#one thing I love about r1999 is that we see characters being affected by the story

[swimming-karyss]

what do you see when you look into the mirror?

[vasito-de-leche]

Do you have any specific queer headcannons of r1999 characters if so which ones and why?

I wrote a bunch of stuff for this post but then tumblr fucked me up and reloaded without saving it so here we are..... rewriting it all over again ... OAUGH. usually I default to seeing everyone as Vaguely Bisexual and Not Cis until stated otherwise, but you asked for specifics so here we go!

6 is aromantic or demiromantic.

On one hand, it's because I love projecting on my faves. On the other hand, it's because he genuinely doesn't feel like the type of person to be interested in relationships. But this isn't something that's tied to any potential disgust, repulsion or even trauma related to his Revelation and struggle against fate -- to me, 6 just doesn't feel romantic attraction. At the very least, nothing strong enough to consider pursuing. It's not in his priorities. I really dislike this specific thing that fandoms do in which every single character who is introverted, or who happens to be alone/isolated (either by chance or by choice) is secretly lonely, touch starved, pining and desperate for attention and romantic love. It feels like such a huge disrespect for their equally important platonic or familial relationships. 6 already holds a lot of love for his own community and his childhood friends, a type of affection that is shown in his subtle and unique ways. I like it when his character focuses on those aspects instead!

Mesmer Jr. is aromantic and asexual.

In her case, she's the opposite of 6. Mesmer Jr.'s trauma and OCD is much too intense for her to even consider the idea of an emotional or physical bond with anyone. She's disgusted at the idea of touching others so casually, and she's afraid at the possibility of allowing a person (someone she logically cannot have any control over) into her life because what if they throw her off her schedule? What if they mess every meticulous thing she's planned for herself and her mental stability? What if she loses her grip? Yes, it's plausible that she may find a partner who works perfectly with the way she needs things to be, and yes, you can headcanon that she heals and her OCD becomes "manageable" enough to have a stable relationship, but personally? I just like it when characters don't get to have stereotypical happy endings in which everything gets better through love and friendship and support -- like, yeah everyone loves to see their faves happy and all but eh... It's a bit of projection on my part! Some people don't get to heal and do all the things their disabilities prevented them from doing, even if we're given all this support and love. Some of us just have to find ways around these things, anything that works for us that makes our lives easier.

Sweetheart is queer but has a complex relationship with love. In a somewhat similar vein, Blonney has gone through every single letter of the LGTBQ+ community.

I tried my best to explain my thoughts on Sweetheart but at this point she deserves her own post because it's honestly a LOT, this single part was just too long so I cut it out entirely. Just trust me when I say she's queer and has a very complex relationship with love. In Blonney's case, we discussed the possibility of her being written as comphet and it got me to think a little about her. I see Blonney as the type of girl who presents as a straight bimbo, following the themes of her character and all, but who has constant crisis after crisis in the privacy of her bedroom, the only place she's allowed to be more than just a blondie. This constant journey questioning her orientations and gender happens entirely in her head and in private. I like to think that she just has these long monologues in her head. Sure, she's identified as straight her whole life, but maybe bisexual works better because there was that one girl she kept meeting under the bleachers. Oh, but maybe she's a lesbian, since all her boyfriends are just huge disappointments and none of them ever make her truly happy. Oh, but maybe that's just because she has bad taste in men, there was that one guy in class who keeps making her laugh after all. Ahh, this would be so much easier if she were a guy, her femininity is mostly performative after all. Ah, but she actually really loves pink and fashion... Nonbinary then? No, she's not the type to pick something so vague, it's one or the other. Oh, how about both? Genderfluid! Etc etc. If you ask her about how she identifies, she'll simply brush you off with a "What's it to you? That's none of your business, creep!" and move on, but this is something very personal to her. So far, she knows she likes being femme presenting and that she likes Jessica!

Eagle is a trans girl.

Have you guys seen those posts going around tumblr about how important it is that trans women exist because they fight for their own womanhood and girlhood in a world that constantly looks down upon feminine things and all women as a whole? Yeah. Yeah. Eagle being a scout that fights so hard to prove herself, the feelings of not belonging into the Boy Scouts and seeing how the Girl Scouts are created eventually, a space for her. The fact that she visits her father's grave so that he can see her grow up.

Kaalaa Baunaa, Oliver Fog, Medicine Pocket and Melania are probably bisexual, but they're super busy with work so they don't have time to address that.

Self-explanatory <3 I do like to think that Kaalaa and Medpoc are more chill about it, Kaalaa because she's a grown ass woman who is very mature, and Medpoc because they genuinely give no fucking shits about dating in general, so who cares about confirming whether they're bisexual or not. Oliver Fog is a little more flustered at the idea of exploring his orientation and whatnot, but it's tolerable. BUT MELANIA? I LOVE to think that she's FULLY aware that the MOMENT she acknowledges her bisexuality, she will have a crisis and then what will she do? She has 3 papers due next week and a heist this weekend, she can't possibly sit there wondering about liking girls! She's got things to do!

