#one thing this show does reasonably well so far is detail continuity

[california-112]

First of all this intro is insane. Second of all Samantha is marked as not deceased 👀

[felassan]

New Details on DA4 from this IGN article: "Dragon Age: Dreadwolf Is Officially Being Renamed, With Gameplay Reveal Set for June 11 - EXCLUSIVE"

"BioWare confirmed that The Veilguard will feature seven playable party members, and that it will feature “fun and fluid, moment-to-moment combat” while continuing to center strategy via the unique powers of each companion.

BioWare general manager Gary McKay explains that while Solas is “still very much a part of the story of Dragon Age: The Veilguard,” the team wanted a title that reflected a “really deep and compelling group of companions.”

“One thing that’s important to remind fans is that every Dragon Age game is a new and different experience and this game, more so than ever, is about you and your companions – a group that you must rally to fight by your side,” McKay tells IGN. “We can’t wait for players to meet, connect and form their own personal relationships with the unique companions that make up The Veilguard. That’s the spirit of this game…of this story. Choosing who will join you on your adventure, fight alongside you, and be there by your side in the end.”

McKay claims that the name change wasn’t a matter of focus testing, which commonly informs decisions like these. He even goes so far as to admit that sticking with Dreadwolf might have been easier.

“We actually think sticking with Dreadwolf would have been the safer choice – ‘Dread Wolf’ is a cool name after all!” McKay says. “In the end, it was most important for us to have a title that was authentic to the companions that are the heart of this adventure we’ve created. We’ve worked throughout development to create really incredible backstories for each companion that intersect with the main narrative in meaningful ways.”

As for why it’s not simply named “Dragon Age IV,” McKay says it’s for the same reason that Dragon Age Inquisition wasn’t called “Dragon Age III: Inquisition.”

“Every game in the series tells its own unique story and the title is an important element to help set the stage for the next standalone adventure inclusive of its own hero, companions, narrative arc, villain, setting, etc,” he says.

Asked what it means for BioWare to finally be able to show The Veilguard to the world, McKay said, “As the studio head and executive producer, it’s been incredible to see the journey, resilience and passion that this team continues to bring every day. We have an incredible group of both BioWare and Dragon Age veterans who have been with us for years, as well as new faces and voices that love the series who have helped to create an unforgettable experience we feel will be worthy of the Dragon Age name.”

So who exactly are the Veilguard? In the lore, the Veil is a barrier between the physical world and Fade, which is Dragon Age’s spirit realm. Solas, who helped create the Veil, now wants to destroy it. Hence, as McKay puts it, “the Veil needs guarding.”

While acknowledging that the why and the how is definitely spoiler territory, McKay says, “The biggest clue I can share is that you and your companions – that make up The Veilguard – are central to taking down a new evil threat unleashed upon Thedas. It might not just be Solas.”

McKay isn’t quite ready to reveal the party members quite yet, but does provide some hints on what to expect, including some initial info on romances.

“We spent a lot of time making our companions feel authentic based on their own unique experiences within this larger fantasy world, which in turn makes the relationships you form with them feel even more meaningful. We’ve tapped into Dragon Age’s deep lore and explored its most iconic factions to bring each of the seven companions and their stories to life,” he says.

“I won’t spoil next week’s reveal but I can say we’ve created a story where you can impact the world and the companions that surround you. Player agency is important to the Dragon Age: The Veilguard experience and allows each player to form unique personal connections with their companions of choice. And, yes, you can romance the companions you want!”

McKay says the decision to pare the number of companions from nine to seven is mostly down to it being the “right number for the story we’re telling.” Each one is intended to represent a unique faction or element from Thedas, and will feature their own arc with “stories of love and loss, each with meaningful choices and emotional moments.”

He continues, “As you accompany your companions to unravel their backstory and earn their loyalty and friendship, you’ll visit more regions of Thedas across a deeper variety of biomes than any Dragon Age before it.”

McKay mostly sidesteps questions of how Inquisition’s characters might fit into The Veilguard’s story, though he does confirm that it will once again feature an original protagonist similar to The Warden, Hawke, and The Inquisitor, noting that each Dragon Game has its own standalone story with its own thread and conflict.

“Games across the Dragon Age franchise are never designed as a game-over-game continuous storyline. There are familiar arcs, factions and heroes important to the overarching Dragon Age universe that weave through the new story we’re telling,” he explains. “The previous games, characters and events aren’t the anchor of Dragon Age: The Veilguard it’s about your adventure with a brand new cast of companions that you must rally to fight against a powerful force.”

He once again teases another villain beyond Solas: “I don’t want to get too deep into spoiler territory but I can say that the Dread Wolf is not the only god players need to be worried about.”

When The Veilguard is finally revealed on June 11, BioWare’s presentation will include 15 minutes of gameplay from the opening moments of the game, which will help set up the story. On the gameplay front, McKay says that The Veilguard’s combat was a “big area of focus” and something the team wanted to push forward. Among other things, McKay says that The Veilguard will feature an ability wheel designed to give players more direct control over their characters.

“As an RPG, strategy in combat is important as you bring two companions to every fight. Each companion brings unique powers and abilities that have a direct impact on how you choose to take down the enemies at hand,” he says. “To add another layer to that strategic element, we’re introducing a new ability wheel where you can pause the action and set up your next move – whether it’s your companions’ abilities or your own.

“The ability wheel opens up a huge amount of strategic possibilities, giving players the ability to control the flow of combat and link powerful combinations of abilities between players and their companions that can quickly turn the tide of any battle. We think we’ve found an exciting balance between fun, fluidity and strategy for every encounter.”

“This is a game and experience that continues BioWare’s tradition of single player RPG storytelling set in the epic fantasy world of Thedas,” McKay says. “We know Dragon Age fans and the community have been waiting a long time for the next game and we could not be more excited to share our gameplay reveal on June 11.""

[source] (emphasis mine)

[charlietheepicwriter7]

V Secret Identities

Dick Grayson V Gotham - Chapter 3

“So, what do you have so far on the Red Hood case?” Dick asked Bruce, trailing behind him on the way down to the Batcave. He felt better, looser, after their fight. Maybe they could fit in a spar before breakfast? 

“Not much.” Bruce’s voice sunk into Batman’s gravelly voice . It was a code-switching thing, he suspected; just being in the Batcave puts Bruce in Batman’s headspace. It happened to a lesser degree when he and Jason were Robin, but once Tim took on the cape, Bruce and Batman became as different as night and day. 

Batman continued, “He’s a ghost in Gotham’s underground. No one knows who he is, or where he goes. Three weeks ago, he started targeting the drug dealers in Crime Alley, forcing them to work for him or die.” He tapped a few keys on the Batcomputer and brought up Red Hood’s file. “Needless to say, he’s developing his own gang at a rapid pace.”

“Red Hood, huh?” Dick studied the only picture Tim had managed to nab of the man. He looked tall, with broad shoulders covered in body armor similar to Batman’s. All features were covered by a matte red helmet. “That’s one of Joker’s old aliases. Any connection?”

“Not one that’s readily apparent. He chose the name for a reason , but until we interrogate him, there’s nothing that indicates a connection.”

Dick flipped through the file, landing on a report detailing the execution of multiple mafia lieutenants. “Nothing he’s been doing really connects with the Joker. Except for the killing.” The heads sent to the police was clearly a warning. Joker didn’t do warnings, not unless he was taunting them. “You said he’s building his own gang, right? Do you think he intends to take over Crime Alley ?”

“He’s certainly looking to put Black Mask out of business.” Batman switched to a video, an alley camera showing Red Hood beating several gangsters to death. “He's taking down the competition to establish his own control over the city's crime. His methods are brutal and lethal. He’s not just stopping criminals; he’s executing them. At the same time, he’s establishing rules in his own territory.”

“Rules?” Each gang had their own rules on how to operate, but in the end, their codes all sounded the same to Dick. 

“No selling drugs to kids. There’s more to it than that, but Hood’s morals are being enforced through violence and fear.”

“So, once Hood’s arrested, everything going to get worse because of a power vacuum. Great. At least this is a concrete difference between Hood and the Joker.” Dick didn’t know what he’d do if Red Hood was a Joker copycat. The name kept bugging Dick. Criminals liked to make names for themselves. It's a way to instill fear, to create an identity that stands out in the criminal underworld. But the Red Hood… it was one of Joker’s lesser known aliases. So why would someone else take up that mantle? Is it a way to mock the Joker, to reclaim the name from one of Gotham's most infamous villains? Or is it something more personal?

Dick asked again, “And we don’t know the connection between them?” 

Batman shook his head. “It could be a symbolic gesture, a way to reclaim the mantle from the Joker, or a means to instill fear. Or it might be something more personal that we’re not seeing yet.” He scowled. 

Turning back to the Batcomputer, Dick restarted the video. It was one of the few they had of the Red Hood. “What does Tim think?”

“Tim’s not on the case.” Dick immediately shot Bruce a glare. “Red Hood is a volatile unknown who has shown remarkable aggression towards Batman. As skilled as Robin is, I’ve asked him to step away from this case.”

“And he listened?”

A sigh. “No. I gave him a few unsolved murders to keep him entertained while we deal with this.”

Dick snorted. “Well, that’s not going to work for long. What’s the plan for when he solves them?”

“Sending him off to Titans Tower. But that’s only if we don’t catch Red Hood ourselves.”

The Teen Titans were good for Tim, especially after the disaster that ended Young Justice. Hopefully Tim wouldn't feel thrown away; maybe Dick should call him more regularly? His little brother needed him, he’d just lost his father , but Dick didn't want to make him feel smothered, Tim had complained about that in past- "There." Dick rewound the video a few frames, then let it play in slow motion. Red Hood redirected a punch to the face, smoothly twisted the arm around, and then threw his attacker over his shoulder, dislocating the man's shoulder in the process. "That's a League of Shadows move." A little further along and- "And that's a move that Lady Shiva created herself."

"His fighting style indicates he's had a wide variety of teachers, perhaps even more than me," Batman said as the Red Hood on screen pulled off a move Dick had only seen Talia Al Ghul perform before.

"Have you asked Talia about him?"

"...She hasn't been picking up my calls."

Joy. "He could be ex-League. That would explain all his weapons and tech. That helmet, it's not just for show. It's advanced, probably customized. Has anyone taken credit for designing his gear?"

"Oracle's keeping an eye on the dark web, but nothing so far. If he is League, nothing's going to show up, but-"

The clack of shoes on stone interrupted them. Alfred had descended the stairs from the manor and was staring at them both, unamused. "Pardon me for the interruption, gentlemen, but breakfast is served."

Dick immediately obeyed the unspoken demand and locked the Batcomputer. "Thanks, Alfie." He smiled, placing a hand on Alfred's shoulder. "But you really didn't have to come down here to get us. The intercom would have worked."

Alfred raised one thin eyebrow. "Unfortunately, that hasn't been the case since you lived here, Master Dick. Both Master Bruce and Master Tim have developed an unfortunate habit of ignoring the intercom in favor of work."

Bruce didn't even have the decency to look regretful.

With their accent into the manor, Dick spoke, "No talking about our night life around Danny, okay?"

Their eyes widened. "He doesn't know?" Bruce asked.

"He's only met Nightwing once, and he's a heavy sleeper. He hasn't found out yet and I want to keep it that way."

Alfred pursed his lips. "He'll be upset when he finds out."

"I'd rather he be upset than him putting on a costume and jumping out the window after me."

"You're worried he'll want to help you?"

