#ops416:intro
Explore tagged Tumblr posts
Text
( oscar isaac. cis-man. he/him ) in krovograd , survival is a test of both skill and morality — will CASIMIR MAZARIEGOS withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “THE DOG THAT WEEPS AFTER IT KILLS IS NO BETTER THAN THE DOG THAT DOESN'T. MY GUILT WILL NOT PURIFY ME.” our records confirm they are a FORTY-EIGHT year old SENIOR SCIENTIST , assigned to VESTIGE for TWENTY-TWO YEARS field reports describe them as DILIGENT & OBSERVANT , though firsthand accounts suggest they are equally DISCONTENTED & COMPLACENT under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind SON OF NYX ( HOZIER ). maybe it's just a coincidence. or maybe , it says everything.
>> BACKGROUND
casimir is the only son of a prominent law professor and famed physicist. academia always existed as a potential in his peripheral— there’d been no need to urge him into it. he takes to it naturally.
he’s recruited while still in grad school, participating in an internship funded by vestige, which segues into a scientist position upon the completion of his phd. back when he’s still young, bright eyed, and immensely hopeful about making a difference.
where did it all go wrong? [what was once a question for him to push aside grows into a demand he’s unable to ignore.] he becomes one with vestige, but the gravity of such takes several years to set in. for the sense of what’s been lost to settle in.
the more he uncovers in his research, the farther he finds himself falling. he knows that the point of no return will soon arrive.
>> FUN FACTS
brilliant
disillusioned
existential crisis
obsequious
caffeine dependency
a team player!
#ops416:intro#intro : casimir#took so long#so few words#but all the necessary info to plot and write hehe
2 notes
·
View notes
Text

VIKTOR LVOVICH BOYATA. FIELD OPERATIVE, BLACK VEIL.
❄️ ( john david washington. cis male. he/him/his ) in krovograd , survival is a test of both skill and morality — will VIKTOR LVOVICH BOYATA withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “I'M AN INSTRUMENT. I HAVE NO TIME FOR FEAR.” our records confirm they are a 40 year old FIELD OPERATIVE , assigned to BLACK VEIL for SEVEN YEARS. field reports describe them as QUICK-WITTED AND DISCIPLINED , though firsthand accounts suggest they are equally UNBENDING AND ABRASIVE under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind PRAY FOR ME ( THE WEEKND AND KENDRICK LAMAR ). maybe it's just a coincidence. or maybe , it says everything.
DATA.
Full Name: Viktor Lvovich Boyata
Age: Forty (b. 2 September 1965)
Pronouns: He/him
Orientation: ?
Affiliation: Black Veil (beginning c. 1999)
Occupation/Rank: Field Operative
Place Of Origin: Krovograd (prev. USSR)
Ethnicity: Black (Congolese)
Languages spoken: Russian, Swahili, French, English
Known family: Leon Boyata (father); Antoinette Elenga (mother)
TIMELINE.
1961 - Leon Boyata and Antoinette Elenga, immigrants from the Democratic Republic of the Congo, are students at a Soviet university. They begin a relationship, and are married before the end of the year.
1966 - Their only child, Viktor, is born in Krovograd, where Leon works in one of the research facilities as an engineer. He is given a Slavic name and a patronym, observing the culture of their new homeland.
1972 - Leon dies in a factory accident. Antoinette is forced to take on work to support herself and her young child.
1983 - Antoinette dies of cancer, leaving her son as an orphan at seventeen years old.
1984 - Viktor joins the military, training and achieving the rank of sergeant. He continues to make a military career, serving primarily in the district close to Krovograd.
1991 - With the fall of the Soviet Union, Viktor's army service comes to an end. He begins a career with the police and joins a local militia to fill the void, and to attempt to bring some order in his home town.
1999 - After several years of resistance, Viktor opts to join the Black Veil, initially considering it it an opportunity to continue defending the only home he knows.
2005 - As a field agent, he plays an instrumental part in the Black Veil's action to seize the underground. If he has any reservations about what the organization is doing, he's never spoken about it.
2006 - Viktor has little left to him except his duty to the Black Veil. He still tells himself that it is necessary to keep Krovograd safe from the encroachment of outsiders
INTERVIEW.
001. WHAT'S YOUR STORY? ARE YOU KROVOGRAD-BORN, NEWLY DEPLOYED, OR JUST ANOTHER POOR SOUL WHO ENDED UP IN THE WRONG PLACE AT THE WRONG TIME?
“Krovograd-born,” he answers easily, though he knows it probably shows just from how he speaks. He's calm, his back ram-rod straight as one finger taps against his thigh. “But if you're asking how I got here: my parents came to the Soviet Union to attend school. Seeking stability when they left their homeland.” He scoffs, the notion obviously ridiculous to all parties in retrospect. “Imagine, looking for stability. In a place like this.”
002. THE CITY IS A WARZONE, CRAWLING WITH THINGS THAT SHOULDN'T EXIST. WHAT'S YOUR TAKE ON ALL OF THIS? FEAR, DUTY, OR SOMETHING ELSE ENTIRELY?
“I am doing my job,” he says shortly, his eyes glinting in the dim light as they speak. “It's not my job to ask questions. Only what I need to know.” He pauses a moment, then shakes his head. “I'm not afraid. I wouldn't have made it this far if I was, would I?” Though his expression is dispassionate, he looks away for a moment. “I do what needs doing. That's all.”
003. OUT HERE STRENGTHS KEEP YOU ALIVE, WEAKNESSES GET YOU KILLED. TELL ME, WHAT'S YOUR BEST ASSET IN A SURVIVAL SITUATION? AND WHAT'S GOING TO BE YOUR DOWNFALL?
Viktor sighs, growing irritated by the questioning now. “I'm prepared for anything,” he says simply. “And I appreciate challenges. As for my weakness?” He smiles wryly, a challenge in his dark eyes. “...I don't play well with others.”
004. DESPERATION MAKES PEOPLE DO UGLY THINGS. WHERE DO YOU DRAW THE LINE? OR SHOULD I ASSUME THERE ISN'T ONE?
“My livelihood comes from doing ugly things,” he points out as he stands. “Someone has to do the ugly things, sometimes, if they want anything to change.” He leans in close, looming, his voice low. “You would be wise not to make assumptions about me. Or anyone in this city. The people of Krovograd have all done what they needed to survive.”
3 notes
·
View notes
Text
𝗔𝗣𝗣𝗟𝗜𝗖𝗔𝗧𝗜𝗢𝗡 ⸻
⸻ ◜ ❏ . ⸻ in krovograd , survival is a test of both skill and morality — will ��VANESSA BELACQUA withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “ MY FATHER IS THE WORST MAN ALIVE, AND I AM HIS FAVORITE DAUGHTER ” our records confirm they are a THIRTY year old BARTENDER AT THE RUSTY ANVIL TAVERN , assigned to THE LOCALS for A YEAR ( 10 YEARS ). field reports describe them as CLEVER & INDEPENDENT , though firsthand accounts suggest they are equally RECLUSE & SARCASTIC under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind HEATHENS ( TWENTY-ONE PILOTS ). maybe it's just a coincidence. or maybe , it says everything. ⸻ death tw , murder tw .
𝗚𝗘𝗡𝗘𝗥𝗔𝗟 ⸻
FULL NAME﹕ vanessa belacqua .
NICKNAME(S) / TITLE(S)﹕ unknown .
D.O.B﹕ march 21st .
AGE﹕ 30 .
ZODIAC﹕ aries .
GENDER﹕ cis woman .
PRONOUNS﹕ she / her .
ROMANTIC ORIENTATION﹕ heteroromantic .
SEXUAL ORIENTATION﹕ heterosexual .
OCCUPATION﹕ bartender / maager at the rusty anvil tavern .
𝗔𝗣𝗣𝗘𝗔𝗥𝗘𝗡𝗖𝗘 ⸻
FACECLAIM﹕ melissa barrera .
EYE COLOR﹕ brown.
HAIR COLOR﹕ dark brown.
BUILD﹕ slim .
HEIGHT﹕ 5’7’’ .
WEIGHT﹕ 60 kg .
MARKS / SCARS﹕ vanessa has many scars all over her body . her back has gashes , rib cage gash , scars from broken bones .
𝗣𝗛𝗦𝗬𝗖𝗢𝗟𝗢𝗚𝗬 ⸻
TROPES﹕ax-crazy , dark and troubled past , dark secret , abusive parent , the alcoholic , brilliant but lazy , snark knight , broken bird , jerk with the heart of gold .
MORAL ALIGNMENT﹕ chaotic .
TEMPERAMENT﹕ melancholic .
DEADLY SIN﹕ wrath , sloth .
ELEMENT﹕ fire .
MENTAL CONDITIONS / DISORDERS﹕ ptsd / depression .
EMOTIONAL STABILITY﹕ barely there .