And here's the extra round of HCs that don't require that much text to explain or that lean towards being more silly!

Eternity has literally outlived the concept of gender. She/They royalty.

37 has QRPs instead. It Just Works. No one but herself and her partners understand the dynamics, though. As god intended <3

APPLe is a raging bisexual and has been spotted in many gay bars. Regulus is also bisexual.

The world would've been a better place if Bette was a butch lesbian.

Balloon Party and An-An Lee play with gender like its playdough.

Baby Blue is Not Cis and she's Not Straight either because none of that shit matters to her anymore, since she's been disconnected from reality and society for so long. She also doesn't care about labelling herself.

Diggers is trans, but no one can figure out which way exactly. It doesn't help that he refuses to clarify either. The same thing happens with John Titor, except she's very vocal about being a transwoman.

Bunny Bunny is bisexual but she hasn't realized this yet. In similar fashion, Horropedia is bisexual but he just forgets about it sometimes.

Druvis III as a trans woman goes hand in hand with Forget Me Not as a gay man. This is why they're both super divorced.

Leilani is pansexual because she prefers the colors of that specific flag over the bisexual one. Spathodea is pansexual because the personal distinction between pansexuality and bisexuality matters to her.

Tennant is bisexual because she can scam and seduce more people that way.

The Fool is nonbinary. Mf should've been born in the 2020's, I just KNOW he would've loved mirrorgender.

Zima is in the closet not out of shame but out of safety. Just in case.

Sotheby assumes that every girl in the world likes girls. So far no one has been able to prove her wrong because all she does is interact with other sapphic girls.

Pavia is nonbinary out of spite. But I also love transguy Pavia HCs so so so much, give that guy boobs, he would never get top surgery <3

Vertin is nonbinary too but she doesn't care about people knowing about it. She does, however, make the effort to be a little androgynous, as a treat for herself.

Madam Z and Katz absolutely had a Situationship going on during university. Katz was bicurious and Madam Z helped her experiment. Now the Situationship is between Madam Z and Constantine, the latter using Madam Z as a rebound after fumbling her relationship with Vertin's mother <- the machinations in my brain will astonish you.

TTT is genderfluid by virtue of being a picture on a TV, so I like to think she can just shift her appearance. In similar fashion, gender means nothing to Alien T and Voyager because they're aliens.

I specifically love the idea of all of the 1.2 gang joking about how Tooth Fairy is their token straight adult figure -- she's actually bi and asexual, but likes to keep that to herself so the kids can make their little jokes and have fun.

Enigma is gay and homophobic because his self-loathing is just that strong.

Turns out that the push Click needed to explore his own sexuality was getting killed on the battlefield, so now he's free to be gay. perhaps bicurious.

[vasito-de-leche]

A short (or not) ramble of scenarios and questions for reverse: 1999 self aware. (sorry if this bothers you, I just don’t have enough confidence to post it on my own blog (plus I love your content))

- Okay so first of all, in the main page of the game, when you click on the upper left corner with your level and username, you go to a screen with Vertin looking fly as ever along with some user information.

So if Vertin can see the game’s ui, then she can see the year in which the player has joined the game (2023-2024). I haven’t dived deep into Vertin’s character so I can’t portray her reaction to much, but I feel like she would tell this info to someone close like Sonetto.

Also our motto: I put “When in a rush, say ‘runs in high heels cutely.’”. I’d be so embarrassed if anyone (even fictional sentient characters) saw that. Like im dead.

On that topic, when you mentioned in your Sonetto self aware post that she can sometimes see us, and honestly, I’d be even more embarrassed. Cause like, if any of the characters from games I played, were sentient and could see me, id pray they didn’t see my bad angle. Like imagine looking up to the sky to see, just for a second, the chin of a head as the hands go to scratch their nose. Like the first impressions I would make.

- P2p players. Imagine the player spending money on the game (at the risk of Vertin possibly seeing their credit card number) to help level up or get costumes for their fave characters.

(Some misc. questions)

-what would happen if player didn’t log in the game for a while (a week to a month as best) cause I would ditch some games to spend more time on others

- What does Vertin think of the mail messages that the player gets? Like the latest mail I got was the discord event invitation. Upon closer inspection and critical thinking, it would hint that there would be more players other than us because it says the winners get 60 clear drops (oh and money too)

- If I remember correctly, I think you mentioned about Vertin hearing the player sometimes. So imagine her hearing us trash talk certain character *cough* Constantine *cough*.

(Anyways, I love your content ❤️ especially your fmn headcanons, can’t wait to see more posts!!)

;R1999 - Self-Aware AU (2)

Answering some questions and discussing the Self-Aware AU. A follow up of this post.

not a bother at all, you bring up really good questions and details that are fun to explore! I'm glad you like my stuff, have a nice day o7!

On the subject of Vertin seeing the player's profile.

With the way I intended to portray Vertin within the AU, I don't think she would be affected by the date on the Player's profile!

