TBOB for myself, I got to the second page of the journal pages and the perception that I was reading pages written by Ford himself was shattered instantly. It was not repaired through the entire rest of the pages. When I was sitting around at work later, the next day after I had finished reading, I was struck in my mind by a bit in Ford's final message. "He's making it all up as he goes along." I know people have different readings of the meaning of that line, but for me that's what made me feel like maybe there's something to all this.

Suddenly it wasn't just "This book sounds nothing like Ford..." But rather "Maybe this book sounds nothing like Ford... because it isn't supposed to." And I started realizing stuff. Like "Hey... wasn't Ford drawn super incorrectly here?", or "Could this part really have happened?", or "Does this page make sense to even exist?". "What is it that creates such a strong sense of dissonance to these pages?" I have kept digging into more and more of what felt wrong ever since.

If you read through them without feeling like anything was off, or if there was it wasn't something you felt to be important, it makes sense my theory would not be for you.

But I believe in it.

And if I had my own chance to ask Alex, I would.

(Update: if you haven't seen the additions I made to this post, I ask you read them too)

[illusioncanthurtme--art]

im curious, why do you like fiddlestan?

i like them in theory (all the pain potential, jeez!) but i feel like i'm missing something very obvious

Oh boy, you’re about to open pandoras box with this one -

I’ve liked fiddlestan for a LONG time, almost a decade now, (EXHIBIT A!!!), and honestly, I’ll admit that the ship is mostly based on speculation. So maybe you’re not missing something obvious, maybe I’m just delusional. I can’t speak for everyone, all I can do is explain why I like it: because it’s deeply rooted in several layers of irony. 

It’s ironic because fiddleford spent the better part of a YEAR dealing with fords nonsense. (And I KNOW, it’s not all bad, but really, especially if you read journal 3, that poor man was put through a LOT. He was definitely taken advantage of, at LEAST a little.) And after grappling with the acceptance that your longtime friend and unrequited love will never return your feelings, having lost the man to some crazy otherworldly nightmare machine, who shows up?? But his TWIN BROTHER who’s HUMBLE and KIND and TEN TIMES MORE DOWN TO EARTH?? It’s ironic, because they don’t know each other, yet they both have years of history with the same person who’s wronged them, and, they can make out about it!! THEY CAN FUCK TO SPITE HIM!! Stan stole his brothers name (and committed multiple crimes under said name), stole his house, and stole his research partner!! And… it's ironic because it’s Grunkle Stan and old man Mcgucket. That needs no elaboration.

(these are all my personal takes/headcanons! Like I said, this ship is based solely on interpretation, so I’m sure a lot of fiddlestanners like fiddauthor too. There’s like a billion different ways to interpret this ship.)

Also -

Their personalities are surprisingly similar when you stop and think about it!! You put those two in the same room, and they’d come up with some highly devilish scams together. They both have moral codes that are a little… ambiguous. And… I can’t believe I’m gonna pull this out as *canon fiddlestan documentation* but these are the kind of crumbs we’re working with here: MABELS DREAM IN THE SOCK OPERA CREDITS!!!! Although it’s not something that actually happened, and it’s just a reference to statler and waldorf, they are IN CHARACTER!! I think this is how they would actually act together if they were friends!! Just two old dudes, hanging out together watching tv, making fun of whatever they’re watching. If you’re in the room, you might get roasted too. Just a couple of old farts. It makes me so happy to think about. 

No fiddlestan rundown post would be complete without the fandoms EXTREME STRAW GRASP at Old Goldie and the Flame Retardant Raccoon. Soos calls mcgucket a “prospector guy,” amongst the other obvious comparisons you can make between fiddleford and goldie. Goldie is something stan used to like a long time ago, but he’s all old and fucked up now, best to throw him away and forget about it. BUT, as it turns out, there’s still good in that old thing after all. SO LETS GET MARRIED IN VEGAS!!!! It’s an extreme stretch, but… It’s a fiddlestan trope that they, at some point, have a crazy night of fun+romance in vegas together.  And I personally like to think that they return when they’re older+happy and tie the knot for reals. The raccoon speaks for itself - it’s one of the ways you can compare stan to a raccoon. And of course, mcgucket's raccoon wife. 

This is where it starts to get a little angsty, and if you “get all the pain potential” then you may have already given this some thought - but why does stan treat fiddleford the way he does if they used to love each other? The whole “UGH, this guy” comment in land before swine, looking all uncomfortable around him in fight fighters, choosing the spot furthest from where mcgucket lotions himself at the pool, and the “possum breath” comment in the last episode (and fiddleford actually has the mental clarity to look perturbed after he says it). Stan is hurt!!! He’s upset!! If they used to be a Thing after the portal incident, something must have happened between them for fiddlefords mental illness to get the better of him, and for him to choose to erase both stan and ford from his memories. I, personally, think that it was deep rooted internal homophobia (being raised in the south, that runs deep), and being scared for getting too close to stan. They were getting too comfortable, and that scared him. What about his family? And tate? His son can never meet stan. He can never let his wife know. And all the paranormal fuckery incidents leading up to this that already weakened his mental state, the portal incident, already having zapped his brain a few times, would have sent him over the edge. So I’m thinking they would have gotten into a fight of some kind, and fiddleford would have stormed off. Thus leaving stan having to live in a town with the person he USED to love, who doesn’t remember him at all!!! What!!!!! That sucks!!!! Only upside to fiddlefords memory erasure is that it makes it easier for stan to pretend nothing ever happened. But it’s still not easy. Also, if word ever got out that old man mcgucket used to be his boyfriend, he would never be able to live it down. So he compensates by being an ass towards him. Fuck. 

