#or 3 minutes of a character fighting with absolutely no exposition

[unpassive-viewer]

Season 1 fans: Wow we love these complex characters who have to make often morally grey decisions and weigh their commitments to people while a delicate political balance crumbles.

Season 2 writers: but does it make you want to play League tho?

[writingquestionsanswered]

How do I jumpscare my readers? Like, I want to write something that happens suddenly and unexpectedly. Which makes the reader pause and take a minute to process about what they just read. But I am afraid these "jumpscares" Might ruin the flow of my writing..or mess up the pacing

Recreating a Jump Scare in Narrative Fiction

Jump scares capitalize on the physiological reaction that is part of our body's defense mechanism against potential threats. When a sudden threat is detected, the fight-or-flight response is triggered, beginning with the startle reflex. This involuntary contraction of muscles and heightening of senses prepares us to take action in the face of a threat. As our nervous system kicks in, our blood pressure rises, the heartbeat quickens, breaths increase, and stress hormones (like adrenaline) are released. This gives us the "juice" we'll need to either fight the threat or run like hell.

In general, jump scares work because the stage has been set ahead of time to let the audience know a potential threat exists. Emotion, anticipation, and tension are built-up so that the reader expects the threat to show up, but not knowing exactly when or how creates a sense of impending danger. It's this sense of impending danger that makes the audience ripe for the triggering event whenever it does take place.

On screen, auditory and visual composition are used to increase tension, manipulate emotion, and create a sense of suspension in the moments before a jump scare. We are experiencing the event alongside the character, hearing what they hear, seeing what they see. Print, however, is a very different medium with different tools that work in a different way. Describing a dark room and scary sounds doesn't have the same effect as processing these cues with your own eyes and ears, so the reader is automatically distanced in a way a viewer isn't. Because of that, it's just not possible to recreate a jump scare in print the way you would on screen, but there are lots of things you can do to create a similar effect.

1 - Laying the Groundwork - In both print and on screen, the reader can't anticipate a threat if they don't know one exists. On screen, visual and auditory cues can be used to hint at a threat without any other context, but in print, the context has to be laid out using exposition, dialogue, and action. Techniques such as foreshadowing, pacing, and timing are also important.

2 - Setting the Scene - Even though the reader can't process visual cues with their eyes or auditory cues with their ears, you can still use sensory description to set the scene for the scary thing that's about to happen. Dimly lit rooms full of dust and shadows, peeling wallpaper and decaying furniture, musty and foul odors, cold air, creaking doors, distant thunder... Emotional details can help make the reader fell what the character's feeling... what is the character thinking? What internal emotional cues do they feel? What external emotional cues do they display or see other characters displaying? If a character walks into a house that's known to be haunted, these sensory and emotional cues help raise the tension and increase the reader's anticipation of what's about to happen.

3 - Creating Immediate Contextual Clarity - Laying the groundwork and setting the scene both help create general contextual clarity for the startling event that's about to occur, but it's also important to make sure there is immediate contextual clarity. In other words, if the reader doesn't know there's a rocking chair in the corner of the room, it's not going to be as scary when the rocking chair suddenly starts rocking even though no one is sitting in it. Likewise, a door that suddenly slams closed won't be as scary if the reader doesn't know the door is there.

4 - Interrupt the Flow and Be Jarring - Normally, we don't want to interrupt the narrative flow or do anything that will be jarring to the reader, but this is the one exception where we absolutely do want to do those things. We want to stop mid-paragraph, maybe even mid-sentence or mid-word and just drop the event right in there. We want to use strong verbs, active voice, and rapid fire sentences to create a sense of immediacy. We also want to avoid filter words. We want to say: The door slammed shut with a thunderous bang. Not: She heard the door slam shut suddenly.

5 - And BREATHE! - Finally, we want to give the reader a moment to catch their breath, let them sit for a moment with the lingering sense of dread and unease. Odds are good the character is doing the same thing, which gives you the opportunity to let the character process whatever they just experienced.

Some other posts that might help:

Horror by Darkness Horror by Daylight Adding Emotional Details to a Horror/Tragedy Scene Portraying Strong Emotions

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[junkdrawernoggin]

Soooo I feel like people are going to want to praise this as like the best TV show that’s ever been made just because it has Markiplier, so I want to get my opinion out now. Spoilers ahead

Edge of Sleep (TV) is fucking terrible

I mean, I watched it because I want Mark to be successful, but holy shit. That was the worst TV show I have ever willingly watched.

The pilot is fucking atrocious. The writing was abysmal to the point of being embarrassed that the actors had to perform it.

Mark in the first episode…not good. Middle section was okay to good. Final episode was bananas but the acting was good.

Not a single human person has ever acted the way some of these characters act. There is not a planet where the character of Dave and the character of Matteo, as we see them for the rest of the show, would make the choice to randomly abandon their jobs. I have no idea what age the show thinks any of the characters are. They talk about the party at the beginning like they are a max of 25, but then the rest of the show makes them out to be in their 30s.

Thinking about anything that occurs for a single moment makes your head hurt. They are pictured to be in a pretty big city. Yet Linda says they have ONE hospital in 30 miles. Also thousands and thousands of people work night shift, so the idea that there are 5 survivors, 3 of whom know each other, is the wackiest shit of all time. They hype up the medication and then that comes to literally nothing but renewal bait, and I guarantee this will not be renewed even if it reaches no. 1

Everything that comes out of Dave/Mark’s mouth about the “elephant monster” and “dream people” is goofy as fuck (not his fault). They seriously couldn’t come up with a better name? Seriously?? Even just “The Elephant” would’ve been better. Why the fuck did they make them fly to an island 17 hours away??? First, a private jet that small would under no circumstance be able to do that flight without refueling. But like, WRITERS YOU CONTROL THE SCRIPT MY GUYS. If you are gonna make up a mystical island, have it be randomly off the west coast or something. I also can say with 100% certainty that Matteo being a veteran was added at the absolute last minute. It does not jive with literally anything else about his character. They only added it because they needed a reason someone would know how to fly a plane.

Just imagine trying to pitch this show!

“Hey Boss, great tv show concept for you. So this guy Dave, he has really bad nightmares. Everyone around him starts dying from going to sleep. So he goes to sleep to commune with the dream people and talk about the elephant man who’s haunting him. This leads him and 4 other survivors to take a private jet 17 hours away after 50 hours of not sleeping. After his psychic battle with the elephant monster, it’s revealed he’s a chosen one to fight in the battle against the nightmare monsters.”

HOW ON EARTH DID THIS GET GREENLIT??

My final negative note is everyone’s names. Dave, Ruth, Linda, Matteo, and Katie. It feels like they put in stock names and forgot to change them. I do not know a single person under the age of 40 who is a “Dave” or a “Ruth”, certainly not a “Linda.” It just soundsweird. Each name on its own is fine, but all together they sound very cookie cutter

Okay my couple of positives

I thought the dynamic between Katie and Dave was good. I wish Katie got more of a personality than recovering addict, but her actress, Lio Tipton, did a great job.

Eve Harlow as Linda was probably the standout of the film acting wise. She was pretty believable all things considered.

I thought some of the visuals were really cool, and the little pill mascot was well animated.

I wish I could give more praise to Mark but he got the REALLY short end of the stick when it came to the script. He was stuck with most of the clunky exposition. His physical acting was really fantastic and he should be proud of that. His acting ticks are great. If he didn’t have to deliver the script, his acting performance in here would be on par with Eve Harlow.

Edit: Adding a little note that I completely forgot this was a podcast first. I have never watched it but I will ASAP because I want to see if it’s any better.

[pythagoras180]

Why I Hate Adrien

So a few people have asked me why I hate Adrien so much. I've given it some thought, and I've realized that my hatred comes from 3 sources:

1. Adrien is a passive, useless character and a waste of screentime.

Adrien is a very passive character. He doesn't really have goals that he works towards outside of romance. He doesn't feel like a real person with a real life. He's just an object for the actual main characters to fight over. And to be clear, not every character needs to be active or well developed, but thei screentime should correspond to this. Adrien takes up a massive amount of screentime in the show. And since he ended up being worthless, I feel like he personally wasted my time by appearing so much. His screentime could have instead been used to develop the other characters.

2. Adrien is a creator's pet.

While Adrien doesn't really do anything in the show, I think I still may have felt bad for the character if I felt like this was because the writers didn't like him or something. Thing is, Adrien is the complete opposite, as the writers are clearly biases *for* him at every turn. He's almost always portrayed as right, even in situations where he clearly isn't. "Chameleon" clearly portrayed his "advice" about Lila as good, even though anyone with basic respect for their peers wouldn't be okay with letting them be lied to. There's episodes like "Kuro Neko", where Adrien is very clearly in the wrong amd being unreasonable, yet he's still clearly framed like we're supposed to feel bad for him. Part of the reason he has so much screentime is because the writers love to insert him in every situation they can. Even his status as a passive character can be considered as the writers favoring him. They think he shouldn't have to do anything because he's such a precious boy, so everyone should just do everything for him. I'm not inclined to like a character that I feel is getting special treatment just because of who they are.

3. Adrien does horrible things.

Those last 2 points definitely provide potential for me to dislike a character, but I don't think it's possible for me to actually do so if that character hasn't done anything wrong. Well, despite what the writers want you to believe, Adrien has absolutely done a lot of horrendous things. There's the fact that he continued being friends with Chloé despite her remorseless bullying of Adrien's "friends". He keeps trying to date Ladybug despite her repeatedly rejecting him, to the point where it's straight up harassment. This culminates in "Kuro Neko", where he quits his job of protecting the city because he keeps getting rejected (again, this is portrayed as sympathetic). Like I mentioned before, he tells Marinette to let Lila continue lying to everyone else. And why does he do this? I honestly don't know, and neither does anybody else. There's no rationalization for this moment. But the point is, Adrien put Lila above everyone else for some reason. He also emotionally cheated on Kagami, hurt her feelings, and barely cared afterward. He didn't have to do anything to make up with her, that just worked out on its own. He tried to Cataclysm multiple people despite knowing that it can be fatal, and the only time he displays real remorse over it is when Monarch is on the receiving end. Oh, but he only feels bad for like a minute, then he's fine (I believe that that was just to make Ladybug's exposition about not being able to fix it fee more natural, he wouldn't have shown any remorse if that wasn't necessary). Oh, and then there's that one moment in "Passion" where he pretends not to know what the consequences of making a wish is and tried to convince Ladybug to let him make one. If she said yes, he would have sacrificed somebody else to heal Nathalie. The show has made it clear that this is morally wrong. To me, this is the moment where Adrien became irredeemable. Also, in the Paris Special we find out that Adrien became a mass murdering supervillain in an alternate universe because he's sad that his mom died. He didn't have any grander plan, not scheme to bring her back like Gabriel did. Nope, he just killed people because he was sad, that's how they presented it. I know that this is technically a different person, but the alternate characters from tbe special are meant to be pretty close to the originals, just with different circumstances. So I think this shows who Adrien really is deep down. So yeah, I think Adrien is one of the most despicable "good guy" characters ever.

So that's the reason I hate Adrien, in 3 parts. I wouldn't hate him nearly as much if it wasn't for all 3 components. Kind of a perfect storm really, and I don't think I'll ever hate another character this much, for this reason.

[as-i-watch]

To answer your question about the reaction of non-fans regarding the show’s tone, I watched the first 3 episodes with people mostly unfamiliar with OP, and their verdict was that it was fine. These were their impressions:

They didn’t have a problem with something mixing cartoonish action with violence (if anything they thought the biggest issue with the tone was that it wasn’t consistently weird/stylized *enough*) BUT they did have a lot of moments where they’d go “wait why did that happen” during scenes, mainly having to do with the character development. One asked what Nami sewing the straw hat at the end of episode 2 had to do with the rest of the episode because she and Luffy were separated for 3/4 of the runtime and all of Buggy and Luffy’s conversations were about Shanks abandoning Luffy and being an outcast. And all of them were just as confused you were about Zoro’s development.

Another friend similarly thought it was weird that the setup for episode 2 had Nami saying she hated pirates and disliked Luffy, but then the episode itself was more about Zoro and Nami bonding and proving their loyalty to Luffy instead of the other way around.

They hated the flashbacks. Mainly because they felt the editing and segues into those flashbacks made the backstories feel tacked on at best and intrusive at worst - not helped by how they thought the pacing in those flashbacks was clunky and way too fast; even started laughing in disbelief when Usopp’s mom died just because of how it happened in less than a minute.

Got REALLY restless and bored whenever Garp and Koby were on screen.

One friend also thought that the Den Den Mushi were meant to signal that a person was a villain because the expressions on the animatronics read to her as *In Constant Pain* and therefore were meant to be seen as animal cruelty, and because so far only antagonistic forces have used them. She was VERY surprised when I showed her what they look like in the anime/manga and went “wait but those are cute”

All are in agreement that Buggy is the highlight of the entire show so far. “Surprise shithead” and Buggy punching the glass got the biggest laughs of the night.

Do enjoy the action (think the sword fights were the best) and enjoy the sets. They did start to notice a lot of those sets didn’t get a chance to shine because of all the closeups though.

Episode 3 left them kinda cold. Not just because of the flashback, but at the end one friend went “Did this Usopp guy just leave his sickly friend alone in a mansion with 3 murderers just to run *all the way* back to town to ring a bell, even though Luffy and Nami are much closer? What an asshole” So I think on that front the show kinda failed to capture the essentials of Usopp’s character in the abridged timeframe.

One friend also said at the end of the night “This is fun, but it’s not really *about* anything...” He later elaborated that he thought that the episodes we saw were more like a string of Things That Happen, and the character’s actions all seemed to either just exist in a vacuum with no connection to other characters or parts of the plot, or they make choices that don’t make sense unless the characters have read the script.

So yeah, overall my friends unfamiliar with OP said they enjoyed it well enough, certainly had some laughs, but also weren’t in a huge hurry to finish the series. But it’s hard to say if the sentiments they held are common since I haven’t had the chance to talk with many other people talk about it in person. As for me, I’m just kinda letting it digest and waiting to see how I feel about it a few months from now.

Ohh this so interesting!

I share most of that. Specially in ep 2. I absolutely love LA Buggy and it was the best part of the ep but the rest of that ep was so off. It was an exposition episode and i agree the actions of Zoro and Nami were out of the blue, they barely shared any screentime together and suddently they were already so loyal to Luffy just bc. If onlynif was the one thing that actually annoy me, particulary Zoro's development (in ep 3 they madenit right tho) I wasnt sure if it was just me and bc the comparison with the anime or like an actual thing so thank you for that input

The sword fights i love, i really really really do

That read on the den den mushis gave my whiplash but i so get it

Garp and Koby are really interesting to me but bc they are new and i want to see the direction they take, but is mostly curiosity, so that to me is a new way of seeing it too

But mostly your friend is right, im also at ep three and if you strip away all the world building we know from the anime it does feel a bit like a succesion of things happening, but also like a check list of thing that happened in the anime and that must be covered. I get it tho bc run time and all, but its a shame thats the read for a first time watcher that doesnt know about what couldnt be fit in the ep and that helps understand a charecter or a scene better.

[beybladefanboy]

A brief(ish) review of every Beyblade Metal Fury episode

Well, this was a long time coming. Let me be absolutely clear: I did not put this off or abandon this rewatch because I dislike Fury. Not at all. Fury is actually my favourite of the three seasons. The reason I stopped this rewatch was two main factors: 1: it was around this time that I got really sucked into Yugioh VRAINS and with how chaotic my life had been during that time, I decided I would rather spend my free time watching new content than rewatch a show I’d rewatched many times at that point. And 2: I didn’t want to rewatch Ryuga’s death. Yeah… I mean I’m not gonna lie about it.