This is the date you came into contact with her from your perspective, whatever time and space that flows within your world, not hers─the world behind the fourth barrier that she cannot see nor hear nor even fathom, let alone try to make sense of. In a way, it's like expecting ants to care about concepts we made up, such as time. They understand night and day, they do not understand 3PM nor 8AM.

Is it truly proof that time can go beyond 1999, when this is something that only she can see? When it doesn't affect a single thing within her universe by being part of a game menu meant for your eyes only? There's also the fact that she finds out the proper time of the world in the 1.4 update, in Chapter 05.

Her dynamic with the Player is something I like to keep vague, so that everyone can fill in the blanks, but ultimately it is something so complex and private for Vertin─who sees it as a one-sided relationship, since she cannot hear nor see you, unlike other arcanists who may reach the 100% bond─that I don't think she would talk about it with anyone, not even Sonetto! The name on your profile and whatever message you've written there are secrets she will take to her grave. The idea of Vertin being the eyes and hands of the Player, but having no way to truly see or hear them makes for a really fun concept to explore!

And on the subject of messages, let's be honest, if you've written something funny or some modern shitpost, chances are she won't understand it LMFAO so it's okay! I literally just have my socials and "men enjoyer" listed there.

Oh! But since you brought it up, the message section could be a fun, little way to communicate with Vertin, since she can read what's on there!

As for P2P players, Vertin wouldn't see any information from the Player's credit card since that's something that happens outside the app lolol. Like, to me, it directly opens to google play transaction stuff.

On the subject of the player dropping the game for long periods of time.

Hmm, in the first post I said that there might be characters ouside Vertin and her suitcase who may be self-aware, with their own goals and such. But nothing truly "matters" unless the Player is there to witness it. So to keep including these possibilities and details, I feel like there's two options, pick whichever you like the most!

One, time continues as usual within the game─but once it reaches an important date where the plot is meant to kick in with some important event, it simply resets back to where you left it. This is a world that exists outside of your perception, but cannot continue without you.

Two, time freezes entirely within the game─but only for those who are not self-aware. Keep in mind we're talking about long periods of time, this wouldn't happen if you log in every day, or every few days. This is what happens when your phone picks up the fact that Reverse: 1999 is one of the unused apps taking up space in your phone. This is a world that stops existing once you stop looking at it.

In both options, the Wilderness would remain unaffected as it seems to be entirely disconnected from the flow of time and space outside of it.

On the subject of the game's mail.

Since the messages auto-delete and all, I can't check but I'm pretty sure Vertin receives mail too? There were a few ones from a few characters a while back like Druvis III or An-an Lee, and I think the implication is that they were vaguely addressing Vertin?

If someone has screenshots and can confirm this, please let me know!

Either way, the easy answer is that yeah, she knows this is a game, so she could make the assumption that there's more players. She has access to your friend list, after all! And even if you don't have anyone added, the fact that it exists is enough for her to start connecting the dots.

I don't remember saying that Vertin can hear the Player, though! I think I was pretty consistent with her not being able to see nor hear you, to have the Player as some sort of eldritch, unknowable entity. But I also write so much stuff in this blog that it's hard to keep up sometimes lolol, if I've mentioned somewhere that Vertin can hear the player, it was a mistake!

[vasito-de-leche]

Could we have some Zima relationship headcanons :]

;R1999 ZIMA - Relationship Headcanons

Compilation of headcanons about Zima in a romantic relationship.

ofc you can nonnie, ty for the request! Zima was the other character that got me into the game so he's very dear to me

also also, I'm not sick anymore so I have some steam to work on requests, hehe <3 still working on the sleepy fics though, don't worry yall!

I haven't done a proper analysis/HCs post on Zima yet, so as usual I'll be talking a little about his character before getting into the whole relationship aspect of things!

The portrayal of Zima as a stereotypical, shy introvert feels extremely reductive to me, especially when it's all attributed to his speech pattern - the pauses, the stuttering... None of it is an indication of timidness. We have to remember that Zima's native language, like many other characters, is not english and he struggles when speaking it. That's the reason he speaks in such a way, there's a language barrier he's constantly fighting against in order to communicate with others and yet he's clearly trying.

There's an emphasis on loneliness, isolation and avoidance in his character that is impossible to ignore, which seems to add to the whole portrayal of Zima as a "shy baby". But again, this is something that comes from an important part of his life - the exile he went through. Him being socially inept is a result of a punishment, years of being alone with no one but animals to keep him company. It doesn't come from a sense of inferiority or insecurity such as Charlie, but an absolute lack of human contact.

When examining his voicelines, we also see that he's opinionated - criticizing the Tsar and the poor living conditions of the people, speaking of the beauty of nature and so on and so forth. He explicitly writes poems on any surface like trees, rocks and snow, even if he knows they'll be washed away overtime.

I understand that it's extremely easy to dismiss Zima when it comes to romance because of all of these details, his isolating ways and all, but he's a poet first and foremost.

