#one exposition coming right up
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kyouka-supremacy · 3 months ago
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Well.
#(I'm back)#It was. Uhm. A chapter#First of all: I'm ENDLESSLY GRATEFUL to the person who sent me the translation basically as soon as the chapter came out.#I even did like 90% of typesetting but didn't finish it because I had to go out#(aka with my friends were literally knocking out at my room and I couldn't make it any more late lol)#Mixed feelings about it? Mostly because there's so much exposition... I'll need to reread it another three times before it sinks in#The color page is AMAZING 10000000000000/10 I love my sskks so much they're so cute I love them so much they're so cute.#Easily the best part of the chapter.#The color page was? Very very pretty too? Like a lot more than usual if you ask me! I can't wait for the volume cover 🥺🥺#It should come out soon shouldn't it? Usually color spreads / pages open the volume...#Akutagawa fake dying again is funny. Like it isssss but also. Idk it's a little lame how we're changing the pov from ss/kk again :/#I can't even tell if I'm being biased or if it's an actual storytelling critique. I don't care right now I just want to see Akutagawa–#being cool rather than. You know. Dead on the ground.#That said! It's also very funny and touches my sense of humor precisely.#Like yeah Akutagawa being like the second strongest pm member and overall one of the most powerful ability user in the world–#that everyone fears (and I know he is! He is indeed for real!)#And yet he always ends up face to the ground 😂😂😂 Like if we don't count the ss/kk fights he literally only ever won against Hawthorne.#And even then he failed to kill him and Mitchell. It's so funny to me. I love him. He's so pathetic#“Wow! Akutagawa is so cool and invincible now!” *ends up biting the dust not even two chapters later*#It's okay because I love him. He's very very powerful and he's also very very pathetic I love that for him#That said :/ I don't really care about Fukuzawa :/ Idk :/ Like :/#Don't get me wrong I LOVE Fukuzawa (I don't. I'm mostly neutral towards him) but this is the ss/kk moment man :/ Whatchu doin#That's about it. Let's see what the next chapter brings!#Everything accounted for I'm glad there wasn't like. A ss/kk kiss or any other big big ss/kk moment#(although Atsushi admiring Akutagawa and thinking about his eyes has its fair share of neatness to it!!)#Because with everything going on this evening I really would have been let down to miss it#But I keep hope for the next chapters!! Please...#random rambles#Had tons of fun typesetting! Even though I don't think there's a point in posting it now. But would love to do it again in the future!#bsd spoilers
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perpetualexistence · 3 months ago
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Bad news: I don't think I'm going to be able to write for ever day of TD horror week as I'd originally imagined.
Good news: The days I am going to be part of will be Cooking. I shan't spoil too much about it but one day already has 2.5K words and is only like a fourth of the way done.
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quietwingsinthesky · 2 years ago
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the thing about mass effect 3 is that if they’d just ended it with Shepard and Anderson sitting side by side and then it choosing your ending for you based on how many war assets you had, people wouldn’t have been half as pissed as they were
#like sure some still would have been mad but I think people would have been mad no matter the ending#simply because no ending could ever match up to the one people write in their heads#but like fundamentally. the problem with me3’s ending is that you Have your big emotional climax with Anderson#you beat the illusive man. Anderson dies. and then you have to Keep Going after that#(like. as much as I do kind of love the way Shepard gives fucking Everything in that moment and is beaten all to shit and yet Still Gets Up.#in execution it leaves a little to be desired.)#so like you’re fresh off the high of the illusive man/Anderson confrontation and they hit you with boom random starchild. exposition dump.#like the fact that there are those three (technically four) endings to me3? not really that big of a deal. should they be more nuanced? yes.#but come on. EA. it was never happening.#so like. without adding anything to the endings themselves. if you took away that final choice. if you emphasized them being Results.#I think that would fix a lot of things.#(also personal note but I’d reorder them by war assets needed. with control requiring the least. synthesis in the middle.#destroy needing the most. with destroy + Shepard living requiring All You Can Get.#just to drive home like. this was the goal. you are here to destroy the reapers. if you can’t get enough power to do so?#you will become like the illusive man. like saren. you will wield a power you do not understand and leave the ending in suspense of whether#Shepard is really the one in control. but with destroy? that’s it. you fucking did it. you won. take a nap Shepard. you won.)#(and okay I said no adding anything but final final note? if you get the Most War Asssets? edi & the geth should live.#like. okay listen. renegade playthrough should be able to get the war assets needed for Destroy + Shepard living easy.#but paragon should be harder. should take work. you can get there but you’ll struggle to remain true to your code. right?#but it is also only paragon that should be able to get those extra bits of war assets that allow for the Geth + EDI living ending.#because a renegade Shepard wouldn’t share that goal. they are ruthless. they win and they got the job done and the cost was worth it.#paragon is no man left behind. idk I’m rambling. I just wanted edi & the geth to live. I think it spits in the face of the whole point#of the geth & quarian part of me3 that the geth don’t survive destroy. like. god maybe give Shepard an option to go ‘hey legion implanting#every geth with reaper tech seems sketchy? you sure about that?’ like we could have at least had that lmao. idk. idk.#I guess that’s what synthesis is. going for? kind of? but then it misses the mark by nullifying the conflict of organica and synthetics that#makes their chosen cooperation so meaningful to begin with.)#okay nooow I’m done I swear. sorry. I’m tired.#mass effect
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shiroselia · 1 month ago
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I'm fucking terrified of this mess of an arc if I fuck up here I fuck up period ho boi no pressure myself
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pathologicalreid · 3 months ago
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prisoner | s.r.
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in which you and Spencer conduct a custodial interview with a serial killer - Spencer's first since he was released
margotober masterlist
who? spencer reid x fem!reader category: angst content warnings: post prison reid, fwb but also mutual pining, serial killers, prison, panic attack, chiromancy word count: 3.66k a/n: i originally came up with this idea in 2023 😭 😭 it's about time i finished it lol. definitely suffers from exposition overload but i don't caaaaare.
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Fourteen times.
You had asked him fourteen times if he thought he was going to be okay doing the custodial interview. No one else was available to do it, but you still had your reservations. Sending Spencer to a prison felt wrong, even if he wasn’t on the inside of the bars anymore.
Without telling him the reason, Emily elected to send you with him to the facility, she said it was because you had never done one before, but you knew it was deeper than that. “How many victims?” You asked, not taking your eyes off the road as you drove to the destination.
“Eight,” Spencer answered, looking through the case file. The killer had asked for the interview, hoping to be transferred to a minimum-security facility. The odds weren’t good, but you needed to oblige the request even if it wouldn’t prove successful.
You hummed, turning down the road, you pulled up to the security station. Presenting your credentials to the guard, he lifted the gate for you, and you found your reserved parking. “Do you want to take the lead?” You asked him, trying to gauge how he was doing.
Nodding, Spencer got out of the SUV. You shut off the engine and followed suit. “Unless it doesn’t seem like he’s responding to me, I’d rather not present him with someone who fits in with his victim pool.”
“And they say chivalry is dead,” you said sardonically, grabbing your bag from the backseat before locking the car and following Spencer inside.
The two of you went through security, locking up your weapons and going through metal detectors. It wasn’t until you went inside the first gate that you noticed it; Spencer was fiddling with the belt loop of his slacks. “I can feel you staring,” he whispered so only you could hear. You watched his posture relax when the gate buzzed and opened in front of him.
You smiled softly, “I can see you fidgeting,” you responded. At work, the two of you were merely coworkers who knew each other really well, so you couldn’t just reach out and take his hand. Not that you’d want to, in a prison full of serial killers.
“I’ll be fine,” he said, implying that he wasn’t right now. The smile fell off your face as the two of you followed the guard into the warden’s office.
At the sight of you, the warden stood and smiled, “You must be Agents Y/L/N and Reid, thank you for making the trip down here.”
Raising your eyebrows, you reach out your hand for the warden to shake, “He’s Dr. Reid, actually.” You corrected, seeing as Spencer didn’t seem to have noticed.