But then!! If fiddleford has the chance to heal!!! (say… maybe… when the twins are on the stan o war II) then stan would come back to gravity falls and see fiddleford looking like the person he knew thirty years ago!!!! WHAT!?!?! CAN’T RUN FROM YOUR PAST FOREVER, CAN YOU!?!?! And you KNOW fiddleford would remember what happened with stan. How long can stan keep himself in denial?? And now we’re opening up the can of worms: how the FUCK does this information reach ford?? That your brother used to canoodle with your research partner and might STILL BE?? That has so much potential too. 

Ok I wasn’t expecting to write those last two paragraphs but it’s A BIG PART OF WHY I LOVE FIDDLESTAN!!! It’s a crazy fucking rollercoaster ride!!! This thing has so many angles!!! And that’s just MY fiddlestan interpretation - I’ve seen a lot of different takes on the sort of story that would transpire between these two. But no matter what you’re cooking, It’s always a LOT. 

There’s probably so so much I didn’t touch on here. If anyone else wants to throw in their two cents as to why they like fiddlestan, please, add something!!!

[melverie]

Thank you for the tag Ivy, and sorry that it took a bit!!

If anyone wants to check for themself, I've added my translations below the cut. But in short--I unfortunately couldn't really find any difference in meaning between the two versions...

The only thing that stood out to me is this moment.

"I'm certain I felt Father's love. I wonder when I forgot about it."

It might just be me, but the wording of the Japanese version made me wonder if Nightbringer might be messing with Lucifer's memories to make him remember Father more fondly...? (I'm still on my "someone in the Celestial Realm is Nightbringer" propaganda trip btw)

We know that og Lucifer would NEVER think this way--he even said as much during the angel event iirc. And NB Lucifer shouldn't either, especially since Lilith's death JUST happened. So maybe part of Nightbringer's goal is to have the brothers return to the Celestial Realm, and the first step to that is making Lucifer think Father always showed them their love...? Aahhh I don't know, I just don't want the entire "Father's love" thing to be left as is...

This is how I've structured the translations:

[speaker]

日本語バージョン (Japanese version) [my translation (I tried to stick as close to the original meaning as possible)] English version

⸺

38-5

Lucifer

なんなんだ、いったい……。 どうして、俺はこんな―― [What on earth is...? Why do I look—] What’s going on? Why have I—

Simeon

……俺は、わかる気がする [...I feel like I understand it.] I think I may know the answer to that.

Simeon

あの人がルシファーの願いに応えてくれたんだよ [That person has answered your pleas.] “He” heard your pleas and did as you asked.

Lucifer (flashback)

あなたの意思が、わからない……！ [I don't understand your intentions...!] I don’t understand what it is you want!

Lucifer (flashback)

あなたはいつも何も言ってくれない [You never say anything to me.] You never tell me anything.

Lucifer (flashback)

あなたが俺に何を求めているのか…… 今ここで、俺に示してください！！ [What do you want from me... Please show me here and now!] What is it you want of me? Give me a sign right now, please!

Simeon

これが、あの人がルシファーに示してくれた、 愛じゃないのかな…… [Isn't what that person showed you his love...] I’m guessing this is his answer, a sign of his love…

Lucifer

父さんの……愛…… [Father's*... love...] Father’s…love… *tn: an argument could technically be made that he's saying "dad" here instead of "Father" since he dropped the honorific 「お」 but I'd say he did it because he's talking to Simeon right now

[...]

Belphegor

はー……めんどくさい [Haa... what a pain] sigh…What a drag.

Asmodeus

ホント、だるいよねー。 春の宴前に天宮の大掃除なんてさ [It's really tiring, huh? I can't believe that we have to clean the Celestial Palace before the spring feast...] I know, right? I’d rather be doing anything else. Cleaning the Celestial Palace in preparation for the spring feast is the worst.

Beelzebub

ミカエルからの命令だ。仕方ない [It's an order from Michael. It can't be helped.] Well, the orders came straight from Michael himself. That’s just how it is.

Mammon

仕方なくねーっつの！ [Don't you "that's just how it is" me!] Whadya mean that’s just how it is?! Nuh-uh, it doesn’t have to be this way!

Mammon

親父は、アレか？ 俺らに掃除ができる天使になれっつってンのか？ [Is that what Father wants? He wants us to be angels who can clean?] Are you tryin’ to tell me that what Father wants is to turn us into angels who really know how to clean?

Leviathan

それな。いつもミカエルを通してばっかでさ [That's right. It always comes through Michael.] Yep, you hit the nail on the head. Our orders always come through Michael.

Leviathan

何を求められてるのか、わからんし [I don't get what he wants.] Like, there’s no way to know what it is he really wants from us.

Belphegor

ねえ、ルシファーもそう思うよね？ [Hey Lucifer, you think so too, right?] Lucifer, you feel the same way, right?