While he may not be romantic in the more traditional sense we're used to, he's extremely insightful and takes a lot of care to appreciate the small details that often go overlooked, but that make life feel more lively and rich. In the context of relationships, given his age and his lifestyle, Zima would bring a completely different type of vibe - for comparison, most of the characters I talked about already lean towards high emotions, the fun of discovering love for the first time, etc etc...

Pavia's love is a whole rollercoaster on his own because there's always the chance of either getting hurt or having the time of your life, Forget Me Not's feels exactly like being hungover in the morning. But Zima's love is more like coming home after a long trip, knowing there's a warm meal waiting for you. It's familiar and calm.

On the subject of Zima falling in love.

Zima is used to introspection, so I genuinely believe he has a strong sense of self and a good grasp on his emotions. He quickly realizes when he's fallen for someone and he accepts it easily, despite the lack of romantic interactions in his life. This is because the object of his affections is, most likely, someone he already cherishes, and who puts the effort into maintaining a good friendship with him - so the idea of being in love with them feels natural!

I can't see Zima pursuing romantic relationships with strangers and/or those outside his close circle, not even a surface attraction beyond artistic appreciation for someone's looks. He strikes me as the type who can only fall in love with those he trusts and knows.

And even then, his behaviour wouldn't change much!

It's obvious that he lacks friends, so the very few people he does have are extremely important to him - even so, Zima does not need to constantly orbit around them and will gladly spend days (and weeks if you don't actively seek him out) without seeing them, content to catch up with them whenever their paths cross. He shares what little he has to offer with everyone, practical things and knowledge. Zima is 100% that friend who disappears for months and returns as if nothing happened.

When it comes to you, it's the same. Sure, if you ask him to stay a little longer then he'll oblige you. And if you're the chatty type or find his work interesting, then he'll put the effort into having a conversation with you despite the language barrier. But that's about it, the changes aren't noticeable no matter how much he loves you, because all of that happens when no one is looking.

If you happen to stroll around in the wilderness, getting lost in the forest and all, then you might find your name carved on trees along with many, many poems. If you don't speak or read russian, then all you'll be able to recognize is your name - the very first thing Zima taught you in his native tongue - but these are all declarations of love.

The animals are kinder to you, curious even. They follow and treat you like an old friend, as if they knew you, because everything they've heard from you comes from Zima himself. They speak about everything and anything with him, after all.

Zima lacks the initiative to confess or even consider being in a proper relationship with you - I insist, he's genuinely content with being a close friend - but he also lacks the restraint to keep his feelings to himself and thus puts them on display in the only way he knows how: as a poorly kept secret between himself and the nature that surrounds him.

Not many think of him as a romantic because of how stoic he is, but when Zima is in love, he sees you in every flower, in the snowflakes that fall and kiss his nose. You're the gentle summer breeze and the crystal clear rivers once winter ends. You're right there beside him in spirit when he sees little chicks take flight for the first time, or when all the other forest critters wake up after hibernating. Zima finds beauty in every aspect of nature, and he sees you everywhere he looks.

That said, there's no way he'll take the first step. That's entirely up to you, to pick up all these things and confront him about it - that's the only time he'll be open and direct about his feelings. Because you already know how much you mean to him!

Zima would love to teach you his native language.

This is partially me projecting because english isn't my native language either, but I do like to think that Zima's english is all self-taught. He understands when others speak english, but isn't as fluent when speaking himself. And that's why it's sooo infuriating and frustrating for him, as a creative person and poet.

Not only because it's harder to communicate with others, but because his work and poems - the most important part of himself - can't be fully understood. Therefore HE can't be fully understood. Some translations, while good, can't even come close to their original meaning. As his partner, Zima wants you to understand the full depth of his affections and thoughts.

I do think that the process of learning would also be quite organic, starting with Zima simply pointing out at things and teaching you the way they're named in russian, basic stuff he does unconsciously. If you pick up things on your own from his work and his translations, Zima will be over the moon and would ask you to repeat yourself to make sure your pronunciation is right and because he loves the way his language sounds with your accent.

But if you approach and ask him to properly teach you? He's gone, instantly overwhelmed with emotion and thoughts racing in his head, trying to organize a million different things - what would be the best way to teach you? Should he start with the alphabet? You want to learn this brand new language to understand him better, that simple gesture is a huge deal for him.

Once you have a pretty good grasp on the language, at least enough to have basic conversations with him, it will feel like Zima has gotten a little bolder - addressing you with pet names, being generally more blunt and talkative... But in fact, he's just finally able to express himself in his totality.

This also goes the other way around - Zima would love to learn your own native language, whether it's english or something else. It's yet another language he can use to express himself, so it's a win-win. And I know that it's common for us multilingual people to start confusing and mixing all the languages we speak, but I think Zima would have an easy time keeping them apart, so to speak!

On the subject of Zima and how he acts when he's in a relationship.

