#only kills when he needs too

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[starry-bi-sky]

mmm throwaway conversation between Dan and Danny that popped into my head that I had to write out:

"You spent ten years being a one-man mass extinction event, then went back in time and fought me, and lost." Danny snarls, arms crossed and throat tight. His mouth pulls back to bare dagger-sharp teeth, and his eyes burn with the familiar thrum of ectoplasm heating up behind his eyes. "If I didn't believe you were half of Vlad before, I do now."

His other self -- and really, can he even call him that? He's half of Vlad too. Two halves severed from each other and welded together to make a new whole, -- snaps his head over to him. Wild-eyed and furious, he looks unlike the man Danny fought before, the one unruffled and untouched, unbothered by the world around him. It's familiar, but not like the way a reflection is.

"What's that supposed to mean." The Other hisses, matching Danny's scowl one-for-one with fangs much bigger and sharper than his.

But there's a reason lions fear hyenas. Danny matches the rumble in The Other's chest with one of his own, and shoves his face close to his. "I don't lose."

[bluerosefox]

Dinner?

Feeling a bit Spirit Halloweenish.

Danny blinked, stared blankly, blinked again before slowly very slowly closed his front door.

A few seconds later Danny opened the door again and once again meet a certain tallish young man, around his age if maybe a few years older, in front of him...

Who was it?

Bruce Wayne....

Bruce freaking Wayne, someone according to what he heard from Sam telling him from what she heard from her parents had apparently just dropped out of med school and was 'in the wind' according to rich elite gossip talks, was at his front door.

........

Why?

Wait... Did he just ask Danny out on a date?

-x-x-

Bruce Wayne has just dropped out of med school and is beginning his training into becoming the person his city needs him to become. While looking into where he can he remembers how in his teen years the planet was almost destroyed but was saved by a ghost teen hero and looks into it. He digs deep to uncover what happened, uncovering impressive firewalls Amity Park has, etc and finds out about Danny Fenton/Phantom.

He decides to go visit the younger man, who is just about to start college himself, and ask a few questions.

He uhhh... Bruce just wasn't expecting to find Danny very cute (even though he was pretty certain Phantom had been his first male crush when he saw a photo of the teen years ago), and adorable with his owlish stare, and well the first words out of his mouth was

"Would you mind joining me for dinner?"

-x-x-

[3-aem]

universal healthcare is not broken and anyone trying to convince you it is is delusional and a dckrider for big health insurance. yes there are wait times but waiting for care is Not the same as being denied care.

in america your physician prescribes care and an insurer can still cuck you out of it because someone across the continent who has never met you can say: doesn’t seem medically necessary. Leaving you to handle a bill that is wildly inflated by the same insurers that just denied you.

let me drill it through your head you can pay thousands a year in premiums and still end up sick and financially burdened for years by One incident. no insurance company is Avoiding going broke by denying claims. theyre doing it to profit off your misfortune and your illness. Because healthcare fundamentally does not cost the amount that they claim it to be.

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[fairsweetlonging]

the thing that sets apart hua cheng from most other devotee/worshipper-type relationships in other media is that hua cheng would actually throw himself on his knees and crawl across the floor if xie lian wanted to, he would demean himself without shame because shame comes from the perception that you have done something wrong or foolish in another's eyes, and hua cheng would never see his god's will as either, nor care for anyone's else's opinion

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[liauditore]

cw// implied character death, double life nonsense

because you are love itself.

[tackykachowch]

By the way, did we ever talk about how stupid it is that they made Silco the reason Felicia died? I don't mean that he killed her personally, but that he jumpstarted violence on a peaceful protest. Because that's sooo who Silco is, right? A character who makes impulsive and poorly thought out decisions, right? A character who goes into a fight headstrong without carefully planning his moves and strategy and just YOLO-ing it, right? Right?? ......sigh

And don't even THINK about giving me the whole "wElL hE cHaNgEd SiNcE tHeN dUh" crap. Even s2 is smart enough to show us him writing something in a notebook in a flashback, which implies that he was the brains behind the Lanes' creation/revolution as a whole. And if he was he would never sabotage his own plans with something so stupid as throwing a single molotov at enforcers. Literally who does that???? Silco we know would probably organize an attack under the guise of a peaceful protest, but not just. Straight-up ruining just a regular peaceful protest. That's stupid. And Silco is the last character in arcane that would do something stupid. Literally the whole plot of season 1 relies on him being intelligent and sneaky with his plans are you kidding me.

[teyrnacousland]

Just a compilation of times Illario worries about and cares for Lucanis in The Wigmaker Job ♡

[merakiui]

SKULLY HAS RAIDED MERA'S BLOG!!!???

Skully over shining Zuzu?

UNFORTUNATELY...... yes,,, (˃̣̣̥ᯅ˂̣̣̥) WAAAA I AM SO SORRY, ZUZU!!!! My heart is just too big and I fell for the dead guy with his Victorian rizz and kiss addiction. I couldn't help it...... he charmed me. This obsession is terrible, dear Izuna!!!! OTL he's completely taken over my brain,,, a parasite that I can't shake!! >:(

He's so precious,,, my beloved King of Halloween, oh how I adore you most ardently. <3 I wish him nothing but peace and happiness forever hehe.

[starry-bi-sky]

Stillborn? No, still born au -- Dani Phantom! Clone girl herself. :]

She can't exist in this au. And it's not that I don't want to add her -- although I'll be blunt, I don't, I'll be the first to admit that I think she's more often than not nothing more than a narrative deadweight used to prop up Danny and I don't like adding characters as props -- but her existence quite literally goes against and muddies the Vlad and Danny dynamic I have for this au. Ellie's existence in canon itself states that she was created -- and Danny's other clones too -- because Vlad gave up on trying to convert him to his side and decided to just make a son instead.