Dick glared at Bruce's amused smile. “Yeah, yeah, I see the irony. The best revenge is raising a child just like you , I get it. But I’m already having enough difficulty keeping him away from my police cases, he’d only get worse if he knew I was a vigilante too.”

They got to the dining room before Tim and Danny, giving Dick just enough time to pull a booster seat out of storage. “When did we last use this?” The booster seat matched the dark wood of the family dining room table and chairs, with a cushion to match. 

Bruce looked between the booster and Dick. “Probably when you were eight.”

“I never needed to use a booster seat!” Dick immediately defended, trailing off as Tim and Danny entered the room, Danny holding Tim’s hand. Dick glared; this conversation was not over. 

The table was already set: Bruce at the head of the table, with two seats on the right, and one seat on the left. As Dick was about to ask Danny to sit beside him, Danny dragged Tim over to one of the seats on the right, grabbed his booster seat without a word, and claimed the chair next to Tim. “Danny? What are you doing?”

Danny scowled at Tim. “If I don’t make him eat, Tim’s not gonna eat. So, Tim’s gonna sit here until everyone else is done, and if he doesn’t eat, he can’t have ice cream with us today.”

“We’re taking Timmy to get ice cream with us?” Dick asked as he took his seat across from them.

Tim shrugged. “Apparently.”

“Yes, we are! And you better not have forgotten, you promised!”

“Okay, okay.” Dick laughed. At least Danny and Tim were getting along better than he and J–

Breakfast began with an awkward silence, broken only by the clinking of utensils. Bruce finally broke the ice. "So, Dick, how's work been at the precinct?"

Dick was about to respond when Danny, his eyes lighting up, jumped in. "We just solved a couple of murder cases! They were really tricky, but we figured them out."

Bruce's interest was piqued. "Oh? And how exactly were you involved in these cases, Danny?"

Danny shrugged nonchalantly. "I just helped out a bit. I'm good at noticing things."

With some prompting from Bruce, Danny launched into an enthusiastic explanation, detailing how he and Dick pieced together the clues. Dick sat back and let Danny talk. Danny’s medium abilities weren’t something he’d planned to talk about with his family despite Danny being open about their existence. It didn’t bother Dick that Danny was a meta, but it was like Danny had no hesitation in telling everyone. Kids got trafficked all the time in Bludhaven, especially meta kids like Danny. And Danny was running around telling people about his powers, conning them into paying him to speak to dead family or friends.

Dick was half-expecting to turn on the TV in the evening to learn that one of Danny’s past marks had blabbed and then everyone would know that Richard Grayson’s foster son was a meta. 

“-Honestly, the Hollydale Gang Murders is why I think those cases you were looking at are actually the work of a serial killer,” Danny was telling Tim, to Dick’s alarm. “The murder weapon keeps changing and the victims are unconnected, but there are too many similarities! They were all ambushed, all identifying features were damaged, all dumped in dumpsters–”

“Yeah, but all those things happen a lot with Gotham murders. You have to look for connections beyond that–”

Bruce held up a hand. “Wait, hold on. Tim, you told Danny about those murder cases?”

Tim shrunk in his chair. It seemed to dawn on him for the first time that Dick hadn’t told Danny about the vigilantism. “Yes? Was I not supposed to?”

Bruce pinched the bridge of his nose, sighing. “Yes. No.” Another sigh. “What’s done is done. Danny, do you mind keeping this to yourself? Those murder cases you and Tim have been working on... I was the one who arranged for Tim to get them. I had to pull a lot of strings to make it happen.”

“Why?”

Bruce sighed. "Tim has a very particular set of skills and interests. Solving these cases is more than just a hobby for him—it's a way for him to channel his energy and make a difference. But it's also something that needs to be kept quiet. Not everyone would understand or approve."

Danny's eyes widened in realization. "So, you’re saying Tim wouldn’t be getting these cases without you?"

"Exactly. And I need you to stay quiet about it. If word got out, it could cause a lot of trouble, not just for Tim but for everyone involved."

Danny thought for a moment, a mischievous glint appearing in his eye. "I see. So, this is pretty important to you, huh?"

Bruce raised an eyebrow, sensing where this was going. "Yes, it is."

"Well," Danny said slowly, "keeping secrets can be tough. Might need a little incentive to make sure I don’t accidentally let something slip."

Bruce folded his arms. "What do you have in mind?"

"A hundred dollars should do it," Danny said, trying to keep a straight face but failing to hide a small grin.

“Danny…” Dick tried to scold, but Bruce patted his shoulder. 

Bruce stared at Danny for a moment, then let out a low chuckle. "Alright, chum. You've got a deal." He pulled out his wallet and handed Danny a crisp hundred-dollar bill. "Just remember, this isn't a game. Keeping this quiet is important."

Danny rolled his eyes. “Yeah, I know . I’m not going to spoil all my fun.” Everyone flinched, but Danny was too busy stuffing away his ill-gotten gains to notice. “Tim’s my first friend who shares one of my hobbies; I don’t want to lose him just because it’s kinda illegal.”

Tim looked touched. “Thanks, Danny. I don’t want to lose you too.”

They finished breakfast with Dick smiling at Danny and Tim–he was so happy they were getting along that his chest ached. As Danny left to use the bathroom, Dick pulled Tim aside. 

“I already know,” Tim said, clearly expecting a lecture. “I shouldn’t have assumed you’d already told him about our identities. I’m sorry.”

Dick pulled his baby bird into a hug. “I’m not mad; I just wanted to check in with you.” He pulled away enough so he could look at Tim. The bags under his eyes had only gotten deeper since they last met, and his hair was greasy, like he’d skipped his last few showers. “How are you holding up?”

First Stephanie, then his father. Timmy was losing so much in such a short period of time. 

Tim didn't look him in the eye. "I'm fine," he replied, his voice hollow and distant.

“Timmy…”

“I’m fine , Dick.” Timmy pushed him away. He was shaking. “This is just… something I have to deal with. It doesn’t involve you.”

“It does involve me because I care about you!”

“Yeah, you cared so much that you adopted a kid without telling me.” Dick opened his mouth, but Tim wouldn’t let him speak. “Oh, sorry, you’re fostering a kid. My bad. There’s so much difference between the two.”

“I’m sorry.”

Tim closed his eyes. “I’m sorry too. I’m not… I shouldn’t be taking things out on you.” Dick reached out for another hug, only to be rebuffed. “I want to be alone right now.” Turning away, Tim disappeared down the hall, leaving Dick alone.

@starlightcat04 @maeashryver @widderwise @darkstarsapocalypse @sisma @luminanightfall @storm-fire98 @amyheart19 @collectingthegoods @redhoneysugarorange @lordfirecat2004 @screechingnoises @meira-3919 @dannyphannypack @satisfactionbroughtmeback @rowanaway-fromthisbs @i-always-say-yea @avelnfear @some-rotten-nest @ark12 @heirxofxtime @akikkobara @blep-23 @skulld3mort-1fan @markus209 @stargirl1331 @onlyhereforthechaos @inth3world @awkwardmaiden @fantasticbluebirdfan @currant-owo @alice-hazelwood @screamingtofillthevoid @crystalqueertea @gaelicholiday @gmkelz11 @mattybook1987-blog @bytheoldwillowtree @apointlessbox @chemical-pepis @ghostface3100 @idontgetpaidenoughforthisshit @bathildaburp @boo-ghosties @bubblemixer @halfalix @lyra689 @dragon-dancer16 @lunadoll36 @mimilikey @hellomygay @frogs-are-pretty-awesom @overtherose @cyrwrites @your-emo-nightmare @lexdamo @roman4517 @a-slytherinish-gryffindor @raginblastocyst @thegatorsgoose @fisticuffsatapplebees @olivethetreebitch @vixen-uchiha @ae-vixrose @joseph557 @kisatamao @gin2212 @thewondersoflebanon @d4ydr34min9 @malice-of-the-sunrise @tiblii @that-awkward-fae-nerd @aph-mable @dolfay @ghostreblogging @wackyattack @writer-extraordinaire @boo-ghosties @coruscateselene @emergentpanda-blog

[lolomidi]

The Price of Entertainment: An Episode-By-Episode Analysis of Alastor's Facade

I don’t think any character in Hazbin Hotel has been discussed as much as Alastor, and it’s a testament to how much the writers put in his character that the mystery of his intentions, past, and contract have been so debated on.

There are some takes I vehemently disagree with, but something a lot of people seem to have settled on is that Alastor is, behind his massive ego and cool-headed persona, insecure about his place in Hell after his long “sabbatical.” I want to do an episode-by-episode analysis of Alastor’s behavior and how Season 1 shifts our view of him from an unquestionably powerful Overlord to something with more depth, and while I won’t be speculating on who owns his soul and how he’ll break that contract in those post, I will take a guess at the future of his character in a narrative sense. I will also implicitly be addressing my issues with some of the conclusions others have made, or at least playing devil's advocate.

NOTE: I want to clarify that none of this is meant to depict Alastor as some poor woobie. He’s still awful. He’s in Hell for several reasons and being a serial killer is only one of them. Rather, I want to analyze what is shown to us about him, and how those story beats can be used to determine where he’ll end up by the finale of the series.

ALSO NOTE: I haven’t followed all of VivziePop’s comments outside of the show about the characters, and it’s possible that certain details have been changed between the release of the pilot and the show, so take any mentions of what hasn’t been explicitly depicted within the show with a grain of salt.

___

Part 1: Recap Analysis

This section will consist of commentary regarding Alastor's appearance and behavior in the given episodes, with retrospection based on new information given in later episodes if needed.

“Overture”: Alastor is pretty one-to-one with his depiction in the pilot in the first episode. He’s snarky, open about his sadism, but helpful if begrudgingly so. Interestingly, he’s able to put together a well-edited, if tonally awful, commercial, and probably could have done better if he weren’t intentionally being an ass about it. From the finale we know that he and Vox likely used to have a more magnanimous relationship, and it’s likely that he picked up some tools of the digital trade in that time despite or before being turned off completely by it.

“Radio Killed the Video Star”: Vox effectively plays heel for Alastor this episode as we continue that first impression of the Radio Demon. We spend a good time showing off the former’s power and how far his roots have spread throughout Hell’s society, only for Alastor to effortlessly trounce him and steal from his audience, despite being gone for so long and his position in Hell less stable. This indicates that Alastor does still have pull, but at the same time that his position in the hierarchy of Hell is being contested due to the length of his absence. He deals with it easily here, but we’ll see in subsequent episodes that things aren’t as smooth as they first seem.

“Scrambled Eggs”: In terms of the eggs, there’s not much to talk about. He begrudgingly accepts Vaggie’s request to get rid of them “humanely,” but brings them back to the hotel after they prove to be useful spies.

More importantly, we get our first small hint that Alastor’s ego can be bruised when Carmilla doesn’t humor him during the meeting between Overlords. Now, I actually disagree with a lot of the takes on this episode in that I think it indicates that at least some of Alastor’s views and need to prove himself as a powerful Overlord are the result of self-delusion. Yes, he does need to reestablish himself as a person not to be messed with after being gone for so long, but I think it isn’t as bad as some are making it out to be, which makes his behavior in later episodes more strange and excessive if anything.