You two were close friends before you were lovers, so Zima doesn't feel any sort of pressure to live up to some dating standards like fancy dates, gifts or grandiose displays of affections - once again, it's all about what feels natural. You two know each other more than enough to simply fall into a comfortable routine that works out for both.

He does make the effort to drop by more often, to find a middle ground until he feels more comfortable and used to being around large groups of people. But he would also insist that you accompany for his walks in search of inspiration for his work!

When it comes to showing affection, I think Zima might be a little touchstarved - casual physical contact such as someone hugging or patting him on the back as a greeting still catch him by surprise, but affectionate gestures with those he trusts and loves is a novelty that leaves Zima starry-eyed.

He has a lot of things that he needs to slowly get used to again now that he's not exiled in the middle of the woods, but having you shower him with affection is something that he grows to like rather quickly. When you pet him, pepper his face with kisses, hold his hand when walking or hug him - it doesn't matter, Zima will always stand there, fascinated with the way you make him feel, so very warm and safe.

He would appreciate a warning before being touched, and he always makes sure to ask before initiating anything himself - it doesn't matter how many times you tell him that you're fine with this sort of contact, he's going to ask for permission anyway. Just out of politeness. Personal space is important, after all.

I think Zima would try to stick to a routine he can follow without overwhelming himself, especially if you're the type to need more attention (again, Zima will literally disappear for weeks if left to his own devices). It's more of a short list of things he needs to remember to do before the day is over, the two most important ones being greeting you in the morning and wishing you goodnight.

As for more general aspects of a relationship, I don't think there's much to say! Arguments with him rarely happen because he's patient and careful with his words, he communicates his needs and boundaries as well as he respects yours and all. Zima isn't that talkative, but his more "eccentric" traits are something you're probably used to on account of that initial bond and trust.

[vasito-de-leche]

;R1999 PAVIA - General Headcanons

Compilation of headcanons and analysis on Pavia as a character and other related things.

the post about Pavia's love languages and how he shows his affection got a lot of love, so I'm doing a lil more thinking into his character to rlly flesh out how I see and write him before getting to write the second part of that post <3

just a heads up, its preeeetty fucking long. but all of my posts tend to be lmfao

On the subject of Pavia, loneliness and trauma.

In this post talked about the concept of showing affection (not exclusively romantic but just in general) and the relationship Pavia has with his reputation, both as a lone wolf and a skilled mercenary, which affect the way he interacts with those he might deem close for better and for worse. So it's only fair that I do that again in a more general context.

Let's get this out of the way. One cannot talk about Pavia without mentioning or alluding to his solitary lifestyle in some way or another, we've all read his 02 Story, but to only read him as someone who fakes this aura of confidence and who feels deeply insecure and lonely 24/7 is an obvious disservice to his character.

Pavia is defined by a strong sense of self which, yes, originates from isolation and neglect. And you may read this as an active choice for survival, a coping and defense mechanism or the natural progress of someone who has had no one to rely on but themself - all of these readings are valid and can easily coexist! But I would like to insist that Pavia as we know him is confident and comfortable in his own skin, happy to live as an outlier to conventional norms and behaviour.

And that's because he's weaponized loneliness into a strength and a shield. He's outgrown that small, neglected child in the basement.

Hell, in his interview with Pandora Wilson, he mentions the fun of "causing pain" onto others, in the context of his presence being used as a "punishment" for others. He's surrounded by people he considers stupid, and he has fun at their expense when they try to bring him into their shenanigans. Pavia is a confident asshole, it is not a façade for a sad boy.

One quote in particular comes to mind when discussing this aspect of Pavia.

Go back to Rome, where the wolves were born. Said my former boss. He knew I was born in Rome, but didn't know I was raised in Piemonte. He was such a fool, even tried to kill me. So I only kept his tie clip. I didn't tell him that as long as the night will come, everywhere I live is Piemonte.

This line in particular, from my reading on it, speaks volumes about how Pavia has reclaimed the night - alluding to the one place he was forced to live in for his entire childhood, a dark and isolated basement, the concept of loneliness itself - as something that defines him and should inspire fear into others. His wolves are made out of darkness, his Ultimate in-game shows him manifesting out of a dark fog on the ground. And the context of that quote is hostile, it's Pavia's former boss telling him to go back to Rome, and Pavia mentioning that no matter where he goes, as long as the night comes, he's home.

One could argue that the quote is meant to be read differently - instead of Pavia reclaiming something that hurt him to now empower him, he's haunted by it. No matter where he goes, he'll always be in Piemonte, in that dark and isolated basement, with no one to pull him out. And that's fair! To each their own, both are banger readings on that dialogue. I just personally think the former fits better with the character as a whole.

The former reading is also supported by his 02 Story, where he describes the wolves that his Arcanum abilities manifested as "friends he found in the darkness and would never leave him".

One wolf hid behind another, and the pack surrounded him in the darkness of the night. They held each other's heads and tails and coiled together like snakes, bringing with them warmth and restful sleep. These were the friends he found in the darkness, ones who would never abandon or leave him, and who would forever watch over him.