So after a certain episode, which I will say, the reviews are mostly from memory/rewatching specified scenes/skimming the YouTube uploads and episode descriptions. (Most of these however were written at the time I finished rewatching each episode.) Trust me that I’ve seen this show enough for me to be able to do that and I just didn’t have the time to rewatch all these episodes. However, it bothered me leaving this incomplete so today, I had some time and was thinking of Beyblade so I figured I could finally do it. Now, without further ado, my at first brief, but later not so brief at all because I have so many thoughts on and defenses of Fury, reviews of every Fury episode.

Episode 1: Star Fragment 8.5/10

The best first episode of a season. I love Kyoya and Gingka’s battles in general and seeing them go all out against each other, using the environment itself as weapons against each other is really damn fun. It also sets up the star fragment thing beautifully, instantly showing off their power and hinting at the greater story very early.

Episode 2: Legendary Bladers 7/10

A lot of this episode is exposition but it’s at least interesting. I can’t get over the fact that Beyblade took a real life end of the world prediction and made it part of their plot. The battle portion of this episode is also fine. I can’t tell if I like or hate Johannes based on this episode.

Episode 3: Lynx, The Monster Cat 8/10

Okay, I like Johannes now. He’s funny. And he miraculously gave Gingka a good fight, establishing him early on as a competent blader. Still a little silly that Gingka followed Johannes to a place where he should’ve known his bey would’ve been weaker though.

Episode 4: L-Drago Destructor 8.5/10

I don’t really have much to say on this episode outside of “I like it.” I like the scenes of them play-battling with the little kid, it’s the most light-hearted the show has been in a while, and I love Ryuga so obviously I love his presence in this episode.

Episode 5: Awaken, Anubius! 9.5/10

Ryuga slays three fools in a row and roasts people non-stop in this episode. Well, Yuki’s not a fool, he’s kind of a boss actually: shedding his anxious demeanour in a fit of rage to stand up for his friends. These characters are both amazing, they really shine in this episode.

Episode 6: Requirements of a Warrior 9/10

Having Gingka, Kyoya, and Yuki acknowledge that they need to actually master their beys and working to do so is really good and needed to be brought up. Also, that fire escape scene is really intense. The idea of being trapped in a fire really freaks me out so this could just be a me thing but it’s legitimately a well crafted scene. And Yuki, Kyoya, and Gingka fighting a volcano is the silly yet epic fun I expect from this show.

Episode 7: Kenta’s Determination 7/10

Oh boy, this episode. I both love and hate this episode. Well, not hate. I hate one scene of it that lasts a minute and really doesn’t affect the episode. The stalking though… I don’t know, it could just be me but it bugs me. Not as much as it used to, I’m willing to give this episode a fair score because it is really cute. Ryuga is a boss like usual and he shows a hint of his softer side for the first time in his scenes with Kenta. It’s pretty subtle, and easy to miss if you don’t know Ryuga all that well, which I like. This episode trusts that the audience knows Ryuga well enough at this point to know that him waiting on Kenta in the desert and later giving him food and letting him stick with him isn’t something he would do for just anyone. They’re small hints, which is all they needed to be, and they make the second half of this episode for me. It’s honestly one of my favourites to talk about and analyse, even if I feel that there are some… unwanted implications.

Episode 8: The Crimson Flash 7.5/10

The first half of the episode is pretty typical but still fun. Then we get to the second half and the moment they said that someone challenged the entire school to a battle, I was already dying of laughter and the rest of this episode straight up killed me. Johannes is so funny, I can’t take it.

Episode 9: The Greatest Tag-Team Tournament 9/10

The first half of this episode had me cry-laughing, between Johannes’s utter ridiculousness and the absurdity of some of these other opponents. Then the second half of this episode is Yuki depicting an accurate representation of one of my anxiety episodes which makes me instinctively want to shield him from all harm. Great episode overall.

Episode 10: A New Roar! 8/10

I love Kyoya, and this is a Kyoya episode. A Kyoya episode where he slays a fool and creates a new special move. His opponent is Johannes, who I've grown to love on this rewatch and find to be really entertaining. So why didn’t I give this episode a higher rating? Easy: the Motti stuff makes me uncomfortable. Johannes snapping at her and knocking both her and Benkei out (in the most cat-like way he could) was a good pay-off but that entire stretch of them kinda sexualizing (or at least romanticising) this underaged girl was really uncomfortable. It wasn’t as bad as I remembered (for some reason I remembered Johannes acting creepy during this and was exceedingly relieved and glad that he actually didn’t), but it does detract from an otherwise great episode.

Episode 11: Cosmic Tornado 8/10

This episode is ten times worse than the Gingka vs Ryuga Fusion battle for people with a fear of heights (me). At least in that one you could see the bottom. This is a bottomless pit full of mist that two teenagers are constantly dangling over. Like jeez, do you wanna give me a heart attack?!

Other than that, it’s fine, I like most of the characters and the ending is chilling but man does this episode give me anxiety.

Episode 12: The God of Saturn, Kronos 8.5/10

The title of this episode is so dumb, but the episode itself is good. The Beylin Fist are an interesting group and this battle is so back and forth I genuinely wasn’t sure who would win. Cool ass episode.

Episode 13: Showdown at the Tower of Babel 10/10

Ryuga, Kenta, and Tsubasa all in one episode battling in and eventually destroying a historical building? This should be my favourite episode ever! :D And I do love it, definitely the most out of the Fury episodes so far. It’s got a hint of Johannes toward the beginning, a nice treat, shows that Kenta has already grown a ton since he started following Ryuga (despite his loss he still gave Tsubasa a hard fight), has Tsubasa as basically the main character we follow throughout the tower, and has Ryuga make a new ultimate move, kick Tsubasa’s ass, and knock over the Tower of Babel (the symbol of humanity’s arrogance and pride from what I understand) like the total badass he is. I love everything about this episode.

Episode 14: New Team Dungeon! 7.5/10

The opening of this episode is a bit spooky. I forgot how much of a cult the followers of Nemesis really are. I actually 100% see how these characters fell for this stuff. “The world is a constant cycle of destruction and rebirth, only through great darkness will a new dawn occur.” Does actually sound legit. Villains are far scarier to me when you can see their reasoning and how people can fall prey to it…

The rest of this episode is mainly set up and exposition but it’s interesting stuff that brings Masamune, Toby, Zeo, and Tsubasa into the main plot, giving Toby and Zeo new beys, and even giving Team Excalibur a bit of screen time. Good stuff.

Episode 15: Destroyer Dome 8/10

This is my favourite stadium in all of Beyblade. That seems like a weird thing to draw attention to, but the Destroyer Dome itself is so damn cool. The way the beys circle around the whole thing like comets, sticking to the ceiling and walls and looping around in every possible direction. It’s a stadium Captain Capri would’ve loved- OH MY GOD THEY BROUGHT HIM BACK JUST TO BATTLE IN THIS COOL ASS STADIUM?! HELL YEAH! I love this episode.

I do have one major gripe with this episode though: the Garcias faking a fight was… well, kind of a waste of both time and potential. It would’ve been so much more interesting both as a story and for them as characters if the fighting was genuine.

Episode 16: The New Striker is Complete! 8.5/10

JACK MY BELOVED MAKES A CAMEO! AND KING THE FUNNY ADORABLE LITTLE SHIT IS INTRODUCED. OH MY GOD! OH MY GOD!

Oh yeah and the Russian team and Masamune and some other people are there I guess. It’s a fun battle royale. I really like the part where Lera reveals she has a special move and it makes Jigsaw visible again. Good stuff, even if it ends too quickly.

Episode 17: I Am the Champion! 9.5/10

DESTROYER DOME AT NIGHT, DESTROYER DOME AT NIGHT, DESTROYER DOME AT NIGHT, OH MY GOD IT’S SO PRETTY. THE BEYS LOOK LIKE FIREWORKS AS THEY CLASH OH MY GOD-

Also, the destroyer dome becomes a giant hamster ball and King and Masamune run with it like they’re on a treadmill. I dunno how the others got out when it was made clear by Blader DJ last episode that there’s no way to get out of the stadium once you get in but it’s cool so I’ll let it pass. But yeah anyways, King’s backstory gives him an honestly really uplifting reason that he’s so arrogant and reckless, which does lower the annoyingness of his previous and future actions a lot. He’s excited to be battling and not thinking of anything else in that excitement. He acknowledges that Masamune is someone he can use his full strength against and he respects him as an opponent. It’s nice and very sweet and all that mushy stuff. I love it.

Episode 18: The Maze of Mist Mountain 7/10

Half of this episode is just the main characters, and returning side characters Nile and Demure (nice to see them again) wandering around some mist. … okay then. The other half is a decent battle between Gingka and Ryuto. It’s a decent introduction to this story arc. I like the new character, Ryuto, even if he doesn’t really add much.

Episode 19: The Lion’s Pride 9/10

The travelling segments of this one are a lot more interesting than last time, being more than the characters just wandering around in some mist. And the battle portion is just really damn good. Team Wild Fang is back! Heck yeah! And Kyoya vs Aguma is a constant explosion match (both literally and figuratively) and Nile, Demure, and Benkei taking on Johannes, Bao, and the Beylin Fist bladers is also a fun side battle.

Also, while I was disappointed with how this character arc was resolved and the way it starts is a little weird (I’ll get to that later), it was still a really interesting idea to have Kyoya basing his self-worth on his independence, and seeing it as a weakness to rely on others. It’s a very toxic mindset that fits his character and would’ve been great had it been properly addressed. But I’ll get to that when I get to that.

Episode 20: Guardian of the Temple, Dynamis 8/10

Dynamis has probably the best introduction out of all the legendary bladers. All the others just kinda walk in like “hey I’m so and so and this is my goal.” Dynamis though? He speaks to the group when they’re lost in the mist as if he’s speaking from the sky like a god or something, then when they finally get into his temple he challenges them to a battle, smirking like a sassy little shit as he wins. Also, he literally can hear the stars talk, I forgot this detail. My point is Dynamis is hecking cool.

Episode 21: The Legend of Nemesis’ Revival 8/10

Gingka vs Dynamis is a good battle but then it gets cut off without an outcome and then the rest of this episode is exposition. Out of all the exposition dump episodes in this show, I do think this one is the best as it’s the most interesting and action-packed but there is too much information in this spiel. If there’s any part of Fury that I can agree is rushed, it’s this. I wish the exposition in this episode had been shortened and maybe some of it spread out to other episodes so it’s not all dumped on the audience at once. The main things we really needed going forward from this episode was the origin of Nemesis, the way they were defeated long ago, and the fact one of the remaining legendary bladers is the Venus blader with a Quetzalcoatl.

So while this episode wasn’t the best way to convey most of its information, it’s still interesting and important information for the story, which I do think is a good story. So I’m giving this episode a somewhat higher score than what it probably deserves. I just enjoy Fury’s lore and Dynamis and the commentary on humanity and its history that much. I can see how this episode could bore and there were times the over-explaining bogged me down while watching but overall it was still a delight.

Episode 22: The Four Season Bladers 8.5/10

Okay, this exposition is a lot simpler and easier to follow. It takes up far less of the episode and cuts to the chase much quicker. Then the rest of this episode is the craziest battle royale of the entire show so far, ending when Kyoya reaches his breaking point which has been building over the past few episodes. He allowed what may have been just a small feeling at first to fester on the inside since he refused to tell anyone what he was going through until he eventually just snapped, which is pretty relatable to me personally. Kyoya’s arc in these episodes is well done. I understand the criticism that it’s strange he took Aguma’s words to heart so much when Kyoya doesn’t really know him and normally wouldn’t care about taunts like that. I want to argue it wasn’t specifically Aguma, or even what he said, it was Kyoya’s own internal realisation that he wasn’t living up to his own standards of strength. He internalised the idea that relying on others was showing weakness, an idea he carried yet simultaneously seemed to have been contradicting even before the start of the show. That kind of life shattering realisation is going to cause a huge reaction, no matter what prompted it. If Kyoya’s character arc this season had been resolved better (which again I’ll get to), it would be one of my favourite arcs of the show. I cannot stress enough how good of a setup this really was and how much potential this had.

Episode 23: The Battle of Beyster Island 8.5/10

“tHaT gUy lOoKs iNtErEsTiNg.”

I love King, oh my god. He is so freaking excited and happy to be battling that even when Aguma reveals a move that could defeat him, King just goes “that is so awesome!” I love his energy so much, he’s basically an excited fanboy and I love it. This episode was fun overall but King is the one who shines the brightest in my opinion.

Episode 24: Two Big, Fierce Battles! 9.5/10

I can totally understand how the back and forth switching between two unrelated battles might be off-putting… but I don’t have that issue. I love all these characters. I love seeing Kenta’s growth and Gingka acknowledging him. I love getting more of those subtle hints that Ryuga has grown to care about Kenta, and of course, the banter between Ryuga and King. There’s a reason I created a ship between these two. Even though they only met once in this battle, King not knowing who he is and just being excited to battle a strong opponent and Ryuga being confused/annoyed with him is really fun. Kenta and Gingka’s battle is definitely the more plot relevant one (and oh my gosh I love that scene on the beach) while Ryuga vs King could definitely be called fan service, but it’s great fan service that fits right in perfectly dammit! It’s something kid-me wanted to see ever since King’s reverse rotation was introduced and it’s great!

Episode 25: The Unseen Opponent 7.5/10

Chris’s introduction episode. It still annoys me how insistent the characters are that Masamune has to be the Legendary Blader and ignore Chris entirely and Chris’s bey’s physics are impossible but the battle in this episode is still good. And my god do I love Chris. He’s already a huge mood with the way he talks about his job. “I’ve dealt with much worse than this!” “If I lose, I will not be able to survive in this world!”

Episode 26: Orion’s Whereabouts 8.5/10

This episode is so chaotic, I love it. Everyone is just in a mosh pit of madness, with King defending his friend, Gingka trying to get him to chill, Chris instantly sucking up to his new boss, Ryuga showing up to wreak havoc, it’s all so damn fun. Stand out moments from this episode definitely include Kenta hugging the evil out of Ryuga, King cheering Masamune up, and that chilling ending. It’s great fun, and could be the last really fun episode of Fury as soon we get into the emotionally intense stuff…

Episode 27: The Lion in the Wilderness 7/10

Yu is such a brat but in a charming way. I can’t stay mad at the little guy, especially when he’s the one to call out Kyoya for not knowing shit about lions. Haha if only that weren’t the closest thing to resolving this character arc. Overall, fine episode. I like Tithi just fine and Kyoya and Yu are at least funny. Next episode though…

Episode 28: The God of Venus: Quetzalcoatl! 5/10

Yu and Tithi’s battle is pretty fun, it’s a good official introduction to Tithi. The first half of this episode is fine, fairly enjoyable if a bit standard. The second half though… ugh. I wrote a whole fanfiction rewriting this which… should explain how I feel about it. What Kyoya does here feels so out of character at this point and even if it’s not, it’s just irritating and the destiny moral is really fumbled here. Every other episode says the choices of the legendary bladers will decide the fate of the world and the narrative of this very episode even supports that: Kyoya chose to leave the heroes and then chose to return. Destiny didn’t actually force him to do anything. Kyoya just claims it’s his destiny out of nowhere. It fumbles the “destiny is a choice” idea and feels like an excuse to get him to return quickly without acknowledging the reason he left in the first place. Yu saying lions hunt in groups isn’t good enough because Kyoya doesn’t even acknowledge that or think about it… at all. So yeah it’s lazy writing and really disappointing considering how much potential Kyoya’s arc had. The final scene is pretty cool though, good setup for the next episode.