Lucifer

いや？ [No?] Not at all.

Asmodeus

嘘だあ。ルシファーだって本当は、 父さんにこっそり不満があるんじゃないの？ [That's a lie. Aren't even you secretly unhappy with Father?] Liar, liar, pants on fire! Deep down inside, even you have to be a little frustrated with Father.

Lucifer

ないな。 あの人は、俺たちに何も求めてはいない [No. That person doesn't ask anything of us.] I can’t say I am, no. Father doesn’t ask anything of us.

Lucifer

ただ与えてくださるだけだ [He just gives.] All he ever does is give.

Belphegor

与えてくださるって、何を？ [What does he give?] Give what, exactly?

Lucifer

愛だ [Love.] His love.

Leviathan

アイ…… [Love*...] Love… *tn: since it's written in katakana instead of kanji, it's implied that Levi doesn't really get what Lucifer means. It could also mean he's still very young here, but usually it would be written in hiragana in that case

Mammon

うげえー！！ [Ugh...!] Blech...

Asmodeus

あははは！ レヴィとマモンってば、すっごい顔！ [Ahahaha! Levi's and Mammon's faces are amazing!] Ahahaha! Levi and Mammon, if you could see the looks on your faces right now!

⸺

38-13

Lucifer

……気を失っていた間、昔の夢を見��� [...while I was unconscious, I had a dream of the past.] …When I was unconscious, I dreamt that I was back in the past.

Lucifer

俺も弟たちも、まだ天使だった頃の夢だ [It was a dream from when me and my brothers were still angels.] My brothers and I were still angels.

Lucifer

父から何を求められているかわからず、文句ばかりの弟たちに、俺はこう言ったんだ [I told my younger brothers who didn't know what Father* wanted and kept complaining,] They kept going on and on about how they didn’t understand what Father wanted of them. So this is what I said… *tn: definitely saying "Father" here

Lucifer

「父は俺たちに何も求めていない。 ただ愛を与えてくれるだけだ」、と―― ["Father doesn't ask anything from us. He only gives us his love."] “Father doesn’t ask anything of us. All he ever does is give, by showing us love.”

Lucifer

確かに父からの愛を感じていたはずなのに、 いつの間に忘れていたんだろうな [I'm certain I felt Father's love. I wonder when I forgot about it.] I used to understand that Father loved us, I could feel it. But at some point, I must’ve forgotten.

Lucifer

……父が俺たちにそうしたように、 俺もおまえに愛を与え続ける存在でありたい [...just like my Father did for us, I want to be the one to continue to give you love.] Father always tried to show us love. And from now on, I’d like to be able to share my love for you. To have that place in your life.

[...]

Lucifer

おまえへの愛の証として、契約を交わそう [To prove my love for you, let's forge a pact.] As proof of my love, I agree to a pact.

Lucifer

たとえオナマエがどこにいたとしても、 俺の愛は常におまえに降り注ぐことを約束する [I promise that wherever you are, I will always shower you with my love.] No matter where you may be, no matter how far away, I will never stop loving you. This I promise.

Ok this may be nitpicking but my problem with the whole "Father's love" Is that your father Is the reason your sister is death, the whole reason y'all went to war... They casted you away because you didn't want Lilith to die...

The thing Is that Father's love Is not unconditional, If you didn't started the war, your sister would have died anyways, for the crime of loving a human too much, he practially made you choose between your loyalty to him or your love for your sister. Thats why Lucifer whole speech of "All Father did was love me, but I couldn't see It" feels shallow, because It undermines the tragedy of falling from the CR in the first place. Like If Seraph Lucifer had fallen in love with a human, he would probably had the same fate as Lilith. Simeon Is stripped of His own angelhood in S3/S4 for stealing the ring of light to save MC, so it's not like the CR Is better in the future or anything

I think Its unrealistic to expect OBM to put Father/God as this 100% Bad guy (with the whole uniting the three realms and all that) but also I feel like Lucifer should have more complicated feeling about this. I don't doubt Father loved him, but I don't think the conclusion of Lucifer arc should be that "All my Father did was love me but I was too prideful to see it"

[nagaytoe]

THE KID AT THE BACK

-theories

Did i sit down and analyze this game for 3 hours straight because I'm hyperfixated on it? Yes, yes i did.

This isnt proof-read and long as hell so buckle up for a joyride, y'all (by the way, there's another TKATB fanfic in the works as we speak and also some fanart, though I'm not sure wether to post it or not... well, we'll see!)

Some of these might not seem all too thought through (??) Since i was kind of grasping at straws here (and it was like 2 a.m. lmao), so if y'all have questions/need me to elaborate or have theories of your own feel free to share!