FEAR(S)﹕ her father finding her .
ALCOHOL USE﹕ she's an alcoholic .
PRONE TO VIOLENCE?﹕ yes .
DRIVES / MOTIVATIONS﹕ herself , gregor .
POWERS + SKILLS﹕ survivability , durability , stamina , bilingualism , physician , reflexes , bilingualism , genius-level intellect , master scientist , & some hacking skills.
𝗕𝗔𝗖𝗞𝗚𝗥𝗢𝗨𝗡𝗗 ⸻
if you were to ask her about her past, you will get nothing and given her scars , it wasn't a pretty one. growing up vanessa had a mother and 4 other siblings. given her father works in science and the people he worked for , JOHNATHAN BELACQUA'S family never lacked anything other than his own attention and love for them as he was with his own work.
Her oldest brother passing away when she was 10. his passing somehow brought the family closer and her father's interest in his children. Vanessa wanting her father's every attention took interest in science , to at least have something to bond over with him. Something that came very easy to her. Giving ideas to her father without knowing much on what he was working on, she didn't care as long as she saw how happy he got whenever she inspired something.
they eventually moved to Raccoon city where her father started to work with umbrella. Soon after , her 15th birthday her second oldest sibling would be found near the sewers after his disappearance. While her brother and mother cried , their father showed anger.
Six months after, they would find their father fixing his tie as he handed them the note their mother left them all . walking out on them , it was just the 3 of them now . Vanessa and her brother would take the mantel to do the house chores and cooking while their father would be seen less and less. That is until the THE RACCON CITY INCIDENT , her brother would get bitten. Where she had fear in her eyes, her father saw an opportunity .
the name NIKOLA KARSOV comes up and they eventually leave to krovograd . INCLUDING HER BROTHER . ( she was forced and knocked out the entire flight there ). Craze eyes from her father and being surrounded by people who were clearly sketchy , vanessa took whatever bag her father packed for her and wanted to leave but instead , she was prevented from leaving and kept there. Her father wanting her to be his inspiration as she was when she was younger. Nit picking at her thoughts. Vanessa realized how much of a monster her father was . AFTER ALL , SHE HAD LEARNED THAT HE WAS THE REASON WHY MOST OF HER FAMILY IS NOW DEAD ... HER MOTHER NEVER ABANDONING THEM. there were many times vanessa would try to escape at every chance she got . Wanting to put her turned brother out of his misery or at least his body .
it wasn't until a year and a half ago that vanessa would succeed in her escape. Of course , she took one of her father's eyes out in the process. Being shot at and running to get away from them in nothing but a while nightgown and barefooted , vanessa didn't know how or when to stop. Causing her to trip down a cut bank and into the waters. the current dragging her body where she passed out and simply was tired of fighting back with already two bullet wounds in her .
OLD MAN GREGOR was the one who found her and took her in. Nursing her to good health. Gregor realized something wrong when it came to her and the black veil ... how she would hide when she recognized one or two. Hiding herself , it's when Gregor started spreading out the lie about her being his grand niece. He pretty much took to her as his own daughter the past year and a half. Vanessa helping him out considering his age . especially around the bar and home. managing it whenever he can't. If anything , gregor taught her how a father should be ....
blunt, strong, and guarded. Old man Gregor calls her “a hard-drinking short-fused mess of a woman. but a good kid none-the less” Vanessa doesn’t mince words, and she doesn’t waste time on people who get in her way. If aggravated or extremely annoyed by someone in her disfavor, Vanessa could become an intimidating figure.
However, the combined trauma of losing her family and experience with her father has also made her a somewhat unstable individual. She suffers from Post-Traumatic Stress , occasionally undergoing hallucinations and flashbacks of her time in her father's grasp. In these instances she can act out more erratic and violent such as punching the window of the bar or breaking a bottle or two. Gregor taught her a way to cope that whenever her PTSD is triggered. a mantra she repeats to center herself.
Vanessa tends to still hide from the black veils or anyone she thinks might be. Not knowing whether her father think she's dead or he is still looking for her.
2 notes
·
View notes
Text
𝚂𝙷𝙴 𝙽𝙴𝙴𝙳𝙴𝙳 𝚃𝙾 𝙷𝙾𝙻𝙳 𝙴𝚅𝙴𝚁𝚈𝚃𝙷𝙸𝙽𝙶 𝚄𝙿 𝚃𝙾 𝚃𝙷𝙴 𝙻𝙸𝙶𝙷𝚃 𝙰𝙽𝙳 𝙴𝚇𝙰𝙼𝙸𝙽𝙴 𝙸𝚃 ⸺ 𝙻𝙾𝙾𝙺𝙸𝙽𝙶 𝙵𝙾𝚁 𝚃𝙷𝙰𝚃 𝙳𝙴𝚅𝙸𝙻'𝚂 𝚆𝙰𝚃𝙴𝚁𝙼𝙰𝚁𝙺 .
FULL NAME. MADALENA PAVIA. NICKNAME(S) / ALIAS(ES) . MAD / MADS / LENA, FREQUENTLY REFERENCED AS 'DOC' AMONG THE HOUNDS. AGE . THIRTY - TWO ( 32 ) GENDER + PRONOUNS . CIS WOMAN + SHE / HER ORIENTATION. TBD ALLEGIANCE. BSAA / GHOST HOUNDS. ONE MAY GO SO FAR AS TO SAY HUMANITY.
" YOU JUST KEEP LOADING YOUR LEAD, BOYS, AND LEAVE THE HARD STUFF TO ME . "
i. SELECTION OF ENTRANCE INTERVIEW.
001. WHAT'S YOUR STORY? ARE YOU KROVOGRAD-BORN, NEWLY DEPLOYED, OR JUST ANOTHER POOR SOUL WHO ENDED UP IN THE WRONG PLACE AT THE WRONG TIME?
> "You know it's misattributed to Oscar Wilde, that phrase ⸺ 'a burnt child loves the fire,'" In the dim room behind a warped metal table, the woman's upright posture is incongruous. Taut, where everything around her is malformed and slouching. Almost elegant. Unfitting. Like silverware stuck upright in barren fields. "It doesn't actually appear in any of his published works. The proverb in actuality is 'dreads'." Dreads. The word, exposed to oxygen, expands. Fills the room. Dr. Pavia's gaze stays momentarily on the surface in front of her before sliding off. "Early in my career I worked with a specialized tactical unit, not unlike the Hounds. I left that to focus on working in non-combat setting. I thought I could reach more people that way. Do more. I was still in the field with WHO when the Hounds recon brought back word of Karsov and the virus. So they came to me."
002. THE CITY IS A WARZONE, CRAWLING WITH THINGS THAT SHOULDN'T EXIST. WHAT'S YOUR TAKE ON ALL OF THIS? FEAR, DUTY, OR SOMETHING ELSE ENTIRELY?
> "My father was a man not unlike Karsov." If there is pain in the reveal of this violent truth, her face does not display it. "I may not love or dread the fire but I am... acclimatized to it. I'm used to the heat. To Hell. It's where I grew up. "I'm here because I can be. Because I can withstand it. ⸺ That makes it my obligation."
ii. SELECTION OF DOSSIER trigger warnings for this point forward: vague discussions of criminal acts, terrorism, disease
THE NAME THAT SHE SHARES WITH YOU IS NOT THE ONE SHE WAS BORN WITH. that’s an unhelpful way to start a story, no? by telling you that the fact presented to you first, the very start of it all, is not true. it may call into question that which follows it; or it may even make you reexamine everything. that’s why it’s the only way to start. the only fair beginning. this whole story, all of it, from top to bottom and beginning to end, is about what sits behind the silk screen. the difference between experience and reality. let me explain,
she is born in cuba within a house of many doors. it has many doors because it is large, and long, and grand, because the man who built it needs many ways to leave, because he requires a thousand ways to trick his enemies. her father built this house, and in many ways, he built her too — purposefully, with intent and protracted fingers. this man who builds, he also creates. from nothing, he would say, like god. this is why the man has many enemies — he seeks to remake the world. faith & science can coexist, he says: because i believe completely in my own ability.
honestly yall i dont got it in me. proceed to sparknotes
TL;DR. MADALENA PAVIA, as you know her, is the daughter of the former co-head of international criminal organization (think SPECTRE), who was at his core a mad scientist & bioterrorist. there is evidence to suggest she may not have been a naturally conceived child, and has altered genetic coding ⸺ to what extent madalena does not know & doesn’t intend to find out. she’s raised a sharp and capable object in the criminal sphere, meant to succeed him. instead she comes to reconcile with her father being an individual uniquely suited to change the world while instead using said gifts to burn it down. she culls contact with her father + moves to spain before being approached by a reconnaissance agent at age twenty-three, subsequently assisting in an effort that would see him caught & killed. after attaining her masters madalena begins work for a counter-terrorism organization not unlike the ghost hounds. her tenure in that squad lasts only 3 years before she leaves, feeling herself most capable of aiding humanity by utilizing her talents elsewhere + in personal contact with those in need. prior to being recruited by the ghost hounds, she spent several years as a WHO doctor + field biologist.
