#one of their weird songs. so like. one of their songs

[itneverendshere]

tryin' to behave, but i'm feelin' some type of way - r.c drabble.

request: rafe x bitchy!pogue reader pleaseeeee!!!! he just hates that he wants her soo fucking bad and she finds it hilarioussss

warnings: it gets steamy but no smut!; slutshaming; they both need therapy okay.

felt like writing something out of the bartender!reader universe and had this request saved up on my notes, hope you enjoy 🫂 wrote this on my phone so if there’s any typos pretend you didn’t see them 🥰🥰🥰🥰

you’re out of place here, which is exactly why you’re here, tannyhill.

fuck them. fuck him.

every high-strung kook princess with their perfectly manicured nails gives you a quick once-over, nostrils flaring when they catch the sight of your scuffed-up boots. not that you care. it’s not like you’re trying to impress anyone.

and why should you? you’re only here for the free booze, it’s not your fault this place is such a bore. always all pearls, pastels, and the scent of white wine and privilege. who the fuck drank white whine at a party? but the real reason you’re here, the whole damn reason, is staring straight at you from across the room.

rafe cameron. ugh and yum.

he’s leaning against the bar, muscles taut under that fitted navy polo like he was born to flex, with a scowl as always. it’s always that look—the one that’s aimed solely at you, every time he sees you. it’s practically a tradition by now. you show up somewhere, he glares.

there’s a tightness in his shoulders, something tells you he’s going to snap eventually, maybe it’s because you’ve been pushing buttons lately. maybe it’s because he’s got his daddy’s expectations hanging over his head like a guillotine.

or maybe it’s just because he wants you, and that little inconvenient truth pisses him off to no end.

you flash him a slow, lazy grin, shifting your hips as you grab a beer from the cooler. when you catch the way his eyes drag over you, lingering on your exposed skin, your stomach hums with satisfaction.

let him look. let him stew in it.

“country club,” you call sweetly, raising your bottle in a mock toast, the light catching on the condensation like it’s winking at him. “how’s it going?”

his jaw ticks, his lips pressing into a thin, flat line. “you shouldn’t be here.”

“and yet, here i am,” you sing-song back, taking a slow, pointed sip. you’re feeling reckless tonight. he’s dangerous, sure. but he’s also predictable. you know exactly how to make it worse.  “aww, what’s wrong?”

you know exactly this’ll go. he’ll insult you, you’ll insult him back, and then—

his eyes narrow dangerously, that vein in his temple ticking. “what the fuck are you wearing?”

you blink innocently, glancing down at yourself. “clothes, obviously. why? does it bother you?”

“yeah,” he snaps, eyes raking over you again, lingering on the swell of your chest, the sliver of skin peeking out above your waistband. “aren’t you tired of slutting yourself around?”

your lips curl into a smirk, the slow burn of satisfaction warming your chest. this is exactly what you were hoping for.

“slutting myself around?” you echo, voice teasing. “didn’t know you were keeping tabs.” you cock your head, letting your gaze linger on his flushed cheeks, the way his nostrils flare, and that slight clench of his fists by his side.

he’s seething—looks ready to burst into flames right here in front of the bar. good.

he’s always been like this with you. short fuse, especially when it comes to what you’re wearing, how you look, where you go. but you’re onto him. you know what it’s really about.

“you must really be obsessed with me,” you continue, “it’s kinda weird, don’t you think?” you take another sip, slow and deliberate, licking your lips as you meet his glare. he steps closer, crowding into your space, his chest brushing against your shoulder. you should back up, or at least pretend to care, but you just tilt your head, looking up at him with a smug little grin. “what’s wrong?” you murmur, “feeling a little tense?

“fuck off,” he grits out, stepping back like he’s burned. but it’s too late. you’ve got him now.

you cock your head, giving him a slow, taunting smile. “why? afraid you’ll get hard in front of your little friends?”

his eyes darken, jaw clenched so hard you wonder if it hurts. “i swear to god—”

“what?” you interrupt, teeth flashing. “you gonna hit me? break another one of your daddy’s toys?” you wave your hand around the pristine room, the glittering chandelier, the polished bar. “go on, then. show everyone what a psycho you are.”

“you think i won’t?” 

“yeah, i think you won’t,” you say softly, staring right into those burning blue eyes of his. “because you’re all bark and no bite.”

“you wanna see bite?” he murmurs, voice dripping venom. “i’ll show you fucking bite.”

then his hand snaps out, wrapping around your upper arm, and before you can react, he’s yanking you out of the room, down a hallway that’s all shadowed corners. you stumble, cursing under your breath, but he doesn’t stop until you’re both crashing through a side door into some empty back corridor.

“jesus, cameron, take a fucking xanax—” you start, wrenching your arm free.

for a second, you think you’ve gone too far. his whole body goes still, and something flares in his gaze—something unhinged and a little bit terrifying. but instead of snapping, instead of throwing a punch, he leans in, so close you can feel the heat of him against your skin.

you’re shoved against the wall, hard, his body caging yours in, his hands braced on either side of your head. you freeze, breath hitching. he’s close—too close—and it’s too hot and too much and—

“shut up,” he growls.

you should tell him to fuck off. you should knee him in the balls. you should do anything but feel the way you do right now—flushed, breathless, and…too horny for your own good. 

“do you always have to be so fucking dramatic?” you huff, placing your hand in chest in a futile attempt to push him away. you know he can break you in half if he wants to. 

he doesn’t move of course, just stares at you, chest heaving like he’s just run a marathon. he’s got that crazed look in his eyes that should make you run for the hills, and yet you stay put.

and then, suddenly, his mouth is on yours, demanding and angry.

it’s not a kiss—it’s a punishment. his teeth nip at your bottom lip, his tongue sliding against yours with a harshness that steals your breath. you gasp, your hands coming up to shove him away again, but somehow they get tangled in his hair instead, gripping the soft strands as he presses closer, closer— it’s a disaster. you’re a disaster. because you don’t pull away. 

you kiss him back like an idiot, just as desperate, your nails digging into his scalp as you pour all your frustration into the kiss. why does he have to be this hot? in your books, kooks aren't allowed to be hotter than a 5. unfortunately, rafe is a solid eleven.

he tastes like mint and rage, and it shouldn’t feel this good, but it does. god, it does. he breaks away, panting, glaring down at you like you’re dirt under his shoes. “you drive me fucking insane, y’ know that?”

“good,” you gasp, licking your lips. “you deserve it.”

he laughs, a low, harsh sound. “you’re such a fucking bitch.”

“and you’re a spoiled, narcissistic asshole,” you snap back, shoving at his chest. he doesn’t even flinch, just glares harder, and it sends a thrill through your entire body. you’d never seen him like this, so unguarded and it was weirdly intoxicating. 

“i should ruin you,” he murmurs, almost like he’s talking to himself. his hand comes up, fingers brushing your jaw, trailing down your throat. “make you beg.”

you keep your expression defiant. “you think you can?”

rafe smirks, slow and dangerous, and it makes something burst in your belly. “i know i can.”

his hand slides lower, fingertips brushing the hem of your top, and your breath catches. you should stop this again. you should slap him, kick him, do anything but let him keep touching you like that, but you don’t. you just stare up at him, heart racing.

“show me then.”

and then his hands are on you, yanking you forward, spinning you around. you gasp, palms slapping against the wall as he presses up behind you, his body solid against yours.

“you’re a fucking brat,” he growls, his mouth right against your ear. one of his hands comes up, fingers tangling in your hair, pulling just enough to make your back arch.

“and you’re obsessed with me,” you shoot back breathlessly, tilting your head to meet his gaze over your shoulder.

rafe’s grip tightens in your hair, hard enough to sting, and his lips brush your earlobe, “obsessed?” he repeats, like he can’t believe you had the fucking audacity to say it. “don’t flatter yourself, baby.”

but you feel the way his body presses against yours. your panties might be drenched but this man is just as hard. he’s close to you—so fucking close—you feel every ridge of him, and despite every insult he’s ever thrown your way, despite how much he claims to hate you, he’s here. the way he’s breathing tells you exactly what you need to know. 

you twist against him, pushing back just enough to test his restraint. “then why are you so worked up, huh?”

“i think you’re confusing us.”

“sure,” you laugh, even as his hands move down your sides, his fingernails digging into your hips. “that’s why you dragged me out here, right? because you’re just so indifferent?”

his chest brushes against your back with every ragged breath. he’s losing it. you’re making him lose it. and fuck, that feels good.

“i could ruin you,” he whispers again, like he’s trying to convince himself. his hand skim up your ribs, thumb grazing the underside of your tit, and your senses kicks into overdrive. “one word from me, and you’re done.”

“you’re all talk cameron,” you challenge, arching your back slightly, giving him more room to touch you.

you shouldn’t want this—you shouldn’t need this—but you can’t stop. 

his mouth is on your neck, hot and open, teeth scraping against your skin in a way that sends a shudder from your head to your toes.

“fuck you,” he growls against your throat, the words almost lost in the heat of his mouth. “i’m not playin’ your games.”

you bite back a moan, fingers curling against the cold wall. “you’re already playing.”

“you’re so fucking—” he cuts himself off, breathing harshly through his nose. “fuck, i hate you.”

“no, you don’t,” you turn your head just enough to catch his eye. his gaze is wild, and you smirk, taunting him with your lips just inches from his. “you wish you did.”

you know you’re pushing your luck, but then again, when haven’t you?

“you have no fucking clue what i wish,” he growls, each word dripping with so much frustration it makes you laugh.

it comes out like a soft, mocking sound. “ooh, i think i do. you wish i’d shut up. wish i’d disappear. but you really wish you didn’t get hard every time ’m around.”

his jaw ticks, that telltale sign that you’re getting to him. god, he hates you. you can see it in his clenched teeth, his furrowed brows. he hates that he wants a pogue and you find it hilarious.

“don’t flatter yourself pogue,” he snaps, but his voice is strained. his hands tighten on your hips, fingers biting into your skin just shy of painful.

you push back against him just a little harder again, feeling the rigid line of his cock pressed against your ass.

“yeah?” your voice turns breathy. “then why do i feel that?” you grind your hips subtly, just to punctuate the point, and the low sound that rumbles out of him is almost worth the risk of provoking him further.

“because you’re a fucking tease,” he mutters, voice harsh and low in your ear. “you show up, looking like you want it—”

“and so what if i do?”

it’s a dare. he’s holding you, like he can’t decide if he wants to strangle you or fuck you senseless, perhaps both. you know you’ve crossed some invisible line.

“you’re gonna regret this,” he murmurs.

“maybe,” you shoot back, unflinching. “but that’s the thing, rafe.” you twist, just enough to look at him over your shoulder, “i think you’re more scared of what you might regret.”

instead of shoving you away, instead of storming off, he does the one thing you didn’t expect. he laughs.

it’s that crazy sound he makes before he does something reckless every time, the kind that makes people run away. it’s such a humorless sound, it should scare the living shit out of you as he leans in, lips brushing against your neck. “don’t say i didn’t warn you.”

before you can answer, one hand slides up to cup your jaw, tilting your head back so you’re forced to meet his eyes. they’re wild, almost feral, just like you expected.

“tell me to stop,” he whispers, his thumb brushing your lower lip, the touch so gentle it’s almost jarring. “go on, say it.”

you swallow hard, pulse hammering in your throat. you should say it. but you don’t want to.

“make me.” you know he hears you—feels you—because the corner of his mouth lifts in a slow, taunting smirk.