Episode 29: The God of Destruction’s Revival! 10/10

(This is the point where I start reviewing the episodes based on memory/episode descriptions.)

I’ll be honest, most of the episodes that were originally two 11 minute episodes flow pretty seamlessly as one put together episode. This is the only one where I can tell this was originally two episodes, as the two halves follow two completely different sets of characters. The first half is the revival of Nemesis, a chilling, tense spectacle, while the first half almost exclusively, and a little out of nowhere, is a battle between Kenta and Ryuga. That being said, while I definitely prefer the second half, both halves are fantastic. A little odd when put together, but tonally they mesh well enough and I love how much Kenta has grown in this episode and his plan to beat Ryuga is so good that even though I knew it wouldn’t work, I see how it could have worked. Plus, y’all know I love their friendship, it’s just so damn wholesome, I can’t-

Episode 30: The Child of Nemesis 7/10

Hello, obviously Doji in a top hat and trench coat. Why are you here exactly? Yeah I know his first appearance was in the last episode but I have less to say about this episode than I did that one so I’m gonna talk about the Doji thing here. Bringing Doji back was almost completely unnecessary and weird but honestly, after seeing how much more poor and ill-fitting his presence in Shogun Steel was, his appearance in Fury feels pretty inoffensive and just… whatever. He’s pointless but not unbearable.

Otherwise, cool ass raid episode, I like evil Dynamis and Kyoya showing up at the end. Nothing else really sticks out about this episode but it’s not bad. It’s just… not one that I can instantly point to and go “ah yes, the episode where this happened!” The main battle is Gingka vs Evil Dynamis. We’ve already seen Gingka vs Dynamis and they don’t even get to finish their battle. The episode is still fun but… feels like it could’ve been trimmed back to tighten the pacing.

Episode 31: Four Hearts 8/10

Okay, this episode is much more memorable. Kyoya vs Dynamis and Aguma vs Tithi are both fun battles (even if I don’t get why the Planet bladers were descendants rather than reincarnations when the latter makes way more sense with what’s presented in this episode, is that just a dub thing?) and the bulk of Gingka vs Chris actually happens in this episode. I could’ve sworn that happened in its own episode but… yeah this episode and the previous and following one kind of blend together in my mind because all of them take place in this temple and flow directly into each other. That’s not a knock against the episodes, it’s just how my memory works. This one moves the plot along more than the last one and I love Chris so most of the episode being focused on his battle with Gingka is good in my books.

Episode 32: Come Together, Legendary Bladers! 9/10

Also known as the episode where Ryuga fucks everything up. And every battle from the last episode also ends. A lot of Ls were taken in this episode. By the characters, the episode itself is damn fun. This episode also has two halves that feel a bit pasted together, with the first half focusing on the fallout of the three battles and the second half being the part everyone remembers where all the Legendary Bladers attempt to join together only for the aforementioned Ryuga hecking up everything but these halves mesh much better as it focuses on all the same characters as the first half so there’s no random sudden shift in focus, it’s just the next logical event in the plot.

This episode also features the scene where King and Masamune pose like magical girls. I’m just bringing that up because it’s cute not because it’s relevant.

Episode 33: Diablo Nemesis 8.5/10

The temple getting wrecked took up more time than I remembered but oh well, the first half of this episode is a good display of Rago’s power and while the second half is tonally different, it’s the most logical direction for the plot to go. Plus it’s a nice chance to see the Legendary Bladers interact, in some cases meet, in a way that’s more low-key. As much as I love Fury, I do wish it had more scenes like that, more chances for the characters to just breathe or establish bonds.

Episode 34: To The Final Battle Ground 7.5/10

So for some reason, the official source for Beyblade on YouTube incorrectly titled this and the next episode and also put them out of order. Episode 136 is titled “To The Final Battle Ground” and has that episode’s description but the episode is actually “Episode 137 The Lost Kingdom” and vice versa for the next episode. While I’m not fully rewatching these last eleven episodes due to time constraints, I did check my DVD for Metal Fury (which is an official release) and it didn’t make that mistake, the episodes are titled correctly and in the correct order so this was a mistake the YouTube channel made and I don’t know why it happened or why they haven’t fixed it even 7 years later. For anyone watching Fury, be sure to get the correct order! The show didn’t skip over Aguma’s redemption, the channel just put the episodes in the wrong order!

Anyways, the episode itself. Yeah, it has Aguma’s big redemption moment and… I actually do think it works pretty well. It’s nothing super deep, but he comes to the logical conclusion that saving the world comes before the Beylin Fist’s feud with Beylin and shows his commitment to the group by helping them fight off Johannes and his goons and save their helicopter. The rest of this episode before the battle is just the characters training to prepare for the final confrontation as they don’t know the whereabouts of Nemesis before they get a clue to said whereabouts and decide to go there. Not the most eventful episode but it works well enough. Besides… the next episode is… more eventful to say the least.

Episode 35: The Lost Kingdom 8.5/10

Have you ever wondered what it’s like to have pure pain directly injected into your heart? I don’t have to, I watched this episode.

Try as I might, I cannot get through this episode, or the following one, without crying. Some movies or shows that try to depict a character fighting to their very last breath with every ounce of their strength before ultimately fighting to their last breath, cannot convince me that the character gave it their all. This is not one of those moments. This battle is as long as it needs to be and every moment is there to further the struggle, the slow fall of the once invincible-seeming Dragon Emperor, and I feel every bit of it. It’s the reason I… couldn’t bring myself to rewatch these episodes again at the point in my life I was at when this rewatch occurred. I was already getting my heart violently ripped out by a new show (and general life events that I won’t go into) and didn’t want my comfort show also causing me pain. So while this episode is great, phenomenal even, it’s… the second hardest episode for me to revisit. Entrusted Emotions only barely edges it out because that episode literally traumatised me to the point of developing a phobia. This one… is just a really sad episode that I always grab tissues before.

Doji’s also in this episode and while I don’t feel like his presence in this season was necessary (and in retrospect, it may have just been there to set up Shogun Steel, which I overall didn’t care for), I will say having him specifically there to mock and enrage Ryuga makes it more painful, at least to me.

Episode 36: The Missing Star of the Four Seasons 10/10

Most of the episode, after the gang reacts to the death of Ryuga which is… also… really damn painful… is them struggling against Nemesis, unable to form the barrier to seal him away due to the passing of Ryuga and… yeah it captures that struggle well. The weight of the world is on the group’s shoulders and it is a hopeless impossible battle and you can feel that in the way they get knocked around despite their teamwork and despite them fighting at their hardest. Maybe it goes on a little too long but this is essentially the final battle and the feels are all there throughout and… the scene everyone remembers from this episode…

I did rewatch that scene (and a couple other scenes in the next episode), and my god is it still just as impactful all this time later. The build up, the atmosphere, the feels, the ANIMATION, holy fuck the animation. And the sound design, Ryuga’s harsh breathing, those final words. I don’t even know what to say, this moment is just phenomenal, my favourite in the entire series without question. Really, when I put Flash Sagittario in my top five Fury episodes all that time ago, it included this episode. Both are such a tense fantastic emotional spectacle that flow into each other beautifully.

Episode 37: Flash Sagittario 10/10

Everything I said about last episode applies to this episode, only now the tides have turned in the heroes’ favour with Kenta’s evolution into a legendary blader, with his new Flash Sagittario, which the episode shows off very well. That moment where he defeats Pluto with Diving Arrow gives me all the feels. If I have one gripe in this episode, it’s that there are more flashback sequences than they probably needed but it’s a final battle and the flashbacks don’t take away from or affect the pacing in any major way for me.

Episode 38: Hades’ Persistence 7/10

Oh, right, the last two episodes weren't the final battle. Honestly, could’ve fooled me, with a proper epilogue afterwards, that battle would’ve worked perfectly as the final battle, it shows the Legendary Bladers all working together and while it excludes a few older characters, the setup is cool and unique and fits the teamwork themes even better than Masters’ ending did and the battle itself is entertaining enough for me to forgive its shortcomings.

This… is just the fate of the world coming down to Gingka again. And everyone giving him their power. Again. Fusion did this first and did this better. Because that coming down to Gingka made sense, he was the one with the greatest connection to the villain, Fusion was very much his story and while he’s still the protagonist, he isn’t more important than anyone else in Masters’ final battle of the previous battle of Fury. This… ruins that, it feels really generic and phoned in. It’s not bad though, I do love Kyoya’s speech to Gingka before he and the others give Gingka their power. That does bring everything together really well and makes this otherwise pointless battle more forgivable for me. It’s a slip up for sure but it’s still entertaining.

Episode 39: A Ray of Hope 8/10

“Every bey has a Star Fragment in it so we can all contribute”… okay…? Well, that’s not incorrect or anything, it does fit the lore of the series and brings everyone together for the final climax in a way that episodes 36 and 37 didn’t but… eh, this never did much for me.

Now the epilogue post battle though? That’s some nice stuff. The gang have been through hell but now that it’s over, they pick themselves back up and start to heal. Enough so that Gingka and Kyoya are even willing to have a battle, a no stakes fun battle to see who the true victor between them is, just like old times. A great final note to a great show.

[ninjaboyjoel]

A Far Too Long Sonic Prime Post

Not my usual content I know but I thought it would be worth talking about.

I watched all of Sonic Prime season 1!

I didn't really enjoy it... I wanted to... So badly... but it was quite dull.

The new voice cast do a good job though not having Mike Pollock as Eggman just felt so wrong. The animation is nice and bouncy and lively for the most part, though it definitely has its ups and downs in terms of quality, some shots look quite bad and the reused animation is not subtle at all. They recap past episodes so frequently to pad out the runtime, it's terrible (I audibly groaned every time that palm tree flashback played, did they really think we wouldn't notice?).

I appreciate that it's a kids show, obviously, but I really can't tell who the target demographic is, the dialogue is too wordy and exposition-heavy for younger kids, and the story is way too simplistic and unsubtle for older kids. That's just how I feel at least.

The plot went absolutely nowhere. I hate this Netflix model of having a season solely exist to hype up the next one. Shadow did nothing in the plot at all and existed just to tease stuff at the end. The story was incredibly thin, repetitive and uninteresting. Sonic is constantly confused by the alternate universe versions of his friends not being exactly the same as his prime universe friends. It grates pretty hard.

Every time, he'll find one of his friends is acting out in an alternate universe and decide he has to change the way they're acting because it's not cool, (Tails in Literally 1984, Amy in the Jungle and Knuckles in the Pirates) and they'll do some fighting and arguing and he'll preach to them about being more cool and then things will resolve after some kerfuffle.

It sounds like a good formula on paper but barely anything is layered on top of that, it's just a little barebones and it stops it from being fun. I think part of that problem is the fact that it is episodic but the plotlines span 2-3 episodes each, which is way way longer than needed, especially with 23 minute episodes. I think if each plotline and location was condensed down into a single episode it'd be way more fun, fast-paced and fresh. When we spend 3 episodes in a jungle with a villain that basically only says "stop hurting the green" it gets tiresome, it didn't need to be a mini-arc it could have been a single epsiode. That's just my take anyway.

Many of the outfits are really overdesigned, especially Sonic's shoes they do not look good at all in my opinion. And what was the obsession with giving Tails robotic tails?? Even in the pirate universe?? For what reason? And why was Amy a villain in two out of three of the alternate universes, what did the writers have against her 😭.

Going into this show I expected it to be way more episodic, going to a new universe every episode or something, I didn't think the only universes would be the ones we saw in the marketing material, maybe that's just my expectations being out of wack but I was a little disappointed about that. Same with the Eggman variants, only the Literally 1984 universe had Eggmen? No pirate Eggman? That was a real shame (also they did say "literally" way too much, I don't know how the writers got away with that, same with the word "shard").

Ultimately the show just went nowhere. The pacing was not great and the overarching story just felt like it had no stakes. The "Prime" versions of every character were completely sidelined in favour of characters that shared their appearance and names but had none of their appeal. They honestly could be anyone and it wouldn't really make a difference other than stopping Sonic from preaching about the values of friendship to them in the false assumption that they already know each other.

I understand it's for kids and the messaging needs to be understandable, and I really appreciated the more environmental slant that's been missing from the series for a long time, but I think there is better ways to get your message across through more naturalistic dialogue. The IDW comics do it so so well.

That might be part of my problem, I find it hard not to compare it with the high standard of quality set by the IDW team's writing.

When the next season drops I really hope the pace can be tightened up and the dialogue can get a little better. I also hope that it doesn't have such a nothing ending, I want plotlines to have a proper structure and a satisfying payoff. Watching Sonic Prime felt like a bit of a waste of time, and I just find that a bit sad. Though it has prompted me to wonder how much Sonic X holds up under scrutiny so I may well rewatch that in the near future to see what I was watching as a kid.

If you want an arbitrary number score I'd probably give it like a 5/10, it's pure average. Ultimately inoffensive but has nothing to properly engage you. As a longtime Sonic fan I was hoping for better.

Anyway, read IDW's Sonic the Hedgehog.

[alolanroy]

2024 Watch Thread-Part 3

Part 2: https://www.tumblr.com/alolanroy/743462089395470336/2024-watch-thread-part-2?source=share

Lensman (anime): Sometimes lost media is bad. I'm glad it was found, but it still wasn't good 3/10

Attack of the Killer Tomatoes: It got a few sensible chuckles out of us, but I'm glad they figured out how to make comedies funny after this. 5/10

Zombie vs Ninja (aka The Undertaker of Sohwa Provence). A South Korean parody of Chinese Kung-fu movies billed as ninjas for the US market. Imagine a turducken if every layer was racism. -5/10

Star Wars Jedi: Survivor: While my PC and Unreal were fighting for their lives, this janky game blew me away. Rarely do we get sequels that truly feel iterative, let alone head and shoulders better than their predecessors. It continually fed me new toys and mechanical twists. I think I'll remember this as both a fun action game and as an outstanding metroidvania. It made me remember that I liked Star Wars, and for that I am thankful. 9/10

Protodoid Delta: I see what they are trying to do here, but it just wasn't fun. just a lot of generic platforming and combat that didn't feel right. Weak buster shots and a three-hit melee I didn't find reliable do not a combat system make. 3/10

Blades: Not quite funny enough for the comedic premise, but for my friends who hadn't seen jaws, it still was enough of a thriller to hold their interests -5/10

Monster Squad: I feel like if this came out when I was a kid, this would have been my favorite movie of all time. The fun monster madness and tone was almost enough to distract me from how the horrible pan'n'scan always found a way to crop out the black buddy-cop, even when he was the one speaking. 7/10

Star Wars The Bad Batch: In all fairness, I stopped only a few episodes in, but this just felt like Dave Filloni playing with his action figures. No real tension, just a parade of his OCs talking to each other, mostly with the same voice. I don't really care to find out if it gets better, because all I've seen is people get excited that more characters from Clone Wars show up. I want a good show, not reminders of a good show. 4/10

Goldeneye: I'm glad Bond isn't quite as brutish with women as the franchise was historically, but while watching it with someone who had never seen a Bond movie before, it occurred to me how strange this movie is without the context it is trying to respond to. 6/10

Battle Star Wars: There wasn't much battle or wars in this one. The stars were allright, but I would've preferred maybe some different hallways or a second hill in the California desert. Hell, I think a second jpeg of the Earth might've gone along way. Besides one of the most funny-bad costumes I've ever seen, this was utterly forgettable. -2/10

Gundam Seed Freedom: This might actually be the most frustrating movie I have ever seen. It made me so mad that I, no joke, walked out to the lobby and stared at an arcade machine to cool off. The writing on display is insanely bad. The first half hour is a sequence of scenes where characters state their thoughts and exposit about a fanfiction-tier plot that barely makes sense. If you liked the cuck arc from Seed Destiny, you will love this movie. It doubles down on the concentric melodrama to a point where everyone has to just be cartoonishly mean-spirited and has the same ending as Destiny, down to the macguffin. 0/10