Carmilla, who mind you is a busy and stressed woman trying to hide the fact that she’s successfully murdered an angel, hits his ego by not caring where he’s been (something he wouldn’t have revealed in the first place), but she also welcomes him back, which is more than you could say to Velvette and by extension the Vees. And minutes before that, Zestial, who’s probably the highest on their totem pole, does go out of his way to meet with Alastor and inquire about where he’s been. Alastor himself gets over the slight pretty quickly and has no issue contributing to the meeting. Overall, he isn’t necessarily terrifying other overlords, but he still has an established place with them and they do seem to get along well enough. He’s “part of the group” unlike the Vees, who are treated more like upstart outsiders.

I also want to point out that despite Zestial likely outranking Alastor in power, they seem to be alright with each other. Alastor is cordial and does not demonstrate a desire to antagonize him like he does Lucifer in the next episode. Speaking of which…

“Dad Beat Dad”: This episode gives us a lot to chew on and is the first major indicator that Alastor’s issues go beyond wanting to be the center of the room. From the very moment Lucifer walks into the hotel*, his eye is twitching and he is visibly pissed. Lucifer undermining him (notably contrasting Zestial, who is polite despite his power) doesn’t help and makes Alastor let loose his first swear in the entire show. Being the petty bitch he is, Alastor, knowing he can’t intimidate Lucifer in any way, immediately goes for his weak point–Charlie–and plays up the role of a caretaker for her and the hotel. It’s a low blow, but it also feels like a defense–he’s signaling to Lucifer that this is his hotel, that things are taken care of already, and that they do not need his assistance, even though they ultimately do in order to get a meeting with Heaven.

But then things get more complicated with the appearance of Mimzy, who, to the surprise of several characters due to his solitary nature, was friends with Alastor all the way back when they were alive, and she carries a load of implications with her. She’s the only crack so far at what a “human” Alastor is like–apparently he’s a heavyweight drinker, a good dancer, and most notably, in Mimzy’s words, a sweet man who "becomes a kitten" when he's drunk. This is a huge departure from the unflappable, egotistical Radio Demon we’ve known up to now, and I think it’s a purposeful choice that we’re hearing this information but not shown it like his early days in Hell just prior. It’s simultaneously left to the imagination but difficult to do so because it contrasts so heavily with everything that has been shown to us beforehand. Another thing is that Mimzy is sure that Alastor will clean up her mess–and apparently this isn’t the first time he has, if Husk is anything to go by. So many people seem to miss this, but Alastor, who hates being tied down or disrespected, has been allowing Mimzy to leech off of him, presumably due to their past friendship making him turn a blind eye.

Alastor is on edge for this entire episode and is already unusually snappy when Husk addresses Mimzy, and pushing the button that was his contract is what sends him over the edge. His temper exploding is a direct result of his feeling that his control over both the hotel (via Lucifer) and his personal life (via Husk’s “doubt” that he can handle everything and that his reputation is what it used to be, plus the reminder of his deal) is being taken away from him. Alastor’s threat to Husk, which seems to not be his usual behavior if Husk’s willingness to show concern and talk back in the first place is anything to go by, is an attempt to remind both of them that he holds the cards, that he’s a powerful Overlord that is not to be trifled with, and he explicitly says as much when he goes out to deal with what Mimzy’s dragged in.

It’s only after he lets his anger out on the mobsters and “proves himself” that he visibly calms down and makes the logical decision to tell Mimzy to leave with a serious attitude, and also doesn’t antagonize anyone for the rest of the episode. It seems like despite his fury earlier, he was listening to Husk, who’s rightfully smug about it. He’s even present when Charlie declares her desire to protect her people, and his smile seems just a tad bit more genuine.

*Note: it’s not impossible that Alastor has some sort of personal grudge against Lucifer which caused his hate-on-first-sight, depending on the circumstances of his disappearance and contract (i.e. if it’s with Lilith).

“Hello Rosie!”: As opposed to Dad Beat Dad, Hello Rosie is arguably where we see Alastor at his most in-his-element. He gives off a lot of conflicting vibes at the beginning, from mocking Charlie’s distress to, in a shockingly honest moment, lecturing her about the importance of a smile to portray strength, a card we’d only been shown due to comments outside of the show. He smugly holds his knowledge over Charlie’s head but is visibly impatient to have her make a blank check of a deal with him, solid enough to benefit him but vague enough so that Charlie won’t feel immediately threatened. He’s clearly been waiting for an opportunity like this since the events of the pilot.

After that, he puts back on his gentleman’s demeanor and introduces Charlie to Rosie, and from here on he’s arguably at his most comfortable in the entire show. He’s relaxed around Rosie and is actually willing to ask for her help (something I can’t see him doing with any other character), casually complains about Susan, is encouraging to and praises Charlie even behind her back, and most notably, gives her his radio cane unprompted. More on that later. He also mentioned wanting to guide Charlie to Rosie specifically, implying that he was being genuine about wanting to act as a mentor to her, though his intentions are probably self-beneficial.

“The Show Must Go On”: The finale is arguably the most revealing episode on what Alastor’s inner world is like, as we see him unmasked several times. For one, his private admission to Niffty, the closest thing he has to a friend within the hotel, that he’s enjoyed watching the other residents connect to each other. This is in direct opposition to his initial (stated) reason for helping the hotel in that he wanted to watch them all fail, and yet he seems content with his initial assumptions being proven wrong. There’s no malice or sarcasm in this moment, he’s relaxed and talking to someone he relatively trusts.

And so he goes into the battle swinging and confident. Then, of course, Adam.

I want to bring up something before we keep going. Yes, fighting Adam without angelic weaponry was a needless risk. Yes, Alastor fell victim to the very sloppiness and arrogance he accused Adam of, and it’s thematically appropriate that he was the only one to lose his battle in that he was fighting for his own ego more than “love.” But also, people seem to forget that Alastor is the only demon in the entire show with a precedent for permakilling without an explicit reliance on angelic weaponry, as the Overlords he toppled in his original rampage seem to have never returned. He’s egotistical, but not stupid. He may have genuinely believed that he had the means to kill Adam himself but didn’t get the chance/couldn’t due to his contract or absence possibly weakening him. But that's speculation for another day.

So, he has to retreat before Adam double-taps his ass and is too injured to return until after the extermination. He makes a grand exit, but not before grabbing the broken pieces of his radio cane. The one he allowed Charlie to use just an episode prior, and presumably is a conduit for his powers, and he grabs it while a murderous angel is inches away from wiping him off the face of Hell.

His portion of “Finale” is the first time we see him singing alone and not playing off someone in a duet. It’s obvious that he’s trying to keep his composure, still speaking to himself in his artificial transatlantic accent (which we now know for a fact he doesn't need to do, seeing as he finally broke character when Adam wrecked his cane) and reassuring himself that he’ll come out on top next time. But here his front shatters and we openly see what the show has been hinting he is for the first time: a deeply paranoid, desperate, and unstable man.

Essentially the worst-case scenario has happened: after a season of interfering with every attempt to capture him on camera, Vox has footage of him at his lowest point for all of Hell to see, and he’ll have “died” a martyr, a weakling, and still in the chains of an unwanted contract. For Alastor, who is so deeply afraid of showing any sign of vulnerability, who wants to be seen as a monstrous Overlord, it’s understandable that this humiliation is enough to send him into a mental spiral and recant any fondness for the hotel in favor of accomplishing his own goals. Worse yet, when we next see him he gives zero indication of any of this even when Charlie and company are simply glad that he's alive, which leaves us to wonder: has he been like this behind the smile from the very beginning?

___

Part 2: Closing Thoughts and Future Speculation

With everything we’ve taken note of above, we can start to piece together a picture of who this guy is, and what the writers are going to do with him.

Alastor is sentimental. It’s not just his attachment to older technology or his love for being the center of everyone's attention. He likes being around people, he has friends, one of which he continuously indulged despite her using him multiple times, and he ultimately was starting to enjoy his time at the hotel before his defeat spooked him. Despite him using her, the fact that he was even willing to let Charlie use his cane (and note that he takes it from her as soon as she’s given a substitute, so that is a significant gesture for him) is an implicit display of trust whose implications don’t become apparent until the finale.

But this is paired with deep insecurity. Alastor, despite being one of the most powerful people in the Pride Ring, has a crippling fear of being seen as vulnerable or “lesser” by others. There could be multiple overlapping reasons for this: the general climate of Hell, whatever happened to him seven years ago, his experiences as a mixed-race human living in Prohibition-era Louisiana, his original death, a natural predisposition, etc.

Regardless, this anxiety of his is so overwhelming that, when paired with the ever-present stress of not owning his own soul, it’s driving him insane. He made a splash in Hell upon entry and now he’s desperately trying to reinvoke that in order to defend himself both physically and mentally. He’s the gifted kid who’s slowly going nuts trying to keep up an impossible momentum as they grow older. He’s an ex-human denying his humanity because he doesn’t want to feel human. Everyone’s out to get him, and anyone who could be an enemy is an enemy unless he has total control over them via a contract, power, or the reassurance of years of close friendship. It’s why he’s cordial to Zestial but takes Carmilla (who wasn't even trying to spite him) and Lucifer’s comments personally, in the same way someone with low self-esteem might want to lash out against an authority figure who they feel is looking down on them.

Worse yet, he can’t/won’t let these feelings out and is bottling them up so that no one will know he feels this way (note how quickly he was able to relax in Dad Beat Dad when he was given an outlet for his stress), because that’s a sign of weakness too. It’s honestly kind of frightening that in his final scene he gives zero indication of being injured or of just having had a meltdown. By all outside accounts, he’s his usual chipper self, and no one at the hotel save for maybe Husk, who can’t say anything Alastor doesn’t want him to, would realize anything is amiss. The reason his part of “Finale” is chilling isn’t just because of the implications that he will become an antagonist in the future–it’s that his mental state is so poor that he is no longer acting rationally, which makes him unpredictable in the worst possible way.

I think Alastor’s character arc isn’t going to be redemption by way of going to Heaven, I don't think that place is his style anyway, but rather redemption of his own self-image. I don’t think the writers would make what is arguably the most popular and well-developed character in the show just to say that he’s hopelessly evil and simply end it at that. We’ve been exposed to multiple facets of his character, and while his deeds and probably his intentions are sinister, his underlying motivation for it all seems to be “freedom,” which decidedly isn’t (unless your name is Eren Jaeger).

I do believe that he’ll have his villain moment where he indulges in his worst impulses, but that ultimately it won’t do anything to fulfill him, because as we see in the official comics before the release of the show (which may no longer be canon but still give a viable “baseline” for the characters), when his desire to be feared and respected is granted, it only isolates him. Like the others, he’ll have to hit rock bottom before he can climb back up.

Pentious, who was successfully redeemed, needed to understand that people weren’t out to get him, which allowed him to make the decision to put his friends before himself and trigger his selfless sacrifice. Angel, who’s well on his way to redemption, needed to realize he wasn’t alone and could rely on others, and his confidence and self-love has grown enormously since then. I think these are both lessons Alastor will need to learn eventually as well. He’s the manager of the hotel, but also undoubtedly a patient. He’s hungry for freedom, but only when he learns these lessons will he be truly free.

Or maybe I’m thinking too much into it idk lmaooooo

[a-star-that-burns-brightly]

CH2-12 thoughts (spoilers, I guess. You probably shouldn't be in the tag if you haven't finished the episode though.)

So! DRDT is officially back, and wow what a way to begin the rollercoaster we'll be put through the next few weeks. This episode was amazing, and I wanted to discuss my thoughts on it in a more detailed form. This episode gave us a lot of character moments that I want to at least mention, so let's get into it? Before we do though, I want to say that through these posts, I will be updating two things and showing them at the beginning and end First one being the swear statistics! It became a thing after my previous rewatch that every time a character swears, I count it, and I want to continue doing that for the rest of the series if I can so manage it.