“yeah?” he drawls, thumb slipping from your lip to trace along your jawline, his touch featherlight and maddening. “you sure?”

“prove me wrong. or are you scared?”

“you think ’m fucking scared of you? think i can’t handle a little mouthy brat like you?”

he’s goading you, pushing you like he always does, and every word you had prepared dies on your lips 

“i’d loooove to see you try.”

“oh, you will.”

[earlycuntsets]

"DEATH COMES RIPPING" - SPOOKY ISSUE

'THE BLACK PARADE, THE TRIUMPHANT NEW ALBUM BY MY CHEMICAL ROMANCE MAY HAVE A TRAGIC STORYLINE, BUT IT'S NOTHING COMPARED WITH WHAT THE BANDMATES ENDURED TO BRING THE DISC TO LIGHT

PHOTOS BY JON WIEDERHORN PHOTOS BY JUSTIN BORUCKI

STANDING ON A BALCONY nine floors above the teeming streets of New York, Gerard Way overlooks the city in which My Chemical Romance began assembling their ambitious new album, The Black Parade. The newly peroxide- blond frontman takes a deep drag from a cigarette and exhales with a sigh. He knows he shouldn't smoke, but it's his only remaining vice.

"If I hadn't been sober, I think The Black Parade surely would have killed me," says Gerard, who climbed on the wagon in 2004. "We were going insane the whole time, and I had to cling to my sobriety to stay even a little lucid. The album became like this beast that was consuming us."

Following up a release as successful as 2004's Three Cheers for Sweet Revenge, which sold 1.4 million copies in the U.S. alone, is never an easy task. And the various scares the band experienced as they worked on the new record-drummer Bob Bryar had a near-fatal staph infection, Gerard seriously injured his foot, and some restless spirits at the studio where they recorded kept them all on edge-did not help matters. And neither

did MCR's decision to make The Black Parade (Reprise) a concept disc. Together, Gerard and his bandmates-Bryar, guitarists Frank lero and Ray Toro, and bassist Mikey Way (Gerard's younger brother)-decided to craft a record about a dying young man who is visited by a cast of strange characters that help him examine his short life.

But diving into the conceptual deep end proved well worth the hassle. The Black Parade is not only MCR's most realized offering; it's also one of the most eclectic, enjoyable rock records of the year. One listen to tracks

like "House of Wolves," "The Sharpest Lives," and "Dead!" makes it clear that My Chemical Romance can still rip a good metallic punk tune. But the bandmates are now equally influenced by epic albums like Pink Floyd's The Wall, David Bowie's The Rise & Fall of Ziggy Stardust and the Spiders From Mars, and Queen's A Night at the Opera.

"A lot of bands from the scene we came from try to strip down their music to 'keep it real," Gerard notes. "But the real you is what you've always had inside you and what you strive to be. So when we started compiling the material we had written, we were like, You know what? This has to be a huge, theatrical record."

MY CHEMICAL ROMANCE started working on ideas for The Black Parade in the back of the bus while on 2005's Warped Tour, after which they flew to New York and rented a rehearsal space for two months. And that's when things started to get weird.

"I was living in Queens, and I had to commute on the subway every day," Gerard says. "I was suddenly very scared and paranoid. I felt more like an outsider than I ever had, and I had no confidence, which is bad when you're trying to work on a record. And I had no anonymity because there were a lot of teenagers on the train." In reaction to the young fans he encountered on the underground,

Gerard wrote "Teenagers," a T. Rex-style romp with the chorus line, "Teenagers scare the living shit out of me." "The song came directly from commuting when school let out and being so terrified of them," the singer says. "I was like, Wait a minute. These are the same people that listen to our band. Why am I scared? And I realized it was because they're scared, too. Teenagers are made to feel like they can only solve their problems with violence. They lash out at each other in a really volatile way." After several months experiencing the joys of mass transit, MCR had completed only a handful of songs and felt like a change of scenery (and climate) might do them some good. "I couldn't keep working in New York," says Gerard. "We wanted isolation."

id: Gerard leads the way to what will likely be the band's second platinum record

So the group relocated to Paramour Mansion, outside of L.A. Nestled high in the hills, the deluxe estate overlooks the trendy Silver Lake area and boasts spacious rooms, a gorgeous pool, lush gardens, a state-of-the-art recording facility-and a few special guests.

"The place is definitely haunted," Gerard says. "Doors would slam, and the faucets would turn on. You'd get a bath drawn for you of freezing-cold water in your room, and you wouldn't know why." As unnerving as its mischievous spirits could be, the Paramour was also inspiring, and contributed to the haunting vibe of songs like "The End" and "This Is How I Disappear." More important, it led Gerard to come up with the bleak, surreal concept for the record. "I would have these night terrors, where it would feel like someone was choking me, and my heart would stop and I would stop breathing," he says. "I would wake up in the middle of the night and write these notes to myself, and one of them read, 'We are all just a black parade.' So I started thinking about how this band is kind of a black parade, like a funeral-procession rock thing. And I used that idea to piece together this story about the idea that when you die, death comes for you however you want." Gerard molded his concept into a narrative about a character he dubbed the Patient, whose strongest memory from childhood is of his father taking him to the city to see a parade. Two songs into the album, he dies, and the black parade comes for him.

"During the rest of the story, he meets this entity of death and all these characters, like Mama, who represents anyone who's ever lost their son in a war," Gerard explains. "It's almost like these Canterbury Tales, where he goes along on this journey, and at the end he decides whether he wants to live or die." With the concept in place, My Chem made the songs as sweeping and theatrical as Gerard's lyrics. They accomplished this, in part, by combing through their own eclectic record collections and pulling choice elements that would set them even further apart from other melodic punk bands.

The first two minutes of "Welcome to the Black Parade" stemmed from Gerard's love for Broadway musicals, the horns in "Dead!" came from Mikey's interest in Blur and Britpop, and the jaunty feel of "Mama" was informed by Tom Waits and Nick Cave. But the most poignant moment on the record, "Cancer," was (unlike its morbid moniker) something of a pleasant surprise. "I was very upset about something in my personal life, and that's when that song came out," Gerard says. "It was really spontaneous, and it was recorded pretty much live with Rob [Cavallo, the record's producer] on the piano and me in the vocal booth. Then we added layers of drums, which gave it a certain urgency. It's the song I'm most proud of because it was the most pure emotion we've ever captured, and it gets such an immediate response. You can't shake what the song is about."

As the CD approached completion, some members of the band began to show signs of nervous exhaustion. The group was scheduled to fly to England to play the Reading Festival, and as the date grew near, Toro, who has a fear of flying, got noticeably agitated. Then, after the band tracked "Welcome to the Black Parade," which was originally called "The Five of Us Are Dying," the guitarist lost it.

"I thought I had this premonition," Toro explains. "I was flipping through the TV channels, and on the news. there would be something about a plane crash, and every time I woke up in the morning, the clock would say 9:11. I was playing Tomb Raider the night before the flight, and on the level I ended up at, there was this whole flashback to a plane crash. So right before the flight I was like, 'That's it. I'm not flying."

Despite his misgivings, Toro boarded the plane, and when My Chemical Romance returned to L.A. (all of them still very much alive, thank you very much), The Black Parade was completed without further incident. Listening back to the record, the band members were in awe of what they had achieved and eager to share it with their fans. "There was a real confidence that came to us," Gerard explains. "Having survived it, we felt like we were changed forever. I feel different as a performer now, and I think we really finally discovered who we were as a band." But just because MCR were done with the record didn't mean that it was done with them. About a month later, the band was shooting a video for "Famous Last Words" with director Samuel Bayer (Garbage, Smashing Pumpkins) on a set featuring walls of flame, when-seized by the moment-lero grabbed Gerard's throat from behind and wrestled him to the ground. The singer rolled one way; his foot went the other. "It bent completely backwards, and I heard a crack and felt this agonizing pain," Gerard recalls. "I tore all the ligaments in my foot, but I got up and continued to perform." "I didn't know what I was doing," says lero, shaking his head. "I wasn't trying to hurt him. I felt awful. I still do." Gerard's injury was serious, and he still walks with a cane, but it paled in comparison to what happened to Bryar. At the end of the shoot, the pyro was so intense, the drummer could feel his leg burning, but he stuck it out for the rest of the song. By then, he had a nasty third-degree burn. And the misfortune didn't stop there. Bryar didn't take his antibiotics regularly, and he failed to keep the wound clean. By the time the band got back from a brief tour of Japan, the burn was severely infected. Then Bryar's face swelled up and, after doing the MTV Video Music Awards preshow telecast and a special club show, stumbled into a hospital emergency room in intense pain. "I thought I'd be there for 10 minutes, but as soon as they saw me, they got all serious and gave me an IV and said they had to do a CAT scan," recalls Bryar."They did all these blood tests and kept me there for 14 hours." Doctors discovered that Bryar's leg infection had spread to his blood and caused an abscess in his face that was creeping dangerously close to his brain. If it had been left untreated for another two days, he could have died. "The whole thing was such a nightmare," Bryar says. "This doctor stuck my cheek with a needle about six inches long and the width of an IV tube. Then he went in and out of the inside of my mouth with the needle about 10 times. Fortunately, the treatment worked, and Bryar left the hospital three days later. With tragedy averted, My Chem are now focusing on touring for The Black Parade. They'll be in Europe for most of November, and when they get back at the end of year, they'll start rehearsing for a U.S. arena tour that starts in February. "We want to put on a full show with props and staging like The Wall," Gerard says. And MCR plan to keep the Patient alive long after they're done touring for the CD. "I would love to see the story turned into a play or a musical, and it could easily be a movie," enthuses Gerard. "Making this record, we cut ourselves open every day, pulled out every organ, and lay them on a table so it would be something we're completely happy with. We want The Black Parade to exist for a long time." "The whole hole thing nightmare. This doctor stuck my cheek with a needle about six inches long and the width of an IV tube." -BOB BRYAR

"I felt more like an outsider than I ever had, and I had no confidence, which is bad when you're trying work on a record."

-GERARD WAY

12/2006 revolver - mcrhollywood on flickr

[ms0milk]

𝟏𝟕 | 𝐓𝐡𝐞 𝐁𝐚𝐥𝐥 (𝐩𝐚𝐫𝐭 𝐨𝐧𝐞 & 𝐭𝐰𝐨.)

ー✧ prince!bakugou x royal guard!reader

"He does not grab you by the collar or threaten you with his teeth and when you grasp his hand to steady yourself from an awkward step, he is the boy who makes magic for you in the dark."

slight cw panic sequence. (I) reader agonizes after yesterday's kiss and of course the ball is today. blue mages haunt you, red wing captains stalk you, the wrong prince finds your hiding place (II) bkg will not let you embarrass yourself alone. ballgowns, blue fire, champagne, pearls, a song from home, relief and peruro. dance my love, or die. 7.7k

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Captain Hawks has one job and you’ve made it so much more difficult than necessary. He’s had one job for fifteen years. Red feathers brick out southern wind from the hiding place he’s made above your window and he glares through gusts and goggles to watch you finally return to Prince Touya’s room. You crumple in a pile at the foot of the bed when the door clicks closed. You’re rotting. Sulking. The Alderan dragon everyone’s so worried about, you who his king assigned him to watch– you, the girl with wet eyes and hair full of hay.

You kissed your prince last night. He knows the feeling.