The Intruder (1962): The day of Roger Corman's passing, this film came up a few times. I took a chance and within a minute and a half I knew this would be a winner. I've never seen a film more quickly and elegantly set up that a character might as well be the devil. Shatner is absolutely fucking evil in this role and it is GREAT. The more I read about this film the more ballsy I realize it was. allegedly this was filmed using mostly actual locals given a watered-down script. All those teens actually went through integration the year before. absolutely wild. 10/10

The Last Man on Earth (1964): Wow, I can't belive that Will Smith Movie 'I am Legend' ripped this off. *Checks Wikipedia* Oh. 7/10

Vikingdom: When people say that a movie feels like a videogame, Ithink this is what they should mean. I would describe it as Jason and the Argonauts by way of a ps3 action game. Cheap as hell, but willing to go hard at random intervals. Shoutout to the sequence in the land of the dead. 6/10

The Cat Who Wore Sunglasses: I'm no expert on Czec new wave cinema, but I think that this was pretty neat. However, I'm not sure that it really fit the mood of a Costco Pizza movie night. 7/10

Dragonball: The Magic Begins: This movie is a laugh-riot mix of good wuxia action and bursts of some laughable CG...until it slows to a crawl at Kame House for like and hour and kills all its energy. The remaster they had on Amazon was gorgeous, but uncanny since these movies aren't usually accessible in any quality. The funniest takeaway was that the production interpreted anime hair as an 80s hong kong action lady perm, so Goku ended up looking a little they/them. -7/10

Blood of Zeus Season 2: I feel as though I can't speak for it much since this is clearly part 1 of a two part story, but it certainly is cut from the Castlevania mold. It does have better forward momentum than its predecessors, but the main party feels almost auxiliary to the other plotlines. I kinda forgot what they were supposed to be doing. 6/10

Everyone is in LA: I don't think the first batch of guests really grabbed me. If this ever got the chance to 'get good' they might be on to something. 4/10

Teldryn Serious: I get what they were going for, but it didn't really work for me. On the literal side, the quest objectives for the last third broke for me. Otherwise, I felt kind of confused because I guessed what was going on before I was supposed to, so I wasn't sure why the story hadn't caught up. 4/10

The Fall of the House of Usher: I think a lot of Japanese RPGMaker and VNs owe Poe and Corman money. Entertaining, but not mind-blowing 7/10

A.D. Police: It had some real cool energy and episodes, but its sure...uh... ended. 7/10

Gundam Twilight Axis: This is a prime example of the cutoff point between a series of scenes and a story 3/10

Skyrim-Mirai: I won't judge this too harshly since I really do feel teenage wish-fulfilment radiating off of this mod. When it clicked for me that Mirai has essentially the same narrative as Serana, and the romance post-game is longer than her main quest...I knew I had to meet it it's level. Not sure I like her ambiguous age, but I chalk it up to harmless fanfiction cringe. 6/10

Jiu Jitsu: With a little editing, this could have been an all-timer martial arts vs. predator mashup movie with a cool alien costume. Nick Cage is in it for a surprising amount and the martial arts is shot pretty fun. Sadly the movie as it exists starts off poorly and gives the impression that the movie is less ambitious than it might actually be. As a result I tuned out for the first half. 4/10

Dick Tracey: The funny makeup and production design does its best, but the awful pacing kneecaps the flow it has at the start. 4/10

Year One: uuugh -3/10

Wizards of the Lost Kingdom: We really had to make our own fun on this one. Except that gnomes, those were great -4/10

Jack-Of-All-Trades!? A Day in the Life of Master Micchi: The geats cast really is at its best once the series is over. These characters are just funny to follow around without the end of the world looming. 5/10

Kamen Rider Geats: 4 Aces and the Black Fox: This would have scored a full point higher if the main villains weren't a greasy discord mod/discord kitten pair that just did not fit the sick recolor of Geats 9. The brief pre-production view of Gotchard made me sad about what we ended up getting. 5.5/10

Kamen Rider The Winter Movie: Gotchard & Geats Strongest Chemy★Great Gotcha Operation: I know getting turned into a marketable plushie is a meme and all, but this was hilarious. Until it turns into a generic Rider movie in the last third, the puppets are funny as hell and the Geats cast shines so well against the mildness of the chemies. 6/10

[makeste]

BnHA Chapter 325: Deku VS the Outside of U.A. ~Conclusion~

Previously on BnHA: Ochako was all “dear bloodthirsty mob, this kid you see standing before you has fought harder than anyone and put his life on the line to protect you all, so please chill the fuck out, jesus christ. like, putting aside that he’s humanity’s best hope and so it’s very much in your best interests to let him rest and recover someplace safe so that he can keep fighting for us, are y’all seriously going to turn away an injured and exhausted child in front of his sobbing mother?? seriously?? come on now.” I’m paraphrasing here but that’s basically how it went down. Anyway so then the mob was all, “...” and Deku collapsed to his knees in tears, and Gigantic Fox Lady and Kouta ran over to give him a hug but then the chapter ended.

Today on BnHA: Horikoshi is all “FINE, YOU CAN HUG HIM”, which, was that so hard?? The U.A. Clown Mob is all “come to think of it, we’ve kind of been taking the heroes for granted this entire time, maybe we should be less passive in the future. anyway so Deku if it’s not too much to ask, can you please save everyone and fix everything.” Deku is all “I sure can, and by the way I forgive you for swarming around all menacingly two minutes ago and trying to deny me basic shelter and stuff.” Ectoplasm is all, “hey Todogang get a load of this. [walks in a circle].” Hawks is all, “that’s literally the greatest thing I’ve ever seen.” Rat Principal is all, “anyway so that’s what your students did today, hope you’re enjoying your new *~*ROBOT LEG*~*, Aizawa.” Aizawa is all “[lots of exposition about Kurogiri and for some reason, Toga, while being all brooding and sexy].” All Might is all “[standing here right outside of U.A. doing absolutely nothing and being foreboding AF]” and that immediately sucked away all of the warm fuzzy feelings from the hugs, goddammit.

each new week has become a waiting game of “when will Deku finally get to take a bath so people will actually be willing to go near him and give him the hugs he deserves.” the stakes have never been so compelling. I’ve almost forgotten about AFO entirely

lmaoooooo

me: for the love of god will someone please give Deku a hug before I die of old age

Mineta: YOU GOT IT!! --

Iida: [SWIFTLY CUTS HIM OFF] NOT YOU

fucking losing it at Mineta’s crying face. he really wanted to hug him. I legit feel bad but this is also the funniest thing I have seen all week, omg

somehow Kouta, who last week was only a hand’s breadth away from touching Deku’s head, is now twenty miles away from him in this new chapter

can I make a Loki reference here. is this recap a good place to insert a joke about someone using a TVA time-rewinding device to fuck with my poor boy Kouta over here. well anyway there it is

AND NOW HE’S BACK ALL OF A SUDDEN OMG

(ETA: since when is he “niichan” omg?? can’t handle this cuteness.)

BUT THEY’RE STILL NOT HUGGING HIM FFFFKFFFFF. WHAT DO I HAVE TO DO. WHO DO I HAVE TO BRIBE AND/OR BLACKMAIL

OH NO KOUTA IS CRYING THAT’S IT I’M DONE FOR

“when I heard that lady I knew that I had to go, but then stop again within inches of actually touching you because you smell like week-old rotten onions.” listen Kouta, I’m not saying I don’t get it, but you all can’t keep doing this to me. it’s the way you guys keep teasing it. like, if you’re gonna hug him, hug him. don’t just stand there with your arms held rigidly out in front of you like a molded action figure

OH MY GOSH BUT HE SAID THE THING

KOUTA SWOOPING IN AT THE LAST MINUTE TO TAKE ALL THE CREDIT FOR FIXING DEKU LIKE THAT ONE KID IN THE GROUP PROJECT WHO DOES ABSOLUTELY NOTHING BUT STILL TAGS HIS NAME ONTO THE REPORT ANYWAY, WHAT A KNAVE

GASP

(  ´͈ ᗨ `͈ )

SHE PICKED HIM UP LIKE A LITTLE BABY OMG?? she just leaned right over and lifted this child like he was a small animal. like a lil baby futon that she was about to hang up to dry. oh my god

-- HEY WHAT

(: well that’s extremely fucked up. though sadly not too surprising given what we just saw these past couple chapters

incidentally, I hope that anyone who was legitimately defending the civilians’ perspective earlier takes note here of how quickly that line of thinking -- “we’re just trying to keep our families safe” and all that-- can lead to straight up bigotry. if you’re willing to deny a child shelter and protection simply because he’s not YOUR child, and because you’ve decided based on Internet rumors (no real-world parallels there, I’m sure) that he might present a threat, it’s really not that much further of a leap to discriminating against entire groups of people simply because you perceive those groups as being dangerous. I’m sure the people who turned Gigantic Fox Lady away also told themselves afterwards that they did it to protect their families. “better safe than sorry.” “she’ll be fine, someone will take her in, but as for us, we can’t afford to take that risk.” people can come up with all kinds of justifications for treating other people as less than human, and the really scary thing about it is how fucking easy it is

one last quick side note, which is that Horikoshi does a great job here of showing how scapegoating works, given that AFO is the one who’s really to blame and who presents the actual threat, and yet Deku is the one who ultimately winds up being the target of the mob’s fear and outrage despite him being as much of a victim as they are. gotta love that irony, which unfortunately plays out far too often in the real world as well.

anyway I’ll get off my soapbox now, sorry about that. let us continue

YES, FINALLY OH MY GOD!!!!

AND THAT’S THE STORY OF HOW GIGANTIC FOX LADY BECAME THE GREATEST HERO. PACK IT ALL UP, WE’RE DONE HERE KIDS

holy shit. the real MVP right there. thanks for getting it done champ

jesus christ I have had it up to here with these people

literally the bar is set so low at this point that I’ll go ahead and take it. helping him because it offers them a tactical advantage is at least one step up from not helping him at all

“WHY NOT SHIKETSU” MOTHERFUCKER I SWEAR TO GOD

-- thank you!!

okay this one guy with the antennae hair is having himself a character development speedrun here

-- okay, but this part?? fucking this part, right here??

can we repeat that again?? the part where this guy acknowledges that the problems of hero society were caused not just by said heroes, but also by said society?? the part where he acknowledges that they treated the heroes like celebrities who were putting on a show for them?? the part where he acknowledges that when push came to shove, the vast majority of those heroes, when faced with a situation that offered no reward, were nonetheless willing to put their lives on the line to protect the very same people who then turned around and blamed them rather than thanking them?? are the civilians of BnHA even allowed to have actual deep thoughts about this stuff. holy shit

bro!!

ANTENNAE HAIR GUY SHOVING KOUTA AND GIGANTIC FOX LADY OUT OF THE WAY TO SLAP HIS NAME ONTO THE END CREDITS AS EXECUTIVE PRODUCER. CONGRATULATIONS SON YOU FIGURED OUT THE CORE PHILOSOPHICAL QUESTION AT THE VERY HEART OF THE MANGA. WAY TO GO BUD

meanwhile, on today’s episode of “one more chapter to go till the big volume cliffhanger, how else can I drag things out let’s see”

it’s a panel. of people’s feet. just a bunch of normal feet. with sneakers and shit

this All Might shirt guy is getting more screentime in this arc than 90% of the class 1-A kids

I guess I’m supposed to feel sorry for this dude now that he’s all “if we let you stay here do you promise to somehow magically fix every single problem that we are now currently facing?” those are some ridiculously exacting standards my dude. come on now

KACCHAN SIGHTING

thank fuck I’m not the only one who’s thoroughly unimpressed by absolutely all of this lol. I feel better now. meanwhile Iida and Kouda and Kiri are ready to run over there and hug them all. you guys are way too forgiving. damn you and your pure hearts

anyway so Deku’s like “yeah, definitely”

(ETA: almost forgot to comment on the “I’m no longer alone” part – he basically corrects the guy and says “sorry, but you’ll need to direct that question towards all of us, not just me, because moving forward we’re a team.” good stuff.)

you know what though, all joking aside... fuck yeah. because perfect victory, right. the strongest guys don’t settle for anything less. so I guess Deku has pretty exacting standards himself

also can you all just take a look at this fucking kid who’s got so much light in his eyes now that I’m gonna need eclipse goggles. hot damn. “you’re welcome” says All Might Shirt Guy as he is frantically interviewed by several local news networks asking him how he daringly managed to save Deku all by himself. “well I guess I’ve just never been the kind of guy who can sit back and let a bunch of rabble-rousers blame a little kid for all of humanity’s problems. someone had to step in and take action, you know?”

oH MY GOD THE SCENE IS FINALLY ENDING

don’t let the door hit you on your way out All Might Shirt Guy

but meanwhile, sudden Tododrama action??

oh shit

there are honestly so many ways in which Ochako’s very moving speech could have wildly backfired that I genuinely have no clue where this is headed lol. how exciting!!

so now Horikoshi is once again stalling for time with random filler panels, but this one is 10x better than the shoes lol omg

(1) was Ectoplasm’s jacket always this oversized. (2) did you guys know that if you go back to chapter 319 you can see that Horikoshi gave us a sneak peak at Enji’s Sad Detective disguise and I in fact made a joke about it in the 319 recap not realizing it was actually the stone cold truth. (3) did Shouto deliberately speed up out of impatience because Hawks was walking so fucking slow and he couldn’t take it any longer. (4) and what, I ask you, is up with these dramatic speedlines. so many mysteries here. what a masterpiece

everyone is acting all shocked about something ahh what’s going on

wait what

what the heck. did they just loop around behind everyone. what was the point of that lol. “anyway, so this is what they look like from the back” well okay, thanks for that Ectoplasm

(ETA: so it seems like they were actually hanging out someplace else away from the crowd this whole time, I guess? here I thought they had more faith in Enji’s disguise. I guess Shouto and Hawks don’t particularly want to attract this crowd’s attention themselves right now either, though.)

I am so fucking confused lmao

speaking of All Might WHERE THE FUCK IS HE lol. but yes, good, OFA brings everyone together, and Hawks is very deeply moved about this out of the blue all of a sudden. you know how it is

aw heck yeah now this is another filler panel I can get behind

Mineta really wants that hug, good lord. I genuinely love this actually. Mineta if you could just stay little and cute and keep crying about how much you love your classmates in a non-gross way for the rest of the series I would be so appreciative. you’re doing great

IIDA IS HOLDING DEKU’S HAND THIS IS NOT A DRILL. ONE TIME WASN’T ENOUGH FOR MY MAN HE’S ADDICTED NOW

what did I tell you. Kiri wants to get all of the mob’s autographs now. Kiri you’re a peach

Shouji having a conversation with another mutant type is a very nice touch! we really need to get to his backstory soon. I feel like that casual remark from GFL earlier was kind of hinting at more to come

is this the first time we’ve ever seen the Yaoyorictionary in action?? never forget that Viz tried to call it the “Yaoyorozu Reference Book” because they hate fun

last but not least, KAMIBAKU IS BACK ON THE MENU, FUCK YEAH. Kaminari trying to spice things up and introduce a little bit of controversy by smacking Kacchan on the back of the head for god knows what. I will be deeply disappointed after this if I can’t find at least one person unironically declaring that KamiBaku is now toxic and abusive

lfkdlWLWK TODODRAMA??

oh my god. Shouto’s face. Enji’s face. the back to “oyaji” again. the blunt, not-taking-no-for-an-answer, “I don’t know how much louder the universe can scream at you that doing things alone is not it, so hopefully you got the point” directness of it. fffdlkslj I’m so ready for this Horikoshi please don’t fuck it up my expectations are so high

HOLY FUCK

I SCROLLED DOWN AND HE WAS ALL “( ❛‿❛)” AND I JUST WASN’T FUCKING EXPECTING THAT OKAY. JESUS CHRIST. GIVE ME A SEC

lol okay moment over and now Enji’s pulling his hat down all dramatically like a world-weary Cowboy

OH MY GOD WERE YOU FACETIMING??

