#or any verse. so)

[pokimoko]

I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[lil-lil-pillow]

What I love the most about atsv is the spots design, his limbs are a little too long and his chest and torso are a bit stubby and this is amplified in a fun silly way by how he holds himself the first time we see him, he’s awkward and clumsy and yet when his demeanor switches suddenly his anatomy makes you uncomfortable, when he’s sprinting towards miles all you can do is hold your breathe as a foreboding feeling sinks into you’re gut. He becomes imposing as his elongated limbs suddenly feel sinister and inhuman instead of goofy. He goes from “hehe his arms and legs are lengthy” to “oh god his arms and legs are lengthy”

[vechter]

jla/titans (1998) #3 // the kids aren't alright, fall out boy // new teen titans (1984) #19 // tales of the teen titans (1984) #59 // outsiders (2003) #16 // outsiders (2003) #1 // stand by me (1986) // titans/young justice: graduation day (2003) #3 // unknown // dc special: the return of donna troy (2005) #2 // titans (1999) #1 // nightwing (2016) #90 // titans (2016) #15 // ivy, frank ocean // teen titans (1996) #12 // titans (2008) #15 // batman chronicles (1995) #7 // outsiders (2003) #11 // a working list of things i will never tell you, jon sands // flash (1987) #210 // flash (1987) #214 // nightwing secret files and origins (1999) #1 // the firm, john grisham // jla/titans (1998) #3

dick + core titans (donna, garth, roy, wally)

[doghart]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[fiepige]

Hobie and Noir both doing a two finger salute

[sinofwriting]

listen, please - Daniel Ricciardo

Words: 316 Summary: Daniel and his girlfriend break the news of their relationship and cause quite a splash with their age difference. (Social Media AU + Blurb) (Olivia Rodrigo as faceclaim and uses her music for reader’s)

Masterlist | Support Me! | listen, please verse

yourusername

liked by dan_nigro, etnews, landonorris, and 548,752 others tagged: danielricciardo yourusername: I learned from my mistakes and finally listened to them. And thank god they were right about you.

view all comments

danielricciardo: forever happy they were ⤷ yourusername: ♥️ user01: excuse me??? user02: Uh what? user03: I’m sorry, Daniel??? What are you doing here??? user04: When did this happen? user05: honey, no. he’s in his 30s user06: well, already counting the days for this ending user07: this is going to last all of a month user08: yourusername please, no. Taylor went through this already. Learn from her mistakes!!! user09: Am I the only one picking up on the lyrics from Vampire? We stan using our own lyrics to announce a relationship user10: can’t wait for Dear John yourusername’s version. Gonna be a bop. ⤷ user05: I will sob if she covers that or would’ve could’ve should’ve when this ends. ⤷ user11: will simply die user12: i’m an f1 girlie, but no. This ain’t it. Mick Schumacher is right there, yourusername. Or even Oscar. ⤷ user13: Lando is right there and you went for the nepo baby and a guy who already has a girlfriend ⤷ user12: he was an example! And nearly all the drivers are nepo babies in some way. ⤷ user03: so true user14: how are you going to be such a big swiftie, know the woman yourself and still date a man older than you and believe it’s going to work out?

danielricciardo

liked by maxverstappen1, f1_wags, redbullracing, and 149,875 others tagged: yourusername danielricciardo: Over a year with this one and many more to come, Sweets

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yourusername: so many more to come ⤷ danielricciardo: 😉 maxverstappen1: never seen you happier ⤷ danielricciardo: love ya maxie! user01: first daniel isn’t racing and now he’s taken??? 2023 is the worst user02: daniel, she’s practically a child. What are you doing? user03: weirdo user04: she’s barely 20, what are you doing??? ⤷ user06: yourusername is 22. She’s not barely 20 ⤷ user04: yeah and she turned 22 like barely a month ago user05: Daniel, not like this. I beg user07: well him and pierre have something in common 😆 user08: she’s a baby!!! Get away from her!!! user09: disgusting. Absolutely disgusting user10: you guys are acting like she’s not an adult??? She’s literally in her twenties. ⤷ user04: and he’s in thirties. It’s fucking weird. user11: jail, sir. You go to jail now.

f1_wags

liked by user01, user02, user03, and 2,451 others tagged: yourusername, danielricciardo f1_wags: New WAG Alert! Daniel Ricciardo just announced his relationship with Y/N, a three time grammy winner and musician.

comments are disabled

yourusername

liked by dr3wines, zedd, charlesleclerc, and 462,345 others tagged: danielricciardo, dr3wines yourusername: Congrats on the new wine, Danny! Little sad that it will no longer be for just us and our baths together, but happy to see it be shared.

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danielricciardo: thank ya, sweets. danielricciardo: girl in the second picture is absolutely gorgeous danielricciardo: bath tonight? I’ve still got a few bottles ⤷ yourusername: I’ll always want a bath with you user01: why is his face on my feed user02: throwing up at their comments user03: well, this made me feel incredibly single charlesleclerc: another great wine. Thank you for convincing him to let me try it before the launch! ⤷ yourusername: of course!

user04: leave him!!!! He’s using you for free promo of his wine!!! user05: taylor must be pissed!

taylorswift

liked by yelyahwilliams, taylorlautner, yourusername and 2,873,421 others tagged: yourusername, danielricciardo taylorswift: Was a pleasant surprise to see these two when I stepped off stage tonight. Lovely to see you guys and will see you again for dinner next week!