(There's some inspiration here from other people in the Fandom, most of them from the community section on itch.io which isnt available any more)

Sol knows the player longer than we think

My theory ->

-Fantasia stated that one of her 3 biggest inspirations was the game AMNESIA

-In amnesia the mc loses her memory in an accident. One of the love interests is her childhood friend and also the only yandere in the game (at least from what i could find out)

-She already drew Sol with Forget-me-nots and in the valentines day special the boquet sol gave us also contained Forget-me-nots

-In the book (this gallery thing with all the cutscene images) on the top of sols page is written 'Remember Me' which implies we forgot about him

-Annabel Lee Poem:

+The poem contains the line 'I was a child, she was a child' which furthermore implies that Sol and MC knew each other as kids

+Except for the last two paragraphs the poem is written in past tense, which could be talking about sols POV with us

Perhaps MC had an accident, as mentioned above, and MCs father (highborn kinsmen) tore MC away from Sol to the countryside

+The poem mentions angels killing annabel lee which could also mean something like this: MC doesnt die but, however, gets amnesia. That way, the MC sol knows and loves is dead because MC no longer exists the way MC did before (also the fact that she forgot him)

Some people theorize MCs farm is near the sea and that is the reason why sol hates the sea (i believe the city is near the sea and that's where MC 'died' (maybe MC almost drowned and got Amnesia that way?(apparently its possible for people who almost drowned to get amnesia)))

+"The speaker loves annabel lee to the point of death and even after death" (MCs view how to interpret the poem) (-> Sol loves MC to 'death' (the day they got amnesia) and even after 'death' (after MC got amnesia and 'died' in a sense, as a person))

-sol says he thinks death is beautiful, i didn't really know what to make of that, the only conclusion i came to would be: If MC actually did drown and lose their memories due to that, sol might have been involved in MC drowning (or at least blames himself for that) but viewed MC losing their memories as a 'second chance' with them, since they can start from anew (perhaps he made some mistakes with MC in the past which all eventually built up to MC drowning (it could be that we were already teens at that point)

-sol states afterwards: "But people refused them to let them be together, as if fate refuses them to die together" which supports my theory that MC was taken from Sol by someone (most likely the father after he witnessed Sols behaviour and his final straw was MC drowning because of him) the 'let them die together' could mean something like their relationship 'dying' and then starting over again or perhaps he tried to die with them, who knows (all this is really far fetched i am grasping at straws here lmao)

-in a really quick scene right after he mutters "I'm won't let it happen to me... not again" (some people view this as Sol already lost someone he loved dearly but it could also be the MC who was taken from him

ANOTHER THING I COULD IMAGINE -ABOUT DYING TOGETHER COULD BE:

MC almost died, Sol went after them but they were already saved, Sol just didnt witness that and almost died himself/wanted to die but was saved from that by someone (maybe hyugo? Though, he is an exchange student)

-Another theory on hyugo. It's canon that he is an exchange student, however i do believe he is from this city (since he knows about the hierarchy and his brother Geo apparently is no exchange student), moved away and is now back for business (relating to his 'mafia schemes' but under the disguise of being an exchange student)

Maybe he moved around the same time MC left or some time after that

-Hyugo mentions on the rooftop that we remind him of someone and the pronoun of the person he refers to changes based on the one the player picked for the MC in the beginning. It could mean we remind him of someone else entirely, someone maybe not even related to sol (though i doubt that) or to the MC and he knows them from back then but maybe thought MC died as well and cant believe they actually survived (maybe he want to spike MCs memory by doing that)

-A dream within a dream: MC mentions that this poem, at least to them, talks about the uncertainty about something, like life (which could also imply that they might be uncertain about some things in their mife because they simply forgot them due to amnesia)

-THE SECOND DAY 'THE KINGDOM'

+some people think the kingdom (by the sea) refers to MCs farm and implies its near the sea, however in day 2 we find out about the hierarchy in the city and considering my theory that MC actually is from the city and almost drowned there, i believe the kingdom by the sea is the city. MC does mention in the beginning that they lived on the farm ever since they were a child, however, it could very well be that we moved there right after the incident that caused MCs amnesia (if MC was akid when it happened it would really matter because then it would still fit with the fact that they lived there since theyre a child, however if they were already a teen, perhaps the father moved there immediately to cut off all ties to Sol and told us we have always lived there on top of that (considering the previous theories)

The father also didnt seem fond of the idea that we go to the city (the fact that he is is indebted to someone from high class could imply he might be from there), that could be because he knows how dangerous the city is (and how we could potentially meet sol again)

-maybe the reason for the debt is that MCs father suddenly bought the farm land to get us away from the city as soon as possible and had to take on a loan from one of his contacts in the city

-we know that this is MCs last year at the university, if we say shes minimum 22, and was already in the school for 4 years that would mean she got there at 18. If the 'drowning theory' events took place when MC was a teen (like 16 maybe) it would explain why the father was indebted (i also think 2 years is an believable timeframe a higher class person would give someone to pay off their debt)

-at the end of day 2 sol says he's sorry for leaving us and "i dont know what I'll do if..." which supports my theory that he lost us once (and he blames himself as the reason (again, MC drowning?))