AHHHHHHHHH

(ETA: not to put Iida down or anything, but it’s kind of strange that Aizawa is all “the class rep sure did great” when Ochako is the one that was giving that whole big speech for like twenty minutes just now lol.)

(ETA 2: “thank god Iida stepped in just in the nick of time to keep Mineta from hugging Deku.” sorry Mineta I really do like you lately but it’s still low-hanging fruit lol.)

HE LOOKS SO SAD??! HE LOOKS LIKE HEARTBREAK ITSELF??! I AM BESOUGHT WITH THE URGE TO REACH INTO MY SCREEN AND PULL HIM INTO THE SAFETY OF MY ARMS??? MY GOD, AND I THOUGHT DEKU NEEDED HUGS

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH okay I was gonna just hold down the letter H for a full minute and count it out loud but within about ten seconds I realized I needed to chill lol

-- but then again NO, I DON’T NEED TO CHILL, I HAVE ZERO CHILL, ACTUALLY, BECAUSE IT’S AIZAWA WITH A ROBOT LEG AHHHHHHHHHHHHHHHHHHHHHHHHH

COMPLETE WITH ROBOT TOES FOR THAT EXTRA TOUCH OF AUTHENTICITY!! I LIKE HOW HORIKOSHI PUT ALL THIS EXTRA “!!!” EMPHASIS AROUND IT IN CASE WE COULD SOMEHOW POSSIBLY FAIL TO TAKE NOTICE. “REMEMBER, EVERYONE?” SAYS HORIKOSHI HELPFULLY. “REMEMBER THAT TIME AIZAWA CHOPPED OFF HIS OWN LEG?” oh wow now that you mention it we somehow forgot all about that. like who do you take us for

OH NO NOT THE SAD BOYFRIEND ANGST THAT I WAS SECRETLY LOOKING FORWARD TO WITH GLEE

well at least he’s not M.I.A. or back with the villains again like I thought he might be. still, that’s gotta be brutal to know your friend is in there somewhere, but to not be able to reach him again no matter how hard you try. that’s the kind of angst that pays off in final battles just when you most expect it. such is my hope, at any rate

what’s this now??

trying to decide if this is Horikoshi’s way of saying don’t worry about that, or his way of saying definitely worry about that lol

anyway so Aizawa is out here being all irresponsibly handsome once again. when is someone going to do something about him

here for Sexy Robot Leg Eyepatch Aizawa clenching his fists and making speeches about revenge. pretty sure we’re all here for that

WELL, WELL, WELL

IT’S ABOUT FUCKING TIME

I’M VERY GLAD YOU’RE ALIVE AND SEEMINGLY WELL, THOUGH!

BUT WHAT THE ACTUAL FUCK THOUGH, ALL MIGHT

ffff. bracing myself for that cliffhanger next week. you’d better not touch one hair on this man’s head Horikoshi. I’m watching you 

[mellowyandere]

SCP Academia Eraserhead Part 2

Reader: F

Characters: Aizawa Shouta (main); Kurogiri

Summary: After struggling to find his way out with Dr. L/N, Eraserhead is offered some help. (This turned into a lot more exposition than expected. Part 3 will get steamy though I promise! I’m just a hoe for setting the stage.)

Length: 1442 words

Warning: Yandere-themes.

He had been running for a while now. Hallways and corridors bleeding into one another in a way that turned his head upside down. He hadn’t had to open any doors so far, and a strange absence of security set off little alarms in the back of his head.

Left…no right? He snarled in frustration. Curse this stupid foundation. He knew it wasn’t going to be easy but this was simply ridiculous. He peered down at your unconscious form, nestled protectively against his chest in a layer of his tendrils. So small and weak... he had to keep pushing forwards.

He had been forced to kill a couple of SCP’s along the way, not all being as sentient and rational as himself. Their desire to kill you forfeiting their rights to life.

Shit. Another dead end.

Something cleared their throat behind him, causing him to spin on his heel. His tendrils flared out ready to cut down whatever it was. To his surprise there stood what appeared to be a man made of mist, wearing human clothing. His sharp attire strongly contrasted his own, which consisted of an orange jumpsuit, the top half having been torn to shreds when he unleashed his tendrils, and a pair of standard issued boots.

“Move out the way. Don’t make me hurt you.” He didn’t have time for this, who knew when security would appear to regain control of the breach.

The mist man raised his hands to show his non-hostility. “You look a bit lost… would you like some help leaving this place?”

Eraserhead narrowed his eyes in suspicion. “Why would you help me?”

“Don’t you find it odd..” Ah great this might take a minute. If he wasn’t blocking off the hallway Eraserhead would have left by now, but the man in front of him didn’t look like someone he could simply side step.

“Beings such as ourselves don’t belong here. By all means humans are nothing more than fodder in comparison. And yet they contain us? They’re witty creatures with dangerous minds, it’s what gotten them this far. But so are we. This containment breach was no accident, I’m sure you’ve already noticed almost every enclosure open, save for the truly unhinged ones. And a complete lack of guards to corral you back to your prison. No, there are higher powers at play. But now isn’t the time to delve into that, so I’ll ask again… would you like some help leaving this place?”

The mist man finished his little speech and opened his arms, inviting Eraserhead forward.

“What’s the catch?” Eraserhead knew better. Nothing in this world was done from the kindness of one’s heart. Well, except for you. You were the only real kindness he had ever known.

The mist man chuckled. “I see you are a man of caution. Yes this exchange is not for free. We’ll be keeping tabs on you. Your intelligence and abilities make you a very strong creature indeed. One day we’ll need you to help free our kind from the shackles of humanity.”

Lowering his arms the man took on a more sinister aura. “Let it be known though, I don’t need your consent to teleport you. I’d choose my offer. After all that human in your arms looks so frail, she might not make it out here alive if you keep at it.”

Shit. This bastard wasn’t leaving him with much choice.. should he fight his way out? He wasn’t exactly sure what his opponents abilities were besides teleportation. Even if he erased them, can you punch a man made of mist? His clothes clung to him, but who knew his real body composition.

No. This man was too dangerous, and his threat towards your well-being still hung heavily in the air. “Alright. Deal.”

The mist mans nodded with a hum, satisfied with his answer. “Start with continent, State or province, then major nearby city. Small nearby towns if applicable.”

Eraserhead listed off what was asked of him. His goal was to bring you to his old self-isolation home. He used to live amongst humans with little to no problems. His larger than normal stature at 6’10” raised a few eyebrows but nothing too serious. He kept the dark markings along his torso covered, and a scarf helped to hide his deathly white complexion. As for the eyes, he always wore sunglasses.

His issue had arisen with the month of his “birth”. For as long as he could remember, during the month humans called November, he went absolutely feral. Losing all control over his himself he’d slaughter anything that crossed his path. He’d make sure to isolate before November came along, and for the most part it worked. He had lived many centuries alongside humans with only the occasional slip up.

Five years ago he slipped up. And the SCP foundation had been all over him ever since.

“I can’t get you to any of the nearby towns, but I can get you to the city,” the mist man stated. “Step forward, I’ll take you there now.”

With that the man began to spread out the mist that defined his body, pooling out until he filled the entirety of the corridor. Eraserhead stepped forward into the blackish purple abyss, his vision going dark. Squinting he tried to peer through the pitch black that surrounded him, until finally he could see again. Stars lit up the night sky above him, and the sound of cars echoed down far below. Stepping onto concrete he moved out of the portal. This creature had quite a powerful ability. 

“What you do from here is up to you. We’ll give you some time to adjust and then we’ll contact you. Do not think that you can hide from us.” With that the mist vanished and Eraserhead was left alone atop a tall building with you in his arms.

It would be about a half a day of running to get you home from here. Meaning it would be wise to stock up on supplies now. That way he wouldn’t have any reason to leave you alone for the next week or two as you adjusted to your new home. The tall creature checked you over, making sure you wouldn’t wake up anytime soon before leaving you on the rooftop. It wasn’t an ideal situation, but he’d move fast.

Jumping from building to building he made quick work of locating and snagging some clothes from a local donation box in order to change out of the tattered orange jumpsuit. One extra-large black long sleeve shirt and accompanying extra-large pair of blacks pants. Grabbing a few bags that had also been inside, he headed for the nearest chain supermarket. He’d stock up on essentials like food and nest making materials, as well as daintier things that you might like such as feminine soaps and fluffy stuffed animals.

Due to the limitations in his interactions with you he didn’t really know what you’d want, but he had the rest of your time together to learn.

He was going to prove to you that he was the best mate you could ever dream of having. No one else would ever be good enough for you. And no one else would ever be good enough for him with you now in his life. He had never encountered a human like you before, and he’d be damned if anyone ever dared try to take you away or hurt you.

Making quick work of the supermarket he dashed out as the alarms rang. It hardly mattered though, he wouldn’t be coming back to this city. He had enough money stashed away that he’d be able to buy what he needed from small towns as to not draw attention to himself. Despite what the mist man had said about a new world order, he didn’t want to chance the foundation getting back on its feet and finding him.

Quickly climbing the building he left you on he was relieved to see your small form still sound asleep on the cold concrete. He wrapped his tendrils around his new stash of goods and scooped you up in his arms yet again, taking a moment to nuzzle his face into the crook of your neck and deeply inhaling your scent.

Even if he had to give up part of his freedom to get here, holding you in his arms had all been worth it. Now all he had to do was get you home, and then he’d make sure to repay every gesture of kindness you had ever shown him tenfold. His precious cute little human.

[thepapergirlandthespiegelman]

Castlevania Season 4: I’m not mad, just disappointed

Season 4 is poorly written fanfiction, which is...better than a lot of things could be, I guess.

Spoilers below the cut.

Content warning: trauma, sexual assault, psychological manipulation

The Gods Have Had a Change of Heart

Or, “Season 3 Blocked and Ignored”

Season 3 felt like the fabric of the universe had been twisted just to inflict additional pain. Season 4 overcompensates in the other direction; trauma evaporates, and good things happen for no other reason than to make our favorite characters happy.

The Season 3 finale left two characters in particular totally devastated: Alucard and Hector. Alucard is violently betrayed in a horrifying sexual assault by the first two people he’s spoken to since Trevor and Sypha left. He ends up killing them in self-defense and puts their bodies on stakes outside the castle, alluding to his father’s habit of doing so and potentially hinting at a turn toward evil. Hector is seduced by Lenore and then enslaved using a magic ring.

Yet at the start of Season 4, it’s as if these things never happened. Alucard is troubled, but not totally devastated, certainly not evil. Taka and Sumi are referenced in exactly one conversation with new character, Greta, in which she says the rather tactless throwaway line, “I had a boyfriend and girlfriend at the same time once. But they never tried to kill me.” Hector is nominally imprisoned, but immediately seems highly agentic, perhaps even more so than before. He studies, lays traps, and makes secret plans with other people. Furthermore, his relationship with Lenore is completely transformed. From falling to his knees in abject horror and despair at being enslaved, he suddenly switches to light banter, in what is apparently a basically okay, mutually enjoyed romantic/sexual relationship. Manipulative, selfish Lenore is now a sympathetic character struggling to reconcile her own role and feelings with Carmilla’s plans.

The events of season 3 happened, remaining canon in the most basic, literal sense. But the emotional weight attached to them has disappeared into thin air.

Not gonna lie, I did breathe a sigh of relief when I saw that Alucard and Hector were okay. I’m soft-hearted! I don’t like seeing characters I like suffer! I mean, conflict is important, and I can deal with (or even enjoy in a certain sense) seeing characters suffer if it makes sense and serves a narrative purpose. But as far as I can tell, the season 3 finale was nothing more than lurid, meaningless violence. I probably wouldn’t have continued watching the show if it devolved into nothing more than finding novel ways to torture the characters.

Still, it doesn’t feel quite right to pretend like nothing happened either. Or, really, not that nothing happened, but that those things didn’t matter, didn’t hurt, didn’t leave lasting scars. That’s...almost kind of worse.

But, I thought, I can sort of forgive this sudden shift in the stars, given that there may have been some sort of change in creative direction relating to Ellis’ decreased involvement with the show.* Plus, season 3 was insanity. It’s not like it was full of great writing choices, so if we quietly ignore some of them, maybe that’s for the best.

*I only later learned that Netflix actually chose to continue with Ellis’ season 4 scripts. It is not lost on me that maybe Ellis doesn’t know how to write about the lasting effects of traumatic sexual experiences or how power dynamics can make a sexual relationship problematic because he doesn’t understand that those things exist.

Characters Being Nobody and Nothing Happening

Pretty Pictures, Not Much Else

Unfortunately, the disconnect between seasons 3 and 4 isn’t the only problem with this season. Although I felt that season 4 was a bit less boring than season 3 (I particularly enjoyed some of the earlier episodes of season 4), it suffers from the same basic problems of Characters Being Nobody and Nothing Happening.

None of the characters experience any significant development, let alone any sort of coherent arc. Sypha has changed slightly, becoming more rough and jaded. I did really like the scene where she talks about becoming the kind of person who says “shit.” I think it really speaks to how entering into a relationship with someone means taking on aspects of their lifestyle, and how that can change you in ways that you can’t predict and therefore can’t exactly “agree” to. Sometimes those changes are good, sometimes they’re bad, sometimes they’re neutral, and sometimes it’s difficult to know. But you have to accept that you’re sacrificing some aspects of the person that you could have been if you chose to live completely independently, or with someone else.

Trevor really hasn’t changed since season 1 when he first decided to take up the mantle of hero again. Likewise with Alucard. Hector and Lenore change, as previously noted, but that change is sudden, jarring, and occurs completely off screen in between seasons 3 and 4. Carmilla dies as exactly as she lived: bitter, angry, and violent. Saint Germain just kind of...gets fucked over in a nonsensical subplot, which is its own whole can of worms.

We also get several new characters in season 4, none of whom have developed personalities or motives, nor do they develop any of those things over the course of the season: Greta, Zamfir, Varney, Ratko.

And nobody. Does. Anything.

Trevor and Sypha spend the entire season trying to explore and aid Targoviste, which comes to absolutely nothing. They’re unable to help anyone, Zamfir dies, and they end up just jumping through a magic portal to the actually relevant subplot in the finale. Carmilla literally does little more than draw maps until she’s ultimately killed. Hector plays a minor role in Saint Germain’s extraction of Dracula from Hell; otherwise, he and Lenore basically just exchange banter. Saint Germain does sort of do some stuff? But it’s often unclear how he’s made his connections, who the people who are helping him are, or what exactly he’s doing in terms of his magic beyond “whatever it takes to get back to his lover.”

Sure, there are fight scenes, but they feel meaningless. There’s no context, no stakes. There’s also a LOT of dialogue, and it is. Not well written. Exposition is embarrassingly clumsy at times, and the philosophical musings are cliche at best, muddled and confusing at worst. There’s just not all that much going on.

That is, except for Isaac. But more on him in a second.

What Kind of Show Is This?

When the plot line adapted from Castlevania III: Dracula's Curse ended with season 2, the show struggled to establish a new identity.