^ current swear statistics as of CH2-11

And the second being...drumroll please!

My own personal DRDT CH2-Part 2 bingo card! If something on this list happens in CH2-Part 2, I'll check it off. Hopefully I can get a bingo or two in here, especially since, spoilers, two of the boxes have already been checked. But with all of that preamble out of the way, let's begin shall we? I’m going to cover the character moments we got in separate categories of the well…characters, rather than in order, for the sake of being concise.

Arturo

First and foremost, “Shut your whore mouth” made me scream at the top of my lungs. God I wish that was voiced. But more importantly, the thing about Arturo being very young for a plastic surgeon actually being addressed was not something I expected, especially so early. But I definitely appreciate the nuggets of Arturo backstory. Funny enough, his situation sounds very similar to Min’s in some regard, especially this line

(x) Arturo: I was only able to get this far in such a short amount of time because I specialized in plastic surgery, and nothing else. I neglected everything that wasn't immediately relevant to my goals.

This absolutely plays a factor into his relationship with his little sister. It more than likely was not just him leaving that made her commit suicide, but perhaps also years of neglect. And if she really felt like she couldn't live a life without Arturo in it, it's safe to say that their parents probably weren't the best either. The more I learn about Arturo and his homelife the more worried I am for him and especially his sister.

Veronika

Veronika didn't get much besides being her usual self, but I gave her a category because I wanted to point out two things One, Veronika calling Arturo cute. That just made me smile

And secondly, this line right here

(x) Veronika: Oh, and don't say something as boring as "I want to kill myself." I have no interest in such mundane reasons.

This is so fucked up and awful and gross and I absolutely love her for it. I just know she's going to get worse, I hope she does.

And also the fact that she apparently finds suicide to be inherently boring is very interesting, given the fact that she more than likely has the self-harm secret.

Whit

I know he didn't have much, if any major role in this episode but...listen I missed him. So much. You have actually zero idea how much I missed him and his goofiness... But also I can't believe that was the explanation for the dent in the computer lab that's been bugging me for months. Well played DT-Dev... (though the fact that Whit got away with breaking a rule solely because MonoTV thought it was funny is a bit fishy...it's almost like he's the MASTERMIND-- /hj)

We also in general got a lot of Charles and Whit moments, which I always like to see I don't think there's anything else to cover when it comes to Wh--

(x) David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

...Well, when I said I wanted more Whitvid interactions I guess this can serve as a reward. ...guys dont worry this is how we can still wi--

Levi

...I mean, what else is there to say really?

No but actually I'll talk. This is what we've been theorizing for a year, and I actually had it in my predictions that Levi's secret was going to be the one revealed in this episode. But I did not expect it right at the end, nor did I expect it to be so sudden. And I don't think Levi has any reason to lie either, so I think this is his actual secret. Seeing him lose confidence and apologize for his unhelpfulness kind of stung to me, honestly. Levi has been trying to help the group since the very beginning, and that has only amplified since the start of Chapter 2. So seeing him...basically give up was very upsetting He is definitely going to be in the hot seat next week's episode and I am very excited for it, hopefully we get some insight on his past as well and...maybe a levi and nico interaction? please dt-dev? please? :>

Hu

FishyFried, as always, knocked it out of the fucking park with Hu's voice acting, and her monologue towards David was just as amazing...if not a bit terrifying, as it directly parallels with her hidden quote

I want to pay for what I’ve done. But even then, I still want to live.

I think I've said this before, but I adore David and Hu's dynamic and how both of them tackle the themes of change in their own ways, how both of them project onto the people around them to fulfill their own desires due to being stagnant in their own growth as people, it's so much fun, and I can't wait to see how this continues to develop in the later chapters I am sincerely a ch5victim!david + ch5killer!hu believer at the end of the day.

Teruko

Oh Teruko, quite a bit to discuss with you today.

For starters, her genuinely feeling embarrassed and upset upon realizing what she did wrong, apologizing for it, and (how I interpreted it anyway) beginning to realize that working alone and not accepting help from others is starting to bite her in the ass? That was not what I expected. I really did think that Teruko was going to get worse before she got better, but maybe she's improving a lot quicker than I thought (...let's hope she doesn't backslide again though, especially if the culprit is who I think it is) Also.

If I have to live with this knowledge, so the-fuck do you. And then there's her argument with David, which I already made a post about, but I want to add onto it by saying that the performances from Swords and LuucarIi here are absolutely phenomenal. One of my favorite voice acted scenes in the entire series. I have replayed Teruko's "Hah! Based on what?!" probably around 20 times and I will repeat it 20 times more because the delivery gives me actual chills. This fangan has such an amazing voice cast oh my god it's insane.

David

Oh. You are such a broken, broken man, and you are absolutely going to go down the Simon Laurent route. I actually don't have a lot to add when it comes to David's actual motivations for his actions, I think a lot of us theorized that he was trying to kill everyone and himself. But the main thing I want to talk about is the Xander shit because oh my god this man is Down Fucking Horrendous. I mentioned all the way back in this post that David idolizes Xander just as much as Xander idolizes him. What I didn't expect was for him to still be clinging onto the hope Xander gave him and trying to follow in his footsteps, and being borderline possessive over the damn dead man. Xander may have idolized David, but David is obsessed with Xander and what he represents to him. And he is willing to ruin his reputation, reliability, and dignity in pursuit of what he thinks is right. Not to mention, it puts the Tally5 image in a whole new light.

Though I still think these words apply to the very possible revolution that David, Xander, and Mai enacted towards Hope's Peak, a theory that has become even more credible after this episode, I also think these lines portray David's thought process during his actions in CH2-11 and his motivation for doing the things that he does. David calling Xander "the only good person he's ever known" is very, very telling when you consider what he personally thinks makes someone a bad person (lazy, useless, stupid). And that makes me upset. Xander and David's relationship will never not be absolutely fascinating to me. ...alSO DAVID APPARENTLY HAS MEMORIES FROM HOPE'S PEAK??? APPARENTLY??? Like am I reading that right or do I just have bad media literacy. How...How does he??? WHY does he??? Why did he say he didn't know who Xander was in the prologue???? I am very confused and I'm sure it will all be answered. Extra Thoughts !! - we got 7:30 AM confirmation, woohoo!! And the bonus of Arei swinging when she was first found was such a good detail and I’m surprised none of us noticed it, honestly. With that confirmation, that leaves basically everyone else (minus J, David, Veronika, Hu, and Nico) in the hot-seat. - the multitude of new sprites we got were so amazing, especially David's - Apparently everything that happened in the second half of CH2-11 was in the span of two hours?! Sheesh, the editing crew on the TV show must be working overtime. Hopefully they get a paycheck and its not just MonoTV who gets paid. - If I had any doubt in my brain that Eden was the culprit it has basically dissipated with this episode. I really do not know who else it could be other than her. three of the five main suspects other than her have basically been cleared up, either through alibi (J and Hu) or though plot (Levi) David and Nico are also cleared from suspicion Though there isn't really any plot or evidence reason to necessarily exclude Rose, given her moment in CH2-8 and, let's be honest, this murder being way too physically complicated for someone as lethargic as her to commit, I'm inclined to believe she is not And every other character has something that's clearly being set up to be further explored in Chapter 3 (Charles, Whit, Ace, Arturo, and Veronika) Like... even if you don't think Eden is the culprit, you can't deny that she's the odd one out here. I still think Accomplice!Levi is true, but I also truthfully think the culprit can't be anyone other than Eden - If I were to give one I-guess critique though, not just on this episode but on the trial as a whole, it's that we are four trial episodes in and there has been very, very little focus on the actual murder mystery itself. We have barely even covered 80% of the evidence. This isn't like, a huge problem for me specifically because I very much watch DRDT for the astounding character writing over the murder mysteries, and I definitely think that the lack of focus on the case is worth the amazing character moments we got in this episode. But I can see it really bothering some people, and there's a part of me that can't help but be a bit afraid that the actual solving of the murder case is going to hit the audience with a bunch of information at once and come across as a bit rushed due to the lack of focus it's had so far. I trust that DT-Dev is cooking though, and it'll probably be a lot more cohesive once we have the full trial to look through.

Predictions for CH2-13 - Like I said before, Levi is going to become the main suspect easily thanks to his secret reveal. I know Ace is going to be on his ass especially, because in his mind it would basically confirm the image he has already conjured up of Levi in his mind as a violent brute who is going to snap his neck any second. J is also going to jump to conclusions because that's just what she does, and she was already concerned about the murderer secret to begin with. - Furthermore, I think most of this episode is going to entail Teruko trying to disprove that Levi could've been the culprit. Considering the fact that there, well, isn't much evidence to suggest he didn't, maybe this episode will feature this chapter's Random Guess minigame. - I highly doubt we're getting an AM VS PM scrum debate now, but maybe we'll get one on whether or not Levi is the culprit? Maybe? - On the topic of trial minigames, I hope we get another nonstop debate, it's been like three episodes since we've had one lmao - Nico is either going to defend Levi, or reiterate the speech that J gave them in CH2-9. Either way, I hope this reveal causes them to interact it would be so interesting - We are on a track-record of having at least one person's secret exposed every trial episode. Considering the fact that Xander and Min are dead, and I do not think Teruko's secret will come out until the end of the chapter, that really only leaves Hu and Veronika...which is interesting, as they are both in the clear for being the culprit. Hu has already had multiple moments to shine in this trial, so I think its more likely that Veronika's secret will be the one getting revealed. How that happens, I am unsure. But I think Veronika will be the next person to have her secret revealed.

Conclusion Overall, I think this episode was amazing and a great way to kick off the end of the hiatus. I can already tell that these next few weeks are going to be a wild ride for us DRDT fans, but we're all in this together, so I think everything's going to be fine (nothing is going to be fine.)

UPDATED SWEAR STATISTICS: CH2-12

UPDATED BINGO CARD

[tallerthantale]

Effective Boycotting is a Matter of Leverage

I'm not writing this to be critical of or police anyone's personal position on continuing involvement in Good Omens fandom or whatever their state is with Amazon. Some people may never want to engage in the fandom again, and that's ok. Some people want to keep working on their art, that's ok.

For people who are actively interested in strategizing around their relationship to the fandom and the work, I want to give you my thoughts on how that can be done.

Amazon appears to be considering reducing Neil Gaiman's roles from Season 3. As far as I have seen we don't know what any of the details are that are currently being considered. That means right now is the most impactful moment to consider the role of fandom.

When we look at this strategically, the first step is, what's the objective? For me, the long term goal is to have an incentive structure for Amazon and other such organizations to drop people from projects. I'll explain a bit what I mean by that.

Imagine a labor union that's contracted with a store owned by an evil corporation. It's too much of a monopoly to realistically take down the corporation, a lot of people are stuck buying from the store because they don't have decent transportation.

There is a labor dispute, the evil corporation is doing something extra evil and the union calls for a boycott until they stop. So the people who reasonably can stop shopping at the store honor the boycott, and buy from somewhere else. If it's a well run boycott they also help other people out with rides to shop elsewhere through community organizing.

Eventually the store gives in on the labor dispute and does what the union wants. At that point, the union drops the call for a boycott, as the parties have come to an agreement. The evil corporation is still evil. Here is the really important part: When the union drops the call for a boycott, you go back to shopping at the store. Yes, even if the store is still largely evil.