“Ah, my apologies, Dr. Reid,” he responded kindly, gesturing for the two of you to follow him.
Spencer gently brushed your hand as you followed the warden. It was so subtle that someone else could’ve brushed it off as an accident, but Spencer Reid never did anything without purpose.
“Marshal Lukins is the most prolific killer we’ve had in my time here, we aren’t expecting anything to come of this, but you know as well as I do that we have to humor the psychos,” Warden McCall told you, stopping in front of a gate and calling out for it to be opened.
You raised your eyebrows, deciding against telling the warden that Lukins profiled as a sociopath, not a psychopath. “How’s his behavior been here?”
The warden shrugged, “He won’t be winning any merit badges any time soon, that’s for sure. Spends most of his time in solitary, really.”
“His file said he had gotten into an altercation with another prisoner, what was that about?” Spencer asked.
McCall cleared his throat, “turf war. You know, prison gangs can get rowdy. Especially when they find out the feds are coming.”
You raised your eyebrows, grateful you couldn’t see Spencer’s expression. “Oh, yeah,” he said quietly.
Then you were in front of a serial killer, someone who had been put away years ago, but the way he looked at you sent shivers down your spine. “Marshal Lukins?” You confirmed.
“Why hello, pretty lady,” Lukins responded, rising from the chair. His legs were chained to the ground, but his hands were free.
Behind you, Spencer cleared his throat, “Sit down,” he ordered. Taking a tone of authority that you weren’t sure you’d ever heard from him.
Taking your seat across from Lukins, you looked him in the eyes, “You may call me Agent Y/L/N.” 
Your interviewee shrugged, “I’ll call you whatever I want in my mind later.”
Ignoring the hairs that stood up on the back of your neck, you rolled your eyes at the skeevy pervert. “If you want to be transferred, you’re not making a very good first impression,” Spencer intervened, likely aware of your discomfort.
Unfortunately, this wasn’t the first criminal to make a pass at you, and in your line of work, it likely wouldn’t be the last.
“I’m not much worried about first impressions, people usually have a first opinion about me before they even hear my voice,” he responded, leaning back in the chair.
You had to bite your tongue to stop yourself from responding, yeah, that happens when you murder eight women. “What would you rather our opinion of you be? That you’re misunderstood? Did you find god in prison, Marshal?” You asked him.
He leaned over the table ever so slightly, yellowed teeth flashing beneath the fluorescent light that hung above the interrogation table, “Would you like me to show him to you?”
Raising your eyebrows, you maintained a bored disposition while flipping open your files, “No.”
With custodials like this, you weren’t allowed to have photos in your files. Lukins was a sexual sadist, and the profile that Aaron Hotchner had put together was damning, describing the man in front of you to a T. He even got the age correct, right down to the receding hairline. Even though Lukins was in prison, you’d never provide him with visual aids to relive his crimes.
“Why did you request this interview if you weren’t interested in playing nice?” Spencer asked, setting his own files on the table in front of him, but he refrained from opening them. He managed to memorize their contents on the drive from Quantico, enabling him to weaponize his memory.
Lukins put his hands up in mock surrender, “I was hoping they’d send me someone nice to look at, make a good conversation with, and boy am I glad I took that chance.”
Spencer clasped his hands together and set them on the steel table, “Thank you,” he responded, keeping himself stone-faced in the presence of the killer.
“I wasn’t talking to you,” the criminal in front of you snapped, jutting his chin in your direction.
Bored, your partner spoke up again, “Yes, you are,” he corrected. You were unable to communicate with Spencer without tipping off Lukins, so you let him continue, trusting that he knew where he was going with this. “In your trial, you said all of your victims were your sheep,” Spencer recalled from the file, “Is that why you shaved their heads before gutting them?”
Lukins scoffed, bored easily within the confines of the interview, “My sheep were my friends, but every sheep needs a wolf. Isn’t that right, Bo Peep?” He asked you, meeting your gaze despite the fact that Spencer all but told him not to engage with you.
You narrowed your gaze at him, tilting your head innocently, “Would you have let me be one of your sheep?”
He gave you a look that made you feel like you needed a shower, “You would’ve been a nice addition, could’ve rounded out my numbers.”
He reached out a hand, trying to take a piece of your hair between his grimy fingers, but you stood up quickly, stepping back from the table and almost tripping over your chair in response.
A few prison guards came in at the sudden movement, and Spencer had a vice-like grip on Lukins’ wrist, keeping him away from you. Tossing his arm back at him, Spencer glared at the killer, “No touching,” he instructed, looking back at you to check-in. He opened the door to the room, ushering you out before looking at the guards, “I want him in cuffs.”
With a hand on the small of your back, Spencer herded you to the private space that the two of you were expected to inhabit for the day. “Hey,” you spoke to him once the door was shut behind you.
Spencer was filled to the brim with nervous energy, shaking out his hands in an attempt to expel his nerves, “We should just go back to Quantico.” He shook his head, brown curls fanning out around his face, “There’s no way he can tell us anything that will get us to endorse his transfer.”
Watching him like this made your chest ache, and you had no idea what to do with that emotion. Your relationship with Spencer was strictly horizontal—usually—and you found yourself floundering when it came to how to act outside of bed. You wanted to take his hand, desperate to run your fingers over his knuckles and find the familiar callus from where his pencil rests on his finger, but you just couldn’t get yourself to reach out.
You hadn’t known Spencer before he was arrested in Mexico, but you made your mark on him without ever letting him lay his eyes on you. You sent letters to him along with the rest of the team, refraining from talking about cases and instead choosing to use your letters as a personal diary, chronicling your first three months with the Behavioral Analysis Unit with your prison pen pal. Periodically, you put money in his commissary account, despite the rest of the team telling you that you shouldn’t feel inclined to.
Pressing your lips into a thin line, your eyes tracked his pacing in the conference room before you started to voice your concern, “We have to go back in, Reid.” You grabbed a water bottle from the counter and twisted the cap off before handing it to him.
He took the water begrudgingly, glaring at you as he did so, “Why do we have to go back in, exactly?” After taking a sip of the water, he handed it to you so you could have some. You could’ve grabbed your own, but surely this was quicker.
“Lukins said I would’ve rounded out his numbers,” you told him, nervously fiddling with the cap of the water bottle as you waited for him to get it.
Spencer adjusted his tie, pulling the silk fabric further from his neck, “Yeah, I heard him.” It bothered him, the slightest implication that you were endangered in that interview room put him on edge, but all you could do was sit down and watch him.
You sighed, “We only have a record of eight victims. We don’t know what he’s rounding to, but that’s at least two more bodies that we don’t know about.” Lukins could be rounding up to ten, which would be the closest option, or you were looking at the possibility of a considerably higher body count. Your fear was that he would use those additional kills as a bartering tool to get a transfer.
He stopped in his tracks while he processed what you were telling him. Spencer turned to you, lips parted before he nodded, eventually agreeing with you even if it pained him to do so. “We should call Emily and let her know what’s going on,” he told you, taking a seat across from you and placing his head in his hands. “I’m gonna step outside for a second,” he said, getting up just as quickly as he took a seat and swinging the door open, leaving you alone in the conference room.
Holding your tongue, you stopped yourself from voicing your approval, even though you did think some fresh air would be good for him. Instead, you watched the door click shut before fishing your phone out of your pocket, tapping on Emily’s contact before bringing the phone to your ear.
“How’s it going?” Emily asked you as soon as she answered, and you couldn’t help but picture your unit chief waiting by her phone, hoping to hear from you or Spencer.
You sighed, inadvertently cluing her into how the custodial interview was going, “We might have a problem,” you told her. Continuing on to explain what had happened between you and Marshal Lukins, all the way up through your discovery that he might have a higher victim count.
Prentiss clicked her tongue on the other end of the line, “What does Spencer think?”
The question didn’t come as a surprise to you, neither did the fact that her inflection told you that she was sneakily trying to ask you how Spencer was. Wiping your free palm along the fabric of your pants, you leaned against the table, “Reid thinks Lukins is out for blood.” You opened your mouth to continue but were interrupted by an alarm being tripped, your head snapped up as lights started to flash on the walls.