Hawks takes a sip of coffee and grips the barrel of his mug to keep ocean wind from throwing it off the roof. The king is right to worry about you. You have spent one week wandering palace grounds, greenhouses, pantries, walkways and stables and never once guarding your prince. Weird bird, are you the chicken or the egg? Did you stop guarding Katsuki because you’re the spy Enji thinks or because not even the red wing captain could follow you undetected? Because you know better than to keep close to your charge when something is stalking? Hawks winces in a particularly strong breeze. It’s the latter.

Two eyes burn suddenly from your gloom to the parapet fifty meters outside your window where the captain spills his coffee in a rush to stay out of sight. What he wouldn’t give to be warming a bed back in town but instead Hawks rolls his eyes, flat on his wings behind a gable wall. You rise and jerk your curtains closed, glare like black fire.

Princess Fuyumi runs clear through a ten foot portrait propped up in the hallway to be dusted. She’s cold, she’s sick of sending maids to find you and the ball is today. Master Aizawa is securing perimeters somewhere too far away to be helpful, Uraraka’s finalizing guest lists, and Bakugou is getting stitches because he’s good for nothing else. The princess shakes paint flecks from her hair. She rips canvas from her belt and throws the standing frame to the ground.

Kirishima has never dressed for a ball like this before because parties in Aldera usually require armor. What do you do at a Ball if not wrestle? Do Takobans dance Peruro? Sero and Kaminari assure him he doesn’t look silly in white. Todoroki sits outside beside the sea. Deku holds his hand tight to keep him from jumping in.

In the king’s rear guard, Shinsou nurses a broken finger. Enji derives gross entertainment from screaming at soldiers all dressed in blue and it smells like the king came home for this party. The queen cannot be found. Few people think to look for you. No one minds blue fire.

An already tedious afternoon dissolved when a boy crossed your path on turret stairs, your hiding place from prying eyes. You didn’t have the heart to bark when he stumbled through Excuse mes and My Ladys. The quiet wasn’t helping. You could trust Bakugou with his champion for a day but your prince’s hands still danced on your skin the longer you let thoughts linger.

The little footman continued, melting, as you raised your head from between your knees. He carried a box under his arm and waited for your permission to move in the tight stairwell, “From Princess Fuyumi.”

Inside the box under the arm of the boy on the spire stairs was a dress.

You spent last night between pickle barrels in the distillery and hid in the morning where you knew your prince wouldn’t think to find you, curled in the deepest sconce of the north wing watching staff fly past. Today is the ball. It’s why the princess ordered you a dress and it’s why you’re pulling gold lace through your fingers by candlelight. Aizawa’s training pit echos pretty like the sea when it’s empty and the uniform room has a mirror. It’s a dark little annex off the main ring without those Takoban windows Captain Hawks loves so much.

All week, you growl through the effort of fastening garters to a stocking. Another. All week he has followed you and all week you kept his attention off your prince. If Bakugou had just stayed away, if he’d just hated you properly. You lean back to inspect neatly laced boots– Alderan dancing knots– boots so delicate they couldn’t be made for actual dancing. What will he wear tonight? You force a hand through wild braids.

Soldiers can fight armed or barefisted, fire cannons and crossbows, deliver first aid, hunt, guard, salute. You would be the head of your kingdom’s army and so you must know one thousand more important things, like how to string a corset and when to use forks in a line on pretty tables. Silk the color of blood gathers all the heat of your chest and keeps it close. Does the heir of Aldera waltz Takoban? You take the buttons at the ends of your sleeves in your teeth to fasten them closed. What will he look like in their blue costumes dancing with their pretty ladies? Can you remember how to count rhythm in threes? Can you even look at him?

More important than a soldier, court mages, even more important than a champion, you are trained as Head of Royal Guards. You are poison tester, navigator, weaponmaster and seaman, you judge the safety of the room by the shoes of its hosts and you wear fine clothes at fine parties to accompany your masters like a trophy. A prized hunting dog. You will be beautiful for one night and you can no longer avoid your job; assassins love to hide at parties.

“Steady,” you whisper to the gods.

It’s been a few years but you know how to wear these clothes and you know how best to move, and you wince when the sheath of a dagger chills the skin under your ribcage where it hides. You sparkle unsettlingly in the gown and grunt through the effort of untucking stubborn skirts from hilts and scabbards. Wielding a candle to examine yourself more closely in the mirror, you judge the shapes impractical clothes make when they’re meant to fit only you. Pleats of red fall over themselves from your waist to your ankles and in your reflection a bit of fire stirs, because in a cold kingdom this gift was made of love.

You are blood red tonight from neck to heel. Gold tassels align themselves like military badges across your shoulders and the sleeves of the gown bleed to lace at your wrist where two green buttons wink. You can’t help staring. Jeanist’s dragontooth gleams on your breast.

This is an overstuffed week. Hedonistic, anxious like a blood clot heart attack. You are stalked, you are tested and attacked, you’ve pretended not to feel, you did half your best, you snacked instead of training and sat in pleasant company you love, why wouldn’t a ball punctuate this disaster? Something about preparing for war in the dark makes this bearable. Something about fastening a knife to your thigh keeps you from thinking about Bakugou Katsuki and the formalities waiting for you upstairs. Someone is watching you.

A man clears his throat outside the doorway, careful not to stand where you might see him but you are too focused to be caught by surprise. “What do you want?”

“Apologies, Captain.”

At that, air falls loose from your nostrils. Your lips don’t dare part to make a sound. Your self-important posture doesn’t have time to settle before red pleats freeze and the candle cracks like a knuckle in your palm because the horror of this hadn’t occurred to you. That voice will never leave.

“Y/n?” the flame mage murmurs again.

Why would Aldera want you back? Playing princess instead of posting sentinel. Knowing you’re spied upon and letting Bakugou find you, day after day, letting him help you house spiders, letting him spar, letting him smile, letting him sit beside you– you knew what was watching you– something worse than flying captains. It’s why this horrible place remains horrible and the cold like frost can never be shaken off the back of your neck. It’s why the queen hides in stables and why your blood runs black in the instant you understand yourself through your reflection.

Your two shoulders fly through the doorway first so that when the blue mage attacks your legs will be spared enough to carry you upstairs. You can outrun him, you can outrun anyone. You should have paid more attention to ball preparations this month instead of languishing in your prince’s backwards attention. You should have killed yourself to kill him before his body hit the water. Why wouldn’t an assassin slip through the cracks of your distraction? And why wouldn’t it be him? Unkillable.

The candles inside the changing room are doused and shattered so that you are the only possible flammable thing in this dusty arena and you pull the knife from your hip as you soar over the threshold.

It would have flown hard when you released it– might have even killed a ghost– if you hadn’t seized up as the figure came into view. White hair, tall with sunken eyes, only slightly shorter than his father. You right yourself to land on your new dancing boots, and their heels wail two lines through the sand at the edge of the arena.

Prince Natsuo doesn’t have the energy to be surprised by you. He is not fazed by your drawn weapon and doesn’t flinch in the dark, but he remembers your name, “Captain Y/n?”

Like a cat your eyes go wide and your knife clatters to the floor. Half-fresh braids fall over your shoulders in a deep and rigid bow. Your fists bunch the soft material at your hips and you consider dropping to your knees in the silence and dust of the sparring pit so far away from any party he should be attending. Your heart beats to a new fear, “Highness,” you stammer to the ground, “I–”

“Do you dance, Captain?”

You do, and you quirk an eyebrow at the floor. It’s becoming increasingly clear, for how threatening this country is, that its eldest princess actually took all the reason at birth. Swallowed it from the room with her first cry and left kings and countrymen to stumble on their words, for even when you are not threatening him at knifepoint there’s a dread just behind the prince’s every word. Your Alderan senses are dulling in this kingdom. Your ghost never sounded so nervous. “I’m sorry, sir,” you lift only your head from the stiff bow, “I don’t understand.”  

Prince Natsuo’s suit is blue trimmed silver. He is white trousers and shining bells, military honors, rope tassels, broad like his father, beautiful like his mother and dressed like a blue glass bottle. He’s never spoken to you and seems to have trouble even looking at you now, like a rabbit the dog runs past in a hunt.

You soften, “May I escort you to the party, sir? You’ve made a wrong turn,” rising fully as the prince gathers his thoughts and keeps well away from you– no. Less away from you and more just to himself. Like pouring a cup just full enough to tease the tension at the rim, Prince Natsuo is bursting with nothing to say.

All week you hid from spies and all week Alderans made it their job to find you, to be near you. Today you hide from just one man and suddenly every person in the cold kingdom knows exactly where you are. Winged captains weather the winds to watch you and squire boys can retrieve you from tall towers. Maids predict which hidden paths you’ll take from the kitchens to ask if you’ll need a bath– intercepting you without issue or sweat. Are you that predictable? Unsubtle? Obvious and lacking, or does horrible Takoba deserve a little more credit? Her skittish prince can track you down to the darkest corner of his castle like it's only natural to hide from festivities instead of attending them.

“Please excuse my being started.”

“It’s your job,” he musters just as you scoop up your blade and tip it back into its sheath amongst skirt folds. “Thank you– for your job.” He’s fidgeting, not murderous, and his voice no longer sounds like a monster. The prince scratches gently at a bauble on his chest as you peer through the dark, “I’m sorry.”

I’m sorry, Bakugou’s heartbroken voice parrots. Don’t cry. He pleads with his hands on your cheeks. You can’t change what you’ve done. Bakugou Katsuki can haunt you til death, but you don’t get to hide from him.

“Your Royal Highness, it would be my pleasure to escort you upstairs.” You square yourself to the blue bottle prince, “Humble Y/n, apprentice to the Captain of Her Alderan Majesty’s Royal Guard. My apologies. You had to come all this way just for a proper introduction.” And extend your hand to him, a polite smile on your lips. To death then. You’ve survived worse than a party.

Natsuo does not take your hand. He pops something off of his chest, drops the something in your hand and straightens his suit jacket, content with or oblivious to the fact that his sister inherited all his good social reason. You eye him first and then study the metal on your palm that glints in dim moonlight– candlelight– and tense as the room’s circle of sconces suddenly blink to life one by one.

Of the fifty candles in the training room ring, the first five from the entrance miraculously catch bright warm fire. Six, then the seventh, one by one around the edge of the room. Natsuo rushes to pat out your panic, “Magic candles.”

“Magic candles,” you repeat, which makes much more sense than a drowned magician. You exist at the edge of complete catastrophe, always prepared to fight that man who was too bored to kill you, but magic candles make sense. When have you ever seen a servant in this cold place spend their time lighting candles?

“And a medal,” Natsuo continues. You follow his line of sight to the object in your hand. It’s silver. It fits right in the cleft of your palm. The inscription around the edge is in a language you don’t know but what is clearly the moon sits in the center. A comet streaks across it and together they make the emblem of the House of Todoroki. “The medal of honor.”

“It’s beautiful.”

“It’s yours.”

“It certainly is not,” you say, the air sort of floating from you instead of being pushed out by your voice. Eleven, twelve candles, a quarter of the room is lit. The badge warms in your fingers but you no longer look at it and extend your hand back to the prince in a gown that already makes you too ridiculous to breathe. He shakes his head and you push your open palm a little farther like a plea.

“I’ve seen you. I heard about…my father’s arrival in your training exercise and I, I didn’t, I don’t think my sister’s champions would have been fast enough to stop him if you hadn’t. You kept my mother from the mad magician and I doubt anyone has thanked you and I, I just– my father wouldn’t allow honors on your gown and mine is more than I deserve.” He straightens his jacket again and continues to struggle with eye contact. Twenty-two, twenty-four, twenty-seven candles come alive in the cold arena and the ring of light reaches the pair of you at the far end. “It’s much less than you’re owed.”