You do that, because that is what preserves the union's power. If no one who participated in the boycott went back to the store after the agreement, the store learns to not bother to reach agreements with the union to end their calls to boycott. Corporations are not acting off of moral principles, they are acting off of bottom line. If reaching an agreement with the union does not improve their bottom line, why bother to negotiate?

So my point is, for fandom to become a base of organized power that can have and maintain effective boycott leverage, there has to be a thing that we are taking away, and a thing we want Amazon to do, at which point those strategically inclined will put back the thing we took away.

The most obvious option is to go back to supporting the show if Neil Gaiman is removed from it to a reasonable degree. Doing that contributes to an incentive structure for Amazon and other corporations to remove people under similar circumstances in the future.

If Amazon can avoid the financial hit of the protest by giving the protestors what they want, they will do so. That helps break down the cultures of looking the other way in the entertainment industry. If shows that remove people get full on protested even after the person was removed, they have no incentive to remove people because it's all sunk cost.

Given how often shows are cancelled these days, I think it is a stronger message to have a show fire its showrunner and carry on successfully than to have a show nebulously not return. I like that outcome better even if it leaves Gaiman with some residuals, because for me the priority goal is incentivizing platforms to publicly dump people in these situations. Gaiman's bank balance is further down the list.

Other people will have other things they want their end goal to be and that's ok. Just remember you aren't appealing to Amazon's better nature, you are appealing to their spreadsheet. What is their incentive to care what you think?

Plan like you are in a negotiation with Amazon. What do you want them to do? What are you willing to stop doing that you will start doing again if they do what you want? And if you find what your position is on that, tell them. People who can drop prime and then offer to reinstate it probably have the most power, but pausing fan content is a meaningful thing to mention too.

[lexo-is-pesto]

I'm so excited to finally post this.

My full Murder Drones reference! so hopefully I can keep up consistency

Obviously, this is full of my own head canons so close ups and explanations under the cut (it's a LOT) >;]

To be totally honest my focus was on the main characters, and I think that shows in the designs of the Manor Drones and Cabin Fever Squad. BUT I'll still do my best to explain my process here.

For the Disassemblers I decided to do very different builds for each but the same color pallet.

My idea here was that since each have a different designation letter, that was akin to their model type. That's also why "the company" was able to clone J so easily, they just had her model on file. (also like to imagine there are 26 different forms of the Disassemblers Imao).

I had all the colors remain the same to show their unity and of course the Absolute Solver-ification of the basic Worker Drone color scheme. Essentially, I just took the monochromatic WD colors and put the highlighter yellow over it that Cyn loves so much.

For J I did a more lean and strong build. I wanted her to exude that leader energy. I also made her Core a star shape for similar reasons and then I also noticed that N and V had caution stripes at the top of their legs but as far as I could see J didn't, so I decided to add those to the very top of her legs to finish the garter belt look she's got going on. For her hair, I actually really like the pigtails I just flattened them out a bit because the big cutesy poof they had didn't fit her style in my opinion. I brought it back for her worker form though.

With V I gave her a round yet sharp look. (My favorite added detail is the sharp shoulders) I did make her the shortest of the DD because everyone loves the small but vicious archetype. For her core I made it a sword or spear shape, because she's extra violent. And finally, I made her legs a little more pointed than J's to finish off the sharp look.

Last but CERTAINLY not least, N's design is meant to be soft and plushy but still has a little edge to it. His hair is fluffy but the tufts curl to be sharp, His core is meant to look like a heart but it's upside down so the point is still facing the top (which makes it look more like a club but whatever) I gave him a rounder torso than the other two and his elbow and kneecaps are softer too. His general construction is still menacing, though, so don't get too comfortable with all the fluff. I also spent a LONG time contemplating if I should make his thighs black to look like little biker shorts to contrast with J and V's sock looks but went against it because I love how the hazard stripes stand out against the white.

For N and V's worker forms I basically took out all the sharp edges and rounded them out. J's still a little sharp though not as much.

With the Workers I did the opposite of the DD. They have the EXACT same body types (minus Uzi because she's little) and instead I changed their color schemes to all be unique to their eye lights

Since Worker Drones were made to... well... WORK I think their initial manufacturing would be pretty uniform. A copy and paste if you will. It was only when they were left to their own devices that the WD started to customize themselves. Thus came the wigs and clothes.

I like to think the color started with those infected with the Solver, so Yeva and Nori gained color and then passed that on to their kids. Thats also why Alice has color, but Khan, The Manor Squad, and some other drones in the colony don't. Does not explain Lizzy and Thad though (maybe they have a distant relative that had the solver idk)

It was a lot harder to infer about what a base WD body would look like Maybe I was just looking in the wrong places, but I had to infer with things like the worker helmets, we see every WD except Uzi wear one but they seem more coordinated with their outfits so I decided to just continue my color head-canon that its naturally monochrome and you can customize it if you want to!

I added a light to the feet of the worker drones to match the hand lights. I don't think there's a canon reason for the lights but, on the workers at least. I think they're there to help them do grunt work in the dark! to light their ways in caves or tight spaces so they could do their job better. Now they're just another robot cosmetic

For the Parents, I gave them wrinkles because I thought it was unfair that Khan was the only one who got them. So, Nori gets crow's feet hurray! No but I probably had the most difficult time with these drones. It was hard to separate the canon from fanon since we know so little about them, but I fought off all the demons to keep their designs relatively grounded. Minus Khan's scar. And Alice's more natural horns. and-

I also gave some drones eyelashes. just cause. if I thought it fit, I added it and if it didn't, I didn't add it.

Now you may be wondering "Lexo what's up with all the cracks!?" the idea here is that it's the solver taking over. We see in Cabin Fever and Home that the solver virus fundamentally changes the body of a drone. The crack in the casing is basically this process. Depending on the stage of which your drone is at it changes the intensity. We see Cyn being the main host and essentially patient 0, so she has the most cracks. It starts at the core then spreads until it reshapes you entirely and you become a Disassembly Drone. Unless you stop it in time. Thats why J, V, and N have the pale lines on the bottom of their torso, they're more pretty and cleaner since they achieved the solvers "final form" so to speak. Nori and Yeva on the other hand, have repaired cracks but they're still messy since they were stopped mid-way. Alice, however, did not stop the spread with the solver cure since she was "abandoned" so instead she just cut out her core entirely. Yup. Shes functioning on pure insanity and spite at this point. And then of course with the new hosts, there is light spreading. TL: DR the cracks are a zombie bite.

But that's it for my Murder Drones head canons and designs! If you read all the way to the end, you're a champ and I love you. Have a cookie superstar <3🍪

[doshiart]

F1 AU // GALLAVICH

Ian Gallagher is a racing driver, a young star of the McLaren team. Mickey is just a car technician, who only recently joined the team as a trainee.

/long read backstory below/

Okay, I've thought about this a lot. So.. Shameless US but.. huh? living in UK?

First of all, because Formula 1 is more popular in Europe. Secondly, because I want to alter the story of Mickey's growing up. Make it a story about a little boy persevering towards his dreams. And how a simple childhood passion can grow into a potential job opportunity.

If briefly, below I talk about Mickey's developmental stages, along with his final emigration from Ukraine to the UK.

I'm not going into Ian's backstory here. But I'll mention this in more detail at the very end of the post, if you get to the end. Ha ha. Have fun reading!!

---------------

Mickey was six, just a little boy, when he first saw a F1 race on TV. And he was amazed by how quickly the cars could go and how quickly the mechanics performed at pit stops. (Are these even mechanics? Well, they turn the wheels, dad does the same thing in the garage and considers himself a mechanic).

When the next year he went to school in his first grade, then to all the teachers' questions or questionnaires with their “What do you want to be when you grow up?” he confidently answered as clearly as his childish language could, that he would definitely become a F1 mechanic. Even though he received only gentle smiles in reaction to his naivety of being a kid, the desire took root in his little head.

---

As he grew older, he continued to enjoy racing, watching every race weekend he could. And while he was a child this did not cause any particular problems. Mom encouraged him in his interests and every New Year gave him tiny branded cars of the teams he loved. But as he gets older, the more often he hears from dad that he is interested in some stupid things. And he didn't want to hear a word about racing at all. As soon as Mickey mentioned it even once, he was cut off mid-sentence.

These are not real cars.

Real mechanics work in a garage with real cars, not kids' toys for show.

Come down to earth. It’s all somewhere far away and you never even get to one of these races in your life.

---

Well, Mickey talks less about racing out loud anymore. Especially after mom's gone.

Tiny model cars disappeared into the closet's darkness.

His dad began to drag him into their garage more often so that he would get used to work and not wander around idle, lost in his stupid dreams. He had to skip live racing broadcasts as a result. It was sort of suicidal acts to turn this on in the garage on a small TV instead of some dumb music channel with hit songs. Mickey had learnt long ago to keep his mouth shut.

Just listen. Bring it. Grab it. Repair simple details. Don't go under the hood. Don't touch this, don't touch that. And especially don't break anything. Blah blah blah.

Jesus, are you even a man? Take your gentle hands away if you're not ready to get dirty.

---

Despite everything, Mickey still had a dream. One day, he hopes to watch a real-life race. Hear the noise of wheels flying over the track, the roar of engines, the screams of a supportive crowd. He prefers to never talk about his own desire to work as a car mechanic or engineer in F1.

---

Mickey was sixteen when he left after ninth grade for a vocational college to applied mechanics specialty.

Because, well, he had good reasons for leaving school two grades early. At the very least, he was already tired of going to school. He didn't even have any friends there. Yes, he communicated with classmates, but that's not it. It's forced. Just so as not to be an outcast and maintain the status of the Milkovich family by playing dirty tricks at school and bullying others. Did he like it? Absolutely not. These guys were idiots with stupid jokes and always picking on chicks.

They kept asking if he liked any of them and talking about how they looked all the time. Mickey never liked anyone. It wasn't that the girls were ugly, he just didn't find them attractive. But he pushed these thoughts away and ignored them. Left it somewhere near to the tiny race cars in the darkness.

Also, classmates called him into fights on regularly. Not that he was against kicking someone's dumb ass, but that he would prefer better reasons than just trying to prove whose class is above.

Another reason is that, in their family, working with their hands and having a real profession are more valued than going to higher education. Because this is a job for real men. Where will all these managers, lawyers, accountants, stupid psychologists be when their car breaks down? Mechanics will always have work and profit.

As well, Mickey is deeply curious about the workings of the engine and wants to fully understand its mechanisms. He will therefore be able to study this in practice with teachers, rather than with a psychotic bastard who screams at the slightest opportunity.

The only thing Mickey truly wanted to learn at school was English. Not because he loved it. This gave him at least some hope of "breaking abroad for the sake of a good life". Perhaps the main reason for his success was that he had a really great teacher who pushed and encouraged him. Sometimes he would stick around after class and stay just to talk with her. Mickey felt parental care, which he hasn't received lately.

“I believe that you can achieve a lot, Mikhailo. Just believe in yourself.” She told him and he believed her, hugging her a little longer so as not to show his wet eyes.

And well, after leaving school, these words sometimes came to mind during the saddest times, when he returned home after a long day of school combined with an exhausting shift in the family garage. Every time he spoke with his dad, he felt terribly devastated. The dream was literally slipping out from Mickey's hands. A pipe dream, is that what they say? Well, at least he'll try to do something.

---

Mickey was twenty when he graduated and by this time he was actively saving money, hiding it in different places. Also, he planned his escape from home, considered the best routes, and looked at what things he should take with him, confused about whether he would ever return home again.