“What’s going on?” Emily questioned you over the phone, but you could barely hear her over the blare of the alarm, a low-pitched buzzing sound that made your brain feel like it was vibrating within your skull.
Clambering to your feet, you grabbed your water bottle and walked out of the room, slamming the door shut behind you as you looked aimlessly around the prison for someone who could offer you an explanation. “I’ve gotta go,” you blurted into the receiver, stuffing your phone in your pocket and making your way to the front of the prison, ignoring the men who shouted at you from behind bars.
You looked down the walkway, watching as the failsafe on the doors was triggered and they slowly started to shut, triggering you to try and make a run for it. “Y/N,” Spencer called out your name, picking up his own pace from the opposite direction.
It didn’t take you long to realize that you weren’t going to make it, skidding to a halt as the bars clicked shut in front of you. You weren’t scared until you watched Spencer pull at the door, frantically trying to slide it open, “Reid,” you said his name, trying to get his attention. “Reid,” you shouted that time, trying to make sure he heard you over the alarm.
He didn’t pause to look at you, he simply continued to pull at the bars.
“Spence,” you said desperately, and that time his eyes snapped to yours. Wide brown eyes bore into yours as you placed one of your hands on his, both of them encircling the bar. “It’s not going to open,” you reminded him. A fact he was well aware of but didn’t want to acknowledge.
Silently, he leaned back into the wall, sliding down the side of it and looking up at the ceiling, pulling at his tie again, this time taking it all the way off. “It’s a lockdown,” he panted helplessly, “They’re in a lockdown.”
You nodded softly, having drawn that conclusion on your own, “It’s okay,” you told him softly, reaching through the bars and taking one of his hands in yours. “You’re alright, Spence,” you continued, your tone bordering on a coo.
He pulled his knees to his chest and slung his free arm over his legs, hugging himself.
It broke your heart to watch him like this. You pointed in the direction he came from, “Look. Hey, you could be free to leave, I’m the one who’s locked in,” you told him, highlighting the fact that the bars were blocking you, but Spencer could make his way back to the entryway.
“Not helping,” he told you, his voice almost a gasp as he tried to regulate his breathing.
Your shoulder’s slumped forward slightly, “I’m sorry. What can I do?”
Spencer just shook his head, squeezing your hand in response when you started sweeping your thumb over his knuckles. You ignored the buzzing of your phone in your pocket as you watched him, completely focused on making sure he was okay before you did anything else.
With your free hand, you grabbed the water bottle that you took from the conference room and slipped it through the bars. “Here, take this,” you murmured, setting it on the ground next to him when he didn’t take the bottle from you.
He visibly relaxed when the alarm stopped going off, but the lights were still flashing, which offered somewhat of an explanation as to why the door hadn’t opened yet.
You fiddled with his hand, opening up his palm and tracing the lines on his hand with your index finger, “Have you ever had your palm read?” You asked him, twisting your head to get a better look at it.
He looked at you, the panicked look in his eyes had subsided, promptly replaced with incredulity, “When have I ever struck you as the kind of person who would get my palm read?”
Shrugging, you slowly traced his love line, “You like Halloween, I thought maybe you’d let your curiosity get the best of you.” Although you supposed if Spencer really wanted to have his palm read, he’d just do it yourself. “When I was in college, my summer job was reading palms in a booth at an amusement park,” you informed him.
Spencer chuckled at your revelation, and the sound made your heart sing, “That is… oddly endearing.”
Nodding, you looked at his hand again, “Chiromancy says men were born with their left hand, and their right is what they accumulate throughout life,” you told him softly, sliding your other hand through the bar.
“Actually, I was born with both of my hands,” Spencer responded, a teasing lilt in his voice.
You rolled your eyes, studying his left hand intently, “You have water hands,” you said, showing him his own palm as if he’d never seen it before.
Spencer raised his eyebrows at you, “Well, now you’re just making things up,” he openly teased you that time, but he didn’t pull his hand away.
Humming, you furrowed your brows and pointed at his hand, “This is your head line,” you explained. “See how it’s long and straight? It sort of tapers off before the end of your palm—that means you tend to think realistically.”
“I could’ve told you that,” he challenged, but his eyes were following along as you pointed at his palm.
You shook your head and sighed, “Here’s your life line,” you said, pointing to a different line and tracing it with your fingertip. “It’s straight and goes down to the edge of your palm, which means you’re cautious about relationships,” you continued softly, leaning your head against one of the bars of the door.
He was silent after that one, briefly taking his bottom lip between his teeth and looking down at his hand. You could tell that even though he didn’t quite believe what you were saying, he was perfectly fine with humoring you.
“This is your fate line,” you told him, entirely expecting to lose him the moment you began discussing fate. “It’s broken down the middle and curved in different directions, and that means you’re prone to a lot of changes in life. Changes influenced by external forces.”
Gently, Spencer pulled his hand away from yours, flexing his hand before looking down at it, “You’ve officially lost me.”
The corner of your mouth quirked up, “I’m surprised you lasted this long.” Just long enough apparently, the doors buzzed soon after, and you withdrew your hands from the slots as the bars slid into a hole in the wall.
Spencer got up first, dusting off his hands before he extended a hand to help you up. Your hand lingered in his for just a moment too long, the exchange oddly intimate for the two of you before his arms dropped to his side, “Thank you,” he murmured, a shy smile on his face.
Shrugging, you crossed your arms in front of your stomach, “There’s nothing to thank, Reid.”
If you didn’t know any better, you’d think that it was disappointment that flashed across his face at your reply.
The warden had rather unceremoniously asked the two of you to leave, citing security concerns and letting you know that he’d be in contact with Emily to reschedule. Emily had called you six times during the lockdown, but you’d texted her once everything was clear.
Which left you heading back to the SUV with Spencer, there were prisoners out in the yard, so he walked on the inside, blocking your body from the view of the inmates. “Are you alright?” You asked him, feeling more free to inquire now that you were in the open air.
He nodded, “I’m fine, I just really wasn’t expecting something like that to happen when I asked Emily to send me on this custodial.”
Your footsteps faltered at his words, “You asked to go on this custodial?”
Spencer frowned, “I was on this case originally ten years ago, so I asked Emily to let me go.”
“And she said yes?” You asked incredulously.
Spencer opened the back door for you to place your bag in, “Not initially, but eventually she realized that I’d be her only option if she wanted to get it done today.” He shut the door and shoved his hands in his pockets, “It’s a lot earlier than I thought we’d be getting back, do you want to stop and get lunch on the way back to Quantico?”
Your eyes went wide and you were grateful that he couldn’t see your expression, “Uh, sure. Why not?”
“Perfect,” he said, “Maybe I can get you to tell me why you avoided reading my love line.”
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imastoryteller · 6 months ago
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Write Like a Director: Crafting a Cinematic Novel (With Examples)
Writing a novel like a movie means propelling your reader through scenes with relentless momentum, slashing through fluff, and ensuring each word drives the plot forward. Trust your readers to connect the dots through dialogue and action, immersing them in vivid, immediate experiences without drowning them in verbose descriptions. Every chapter should feel like a high-octane scene, keeping readers on the edge of their seats, hungry for the next twist, the next revelation. Keep it tight, keep it thrilling. Here are some examples to illustrate each aspect of this dynamic storytelling approach:
Fast Pacing
Chase Through the Alley: Jake sprinted down the narrow alley, the thud of heavy boots echoing behind him. A sharp left, then a right—no time to think, just run. This example thrusts the reader directly into a high-speed chase, emphasizing immediate action and urgency.
Heist in Progress: The vault door creaked open. "Thirty seconds," Maria whispered, stuffing bonds into her bag. The alarm blared. "Move!" The scene conveys a sense of time running out and rapid movement, maintaining a brisk pace with no room for delays.
Dynamic, Fast-Going Plot
Kidnapping Twist: Laura opened her front door to find an empty stroller on her porch. A note inside read: "If you want to see her again, come alone." The unexpected discovery of a kidnapping sets up an immediate and compelling conflict, driving the plot forward swiftly.