In his Cover profile, his Afflatus is also "Mourning of the Feral Pack [Beast] Night View".

And when you check Pavia's small description in the Role Garment menu, his main garment and the one unlocked at Insight II form the following phrase:

He's always alone, both in the basement and on the street. It doesn't matter now, though. He will never be "alone" from now on.

His Afflatus, his Arcanum abilities, every small detail - everything points towards Pavia owning the night and the darkness that used to hurt him so much as a child. Because it cannot hurt him now that he's made friends with it, in the form of shadow wolves who will never leave him. He's not stuck here with you, you're stuck him with him. (that Insight II quote will be relevant again later when I talk about the lack of? Humanity? so to speak? in Pavia's character)

But anyway! This doesn't mean that the discussion on Pavia and loneliness/isolation should stop there.

After all, his Afflatus also says "Mourning of the Feral Pack" - mourn what exactly? A lost childhood? The family he could've had if his mother hadn't been admitted to an asylum? The young and innocent child that died in that basement so that the current Pavia could exist?

Who knows! Talk about it, it's fun and I love to read other people's takes! <3

On the subject of trauma specifically, I do see Pavia as someone who lives in the present and doesn't think much about the past - he only mentions his parents once in a seemingly disinterested manner, stating that he never visited (and most likely will never visit) his mother. Piemonte is where his abusive aunt raised him, but he shows a certain pride in his city anyway.

It's not that he's overcome and healed from his trauma, it's that he doesn't even register the things that happened to him as traumatic experiences due to the distance and recontextualization of everything.

The fandom portrayal of Pavia as a deeply lonely person often comes hand in hand with him being touchstarved and the experience of feeling any semblance of genuine human connection for the very first time - but I would like to offer an alternative, explained in the next bullet point.

On the subject of Pavia, conventional society and his pack of wolves.

Pavia's official description, as seen in this tweet made by the official global account of the game, is the following:

An independent mercenary lacking in collaborative skills. Employers are content with his excellent abilities, but can't stand his work ethic of ignoring his coworkers.

This, along with his other quotes and the interview with UTTU, point towards how the world sees Pavia as a nuisance of sorts - a punishment, we know this - but it also points towards Pavia's rejection of conventional society.

The way Pavia behaves, the way he insists on maintaining the barrier between himself and conventional society, the pleasure he takes in making others suffer just by BEING THERE NEXT TO THEM, the stress he puts into being alone - it leads me to think that THIS is the result of his trauma.

It's not a deep seated loneliness, it's not yearning and secretly wishing for genuine connections, it's not a fear of the dark or enclosed spaces - it's an absolute and total rejection of the world that failed him.

Pavia cannot feel or grasp loneliness on the same level as other characters might because there is not a single person in this world he would rather spend his time with other than himself. The details of how he got out of the basement and began a life of crime haven't been revealed yet, so I won't theorize about it, but I like to think that everything that Pavia is and represents is one big "fuck you" to a world that left him to rot in that basement.

It all loops back to the previous point - by rejecting mankind and society as a whole, Pavia becomes the opposite: a beast who acts on his own accord rather than the rules that make up polite society. And in doing so, grows closer to himself and his pack. In doing so, he allows his humanity to slowly slip away.

The Insight II quote I mentioned before is a great example of this - the change in his sprites shows Pavia's eyes changing, now with black sclera and sharper teeth, darkness (and two of his wolves) surrounding him. He will never be "alone" from now on because he is now ONE of the pack, because this is where he belongs.

The medium for his Arcanum (not the "wand" used to cast spells and magic, those are different things from what I understand) is "Beast Teeth". Compare this with other characters: Zima's medium are poems, Dikke's medium is the law, Sonetto's medium is curiosity. An arcanist's medium seems to be a concept or object that represents who they are and what they believe in, something that is essential to their life and dear to their core. Pavia's is beast teeth. He's a beast Arcanist.

I like to think that Pavia based his behaviour, knowingly or not, on his pack of wolves. After all, he's the one who conjured them, it makes sense to me that he would subconsciously latch onto them. This would explain his more animalistic traits that show just how disconnected Pavia is from what a regular human being should be.

You guys freak me out when you sleep. What kind of people needs such a long sleep like that? Fall in a coma like a crispy critter, and wake up 8 hours later. …Only god knows how you can do that.

This dialogue implies that Pavia cannot wrap his head around a normal sleeping schedule - which is extremely ironic, considering that wolves sleep a LOT. But I'd attribute this more to the dissonance between him and conventional society than Pavia trying to larp as a wolf. We have to understand that he spent most of his days sleeping away the hunger, that he went on to reject the company of other people - it makes sense to me that he wasn't taught or didn't get to see how a normal person should behave in theory.