Despite nominally dealing with themes like whether humanity is inherently good or evil and how to cope with wrongdoing and loss, seasons 1 and 2 ultimately boiled down to a pretty generic action-adventure/fantasy plot with found family/power of friendship elements. Main characters Trevor, Sypha, and Alucard don’t really wrestle with big philosophical questions or suffer any major defeats. They know that they have to take down Dracula for the good of the world, and they work together as a team to do it, with a little character development relating to their various backstories sprinkled in.

Then season 3 happened, and things got weird. The trio is broken up for what feels like a pretty trivial reason—Alucard has to protect the castle and Belmont hold, I guess? And the result of that decision is that the dynamics for the three main characters are completely unbalanced.

Ellis openly admits that he basically went feral with the writing of season 3, and it shows. The messaging in seasons 1 and 2 was cliche, but consistent. The message of season 3? Anyone’s guess.

Season 4 reversed the darkening of tone from season 3, but shares its inability to pick a story and tell it.

Isaac is the Main Character

Always has been.

While I can’t say that his character or arc are perfect, I can say that he actually has a character and an arc. He starts off motivated by his fierce loyalty to Dracula, then has to struggle to find his purpose once Dracula is gone. He goes from subservient to agentic. He goes from fully endorsing the genocide of humanity and not caring about his own life to seeing some worth in humans and genuinely wanting to live. He has an interesting moment that deepens our understanding of what night creatures are, while also serving as an exploration of the meaning of one’s fundamental nature. Most importantly, these changes happen naturally over the course of the show. They never feel forced or out of the blue, and while I feel like even more could have been done with Isaac’s character, there’s a lot to appreciate about what is there.

If there’s any thread holding Castlevania as a single, coherent work together, it’s Isaac. Not only is his character the best executed and the most coherent over the course of the show, his character explores themes that are larger than himself and relevant to the show as a whole, like those mentioned earlier: misanthropy versus a belief in the value of humanity; the ability to go beyond one’s “nature” or initial circumstances; and how to respond to being wronged or losing something important to you. Exploring the individual lives of characters is great, but really good writing usually requires going beyond that to reflect on broader questions and ideas. Isaac is the only character here that serves that larger purpose.

Sorry...I Just Don’t Buy It

The season 4 finale is crazy, although in a different way from season 3′s.

Varney being Death makes no sense on several different levels. I’m not going to spend a lot of time picking that particular plot twist apart, but I will talk about why I think it doesn’t work at the largest scale, and how I think season 4 might have been done better.

Last minute twists with zero foreshadowing are rarely a good idea, and this is no exception. Why introduce this “Death” entity at the last minute to be the most important battle of the season? The finale of the entire show, even? Besides the lack of logic or emotional buildup, this robs the show of the opportunity to make use of the antagonists that it already has. Since Dracula died, Carmilla has been the obvious choice for a new big bad. Why hasn’t she done more?

Season 4 feels crowded with characters and plot lines that amount to nothing. Why not bring some of these characters together? If Carmilla is the main antagonist, how come she never meets any of the protagonists (except Hector, who is a pretty minor player in this ecosystem) or even affects them in any way?

Season 4 feels like maybe it was trying to make something out of season 3 and the model that it presented, but it ultimately fails to do so. The writers throw the trio back together at the end anyway, so why not have them rejoin sooner and work together? Maybe Sypha and Trevor’s past experience with Saint Germain could have helped Alucard and Greta piece together what he was plotting sooner, rather than all four of them being completely blindsided by it in the penultimate episode. (Sypha and Trevor know that someone is trying to resurrect Dracula, but they fail to find out any actual detail about the plans, despite their supposed attempts.) Have characters actually do stuff, figure stuff out, advance the plot!

Likewise, maybe Carmilla becomes aware of Saint Germain’s scheming, sees it as a threat, and tries to take him down. Maybe she tries to get involved and somehow use alchemy or the Infinite Corridor to her own benefit. What does it look like when power-hungry Carmilla, who wants to rule the world, finds out there’s an entire multiverse out there? That could easily set her up to be a foil to Saint Germain, causing him to realize that what he’s doing is wrong.

What actually ended up happening in the show feels disjointed and often empty. In particular, most of the events that happen in the last two episodes just don’t really work for me. I didn’t like Trevor suddenly sacrificing himself to this random, new, super powerful enemy, or how the gems and dagger that he found just happened to be the perfect weapon to kill this new enemy, or how he inexplicably returns from the dead.

This kind of thing is what I mean when I say that this season feels like fanfiction. Trevor comes back from the dead for no discernible reason other than that it would really suck if he died. Greta as a character seems to literally only exist to be Alucard’s girlfriend and support him so that he doesn’t have to continue to be alone and potentially turn evil. Alucard’s trauma from Taka and Sumi and Hector’s trauma from Lenore are both conveniently erased. Even Dracula and Lisa are resurrected somehow and get their happy ending. And it’s like, I guess I prefer deus ex machina to the opposite (Does that have a name? When everything is going well but then something terrible happens for no reason other than to make things worse for the characters?), but they’re both bad writing.

God. This isn’t even getting into what happened with the Council of Sisters. And I don’t even really like those characters, but that doesn’t mean I want to see their characters handled poorly.

I’m not sorry that I watched until the end, but I can’t in good faith recommend the show as a whole. If you’ve yet to watch Castlevania, just stop at the end of season 2. While there are some shining moments in seasons 3 and 4 (4 more than 3), it’s just really not worth it.

[kuekyuuq]

Gloria, Jet-lags and Imps [6x11]

Let’s jump right in:

Kinda love how Kara lamp-shaded addressed the fact she didn't tell the gang about her adventures in the PZ. She’s not wrong, tho.

...what do I want to say about Mxy using what's basically a well-known gay-anthem to tell his tale? I mean, it didn’t lead anywhere. The original song is about freeing oneself, liberation, stepping out of a (gone bad) relationship and moving on, stronger for it - empowerment. The only connection I could make, is that originally it was Nyxly’s aim to just do that (freeing herself and her kind from an oppressor), but in the way Mxy performed it, that part of the parallel was long over before he even reached the chorus. It’s also a popular Karaoke song, tho, so... he chose it because it’s catchy? I’ll try not to overthink it for now. At least, the Superfriend’s reactions were fun.

Nia exiting the elevator, "And what's this Old Stone?" I love it when ppl enter a room / situation and pick up on words that they couldn't have possibly heard. I think cinema sins ding such... Are we to assume, she dreamed Mxy's rendition of ‘I will survive’? Or is the elevator not sound-proof at all? (If it’s the latter, Nia later apparently telling Brainy “in private” between scenes / during the elevator ride about her Nyxly adventures, was a silly thing to do.)

So, "Jared" created the ring Old Stone to rule them all, it got shattered into the Paragons totems? Nyxly needs the totems and to get them she needs a crystal which also belonged to "Jared" - who happens to be Mxy's ancestor, which is why she needs Mxy / his blood, too.

I have one important and incredibly relevant question here, tho... 

With the introduced imps and their names... Why’s dude named Jared of all things?!

Really, did I mishear that? If so, I’ll leave it as is and never edit, bc that would be hilarious in its own right 😋

...

Not sure what to make about Supergirl paraphrasing a Dirty Dancing quote.  "Nobody puts Mxy into a power crystal on my watch."  ...is he Baby now? (Seriously, though: Which of the writers thought that was a fitting quote to use in that particular context?)

...now, is the exposition section of the episode over yet?

Sensitive Brainy sensed something was up with Nia. He can relate... Nia doubting Kara would understand, too, is ridiculous. But I get it... insecurities and all. But, I mean, just 5 minutes later Kara announces she wants to save Nyxly despite her wrongdoings. And yet Nia still remains convinced, Kara wouldn’t forgive her own personal mini-me... After having witnessed Kara forgiving Lena for a whole season of the writers being stupid messing up to the nth degree. But I digress, Lena’s Lena.

...how old is Nia meant to be again? Just asking out of completely unrelated curiosity.

F*ck. They really went with NewFoundland...

Imma assume it was an executive choice after realizing they couldn’t find enough actors and actresses with a convincing Irish accent... maybe. Again, no offense to Newfoundland! Just... we got the insinuations of Ireland, not Newfoundland... And truthfully, when I think of magic, Ireland is an easy association. Whereas I only due to this whole debacle learned Newfoundland has Irish ancestry. So, okay, the show forced me to learn something new... I give ‘em that.

An easy journey, she said.

Lena's been off-screen for two whole episodes, Kara announcing at the beginning of ‘Dreamweaver’ [6x09] Lena being “back east” (at least insinuating Lena’s left the west-coast already), which span over at least one full day (feat. a scene at night), and ‘I still rise’ [6x10] at least another a whole day (the whole Nia’s mom back for a day deal). And, now, after at least 48 hours she barely just arrived.

Lemme check how long a regular plane would need to fly from California to NFL......... ... .. .. So... approx. 10 hours with at least one layover. 

Yeah, using a private jet made it easier, but apparently also much, much slower...

Or, Lena randomly went some other places / did some sight-seeing in NFL before she decided to finally visit her mother’s hometown...  [Either that or the timelines don’t match up and Lena’s scenes are flashbacks of sorts.]

Optimistic and relaxed Lena is a sight to behold. I rewound 3 times, just to enjoy it for as long as possible. We all knew it was going to be short-lived... 

Let’s check off a few more items...

OMG, Kara hiding behind Alex at the mere sight of the PZ-projector broke my heart!  😢

"Elisabeth Walsh" is the new 'the one you shall not name'. ...poor Lena. 😭

Oh, so Mxy wants to be Patrick Swayze instead of Baby... gotcha.

...is this going anywhere?

KITTY!!! Okay, this must be the best opponent in the history of CWSG. 

Despite the horrible CGI, SG using her heat-vision to project a laser-beam to distract the cat had me in (happy-) tears! 🤣

Gotta love the civilians of National City quickly returning to business as usual once the giant cat is gone. Even the police officers looked rather chill...

Nyxly did look fabulous this episode ^^ 

Andrea being Lena's rock is both great and annoying. I can't fault Andrea. It's just, that we still have to see an on-screen interaction between Lena and Kara and that bugs the heck out of me. I can’t help it. I’m sorry, Andrea.

Nia: "...is my fault." Kara: "Nu, is MY fault!" J'onn: "Stop fighting, kids!" Space-dad has spoken.

Mxy used an LuthorCorp copy machine... and of cos it's faulty. It's not an L-Corp product.

Kara forgiving Nia came as a surprise to her... Oooookay. I mean, the show has been writing Kara a bit inconsistently the past two seasons... so, yeah, maybe being unsure which of her traits apply this week was not such a far stretch...

Maybe it's the hair, but I wished, Florence was played by Alex Kingston.

So, not-Alex-Kingston shows Lena herself with a funny wig and tells her how her mother was still watching her...

If it wasn't for Katie's acting skills (I love her.) I would have already hit my head against the wall repeatedly. Something about these scenes had me constantly cringe and I made it through 5.5 seasons of this show already... Can’t quite put my finger on it, but it was highly distracting from the story that explained Lena’s mom was special even to another witch, where there was domestic abuse, and an accidental murder. Y’know, important stuff, deep-cutting stuff! 

At least, poor widddle Lena got some closure there. Elisabeth was a good cookie. And filled with magic. And Lena’s gotta have that ‘spark’, too... 

....so... Lena’s gonna stay in NFL for how much longer, to train becoming a witch?  Please, just hand her a how-to manual and send her back home, to figure it out on her own, please... (Yes, that would be horrible decision-making, but I need her back with the team!)

On to the finish line: 

So... Mxy IS Nyxly's brother? Wait, that doesn’t sound right... then Nyxly would have the same blood... Did I miss something? Can someone explain, please? Or is he her ex, and that’s where his rendition of “I will survive” makes sense?

Hnn... I can't help, but think Kara's speech for Nyxly was 85% based on her experiences with Lena in s05.

Awww... he said "stronger together"... Mxy... I hope, you'll be okay!

Lena believes in magic now. And I absolutely love how Lena wants to science magic XD

...but apparently magic isn’t science that hasn’t been explained yet, but parallel... powers? concepts? ether strings?

Nyxly has a loyal henchman now. Which was a bit heavy-handed. Took way too much of screen-time, so it better leads to something interesting.

And Kara is on a warpath now. Wooooot! Girl’s got enough.

...what else? 

Did I miss a third Patrick Swayze hint / quote / mention?  I learned, these things come in threes... Y’know, basic writing rules... 

I guess, for once the episode title was meant to be taken literally, Mxy popping up between characters, to try and help. (I need in-show footage, of Mxy sneaking up on ppl, without his powers, on all fours / crouched, just to get the desired effect.) I mean, I’ve never really watched Malcom, but wasn’t he like what Mxy usually is? A bit of a trouble-maker, prankster, chaos-ensuing wherever he goes? ...well, in that case, the episode title didn’t hold up, as Mxy’s scenes were not fun or really goofy. Yes, there was some superficial humor, but just to serve Mxy dealing with not being able to use his powers, which in turn was only barely scratched at (although it turned out to be his final character development crisis, appreciating not having powers and - in turn - facing consequences for once). Again, a whole lot going on in the episode, so a lot of that may have ended up on the cutting-room floor.

...where’s Kelly? Secretly adopting a kid, maybe?

...Kara’s still a reporter, right? I mean, whenever it serves the immediate plot, yes? ...Not even a throw-away line, that she has to pop up at CatCo for appearances sake? Since Andrea is already upset with her AND looking into her friends’ identities? At least, Kara should take a peek to make sure Andrea hasn’t uncovered anything yet... No?

Well, that’s all I’ve got for now. Kue out.

[why-this-kolaveri-machi]

please. i can’t do this alone.

Titans 3.01

thoughts! thoughts! thoughts! some red hot thoughts!

SPOILERS ahead.

1. one episode in, and this season already looks set to give me everything i want. its abandonment of plot and storytelling conventions as it goes from one point to the next at breakneck speed; its cheerful bastardisation of iconic storylines from the comics; the ‘as-you-know-bob’ clunky exposition on one end and extremely restrained, subtle explorations of complex character dynamics on the other; endless shots of neon bleeding into black and blue corridors, shadows and silhouettes; my delight in seeing it celebrate and deconstruct the dark nolan-y batman aesthetic at the same time; my bafflement that it’s so fucking goddamn obsessed with the batfam when it’s supposed to be about the TITANS; kory just... saving every overburdened, clunky scene that she’s in by her sparkling charisma. just... *chef’s kiss*. muah. my show is back, in all its glory.

MY SHOW IS BACK, Y’ALL!

1.5. i mean... this show is so artful and weird and not afraid to go absolutely bonkers in exploring its characters’ psyche, but can just about barely stage a passable comic book fight when every tom dick and harry and their new streaming services can deliver ones that are far more exciting. i love this show with every atom of my body.

(there’s something to be said about rooting for the underdog as well. a pleasure in finding something to love about what other people dismiss. but! enough navel gazing! i have fictional characters’ navels to look at! metaphorically! and maybe literally!)

2. i expected jason’s death to come about pretty early in the season as soon as i heard rumours that red hood was showing up, but for it to happen in the first five minutes of the first episode... that’s a record. 

(well. “happen.” still don’t know what exactly went down there.)

2.25. GOD. jason is such a tortured and tragic character in this show, used and passed around by people with alleged good intentions, never really fitting in anywhere. he’s veritably bleeding vulnerability and the need to belong, the need to be known, and yet the tragedy is that his death proves that nobody in his life knew anything about him at all; that they only saw the flimsy walls he put up to protect his soft core, and thought that that was all there was. that they say they loved him, but blame him for his own death. 

dick is flabbergasted that jason can read, though we know from last season, from what jason revealed to rose, that he has a love for plays and music. barbara is quick to dismiss his actions as ‘impulsive’. bruce has no idea that his supposed son was building his own little chemistry lab right under his nose, and beyond that, no idea that jason needed structure, stability and validation beyond being left alone in a huge house with a treasure trove of dangerous weapons. kory thought his decision to fight the joker was from not learning and growing when the guy tried to kill himself last season and nobody apart from dick even tried to talk to him about it! did you consider that he might still be suicidal? especially after the titans admitted to having “given up” on him because he was just “too hard”?