Escape Plan: The prison lights flickered. "Now!" whispered Tom. They climbed through the hole, hearing guards’ shouts in the distance. The urgent breakout from prison keeps the plot dynamic and intense, with characters constantly on the move.
Show, Don't Tell
Fight in the Ring: Blood trickled down Max’s face. He clenched his fists, dodged a punch, and delivered a powerful uppercut that sent his opponent to the mat. The physicality and immediate consequences of the fight are shown through actions rather than explained through exposition.
Silent Farewell: Tears streamed down Lily’s cheeks as she handed Jack the letter. Without a word, he turned and walked away, his shoulders slumped. The emotional impact of the farewell is conveyed through the characters' actions and expressions, not through internal monologue or narrative explanation.
No Tedious Descriptions
Quick Change: Sam grabbed the nearest shirt and jeans, pulling them on as he ran out the door, glancing at the clock—he had five minutes to reach the station. The scene moves quickly from one action to the next, providing only essential details to maintain momentum.
Sudden Revelation: In the dim light, Sophie saw the glint of a ring on the thief’s finger. Her father's ring. She gasped, stepping back. The revelation is made through a brief visual detail, keeping the description succinct and impactful.
No Infodump
Mid-Battle Realization: Amidst the chaos, Sarah recognized the tattoo on the enemy soldier’s arm. Her brother. She hesitated, the war raging around her. The revelation about the brother is integrated into the action, avoiding lengthy explanations and keeping the focus on the immediate situation.
Urgent Discovery: Ethan flipped through the ancient book, stopping at a page with a familiar symbol. "It's the same as the pendant," he muttered, pocketing the book and running out. The discovery is brief and directly tied to the plot's urgency, with no extensive background information provided.
Avoid Fluff
Straight to Action: Ben didn’t bother with pleasantries. “We’re out of time,” he said, throwing the bag into the car. “Get in.” The scene cuts straight to the critical moment, avoiding unnecessary dialogue or description.
No Idle Chatter: Emma answered the phone, cutting off the caller's introduction. “What’s the plan?” she demanded, glancing at the clock. The character immediately seeks vital information, eliminating small talk and focusing on the plot's progression.
Tight, Immersive Narrative
Immediate Danger: As the elevator doors slid open, Mark saw the bomb timer: 00:10. He dived for the wires, heart pounding. The imminent threat and the character's swift reaction immerse the reader in the tension of the moment.
Critical Decision: The bridge was collapsing. Anna had seconds to decide—jump or try to save her friends. She took a deep breath and ran back. The character's quick decision-making in a life-or-death situation keeps the narrative focused and engaging.
By applying these principles, you can craft a novel that feels as dynamic and engaging as a blockbuster movie, keeping your readers hooked from the first page to the last.
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allophonicmess · 6 months ago
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Too Sweet
Logan Howlett x fem!Reader
Act 1
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Remember that inspo I posed the other day? I coudn't let it go and decided to write a three part fic based on it.
Warnings: spoilers for Deadpool& Wolverine, descriptions of a panic attack, angst, implicaded age gap
word count 2k
No beta and English isn't my first language
there will be fluff later on but sadness first:
Too Sweet
Logan felt a great mix of emotions since he had followed that red-ass clown Wade into this universe. Most of it was anger, confusion, rage… But In that moment as he was sat on the black beat-up couch among Wade’s friends… He was overwhelmed.
Not by sensory overload, although that casserole that blind Al had made did stink up the place with garlic-
He was overwhelmed by the feeling of happiness, joy and companionship of the people around him. He hadn’t felt that way in ages if he ever did at all. He never felt that way with his team before everything happened.
He liked them, sure. But this company of weirdos shared a Kinmenship he never got to experience.
“Hey, Peanut! Are you angrily staring off into space to allow for good exposition?” Wade had plopped down on the couch right next to him. His jeans-clad thigh rubbed right up to his. At this point, Logan had given up on trying to keep him out of his personal space.
The older man frowned and stared at Wade next to him. His beer was getting warm but he didn’t feel like giving up his spot on the couch.
“The fuck are you talking about?” He huffed, taking another sip of his beer. But Wade just clicked his tongue, scooting even closer to Wolverine.
“Aww, you know what I mean! You are big and gruff and don’t talk that much… It’s kinda hard to capture you in writing you know. There are only so many words in the English language to describe your grunting and-“
“Are you done?” Logan sighed, finishing his drink. He was starting to regret coming with Wade. Getting drunk in some shit hole of a bar sounded better than listening to Wade's babbling.
“See! That’s what I mean. Sigh is nice, sure but it doesn’t quite capture the nature of those beautiful noses you make, big boy.” Wade petted Logan's thigh, which the older man quickly pulled away as he stood up abruptly.
“Jesus fucking- Can’t you annoy someone else? You got all of these muppets to talk to. Stop bothering me god damn it.” Logan placed the empty bottle down on the couch table. He scanned the room, looking for someone else that Wade could annoy to death. His eyes landed on the brunette… Vanessa… He knew that something had been going on between Wade and her. He never told him the details but from the pining look Wade gave her and the sad as fuck sighs he made, it was clear that the motherfucker wasn’t over her.
“Go and talk to the girl for god's sake. She might be the only one here to appreciate it.” He grinned at Wade, enjoying how his stupid grin faltered even for just a second. He leaned down on Wade's level, whispering to him in an overly joyous manner. “It might even get you laid.”
They stared at each other for a hot minute. Both men tying to provoke the other into action. But Logan was getting bored so he pushed “I might try if you don’t have the balls-“
“Fine!” It came out way too loud. Wade got up quickly trying to keep up his jolly attitude. “Fine, I will. But not because you said so.”
“Or threatened you.”
“You didn’t threaten me.”
“Sure, if you need to believe that” Logan got back onto the couch, now stretching out lazily across it. He closed his eyes, pretending to snooze.
There was no witty comeback, which surprised Logan. But it only came to show that Wade was serious for once.
Logan would never tell but he warmed up to Deadpool. He respected the man, despite his annoying and borderline brain-rotting bad humour. But he had principles. He cared for those around him, loved them dearly and would do anything to protect them. He did in fact. Logan spread out on his worn leather sofa is proof of it. He hated to admit it but Wade was the better man of the two. He didn’t let those he loves down, running away like the drunk asshole Logan is. Wade would have come to help her, would have-
The obnoxiously loud ringing of Wade’s apartment doorbell ripped Logan out of his self-deprecating talk. He blinked against the bright ceiling light and watched as Wade sighed softly. He had just started his conversation with Vanessa and it seemed to be quite a good talk from the looks of it. He seemed frustrated to be ripped away from it. Wade nodded softly, towards Vanessa, excusing himself but he was stopped by Colossus.
“No please Wade, I get it. You seem to be engaged in an interesting conversation.” The 7’5’’ metal man said, touching Wade by the shoulder to turn him back towards to woman. Logan huffed, he wasn’t the only one trying to get Wade laid.
The giant stomped towards the door, turning the doorknob that looked comically small in his silver hand to let the latecomer in.
“Hi! I’m so sorry for being late. I still had to finish some work. It’s the end of the semester, you know how it is.” A sweet voice called from outside.
Then two things happened at the same time. It was like a push and pull.
Ellie, Yukio, even that odd taxi driver… they all turned towards the door in excitement. Smiling and wooing at the woman that just entered the apartment with a cake carrier tucked under her arms.
Logan on the other hand? He felt like he couldn’t breathe. He sat there, staring as Colossus pulled her into a big hug, lifting her off the ground before taking the container off her hands to allow the others to greet her. She was smiling, laughing at some joke Ellie had cracked at her.
She looked younger. Maybe she was, who knows how time worked in this universe. Or it was the lack of stress she had to face, no heartbreak, no constant rejection from a bastard that couldn’t see that the best thing was right in front of him.
“Ah, there you are! We were starting to miss you!” Wade pulled her into a tight hug. He seemed to be content. And the older man cursed himself for even caring about it.