-inspirations:

+ https://www.tumblr.com/sweet-herbal-peach-tea/746168072919023616/tkatb-theories?source=share

+ https://itch.io/t/3749638/whats-the-secret-between-hyugo-and-sol

Another theory:

Sleepy Hollow and The kid at the back

-In the nicknames the boys have for MC (fantasia released that on twitter and tumblr) sol calls MC pumpkin (like the pumpkin of the headless horseman (also in the gallery there is a pumpkin above the book)) and Crowe calls them '(star-crossed) lover'

Star-crossed lovers are people who love each other but can't be together

I believe this might imply that, even though Crowe is the second romance option, MC can't be with him no matter what they do

I also found out that the nickname is a phrase from romeo and juliet (which furthermore implies crowe will die)

We know what romeo and juliet is about: romeo and juliet cant be together because their families are enemies (some people believe Crowes father might be them man MCs father owes money to(i personally doubt thah though but it would support this romeo and juliet situation)) and at the end romeo thinks that juliet died, kills himself and then juliet turns out to not be dead but kills herself after seeing romeo dead

-Jericho Ichabod is a character from Sleepy Hollow, along Katrina (the FMC who owns a farm (what a coincidence)) and Brom Bones (its implied he is the headless horseman). In the story, jericho courts Katrina at a party, she rejects him and on his way home the headless horseman kills him (in the scene where Sol accompanies MC to class he says 'it's always been you ichabod' which could furthermore imply that crowe or his family have something do to with the fact that Sol and MC arent together)

In the library scene with Crowe he asks MC about their opinion on marie Antoinette and when MC says something negative about her, his reaction seems kind of strange. MC also brought a book about torture devices and execution methods and in that book is a picture of 'The Executioner' and he has scars on his arms, wears a mask and a chained collar. This correlates with some of sols features. He has scars on his arms (as seen in one of fantasias drawings), wears a chocker (he also wears a mask when he breaks into MCs room but that's really something anyone who does that would do). This implies even more that he will kill crowe.

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[lovewithmary]

I need more Alex x reader so maybe a childhood friends to lovers moment, but she’s a redbull driver 👀

Just friends where everyone but them knows they’re bound to be forever and everyone’s like when are they gonna get together. Cute snapshots of just them being sickenly inlove and oblivious. Maybe reader wins a wdc and Alex is so proud he doesn’t care that they’re in public he has to show how much he loves her and kisses her. Or maybe this happens and when one of them is interviewed they reveal they’ve been together for like 8 years at that point of something and everyone’s like jaw dropped shocked because they thought they weren’t together and just pining. Turn it on to everyone else.

CHILDHOOD FRIENDS TO... ALREADY LOVERS? — AA23

summary: in which the entirety of f1 is waiting for everyone's favorite childhood best friends to get together... only for them to be together the whole time

pairing: filo!redbull driver!reader x alex albon

fc: kathryn bernardo

masterlist

notes: this one was so fun to make i hope you guys like it!

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alex_albon: in honor of yourusername's birthday, here is the annual photo dump of some of my favorite pictures of her throughout the years 🙂🫶

comments

yourusername: it's been YEARS since this tradition... how have you not run out of photos yet??? ↳ alex_albon: you keep making stupid faces and i can't help but photograph them 🤷

georgerussell63: that dog is afraid of Y/N ↳ yourusername: willow loves me ↳ alex_albon: willow runs away from you every time we go home ↳ yourusername: in my defense, willow stays with your family half the time we're racing, so she probably thinks that we're trying to kidnap her every time ↳ user1: THEY'RE PARENTS YOUR HONOR?

maxverstappen1: this is how i find out that Y/N stole my aviators... ↳ yourusername: sharing is care maximillian ↳ maxverstappen1: how many times do i have to say that isn't my name? ↳ yourusername: your parents named you max emilian, they should've named you maximillian to make it easier ↳ maxverstappen1: redbullracing can i get another teammate? this one's annoying ↳ yourusername: jokes on you, I'm the favorite 🫶 ↳ maxverstappen: you spend more time in the williams' garage than your own team's garage, IM the favorite

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redbullracing: happy birthday to ONE of our favorites, yourusername!

comments

user1: redbull is trying not to choose their favorite child LMAO ↳ redbullracing: if we choose one, the other will get grumpy

yourusername: look at how nice this photo is, alex_albon take notes ↳ alex_albon: take notes? who do you think redbull asked for a photo of you? 🤔 ↳ user6: not redbull knowing who to get photos of Y/N from 😭 ↳ user7: alex albon, part time f1 driver and full time photographer for Y/N

user2: alex having unlimited photos of Y/N, Y/N's dog staying with the albon's during the season, Y/N hanging in williams' garage to hang out with alex, AND the fact that alex calls his home hers??? AND THEY AREN'T EVEN TOGETHER??? ↳ user3: ALEX AND Y/N AREN'T TOGETHER??? ↳ user2: user3 NO THEY AREN'T, THEY ARE "BEST FRIENDS" 🙄 ↳ user4: doesn't alex live with Y/N half the time? they're basically married at this point ↳ landonorris: trust us, we've tried getting them together, but both of them are too stubborn ↳ georgerussell63: it's like grasping at straws, trying to get those two together ↳ user5: PLEASE not half of the 2019 rookies trying to get the other half together but failing miserably 😭���

1193403 likes

redbullracing: Y/N L/N. FIRST-TIME WORLD CHAMPION 👑

comments

user1: MY WIFE IS A WDC LETS GOOOO

user2: is that Y/N L/N who won the 2024 wdc against max verstappen in equal machinery?

user3: congrats on winning champ can’t wait for next season 🎉

user4: once again are we surprised redbull won?