iii. MISCELLANEOUS
among the greatest minds of her generation and responsible for one of the largest scientific breakthroughs of the last few decades known as APIX-9, though colloquially known as the 'apex vaccine,' a vaccination which stunts numerous parasite-borne illnesses & renders the vaccinated person immune thereafter. this combined with field/combat experience and her... unusual... upbringing, made her the go-to call when recon on the sable virus broke. help me obiwan ur my only scientific hope !
more recently has had success in developing a treatment which slows cellular metabolism & turnover; while not a cure, it can decelerate the progress of diseases which effect cells (leukemia, lymphoma, autoimmune etc). not yet available to the public and only recently past initial testing stages, she intends to utilize this serum on krovograd's infected and hope it buys more time while she studies sable + works on (hopefully) (hahah) an antidote
once spoke at a congressional hearing in washington and went 90s-viral for calling the america government + those seated at congress "a poisoned well the likes of which i have only seen in starving desert cities and fairytales" after the u.s. refused to intercede in a humanitarian crisis in mali due to an concurrent civil war
pioneer of the office siren look i'll tell u that much
has a very humble take on her own work + is the antithesis to playing god. she is the very human shoulders pushing back against god's great hands. she intends to sit his (and any vestige scientists playing in that shadow) ass down where it belongs
as im sure u can tell she has partially reached this place because of an upright moral compass, and part because of a deep, immovable guilt for the evils her father inflicted on the world. the sins of the father become the duty of the daughter, and all<3
4 notes
·
View notes
Text

suffer does the wolf — crawling to thee .
( emilia clarke. cis woman. she/her ) in krovograd , survival is a test of both skill and morality — will AOIFE VALENTINE withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “I’M MORE WOLF THAN WOMAN, ANYWAY.” our records confirm they are a THIRTY year old ALPHA - 04 , assigned to GHOST HOUNDS for 2 YEARS. field reports describe them as AMBITIOUS, COMPASSIONATE , though firsthand accounts suggest they are equally MISTRUSTING, IMPULSIVE under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind STARBURSTER ( FONTAINES DC ). maybe it's just a coincidence. or maybe , it says everything.
𝘣𝘢𝘴𝘪𝘤𝘴
full name : aoife ( ee - fah ) valentine age : thirty gender / pronouns : cis woman she / her orientation : bisexual occupation : alpha - 04 , assigned to ghost hounds
𝘱𝘩𝘺𝘴𝘪𝘤𝘢𝘭
eye colour : blue hair colour : silver build : petite, muscular height : 5′1″ piercings : ear lobes, tragus and helix tattoos : neck, left arm, right hand distinctive features : white hair and stern eyes face claim : emilia clarke
𝘣𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥
disclaimer — i know next to nothing about the american education system so ignore and mistakes in my google research below!
born in dublin, ireland to an american mother and an irish father, aoife valentine was faced with struggle from the beginning. inner city dublin in the 1980s was a mountain to climb rather than a life to live — and the valentine family climbed and climbed, even when the rocks fell out from under their ragged feet. a place titled the liberties, where the children ran dirty footed through the streets, where the spirits were high even through the poverty faced by the working class. aoife shared a brilliant mind from a young age, though there resources simply weren't there to nurture her through her schooling. it was suggested, sadly, that she could be brilliant should she attend a school better equipped to aid in her abilities. arguments broke out between a mother who felt there was a life to live across the ocean and a father who had checked out mentally a long time ago. no, he had said, had refused to give their family a chance at something more. resentment built, growing until there was nothing resembling what had once been love between aoife's parents, until her father grew mean and her mother grew angry — and so she left in the night with her eleven year old daughter tucked against her side. she had saved and saved for plane tickets, had put aside what she could for years until they found themselves fleeing to washington d.c. where her mother had some family that they could stay with. in her schooling, aoife began to thrive, but it was socially that she fell back. she was younger, pushed up through her grades and bearing a thick dublin accent which the other kids made fun of. she kept her head down, studied; but she also had a mouth which got her into trouble, which got her bullied or teased. she hated going to school, but she loved the challenge of it, too. she loved that she was good at something, that things went quiet in her head when faced with a scientific equation, with theory regarding old english literature, with a new language to learn. her mother saw a bright future ahead of her, and so she encouraged a fifteen year old aoife to accept the offer from georgetown university to attend early. she was twenty three when she graduated medical school, armed with an excellent education and dreams of becoming a surgeon, of helping others; her career took a hard swing when she found herself enlisting in the navy in order to follow the woman she had been in love with into the army. aoife had met carla in her final years of studies, had fallen deeply and irrevocably, and soon began to share in her ideals of joining the army. bioterrorism was everywhere since the raccoon city incident, people were scared, and she wanted to be a part of something big. she trained, she grew stronger physically than she ever had though she would be capable of. carla would later go missing in action, lost during a classified misison which even aoife knew nothing about. she fell down a rabbit hole of questions and theories, until she finally landed in the bsaa; desperate for answers and in way over her head.
4 notes
·
View notes
Text
❄️ ( isabela merced. cis woman. she/her ) in krovograd , survival is a test of both skill and morality — will KALINA VEGA withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “THAT’S TWENTY POUNDS OF CRAZY IN A TEN POUND BAG.” our records confirm they are a 26 year old CLERK / REPAIR TECH @ KOLMENIK MARKET , assigned to THE LOCALS for HER WHOLE LIFE. field reports describe them as SELF CONFIDENT & PLUCKY , though firsthand accounts suggest they are equally STUBBORN & RECKLESS under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind LINE OF BLOOD ( TY STONE ). maybe it's just a coincidence. or maybe , it says everything.
𝐁𝐀𝐒𝐈𝐂𝐒 …
𝐅𝐔𝐋𝐋 𝐍𝐀𝐌𝐄: kalina mariana vega
𝐍𝐈𝐂𝐊𝐍𝐀𝐌𝐄(𝐒): kali, lina, mari, wrench
𝐁𝐈𝐑𝐓𝐇 𝐃𝐀𝐓𝐄: june 2nd, 1979
𝐀𝐆𝐄: 26 years old
𝐆𝐄𝐍𝐃𝐄𝐑: cis woman
𝐑𝐎𝐌𝐀𝐍𝐓𝐈𝐂 𝐎𝐑𝐈𝐄𝐍𝐓𝐀𝐓𝐈𝐎𝐍: panromantic
𝐒𝐄𝐗𝐔𝐀𝐋 𝐎𝐑𝐈𝐄𝐍𝐓𝐀𝐓𝐈𝐎𝐍: demisexual
𝐑𝐈𝐆𝐇𝐓 𝐎𝐑 𝐋𝐄𝐅𝐓 𝐇𝐀𝐍𝐃𝐄𝐃: right
𝐀𝐄𝐒𝐓𝐇𝐄𝐓𝐈𝐂𝐒: making coffee or tea for the ceremony of it, wearing a necklace like an oath, harebrained ideas that somehow manage to actually work, when livin’ on a prayer isn’t just an 80’s song anymore, unceremoniously blowing curly hair out of her eyes, haphazardly sitting in chairs whilst tinkering with all manner of items, an uncanny amount of optimism (or is it blissful ignorance?)
𝐓𝐇𝐄 𝐈𝐍𝐓𝐄𝐑𝐕𝐈𝐄𝐖 …
001. WHAT'S YOUR STORY? ARE YOU KROVOGRAD-BORN, NEWLY DEPLOYED, OR JUST ANOTHER POOR SOUL WHO ENDED UP IN THE WRONG PLACE AT THE WRONG TIME?
“born and raised . . . albeit tragically so but—” she clicked her tongue and shrugged. “what can ya do, right? i keep myself busy, fully enjoy working at the outpost and tinkering with the stuff that comes through.” at this point, was she even paying attention? what with her leaning back in her chair so her head hung over the back as she spun aimlessly. “if you ignore all the, ya know, stuff that’s in the town it’s not so bad. i mean, we could be in cleveland.”
002. THE CITY IS A WARZONE, CRAWLING WITH THINGS THAT SHOULDN'T EXIST. WHAT'S YOUR TAKE ON ALL OF THIS? FEAR, DUTY, OR SOMETHING ELSE ENTIRELY?
kali thought for a moment, as if actually considering the question posed to her. “survival? obviously it’s extremely unnerving seeing those things around, even worse if you catch a glimpse of what the infection does to people but—” she let out a sigh, waving her screwdriver around in the air, as if trying to write out her thoughts. “if you let the fear take ahold of you too strongly, you’re no good to anyone, right?”