Prince Natsuo bows to you deeply and turns so quickly that arena-sand clouds his feet. He does not accept your escort and he doesn’t turn around. He only strides across the room, thirty-three candles, and out the dark but open doors. It’s easy to imagine him judging his own performance just where you can’t see him; he exudes the nervous energy of someone who cringes when they turn your back to you. You’re smiling before you realize. Fourty.

It’s slightly warmer than you’ve felt all month, in clinging red skirts and candlelight. Aldera is always bustling so Takoba is loney in comparison, but maybe there is comfort where you have never looked before. Comfort in red gowns. Comfort in sweaters beside the sea, comfort in silver soldiers and a training room where you are not their commander. That thought is a shock and you clutch the comet in your hand at the edge of the room. Forty-five.

Aizawa’s training pit warms by candlelight under its glass ceiling. Oppressively tall and so much like drowning, the stars blink down at you from their thrones like dappled moonlight on waves. You fasten the comet pin to your bodice with eyes tilted to the sky. Your first night here the sky was the only one who knew you. You smooth your hands up your hips and rest both palms at your waist where Bakugou held you, bleeding, poisoned, his forehead slipping off your shoulders with sweat and the lurches of the horse. A ten minute ride from the edge of the forest to the city gates, it was only the sky watching such desperation. There was comfort in that, under the threat of death. Comfort in your loss of rank here, in anonymity.

Rescued from a crowd, rescued from punishment, rescued from the sea, from cliffs, from sickness, from solitude. Saved by magic, saved by strength, by yourself and by your prince, over and over again in this wet kingdom.

There is comfort in teaching strangers to fear you and you blink through the memory of your cherrywood halberd soaring through a dinner party. The loss of its weight at your back makes you ache and your ears start to itch as the rest of the night replays itself. Forty-seven. Bakugou pressed close between your legs at the lip of a table. His thumbs smoothing your cheeks over like parchment and his cheeks flashing red at a realization– at everything you now realize he was trying to say, to show you. You’re grateful for the privacy of the stars again so that no one can ask why you smile in an empty room.

Forty-eight. Dying for a person is so much worse than dying for a cause. You thought it might be the end when the blue flammed mage forced his hand around your mouth or when a garden screamed in ashes under his boot. When he– he took you by the shoulder and branded the shape of his palm to your flesh, when your arm was relieved of its socket– everything, all of it came so much easier than the moment your prince stepped forward to face him. Easier than Bakugou collapsing in a burning clearing, easier than counting the decline of his heartbeat through the clothes on your back, easier, so much easier than retching up seawater together on the sand.

Prince Bakugou is agonizing. Forty-nine, he’s upstairs, gilded, waiting for you.

You shake your head like unnecessary thoughts might come loose with the movement. For one night your worry can be in not staring after your charge– not tasting his lips when you wet yours at the edge of the party– and not in hallucinations of murderous mages. A comet and a dragontooth remind you of the weight of a heart. The last candle around the glowing arena beats to life beside the first and it is time for a ball.

You would have smoothed your skirts over the daggers hidden among them. You would have checked your hair again in the mirror and tested the fit of your boots with a few secret skips. You’d have imagined the warmth of Bakugou’s hands and his magic, to ease the ache of watching pretty blue ladies waiting to dance with the barbarous and beautiful prince. You would have attended and served quietly, you would have dreamed of home if the flame in that last pretty candle wasn’t flickering in a clear and lonely shade of blue.

Fifty.

“Find cover!” you hiss at the squire who collapses to the floor rather than get knocked down the stairs in your charge, “Douse the rugs!”

You call over your shoulder and hurdle the staircase railing rather than waste time sprinting to the bottom. If all of your training boiled down to a single skill, if there was only one chance, one thing you could be trusted to do in the blink of an eye it was arming yourself.

A shortsword shines in your fist as you sprint, its wall hooks worse for your wear after being ripped from the armory on your warpath. The scabbard is fastened sloppily to your left hip. Cruel images of half-scorched bodies, croaking victims that need both your hands to carry them to safety, your prince– they necessitate the holster which whips your thigh as you tear through a quiet castle. Quiet, so quiet, too quiet for a ball, idiot, you should have known. Every single light in the castle blinks to life in the very last lilacs of sunset, and every single one of them quivers with blue fire.

Seed-sized wall carvings flow through their forms, animated by your speed. Stone does not creak when you step over it, hardly any servants linger in empty hallways and the thought that one squire boy will be the firefighting force for the whole castle is horror compounded by horror. “Captain Hawks!” You bellow with the last bit of air between strides.

He’s watching you, he didn’t abandon his assignment for a party. You burst from servants’ paths onto the exact blue rugs you knew the stairs would lead to; your Alderan senses might be dulling but this castle is no longer a maze. Takoban cluelessness can take over all it wants. All it needs to do is get you to the ballroom in this stupid fucking dress. One by one, sconces yawn in innocent blues and burn so hot and so quickly that wax weeps to the floor.

A window in the line takes your pommel to its pane as you retch the sword’s hilt through the glass and shout, “Hawks!” louder, between flying shards, into the night, “Fire!”

Candles instead of your dress, a candle instead of your flesh. He could be anywhere, nearby, outside, straddling corpses, you don’t know the rules his magic follows and every step you take without bursting into flames is a second you can’t waste. Your prince will fight to the death, you cannot let him. Your prince will die for his friends, you can’t bear to lose a single one. Send me instead, you beg. Me, wait for me.

You soar down two flights of twisted stairs and lurch at a tight corner before colliding with a laundryman and his blue candlestick. “Run,” you seeth without stopping, vaulting over both the man and portrait strewn across the floor beside him, ripped at the center and trailing flecks of paint. The last turn is towards the right leg of the grand staircase, entryway and ballroom dead in your sights. Red wings don’t appear and so you hook your hips, and your gown with it, over the lip of the banister.

Hardly a breath escapes the closed ballroom doors. Why are there always too few guards here? What ball makes no noise? What kind of monster could kill a room of people without making a sound? There are clicks, you panic as the banister ends and dismount the slide into a sprint. There is the bone chilling image of the blue mage clicking over corpses with the heels of his tall black boots– the body of your prince lying charred and bloodless before he could even let loose a spark.

Your dancing boots make the loudest sound in the entire palace as you run your legs harder, to carry you farther, until finally your hands are flat on the ballroom doors and your biceps scream under orders. The elven silver budges only slightly. There should be footmen outside to let guests in and the anxiety of their absence gives you an unnatural strength, enough to force one gilded door open a crack and slip into the destruction with your weapon raised.

Find him, find him, find Bakugou first, soft sunny hair and pomegranate eyes, the boy who barks laughter, he who wields the magic of old gods, your heart, find your prince, get him home.

Silver foot bolts shriek over marble as you force your way inside. You are a cacophony always. You are blood splattered across the edge of the dancefloor when you burst into the party.

“Highness!” You shout into the blue before realizing the silence of the ballroom doesn’t come from death. One thousand pearls startle immediately at the beast and her raised sword. Gowns of lace, suits of glass, feathers, freckles, masks and tiny shoes, bells, fans, crystal flutes of pink champagne, and not a single person speaking over a hush. Two hundred eyes watch the Alderan dog prepare to fire again into a party.

Balls in Aldera breathe life to the city. Any comfort you felt for Takoba dies with your entrance. Waiters roll between guests with trays of cake and wine, and the winter floral decorations must have cost a fortune for petals to be sewed and draped and weeping from the walls because this certainly was meant to be a ball. Your fingers ache for the weight of your halberd for the first time since you lost it in the sea.

There is no mage when your heckles fall. No mage when your shoulders droop and your sword with it, not when you search the ballroom for your Alderan sun, not a single shock of white hair taunting from the windows. Every candle in every abra, every chandelier, sconce, cup, spike, or lamp, is a melancholy flickering blue above the sea of silent guests.

Your weapon falls slack. You exhale as the swordpoint chips the floor.

The queen sits on her throne beyond leagues of distracted dancers and servers and bards, with her hands folded and her husband beside her tense, hunched, and licked by fire where you startled him out of his seat. The great ballroom window blinks with its audience of stars. Just outside and over the cliffs, the maws of the sea applaud.

You jolt, as do the guests closest to you, at the sound of metal crush but it is only Uraraka in her uniform, catching the tray of a server who panicked at the sight of you. Shinsou’s hair isn’t hard to pick out from his post beside a waitstaff door and he thins his lips instead of speaking. No one speaks. There is no laughter, there is a single violin playing from a fifteen piece band– did you scare the trumpets too?– weeping a waltz for the dancers who crane away from their partners to watch what you might do. Their every gown is white, blue, green– silver like sea foam. Their hair obeys them and folds into smooth shapes at the tops of their heads so that their noble throats can be struck sick by the air of a room above the sea. You are the only foul red thing here.

The flame of worry collapses in your chest along with your heart. Quietly, blue fire watches back without laying a finger on anyone.

Oh.

“Y/n?”

There you are.

The ring of dancers at the center of the room curl around in their timid waltz, revealing new faces from the back of the crowd. Kirishima in a fit white suit, too focused on not crushing his Takoban partner to even realize you’ve arrived and then Mina, full of worry with her hands in Fuyumi’s and both perfectly placed in the seaside painting with their layered dresses of white. She makes to break away from the current, to rescue you, but her prince beats her to it.

The prince of Aldera climbs trees in the summer to reach the best apples. He likes to bathe at night. He is slightly shorter than his mother in her favorite boots and it bothers him, but never enough to say anything. His fingertips sparked when he kissed you.

He is cloaked in red. An abandoned partner jingles angrily as he drifts through the tides and calling your name is the easiest thing in the world, “Y/n.” He glows. You have hidden from this all day, and tonight his war cape arcs sanguine circles around him. 

The Sun approaches, he glides to you like picking up a stray is part of this dance. He takes up your swordhand in his, weapon clattering to the polished floor and with a magic-heavy hand at your waist the scabbard belt falls away. Hair pushed straight back and two red earrings dangling, Bakugou rolls his eyes, “It’s a dogshit party,” and a few pieces of hair fall over a stitched gash on his cheek, “but I doubt a swordfight will fix it.”

You don’t understand and you don’t try to speak through volley after volley of embarrassment. 

“Won’t,” he rumbles, “won’t let you look crazy alone.” Prince Bakugou Katsuki steadies his palm just behind your waist and draws you onto the dancefloor, hand in hand. He is more than beautiful. Polished boots, white suit and golden embroidery– each button in his vest is flanked by a small Alderan sun. Dragons prowl along the hem. His red cape you thought lost, rocks you with homesick.

“Highness,” he steps to a rhythm in fours, heel toe, toe, toe heel forward into the fold of your dress to guide you back into the stream of dancers. “I didn’t– I–” Your feet barely make the proper shapes to keep up for your Alderan heart is a grease fire not a hearth. Bakugou holds his head high to the side with the posture of a king. His pupils occupy their lowest corners so he never need take his eyes off of you.

You, his war criminal.

“Sir,” you manage and wince when you dare a peek past his shoulders towards onlookers.

He is embers, “I have a surprise.” He does not grab you by the collar or threaten you with his teeth and when you grasp his hand to steady yourself from an awkward step, he is the boy who makes magic for you in the dark. Bakugou Katsuki’s ears are scarlet even as he stares ahead, sweat pearls between your fingers and he sweeps you close, albeit awfully tight, through the steps of a Takoban dance. His face catches light from the candles above and the shadow of his pale lashes sweeps over both cheeks. 