2.5. the one thing that’s been consistent across all three seasons (so far) of the show is the unreliable narrator trope. there’s a reason why the characters’ dismissals of jason’s actions as impulsive is so repetitive; why jason’s death is a mystery dick feels compelled to solve. it’s a flailing attempt to know his brother much too late--but with red hood, maybe he gets a second chance, just like he got one with the titans. this is what jason’s arc has been building up to. this is ‘death in the family’ but more fucked up in some ways. it didn’t linger on the death because the death wasn’t the point. the joker isn’t the point. everything that came before it is.

this way it will also make perfect sense that the red hood’s main enemy becomes the titans rather than batman.

2.75. goodness knows what’s going on with jason’s little chemistry project. at first i thought he was immunising himself to joker gas or something, but maybe it’s what passes for lazarus pit juice in this universe? 

anyway, it’s pretty impressive that jason learnt all of that from a college chemistry textbook. STOP BRINGING UP THAT HE READ SOMETHING, DICK--

2.8. i’m glad that dick doesn’t immediately sink into self-loathing and guilt and tries to investigate jason’s death while also acknowledging how he failed him. it’s like he actually learned something from the last two years! 

anyway. more about dick later. 

3. oh how i love titans!bruce. a lot of characters had a lot of Opinions on his reaction to jason’s death in this episode, but again, i ask you to consider that they’re unreliable narrators, and this universe’s bruce is a product of how it shaped him. bruce wayne has become a phantom to himself--an artifice borne out of vigorous discipline and crushing self-denial. 

bruce has been batman for a very long time, and without a robin for much longer. (dick must be... in his early thirties? so he was robin for about, say, 10-12 years according to the timeline of the show. that still makes bruce pretty old when he took on his first robin.) things have... calcified (possibly parts of his brain). the personal cost and the collateral from the mission he’s taken up for most of his life is too much to countenance; it has to be a war, and war requires sacrifice. 

on some level bruce knows that’s a lie. he’s so goddamned alone. what’s he going to do? sit down and cry? who’s going to listen to him now? oh, is he going to just stop being batman? who’s going to stop gotham from consuming herself then? he’ll just have to forge ahead, do better next time, maybe he’ll be firmer with them, or kinder with them, or notice more things, or train them harder, or spend more time--

3.25. don’t get me wrong: titans!bruce is an asshole and a half. his roster of potential robins was honestly bone-chilling. the fact that there’s a twisted root of compassion makes it more disturbing. 

3.5. alfred’s dead! it must’ve been pretty recent, because i could’ve sworn that dick tried to call alfred in the very first episode of season 1, or at least considered calling him... 

what a devastating double-blow for bruce then, losing his father-figure and his, uh.... son-figure so close together.

4. i don’t know about barbara yet. i mean, i like her, but she had so much clunky expository dialogue to deliver this episode, and for an episode that was named after her, she only showed up halfway through it. but i like the weight of history behind her interactions with both bruce and dick and her compassion to bruce before he cruelly crossed a line. i also like the implication that she and dick have been in touch recently, and that she didn’t immediately try to guilt-trip dick about some perceived abandonment. it’d be too repetitive.

4.5. there’s also a sense that she ran interference for dick a lot whenever there was something Too Big and Emotional for him to confront directly, and i like and appreciate that character beat.

5. dick, my man! it really does feel like a substantial length of time has passed between the end of s2 and the beginning of s3... kory’s got a new costume, they’ve become celebrities in SF, working missions together, and dick’s actually smiling! genuinely enjoying his work and having fun with it for possibly the first time in the entire series! it’s really a far cry from the fractured, dysfunctional mess that they were at the end of the last season.

i just hope this doesn’t mean that they’ve magically reached a resolution off-screen to all of their fucked-upness from last season, and that the repercussions--for gar in particular--are actually addressed on screen. 

5.25. i mentioned this briefly above, but it really is so refreshing that dick doesn’t wallow in guilt and self-loathing after jason’s death; he acknowledges his and the titans’ failure, is able to admit to barbara honestly that he’s not doing great, and is actively trying to reach out to bruce to make sure he’s ok, is trying to investigate what made jason seek out the joker on his own, and is probably the only person not immediately buying that it was jason’s recklessness that got him killed. i love that dick is finally beginning to trust his instincts or just employ them at all after years of guilt and paranoia and self-loathing. we love some positive character growth!

5.5. another thing i love? the bruce-dick interactions on this show. every scene they’re in together is so fraught with tension, both of them holding themselves back, their emotions on a whipcord-tight leash. dick wants to reach out to bruce, is even somewhat familiar with this brand of denial in the wake of grief, but wants barbara to make the first move because he genuinely does not know how to get bruce to open up. his instincts are right, and wonderful, and genuine, but his expression has been smothered by years of trauma, emotional and physical self-discipline, and what i suspect is poorly treated mental illness. 

it takes a lot for him to finally explode at bruce at the end of the episode--in a way he hasn’t done even when his only opinion of bruce was ‘fuck him’--and it’s all the more startling for how subdued he’s been through the episode, how much he’s been holding back his emotions for bruce’s sake. love it.

5.75. it sort of hurts my heart to see the flying graysons poster in jason’s room. there are a few implications:

a) jason settled into dick’s old room despite living in a giant mansion with dozens of other rooms he could’ve used

b) he didn’t take down dick’s poster--not when he moved in and was idolising him, not when he moved out of the titans and was sort of hating him. i wonder if the reminder of what dick was before robin--that he was forged out of unspeakable tragedy--gave jason the connection to dick that he so desperately wanted in real life

c) dick moved right back into the room and slept on the bed that was now jason’s. grief can be so quiet and piecemeal sometimes.

6. i spy the beginnings of actual arcs for both gar and kory! i just hope that with the move to gotham their stories don’t fall to the wayside...

6.5. i’ve known tim drake for less than ten minutes but if anything were to happen to him i’d kill everybody 

7. this review has gone on for too long and i am tiRED. however, before i leave: i miss some of the dedication-to-aesthetic that titans season 1 used to have. remember how the first few episodes didn’t really feel like a superhero show but something out of gothic horror? there was something gorgeous and raw about that, about open landscapes and the road and creepy buildings looming up at the end of it. moving to titans tower in s2 really ruined a lot of that for me, given its ripped-from-architectural-digest aesthetic, all smooth and clean and artificial. 

i hope that we really explore gotham’s hellscape in interesting and innovative ways instead of camping out in the batcave all the time and indulging in the show’s unending love for long corridors, neon backlights and silhouettes.

8.....

9.  wait, fuck, HOW CAN I FORGET ABOUT HOT PSYCHIATRIST GUY (TM)??? NONE of you prepared me for his return! NONE OF YOU! i gasped! i got up and did a happy dance! 

listen, titans writers, if you’ve had a peek at my titans s3 wishlist, please go ahead and give the other items on the list a go too, thankyouverymuch.

[dragonherder2030]

So I watched Raya and the Last Dragon-

I honestly was very disappointed with the movie as a whole. I LOVE dragons and main movies and media just doesn’t have much of them that I have seen. So when I saw that Disney was making a movie about and staring a dragon character, I got very excited. I had loved the design for Sisu when she was just a concept art

She was much more colorful and had a very different face, a more regional face. She is definitely more water dragony compared to the actual final draft design. And she is just overall prettier in my opinion.

Spoilers under this point

Another thing is the continuity and main logic of the movie. In the beginning of the movie it is practically about 15 minutes of exposition. It tells that apparently all the dragons are water dragons, every single one since they all look the same, but that there were multiple dragons in the past. These evil creatures made of human greed or whatever started attacking humans, and well I guess other things but the humans primarily. When attacked, they pass through the human and either take or freeze their spirit or something I don’t remember exactly, but the person becomes stone. So the dragons being the most powerful creatures in the world, they tried to fight the things. The dragons were also turned to stone, all but one, The Mighty Sisu. In the exposition it says that she compiled all her magic into the orb, and used it to destroy the things and turn everyone back from stone. Except the dragons. Do they ever explain why it didn’t turn the dragons back to alive? No it does not, it absolutely does not, but ho boy there is SO much more. Later in the exposition, the dragon gem gets broken into 5 pieces, one for each of the tribes. And they each possess a piece of the gem now. So, when the gem gets broken, all the evil creatures from the very beginning just, come back! This is never explained- nothing is ever explained in this movie it was just made for the funnies I GUESS. This movie feels like a really bad book adaption HONESTLY. And at the end of the movie when everyone comes back because it’s a kids movie, it’s just AHHGH everyone is happy now all the dragons come back and everything is dandy. But why didn’t the dragons come back in the beginning? The whole moral of the movie is “Trust good”. Seriously that’s it. And when they put the dragon gem back together at the end everyone is like “oh wow we need to trust each other and that’s how the magic will WoRk”. But explained earlier when we hear Sisu’s whole backstory is that when SHE did the magic fix she trusted her siblings the most that she had in that moment, SO TELL ME WHY DIDN’T IT WORK!!?? It makes no sense to me at least maybe I’m just missing something. But it annoys me so much, nothing makes sense in this movie. Another theory I have is that there were 3 writers. Each assigned to a seperate story arc, one to the beginning exposition thing, one to the middle main part, and one to the climax and final bits of the movie. The thing is, the writers only vaguely know what the past ones did XD.

The next problem I have is with the actual magic and formulation of dragons, as well as what the heck is up with the dragon gem. But don’t worry, I have at least 2 more problems with this movie. So as Sisu gets more and more of the dragon gem shards, she gains new powers. But do you know why? Because APPARENTLY when the gem broke into the 5 pieces, the magic of her individual siblings who gave their magic to the gem was separated perfectly. Ok that may not make much sense. But when we see Sisu’s backstory it shows that her oldest brother made the gem, then each sibling except Sisu put their special magic into the gem. So then, when it broke, the individual gem pieces only had the 1 type of magic in them? Excuse me what? That doesn’t make sense, if I make a cake, then I won’t cut it up and get only egg from one slice, then a bunch of sugar from another slice. It’s just- really bad and they could have fixed it by just- not having the siblings at all. They so easily could have been written out of the story, instead Sisu could have no magic when she is brought back, which she practically has none, her “magic” is that she is a strong swimmer. But then as she gets the pieces she gains back parts of her original magic, that would have been more indering then the siblings. Now the second part of this is the actual powers. Ok, which sounds like more of a power, being able to glow, or being able to fly around by walking on raindrops. The second one right? Well, ThEY aRe BoTh COsIdeReD MaGIc iN tHiS UniVErSe. All the powers that Raya aquires from the dragon gem pieces is being able to do the glow, being able to shape shift into a human, and being able to walk on the rain. Now, that isn’t even the part I’m the most mad about. At the end of the movie when all the dragons come back, THEY ALL CAN WALK ON THE RAIN. LIKE WHAT!? I THOUGHT THAT WAS THE OLDER BROTHER’S MAGIC TYPE! Do you get what I mean by this movie having no continuity? At the end of the movie, Sisu was killed by evil cat lady, and all the dragons come back walking on the rain and just- resurrect her. Ok, I guess that could be explained away as all the magic beings being magical, but I still don’t like how easily they did it. Yet another thing is that Sisu can make a bunch of magical smoke, well not magical but it’s really shimmery and thick, that’s not explained, she just can do it.

Let’s talk about the relationships in this movie. I hate them. No ones characters are developed on or improved except for maybe cat lady- I need to find her name somewhere, but except for Namarii is her name, her and Raya. Namarii’s big stitch is, I don’t even know just not being the most evil person? Either that or the same trust thing, which would mean that her and Raya have the same character arc. Raya in the beginning of the movie is explained to be the daughter of the chef of clan Heart, one of the most prosperous out of the 5 clans. They at the start of the movie had the dragon gem, and the father guy, he invited every other clan over to have a big feast or whatever. So when they get there, young Namarii, all this is happening when Raya is like, 9 I think, but Namarii and Raya become friends over fangirling for Sisu. Namarii has a necklace of Sisu that she gives to Raya. And side note, they act as though Sisu isn’t the SAVIOR OF THIER LANDS, but she’s some really good singer. Well I guess they have to connect to all those youngsters out there with an obsession and that rElATaBlE moment when you fInD AnOTheR oF tHiEr kInD. That just triggered me. But since Namarii is such a big fan of Sisu, Raya, after being shown to be VERY offensive about the idea of the other tribes coming, just decides to show Namarii the dragon gem! But uh oh, twist, Namarii is actually bad oh noooo and everyone comes up and starts to fight over the dragon gem. Then it shatters and the evil things come back. So Raya and her dad are trying to escape, her dad had been injured from fighting an arrow to the leg, but the things are repelled by water. So what does the dad do? He yeets the child into a river(they are on a bridge at this point) after having a minute long conversation with her. Like, could he not just tip himself off to? But hey we have to give them characters angsty backstorys amiright? It’s just so stupid the character motives. So like, Idk 12 years pass by or something since Raya is an adult now. She actually has a pretty emotional prayer type thing to Sisu when she is trying to resurrect her to save the world. This movie has a few ups that I will put at the end. So let’s talk about Sisu now, ho boy, she is the “oh everything will be fixed with hugs and kisses”. You know what this is, this is the same exact dynamic that Poppy and Branch went through during Trolls movie! The exact same dynamic! HECK Disney couldn’t even get original personalities. Sisu blindly trusting everything gets them into wacky situations and causes some conflict between Raya and Sisu but BARELY ANY. And Sisu just seems like- really innocent, she’s oblivious all the time. She’s this ancient beast and she just has the most generic personality and I loath it. Namanii is actually someone I liked. She seemed like the most real character until the very end, just, the blindly “oh everything is alright now and I’m fine with everyone now trauma doesn’t exist”. Also on that point, apparently trauma doesn’t exist in this world, because Sisu lost every single one of her siblings, and just, doesn’t show any sign of grieving or remorse she just doesn’t give a thought to them. Except for the backstory bit but she just doesn’t seem to care. Also just a side note, none of those side characters are developed at all and just there for practically comic relief. The whole resolution of the movie is them putting the gem together and then all “hugging” each other and wow look at that it worked. *inhales* and then when Sisu comes back, she has the most emotionally dead response to Raya, none of the character reuniting is good. You know, if you have seen storks, that near end montage where all the babies are brought to the people? Yeah, that was 100% better then the resolutions of Raya and the Last Dragon. One scene that ticked me off so much was when that ninja baby was reunited with her parents, the mom, oh my gosh, she looked as if she had just found an old purse she misplaced. She did not look- ah I can’t even put it into words just look up the clip to get it.

That’s all that I have to say about the movie, I probably have more somewhere but honestly I couldn’t put it into words. Now, you know, I have to give this movie a few good opinions. The movie looked amazing, great character design(except for the dragons I dispose them) and everything looks gorgeous. As well as the animal design, I wish I could have seen more animals honestly they all looked really interesting and unique.

Sorry this post was so long I just wanted to put my opinions out there.

[punchdrunkdoc]

Updated K-drama list (4)

This list is getting looooong,  because I’m well and truly addicted to these shows and can’t stop watching them. 