She hadn’t noticed him yet, or so he hoped. Maybe she didn’t know him. It would be for the best.
“Yeah, I already told Piotr, I had to finish some lesson planning at the academy before the school year is over.” She replied as she greeted Vanessa and the rest of the group.
“Oh right. You are the only one that actually knows what she’s doing at that school.” Wade joked, earning a playful remark from Colossus.
So she also studied at a human university before starting at the school, Logan noted. He was still stuck on the couch, feeling unable to move as he kept staring at her.
“You know her?” The sudden comment coming from right next to him made Logan flinch.
“Whoa, relax man. I just noticed you staring at her for like 5 min straight. And you don’t seem too happy about her being here.” Ellie stood next to him, casually watching the scene just as he did.
“None of your fucking business.” Logan managed to spit out. While he did get startled, the interruption helped him to finally feel able to move again. And it happened just at the right moment. He needed to get the fuck out of there.
Ellie just huffed, watching Logan get up on shaky legs. It could just be from the constant level of alcohol in Logan’s blood, making his knees weak, or the age. But she suspected that there was more.
Yet Logan’s attempt at a quiet escape was hindered by Piotr, calling him to come to the kitchen to introduce the two.
“Come to kitchen! I want you to meet my good friend Y/N. She also works at the school. You will like her”, the man sounds proud. He should be.
Logan ignored him, pushing his way through the small crowd with shaky steps. Why was he sweating for god's sake?
“Logan!”
“No” He called, breathing was getting harder again.
“Logan!”
“I’m good! I’m-“ He finally reached the door, rattling the doorknob and cursing that his fucking fingers got shaky. Everything was too loud and too hot and too-
“Wade, it’s fine. He doesn’t have to.“ She tried to stop the two men next to her from calling the man over. He was clearly in distress and it hurt her to watch him fumble on his way out. There were only so many people that were scared of her outside the battlefield.
She had met “their” Logan, but only briefly at some anniversary event. They had simply mismatched their time at the school. He left shortly after Y/N started working and they hadn’t met much. She wondered what the other her must have done to him to cause such a reaction.
Finally. Fucking finally. The door opened and Logan simply burst into the hallway, rushing down the steps to feel the air rush back into his lungs. A fucking embarrassment. That is what he was. The Wolverine scared shitless by a woman that doesn’t even know him.
But the other one did and it killed her.
“Logan, what in the ever-loving- fuck was that?” Wade had run after him. He just couldn’t leave it alone, could he?
“Fuck off.” Logan breathed weakly. He felt tears prickling in his eyes and it made him hate himself just a little bit more.
“You just running off? Scared of a girl?” Wade kept pushing, following Logan as he walked down the familiar street towards his bar of choice. That being the cheapest and quietest he could find in the city.
“Scared you can’t get one off? I don’t wanna make predictions but man, I think she is into the dark brooding type” he kept pushing “ Or you know what? If I can’t get Vanessa laid I might try with her, I mean she is quite-“
That made Logan snap. Turning around and impaling Wade against the closest wall. Both sets of claws out and push into the other man's torso. He only groaned in return.
“Don’t you fucking dare! Don’t you fucking-“
“Okay, okay, whoa ow… man-“ Wade coughed, lifting his hands in surrender. “ I was only joking man. Unfair. Fuck. I am unarmed-urgh”
Logan retracted the claws letting Wade drop to the floor. He knew the man was joking, he should. But it was all too fucking much too soon. He wouldn’t let it happen again. And how to best prevent the inevitable heartbreak? Don’t even let her get close, to begin with. She didn’t deserve it. She never did in the first place and he would do anything in his power to stop it from happening to her.
“So, you are just leaving me hanging? It’s your party too, you know.” Wade got up, inspecting the bloody holes that stained his new shirt. He cursed softy.  “Damn, it was brand new. Ruining a perfectly good shirt for the exposition”
“Don’t wait for me,” Logan said, turning away from Deadpool. A cheap bottle of whisky was waiting for him to calm his nerves and forget about that fucking stunt. He won’t see her again, not even talk to her or talk about her. It’s for the best. She would agree if she knew,  Logan was sure of it.
New requets for being added to the list via comments on the Masterlist post, please. That helps me to keep things organized :)
Do comment here for feedback and spreading some love ❤️
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quarterlifekitty · 1 month ago
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heyyy
can I ask for a part 2 on fuckboy soap?
i want to know more about what happens with reader and simon
in my head, Simon HATES seeing Johnny treat the reader that way. i can envision Simon taking her out, treating her right and all but stealing away Johnny's toy.
So, I posted a part 2, but I have these asks about it and I’d hate for them to go to waste— so I thought I’ll do a little bit of expansion on the relationship. Some shite exposition.
Uhhhh I’m back from writing this now and I didn’t mean to do this but I kind of made this like a prequel or like a part 1.5 I didn’t mean to make it so long oops
Promethean: how to starve a beast
Simon does not involve himself, in any way, in the nasty hookup miasma that Soap is a part of. That most of the frat is a part of, honestly. Motherfucker doesn’t party. This man is on financial aid and has a part time job. He is studying because he’s the one paying for his schooling and for his living expenses.
He doesn’t care that Johnny fucks people under less than savory pretenses. People get played by him? Better they learn their lesson with some harmless douche with a mohawk than with someone who will actually do some damage. Ultimately, not his business. He’s seen plenty of people come and go across the hall, and he’s not fussed.
He doesn’t respond to the conquest stories from the other guys when they’re sharing takeout, or the occasional ‘family’ dinner. Really, the only reaction he gives, even internally, is when one of them comments on something some girl did that was gross, or something about them that wasn’t hot.
A complaint that her period started when she stayed the night. I’d like to fuck a girl while she’s on the rag. Bet it’s fucking warm and slick.
A complaint that she had cellulite. Way to out yourself as being a porn addict, mate.
A complaint that her nails dug too hard into his skin. I’d love for a girl to make me bleed when I fuck her.
He didn’t feel any sympathy. Just accumulated little, harmless fantasies.
Until Johnny started talking about you.
Simon didn’t know you. Had never met you. Seen you once or twice, maybe. Hadn’t learned to even recognize your face.
“Kept leanin’, think she wanted me t’kiss her.”
“So fockin’ bad at giving head. S’a bit cute, tae be honest.”
“Tried tae make a grab for my hand the other night. Can ye believe it? Tryin’ tae hold my hand while ah’m givin’ it tae her. Daft thing still doesnae get it.”
Then he starts to notice you when you leave Soap’s room. The way you very gently close his door as if you’re worried about bothering him. The way you pause, like there’s something you want to say, before you move on. The deep breath. The odd sniffle.
And then, when you show up. Yanked inside without so much as a kind word.
Simon has to strain and get close to the door if he wants to hear you. Soap’s loud as all fuck, but from what one can hear from the hall, he may as well be in there alone.
It’s like there’s an electric coil in his belly. Every time there’s something to do with you, the dial ticks over a notch. The current heats the metal. Every time Soap brags about what he’s done to you. Every time he sees you shake when you walk down the hall and out of the house. Every time Soap brags about what you, the stupid little thing he keeps for a fuckpet, really wants—
The coil is red hot. Even if he could figure out how to turn off the burner, the heat would stay. The metal would be hot to the touch. The heat radiates the very air in front of him, like a mirage. He thinks of you when you’re not even in the house. When no one’s talking about you. You’re a parasite that’s squirmed deep into his gut and you can’t be removed without pulling his organs out with you.
He feels like he’s gone mad. How can no one else see it the way he does? How can Johnny not see how privileged he is to have you even look at him? How can he not want the perfect devotion you’re so keen to give him? How can you not know that any man would thank god for your returned affection, if you’d only set your sights on one that wasn’t a complete and total fuckhead? How has no jealous classmate or longtime friend come by and set Johnny’s nose bloody and crooked for how he’s treated you, sensitive and dangerously endearing as you are?
Every time Johnny talked about you, he had no idea that it was another rusted staple under his best mate’s skin. Building your mythology. Making you a prize. No, that wasn’t right.