A corded thigh slips between yours and back again to the tune of one sad string. The rhythm doubles for four steps and calms again. You could dance the continent around for all the etiquette training you’ve endured but something about the lack of ghosts here, something about your heart beating out of time with the song, about red eyes and a clenched jaw, the hand fingering notches on the small of your back like it might a cello– you are suddenly on the catwalks again with your lips smiling into his, you are holding back tears, you are clicking teeth and stumbled steps and hands cupping cheeks, and your heart bleeds all over the dancefloor. Your voice cracks, “I’m so sorry,” and it is the loudest thing in the room.

“The candles are blue at the queen’s request,” he rumbles, sacrificing posture to watch you properly, to correct you. “That must…I, I didn’t know. I wouldn’t have let them.” Bakugou raises his right shoulder in invitation for your hand to rest there but your fingers lift from his arm as he turns you both, and settle on that small new wound at his cheek. You breathe deeply as your chests slot together, no fight in sight. Your relief almost comes in tears.

Party guests do not stop staring, especially now that the foreign royal has spirited his beast to the dancefloor. At a distance, familiar faces train gazes your way. Little doctor Shuzenji and Aizawa beside her nursing a pink champagne flute, both ribboned in their bests. Uraraka offers you a tight lip at the edge of the dancefloor. Fuyumi boxsteps in line nearby, the lonely violin picks up pace, hand in hand with her youngest brother and attempts to lean in to whisper to you before Bakugou cages them both out with his shoulders.

He clears his throat, “Captain,” the second-loudest thing in the room, “will you dance with me?”

It’s not your best, admittedly, but the thought your four-step is poor enough your partner needs to clarify does lighten the mood, and you nod. Half your focus is sacrificed to keeping calm in such a full room and the other half is completely at his mercy.

“Peruro?” Bakugou raises those flaxen eyebrows, his lips led by yours. The dance peruro. Destructive and certain to give the Takoban King an aneurysm. Something like comfort slips in. Your eyes widen suddenly and your prince with you. What does he see? you wonder. You nod again.

The waltz will reach its climax soon and Bakugou leads you through a perfect Takoban rhythm until the second he dips forward to whisper, through your hair and over the silence of this cursed party, “Mind your ears, dragonne.”

You shudder immediately at the name, hand in hand, chest to his. Something in your perfect center bursts in white flame and you throw your eyes down to your skirts.

“Dance!” Bakugou’s voice cracks like a whip of thunder above the soggy party and he lifts his chin over your head. The vibration of every syllable rumbles from his ribs to yours and his growl is smoke on water, “or die.”

The next second a horn howls one crescendoed note and every hair not squeezed into your silk dress, prickles. You jerk your gaze back up to Bakugou, unsure what expression you might be making, “How?”

But your prince is still grinning wide so you must be too. “Bribed em,” he leans close and as one confused violin trails off, another trumpet joins the fray. Dancers look around distractedly and onlookers whisper, louder, slightly louder, to be heard over the addition of percussion to the building swell of tuning instruments. A pair of cymbals crash like earthquake, a waitress topples over.

Shinsou shakes his head in the corner of the room and rubs his face, fondly entertained. The king is out of his seat again. Suddenly a fifteen piece band is making the sound of home. The band vibrates under an arc of camellias and the small woman seated at the front pulls a flute from her suit jacket. The herding call of her shepherd’s pipe gathers the cacophony and just as quickly as the group disrupted the peace, they hush behind seventeen beautiful whispers of the pipe, clear and bright as stars. It is the quiet start of Mitsuki’s favorite drinking song. Fear of crowds melts from you like bedtime stories.

faire of the fields

the girl who plays for me

dance and i will watch you

dance and i will join,

you who

teaches beasts to love

send us all to war

She draws the final note long and low, violins become fiddles, trumpets repeat the tune, a drummer growls, two pipes build, and the flute cheers back atop a flirty melody of three before the brilliant song erupts. Bakugou clasps your hand tight and throws you from his grip so that you might twirl and glow under his arm but the rules of peruro dictate a little more focus than that.

The closest dancers to you shriek when Mina barrels through them and pulls you out of his hold. She squeals with two gloved hands on your waist, “Miss firelight!” Her dress envelopes yours and the spinning doesn’t stop until you’ve tripped a man at the edge of the dancefloor and very nearly toppled over yourselves.

Over the curve of her shoulder you snort, shocked by your own glee, as Takobans try to adjust their waltz to the Alderan rhythm and inevitably four-step themselves into a fervor. Kirishima towers over your prince and barks with laughter trying to get the man to spin under his arm. Shinsou is no longer brooding at his post. He is hand in hand with Kanminari, flecked all over with petitfour cream, who has led him into the fray.

“Lady Mina!” you bellow and take up her hand in yours. You fasten your waists together and both of you fly into the tide. When was the last time you put the blue mage’s voice away? How long has it been since you last danced Peruro? Singing while stepping, laughing, diving for bystanders and squealing when drunk guests toppled over themselves to be the one to lift you into the air. You steal your partners in peruro, and fight to keep them. It keeps the room from feeling small, from crushing you. When you are thrown whoever catches you gets the next dance and the songs never end.

Euphoria threatens to spill over the fire Katsuki started in your heart. Flame mages are far from your mind under blue candlelight.

The queen does not move, but she might be smiling. Fuyumi yelps when her champion scoops her up from behind and places her on her shoulder. Even the youngest Todoroki and his freckled champion tut about together to the rhythm. You hope no one tries to steal the blue prince; he might not survive it; and make eye contact with Natsuo while you completely butcher Mina’s three step dips. He stands at the base of his parents’ thrones, unmoving, but pink with excitement.

Takobans, even servants, lingering at the edge of the crowd cannot outswim the rip current. They belong to a quietly stubborn nation who will attempt their delicate hop skips even to the bleat of an Alderan horn. Only cowards leave a dancefloor and it is the first respectable tradition you’ve seen here.

In a flash of red across the room, your prince takes up two stiff women in each arm and you almost spit in laughter as they go purple under the instruction of the barbarian prince. The polished floor vibrates. It’s too loud to think, a mix of happiness and screams of indignation as pretty lords and ladies are pulled into the fray by those countrymen only slightly drunker than they.

Peruro is a game and so when Sero Hanta and his cheeks tattooed with lipstick kisses, plucks you from your partner, Mina can hardly complain. The flutist roars her approval and her fiddlers breathe life into the happy song behind her. Trumpets pluck, bleat, and howl complex harmonies that prove you’re Alderan from the sheer intoxication of the sound.

Sero’s long arms wrap behind you and you’re off your feet before you can speak. “Return of the Red Captain!” His grip on your sides is more ticklish than hell and you giggle and squirm as you fall into a dip. His palms hit something hard, the dagger concealed in your gown, “Are you armed?” He chuckles and tugs you up and close, back to chest.

“Me? Never.” You peek over your shoulder, both laughing, and he peels you from him so tight you spin away three times fully and far enough away from him that Kirishima poaches you without difficulty.

His Alderan fire rolls off the warm parts of him in waves of pine smoke and happiness. How many yards of fabric it must have taken for Takoba to stitch his suit– the cost– you can’t imagine. He hoists you onto his shoulder before you can think a moment longer.

Your red pleats swell in the air and settle with your hips on his broad shoulder. The hidden sheath under your bodice taps his ear. “Are you armed?!” He hollers and spins once to make you squeal and grip tight to his hair. Princess Fuyumi covers her mouth to hide laughter and you beam at each other from your shoulder seats, over the sea of Takoban heads. The champion shrugs you into his arms and back onto your feet. The new heels of your dancing boots click like bells every step you take.

Eijirou is a wonderful dancer, and difficult to burgle. He throws his hands above his head and the pair of you clap, kick one leg out and turn, eyes always locked and teeth shining. With your next kick, your hip checks a short man attempting to dance Takoban and knocks him into another pair. Eijirou’s next clap, behind his back, startles a woman so badly she covers her ears and the whole room reeks of home. Drown in it Takoba, dance or die.

Your friends are safe. There’s nothing to fear from shitty parties and you spare a thought for the servants you must have traumatized on your rampage down here. Wers and mers, the window you broke– Kirishima’s hands are at your waist because you are distracted, you are searching, and before you can brace yourself he has thrown you clear into the air.

No matter how much you hate it here, the ballroom is beautiful and Natsuo might be a wonderful king. His decorations shine in the queen’s candlelight. Early winter flowers are strung by the thousands to garnish balustrades and window frames, they erupt from iridescent vases and hang in an arch over the howling band. Bundles of pearls dot every corner and swallow the moonlight. Silver shells and whistles, inlaid cuffs, white wigs, Takoba is most beautiful by moonlight. There’s no sun here. Did you ever think you’d hate him? That you’d miss him? Where is he? Your prince likes plums best because they’re sour and he blows on dandelions when no one’s watching and he works construction with his men when the city needs repair and he hates how dry paper feels on his fingers. The daggers at your hip cool in your descent.

“Red suits you, dragonne!” Bakugou roars and you land square in his arms to the coo of a shepherd's pipe. You blink and his, him, he– he stares. He is terrible at piano and walks with his head down after rain to keep from stepping on worms. He mends his own clothes because his father taught him how to sew. “You,” he attempts to speak, “Captain, you,” but the high of the dance dissolves from him even as the music swells because you stare and bring your fingers to the wound on his cheek.

“You’re beautiful,” you breathe. He does not find his words in the space between your faces. Your prince goes pink. Enough of the room is dancing now that you need to read lips to truly hear anything but he understands your every thought without effort as he lets you down. There’s a hand on your back to keep you close. I’m afraid. It hurts to be so close to you. He presses his forehead to yours.

“Y/n, ’m sorry.” You fight yourself not to fight the closeness. It’s rotten work. Your gown matches his suit perfectly and pressed together you spin in the chaos and climax of a beautiful song.

The prince rolls figure-eights against your forehead with his own. Two much less focused dancers jostle your duet and Bakugou sweeps a foot forward to trip the leader before lifting you over the pile of men and returning to the dance. You glow red in his arms above him, halo of the moon.

A tall man shifts between rushing servants on the catwalks. Your prince beams below you, king of the sun. It's a pretty party. It is perfectly loud. A polearm is readied on a scarred arm in the dark and no one minds blue fire.

The flutist picks up speed, spurred on by the tambourine, and each note from each instrument cuts itself off to make time for the next. Every place you touch one another aches. If it would just stay like this forever, dancing, knowing without speaking, you could kill any enemy. The sky would learn to kneel, if only you could keep the adoration of winespilt eyes.

A series of gasps, a yelp, and Kirishima’s sweet laughter punctuate the thought. Bakugou was meant to wear fine clothes like these. Sparks like fairy lights twinkle where sweat beads on his jaw and you would have given nine lives to kiss him one more time. He will be a good king too. There is a scream.

Your hand on his shoulder bunches the fabric of his cape, and you lurch forward to lock your other hand around his back. Your foot is dead behind his before he can blink and with a surge of momentum from the dance, the last swell of fiddle, a prayer for old gods, luck from the sea and something like love, you knock the prince over your shoulder and onto the ground into the thickest thrall of dancers.

He laughs the whole way down and holds you where he can to keep from knocking your heads together. The sound is molten gold. You would sin to hear it always.

He is still laughing, howling, bursting with joy when he hits the ground and you with him in your perfect dance peruro. He doesn’t notice the whine of dropped instruments or revulsion of the crowd because he cannot look away from you. On his back, on the floor, beneath you, Prince Bakugou lifts his arm to cup your face and freezes in the new and sudden silence.