As he approached his twenty-first birthday, he finally decided to do it. With only a spark of hope, he was ready to leave for nowhere. And okay, Mickey was a realist; he was aware that things might not work out at all and that he would have to return back eventually. But he'll do anything, though, to make sure that this doesn't happen, to avoid having to meet his dad's derisive gaze once more as his goal gets mocked.

After all, a dream is a dream, right? He also had skills and language abilities in his pocket. So he's really ready to do anything to attain even the tiniest success.

---

To get to UK, Mickey had to go through a long journey of transfers from bus to train, from train to plane. He's terribly tired, but here he is. He stands and watches as the new country greets him with heavy rain.

He first found it difficult to adjust to other people's smiling faces. There were a few times when he didn't feel at home because everyone was so friendly and lovely. And these people were incredibly talkative. He'll have to get used to this if he plans to stay here.

The first difficulties he encountered occurred at the department while filling out a form for migrants.

“Mik.. Mikai.. Mikaelo?”

“Mikhailo.” Mickey interrupted.

The employee's eyes stared blankly at him.

He sighed. “Ugh.. Mickey? Yeah, Mickey.”

“Okay, Mickey. Here you are.”

---

Mickey got a job as a mechanic for a small business fairly quickly thanks to his abilities. He was so easily and warmly accepted into the friendly team. Here he first felt respect while working. Mickey got assistance from the job department in extending his visa to stay in the country. His job also provided him with a tiny apartment, deducted from his paycheck.

After a while, feeling a little more self-assured, Mickey started saving money for qualifying courses that would help him in the future.

---

Mickey was almost twenty-four when he successfully obtained all the qualifications that were necessary for the job, as well as to be sure of himself and his knowledge. During this time two full racing seasons had passed. He attended only one race at Silverstone. This was his almost full year in the UK. His skin broke out in goosebumps when he saw the track in person. It wasn't quite what he expected. Mickey literally stood in one place and once in a while cars would drive by. On TV they show a larger overview, but still. He was excited. In this grand prix, a new young racer from the McLaren team took third place for the first time. His name seems to be Ian, and he likes to take risks on the track, driving the car while presenting a strong sense of confidence. And his hair perfectly matches with the team's car.

He missed the second race due to a qualifying exam. But he's not upset. Mickey is closer than ever to his dream. If everything works out, he'll see even more racing. If not, well, then he'll continue to work repairing regular cars. Perhaps he'll be able to attend grand prix events in other countries during his holidays?

But now it's the middle of the season and he's standing in the lobby of the McLaren Technology Center. He's trembling a little and his wild eyes are scanning everything in the immediate area.

Mickey can't believe the reality of what's happening. No he didn't become a mechanic. But.. it's still impressive. He was interviewed and tested to become a temporary vehicle technician for the team as an intern. He was told something about a possible career advancement and access to other things once he completed more qualifications, but he's not sure he heard everything correctly.

Later they tested him on team tests on the track. He's surprised that he was able to concentrate on his speed and did everything exactly as needed.

He actually became… exactly the one who changes the wheels and does minor repairs. He joined the technical team and will also work on pit stops during the races. And well, okay, if everything that's happening isn't a dream, he's really happy. Extremely happy. Of course, the longer he studied, the more he wanted to do engineering and development. But that's the tiny step, right? This is already more than anything he could have imagined. He saw the race in real life from the stands, and now he got the opportunity to see everything from the staff. He'll interact directly with the racing car. He might even hear how the team interacts with racers. Unbelievable.

Through the noise in his ears, Mickey hears someone standing beside him talking in a muffled voice.

“Hey! You're a new technician, right?”

The guy had already taken off his helmet when Mickey turned around. He softly smiles while stroking his fiery red hair.

Mickey stared at him. When he was brought to the track, he thought that some tester was sitting in the car, but not their young star.

“Yeah. Hope so…” He twitched his lip and scratched nose. “You're Ian, right?”

Of course this is Ian, what a stupid question. It's too embarrassing.

The redhead smile became even larger.

“Yeah…”

And just as he was about to add something else, one of the staff called Ian to go back and he hurriedly turned to Mickey and said quickly, “Oh, uh, see ya later then, gotta go.”

---------------

I'm glad I finally wrote and drew this. This idea has literally taken over my head so much that I don't have the energy to write Ian's backstory in the same way. Once again I am convinced that writing is hard work. And I want to say again about my love for writers. YOU ARE INCREDIBLE. For my brain, drawing is easier than writing. But it was fun!

!!!AND!!! THE MOST IMPORTANT THING! If someone suddenly wants to write a big multi-chap slowburn fic or little drabble or do anything, I'll be happy so much with absolutely anything!!

---------------

Let's talk about Ian now. I was actually going to write a backstory for him too. Maybe at least some minor notes, but I'm not quite sure how best to connect his bipolar with racing. Usually because racers drive go-karts from childhood, get into the junior league and generally build a racing career for years. Maybe he had a breakdown somewhere between seasons and it was quickly noticed?? I don’t know… And I think about how the team constantly checks him, which at times upsets him and forces him to prove to everyone that he is fine and able to drive the car.

Most likely, in this AU, Gallaghers are either rich, or Ian has a sponsor, if you know what I mean… From this fact, a whole lot can change in story. And the second thing seems more likely to me.

I was thinking about how Ian joined the McLaren team at the age of 21, and by the time he first met Mickey he was 22. He had been stable for a long time on medication.

So I'm also considering the possibility that somewhere between his 17-19 years he disappeared from the radar and came back when he found a sponsor who could pay for everything he needed and help him get into the F1 league. At first it was the weakest team, until his potential was noticed and he was offered to move to another team. This fact with the sponsor will probably put a lot of spokes in the wheels (ha).

Racer's body is undergoing an enormous physical strain, so they spend a lot of time in the gym. And Ian really enjoys working out with his team.

Another interesting fact: racers have a super-strong neck to be able to cope with gravitational forces during the race. Therefore, special attention is paid to neck in training. (It seems from the moment I found out this my little fixation began…)

---------------

I think there's a lot of pining here or something. They seem to be nearby, but due to different job responsibilities, at completely distinct levels. And I really want to read something like this with so slow burning.

So, I guess you can consider this as a big prompt for writing, if it inspires you.

Thanks for reading! <3

[kyra45]

Donation scams

For pet donation scam information, go here.

What is a donation scam? - This kind of scam occurs when someone is asking for money but isn’t being genuine/honest for why they need it and upon closer inspection you’ll often find out their fundraiser information is stolen from someone else who needs support. For example, the text itself would pull up someone else’s fundraiser that’s posted on another site such as Facebook or Gofundme with names that don’t match up or certain details edited out or added from something else entirely. In a sense, the post doesn’t make much sense or seems to be mashed together from other places. These are scams because money given to them isn’t going towards their goal and also not going to the one who needs it.

Was there an ask sent? - Asks for these scams are varied with no common theme but they usually seem poorly worded and link you to their post which may be pinned. Usually they’ll be sent immediately after following you with no prior interaction even when they call you their friend. Sometimes they’ll say they see you share mutual aid posts too but that’s generally just some excuse they’ll use so you won’t be too suspicious of them. Legit people be warned: Spamming these asks will get people suspicious of you and asking you questions instead. If someone tells you to please limit them, it’s advised you try to. Don’t send these asks to anyone who has stated they don’t like them.

Is the account new? - Another common thing to check is the posting date of the posts on the blog. An account with a massive amount of posts dating across many years is generally a legitimate person if they have several original posts and overall appear to be a person. Unfortunately, scammers tend to backdate posts to make their blogs look older then they may be but rarely have that many original posts. By turning on timestamps, you can see the original posting date in other notes if they have shared posts. Usually the backdated posts are only a few days old but have been made to look years old. What is post backdating? Please refer to this post.

Does the story make sense? - Basically, how well does the story they give sound and does the information it has seem reasonable. Is there anything in it that seems too far fetched to be applicable to a situation? Such as stating they need money for someone’s funeral but the images they supply seem to be photoshopped. Or they have their name on a paper but there seems to be a filter over it which may be obscuring minor details from the original unedited image. You may notice the story also doesn’t give much information out that would be anything important like if a law applies to their situation but they don’t supply a general idea of what country their in. Sometimes the story changes after a few days too.

What else should you do? - If you still can’t figure out if someone’s legitimate, then you may try to nicely ask them questions related to their situation. These questions don’t have to be anything needing personal information; It can request clarity about something your unsure of or further explanation regarding a detail that doesn’t seem to make much sense overall. Most people don’t mind answering these questions as long as your being reasonable and friendly. Most usually will answer you. Unless they ignore you.

What if it is a scam? - Once you have gathered enough resources to confirm the post is by a scam account, it’s necessary to compile it into one place then make a post showing it or show them what you found as well. The scammer will most likely get really angry and deny your evidence and then block you and continue scamming people. Unfortunately it’s suggested to post the information yourself before confronting scam accounts.

Other stuff to look out for? - Asks being spammed; Mass tagging accounts who share mutual aid posts; Replies/reblogs are missing; Harassing people who proved they are scamming

How to report these accounts? - Report -> Something Else -> Illegal content or use -> Phishing

—

If you like this guide, feel free to check out my blog as I report on these scams nearly daily among other kinds of scams that I post about. If you like my hobby, feel free to drop some pocket change as thanks! However, all I really want you to do is share this post to help me bring awareness of tumblr scams. Send it to people who might not know what a donation scam is or link to it in posts you make! Thanks. Hope this information is helpful!

[coraniaid]

Top five Fuffy fics (written by authors other than yourself)

Well, I'm not sure the restriction's necessary: I don't think I'm being unduly modest in saying there are a lot more than five Fuffy fics out there that are much better than anything I've ever written (or even come close to writing, frankly).

Uh. Limiting myself to one per author and to completed works only, and not trying to sort the top five in any way, without thinking about it too hard my top five would be:

To Live In The World by IvorySteel92. There are lots of Season 6 Fuffy fics, lots of which are really, really good, but this is the only one that made me cry twice, so it must be the best. Faith comes to Sunnydale after Buffy dies to try to do the right thing and take over as the Slayer, but then Buffy comes back to life. Only this time, unlike in canon, Buffy really does come back wrong...

Je me souviens by zulu. A classic, from all the way back in 2005. Again, there are lots of Season 4 Fuffy fics -- including at least one more that I love and that almost made this list -- but I don't see how I could not include this one. Faith wakes up from her coma, not knowing where she is, struggling to remember the fading details of a dream in which somebody she can't remember is chasing her with a knife. To the extent there is a single Fuffy fic any fan of the ship should be familiar with, I think this must be it.

147 Days by TigerDragon. Another relatively older fic -- this time from 2012 -- but one which doesn't seem to have gotten quite as much recognition as I think it deserves. It's part nine of a fourteen part series (starting all the way back in Season 3 and carrying on well past canon), but you don't really need to know much more than that this is -- technically -- canon-compliant, and that it covers the time Faith spends in prison while Buffy is dead. I think it's amazing and that far more people should read it.

Flowers For A Ghost / The Girl From Away by aliceinwonderbra. I'm cheating a little bit here, as these are technically two separate stories, though you could read them in either order and both have the same starting premise. Buffy wakes up in hospital surrounded by her friends after jumping into Glory's inter-dimensional portal to save Dawn. Only, she isn't waking up surrounded by exactly who she thinks she is. While the main reason I got into Fuffy a few years ago was rewatching Buffy during lockdown and finally having the pieces click, I genuinely think this series runs it a close second. I don't think I would have started writing anything Buffy related myself if -- having finished that rewatch -- I hadn't thought "huh, I wonder if anybody has ever written Faith/Buffy fanfiction?" and eventually stumbled onto these stories.