Making you seem utterly wasted. Shackled yourself to a mutt with no sense for what he had writhing and submissive beneath him.
Soap has the perfect thing, the finest yield of flesh, right between his teeth and he won’t bite down.
Content for you to rot in his maw.
Well, Simon isn’t.
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iimplicitt · 3 months ago
Text
OFF TO THE RACES | LN4
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parings: lando x cowgirl unnamed fem! character (faceclaim bella hadid)
summary: the mclaren team gets taken to a rodeo ahead of the austin grand prix. lando takes the saying; “save a horse, ride a cowboy” a little too literally. let’s take Jesus off the dashboard, he’s got enough on his mind.
warnings: 18+ smut!!, car sex (it’s crime don’t do it), unprotected p in v (also don’t do this), one night stand, lando in a cowboy hat, hickeys, spitting, praise, size kink? kind of, lando has a thing for making her cry (in a good way), social media posts towards the end
wc: 3.8k
a/n: i’m a born and raised texan so don’t come for me with the stereotypes in this LET ME DREAM
Sweat coated his skin as they walked, the road cracked and uneven as they made their way up to the exposition center turned rodeo. It was Zak’s idea, a bonding experience he said for Lando and Oscar even though that was completely unnecessary. They probably spent too much time together as is.
Their boss smiled at them, already sun burnt a bit as they got closer and closer to the blaring country music. “You can’t get a more American experience than this!”
Lando and Oscar looked at each other for a moment before shaking their heads, smiling despite how ridiculous this all seemed. Lando had no interest in watching animals run around in dirt while shitty music blared through speakers all the while someone’s beer might be spilling on him. Then again, maybe he was being cynical and the South was about to be full of surprises.
The whole venue was crowded, making it seem even hotter despite the setting Texas sun. There was a carnival going on as well, a good chunk of people still running around playing games or going on rides. The other half were pouring through the large open doors, the Mclaren Formula One team being a part of it.
It was loud, the metal ceiling and walls echoing the sound of music and people talking and shouting. It was lively, he could admit that. Maybe it would even be fun drunk, but that was a big no go in regard to the rule book of a race weekend.
Someone met them near the entrance, a man who clearly worked with the venue based on the obvious cowboy get up he had on. Boots, hat, the whole thing. Zak did most of the talking while Lando and Oscar looked around curiously, watching as people bustled about and waving at those who recognized them.
Eventually they were led to a section close to the floor, front row seats to all the action. Neither driver really knew what to expect, but the very last thing Lando was anticipating was seeing the most beautiful woman he had ever laid eyes on riding out on horseback.
He was awestruck immediately, his eyes not leaving her as she made her way around the perimeter, smiling and waving as she went. Fuck, she was stunning. Her skin was tan and glowing, her grin bright and brown hair tucked loosely under a cowboy hat. He felt his heart skip a beat as she got closer and closer to where he was sitting, and Lando became acutely aware of himself as he leaned his elbows against the railing. Hoping he didn’t look like a dumbass and for once hoping he didn’t look too British.
Would she even be interested in an Englishman? The thoughts running through his head were ridiculous but everything seemed to go mute as she passed right by him. Tipping her hat down and sending him a wink before the horse continued on its path.
“Careful mate, I think you’re drooling.” Oscar laughed from next to him, nudging him knowingly.
“Shut up, Osc.” Lando barely spared his teammate a glance before he tracked his gaze back to her. Watching in awe as she did whatever the hell she was doing, maneuvering the horse expertly around obstacles, dirt kicking up around her but her face didn’t give anything away but pure determination and focus. He’d never seen anything so graceful.
The rest of the night he kept an eye on her whenever he was able to, his gaze flicking up to the big screen to catch her name anytime she was shown on camera. When she laughed at something her friend said, her head thrown back and eyes crinkling, he thought the earth was opening up underneath him with the desperation to hear the sound of it.
When the rodeo was over, Oscar just about had to drag him away from the railing to get him to leave. “I’m sure this is how your fans feel,” the Australian joked, not at all bothered by the glare Lando was throwing his way.
“I’m not her fan. Merely an admirer.”
“And I'm sure that’s the mindset all your fans have. Besides,” he gestured to where a decently large group of men were waiting near the exit at the back of the expo center shouting her name. “Seems she already has groupies.”
Lando ticked his jaw, not seeing how waiting around would help them at all. He didn’t want to pull the I’m an F1 driver card because then he’d come off like a complete arse. So, cutting his losses he followed everyone else and headed into downtown Austin to find a bar to attend.
Not that he saw the point given; no drinking.
The music was even louder in the bar that was also combined with that he knew very little about like line dancing. Mulling over his water as he scrolled through his phone, he hesitated for a moment before typing her name into instagram.
“Christ,” he muttered. Every time he saw her she seemed to get prettier.
He debated on following her but he knew someone somewhere would take notice and spin it into something it’s not. Even if he wished there was something to blow out of proportion.
Someone bumped his arm and his thumb hit the follow button.
Lando blinked at his phone for a moment, watching her follow count tick up by one and he squeezed his eyes shut. Letting out a sigh he shoved his phone back in his pocket, no point in undoing that hiccup given she’d see the notification. Some small part of himself, or maybe a larger portion, wanted her to take notice. Take an interest, and maybe follow him back. Hell, he’d beg the universe for a DM if he had to.
Oscar appeared and gestured with a hand, smiling as if he knew something. “Look who it is.”
Following his friend’s gaze, Lando looked around before his eyes fell on what Oscar was looking so fucking smug about.
There she was, barely twenty feet away and leaning against the bar. Her smile was contagious as she talked with her friends animatedly with her hands.
“Go and talk to her.”
Lando spun around, looking at Oscar as if he just suggested he commit suicide. “What?”
He laughed, shaking his head. “Since when are you nervous when it comes to girls? Just go and say hi.”
“I’ll look like a stalker who followed her here from the rodeo.”
“Right, like she even remembers seeing you.”
Lando's hands went to cover his heart, his features warped into offense. “Ouch, Osc. Low blow.”
The Aussie was hearing none of it as he lightly took hold of Lando’s hoodie and shoved him in her direction. “Thank me later.”
His annoyance wasn’t all that genuine, in fact he was thankful for the shove of encouragement as he made his way over to her. Fuck, was his hair alright? Did he smell bad? He’d been sweating all day. He hadn’t even talked to her yet and she had his mind reverting back into his insecure teenage self.
She caught his eye before he was too close, recognition flashing briefly across her face as her friends continued to talk. Her smile slipped into something more sultry- more knowing. Like she knew exactly why he was here. He wouldn’t be surprised if she got approached a lot, she was stunning.
He came to a stop, her friends' voices slowly fading into silence as they all looked at him. The air tense and a bit awkward but he forced a casual laugh. “Hi.”
Was that really all he had?
She bit her bottom lip, clearly amused by him before he was finally graced by the sound of her voice. “Howdy.”
Even that was heavenly.
“Do people here really say that?” Stupid non flirtatious things were pouring out of his mouth.
Her and her friends laughed, looking at him as if he was a court jester and he wanted to punch Oscar next time he saw him.
“Do you really say cheerio?”
This time he laughed, feeling more relaxed and he shook his head. “No, I don’t at least.”
Her pale green eyes slated to her friends for a moment, something silent passing between them and before he knew it they were alone. She gestured her head for him to come and stand beside her and Lando obliged like a lovesick puppy.
She leaned in close, the smell of her perfume mixed with polished leather was addictive and he wanted to bottle up the scent and keep it forever. “For the record,” she began, her accent light but noticeable. “I do say howdy as a greeting.”
He grinned at her, leaning down to match the level of her gaze and her slight whisper. “It’s cute.”
Her eyes flicked over his face, taking in his features and for the briefest moment her gaze danced over his lips. Making him feel dizzy and he wondered what the woman was doing to him.
She leaned back slightly and took a sip of her drink. “I saw you at the rodeo earlier.”
“I’m glad I’m memorable.”