The impact of the spear shattered a chunk of floor beside your prince’s heart where it landed. Missed, you grin feebly. He’s okay. He is perfect and wide-eyed and beautiful, and the blade of your cherrywood halberd shines with blood from its home through your chest.

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tagged angels ! @ltadoriyuujl / @cherripunch26 / @chandiewashere / @sakurarr1122 / @ihavefixations-and-onehiccup / @juni-does-art / @romiinlove / @todorokiskitten / @zukowantshishonourback / @phoenix-draws77 / @starryparkrr / @misscaller06 / @420mitskilover / @kalulakunundrum / @the-omnipotent-phlowr / @butterscotch-ripple-icecream / @cutiepatoodie / @catsoupki / @acid-rain27 / @sky-angel101 / @flyhighinthesky

[veronicawildest]

NAKSHATRA SERIES: OBSERVATION FROM DIFFERENT NAKSHATRAS

SHRAVANA

The symbolism for this nakshatra is the ear, No wonder they LOVE to gossip. Also if you want a music recommendation just ask a Shravana/Dhanista natives. They have great music taste.

Major placement in Shravana nakshatra (especially the big 3) have distant relationship from one/both of their parents.

This nakshatra(including Dhanistha) have major RBF

The most shallow thing about this nakshatra is about their reputation. Sometimes they don't care but i often found this nakshatra to be obsessed about how others perceive them (not in a people pleasing way but how it benefits them)

Besides Ketu vimshottari nakshatras, Shravana is often found too in lead singers (One of the members in Air Supply, Lead singer of band Styx). Saturn in general creates timeless songs that often play even if singers already die.

The Coca-Cola have connection with this nakshatra. Someone from Twitter mentioned about the C*caine and correlation to this nakshatra.

Most likely to be addicted to substance besides Ketu ruled (extends to other Moon vimshottari ruled nakshatras)

DHANISTA

Dhanista women seek roles that have leadership position

It's pretty ironic how Dhanista's yoni is lion evem though their rashi (Capricorn to early degrees of Aquarius) isn't comfortable on Sun

Dhanista is one of the rarest type to be born. (Most people that i know are born in August, I've only met 3 Dhanista in my life, so this observations mainly come from celebrities)

Dhanista women are really into fashion (Heart Evangelista, Paris Hilton). They usually have squad like friends.

Someone said on Twitter that Fame is a karmic thing and i agree. Sidereal saturn rashi (especially Dhanista) deals with the good, bad and ugly sides of fame. They often deals with people only want the idea of them, not them.

KRS said that they have displays/ have instruments in their home. Please confirm if you have Dhanista placements.

SHATABHISHA

It's common for this nakshatra to be related to science. Arda and Swati do this too but not in a way Shatabhisha often does (Rick and Morty, Breaking Bad)

The common thing about this nakshatra is pointing out racism to others. Someone did a meme of comparing Shrek to Get Out and the main characters of this is Shatabhisha. Niko from NDL/Beta Squad do this too in his most popular video

They have cult fans too besides Jyestha (Justin Bieber, Chapell Ronan, Rihanna, Olivia Rodrigo)

Unevolved trait of this nakshatra is hypocrisy in a way that they love to impose rules just to get benefits from it but if someone impose rules on them, they don't follow it.

Shatabhisha is often have a weird connection to rumors. They love rumors (biggest gossiper)and they often have rumors that are more likely conspiracy theories related to them.

[wanderloveshater]

Two smart guys with 80’s tech can only do so much. It took them years to make the portal, one that breaks down everytime it activates.

For Commander Peepers? He can make a portal in a quarter of that time that’s stable.

It wouldn’t break down and would be able to control the excess energy that emits from it.

Peepers is the perfect pawn for Bill. Socially outcast with a crippling insecurity about his height, the desire to be praised and hold power over others, painfully lonely with a brilliant mind- he mirrors Ford in this way. I believe one of the WOY crew members emphasized him being different from the watchdogs.

It’s so easy for Bill; what do we have here? A smart guy who builds evil planet-destroying devices? Handling complex machinery?

He’s got a high IQ- misguided by his adoration for his stupid leader. The need for approval is crippling. So what can we do? Our little song and dance-

Bill’s experience speaks for itself. It would take very little effort, no questioning or anything- kind of boring, really.

Oh and Peepers has just been WAITING for someone to realize his true potential!

It’s all the same with Ford. He wants to feel special. The way Peepers would cling, claw, ride the high of the teensy bit of praise Hater gave him months ago…it makes Bill laugh. Such a sucker. A mathematically talented genius with more weaknesses than anyone can count.

So here we are, Peepers wants power. He wants respect. He wants to be seen. Bill promises Peepers a sense of social validation- to be adored- and eventually feared by his peers, and in extension, the galaxy. In return, Bill wants a portal- instead of spinning it as a “gateway for infinite knowledge of the universe” he can actually be a little more truthful. He’ll tell Peepers it can be used as an unstoppable weapon of destruction, better than what Major Threat had, better than what Lord Dominator had. The Peepers empire- I mean- The Hater empire would conquer the galaxy. Bill can come into this plane and they’ll rule everyone, side by side, Muse by Painter.

It’s a win win! Come on Peepers! Take the deal! When was the last time you played chess with someone that was actually smart enough to compete against you?

Infatuation: We saw how easy it was for Ford to be a Cipherholic. For many others to be. Peepers would unfortunately fall for his flattery. Under the assumption that Peepers is in love with Hater- (idolization if you wish) this prevents him from fully going evil, betraying everyone at once, I think.

But Peepers does get a little tired here and there putting up with Hater’s stupidity. Everyone’s stupidity, actually.

But Bill?

Bill has a lot of knowledge of the universe and intelligence.

Peepers would feel so intellectually stimulated by their conversations- likely about quantum theories, astrophysics, how stupid everyone is. There’s one thing Peepers has going on instead of Ford. Ford isn’t directly malicious or evil (besides the revenge fantasies), but Peepers is. He’d find Bill’s sadistic humor to be funnier than Ford ever did. Bill likes that.

Planting these seeds in Peeper’s brain- like the portal- Peepers would reach worship levels faster than Ford.

“I want to feel tall.”

“I’ll make you feel tall.”

Possession: This one is funny to think about, Bill’s unhinged behavior is exponential. He uses his charisma to gain social approval with the watchdogs and Hater’s favor in Peepers’ body. He probably wouldn’t have to complete all the calculations that Ford needed help with- really the possession is just so Peepers is more likable.

Bill’s feelings: Peepers was the easiest pawn to entrance. Bill finds this rather boring. There’s nothing to sink his teeth into- nothing to tear. Just a hollow puppet. He isn’t weird enough for Bill to enjoy, he seems rather logical and put together. Sure he’s shorter than everyone but was he born with any extra features that makes him an anomaly? But he’s certainly the most efficient puppet, so he’s gotta keep that going.

Peepers would also catch Fiddleford and Ford’s mistakes with the portal’s code.

Sort of like, “Oh haha, whoever did this code is so stupid, have they considered their calculations would blow up the entire room?!”

Bill being Bill, filled with bitterness, would agree in tandem at first. “Haha YEAH my last guy wasn’t up to par!”

Before uh, Peepers gets carried away and Bill’s own complicated feelings about Ford arise.

“Seriously, have you seen this derivative answer?! A traffic cone could have done better-”

“That’s enough”

Ford: I don’t have a set story/timeline for these two in mind, but I would like to imagine Ford’s reaction. Being unable to stop the vicious cycle repeat chokes him. Warning Peepers and all, oh don’t fall for it, he’ll betray you, promise you a galaxy, yadda yadda…

But Peepers only hears that last part.

“My own galaxy…?”

“Yes, he’ll make you ‘one of them’ and promise ultimate power with no law or restrictions- everything you could dream of- but DO NOT fall for it!”

Peepers falls for it. Or rather embarasses himself- Bill does not care for Peepers in this way. He’d never offer this unless it was for gain, so what does Peepers do? Throw himself to Bill and the Henchmaniacs- pleading to be a part of them. All that results from that is being laughed out of the room. Doesn’t help that he's the shortest.

Peepers doesn’t fit in with the watchdogs, or even the crazy weirdos/freaks.

He is truly alone.

[hetalian-veteran]

Hetalia Sleep Headcanons

Here, have my headcanons about how the Hetalia characters sleep because I'm still awake at this ungodly hour of the night.

🇮🇹Italy needs to cling to something to sleep well. Whether it be a pillow, a plushie, or another person, the poor guy needs something or someone there to cuddle.

🇩🇪Germany has really bad insomnia and can only get at most four or five hours of sleep a night, and that's if he's lucky. But when he does sleep, he probably sleeps on his back, still as the grave.

🇯🇵Japan also sleeps on his back and is so still and quiet that every now and then, someone comes by to check and see if he really is asleep and not dead.

🇮🇹Romano sleeps on his side with his arms sort of stretched outward, almost as if he's reaching for someone. That, or he's dreaming of beating someone up. You know, one or the other.

⚔️Prussia will lay down on his back and fall asleep that way. However, he's the kind of guy who moves around a lot in his sleep. So when he wakes up, he's sort of on his face and stretched out like a starfish.

🇪🇸Spain sleeps like a freaking baby and gets a full nine hours every night. Lucky son of a gun.

🇬🇧England has a pretty hard time quieting his mind down enough to get to sleep. So he spends his nights slowly sipping on a cup of tea to try and calm himself down enough to get some shut-eye.

🇺🇸America moves around, twists, and rolls over so often in his sleep that when he wakes up, he typically finds himself tangled up in his blankets. Sometimes, he accidentally rolls out of bed.

🇫🇷France can only sleep if the room is completely dark. Like, pitch black. He also sleeps on his side and sometimes hums a little in his sleep.

🇨🇳China has insomnia pretty bad and, as a result, will often find himself staying up at night drinking tea. When he can sleep, however, he sort of curls up into a ball under the covers.

🇷🇺Russia sleeps on his back and stays in that position the entire night. Sometimes giggles and smiles a little in his sleep.

🇨🇦Canada needs several layers of heavy blankets to sleep, as well as something or someone to cuddle.

🇩🇰Denmark sleeps on his side and has sometimes been heard singing in his sleep, though nobody has been able to make out what exactly he's singing. He also occasionally snores.

🇸🇪Sweden usually falls asleep whilst looking through Ikea catalogs. They seem to really help calm his mind.

🇫🇮Finland often smiles while he sleeps, sometimes even giggling a little every now and again. He also sleeps best when listening to some of the most intense, heavy metal you've ever heard.

🇳🇴Norway plays white noise and curls up into a ball under a couple of layers of thick, heavy blankets. He probably hugs a pillow, thinking of the days when Iceland used to call him big brother as a little kid.

🇮🇸Iceland can only get to sleep in total darkness and in total silence. He's also a light sleeper, so anybody walking around the room will immediately wake him up.

🇭🇺Hungary sleeps like an actual normal person. I really don't know how else to describe it. Though she has been heard saying some pretty weird crap in her sleep before.

🇦🇹Austria sleeps best if he has soft classical music playing. Unfortunately for him, Prussia hacked into his playlist and threw in some of Finland's heavy metal songs.

🇱🇮Liechtenstein is a fairly light sleeper. She's also afraid of the dark, so she typically has a nightlight somewhere in her room.

🇨🇭Switzerland is also another character with insomnia. This is because he is low-key paranoid about making sure the entire house is locked up before he goes to bed at night. He wants to make sure he and Liechtenstein are safe.