Despite this rejection, we can clearly see that Pavia enjoys a very hedonistic life - going on clubs, having a sweet tooth, wearing fancy clothes, shopping, films and whatnot (He's literally wearing Louboutins, guys. The soles of his shoes are RED). He plays the role of mercenary quite well, too. But it doesn't strike me as a writing inconsistency or hypocrisy from his part, Pavia is known for doing whatever he wants, one of his hand tattoos spells "LIBERTA" or freedom in italian, so this tracks. It's hard to be a hypocrite when your moral compass is all about being a wildcard.

I mentioned this in my first Pavia post, but the items attributed to him are all said to be cheap, fake or crudely hand-made.

His glasses are a copy of an actual Italian brand that no one would ever think of mistaking for the real thing, his bracelets and rings are dented and damaged, Pandora Wilson even goes as far as calling it junk. They even describe his earrings as rough workmanship. And yet, Pavia brags about his clothes and enjoys shopping. There's that small dissonance again - he enjoys bragging but does not know (or care) about the actual value or authenticity of his material possessions. (Pavia wears fake Louboutins, this is my headcanon, thanks for coming)

He plays the role of mercenary quite well, too. I'd also argue that the more violent aspects of his personality have to do with his line of work. This tweet confirms the majority of Pavia's tattoos and what they say - the one on his arm is "La Cosa Nuova", the sicilian mafia for those who didn't know. I won't go in-depth about the real life actions of such group, but it's clear that Pavia is or has been part of it within the world of Reverse: 1999.

Entering headcanon territory.

The two bullet points from before were mostly just analysis on how I read Pavia based on all evidence in-game, but now I get to talk about personal headcanons I have about him <3

I've explained pretty much everything I wanted to say about Pavia for now, so these are just gonna be rapid fire headcanons.

First of all, Pavia is a light sleeper.

The lightest sleeper you'll ever meet, even a soft whisper could wake him up - but this isn't because of some hidden fear of waking up back in his aunt's basement. Because he had nothing to focus on but the sounds within that basement, he greatly developed his hearing and his Insight II development further heightened his senses. Pavia is used to dark, silent spaces, so any unknown noise will put him on edge and wake him up. Sometimes, he pretends to sleep to get out of doing work.

Contrary to popular belief, he doesn't move at ALL when sleeping and tends to stay in the same position throughout the night.

This is something he learned, rather than something that comes naturally, because he tends to sleep with the pack and there's little space to move without accidentally kicking Andrea or Leon in the face.

Next. Pavia doesn't know that he resembles his mother a lot.

As for his mother, there are two possibilities: One, she's truly dead and he doesn't know, based on his 02 Story where his aunt confirms that Pavia's mother died a few years later, as well as Pavia's dialogue in which he talks about his mother as if she were alive. Two, she was alive the whole time and Pavia found out years later that she was committed to an asylum and his dialogue about his parents is correct.

Regardless, I like to think that he never saw her again once he was taken into his aunt's care, and that she never told him that the reason she put him in that basement was because he looks so similar to her "deceased" sister. Since they weren't there to raise him and he didn't hear anything about them from his aunt, Pavia holds no resentment and no love towards his parents, because they're total strangers to him.

Next. His wolves' names are interchangeable.

Pavia cares for his pack, and the wolves care for him in return - they were created for that very reason after all. Their dynamic and relationship is a mystery to everyone and it's much too complex to even put into words, but because they're still magical constructs he creates, their behaviour and individuality relies heavily on Pavia's skills as an Arcanist.

There are days in which it's very easy to confuse them, and there are days when it's very obvious how to tell them apart. He's had years to perfect them, to "raise" them if you will.

While the pack might not be around 24/7, they're always in the back of his mind. He can also communicate with them because of it. They don't mind if Pavia confuses them, but if someone else does it? Prepare to get bitten to death, I guess!

[vasito-de-leche]

(pulls up to your asks like a mcdonalds drivethrough) yo can i get uhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh matilda. reltaitonshiop headcnaon

thanmk

;R1999 MATILDA - Relationship Headcanons

Compilation of headcanons about Matilda in a romantic relationship.

(through the most robotic, crunchy voiceover ever) got it, please come right up to the window for your order

sorry this post was shorter than usual! i have so many thoughts about matilda but they're mostly for just character analysis rather than HCs

Matilda is very young, so relationships are a brand new experience for her, lacking all the seriousness and weight of a proper relationship, while being full of wonder and excitement.

One only needs to look at the way she interacts with Sonetto to figure out how she'd act with any other crush of hers. Matilda, whose medium is "competitiveness", sees crushes and love as a game - whoever admits their feelings first, loses. And she's the great Matilda, she can't possibly lose to something so trivial!

I'd argue that there's some depth about this aspect of her, outside of her arcanum and her medium. Her 01 Story gives insight into her competitive nature: from young age, she understood that she had to earn her parents' affection through academic achievements or any other worthwhile merits. And in the main story, we see how she willingly joins the Foundation, how most of her voicelines are about becoming the best at whatever role she sets her sights to, etc.