“You’re hard to miss. You don’t exactly scream you’re from the south. Especially wearing this when it’s almost a hundred out.” She tugged lightly at the string of his hoodie, her lips pulled back in a playful smile and he wished he could just grab her and kiss her. The thought was overwhelming but he had to remind himself not to be an absolute creep.
“Well, it seems the stars are aligning then. I was hoping I’d get to run into you at some point.”
“You sure you didn’t stalk me Mr. Norris?”
He blinked at her. “You know who I am?”
Her cheeks were dusted a rosy pink as she waved her phone at him, his instagram page glowing at him and he shut his eyes. “That was an accident and a coincidence that you happened to be here.”
“Aw, and here I was being flattered.” She scrolled through his page, a giggle leaving her as she came across a picture of him in the ocean with mud all over his face and wearing a pair of sunglasses.
“No, don’t look-“ he tried to cover her screen with his hand but she took hold of his wrist and playfully shoved him away.
“This is golden.” She laughed. “This is what millionaires get up to?”
“You’re looking at all the wrong pictures.�� He tried to reason, surely blushing as he made to cover her phone again and she pushed him away, this time with her hip and he felt his mind slip into a numbness that craved her touch again. She was pressed against him now, laughing for another moment before she eventually followed him back.
Her back pressed against his chest, turning to look at him over her shoulder and flashing the screen at him. “There.”
He looked down at her and completely ignored the phone, one hand falling to her waist absentmindedly as his other arm kept him upright against the counter of the bar. Her face was so close and he took in every minute detail. The way her skin glowed, dusted with a faint blush. Her nose was adorable and long lashes fanned out over her glowing eyes.
She was breathtaking.
The feeling of pure want coursed through every nerve in his body, acutely aware of the pressure of her against him. Her jeans tight around her hips and thighs before beginning to flare out and her top was snug fitting and complimented her wonderfully.
His grip on her waist tightened and he heard her breath hitch as she blinked up at him, her pupils blown wide and the smile that stretched his lips was anything but innocent.
Lando had her.
They barely made it into the back seat of her truck before his mouth was colliding with hers in a way that was almost violent as they fell back onto the seats. Lando settled himself between her legs, grinding against her in a way that was shattering his sanity second by second.
Her nails raked up from his neck and into his hair, a groan escaping him and being swallowed up by her mouth. She tasted sweet and had the faint taste of whiskey on her tongue, utterly maddening and he would never get enough of it.
“Take this damn thing off,” she managed to say between bites and kisses, tugging impatiently at his hoodie.
He smiled into the kiss, his hands blindly taking hold of the hem of the fabric before breaking away for a moment to rip it over his head. The truck was a bit cramped but he’d make it work, his mind was consumed by her at the moment and he wanted this to last for an eternity.
Her nails dragged down his body, letting out a content sigh as she took in the sight of his tanned skin and muscle, her fingers hooking into the belt loops of his trousers and the way she looked up at him would’ve been enough to send him over the edge. The sight was heavenly and the innocent look to her in that moment as her brown hair fanned out around her like a nimbus was devastating.
Lando reached forward and took hold of her cowboy hat that had gotten knocked off and placed it on his head, sending her a wink.
When a mewling sound left the back of her throat he raised a brow at her and he felt his cock get impossibly harder. Lando smiled down at her knowingly as he began to undo his belt. “Is this really doing it for you, darling?”
Her eyes nearly looked black with desire as her gaze trailed up from what his hands were doing to his face. “You have no fucking idea.”
He tugged his belt off and tossed it to the side, but before he worked on undressing himself further his fingers danced out and began undoing each button of her too tight shirt. Her breasts had already been tugging at the seams so when he popped one open they practically spilled out for him. No bra and on display and the sound that left him felt primal.
Lando needed her. All of her. Everywhere and every second of the day. If he could have her the way he wanted as he pleased he even considered fucking her in the middle of the paddock if she let him.
His fingers trailed down further and made easy work of her belt and zipper before he leaned back and took hold of each of her legs to rest them on his shoulders. “Lift up for me, baby.”
She didn’t hesitate as she lifted her hips for him and the immediate submissiveness made his mind melt into a puddle of pure desire. He tugged her boots off and then her jeans, and when the sight of her lacy white underwear graced his vision he suddenly wished they would’ve had the patience to get to the hotel.
“Fuck, I bet you taste incredible.”
But there was simply no room. He half debated on saying fuck it and bring her to the bed of the truck so he could ruin her in every way he was dreaming about, but that would probably lead to an arrest and a very unhappy meeting with the team and stewards.
“Please.” Her tone was needy, desperate even as she lifted her hips to him in an attempt to get her closer. There was already a damp spot appearing and Lando wanted to take her away and keep her to himself for the rest of his life.
“Where have you been all my life?” He sighed, his fingers dancing down her thighs and delighting in the way she trembled against his touch. “Tell me what you need.”
She bit her lip so hard he thought it might bleed and his hands dug into the soft flesh of her thighs, earning himself a moan from the back of her throat. “Use your words, baby. I need to hear you.”
“Fuck me, please.” She yanked his hips flush against hers by his belt loops. “And please lord, keep that hat on.”
His grin was wicked as he leaned down to capture her lips again, open mouthed and sloppy. His tongue dancing against hers and exploring, teeth clinking together as he pulled himself out from his trousers and used his other hand to tug her underwear to the side.
Lando never skipped foreplay but he was desperate and so was she. Not to mention she was practically dripping already and when the tip of his cock rubbed against her entrance and clit he shuddered as she let out a gasp, her nails digging into his back.
“You’re so fucking wet for me, darling.”
“Please,” she choked out, pulling him even closer by the back of his neck and kissing him.
When Lando sank into her till his hips were flush against hers he knew he finally found salvation. Purpose is what it felt like. The missing part of his life that he hadn’t even been aware of but now made him whole. He groaned into her mouth, matching her moan.
She was so warm and tight, the muscles of her cunt clenching around him. “You take me so well,” he ground out as he pulled his hips back and watched as he sunk back into her pussy slowly. The sight was other worldly. He wanted to film it but he was now determined that this would not be the last time he had his way with her.
She grinded her hips against him, matching his agonizingly slow rhythm and trying to get more. More satisfaction and he laughed at her desperation before burying his face in her neck, sucking and biting as he continued the slow pace.
“Lando, harder.” She gasped out, clutching at his shoulder with one hand while her other twined in the curly hair at the nape of his neck that was peaking out from under the cowboy hat.
He pulled back, teeth tugging at her skin before he released it with a pop. He got a little carried away, a hickey on her neck already forming but he couldn’t find himself to care as he got lost in the sensation of her cunt around his cock. She was perfectly made for him.
His hands pressed into the seat on either side of her head. “Open.” His tone was sharp and her lips parted immediately at the command. He smiled as he let saliva drip from his tongue and into her mouth, not giving her a moment to get a grip on reality before he then spit on her at the exact same time he pulled his hips back and snapped them hardly forward, burying his cock even deeper inside her.
She let out a cry, pleasure mixing with pain as he brushed against her cervix before pulling back and dragging against her g-spot, only to repeat the process over and over again. Bending her knees up so he could get a better angle, his thrusts brutal and being driven mad by the sound of his name being cried from her lips.
“So fucking gorgeous,” he said through heavy pants, watching her unravel beneath him and when his eyes caught sight on her naval the sound that left him didn’t even sound like himself.
Lando could see the outline of his cock as he fucked her, her smaller and skinnier size making it easier. “Oh fuck, you’re gonna kill me, baby. Look at you.” He pressed a hand gently to her stomach, feeling himself thrust in and out.
She bucked against him at the added sensation, tears streaming from her eyes and leaving pretty trails of mascara down her cheeks.
“Lando, oh my god—“ a scream left her as his other hand began rubbing tight circles into her clit. “I’m gonna—“
“Do you want to come on my cock, darling?”
She nodded, words lost on her and Lando knew he was on the verge of crashing as well. Feeling each of his nerves winding tightly. “Why don’t we come together, can you do that for me?”