[ilovepapahet]

James Hetfield HeadCanons

Black Album or 1991 another one of my favourite eras (ngl maybe my favourite) he’s so intimidating and I love it, I don’t know what it is about him he’s stunning

but anyways I’m doing hc’s for Black Album/1991

————————————————————————

SFW

From the outside people just see him as this intimidating grumpy guy who you’d want to stay away from but when he’s with you alone he’s the sweetest guy ever

he’s quite literally a big house cat (at least what I’d call him) he’s such a softy and loves laying with you or laying his head on your chest because in his words “you have soft tits”

he loves holding your hand when you both are out in public

he loves showing people that your his (I feel like just in general he does) he’s following you around the clothing store and when you show him a shirt or pants you like and you’d ask him if you’d look good in them

he’s giving you the best compliments and saying you should get them but if your think there to much money he’ll get the for you

and in saying that he spoils you with clothes and food and make up

not to the point where people think your using him for his money (obviously) but you do joke that he’s your sugar daddy

he’ll ask for your input on lyrics he’s been working on or riffs and when Nothing Else Matters came out and he told you he wrote the song for you

he got all red and flustered cause he thought you might have thought it was corny but you proved him wrong

he loves so cuddle with it’s his favourite thing he’s nuzzle his head into your hair or neck

NSFW

He’s rough don’t tell me no

he’d hold your hips in a death grip to the point where it leaves bruises as he pistons his cock into your pussy

He’ll say the most filthiest thing to you telling you your such a slut or a needy whore

and you love it

he’d grab your face (not hard) and make you keep eye contact with him when you cum he’ll also choke you (lightly) when he’s about to cum

or he’ll choke you when he wants you to be quiet but that’s only if your at the studio with him or in a hotel room (or literally anywhere backstage) he’ll tell you to shut up as if you could but it’s not your fault he’s fucking you like a mad man

he’ll use cuffs on you (I feel like in this era this is where he uses cuffs and toys and I heard somewhere in a interview James said he liked cuffs but I don’t remember if he said he liked using them on himself or someone else)

he’ll cuff you or himself to the bed and if it’s you he’s thrusting painfully slow into you and you’d whine because your not getting the satisfaction you need

hickeys everywhere your hickey central

he loves them oh so much seeing you marked up by him gets him going

breeding oh my god breeding telling you he’s going to pump his babies into you so your his

he loves to see you coved in his cum

on your face on your tits on your tummy he loves to see it practically painting you in his seed

he’s also definitely improved on after care

he’d clean his cum off of you with a soft warm towel or give you a bath to relax you after such a rough session and than gently kiss you all over and cuddle you tracing weird shapes into your skin

————————————————————————

I ❤️ 1991 James Hetfield

[menlove]

wait enlighten me on the i’m so tired being about paul grind i don’t know if i see it

ofc! it's just interpretation obviously but it's one of those that makes me eye it a bit. but. it's one of those that every beatles wiki will be like "it's about yoko" but he's never said that and honestly the song doesn't fit with their relationship at the time like at all. she WAS writing him a lot of telegrams and their relationship was certainly getting Weirder at the time, but I wouldn't think it would inspired sleepless, tortured nights yet

the song is very much like. a sort of rising anger/irritation with the situation and the person in the song which is very much where paul and john were at at the time. I'm not a "something happened in india" truther, but I do think things between them were going south. had been since brian died and only got worse with paul getting engaged.

this part particularly To Me reads as very paul

bc at the point john and YOKO were at if he called her and was like "hey I'm in love with you and I'm going insane and can't sleep over it" I don't even know that HE'D be scared she'd say he was joking and turn him down. like she was very much the one doing the chasing there for a while and her telegrams seem pretty damn confident about where that relationship was headed. where they were at just didn't seem like the tortured, aching, harm that he talks about in this song. it was the beginning obsession of new love which is a TOTALLY different feeling than this song gives off.

paul on the other hand. I think it would be incredibly reasonable to assume that if he told paul "yeah I haven't been able to sleep because you're driving me insane, I'm in love with you, and it's like actually genuinely hurting me" paul would go "that's a hilarious one john thanks" like 💀 way more in character for paul to brush something like that off than yoko

also as just a further lil reach lol in the esher demo there's this:

obviously john was just misspeaking and meant to say my arms but. interesting especially bc at this point him and yoko had never slept together or been intimate at all. that's USUALLY something I'd call bullshit on with affairs, but they've been pretty open about their relationship timeline. she's also. I mean. yoko isn't very charming lmao I'm not dogging on her she just isn't and she knows that, john knew that, the world knows that. she's just a very blunt person who at the time this was written was just coming off as sort of strange and mysterious to him.

so saying yknow "when I hold you (/fuck you) I wonder if I should get up and lock myself in a mental institution" would again just be a really weird and nonsensical thing to say about yoko. about the notoriously charming man who in this scenario you'd be fucking, though.......... homosexuality was BARELY legal let alone smth john had come to grips with so this whole doom spiral around this person & fucking them & what that means for you, well! very interesting, anyway

anyway that's it! I just am super unconvinced this song is about yoko. and there's really only 3 sort of romantic interest options in his life at the time it could be about and it just wouldn't fit for yoko or cynthia imo. so that leaves paul. and their quickly crumbling relationship.

[monfivela]

*waves shyly* So, this is my first Five X Lila story. Please, take care of me 🙇🏻‍♀️

☂️🚆🍓 Love, and other things that won’t stay buried

Summary: Five didn’t kiss Lila in the strawberry greenhouse that day. But it doesn’t mean he won’t another day.

Hey guys,

This is my modest contribution to the wonderful people of the FiveLila community. To the many amaaaazing writers and artists, its thoughtful members and incredible supporters 💜

You’ve brought me back to fanfictions. To tumblr. To ao3.

You’ve fueled my obsession with this ship for the past month and a half—you’ve played with my heartstrings, sometimes making it ache even more, and other times spreading healing balm on my broken heart.

Gosh, I feel like a girl in love—living in a daze, listening to love and break up songs, feeling hot and dizzy, and constantly checking my phone for updates of the community... so, here’s a small token of love to all of you.

I hope you’ll enjoy this piece as much as it kept me obsessed day in, day out, trying to find the right words, and make sense of the one scene that started the whole story.

It’s been a years— more than a decade even—since I last wrote anything. Much less in English. So, I apologize in advance for any typos, grammatical errors or weird wordling and phrasing.

These are the first two chapters. I'm still trying to wrap things up, so I figured, I'll post the first part to test the waters with you all 🙏

I’d love any feedback to know if I should train or warm up a bit more before our little appreciation week in October. I have some ideas, but I needed to get this one out first. 💜

Merci 😊

[askfriskandcompany]

Hey, Emo Cat Anon here. Off anon so I can send the cat pictures. I’m kind of paranoid that someone else is gonna pretend to be me and send them so I’m sending them now 😅

Sorry for the weird white blobs, it’s hard to crop cats on a phone. These kitties come with their own lil lore!

The older brother Oreo (white one) is a curious and rebellious kitty who’s obsessed with tomato sauce

The younger sister Shadow (black one) is incredibly elusive* and mysterious (I personally have never actually met her. These photos were taken by my mom. She’s so sneaky that I’ve never once seen her during my visits. Such a shadow indeed)

And one last kitty I wanted to being up:

This is Dora. She died this past July. I just wanted to share her. She was a sassy queen who ran the world. She was incredibly stylish and absolutely refused to wear a collar unless it had a sufficient amount of sparkles on it. She’s not part of the emo band but I can see her as its manager or something. I just wanted to bring her up because I love her and miss her <3

I’d like to say thanks to literally anyone who wanted to see these kitties 😅 this idea came to me because that first photo at the top looks like an album cover and I’ve been thinking about it for ages

And thank u Trash Queen for actually offering to draw them (for a price)!

Okay! What I'm thinking is this...

Oreo is the lead singer / main guitar guy and most would consider him to be the face of the band. There are memes online about him loving tomato sauce, due to the lyrics of one of his songs.

Shadow is bass guitar / keyboard, and never speaks on camera or on stage, but is always there. Nobody knows anything about her personal life except that she's the lead singer's sister.

Dora is their manager / roadie wrangler. She may or may not be a second-cousin to Burgerpants.

They have an emo band. Their songs are about things such as 1) Love, 2) Heartbreak, 3) Injustice experienced by monsters on the surface, 4) How it's bullshit that it's not socially acceptable to drink marinara sauce in public like it's a smoothie.

-TQ

[riddle-rosethorns]

I can't believe I missed the fact that your requests are open! I've failed you, Mr. President... ;_;

Request time: could I get some headcanons for what kinds of music the housewardens listen to?

The Housewardens' Music Taste

Summary: Having your own private dorm room at NRC means having the freedom to blast whatever you want through your speakers. But just what exactly are our dorm leaders listening to when nobody else is around?

Characters: All Housewardens Pairings: None CWs: Swearing, she/they pronouns for Idia.

A/N: I'm sorry this took *checks calendar* almost ten months for me to answer, I promise it hasn't been for lack of interest! Sometimes writing is hard and my brain is mean. Thank you for your patience! These takes are admittedly heavily biased by my own music taste and knowledge, so feel free to let me know if you think I missed any artists!

Riddle Rosehearts

You can't convince me his mom wasn't constantly playing classical music for him when he was growing up. I honestly think he still defaults to classical music, especially to improve his focus while reading or studying.

I also think Cater has definitely exposed him to a lot more modern music and, though he is undoubtedly very picky, there's even some of it he likes.

Artists that come to mind for Riddle include Vivaldi, Tchaikovsky, Red Velvet, and Mitski.

Leona Kingscholar

For the most part, I'd imagine Leona mostly listens to pretty chill music that's easy to nap to, like R&B or soft rock.

That's not to say he doesn't actively enjoy listening to music though. If he's in the mood to jam, I could see him turning on some hip-hop or even some angry punk music.

Artists that come to mind for Leona include Lil Nas X, Gorillaz, Gym Class Heroes, and The Weeknd.

Azul Ashengrotto

Lounge music feels like the easy answer here. Lots of smooth jazz and easy listening.

However, I also can't resist suggesting that Azul might have a secret fondness for electro-swing that he keeps secret due to the genre's reputation for being considered "cringe".

Artists that come to mind for Azul include Frank Sinatra, Kenny G, Michael Bublé, and Caravan Palace.

Kalim Al-Asim

Kalim strikes me as one of those guys that would say that he likes every genre of music, only he would actually mean every genre- rap and country included.

That being said, his preference definitely skews heavily in the direction of songs that he can dance to. Bonus points if the composition and instrumentation have a clear Scalding Sands influence.

Artists that come to mind for Kalim include Cascada, Saint Levant, Shakira, and Christina Aguilera.

Vil Schoenheit

For Vil, my brain immediately jumps to all the gayest, poppiest, cunt-serviest stuff I can think of. Imagine every song you and your friends might put on a playlist for pride with some sad girl music sprinkled in for flavor.

Being in Film Studies Club, I'd also imagine he spends a decent amount of time listening to and analyzing movie soundtracks, though whether this counts as part of his "music taste" is up for debate.

Artists that come to mind for Vil include Lady Gaga, Todrick Hall, Britney Spears, and MARINA.

Idia Shroud

This bitch's playlists are absolutely filled with Vocaloid songs, nightcore remixes, anime openings, and video game soundtracks. She is an absolute fucking nerd and I know her music taste reflects this. Let's not forget she is canonically an idol stan.

As for "normal" music, I think they probably listen to about what you'd expect- weird emo shit.