I think its because each show is so self-contained - one series, 16-20 episodes and its done. A clear beginning, middle and a satisfying end. That, together with all the tropes in play (SO MANY TROPES!!) makes each show feel like a novel come to life. And when I start a good novel, I have to finish it in one go. This usually results in me staying up till 2am because I NEED TO KNOW HOW IT ENDS. And it’s the same with these shows. I’m getting very little sleep, but I’m having a hell of a good time!

FAVOURITES

1. Crash Landing on You

He’s from North Korea. She’s from South Korea. They never should have met, but they’ll change each other’s lives.

This was my first K-drama, and its still my favourite. The full cast of characters is great, the lead romance is ANGSTALICIOUS and its genuinely, laugh out loud funny (when its not making you cry or swoon).

Male lead: Officially the best boyfriend ever. With added dimples.

Tear-jerk factor: 4/5

2. Healer

The lives, and pasts, of a hot shot reporter, a spunky young tabloid journalist and a mysterious thief-for-hire intersect.

This was so addictive - the plot was tight and engaging, and this is one of the few shows I’ve watched where there didn’t seem to be a lot of filler. I loved the central 3 characters, and the romance was amazing. I especially loved that the male lead started off such a brooding loner, but he became super-affectionate as soon as he admitted his feelings. So many good hugs and lots of face-cradling in this one.

Male lead: Effortlessly beats up 2 henchmen while comforting his girl over the phone. What more do you need?

Tear-jerk factor: 1/5

3. Itaewon Class

A young man’s life is forever altered when he runs afoul of a powerful family.

This felt like a big step up in quality from everything else in this list, in terms of the production, soundtrack (which was brilliant), the lack of annoying sound effects, and just the overall ‘real world’ feel of the show. All of the characters were fleshed out and 3-dimensional, and they all had their ‘moment’ to shine. The story itself was gripping and so well done - some of the twists and reveals had me gasping! And what can I say about the 2 leads? I love them, both separately, and together. He is so wise beyond his years, and his journey will break your heart and inspire you. She is borderline sociopathic, but I adore her.

Male lead: Tenacious, principled, kind, innocent, caring, driven, loyal…and he can cook!

Tear-jerk factor: 2/5

4. Descendants of the Sun

A special forces Captain meets a capable and beautiful trauma surgeon. They feel an instant bond, but their jobs and philosophy on life get in the way, threatening to tear them apart.

Halfway through this show, I seriously thought this might overtake CLOY as my No. 1 fav. I absolutely LOVE the male lead character, and the romance was beautiful…but it didn’t quite nail the angst and the last minute was a bit twee which dropped it down the rankings a bit.

Male lead: A cocky, charming, absolute BADASS with the most adorable, cheeky smile.

Tear-jerk factor: 2/5

5. Love in the Moonlight / Moonlight Drawn by Clouds

A young woman poses as a eunuch in the Royal Palace and falls in love with the Crown Prince

I wanted to try something different so I opted for this period piece and OH MY GOD am I glad I did. The start had a really light comedic tone (and a lot of modern anachronisms - high fives everywhere!) and I loved all the identity-concealing hi-jinks. But then the romance kicked into gear and the DELICIOUS angst started flowing, and I became obsessed with it. It's like loads of bits of my favourite regency historical romances were mashed up and transported to the Joseon Dynasty. I loved it so much!

Male lead: Manages to look amazingly handsome despite all the period headgear, kicks ass with a sword, and doesn't allow himself to be manipulated by the corrupt officials surrounding him, which was refreshing. Also acts like an adorable goofball when he's in love.

Tear-jerk factor: 2/5

6. My Holo Love

A lonely woman falls for a holographic AI and then meets his creator...

I love the concept of this show (I’m a big sci-fi nerd), and it was beautifully shot. The lead relationship is well developed and it doesnt fall into a typical love triangle. I’ve come to realise it utilises a lot of K-drama tropes (face-blindness! shared childhood trauma!), but it does it really well, imho.

Male lead: Tortured loner genius. My catnip.

Tear-jerk factor: 2/5

7. Goblin

A 900yr old immortal guardian finally meets the ‘bride’ who will end his existence

Once I got over the slight ick-factor of the age difference between the two characters at the beginning, I really fell for this show and it’s world. It had me in tears. And I especially loved the secondary character of the Grim Reaper.

Male lead: Surprising innocent and funny for a 900 year old

Tear-Jerk factor: 5/5

8. What’s Wrong with Secretary Kim

An personal assistant decides to quits her job in order to get a life. Her boss has other ideas.

I loved the female lead in this - I’m a sucker for uber-competent people, and the actress is STUNNING. Her boss is self-centred, entitled and vain...but over time, somehow that just becomes endearing! Possibly because he’s played by Park Seo Joon, who can do no wrong in my book! The central romance is super cute - I can rewatch their scenes again and again. 

Male lead: Like I said, somehow makes vanity and narcissism endearing. Also not afraid to get his shirt off and flash his 6-pack. Bonus.

Tear-Jerk factor: 0/5

9. Legend of the Blue Sea

A mermaid comes onto land to find the man she loves

The (literal) fish-out-of-water scenes in the first half of this show were hilarious - the actress is a comic genius! The romance was nicely done, and there wasn’t a lot of extraneous plot or too many characters. I couldn’t stop watching this one!

Male lead: Cocky, arrogant conman with a soft mushy centre

Tear-Jerk factor: 1/5

10. Fight for my Way

Two life-long friends decide to go after their dreams

I fast-forwarded large chunks of this (I wasn’t interested in the secondary couple at all), but it still made my favourite list because I love the leads - both as separate characters and as a couple. This is one of the best friends-to-lovers stories I’ve seen, mainly because you truly buy that these 2 have known each other their entire lives (their  bickering and teasing feels so natural). And then when they take the next step, they’re so affectionate and refreshingly open with their feelings.

Male lead: The third Park Seo Joon character on this list! I love his contradictions. He’s goofy and childish…but can really turn on the sexy charm; he’s a badass MMA fighter…who loves when his girlfriend sticks up for him and protects him.

Tear-jerk factor: 0.5/5

11. Suspicious Partner

A young, hardworking lawyer has her life turned upside down when she is put on trial for murder.

This has been officially bumped up to my favourites list - partly because I’m now a massive Ji Chang Wook fan, and partly because I’ve rewatched scenes with better subtitles and its made it 10x better. Its still overly long, but the serial killer plot had some nice twists and it was central to the story, so it didn’t feel extraneous like some of these types of plots do. I really enjoyed the central romance - the 2 characters sparked off each other well and I loved their evolution from sort-of enemies to lovers. This is another show where I can endlessly rewatch their scenes together.

Male lead: Its Ji Chang Wook! He’s so good at playing serious guys who are secretly big dorks.

Tear Jerk factor: 0.5/5

NOTABLE MENTIONS

These are shows which I completed and really enjoyed but they had flaws which kept them out of the favourites list.

1. The K2

An ex-mercenary takes a job as a bodyguard protecting the illegitimate daughter of a politician. A sort-of Snow White retelling.

This started off really well, with some amazing fight sequences (hello, shower room scene!). However, the back half became too bogged down in double crosses and manipulations, and it focussed too much on the politicians. The writers did well to give these characters some layers, but they were all essentially doing bad things for the wrong reasons, and I just didn’t care about them. The show was much better when it was following K2’s journey. The romance also started off well, but was a bit underdeveloped (mainly because they barely interacted).

2. I Am Not a Robot

A man who is allergic to human contact finds companionship with a robot…or does he?

I honestly thought I wouldn’t make it passed a couple of episodes of this - the concept was just too ridiculous. But I’m glad I persevered, because it developed some real depth and some proper good angst towards the end and I LOVED the central relationship.

3. Extraordinary You

A high school student discovers she's a supporting character in a comic book

The plot of this was so unique, and the way the comic story played out interspersed with the characters 'real lives' was really well done. Plus the central couple were so adorable. It dragged in the middle section (several versions of the same conversations were had, and the same exposition was spelled out multiple ways for no apparent reason) which kept it out of my favourite list, but it redeemed itself with some good angst at the end, and it had a really lovely ‘epilogue'.

4. My Love from the Star

Alien stranded on earth meets an actress soon before he’s due to be rescued.

I finally gave this another chance, and I’m glad I did. The female lead got a LOT less irritating, and I enjoyed the present-day romance and all the flashes back to the past. However, the ending was really abrupt and disappointing (which kept it out of my favourite list). There should have been 1 less filler episode in the middle, and a decent, fleshed out finale instead.

5. Weightlifting Fairy Kim Bok-Joo

A young talented weightlifter experiences first love

Honestly, I wasn’t sold on this at first; the female lead was a bit much (lot of gurning and over-acting) and there was a weird disconnect between how she was described (big, overweight, manly, unfeminine) and how she actually looked (thin and beautiful!). But the back half of this show saved it; her relationship with Joon-Hyung was sooooo cute. He is adorable, and they were both so supportive of each other’s dreams. I finished this with a big smile on my face.

6. Because this is my First Life

A rational-to-a-fault software designer and an aspiring screenwriter come up with an unconventional way to solve their housing problem

When I started this, I thought it was going to be all light and fluffy (the main character's job in the beginning was to insert the product placement in Korean dramas - hello, Red Ginseng! - which I found hilarious and meta) but it had a surprisingly melancholic tone throughout and touched on issues of workplace harassment and gender roles. I didn't warm to the male lead until right at the end (which was probably partly intentional - he's very remote and closed off) but overall I found the story quite lovely. Plus it had a really great central female friendship and their conversations actually passed the Bechdel test!

7. Strong Girl Bong-Soon

A woman with inherited super-strength gets a job as a bodyguard for an eccentric young CEO

The lead couple in this are AD-OR-ABLE and I loved their relationship. But there was a weird tone issue in this show. The romance is super cute...but there’s a whole dark sub plot involving multiple women being held captive by a psychopath. I ended up fast forwarding most of that, and just concentrated on the romance.

THE OTHERS...

I finished these shows and liked parts of them, but they ultimately didn’t set my world on fire.

1. Her Private Life

A talented art curator tries to keep her professional persona separate from her fangirl obsession with a pop idol.

This was cute and I loved the central relationship - he was so supportive of her, and their interactions were refreshingly mature and their banter felt really natural. Ultimately, it was a bit forgettable (I’m not dying to rewatch any of it), and the last minute tacked-on childhood trauma subplot was really unnecessary.

2. Touch Your Heart

Star actress rocked by scandal works at a law firm to prepare for her comeback role

This starred the secondary couple from Goblin and I really like them, even though they are playing very different characters in this (more opposites attract, than doomed lovers). At first I found this too ‘cutesy’, but I’ve since realised the sound effects/graphics are a K-drama thing and not unique to this show, so I’m not as down on it as I was. I still had to fast forward a lot of the secondary romances which I wasn’t invested in.

3. Hyde, Jekyll and Me

A woman becomes involved in the lives of 2 men, who share one body

This stars Hyun Bin from CLOY and he is sooo watchable, especially as the slick-haired, glasses-wearing, uptight Seo-Jin. And the show started well...but quickly went off the rails into a convoluted, dragged-out revenge plot.

4. Melting Me Softly

Two people are accidentally cryogenically frozen for 20 years. They have to navigate the modern world and their new lives together.

Another good concept, but it ultimately descended into little more than a light work-place romance. Had a couple of good kissing scenes, but it was overall a bit forgettable.

And the DNF:

My Secret Romance

I started watching this because I was looking for something a little less PG - the characters have a one night stand in the first episode! But I couldn’t get passed the bad acting and cheap production.

Master’s Sun

I liked the premise but the 2 leads weren’t very attractive (at least in comparison to the insanely beautiful actors/actresses in the shows listed above). Call me superficial, but I couldn’t see myself spending 17 hours watching them and willing them to kiss.

[sorptomber]

My thoughts on the TMA finale

before we even get into it: this is a negative post. I am not happy. Does this mean you can’t be happy? Of course not! If you got the ending you wanted then im happy for you but figuring this is where I posted all of my magnus stuff, I might as well make one last post about it here. Spoilers, obviously. (also jonny if you see this dont take it personal xx)

My english teacher always tells us that if we’re in an exam and we’ve written a few amazing paragraphs on an essay, if there’s only 10 minutes left in the exam then you’re better off just ending your essay there rather than add on a shitty rushed paragraph because it’ll bring down your mark rather than raise it because you wrote more. This is exactly how I feel with tma, especially season 5. 

I got into magnus around this time last year, it definitely took me a while to fully enjoy it though. After listening to the first 10 episodes, I hopped onto the tma subreddit and basically asked “is every episode statements?” because I wasn’t interested in them in the slightest. I’d heard about the podcast from jonmartin fanart so I expected a lot more character interaction. I fought through the first two seasons, loved the third season, adored the fourth season just for the angst and got a start on season 5 (I was fully caught up by the time 171 came out) I thought to myself “oh hey, one episode per. domain that’s cool, whatever, kinda boring but at least we’re getting to know this apocalyptic world.” What poor little me didn’t know was that the majority of season 5 would just be worldbuilding. over and over and over again. The fact they repeated fears for domains had me more horrified than any of the other statements. I obviously stopped listening a while afterwards because I genuinely found it so boring. 

I read the transcripts, if I even bothered looking at the episode at all. And I think this is where season 5 absolutely fails and kind of fucks up the entire show. We’re used to one base setting, the archives, and we’ve never really been told much about it’s appearance because it looks like a normal ass archive. Before or after each statement we’re used to having SOME sort of character interaction, jon and tim fighting or melanie going fuckin ham, thats the shit I actually listened for. In season 5 it’s all just walking and talking with jon and martin and while that doesnt sound bad, NOTHING ACTUALLY HAPPENS BETWEEN EPISODES. they just talk about the same things, have bad communication and maybe have a few cute moments so that it isnt all doom and gloom, but besides that there’s not actual substance. tma was a show where it kind of caters to two groups, the lot who just want short horror stories read by a random ass british dude and the lot who want plot and character interaction. Seasons 1-4 had both but season 5 was majority just horror anthology. That’s not a bad thing in concept, but it’s a bad thing if you suddenly get rid of most characters and decimate anything actually interesting for the remaining characters to talk about other than “what do you think will happen,” “where do you think this person is,” and random exposition, exposition which is so constantly repeated that characters within the show bring up how it’s said so often.

What frustrated me so much about the finale was that there was literally no need for it. We’ve spent nearly 30 episodes being told everything, more than everything, about this apocalyptic world, yet when it comes to the finale it’s ALL up to interpretation? I’ve listened to so much shit about this world that really failed to interest me all, telling myself itll be worth it for the ending, just for it to end with “i dont know, you decide.” It really feels like a fuckin punch in the gut. It was predictable (which isn’t always a bad thing, but this was VERY predictable) and unsatisfying. I know I’m not alone on this either, I’ve spoken to friends who have thought the exact same thing. It was altogether just a very disappointing end to such a fantastic show.

Personally, I feel like it could have ended pretty nicely at season 3 or 4, maybe jon could have died at the end of season 3, leaving martin behind to deal with elias plans, thats pretty tragic. Or at the end of season 4 maybe jon could have actually killed jonah himself and then run away with martin to safe house, maybe they decide to start a new life there and they never hear from Basira, Melanie or Georgie again, neither of them know what Dasies fate was. Obviously this is just off the top of my head, and I’m pretty sure Jonny had this planned out from the start. I think he still made an incredible piece of media, it get me out of a really bad case of art block and basically carried me through the first lockdown, but I think it’s the execution that let it down in the end.

I don’t know. this is all just me rambling, but I figured I had to let it all out somewhere. magnus was a great experience and I’m glad I got to be a part of the fandom while it was arguably at it’s peak. I’ll definitely keep an eye on rusty quill and jonnys works, but I have to say that I’m just really dissappointed with how magnus ended after the amazing run it had.