user5: clearly undeserved max was robbed ↳ user6: max isn't gonna fuck you so stop riding his dick so hard

user7: Y/NS MY GOAT

maxverstappen1: congratulations Y/N! very much deserved win for my teammate 🥳

user8: okay but now alex_albon HAS to bag her now, or else someone else will ↳ user9: FR she's a wdc now and even if she wasn't, SOOO many people (including me) want her hand in marriage ↳ maxverstappen1: alex_albon ↳ georgerussell63: alex_albon ↳ landonorris: alex_albon ↳ charles_leclerc: alex_albon ↳ lewishamilton: alex_albon ↳ valtteribottas: alex_albon ↳ schecoperez: alex_albon ↳ lance_stroll: alex_albon ↳ yukitsunoda0511: alex_albon ↳ sebastianvettel: alex_albon ↳ carlossainz55: alex_albon ↳ danielricciardo: alex_albon ↳ estebanocon: alex_albon ↳ zhouguanyou24: alex_albon ↳ pierregasly: alex_albon ↳ kevinmagnussen: alex_albon ↳ logansargeant: alex_albon ↳ oscarpiastri: alex_albon ↳ fernandoalo_oficial: alex_albon ↳ mickschumacher: alex_albon ↳ user10: PLEASE THE WAY THIS SUMMONED THE ENTIRE GRID 😭

liked by yourusername, redbullracing, williamsracing, and 1230402 others

alex_albon: a wdc and her wag 🫶

in all honesty, this was originally going to be a happy anniversary post commemorating our 8th year together, but our anniversary just so happened to coincide with the day you won a wdc, so why not greet you both times?

Y/N, i'm so proud of you and everything you've accomplished. i've seen firsthand what you've done and what you can undoubtedly do in the future and i can't wait to be right beside you when you do it.

i love you so much and congratulations 🫶

tagged: yourusername

comments

yourusername: i love you so much 🫶 😚

user1: 8 YEARS????? ↳ user2: OH I JUST KNOW THE BOTH OF THEM ARE GIGGLING AT THE COMMENTS RN

georgerussell63: YOU'VE BEEN TOGETHER ALL THIS TIME? ↳ landonorris: ALL THE PLANNING WE DID, ONLY FOR THEM TO BE TOGETHER THE WHOLE TIME? ↳ yourusername: "planning" you locked alex and i into a closet right before a gp and we almost got in trouble??? ↳ alex_albon: remember when they planned a grid dinner but they all mysteriously had other plans so we just had an impromptu date using max's card? (we didn't steal it, one of the guys stole max's card and gave it to the restaurant) ↳ maxverstappen1: I PAID FOR THAT DINNER? WHO STOLE MY CARD? ↳ landonorris: 🙋‍♂️ ↳ yourusername: thank you both btw 🫶

redbullracing: congratulations to the happy couple ↳ williamsracing: we've been waiting for this ↳ yourusername: thank you for the blessing 🫡 ↳ yourusername: (we disclosed our relationship to our teams bc we were scared that they were gonna make us break up or something if one of us was accused of sharing team info)

user3: this means they were together since 2016 and by the time they got into f1, they were 3 years into the relationship 😭

user4: this is so impressive though??? cause i can barely keep a secret for a couple days, but 8 YEARS???

user5: "a wdc and her wag 🫶" THE HIGHWAY IS LOOKING GOOD RN

yourusername: alex albon, my favorite wag 🫡 ↳ alex_albon: Y/N L/N, my favorite wdc 🫡

[deadlysoupy]

i swear i think bumblebee gets more confident the more his actual confidence goes down. it makes sense trust me guys

in a safe environment, among friends or allies, he acts tough for the others to see that he's capable (and he is!). he boasts to make himself look bigger, feel bigger, than he is. he's little, but he's enthusiastic, and he has many skills to back it up, just point the way to him and he can do it no problem! but we all know there's no way he doesn't struggle with self-esteem. hate plague said so i'm not just grasping at straws here (i may be)

in an unsafe environment, among enemies, he acts threatening and talks big to intimidate them. like "you shouldn't mess with me!" even though he loses very often (as a bee fan this is objectively true, he's good at other things, just not fighting), he still needs to appear big to avoid fighting. and in general it's not a good strategy to reveal your weaknesses to enemies

in solitude though, when he's alone with his thoughts, he blames himself for everything. he analyses everything he did wrong, which, sure, he knows where his faults lie, but it's also very harmful to him. you think he blames breakdown for the betrayal? in the heat of the moment, maybe, but in the end i think he convinces himself that he didn't do enough for his brother, that he didn't find a way to stay in his life, that actually he's the reason he gave up their friendship so easily

earthspark bumblebee when i fucking get you. when i fucking get my hands on you

[tyunn1ngz]

Yeonjun being your ceo hubby and you both got in a argument but had to go to a party so he spent the whole night talking with other people and you got bored so you went to go dance with a guy and Yeonjun pulled you back saying

"I know we aren't in good terms at the moment but if you think I'm gonna let you be touched by another man that isn't me the you are fucking crazy"

And either you tell him to fuck off and it turns into angry sex when you both get back or he drags you out the party and he drives to a empty car park and you both fuck in the backseat 😁