Artists that come to mind for Idia include My Chemical Romance, Utsu-P, Yasuharu Takanashi, and Will Wood.

Malleus Draconia

I genuinely don't even know where to start with Malleus. I feel like this guy listens to Gregorian chants and spooky Halloween sound effect compilations.

In all seriousness, I feel like Malleus would greatly enjoy pieces involving stringed instruments, seeing as he has a talent for playing them. The rest of his music taste probably stems from whatever Lilia and the others have exposed him to, and so is likely very strange.

Artists that come to mind for Malleus include The Correspondents, Burn the Ballroom, Scissor Sisters, and Lindsey Stirling.

[chaosresturantjandn4eva]

Regarding song that JD posted yesterday in his stories. I know that this topic have been already discussed but still.

It is cool song, but it is still undeniable that it could have a meaning about ending of relationship ( he is smart dude , who knows it and he still decided to post it).

So we should not one hundred percent reject the possibility of break up. Since they are not officially hard launched their relationship officially they could not break up officially ( so such cryptic post could be a possibility).

it is very weird timing since they were 100% ok week ago ( as far as we can say from CR concert), but still.

I am saying this for the sake of Nicola if for whatever reason they broke up, we need to be more guarded in shipping of this couple. I think we all first of all Nicola fans and if there is a possibility she over with JD, it would be really hurtful if there still narrative they are such a cute couple.

But I am sure in the following weeks there will be some info that will shine light on this situation ( for example will they be liking each other posts, will they unfollow close friends and relatives of each other ( I do not believe they will ever unfollow each other, but maybe JD wil unfollow Nicola sister etc, or JD will untagg himself from Nicola stuff on his IG), or maybe we will see the Polaroid missing or something else.

Or we will se that all of the previous signs are still there and we okay.

I hope this part of the fandom will not be like stubborn and if that are not together anymore we will see and accept it, and won’t be arguing just to be right. Instead we will support Nicola in her decisions.

It’s ok we have options for future ships

[revelboo]

When You’re Around

IDW Soundwave x Reader- getting caught singing

• There it is again. That soft, haunting sound that freezes Soundwave in his tracks. Every time over the last week that he draws near to the source, it cuts off. The heavy sound of his peds alerting his quarry to his presence every, single time. He prided himself on his composure. Of being the one point of calm reasoning in the storm of tempers and frustration that is the Decepticon base. But this is grating on him, fraying his control.

• Ugh. When you’d cautiously asked if there was anything you could do to be helpful and, more importantly, keep you busy and from your own chaotic thoughts, this wasn’t what you’d had in mind. Elbow deep in a crevice on what you had decided was an alien keyboard, you fished out another basketball sized wad of dirt and debris.

• It’s at least keeping you busy. Because you’re sure you should feel guilty about how comfortable you are among the Decepticons. There has to be something seriously wrong with you, but analyzing yourself can wait.

• The mindless task lets your mind wander, too. Until you’re absently humming as you dig your hands in the seam, before slipping into actually singing snippets of songs just so the big, empty room isn’t so deathly quiet and painfully lonely.

• Moving slowly, Soundwave eases into the open room and there’s the human. Making that sound and completely oblivious to him. It’s amazing that for being so tiny, you’re not more aware of your surroundings. He’s never moved so carefully before. Never had to, but you’ll stop as soon as you know he’s there. You always do.

• You’re not sure what alerts you that something is off. Everything is fine, then the fine hair at your nape is prickling and the primitive part of your mind rings an alarm bell. The song wavers to a halt, hands lifting out of the seam as you pray it’s not Skywarp. Be anyone but Skywarp, because that mech has it out for you. Torturing and messing with you is his favorite pastime and finding you alone? No, thank you.

• A frustrated burst of static laden growl escapes Soundwave as the song stops. That noise startles the human and they rear back, trying to turn around, and fall on their aft. Wide eyes stare up at him in very real fear, before it dulls with relief. It’s not him you’re afraid of and he makes a note to figure out who it is later.

• As soon as you realize it’s Soundwave, you can breathe again. This one doesn’t speak a lot, but you like the weird, tonal quality of his voice when he does, and he’s always so very careful with you. More so than any of the others, but he’s used to little things. Though, the way he’s just staring down at you is a bit unsettling.

• “Hi?” The human’s voice is hesitant as it tips its head up to meet his visor-hidden optics without shying away. Curious, but unafraid.

• And now it’s gone from unsettling to a little anxious thread of unease. He’s not speaking, not moving. Just staring down at you. With that visor and mask, he’s a lot harder to read than most of the other Decepticons. Are you in trouble? You almost flinch as he rumbles softly, the stereo thrum of his voice lifting and falling as he hums a few notes you recognize. He’s… singing?

• Face reddening suddenly, the human’s mouth falls open and shut. Its little heart speeds up, too. It wraps its arms around itself, looking everywhere but at him now. Frustrated, he mimics a few notes again. A little louder. More insistent. Apparently the human can go even redder, it’s chin dipping slightly.

• The first note is wobbly and weak, then the human is singing for him. Still won’t meet his optics, but that’s okay for now. Venting softly, he lets his optics drift closed to just listen. The words don’t matter, he just needs that soft sound to slide over him, chaining him sweetly.

[lily-alphonse]

How about Sam/Elliott?👀

that's hot

I like the way you think

but hoooowwwwwww

I asked @ao3-softwarecorruption-exe for help with this one again and he suggested Sam keeps a notebook with lyric ideas and Elliott finds it, so full credit to him for that brilliant start.

There's something here about creativity and appearances.

Elliott's creativity is molded and perfected. He even lives a life romanticized, hoping it bleeds onto the page. He can't very well be an author if he doesn't look, act, breathe the part.

Sam's creativity is raw. It's uneducated, it's excited gibberish from a heart moved.

Elliott finds his notebook on the ground, and the scribbles read like poetry. Frantic and emotional and possessed. Snippets of something that point to something greater and promising.

He spends all night reading and rereading, copying his favorite parts and staring at them. The artist inside him is so excited at the jolt of inspiration it takes a while for him to even question

Who wrote this?

But once the question exists it's all he can think. It must be Leah or Penny's, but wouldn't he know if that was the case? Penny's penmanship is much neater.

She recognizes it the next day. "Oh that's Sam's."

"Sam?" he asks incredulously.

She nods. "I can get it to him if you want, I'm over there all the time to get Vincent."

He automatically takes the notebook back, suddenly protective of it. "Oh no that's alright, thank you, I will deliver it to him myself."

He's uncertain that he means that yet.

He still isn't uncertain he means it, when on the way out of the library, he spots him.

Sam, in all his helmetless glory, tripping on his skateboard.

Elliott watches him, like a bird, he thinks. Is he the bird? Or is Sam?

If they were a poem surely Elliott would be the bird. He'd rather be the bird, anyway. But it's Sam and he knows it, and he's a little annoyed at that fact. No, he's a bird too, but one of those stuffed pheasants. A stuffed pheasant staring at a chirping canary. (Elliott's brain is a wild place)

A canary dusting off his tattered jeans and looking up at the weird man watching him.

Remembering to be human, Elliott asks "Are you alright?"

Sam gives him a thumbs up. "A-okay!"

Elliott hesitantly approaches. "I found something I believe is yours."

"What's up?" he looks up at him again and spots his notebook. "Oh hey Notey! Thanks." He gives him an absurdly bright smile. Elliott notices his chin is scabbed as if he fell on his face while skating.

He hands him the notebook. "Did you... name your notebook?"

"Oh Notey, yeah. He's my lil guy." He sat on the edge of the garden bed he'd been attempting to railgrind against, and quickly looked over the notebook.

Elliott huffs a chuckle. "I named my typewriter Lucille."

"You got a girl typewriter?" Sam squints up at him past the summer evening sun.

"I don't know, I suppose she is."

"I guess it's just weird to me cause all my stuff's got boy names. Like my guitar."

Its an odd, immature conversation Elliott might've dismissed before, but his creative mind is still whirring and he thinks there might be more to what he's saying.

"What's your guitar's name?"

"Jared."

"Decent name." Elliott sits next to him. "Do you think they need boy names because they are such a part of you?"

Sam thinks for a moment. "Yeah. That would make a lot of sense actually..." he trails off and begins mouthing the words part of you to himself repeatedly. "Hey do you have a pencil or somethin?"

Elliott hands him the pen from his jacket pocket immediately. Sam takes it with a murmured thanks and writes something in the notebook, as much a mess as the rest of it (if there was any doubt it belonged to him).

"I hope you don't mind me saying your writing is very interesting."

Sam scoffs, finishing and closing the notebook. "It's whatever." He's blushing. "Hardly any of it ever makes it into our songs anyway. I've gotta write like 1000 words to use 10 of them you know?"

"I do," Elliott smiles.

AHHHH wait I love this one.

I want Sam to invite him to one of their shows and Elliott feels so out of place and Sam gives him a band tee 😭 Also, Sam teases Elliott for being 'a reincarnation of a victorian grandpa'. Affectionately calls him grandpa and ghost daddy. I love them your honor actually

AND WITH THAT! This is the final submission of the SDV Rarepair Challenge! Check out the other answers here, and make sure to boost your favorite so it can appear in the final fic poll! More info on that here. Poll will be posted in one week, stay tuned! :)

[failed-inspection]

I decided to challenge myself to make an animatic in (under) one day, apologies for any jank or weird coloring, this also served as practice for different fill methods in Blender (mainly gradient fills), overall, I'm proud of the result!

I think about how much No Significant Harassment cares for Moon a lot, if it wasn't for that care, Hunter would never have existed to begin with... They're essentially an embodiment of NSH's care, so I felt like this song (Angel, by Jack Stauber) was a perfect fit!

[fuck-you-upmusicbracket]

Farwell Wonderlust (The Amazing Devil)

I promise you im not broken, I promise you there's more/More to come, more to reach more, more to hurl at the door/Goodbye to all my darkness, there's nothing here but light/Adieu to all the faceless things that sleep with me at night/This here is not makeup, it's a porcelain tomb/And this here is not singing, I'm just screaming in tune

This here is not makeup, it's a porcelain tomb/And this here is not singing, I'm just screaming in tune

I'm the face that stares back when the screen goes to black/When your mom says you look healthy/But you know she means you got fat/I'm the tales that the guests will applaud and believe/I'm the child that you just didn't have time to conceive

"You may have taken me, and made me, but I am more than what you think, and I will /not/ let you ruin me."

"I have literally fucked up my throat by yelling this song really loudly while driving. Like, my voice was weird for multiple days afterwards. I can't put it into words but everyone I've ever heard mention the amazing devil has been so fucked up by this song."

"Ok I KNOW that this isn't going to win because no one knows the song. therefore the only mark i can leave is this rant ok. So I apologise in advance but: but did you read that absolute CALLOUT section of the lyrics i put up there?? that is only a SECTION ok. this song is so fucking weird its like someone is reaching into your soul strings and pulling on tangling them making u Feel Things like WOW. its such a. callout isnt the rigjt word for it. it just fucks one up ok. like honestly just pls pls i beg of u listen to the song or even just read the entire lyrics its so. you'll get what I mean."

"It’s about breaking under the weight of expectations and showing the world yourself in all of your imperfect, ugly, and raw glory."

Heartache (Undertale)

"This is the song where you are forced to fight Toriel, who has basically been treating you like her child since you met her."

Farewell Wanderlust submitted by @Gimme_DA_PIEEEE + @ceaseless-rambler + @xx0yeet-everything0xx + others