003. OUT HERE STRENGTHS KEEP YOU ALIVE, WEAKNESSES GET YOU KILLED. TELL ME, WHAT'S YOUR BEST ASSET IN A SURIVIAL SITUATION? AND WHAT'S GOING TO BE YOUR DOWNFALL?
“i’m stubborn.” she snorted to herself, flipping the pencil between her fingers. “no but, i’m pretty handy at things actually. it’s why i’m good at my job, that’s not to sound self absorbed or over confident or anything. i just know my limits, and i know i can pick up things quickly, and I’m pretty good at figuring out solutions under stress.” she pointed the pencil at the other. “but my inevitable downfall? i leap before i look, every time. i’m natural selection’s poster child. if i have nine lives I’m probably down to 2 by now. so my recklessness will probably get me killed before anything else.”
𝐁𝐈𝐎𝐆𝐑𝐀𝐏𝐇𝐘…
So, you want the nitty gritty? The down dirty, all the real prime time facts about one Kalina Vega? Well I hate to break it to you, but if you’re looking for an award winning novel or exposition then I’ll point you to your nearest bookstore. But if you want the straight up facts and figures? Then let’s go, babe.
Born to a single mother and plethora of parental figures in town, Kalina had a host of influences in her life that leas to quite a well rounded individual as she grew up. She learned to fix practically anything with a wire or electrical current from their neighbor, developed a love for murder mysteries thanks to the former author a few doors down. Anything a misfit could learn in their adolescence and beyond, Kali did.
School came rather easily to her, though she was a truly horrid tester. So she ironically graduated early, but went to college for a degree in auto mechanics.
Her second year of college abroad was the year that the Umbrella incident happened, and news of it spread to her campus. She’d gotten enough credits to graduate by then, and quickly did so before moving back home before anything got worse. Maybe that was stupid, but she couldn’t live with herself if something happened to her grandfather while she was away (her mother having left town not long after Kali left for college, without so much as a word about it).
Girl’s got the survival instincts of a cockroach and the 9 lives of a cat, so as things did progressively get worse in Krovograd, Kalina faced them with a almost dumb sense of optimism. She started working at the Kolmenik Market, helping out and fixing things that came through, not to mention offering her fix-it skills around town in general.
As things have snowballed into borderline hysteria over the last few years, Kalina has done her best to keep herself busy and help where she can. She doesn’t like being left with her own thoughts, cause that’s when the anxiety and fears creep in. She’s not avoiding the problems per se, she’d doing everything to not let the worry take its toll.
She’s got a heart of gold, a plan b / c / d and e if plan a doesn’t work out, and almost never leaves home without her satchel full of tools. She’s quick on her feet and is pretty great at solving problems under stress, but starts babbling if she gets scared. Kali’s almost always blasting some 80’s song on her portable cassette player, and she makes a stew that’ll feel like a hug in and of itself. So grab a chair and hang out with her at the market, eh? She could use the company.
3 notes
·
View notes
Text
¹ ✱ 𝘁𝗵𝗶𝘀 𝗹𝗼𝘃𝗲 𝗶𝘀 𝗴𝗲𝘁𝘁𝗶𝗻' 𝗸𝗶𝗻𝗱 𝗼𝗳 𝗱𝗮𝗻𝗴𝗲𝗿𝗼𝘂𝘀 , feels like it's a loaded gun … my - my , it's turning like a cloud of dust . my heart always wants to run . if you want a cowboy on a white horse ridin' off into the sunset , if that's the kind of love you wanna wait for hold on tight , girl , i ain't there yet . . . no , i ain't there yet .
❄️ ( barry sloane. cis man. he/him ) in krovograd , survival is a test of both skill and morality — will COOPER “BEAR" RILEY withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “TELL ME, LOVE— D'YOU ALWAYS SOUND THAT GOOD OVER COMMS, OR IS IT JUST ‘CAUSE I'M LISTENIN’?” our records confirm they are a 44 year old CAPTAIN / SQUAD LEADER ( BRAVO-06 ) , assigned to THE BSAA ( SHADOW PACK ) for 5 YEARS. field reports describe them as LOYAL LIKE A DOG AND WITTY , though firsthand accounts suggest they are equally COMICALLY RECKLESS AND OVER DRAMATIC under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind WHITE HORSE ( CHRIS STAPLETON ). maybe it's just a coincidence. or maybe , it says everything.
✱ 𝙵𝙾𝚁 𝙵𝚄𝙻𝙻 𝙱𝙸𝙾𝙶𝚁𝙰𝙿𝙷𝚈 𝙲𝙻𝙸𝙲𝙺 𝙷𝙴𝚁𝙴 ( 𝙱𝙴𝚂𝚃 𝚅𝙸𝙴𝚆𝙴𝙳 𝙳𝙴𝚂𝙺𝚃𝙾𝙿 ) [ … ]
✱ 𝙲𝙷𝙰𝚁𝙰𝙲𝚃𝙴𝚁 𝙳𝙴𝚅𝙴𝙻𝙾𝙿𝙼𝙴𝙽𝚃 [ … ]
letters to mary
letters to briggs
✱ 𝙰𝚄𝙳𝙸𝙾 𝙻𝙸𝙽𝙴𝚂 [ … ]
✱ 𝚅𝙸𝚂𝚄𝙰𝙻𝚂 , 𝙶𝙴𝙰𝚁 , 𝙴𝚃𝙲 [ … ]
tbd!!!
✱ 𝙲𝙷𝙰𝚁𝙰𝙲𝚃𝙴𝚁 𝙸𝙽𝚃𝙴𝚁𝚅𝙸𝙴𝚆 [ … ]
[ the camera flickers , adjusting to the dim light of the bunker. cooper leans back in his chair , one arm draped lazily over the backrest. his other hand absentmindedly rubs at a scar on his forearm. there’s an amused glint in his eye — like he’s not sure if he’s taking this seriously or just waiting for the moment to take the piss out of it. he exhales through his nose , smirks , and starts talking ]
[ 001. ] WHAT'S YOUR STORY? ARE YOU KROVOGRAD-BORN, NEWLY DEPLOYED, OR JUST ANOTHER POOR SOUL WHO ENDED UP IN THE WRONG PLACE AT THE WRONG TIME?
cooper leans back, arms crossed, a lazy smirk tugging at the corner of his mouth. “oh aye, i’m krovograd-born and raised, proper local, me. grew up just round the corner from that abandoned meat factory. used to play footie with the lads right next to the bioweapon dumpsite. good times.”
he snorts, shaking his head. “nah, mate. i’m just another poor bastard the higher-ups threw at the problem hopin’ i’d make it go away. bsaa stamped ‘bravo 06’ on me arse and said, ‘go on then, fix it.’ been runnin’ clean-up ever since. but let’s not pretend i’m the hero of this shite story. wrong place, wrong time? maybe. but if you ask me, this whole place was fucked long before i got here.”
for a moment, he drums his fingers against his knee, eyes flicking away. he thinks of briggs. of how this mission wasn’t meant to be his alone. but he pushes that thought down, lets the smirk return. “anyway, stick with me, sweetheart, and you might just make it out of ‘ere in one piece. no promises, though.”
[ 002. ] THE CITY IS A WARZONE, CRAWLING WITH THINGS THAT SHOULDN'T EXIST. WHAT'S YOUR TAKE ON ALL OF THIS? FEAR, DUTY, OR SOMETHING ELSE ENTIRELY?
cooper lets out a low whistle, shaking his head. “oh, it’s a bloody nightmare, innit? place looks like some poor bastard’s fever dream. if i weren’t knee-deep in the shite meself, i’d be proper impressed.”
his fingers toy with the strap of his vest, a small movement, something to keep his hands busy. “fear’s a funny thing. pretend you don’t feel it, and it’ll chew you up from the inside out. let it settle in too deep, and you’re already dead. i like to sit somewhere in the middle—aware enough to stay sharp, but not losin’ sleep over it.”
then, he grins, tilting his head. “duty? aye, sure. let’s go with that. makes for a better story, doesn’t it? the good ol’ captain, fightin’ for queen and country… or whatever the bsaa equivalent is. truth is, i just don’t like leaving a job half-finished. someone’s gotta clean up this mess, might as well be me.”
his smirk fades for just a second. “and besides… got too many ghosts followin’ me around as it is. don’t need to add any more names to the list.”
[ 003. ] OUT HERE STRENGTHS KEEP YOU ALIVE, WEAKNESSES GET YOU KILLED. TELL ME, WHAT'S YOUR BEST ASSET IN A SURVIVAL SITUATION? AND WHAT'S GOING TO BE YOUR DOWNFALL?
he barks out a laugh, hands spreading wide. “best asset? well, i’d say me charm, but these shitebags don’t seem too keen on sweet talkin’. shame, really. i’d have ‘em eatin’ out of me hand if they had any brain cells left.”
then, with a cocky tilt of his head, “nah, it’s me instincts. i know when to run, when to shoot, and when to shut the fuck up—though i don’t do that last one very often. i read people well, read situations even better. saved me arse more times than i can count.”
as for his downfall? he rolls his tongue over his teeth, exhaling sharply. “ah, well. that’s easy. i’ve got a bad habit of givin’ a shite.” his grin doesn’t quite reach his eyes. “for all the talk, i get too bloody attached. to people. to promises. to the idea that i can walk out of this in one piece. that’s what’ll get me killed. or worse.”
he shrugs, brushing it off like it’s nothing. "but, y'know, live fast, die dramatically, that’s the plan."