UR INSANNEEEEEEEEEEEE. cw hes kinda mean and hypocritical ? idk also i got so carried away w this dont ask me why its 1k words i literally dk what happened,,,,

no bc i imagine it would be something sooooo petty, something that clearly needed to just be chatted about but the time just slips and suddenly your attitude is just through the roof while you have to converse at this stupid party with a bunch of snobs who you decide in the heat of your anger he’s just like (you know he’s not)

and every word yeonjun speaks just serves to piss you off more >:( that dumb smile on his face like he didn’t upset you and then cater to everyone else with such ease. pretending like everything’s okay, like how dare he ! 🙄

the final straw being that maybe he laughs a little too loud at one of his employees jokes, leaned a little too close in to hear them, allowed touches that linger too long to be friendly intentions; all while he’s almost completely ignored you all evening, when you were only here for him anyway— all dolled up just for him to argue with you and then ignore you.

so you take your interest elsewhere, allowing whatever guest next hits you with a ‘no pretty little thing like you should be pouting like that’ to be your entertainment.

it doesn’t work as intended at first, your eyes consistently darting back and forth between this stranger and yeonjun, who seemingly doesn’t pay you any mind. you deflate a little, chugging back the rest of the champagne in your glass.

and then, this stranger, who you have yet to gain the name of, tries to touch you. he starts with a click of his tongue, grinning as he tilts his head a little. ‘come on, darling. don’t look so sad. i’ll keep you company… get you another drink?’ and his hands begin a slide for your waist.

alas! he’s abruptly stopped by a grasp on his wrist, tight and practically a chokehold around the limb. you know those fingers anywhere.

‘they’re fine. thanks.’ yeonjun says, composed and completely nonchalant on the surface of his tone. but you can see his grip must hurt, can hear the dip of frustration in his voice.

and then you’re being lead by his hands, gentle loving touch ever not present, until the breeze of night air bites at your skin. you frown, and pull yourself free from his clutch, standing before him looking just as frustrated as he seems to feel.

‘the hell are you doing?’ to which he scoffs a laugh, cold as the temperature that wisps at your face in bursts of wind.

‘the fuck are you doing?’

your brows furrow, anger settling under your skin again, your whole body tense. ‘what the fuck’s that supposed to mean?’

‘were you just going to let him lay his hands on you? you seemed real comfortable.’ he’ll tell you, tongue in cheek. it’s unbelievable, completely ironic that you feel maniacal.

‘you can’t be fucking serious,’ you smile despite yourself, ‘you cannot be fucking serious, yeonjun.’

silence falls over you two for a moment, every ticking second he just looks more and more pissed. you stand there practically urging him on, disbelief written across your features in such clear displays. yet, he’s still quiet, and somehow it scares you just a little. but fuck, he’s such a hypocrite! you’re the bad guy when he had hands on himself all night with no protest? you are the one in trouble like he didn’t ignore you all alone at his work party?

‘let’s go.’

you’re broken from your reverie of rageful stomping thoughts, the build up of all the mean things you want to scream at him quickly fading. now a little thrown off by the calmness of his voice, tone void of any actual emotion, your mouth drops open a little despite nothing to say.

‘huh?’

‘i said, we’re going.’

dumbfounded, you find yourself tugged along again, towards the car park where you think an awkward, tense ride home will await you. where you expect a pillow and spare blanket thrown haphazardly over the couch by the end of the night.

the last thing on your mental list to expect is being pushed up against the passenger side door, caged in with a finger under your chin, a hand on your hips. your eyes are frantic in search of explanation as you look up at your husband in shock.

his thumb moves to your lips, pressing into the soft flesh where you've already parted in a quiet gasp. yeonjun grins a little, eyes dark and full of mirth.

‘you've had an attitude all day, baby,' he'll say, 'you know well there's nobody else for me than you, hm? no matter how bratty you get with me.'

you gently bite as his finger in retort, 'still doesn't explain your sudden work wife, does it?'

his grin widens, a tad scary in terms of trying to provoke a more negative response. 'just like you throwing yourself at my coworker, yeah? bit desperate for attention, don't you think?'

you bristle, 'he was keeping me company while you whored yourself out, but okay.'

he doesn't falter like you want him to, but his hands tighten on you. he tilts his head.

'yeah? why don't you go back inside to him then? think he could fuck you right, sweetheart?'

oh.

you twitch a little, breath exhaled less confident than before, and he's quick to notice it with such a smug smile. you want to wipe it right off his face, but you fear everything you've built yourself up with tonight is quickly crumbling down.

'maybe he could.' but he can hear how unsure you sound, and he laughs. he's condescending you now. yeonjun hums, leaning closer.

'you don't sound so confident. what makes you think he could handle your attitude, anyway?'

you lack the words, the bite, falling so quiet as he stares at you intently. eyes trained on every tiny change your body language gives him. your eyes stare back, already glassy while your lips start to pout. but you snark once more.

'fuck you.'

it's a haze. because before you can even begin to think of saying anything further, he's got you in his backseat. you're bent over, his chest to your back, your attire completely dishevelled and underwear ripped down your legs, as he fucks into you so hard you know you'll feel it for days to come.

he pants hotly right into your ear, ‘you can be mad at me all you want, baby, but nobody touches you except me, you understand that?’

you can only mewl in response, already too fucked out as the pleasure turns your brain into mush. however, he’s not satisfied with that, and with a grunt he reels his hand back to lay a loud slap on the fat of your ass.