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yourusername: not a single better performer. Watching is you magic every single time. And dinner will be fun! danielricciardo: amazing show! user01: taylor??? user02: i’m sorry what user03: my 2023 bingo card is in shambles user04: living rn. all of you fuckers were saying that taylor was disappointed and now look. She knew before we did user05: some many clowns staying silent in these comments user06: i was at this show!!! Wyd mean that yourusername was there?

daniel3.jpg

liked by landonorris, f1_wags, sourandguts, and 187,392 others tagged: yourusername daniel3.jpg: my two favorite subjects: you and us

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landonorris: do you two do anything but take baths for date night? ⤷ daniel3.jpg: we do. Just like our baths y’know user01: um, i’m sorry. But that last photo user02: lando is so real. This is the second bath photo we’ve gotten ⤷ user03: i don’t want that water bill user04: gross user05: how do you feel comfortable posting this with how young she is? ⤷ user01: you’re acting like she’s a kid. She’s in her twenties. Fuck off user06: am i supposed to just act like i don’t know now that daniel likes car sex??? ⤷ user03: i’m doing my best to not think about it user07: daniel, thank you for feeding us.

—

Daniel could feel his grin grow, eyes softening, and his shoulders loosening all at the sound of her name. It takes him a moment to register the question, but when he does his grin grows more.

“I wasn’t really expecting it, you know? But she’s just great, I mean absolutely fantastic.” “And the age difference isn’t an issue?” The reporter presses, though more gently than expected. He scoffs, shaking his head. “No, not all. We want the same things in life and we both have very similar timelines for when we want them. We talked about all of that before we even went on a date and us wanting the same things, just helped finally take the next step.”

“And has the backlash affected you two at all?” “No.” Daniel smiles at the confused look the reporter gives him, letting out a chuckle. “We knew it was going to cause a splash. We’ve never ignored the age difference between us. It’s there and ignoring it wouldn’t do anything.” He pauses, “I understand why people are so concerned, there is a history of large age gaps not being great. But there’s also a history of them working out great, I’ve got plenty of examples in my personal life. Besides, it's not really the age difference that matters, it’s where you're at in life and what you want to come next. We just happen to be in the same place and want the same things to come next.”

The reporter is looking at him stunned before they finally manage to find their voice. “Thank you, Daniel.” “Of course, cheers mate.” He winks, before throwing up a hand to wave at the camera before he jogs off, already knowing that he’ll have a text or two from her calling him a sap over his lovesick grin. And he’d hate to not see them as soon as they came in.

[chicohungers24-7]

Okay but making "a police captain they're close to HAS to die" was so stupid. Like I know they need it for plot but. But look at that fucking dinosaur. Did that dinosaur have a cop friend.

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[orangetintedglasses]

@forgivenpunishment // one taser might not do it, but what about...?

Holding off a wave of people was no small effort.

Keeping an army off the back of another person while throwing yourself in harm's way, regardless of your strength, was something noble. Something that deserved praise, recognition; the undertaker's efforts would not go unnoticed.

... unfortunately for him, though, it wasn't Vash that they wanted. It wasn't Vash that would be swarmed by fully-amped stun batons and tasers and more bodies trickling in, crowding the hall to prevent escape, or even basic movement that might've allowed him to get the upper hand as some old, croaking voice shrieked don't kill him! We need him alive, he's useless to us dead...!

That had been nearly an hour ago, now, though. Trivial. Shouts and crackles of electricity had been replaced by the din of machines; the hum of glaringly bright surgical lights; the slow, steady blip of a heart monitor keeping track of vitals as six men bustled around the surgical table that they'd strapped him to. They'd cut him out of his clothes to save time, as well; naked save for the various nodes and monitors they'd fastened to him, and a clean, white sheet over his hips that went down to mid-thigh.

Was that sparing his dignity, or theirs? It didn't really matter, did it. No, no, what mattered now was how the subject was feeling whenever he came to again--

[sigsfigs]

never thought i would be without you

i wish you love

i wish you well

i wish you roses

while you can still smell them

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[thisisnotthenerd]

thinking about riz gukgak and how he feels so alone and yet how his words, his works, are the first thought for his friends when they don’t know what to do

thinking about how love is work, how love is the act of giving and giving and giving until you have nothing left and yet he cannot ever prioritize himself

thinking about how he takes every nickname, every gift, every moment of care with an eagerness that far outstrips the gift in its giving

thinking about how his every stress comes from a moment of devotion and care for his friends, from unraveling the mysteries that permeate their lives

thinking about how he could call them to action with a single warning because they trust in him so much

thinking about how he justifies what he gives to his friends even as his mother asks him to consider himself for once

thinking about riz ‘the ball’ gukgak

[milflaszlo]

(AKA the "Eurydice = Hades = Orpheus = Persephone" post. These four characters all simultaneously becoming one another and having already been one another in an endless cycle feels very fitting to me... it's a show about cycles -- in both the seasons and the song.) 📹: @medium-observation

[milimeters-morales]

top ten reasons to live: this !!!!!

[fiepige]

Have some more GIFs of Noir and Hobie doing vaguely similar gestures!

This time: Noir and Hobie shrugging ¯\_(ツ)_/¯ (Click here for PART 1 and PART 2)