[ 004. ] DESPERATION MAKES PEOPLE DO UGLY THINGS. WHERE DO YOU DRAW THE LINE? OR SHOULD I ASSUME THERE ISN'T ONE?
cooper sucks in a breath through his teeth, tilting his head like he’s considering it. “that’s a tricky one, ain’t it? ‘cause everyone’s got a line—until they don’t.”
he leans forward, resting his elbows on his knees. “see, i’ve seen desperate men do worse things than the monsters crawlin’ round out there. i’ve been one of ‘em, once or twice. so nah, i ain’t gonna sit here and say i’m above it all. if it’s me or them? easy choice.”
then, his voice lowers, and for a brief moment, the weight of it all presses against his spine. “but if you’re askin’ me what i won’t do… i won’t leave me people behind. not again.”
there’s a flicker of something in his eyes—guilt, grief, a ghost that refuses to rest. but it’s gone just as quick, smothered under a half-smile. “now, that’s enough of the deep shite. you fancy buyin’ me a drink, or are we just gonna keep havin’ this heart-to-heart in the middle of the apocalypse?”
3 notes
·
View notes
Text
ODE TO THE WOLF IN WAIT, AN EXPLORATION OF WAR AS THE ONLY CONSTANT YOU'VE KNOWN: BRUTAL & UNRELENTING, WANTING AS A SICKNESS ROTTING FROM WITHIN, AND DEVOTION AS INEVITABLE RUIN.
NAMED CALLUM FOSTER, ALEKSANDER BREMOVYCH. KNOWN AS WULFE; CAL ( PREFERS TO BE CALLED FOSTER, ITS LESS PERSONAL. ) AGE FORTY YRS OLD. ORIGIN ▇▇▇▇▇▇▇▇▇. GENDER CIS MAN. PRONOUNS HE/HIM. ORIENTATION UNLABELLED. OCCUPATION MARKSMAN ( BRAVO-O1 ). FACECLAIM EDDIE REDMAYNE.
INSPIRED BY MIKAEL BLOMKVIST ( THE GIRL WITH THE DRAGON TATTOO ), DAVID PERCIVAL ( ATOMIC BLONDE ), RAOUL SILVA ( SKYFALL ), BORIS PAVLIKOVSKY ( THE GOLDFINCH ), JAMES BOND ( SELECTIVELY )
HEIGHT FIVE ELEVEN. HAIR AUBURN, WITH A SLIGHT UNBEHAVIORAL WAVE; GROWN OUT TAPER. EYES DARK GREEN. ACCENT NONDESCRIPT; EUROPEAN INCLINATION. POSITIVE TRAITS INTREPID, DOGGED, METICULOUS. NEGATIVE TRAITS OBSESSIVE, INTRACTABLE, MORALLY STREWN.
2 notes
·
View notes
Text
❄️ ( melisa pamuk. cis woman. she/her ) in krovograd , survival is a test of both skill and morality — will SEDEF KAMALOVA withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “MAY GOD FORGIVE YOU, BECAUSE I WON'T.” our records confirm they are a THIRTY-FOUR year old LAND RESEARCHER , assigned to VESTIGE for 8 YEARS. field reports describe them as CONFIDENT & AMBITIOUS , though firsthand accounts suggest they are equally CRUEL & SELFISH under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind THE HAND THAT FEEDS ( NINE INCH NAILS ). maybe it's just a coincidence. or maybe , it says everything.
i.
NAME SEDEF KAMALOVA. ADDRESSED AS DR. KAMALOVA ⸺STRICTLY, OR ELSE SHE WON'T ANSWER. DOB 15TH JULY, 1972. POB KYIV, UKRAINIAN SOVIET SOCIALIST REPUBLIC ( FORMELY ), NOW UKRAINE . CURRENT LOCATION KROVOGRAD. GENDER CIS WOMAN. PRONOUNS SHE/HER. OCCUPATION FIELD RESEARCHER, BIOLOGIST, CHEMIST, GENETICIST ETHNICITY TURKISH NATIONALITY UKRANIAN LANGUAGES SPOKEN UKRANIAN, RUSSIAN, TURKISH & ENGLISH EDUCATION MOST NOTABLE DEGREES INCLUDE PHD IN CHEMISTRY FROM KHARKIV NATIONAL UNIVERSITY & A PHD IN CELLULAR BIOLOGY FROM TARAS SHEVCHENKO NATIONAL UNIVERSITY OF KYIV
ii.
SIBLINGS NONE. MARITAL STATUS WED. CHILDREN NONE. HEIGHT FIVE FOOT NINE INCHES.HAIR DARK BROWN. EYES BROWN, UNDER CERTAIN LIGHT ALMOST HAZEL. SCENT MILD TRACES OF TOBACCO AND ETHYLENE MIXED WITH CEDAR & BERGAMOT MYERS-BRIGGS INTP CHARACTER INSPIRATION VICTOR FRANKENSTEIN ( FRANKENSTEIN ) , MAD HATTER ( ALICE IN WONDERLAND ), JULIUS NO ( DR. NO ), MADAME OLIVIER ( THE BIG FOUR ), HARMONY COBEL ( SEVERENCE ), DOCTOR LERNE ( LE DOCTEUR LERNE, SOUS-DIEU )
HISTORY general triggers apply.
1886 ⸺ the first kamalovs make their way across the border and settle in a city called kyiv. they come as doctors and diplomats, offering a cultural exchange. they're not originally called kamalovs, but years of cultural integrations result in the surname kamalov - derived from the name kamal, of her great ancestor.
1967 ⸺ altan kamalov and dilara giray are wed in podil, the old district of kyiv. altan kamalov, at the time, is most notably known as a prominent soviet politician, while dilara giray is best known for her work as a diplomat.
1972 ⸺ the birth of sedef marks a new chapter for the kamalovs. up until this point, they're politicians, doctors and engineers. nothing smaller and something grander is certainly expected from sedef.
1988 ⸺ at 16, sedef gradutes a year earlier than her peers and leaves high school behind to pursue a higher education.
1989 ⸺ at 17, she enrolls in taras shevchenko national university of kyiv, focusing respectively on a dual-degree program ⸺ one in biology and one in chemistry. no one can deny that sedef is a brilliant woman of science. what they fear, instead, is how that geniusness threatens to unfold.
1992 ⸺ despite the fall of the soviet union a year prior, the kamalovs remain safe and mostly untouched, and now with two degrees under her belt, sedef is for the first time contacted by vestige pharmaceuticals. in the same year, she visits krovograd for the first time / becomes an associate for the vestige pharmaceuticals. they offer her a contract at just the age of 21, but she refuses. she wants a masters first.
1993 ⸺1997 during this period, sedef is only loyal to one goal, which includes furthering her education. she manages to obtain two master degrees and begins working on her first doctorate.
1998 ⸺ her first contract with vestige is signed. she becomes one of the core scientists working on project sable. it's all she's ever wanted from life.
1999 ⸺ sedef, other than working for vestige, makes a breakthrough in her research. while studying the division of cells under the influence of radiation, she succeeds at reviving a dead hound. it's from this moment that sedef thinks she can play god.
2000 ⸺ in the summer of 2000, she leaves krovograd for a brief month to get married. the wedding's certainly not a spectacle, but everyone who is someone is there. she doesn't take her husband's name. that would entail too much paperwork.
2001 ⸺ 2006 in the span between 2001 and 2006, sedef does her best to see her plans and visions come to fruition. she does not fear the mutated, for they are hers, her creation. still, she wants to take things a step further. as of late, she's been researching the cells of dying hollow men. one of them, however, includes the unseen horror. ( girly is working on manmade horrors beyond human comprehension. )
fun facts and extra tidbits !!! ⸺ the kamalovs have always suffered from pulmonary diseases. sedef in turn is a notorious smoker. ( but her family's history of diseases certainly isn't known by anyone ). ⸺ her moral ethics are questionable at best. in recent years, she's become severely cruel and prone to outbursts of ruthlessness. the goal always justifies the means. it's all a playground to her. she wants to see the world burn so she can build it anew.⸺ she's certainly the type who, when infected, lies until the very end and tells everyone that nothing's wrong.⸺ the basic rule of keeping sedef on your side is very simple. don't question her motives or ethics and don't get in her way. ⸺ believes that her discoveries and findings are a gift to humanity. in a sense, they are but at what cost? ⸺ developed a 'bio-weapon' that's not much talked about, but basically, she isolated snake venom and managed to turn it into vapor, which once inhaled can burn up a person's insides. she has a snake enclosure inside her office, which hosts at least ten snakes.