Body Language by explosionshark. As a rule, and despite my many complaints about Season 7 itself, I think Chosen was pretty close to the perfect way to end the show, which makes me a little wary of post-canon fics. But this one is so good it makes a mockery of any reservations I had: I cannot imagine a happier, more faithful-to-the-characters continuation to Buffy and Faith's story. (Oh, and as the tags make clear -- and as I think Faith would insist my previous description already strongly implies -- Buffy and Faith have a lot of sex in this one.)

[lord-squiggletits]

Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)

It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.

IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.

I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.

And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."

It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."

This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.

Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.

[canmom]

Animation Night 188: Gisaburo Sugii and his cat films

Let me introduce you to a fellow.

Gisaburō Sugii, born 1940, is one of the oldest school animators still working in the industry. His early filmography is something like a history of anime, or at least MushiPro: he started on Hakujaden [AN149] (where he did inbetweens), but he was one of the leaders of the Toei exodus over the rubbish working conditions and union busting (Sugii's close friend Rintarō was among the first to follow him), especially when Tezuka appeared on the animation scene with a place to land.

So from the earliest days of Astro Boy/Tetsuwan Atom, Sugii was a core Tezuka guy. (Thanks as ever to Matteo Watzky for presenting such detailed histories in English!) He helped clean up Tezuka's rough animations in an early form of the layout system, moving to his own satellite studio, worked on all sorts of projects. In fact, we saw a number of them when we watched Tezuka's short fims on Animation Night 83. For example, Sugii animated the moth in Tales of a Street Corner.

Before too long, Astro Boy was wrapping up, and the time came for Sugii to direct his own series: this was Goku no Daibōken and in the words of Matteo Watzky, it represented "a complete and unconditional rejection of everything Mushi - or rather Tezuka - had done so far" - gags over story, extremely limited animation. Adapting Tezuka's manga version of Journey to the West, the project had some rather grand ambitions:

It was rather in the writing and direction. Sugii was extremely ambitious: not only did he want to do a complete break with what Mushi had done before, he wanted to broaden the general “animation culture” in Japan [14]. He therefore focused entirely on the gags, trying to make them all as absurd as possible and breaking all sense of narrative continuity. This was the reason he had chosen Boku no Songoku in the first place: the road trip structure made it possible to completely change the setting each episode and make things different each time [15]. He refused to compromise on anything and was an extremely harsh director: he himself admitted how many conflicts he had with scriptwriters and storyboarders, whose work he kept rejecting until it had lost any semblance of sense or continuity [16].

Goku no Daibōken's story touches on another major figure of anime history: Osamu Dezaki (AN95) appears here as an episode director, though you'd likely not recognise his work - he closely followed his mentor Sugii's wacky style. Unfortunately, the show did not really do much to broaden anything, and was pretty roundly rejected by audiences, and even Tezuka himself publicly said it was too avant-garde and needed to change and the show ended up a sore memory for everyone involved.

But Sugii did not quit, and continued to work with the increasingly ailing Mushi Pro up through Belladonna of Sadness (AN69). This last-ditch effort was not enough to save the troubled studio (a story told elsewhere, check Watzky's articles for a very detailed version) and MushiPro went under. So, coming into the 70s, Sugii left the anime industry to go travelling.

But not forever.

Now, let me introduce you to a book.

Night on the Galactic Railroad (銀河鉄道の夜, Ginga Tetsudō no Yoru) - written in 1927, and published posthumously in 1934 - is a classic Japanese fantasy novel by Kenji Miyazawa in which two boys go on a strange journey across the galaxy. It soon becomes apparent that the train that the boys ride on is kind of a psychopomp train. It has that fascinating blend of early science and odd religious overtones you often get in novels from the early 20th Century, with such themes as the difference between Buddhist and Christian ideas of heaven, as well as all sorts of odd adventures.

It does not star anthropomorphic cats. But then again, it doesn't say anywhere that its characters aren't anthropomorphic cats, right? If you're Gisaburō Sugii, that's enough!

In the early 80s, Sugii returned to Group TAC, a studio largely consisting of former MushiPro staff, full of memories of travel. He started out directing adaptations of the baseball manga Nine, but soon he ended up directing an cataptation of Night on the Galactic Railroad, which came out in 1985.

Jokes aside, the book is deliberately ambiguous about what its characters look like, so Sugii came up with the cat thing as a way to preserve Miyazawa's intent. His approach to direction heavily emphasises the landscape, embedding the characters in dark spaces that reflect their feelings and build the generally omnious mood as they journey into death. And it works! The result is a film widely regarded as a classic by those who've seen it.

One notable feature is the film's fascination with the constructed language Esperanto, among the earliest aspiring universal languages. The film features all kinds of Esperanto text and an esperanto subtitle track, and even has an alternative Esperanto title, Nokto de la Galaksia Fervojo. This was a fascination of Miyazawa's, though I don't believe it features in the novel particularly prominently, but Sugii evidently wanted that to be part of the tribute...

In the wake of that, Sugii... went back to directing sports anime, this time the series Touch about Tennis, as well as a number of other projects including a Street Fighter film in 1994. He didn't abandon literary subjects though, adapting the Genji Monogatari, a foundational work of Japanese lit, in 1987 - though I can find little more about this adaptation. He even directed a Lupin III film! But none of those films are about cats, so we're gonna skip right over them.

In 2012, Sugii - now 72! - returned to books and cats with The Life of Budori Gusuko, adapting another novel by Miyazawa - this time at MushiPro successor Tezuka Productions. The animation is certainly more elaborate...

The film follows abandoned child Budori Gusuko in a world frozen by strange storms. Left to fend for himself, Budori's problems mulitply as his sister his kidnapped, leading him on a journey into dreams as he tries to get to the bottom of all of it.

The story is notable for anticipating the idea of the greenhouse effect, albeit in a way that rings rather odd in the context of present climate change. It generally doesn't seem to be viewed quite as favourably as Galactic Railroad but it's too good a thematic pairing not to do, so tonight the plan is to watch both films! Elaborate old weird anime, we're so back. And not a boob in sight, so twitch should chill out.

All being well, Animation Night 188 will be starting at 22:00 UK time, which is about two hours from this post - we're back on twitch.tv/canmom, thankfully they didn't ban me for long. Hope to see you there!

[lemotmo]

Cameo question. Interesting answer hadn't thought of it like this.

Q. Do you really think Tim or ABC or both put a stop to the Cameo videos? Doesn't that seem like a small thing to get upset over? It's not like his audience for them was very big. I just don't see them caring enough to stop them, does that make sense?

A. I absolutely think Tim/ABC ended the cameo videos. You're correct that his audience for them was small, but what that audience did once he started the cameo videos left them no choice but to shut them down. If they had simply paid for their headcanons and left it at that it would have been one thing, but they didn't do that. The first problem occurred when Lou spoiled plot details about the award ceremony episode. Then he put Tim in the position of having to publicly correct his video saying Ryan was the reason Tommy didn't end up kissing Eddie. The real reason was far more boring and far more common, the actress who played Natalia became unavailable, while the actress who played Marisol was available. That kind of thing happens frequently. Ryan has played gay before and has said numerous times that if the show decides to go there with Eddie he's happy to tell that story. And if such a conversation had ever actually taken place Lou would not have been privy to any part of it. But the fact he knowingly lied about it had to be concerning to both Tim and ABC. Then there was the time he basically spoiled the Buddie thing by saying, in two separate videos, that Tommy was Buck's practice relationship so he could work the kinks out before getting together with Eddie. I won't go into detail about his unedited racist and misogynistic replies to some of the questions he received. And yet, somehow he actually made things worse from there.

He started tagging Oliver in multiple posts putting Oliver in the awkward position of noticeably not responding to him. Then instead of taking the hint that Oliver wasn't interested in playing along, he continued to do it making it even more noticeable that Oliver was ignoring it/him. That resulted in his cameo army publicly turning on Oliver, and openly sending him hate over it. Putting Oliver in another unfortunate position of having to block multiple people, which he later said he was doing this past season. The show might have overlooked that for a bit, but then his army took it to an even worse level and set their sights on Ryan. Oliver and Ryan are both big advocates for mental health, and Ryan especially has been open about his own mental health struggles. The moment those people openly and gleefully left multiple comments on the podcast Ryan did about past suicidal thoughts telling him they wished he'd gone through with it, the cameo videos were dead. The willingness to not only leave the comments, but to also tag Ryan in some of the comments was a level of vile depravity that Tim/ABC could not look the other way on. The stuff that was happening to Oliver probably would have gotten the videos shut down sooner or later but what they did to Ryan forced them to cut it immediately. The Oliver hate was immature and embarrassing. The Ryan hate was despicable and inexcusable.

I also offer this. As embarrassing as it is to have to admit that his employer basically had to tell him to shut the hell up, his fans better hope and pray it was Tim/ABC's choice and not Lou's. If it turns out that Lou decided to close his cameo account and completely end all interactions with them on his own, that's a bad sign for them. To me that would mean Tommy isn't coming back. There would be no other reason for Lou to voluntarily end all of it as abruptly as he did, they were going well for him personally. So as bad as it looks for him for the studio and showrunners to have had to shut it down, his fans better pray that's what happened or else Tommy got the off-season break-up treatment.

I fully agree with all of this. Link this to the interview Tim just did, it's clear that he is aware how much more toxic and ugly fandom has gotten since the addition of Lou/Tommy.

And it isn't so much about the character of canon Tommy. In canon it is very clear that Tommy is a plot device to get Buck out of the closet. In canon it's very clear that Tommy isn't going to stick around for long. He could have just remained his boring self, dating Buck and then when it was time (in season 8) they would have just broken up. Some people might have been sad about it, but ultimately with how the show is telling this story, it's obvious that BT isn't going to last.

Basically, if Lou hadn't gotten those headcanon cameos out, we wouldn't have ended up with a part of fandom that went totally crazy over this actor. They applied his headcanons to Tommy, so they basically made him into something he is not and that is where the problems began.

I'm really very intrigued in where the BT storyline is going now. I wonder if Tommy is even going to be in season 8 at all? It's like the anon OP said: if Lou is the one who stopped all contact? There is a big chance of him not showing up again.

Who knows at this point? We'll just have to see what happens when they're filming. See if we can catch a glimpse of Lou on set.

As always, thank you Nonny for sending this to me!

Heads up! For anyone who is giving me the shifty eyes for reposting these anon OP updates instead of reblogging. Don't get mad at me. There is a reason for it and it's all done with consent from the OP. You can find out more about that here.

Remember, no hate in comments or reblogs. Let's keep it civil and respectful. Thank you.

If you are interested in more of the anonymous OP’s posts, you can find all of their posts so far under the tag: anonymous blog I love.

[lostinforestbound]

Maybe sfw/nsfw headcanons with Cal and a gender neutral tiefling?

I love that you asked this because it means I can talk about Cal more!!! I love Cal so much! Sorry for the wait, I really had to think about this one!!

SFW

Tail holding. He LOVES tail holding! Any physical touch with their tiefling traits he absolutely melts.

Rubbing horns together, nuzzling, feeling along their infernal ridges with his fingers. It's only one of the many ways he shows his love.

If his partner is ticklish around their ridges he 100% teases them. He's ticklish himself so this often ends in a massive tickle fight that he ends up losing every time.