So with this in mind, whenever Matilda speaks about making Sonetto her assistant, she's truly talking about earning a position of authority and power through her hard work, all to justify receiving affection and adoration from those she cares for. Because this is the only way she knows how to be loved.

I think this would continue to happen, regardless of who she's crushing on, and the game already gives so much info as to how she'd act while crushing on someone, so I'll focus on other headcanons instead!

It takes her a long time to stop acting so flustered.

Because of how confident and one-track minded Matilda is, I genuinely don't know if she's aware of how she tends to come across whenever she trails after the object of her affections like a lost puppy, unconsciously glaring at you from afar because she's trying so hard to prove herself in front of you and what not.

So she would need a lot of time to get over that initial wave of emotions and nervousness, until she can confront you without stuttering, fumbling over her words or just running away.

Once she does, Matilda will become bolder and directly challenge you - her one and only rival! - to all these little things. I imagine it's a very healthy and wholesome rivalry, one that allows the two of you to be kids and stop worrying about the "Storm" for a few hours at least.

I like to think that this rivalry would also help in making Matilda grow used to the idea of losing, since there's no horrible repercussions for doing so.

If she loses to you whenever you two race to see who can reach the library first, to see who can finish a book faster, who can recite the most complex incantation and so on and so forth, well... She can just try again! There's always a next time! There are no downsides to losing, because even though she's lost time and time again, you're still there smiling and laughing along with her. Competitiveness will still remain a big part of who she is, but it loses that edge from before - she's not fighting to be worthy of people's attention.

Eventually, as she grows more comfortable around you, she'll promote you from assistant and/or rival to her closest friend and partner in crime. Matilda starts to include you in her plans for world domination, treating you as her equal.

Matilda is extremely supportive. She loves to be helpful when she's not being competitive.

I'm 100% certain that Matilda's first and foremost love language is acts of service - just take a look at her voicelines. Even though her words are coated with this air of superiority and that slightly condescending and gloating filter, Matilda has many, many quotes that are all about her offering help. Both of her "Morning" quotes, the "Hat and Hair" one, her "Praise" and "Intimacy" quotes... Take a moment to listen to them, really.

Matilda is at her best when she's able to help others, and the fact that her skills in divination and foresight are her biggest pride also hint towards that. It's a skill that's usually associated with easing people's anxieties about the future or the unknown.

The one moment in the main story that sold me on this portrayal of Matilda is her divination scene with Sonetto - once Matilda sees that her friend is in serious need of help and guidance, she pushes her feelings aside just to help on the spot. This is the most serious she's been, and she's gentle and calm, nothing like the Matilda we've seen whenever Sonetto was involved.

When it comes to you, it's no different. While she might've gotten over her initial flustered feelings and whatnot, Matilda would continue to consult her divination orb - if only to know that you'll be okay. And you can always, always come to her if you need a little peek into your future. You might be the only person in the world with that luxury, actually.

This aspect of Matilda also extends to smaller things, of course! If you ever struggle with anything, especially when it comes to academics, she'll step in right away - more than often, she'll do it without even knowing what she signed up for, so forgive her if she suddenly realizes she has no idea what subject you're even talking about. Still, the great Matilda is no quitter, and will research in her free time just so she can help you during study sessions.

People tend to assume Matilda is a horrible listener just because of that pompous and confident attitude she carries herself with - but this is far from the truth! Again, her skill relies in divination, a type of arcanum that relies entirely on seeing what's already there, on being perceptive to one's surroundings and the person seeking her help.

Whenever you need to vent or ramble to her about whatever might've been bothering you, Matilda always sits there, holding your hands, listening intently to every word. It's the same look she has during exams, only softer.

And once you're done, she always gives the most sound and solid advice - should you want it! She always makes sure to ask first! If there's one thing she hates is unsolicited advice! And even if she cannot help you in finding a solution for your troubles, she can still offer her support by loudly complaining with you!

On the subject of Matilda and romance.

To loop back to the very beginning of this post, romance as a whole is still very new to Matilda. Whether you've been her partner in crime for a handful of months or many years, I think any displays of affection will render her speechless, red as a tomato and flustered to the moon and back.

It doesn't matter if all you did was hold her hand, pat her head or give her a surprise hug - Matilda always, always reacts the same way. She squeaks and complains, but never pulls away.

As clingy as she is, following you around and insisting on being seated together all the time, etc etc, Matilda struggles with being on the receiving end of physical affection - at least whenever they're done in a romantic context. She has no problem dragging you around, arms linked together and all, but the second she notices the romantic context of the situation, she'll go back to being a flustered mess. It's yet another thing that will take her some time to get used to.

Make sure not to tease her or make it obvious that you've noticed whenever she tries to hold your hand while walking! That's the one thign that will absolutely get her to retreat right away! She's doing her very best and gather the courage to show you she cares for you!

That aside, I do think Matilda loves being complimented just as much - appealing to her ego is extremely easy, after all. And considering you're the one complimenting her, whatever you say will inevitably get to her head.