4 notes
·
View notes
Text
❄️ in krovograd , survival is a test of both skill and morality — will KONSTANTIN IVANOV AMRANI withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “CUT THAT SHIT OUT BEFORE I CUT YOU.” our records confirm they are a THIRTY ONE year old EXPERIMENT HANDLER , assigned to BLACK VEIL for FOUR YEARS. field reports describe them as PERCEPTIVE AND FORTHRIGHT , though firsthand accounts suggest they are equally UNFORGIVING AND CAUSTIC under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind YOU WANT IT DARKER ( LEONARD COHEN ). maybe it's just a coincidence. or maybe , it says everything.
in short,
name. konstantin ivanov amrani. or: kostya. date of birth. january 10th, 1975, thirty one. gender. cis man, he/him. sexuality. heterosexual. ethnicity. serbian & moroccan. nationality. krovograd born. languages. russian, serbian, moroccan arabic, english [and asl]. height. 6'3. career. previously, mercenary for hire. currently, black veil experiment handler.
𝙱𝙾𝚈 𝙰𝚂 𝙰 𝚂𝚃𝚄𝙳𝚈 𝙸𝙽 : how far grey can stretch until it dips into black. old wounds bleeding into the new, staining once-pristine innocence. patience like a bomb. hand outstretched, knife kept hidden behind back. leashed dog that bears its teeth towards all except its owner. beware his grin because it longs for blood! beware his claws because they can find your throat! clipped silence after a gunshot. the power in choosing to follow, in stretching loyalty like taffy. to go without limits, becoming unhuman while remaining mortal. the scent of cigarette smoke flaring in the air. there was a heart here, once. you might hear it beat still.
at length,
born in krovograd to two immigrant parents, konstantin has always been on the outskirts. his father was a petty criminal and his mother stayed at home to take care of him, their only son. soon enough, his father was dragged off to war: another casualty in the sea of thousands. that was the first time kostya learned that to care was a fault, a weakness. because his mother cared so much about his father that the news of his death left her a shell of her former self: she would not eat without him prompting her to do so, she would not bathe without his help, she spent her days staring at the walls in silence. and, slowly, she withered away.
at sixteen, the soviet union fell. at sixteen, his mother died. left to fend for himself in a state collapsing in on itself, kostya turned to crime. petty, at first, like his father, until it grew and grew. until he crossed paths with the wrong person, a mercenary who was blessedly merciful. in exchange for trying to rob him, kostya would repay him by training under him and taking the difficult missions for him. so he did.
nikola karsov finds him in the aftermath of a mission gone wrong, when he's half-bled to death. the man must see something in the bleeding once-boy, because he rescues kostya, brings him from the brink of death. in doing so, he offers kostya a chance at something new: this is how he is introduced into black veil. karsov offers him a purpose beyond senseless killing, and kostya seizes it like a starving dog. he does not know why he's trusted as the experiment handler. he is not the eldest, or the most experienced, despite his background. he assumes it is his undying loyalty towards karsov, that they know he will not run or snitch or betray. and so here kostya is, from one leash to the next, though this one he's wrapped around his throat voluntarily.
3 notes
·
View notes
Text
( jessica alexander. cis woman. she & her ) in krovograd , survival is a test of both skill and morality — will NIKOLINA “NINA” VOLKOVA withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “LOOK BUDDY ━━ IF YOU WANNA GO INTO THE WOODS ALONE, BE MY GUEST. I’LL JUST HELP MYSELF TO YOUR THINGS WHEN YOU DON’T COME BACK.” our records confirm they are a TWENTY-EIGHT year old TRACKER / HUNTER , assigned to THE MINERS for SIX MONTHS. field reports describe them as RESILIENT + ADAPTABLE , though firsthand accounts suggest they are equally SELF-NEGLECTING + INDIVIDUALISTIC under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind ZOMBIE ( BAD WOLVES ). maybe it's just a coincidence. or maybe , it says everything.
DOSSIER & WANTED DYNAMICS
4 notes
·
View notes
Text
( sophie thatcher. cis-woman. she/her ) in krovograd , survival is a test of both skill and morality — will SLAVKO SIDOROV withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “HOW FAST YA THINK I CAN GET RID OF THIS BUILDING? WILLING TO BET MONEY ON IT?" our records confirm they are a TWENTY-SIX year old DEMOLITIONS EXPERT ( ALPHA-02 ), assigned to THE GHOST HOUNDS for FIVE YEARS. field reports describe them as INGENIOUS & WITTY , though firsthand accounts suggest they are equally VOLATILE & IMPETUOUS under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind CHERRY BOMB ( THE RUNAWAYS ). maybe it's just a coincidence. or maybe , it says everything.
>> OPERATIONAL INTERVIEW
WHAT'S YOUR STORY? ARE YOU KROVOGRAD-BORN, NEWLY DEPLOYED, OR JUST ANOTHER POOR SOUL WHO ENDED UP IN THE WRONG PLACE AT THE WRONG TIME? > “krovograd-born and raised,” slavko admits with a lopsided, cheeky smirk. “you’d think i committed treason or some shit with how everyone i grew up around looks at me now.” the sort of look that only arose when you regarded you as scum— similar to shit caked on the bottom of one’s shoe— but different than how they looked at her when she was one of the six sidorov raggamuffins. back then, the look stemmed from her choosing to be something other than invisible— how most people would prefer poor little street kids who’s parents couldn’t give two shits about them. now, the disdain morphed into something akin to treachery. OUT HERE STRENGTHS KEEP YOU ALIVE, WEAKNESSES GET YOU KILLED. TELL ME, WHAT'S YOUR BEST ASSET IN A SURIVIAL SITUATION? AND WHAT'S GOING TO BE YOUR DOWNFALL? > slavko could clear out a building like no other. whether that meant the destruction of the building itself, or clearing it out for the team venture into, she was your girl. “i’ve always been good at blowing shit up, if i do say so myself.” even as a kid, she’d help design mini explosives with her siblings meant to frighten the neighbors— one of her go to pranks. as far as her weaknesses? she’s always had an impulsive and volatile streak, something only aggravated further by this newfound memory loss and tempermentalness. but what kind of fool would she be if she so readily revealed all her cards? “i can be… somewhat of a wildcard when it comes to my line of work, or teamwork in general.”
>> BACKGROUND
the sidorov clan is, like many other families around, comically large and destitute. by the time to get to slavko, any naming traditions regarding gender have gone out the window. any ol name would do, which is how she ends up with the name slavko
when you have as little supervision as the slavko children have, you’re either the type that insists on the straight and narrow, or you roam the streets like the ragamuffin you were born to be. slavko, naturally, fell into the latter category.
she garners a negative reputation for her various hijinks and schemes. when not recruiting other sidorov children, they too fall victim to her pranks. no one is safe.
when you get into as much trouble as slavko, you learn to be quick on your feet. being able to get yourself out of a jam as fast as possible is almost second nature to her.
a time comes where even she’s not able to get herself out of a situation, which is how she winds up working at a construction site to pay off the damages resulting from one of her pranks. this is where she first comes across demolition. why did no ever inform her she could blow up things for a living? perhaps she would’ve actually had something to aspire to in life.
eventually, she’s hired as an actual employee. over time, slavko becomes damn good at her job, so much so that it garners attention from the bsaa. and the rest is history!
>> FUN FACTS
loud
stupid
obnoxious
has accidentally “blown herself” up on multiple occasion, with varying degrees of damage done as a result (partial hearing loss in her right ear, side effects of multiple concussions)
parallels: bender bending rodriguez (futurama), bart simpson (the simpsons), calvin (calvin & hobbes), seth (superbad)
3 notes
·
View notes
Text
( henrique zaga. cis man. he/him. ) in krovograd , survival is a test of both skill and morality — will MATHEUS VASCONCELOS KARAJÁ withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “ON YOUR LEFT, PRIVATE. OTHER LEFT. FILHO DA MÃE, YOUR OTHER OTHER LEFT. FUCK IT, I’M SHOOTING YOU MYSELF.” our records confirm they are a 33 year old RECON SPECIALIST (BRAVO-07) , assigned to GHOST HOUNDS SHADOW PACK for 2 MONTHS. field reports describe them as HONEST & CHARMING , though firsthand accounts suggest they are equally ALOOF & IRRITABLE under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind BRONX SNIPER ( MISTER HEAVENLY ). maybe it's just a coincidence. or maybe , it says everything.