Even when they lay together in bed, his tail is always on theirs, winding them together when possible. If they don't want their tail held for whatever reason, he'll wind it around their thigh or calf.

He's the big spoon! It would definitely rock his world if he's suddenly the little spoon at any point. His brain gets that windows error screen, but he loves it.

He likes to tease with his tail as well! Never as far as tripping them up, he'll definitely smack them playfully. He loves when he gets the same treatment back, it's a form of play fighting!

If he needs to blunt his sharp nails for any reason, he'll offer the same to his tiefling partner! If they like painting theirs he's totally down to do that as well.

If his partner is big on horn jewelry, he's happy to buy some for them! Cuffs, jewels, horn caps, anything! If he can't find something to but, he'll go straight to Dammon to commission him.

He would be attentive to EVERY detail in the jewelry, wanting to compliment what they like subtly. If they're the type to enjoy flower themes, he'll ask for vine patterns along the trim. Stars? Can you make their favorite constellation the center piece?

He would LOVE to wax his partners horns if they like doing that for themselves. Horn care is important to him now that he's off the road, and it's a nice pass time!

NSFW

He would be more comfortable with biting his partner since tieflings have thicker skin! He's also totally okay with being bitten back.

I see him as a service top no matter the partner but is happy to bottom if that's his partner's preference. Honestly bottoming for the first time would bring a whole new world of possibilities for him.

He loves to use his tail during these kinds of activities too. He'll use it to spread their thighs, the spade to tease their sex, and even will try tail-play if his partner is interested.

Just like how he usually play fights, he takes that to the bedroom as well when feeling playful! Usually he lets his partner win and takes the opportunity to flips them over and pin them.

While prepping his partner, he loves to tease the underside of their tail near the base. That area is known for being very sensitive, and usually it's not touched unless during intimacy.

If his partner's ridges are particularly sensitive, he'll tease those as well with feather light touched. He absolutely loves how it makes them squirm.

His partner raking their sharp nails along his shoulder blades and back would drive him crazy in the best way. It makes him feel incredible that they're feeling so good they have to hang onto him for support.

Cal can be pretty clumsy! Unfortunately, it's not an uncommon occurrence for one of his horns to get stuck with his partners, but it's easily laughed off! It personally doesn't ruin the mood for him, so he'll unhook them and then continue.

He personally doesn't like to choke his partner, but if they wrap their tail around his neck while he's giving oral, he only gets more enthusiastic.

He would also love it if his partner held onto his horns and lead him where they want him. It definitely does things to him. He would also grab their horns if overwhelmed if they gave oral (and would immediately apologize after, even if they liked it)

[suzukiblu]

Ko-fi thank-you sentences for @qwertynerd97, cat, and Necer0s; the wet nurse omegaverse.

"Here, let’s just set up on the coffee table, why don’t we," Bruce says, pushing the scant few knick-knacks and books on it down to the far end and sparing a last calculating glance for Carl, who has a hand on both Lor and Jon’s backs and is petting them both with heavy, steady strokes as he goes back to that low and rumbling purring. Jon is visibly melting into him; Lor is already functionally a liquid. 

Bruce is still a little concerned that Lor might have difficulty digesting human milk, but all things considered, this seems to be going unexpectedly well. Apparently the list of prioritized nutrients he sent over to all those agencies is finally paying off. 

Carl keeps purring like a very quiet engine and clearly doesn't care about anyone else in the room at all, including Tim and Damian. Tim looks a little relieved by that, for some reason; Damian just looks irritated. Bruce doubts he'd ever want to nurse from a wet nurse, considering, but not being offered the opportunity probably still feels like an insult to him. Still, he's not in Lor's pack, never mind his and Jon's not-quite-formed pack bonds that everyone else has been politely not mentioning in order to avoid making a thing. It's normal for pups to try and pack up with their friends, especially when they're particularly close ones, even if said packing up doesn't always succeed or pan out in the long term. 

It's just not normal for Damian, so again, they've all been avoiding mentioning it just yet. 

“Yes, of course, Alpha Wayne,” Travers says stiffly, setting out her paperwork on the coffee table in a tidy, easy-access arrangement. She's more than a little questionable as a chaperone, but at least she's efficient, Bruce supposes, which means her personal files should be easy enough to investigate when he asks Barbara to break into them. “The contract is the standard setup, but of course we can go over it as thoroughly as you’d like. Er–well, actually, if you’d like Carly to do direct nursing, it’ll be the A contract, not the B, but I have copies of that too.” 

Small favors, Bruce thinks. Saves waiting for the office to email or fax it over, at least. 

“Sounds good,” he says, leaning over the coffee table to glance at the papers she’s laying out. “Alright to take a look, Clark?” 

“That’s fine, yes,” Clark says, flicking his eyes away from Jon and Lor and Carl and putting on a pleasant smile as he steps up beside Bruce and looks down at the papers himself. He makes a show of adjusting his glasses and leaning over too, as if he isn’t in possession of vision that could read paperwork with a font half this size from the opposite end of a football field without so much as squinting. Tim visibly resists the urge to come over too, being Tim and always wanting as much information as possible. Alfred has more patience and Damian just isn’t interested, Jon and Lor are both understandably distracted, and Carl is just continuing to ignore everyone that isn’t actively cuddled up to him, so otherwise they have all the space in the world. 

“We strive to keep the contracts as straightforward as possible, of course, but there are a few necessary clauses and disclaimers,” Travers says, gesturing at the paperwork as she lays out the last sheet, and then proceeds to explain said clauses and disclaimers in agonizing detail. Bruce listens to and absorbs the information, resenting the entire conversation as something that could’ve absolutely been an email and also half the length it currently is, but keeps a touch of attention on Carl and the pups. 

Jon ducks his head against Carl’s chest when he finishes nursing and . . . sniffs, once, very quietly. And then blinks, very quickly. 

Clark’s jaw tightens, but he doesn’t say anything. Bruce decides to defer to him. 

Carl does not, and starts purring louder and drags Jon up to bury his face in the scent gland in his throat without even bothering to fix his shirt. His pheromones are clumsy, unrefined things, not the kind of clear and straightforward communication that an omega his age should know how to push through their scent, but they’re still omega-sweet and all-encompassing enough to fill up the room. He smells not quite comforting, perhaps, but warm and sweet as milk and strong and solid and present: the kind of protective and certain and promised scent that Bruce is more used to associating with powerful and secure omegas like Clark and Diana than random stray civilians who’ve barely presented. 

So it’s not particularly surprising when Jon plasters himself against Carl and lets out a very, very quiet sob against his scent gland. Carl wraps his arm tighter around him and purrs at him as he inexpertly nuzzles his hair. Damian bristles, glaring at Carl, and for some reason Tim’s face is very red, but Alfred projects soothing reassurance through his own pheromones and Damian’s hackles . . . well, they don’t go down, exactly, but he also doesn’t try to attack Carl, so Bruce will take it. 

Clark swallows, looking pained, and keeps his eyes on the paperwork. 

So yes, he’s very upset about this, if he’s not going to Jon right now. 

Travers looks stressed again but doesn’t say anything about the situation, just keeps carefully explaining the contracts. They do seem to be fairly standard arrangements from what Bruce has researched in regards to wet nurse agencies, and there aren’t any particular red flags so far. Some unnecessarily archaic language and a bit of benevolent sexism on behalf of Carl, who rolls his eyes when he hears it, but nothing explicitly concerning. Bruce glances towards Clark, because Clark’s the omega here and therefore likelier to notice an abuse an alpha might not, but he doesn’t look concerned either. Well–about Jon, obviously, but not the contract. 

“And of course the agency can arrange an alpha, for propriety’s sake,” Travers continues, and then Bruce finds himself very concerned. 

“I'm sorry?” he says as Clark bristles beside him. Bruce attempts to find any possible way to interpret that “of course” that doesn’t involve a goddamn arranged mating in the interest of him not having to worry about an omega under his roof having the right to make any paternity claims against him if they just so “happen” to get pupped. Politely phrased, obviously, because they’re in mixed company and the Waterton Agency has manners, but still no kind of subtle for anyone who knows those manners. 

“The fuck do they need with an alpha?” Carl asks, wrinkling his nose in confusion, and Bruce is reminded that Carl does not know those manners. Which means Carl has no idea what Travers just offered on his behalf. 

Goddammit.

[fandom-shitposter]

Tech logic

I appreciate that fandom doesn’t always lend itself well towards logic, emotions run high and get in the way of detached thought, but it’s overdue in this case

When Tech chose to fall he was on Eriadu, but that’s not a location under Hemlock’s control. We know this because Tarkin has a good bitch at him when he turns up late for the meeting there

Hemlock may have had Tech’s goggles in his possession later on, but it wouldn’t have been *his* people who went looking around the site of the monorail collapse, it would have been Tarkin’s

Tarkin makes it perfectly clear that he wouldn’t piss down Hemlock’s throat if his lungs were on fire, so he certainly wouldn’t have handed him anything that he thought he might have been able to gain any sort of advantage from, regardless of the condition it was in

So he gets the smashed up goggles and a ‘that was all we could salvage, such a shame. Anyway’ and gets packed off back to Tantiss

Not only does Tarkin dislike Hemlock but he couldn’t care less for the project he’s working on, he’s solely focused on his own work and considers Hemlock’s an unnecessary drain on the limited funding available

That doesn’t help to clear up where Tech is now, but he was never in Hemlock’s possession

***

But if Hemlock didn’t have Tech how come CX-2 used the same words and cadence when he talked?

For the same reason so many of the Knights of Ren background CX units had so many of Tech’s design features, with goggles, visors, and helmet shaping repeating amongst the crowd

Distraction and fan baiting, for the sadistic joy of stringing people along until the last possible moment and then spitting in your eye. To make you think that Tech is gone with zero hope of ever returning. To try to put off any fans who've shown themselves to be getting close to working it all out

But CX-2 sounded like Tech for the exact same reason Tech sounds like Tech. Because that’s the way he'd been programmed to speak. Which is also the reason Omega speaks with a space NZ accent

Just because all of the focus on reprogramming clones is put on Crosshair, the CX units, and Hunter (briefly) doesn’t mean it doesn’t go back much much further than that, back to before we ever met CF99. Hemlock is using the technology and data the Empire took from Kamino. The progress on his projects only stalls once Nala Se stops assisting him

Experimental Clone Force 99. Emphasis on the Experimental. Just because they give us a few details about one aspect of that work doesn’t mean they told us everything

Just like Hemlock juggling multiple projects on Tantiss, Nala Se was doing the same thing under Kamino, with her own female clone medical assistant by her side. And on Bora Vio before that

***

This show has taken scenes from multiple other franchises all the way back to the Clone Wars arc, but what it uses most of all is The Lord of the Rings & The Hobbit

They keep repeating an overhead circle motif – a ring or a set of concentric rings. Coming back to it more and more often the closer to the end we get. It even appears as a design on the shoulder of a street seller on Pabu in the finale

CF99 dying with Tech is the SW equivalent to the Fellowship of the Ring being broken. They’re no longer together but the quest goes on regardless. Just with a focus on some of the other characters and in a show we won't be supposed to think is related to Tech because it isn’t a clone centric show

Not only is Tech still vital to the resolution of the bigger story, but there’s still so much plot that's been set up and then left hanging, and they continued to set up new things to come back to later on right up to the finale episode so it’s clear that this story is far from over

There may not be any more clone based shows, but that doesn’t mean there won’t be shows with clones in them. Like Rebels. That wasn’t clone centric, but they were still a key part of the overall story