‘i asked you a question, i expect a fucking answer. or are you already too fucking stupid on my cock to talk?’

you sob, nodding your head frantically while you try to hold yourself up on trembling limbs. ‘yes, yes. i understand’

his thrusts manage to grow rougher, and you fall forward until your face presses into the leather of the seats.

‘so cute when you cry. you ready to apologise to me? hm? tell me you’re sorry for being such a brat to me.’

‘m’sorry!’ you cry, another spank this time landing on your thigh, ‘m’sorry, ‘jun. won’t happen again.’

he laughs as he throws his head back, hands on your hips to fuck you on his cock. he’s breathless but it’s so so hot.

‘liar. i’ve spoilt you too much. all you know now is how to get what you want. and this is what you wanted? for me to fuck some sense into you?’

you know it’s technically not true, he knows that too, but you start nodding frantically regardless. the haze of your pleasure renders you to his complete mercy.

‘yes! i’m sorry. just need you. always need you.’

‘you have me, angel.’ he grunts on a particularly harsh jolt of his hips, cock hitting a deeper angle as you cry out so loud you almost miss his words.

‘y’always have me. let me prove it to you? want me to knock you up? m’gonna make you a mommy.’

[voxisdaddy]

after hours of punishing vox and edging him and stuff he’s so deep in subspace he just begs you to praise him 😕😕 i just love the idea of his bratty walls coming down and just wanting the readers approval, like being all weepy about it!! he puts up with so much shit (and gives out the same energy) for so long all day that he just wants his mommy to be nice to him 😔 mmfph subby vox just 😍😍

Tender

THANK YOU ANON I just wanna care for this lil needy brat so badly I swear <3 also I like how my name is VoxisDaddy and yet every time I write him in a sexual context, he's a subby bottom and occasional pervert lol

Fandom: Hazbin Hotel

Pairing: Vox x Reader

Type: Headcanons + kinda rambly | Fluff

C/TW: Suggestive content, marking this 18+ because of it, needy Vox, tears, mommy kink, fluffy aftercare, sub!Vox x Dom!Reader, reader implied as fem im sorry :c

In which after hours of endless (pleasurable) torture, all Vox wants is his mommy's sweetest affections <3

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Whatever the fuck it is he did to deserve this overwhelming pleasure he's already long forgotten about. Poor baby's too fucked dumb :c

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Once you finally detached yourself from him, his legs fall limp against the bed, quivering. You could poke or accidentally graze his thigh and his legs would twitch rather suddenly. "Mommy" falling from his lips in short mumbles

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ He would so panic when you get up to leave, reaching a clawed hand out to grasp at your arm desperately. He'd softly tug on your arm as he babbles almost incoherently

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ You swear you can hear something about "mommy" in there somewhere—which is new. He normally used that term during or leading up to it, never after

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Though perhaps by now you already understand what he wants since this is likely not your first rodeo like this. Gently you'd pry his hand off of you and he wouldn't put up much of a fight sine he doesn't wanna accidentally scratch you. He'd look up at you pleadingly though; don't leave him :c

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ You'd have to reassure him and kiss his knuckles softly. Saying something like—"I'm just gonna go get something to clean you up baby, I'll be right back." No longer than a few moments do you come back with a damp rag and carefully run it over his quivering thighs and the surrounding area. He lets you do this, his gaze never leaving you

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Once he's all cleaned up and not feeling so sticky anymore this man will absolutely not let you leave

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ He's actually so fucking clingy, muttering into your skin about how good you made him feel and if he did a good job—asking if he's forgiven for being such a brat

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Maybe you'd contemplate this just to be a bit mean cuz he's really been unnecessarily rude lately, today being the final straw, but looking at him all clingy, teary eyed, and desperate for your love you can only sigh; "You did so good for me baby. So much self control."

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ The lights in the city didn't shut off too early this time :D

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ I feel like in his fucked dumb foggy brain, he'd silently beg to suck on your tit. Being the good boy he is, he waits for permission and goes for it—whimpers softly at your quiet praises

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Ngl I kinda see the clinging seeping over to the next day

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Like you'd be sitting on the couch sipping on your morning drink and Vox would walk over in more comfortable clothing. You'd raise a brow—he usually heads to work as soon as possible, what the hell is he still doing here? He'd wave you off, giving some kind of excuse then sitting on the floor in between your legs, resting against you as you watch tv. his arms resting on your thighs as he sits back and relaxes his sore af body

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Either takes the rest of the day off and follows you around like a lost puppy or practically clings to you as he sits in his office chair working-or maybe on your lap while you hug him from behind

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ This last one is just a personal funny thing I'm picturing and it's Vox being in a noticeably good mood that day and just giving his assistant a random ass pay bonus. Side eyeing you to see if you noticed his generosity lmao

IM SO FUCKING SORRY THIS TOOK LIKE A WEEK AND A HALF TO COME OUT ANON SVAOVBNO

Sometimes my posts get shadowbanned, I'd really appreciate it if you not only liked but also reblogged <3 no pressure, just a thought!!