Something that just, doesn't happen in the stillborn-still born au. See, for folks who are only just hearing about this au or didn't see my post about Vlad in this au, he and Danny have a complicated love-hate relationship where they mutually want to adopt each other, but their morals and way of doing things -- mainly Vlad's insistence on getting revenge against the Fentons -- gets in the way of them being able to do that in full.

Vlad knows Danny wants him to adopt him, and is only fighting him on it because he refuses to let Vlad kill the Fentons for essentially killing the both of them. He's succeed in 50% of his goal. Canon Vlad never even made it to 1%. With that in mind, stillborn Vlad has no reason and sees no reason to clone Danny, he has his son. He just needs to convince him to let him avenge them both.

Dani simply has no place in the stillborn-still born au. And in fact, if Vlad did decide to clone Danny -- for whatever reason, -- it would damage his relationship with Danny damn near beyond repair. That's because Danny would view it the same way he views Damian's existence; as a replacement for himself. He would become beyond furious and hurt, and not for the typical 'I can't believe you cloned me, you creep!' reason, but for a 'I can't believe you cloned me, you said I was your son!' reason.

I am not pulling any punches here when I say Danny wants Vlad to be his dad just as much as Vlad wants Danny to be his son, there's just a lot of factors getting in the way. They are, as the french say, ✨mentally unwell.✨ Danny has a ton of abandonment and trust issues due to his experiences in foster care. He would immediately become jealous, insecure, and incredibly furious and hurt. He'd despise her on principal and want nothing to do with her, or Vlad for that matter. He'd just fucking haaate her. It's not her fault she was made but Danny doesn't really care, he's lashing out and pushing people away because he's been betrayed yet again.

The only way they could get along or for Danny to actually like her in any capacity would be if it was his idea to clone himself. Which is like, kinda obvious but considering most clone plots tend to be non-consensual it's kinda gotta be said. He has to have a hand in creating her, that's the only way I can see him liking her in any way. Or if someone other than Vlad created her. If Vlad clones him though, all bets are off the table and he'll despise her.

TL;DR: Dani can't exist in this au because she goes against the narrative I've got for the two most fucked up half-dead could-be-father-son duo in existence, but if she did exist Danny would despise her.

[tubbytarchia]

was looking through old pictures and found this drawing I did. We were discussing what Pokemon Jimmy would be and I wanted to say Absol but pre-evolved. So here is my pre-evolved Absol. It's Jimmy

[toxooz]

also a second minecraft obsession has hit the cerebellum now that im finally processing all the new stuff that came out and i Cannot🤌 get over The Perfect Character Design:

[pumpkinrootbeer]

just so you know I'll never recover from the ending of magi like yeah in general it left me devistated but Jafar's final appearance being him back in the sindria robes still with this just steadfast never ending belief in a man who he devoted his life to and who then in return betrayed him on such a fundamental level. like im gutted.

[bisexualcroissant]

Thinking about Jean and Elodie Moreau again. Thinking about doomed siblings, and the unspeakable tragedy of it all; Jean’s hopeless despair and his need to know why, why hadn’t they saved her, because Elodie hadn’t deserved it—not like he did, right? They weren’t the same, they couldn’t be.

Jean remembering France, remembering blackberries and the little ducks of Elodie’s dress and the salty breeze off the Mediterranean. She’d been ten when he left home, just ten when he’d stopped protecting her from their mother’s temper and father’s violent business. Did she know he hadn’t gone by choice? Did she blame him or forgive him?

Jean wondering, but not being sure if he wanted to know what had really happened, because as long as he didn’t he could remember Elodie as she had been in his memory, as safe: So long as she existed as fractured memories, she was safe and small and sheltered. The long, terrible silence after Jean asked about her, and Stuart’s awful, “Did you think you were special?”

Jean’s disbelief at the unfathomable, because it was, it couldn’t be true—a single question shattering his deep-rooted belief that he had deserved everything he got, so nothing bad could have happened to Elodie, because unlike him she didn’t deserve it, right? Right? “Elodie,” Jean said, and just hearing her name aloud almost snapped him in half. “She was only ten when I left home. Ten! Why didn’t they love her enough to keep her safe? Why didn’t they–” love me?

Neil quietly saying, “I didn’t know you had a sister.” Jean’s spiral, his despair, everything breaking in an instant: They sold us both to monsters and slammed the door on our screams. Why? Why? Why?

The photograph outside the Moreau childhood home. All that mattered were the two kids sitting in the backyard: Jean at nine or ten, with a tiny Elodie buried against his side. He remembered that dress of hers, with its little yellow ducks. He’d clumsily patched up the hem a half-dozen times when she tore it on the blackberry bushes taking over their backyard. How much Jean had loved her. But in the end it wasn’t enough, not to change his fate, nor hers.

Jean and Elodie as children, as they had been. Jean the older brother who had protected her, sent away at the age of fourteen to never come home again. Jean’s unspeakable loss knowing Elodie was gone. Realising that nothing either of them ever did would have been enough to make their parents protect them; to love them enough to keep them safe. Jean’s heart, knocking holes in his ribcage, his quickly fracturing control, the escalating, violent grief. Endure. Endure. Endure.

“I am just a Moreau,” Jean said, flat and fierce. “I am not—”

“So was Elodie,” Neil reminded him, and Jean stopped breathing. “Remember that the next time you think you aren’t worth saving.”