₀₇. basics
birth name matheus vasconcelos karajá. aka mat, vasco [gained in basic training, it's easier to say on radio.] date of birth 1973 december 24th [33.] gender cis man [he + him pronouns.] sexuality heterosexual. career reconnaissance specialist. ethnicity indigenous brazilian, italian, & portuguese. nationality dual citizenship [brazil & portugal.] languages spoken portuguese [1st], english, sign language, conversational spanish
₀₇. career
basic training military academy & spec ops troops center in portugal ranks held lieutenant current squad bsaa strike squad the ghost hounds designation bravo-07 specialization reconnaissance, intel, close-range stealth eliminations skills hand-to-hand combat, gunmanship, tactical combat, stealth
₀₇. analysis
archetype the soldier parallels kyle garrick [cod], simon riley [cod], levi kane [the gorge], carlos oliviera [re], etc. habits smelling of cigarettes even though he says he quit years ago, distrustful towards strangers like a dog barking at the mailman until he stands still, back to the wall always, glaring when he doesn't mean to, glaring when he does mean to, biting the hand that feeds. virtues loyalty, charisma, strategy, compassion, competence. vices introversion, misinterpreting social cues, hyperfocusing, irritability, reservedness
₀₇. backstory
the first memory vasco has is of his mother. she was a journalist, who ventured into active combat to record the stories of those on the ground. she had to retire, though, when a grenade went off so close to her she lost her hearing permanently. in the memory, vasco was asking if it made her sad. no, she signed. i lost something, but gained something. he remembers thinking, but not saying, that she was the best person on the earth.
he doesn't have many memories of his father. he was brazilian military. the entire reason they lived in brazil for vasco's childhood even though all of his mother's family was in portugal was because of him, but he was never home anyways. vasco hated him for it, but in his defense, he really had no other information to go off of. when vasco turned eighteen, his parents divorced. he supposed his mother thought it would ruin his childhood to do it before then. when his mother said she would be moving back with her mother in portugal, he followed.
at eighteen, vasco denounced his brazilian citizenship in order to join the portuguese military. not for his father, who he's sure would have loved to be his inspiration, but for his mother. he was athletic, and his hand was steady, so he shot through the ranks and eventually was recruited into nato.
he was 25 when his father knocked on his mother's door. he'd been injured at work, and begged to stay while he recovered. vasco came home to stay as well, in case he had been lying.
vasco's father certainly didn't look like he was lying. he was sweating, a bit purple in the face, and looked like he couldn't breathe. what vasco knows now as probably a slower-moving version of whatever broke out of raccoon city took hold in his mother's kitchen, and his father went rabid. though someone did show up a bit later, probably realizing that one of umbrella's security guards somehow left the country, vasco had to kill him himself.
after that and some intense psychological evaluations that he lied through his teeth during, vasco gained a keen interest in counter-bioterrism. it was well known in certain circles, and when the bsaa was established he was an easy recruitment decision. due to his decoration and competence in both the portuguese armed forces and nato, vasco was given a non-combat leadership position.
until krovograd takes bravo-07, and it started to look like vasco was the best shot they had at filling the void.
2 notes
·
View notes
Text
𝗔𝗣𝗣𝗟𝗜𝗖𝗔𝗧𝗜𝗢𝗡 ⸻
⸻ ◜ ❏ . ⸻ in krovograd , survival is a test of both skill and morality — will TALIA 'KING COBRA" KILIC withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “ GREAT PLAN. I LOVE THE PART WHERE I ALMOST BLED TO DEATH. ” our records confirm they are a 40 year old SQUAD LEADER ( ALPHA-01 ) / LIEUTENANT , assigned to THE BSAA ( ALPHA PACK ) for 5 YEARS. field reports describe them as CLEVER AND PRAGMATIC , though firsthand accounts suggest they are equally HEADSTRONG AND QUESTIONABLY MORAL under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind IMMORTAL SHE X SUPERVILLIAN ( PLAY BOII CARTI !* ). maybe it's just a coincidence. or maybe , it says everything.
𝗚𝗘𝗡𝗘𝗥𝗔𝗟 ⸻
FULL NAME﹕ talia kilic .
NICKNAME(S) / TITLE(S)﹕ king cobra , princess , the heiress .
D.O.B﹕ june 21st .
AGE﹕ 40 .
ZODIAC﹕ gemini .
GENDER﹕ cis woman .
PRONOUNS﹕ she / her .
ROMANTIC ORIENTATION﹕ panromantic .
SEXUAL ORIENTATION﹕ pansexual .
OCCUPATION﹕ bsaa lieutenant / squad leader .
𝗔𝗣𝗣𝗘𝗔𝗥𝗘𝗡𝗖𝗘 ⸻
FACECLAIM﹕ hazal filiz küçükköse .
EYE COLOR﹕ brown.
HAIR COLOR﹕ dark brown.
BUILD﹕ athletic.
HEIGHT﹕ 5’7’’ .
WEIGHT﹕ 56 kg .
MARKS / SCARS﹕ she has a couple scars from combat & missions .
𝗣𝗛𝗦𝗬𝗖𝗢𝗟𝗢𝗚𝗬 ⸻
TROPES﹕action girl , deadpan snarker , made of iron , one woman army, anti-hero , daddy's girl , powerhouse , born lucky .
MORAL ALIGNMENT﹕ chaotic good .
TEMPERAMENT﹕ sanguine .
DEADLY SIN﹕ lust , greed .
ELEMENT﹕ water .
MENTAL CONDITIONS / DISORDERS﹕ unknown / unknown.
EMOTIONAL STABILITY﹕ it's there .
FEAR(S)﹕ unknown .
ALCOHOL USE﹕ not often but socially .
PRONE TO VIOLENCE?﹕ when provoked .
DRIVES / MOTIVATIONS﹕ those she cares for .
POWERS + SKILLS﹕ hand-to-hand combat , survivability , master martial artist , knife mastery , master marksman , master acrobat , expert tactician , multilingualism , underworld connections , engineer , & intel .
𝗕𝗔𝗖𝗞𝗚𝗥𝗢𝗨𝗡𝗗 ⸻
Talia was born with a golden spoon and a golden bloody crown on her head. Daughter of the exiled ottoman princess , NEHIR KILIC , who died giving birth to her , and AHMET BOLAT , an influential infamous grand don of world crime bosses. She was never lacking when it came to her needs . Her uncle and grandparents raising her during the spring and summer, while her father took her in the fall and winter .
Because of his line of work and his hand in corruption and greed , he never hid who he was from his daughter. Rather than most who would play out the perfect father who did no wrong , ahmet would go on to teach talia how the crime underworld worked and saw to it that she was able to protect herself. all the while , her grandparent's and uncle would teach her how to be ROYALTY despite their exile they were still influential and the are still part of royal House of Kilic, the dynasty that ruled the Ottoman Empire for eight centuries before the 20s with the coming of Ataturk.
private schools , private lessons , private tutors , just about anything you can dream of for yourself or child, talia has had. Her future was set for her to do whatever she wanted without the worry of money ever running out. After all , she is the last heir to the Ottoman throne considering her uncle never had children of his own. Graduating top of her class , she is a brilliant woman who took her family by surprise when she left to America for her education and joined the navy. ( under a different surname ) . where she excelled thanks to her father's lessons and quickly rose in ranks and was scouted to join SEAL Team 6 (DEVGRU) .
sometime later the outbreak of the t-virus in raccoon city happened. Talia is deployed with her team , only for it to go south and get separated. Talia still kept to her mission or at least tried to. Losing some comrades , including her team leader ( although no feelings were lost there considering he was the reason 3 of her teams had died ) . Refusing to lose anymore and no longer being able to get to the extraction point , talia called her uncle to call her father to pull connections and escaped before RACCON CITY FELL.
She ended up saving a few more people that night other than those in her team. and those she ended up saving and taking with her , learned her to be the heir to the ottoman throne. two years after the raccon city incident , talia took a year vacation that was long over due .
in 2001 , she was visited in her home in turkey where she was recruited and learned about her little nickname 'KING COBRA' or 'KING' which she found amusing. ( A nickname placed on her due to how cutthroat she could be and dangerous. never knowing what she will do at the expense of others but one thing people can be sure about is the fact that if you're on her team , you will certainly come back alive ) .
now the year is 2006. lieutenant graham “fish” briggs (bravo-07) is missing and now the team has deployed to krovograd under the guise of a “peacekeeping operation.”
2 notes
·
View notes
Text
⸺ ⟳ # 𝐀𝐍𝟒𝐓𝐎𝐌𝐈𝐄𝐒 ⋯ a study in precision carved from the wreckage of forgotten names, a ghost stitched together by scalpel and circumstance. The body remembers what the mind cannot — violence woven into muscle memory, a silent hymn of survival sung in the rhythm of a steady pulse.
No lineage, no birthright, only the cold architecture of science and steel. A childhood written in clinical assessments, in hands too small to hold the weight of destiny but forced to anyway. Faith dissected under fluorescent lights, hope sterilized, pressed between glass slides for examination. The past is an autopsy never meant to perform, a puzzle with missing pieces, edges frayed by the hands of a faceless benefactor.
And yet, the ache persists — an echo in the marrow, a whisper in the sutures of her being. Not grief, not longing, just the steady hum of emptiness, as familiar as breath, as relentless as war.


❄️ ( olivia cooke. cis-female. she + her ) in krovograd , survival is a test of both skill and morality — will JACQUELINE "THANATOS" NOVAK withstand the horrors , or will the city break them ? over the comms , their voice cuts through the static : “If it bleeds, I can probably stitch it. If it doesn’t, then we have a bigger problem.” our records confirm they are a 34 year old ALPHA 04 ( COMBAT MEDIC ) , assigned to BSAA for 3 YEARS. field reports describe them as CHARISMATIC & PRECISE , though firsthand accounts suggest they are equally COLD & DETACHED under pressure. there’s something about them — something in the way they move , speak , or fight — that brings to mind WOLF LIKE ME ( TV ON THE RADIO ). maybe it's just a coincidence. or maybe , it says everything.
>> OPERATIONAL INTERVIEW
001. WHAT'S YOUR STORY? ARE YOU KROVOGRAD-BORN, NEWLY DEPLOYED, OR JUST ANOTHER POOR SOUL WHO ENDED UP IN THE WRONG PLACE AT THE WRONG TIME?
> She tilts her head slightly, a flicker of amusement in her sharp brown eyes, like she’s heard this question a thousand times but still finds it entertaining. There’s a smile — not warm, not cold, just something deliberate, something calculated. ❛ Oh, I like that — wrong place, wrong time. A neat little excuse for people who stumble into fire and wonder why they’re burning. ❜ She exhales, slow and deliberate, like she’s savoring the moment before the incision. ❛ I wasn’t born in Krovograd. And I wasn’t deployed here by accident. I am where I choose to be, where I need to be. That’s the difference between me and the ones who don’t make it home. ❜ She steps closer, closing the space just enough to unsettle, to command attention. ❛ I have no past. No hometown to romanticize, no childhood memories to embellish over drinks. My story isn’t in the places I’ve been — it’s in the scars I’ve sewn shut, in the bullets I’ve removed, in the hearts I’ve stopped and the ones I’ve restarted. ❜ She leans back, adjusting the weight of her gear, voice dropping just enough to be almost intimate. ❛ So let’s not waste time with stories that don’t exist. Let’s talk about survival. Because that’s something I know better than most. ❜
002. THE CITY IS A WARZONE, CRAWLING WITH THINGS THAT SHOULDN'T EXIST. WHAT'S YOUR TAKE ON ALL OF THIS? FEAR, DUTY, OR SOMETHING ELSE ENTIRELY?
> She surveys the interviewer with a quiet kind of stillness, the way a surgeon surveys an open chest cavity — not in fear, not in awe, but in calculation. ❛ The city’s almost a corpse, ❜ she says finally, voice smooth, measured, like she’s giving a diagnosis. ❛ Veins clogged with things that shouldn’t be, flesh rotting while the heart still beats. Fear? Nah. Fear is an infection, and I don’t let it take root. ❜ She leans back in her chair, legs open, left arm resting on the head. There’s no hesitation in her movement, no wasted energy. ❛ Duty? That’s a word bureaucrats use to make soldiers feel righteous. I’m not here because I have to be. I’m here because this is what I do. The world’s full of things that don’t make sense — monsters, men, the line between them so thin it barely exists. And me? I’m the scalpel. The one who cuts away the rot. ❜ She turns slightly, just enough for the dim light to catch in her sharp brown eyes, something unreadable in them. ❛ So, no. Not fear. Not duty. Just inevitability. Because when the world falls apart, someone has to know which parts are worth saving. ❜
003. OUT HERE STRENGTHS KEEP YOU ALIVE, WEAKNESSES GET YOU KILLED. TELL ME, WHAT'S YOUR BEST ASSET IN A SURIVIAL SITUATION? AND WHAT'S GOING TO BE YOUR DOWNFALL?
> She doesn’t answer immediately. Instead, she tilts her head slightly, like she’s assessing a patient, weighing the prognosis. ❛ My best asset? ❜ A flicker of amusement crosses her lips. ❛ Precision. In thought, in movement, in action. I don’t waste bullets, don’t waste breath, don’t waste time. I know the anatomy of survival — where to press, where to cut, when to hold steady and when to let go. People panic when things bleed. I don’t. ❜ She rolls her shoulders, flexing her fingers like a pianist before a performance. ❛ I see patterns. The way wounds tell stories, the way enemies move, the way fear spreads like an infection. I don’t just react — I anticipate. And in this kind of war, knowing what comes next means you get to keep breathing. ❜ And then, that amusement darkens, sharpening into something more self-aware. ❛ But downfalls, ❜ she exhales, shaking her head just slightly. ❛ Those are trickier. ❜ She meets the questioner’s gaze, unwavering. ❛ Maybe it’s that I know too much about bodies and not enough about people. I can put a man back together after he’s been torn apart, but understanding why he was willing to fight in the first place? That’s where I fall short. ❜ There’s a pause, something deliberate in it. ❛ Or maybe it’s simpler than that. Maybe I’m too clinical. Too used to making choices in a battlefield full of grays. I save who I can, I kill when I must, but one of these days… I might make the wrong call. And in my line of work, one wrong call is the last one you ever make. ❜
004. DESPERATION MAKES PEOPLE DO UGLY THINGS. WHERE DO YOU DRAW THE LINE? OR SHOULD I ASSUME THERE ISN'T ONE?
> The question is simple. The answer is not. ❛ Desperation, ❜ she murmurs, rolling the word over her tongue like a foreign substance, something to be examined before being swallowed. ❛ It strips a person down to the marrow. Turns men into monsters, monsters into something worse. I’ve seen it. I’ve treated it. I’ve put bullets in the ones who let it consume them. ❜ Her gaze sharpens, but there’s something else there — something just beyond reach. ❛ Everyone has a line. A place where the cost outweighs survival. Mine? ❜ A faint, wry smile ghosts across her lips. ❛ I won’t rob the helpless. I won’t slaughter for convenience. And I won’t pretend that some people don’t deserve exactly what’s coming to them. ❜ She exhales, slow and measured, as if balancing a scalpel between life and death. ❛ I won’t let desperation turn me into something I don’t recognize. But if the world decides to put me in a room with something worse than me? ❜ Her head tilts, a flicker of amusement in her eyes. ❛ Then I’ll be the last thing it sees. ❜
1 note
·
View note
Text
ZOYA SILVA, THE DOCTOR.

pinterest
STATISTICS
full name: zoya janeil silva (née malik) gender: cis woman pronouns: she & her sexuality: bisexual age: thirty-five date of birth: july 27, 1971 zodiac sign: leo occupation: doctor family: yusuf malik (father, ???), kiyana beckford (mother, ???), leon silva (husband, alive) hometown: london, england languages: english, russian infection status: ???
APPEARANCE
faceclaim: tahirah sharif eyes: brown hair: black piercings: ear piercings tattoos: her wedding date on the back of her left arm
PERSONALITY
traits: empathetic, patient, resilient, self-critical, reticent, intelligent labels / tropes: tbd inspirations: natalie berzatto (the bear), melinda monroe (virgin river), jennifer jaureau (criminal minds), twilight sparkle (my little pony: friendship is magic) kala dandekar (sense8), annie january (the boys), catelyn stark (game of thrones) mbti: isfj
HISTORY /
zoya's childhood is bi-coastal. stretched between two worlds from the minute she can walk. her parents never to bother to get married and honestly it's for the better cause they're both too busy for a marriage anyways. her father is a professor of literature at the imperial college and her mother is a paramount politician lobbying on capitol hill in dc. her father's steadier job lands her a childhood in london watching him go back and forth between lectures and symposiums. she spends the summer in washington dc watching her mother change the world and she knows she cannot fail them. her adolescence amounts to a series of tests and accolades that won't matter for the rest of her career. the choice is a simple, first pre-med at the imperial college and then medical school. just like that her whole life is perfectly planned out and yet despite achieving everything she'd wanted - zoya wasn't happy. her successes and drive for her whole life had added up to a great deal of loneliness. in all her time trying to impress her parents she'd forgotten to enjoy life. so in regular zoya fashion she found an excuse, doctors without borders. they'd been travelling throughout eastern europe establishing free clinics and helping support local medical centers when they arrived in krovograd. it was a stop along to the way to a bigger city but from the minute she set foot in it she knew something was special. it was in krovograd she met her husband and there she decided to return and stay after her tenure at doctors without borders was up. as she finally found sense, purpose, and community in her life her whole world turned upside down on its head. now years into the infection she struggles to maintain her hopeful resilience and relentless support of her community and husband especially as she harbors dark secrets that threaten to tear the life she's built apart.
1 note
·
View note