“Yes, yes, yes. Please.”
“Such a good girl,” he praised, his tone soft. A complete antithesis to the almost violent pace of his cock slamming into her.
He switched the direction of his fingers on her clit. “Now, darling.”
Not a moment later she was convulsing against him, her cunt clamping down in his cock and Lando groaned out her name as he threw his head back, his cum filling her up nicely as the muscles in his stomach clenched. Sweat was coating both their bodies, all the windows completely fogged up and he felt delirious as he collapsed on top of her, settling comfortably between her hips and still buried inside of her.
He could both feel and hear her rapid heart beat, her warm breath coating the side of his neck as she buried her face in the crook of his shoulder.
“God, I love the English,” she muttered breathlessly against him and he laughed, loving the way she fit so snugly against him.
“And I’m in love with this form of southern hospitality.”
She snorted, the sound heartbreakingly adorable and he never wanted to let go of her. “All I said to you was howdy.”
He turned his face to hers, pressing a kiss against her forehead. “Say y’all.”
She raised a brow at him but complied. “Y’all?”
He groaned and kissed her through her laughter. “I’m done for.”
Eventually, and not with any thrill, he had to pull out of her and she shivered as he did so. Picking up his discarded hoodie from the floor, he gestured for her to sit up. “Lift your arms,” his voice was soft and his heart clenched as she smiled at him, doing as told.
He didn’t know what was wrong with him but he felt like he was struck by cupid’s arrow or something. Lando didn’t want this night to end and he wanted to see her tomorrow. And the next day, and the next. He wanted her by his side till he was rotting away in the earth.
He needed to thank Oscar next time he saw him.
Slipping the hoodie on her, he brushed the hair out of her eyes and dusted his thumbs over her cheekbones as he cradled her face. The air was quiet but not tense, a comfortable silence and he sighed slightly through his nose.
“What?” She asked, her brows furrowed and her smile timid. A bit shy despite the events that just unfolded.
“Would it be mental to ask you to come to the race this weekend?”
His eyes caught her tongue as it darted out to wet her lips, which were slowly forming into a grin. “I would love to, but I don’t know anything about it.”
He shrugged, pulling her in gently by hooking a finger into the collar of his hoodie she was wearing. “Just cheer for car number four and I’ll be on top of the world.”
She bit her lip, eyes searching his before she nodded. “Okay, but I want to do something for you.”
“You don’t need to—“
“It’ll be fun.” She reached her hands up and straightened the cowboy hat on his head. “Besides I haven’t seen enough of you dressed like this yet.”
landonorris
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liked by carlossainz55, youruser, oscarpiastri and 307,284 others
landonorris am i doing this right?
photo creds and tour of austin courtesy of youruser
*tap to load more comments*
userone: THIS IS EVERYTHING
youruser: you are definitely doing this right
landonorris: taught by the best
oscarpiastri: i’m still waiting on a thank you
landonorris: shut up
usertwo: i need to know the tea
userthree: AND WHOS THE GIRL???
f1wags
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liked by 56,029 others
f1wags oh? who’s this? potentially a new wag spotted in the paddock this weekend at the usgp and rooting for lando norris!! some sources say they were seen together afterward, but nothing is set in stone yet! pictured is; youruser
*tap to load more comments*
userone: OH MY GOD THEY WOULD LOOK SO GOOD TOGETHER
usertwo: right?? i hope it’s true
userthree: lando dating a cowgirl is not something i knew i needed
userfour: ew? really? not an american LMAO
userfive: she’s literally stunning what do you mean
usersix: the way she was screaming and cheering for him has me SOBBING she already seems so supportive
userseven: everyone needs to chill we don’t even know if they’re together, just because they follow one another doesn’t mean anything
usereight: you must be fun at parties
youruser
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liked by alexandrasaintmleux, lilyzneimer, iamrebeccad and 67, 892 others
youruser south side of heaven
*tap to load more comments*
userone: PLS TELL ME THATS LANDO
usertwo: oh my god?? all the wags liking it???
userthree: CHAT PLS I NEED HER AND LANDO TO BE REAL
userfour: he’s been seen in texas NUMEROUS times over the break istg i think they are dating
landonorris and youruser
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liked by carlossainz55, charles_leclerc, oscarpiastri and 702,299 others
landonorris happy birthday pretty girl
*tap to load more comments*
userone: oh. my. GOD
usertwo: I KNEW IT
carlossainz55: the black and white made me think she had passed
youruser: i thought i missed my own funeral
landonorris: i hate you both
userthree: IM LOSING MY MIND WKSKSJW
userfour: he looks so happy IM SOBBING
taglist: @theonottsbxtch @fortunapre @ashbone @c8lap1nto @taasgirl @stopeatread @dying-inside-but-its-classy
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defmaybe · 4 months ago
Text
Bahama
KISS OF LIFE’s Won Haneul x Male Reader
1.7k words
See Also: Sticky, Not Shy
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A/N: Itzy fic with a Kiss of Life title, check. Aespa fic with an Itzy title, check. So, here we are, Kiss of Life fic with an Aespa title. Also, a bit exposition heavy in the beginning lmao. Thanks for reading as always!!!
Small, idyllic waves crash into the golden sand. Seagulls fly above your head. People run into the water. The scent of salt permeates the air. The sun is setting in front of you, casting orange into the sky. You’d be lying to say that you don’t like this place.
Department trip, electrical engineering to be exact, would’ve been a splendid chance for you to get closer to Won Haneul, the goddess you’ve been pining over for the last few months. You fell in love with her confidence—how she’s always not letting her voice be silenced. Her leadership—how she led your group to a standing ovation from the professor last semester. Her invulnerability—how she stands up for the minority (which includes you, once).
Two problems, though. She definitely doesn’t love you back. Only occasional hello-s and hi-s in the hallway, that’s all. And this trip has been far from productive. You couldn’t get close to her for less than a meter for the last thirty-six hours, and by tomorrow, this chance would fly away as you two have to go back to your mundane university lives.
The other problem is that everyone has also been pining over her, so your chances are negative.
You and Wonbin are sitting on the sand, watching the sunset together. What a sight. Both of you have been sipping your beers once every few minutes for a while now. You watch Haneul playing volleyball with her friends from afar, wearing a set of skimpy clothes you’ve been fantasizing about for the last few months. Black bra, short jeans that accentuate her ass so fucking well. You have to adjust your trunks every once in a while to hide that raging erection.
Not that it goes by without Wonbin noticing it, though.
“Fucking pervert,” he says with a giggle.
“What the fuck?” you sneer back at him, trying to deny your frenzy lust for Haneul.
“And I thought I’ve been the dirty one all this time.”
“Fuck off, man,” you curse, gauging off a laugh from Wonbin.
“You really like her that much, don’t you?”
You can only whimper back.
“Go talk to her! I’m sure she won’t mind.”
“I don’t know, man. She wouldn’t even bat an eye on me unless I’m in an accident or something.” You surrender to the hypothetical apathy of hers. How could a popular woman even come to pour an ounce of interest for you?
White screen, her in the middle, smiling, a single, large carnation blooming behind her.
Elegant.
She looks better alone than with you.
“I mean, I didn’t win Jiwoo’s heart by just looking at her from afar. Go talk to her!” Wonbin says with a chuckle, shrugging. “A simple ‘Hey’ wouldn’t hurt.”
“What if she doesn’t like me? You can’t just expect me to do that!” you reply, sighing.
“Look, it’s the only way, man. Stop putting women on the pedestal and your whole world will change,” he answers.
“Ugh, I just–” you lie down on the sand before closing your eyes. “–I can’t.”
Wonbin pats your shoulder before lying down beside you.
“Man.”
Your moment of peace lasts pretty long. If the weather isn’t so hot, you swear you could fall asleep right then and there. The sound of the sea fills your ear, with the images of Haneul in those shorts reeling in your mind. God, what a time.
Until you feel a cold sensation on your pants, freezing cold.
And you hear Haneul gasps.
“Shit, fuck, I–I’m sorry,” she apologizes, stuttering slightly.
Shit. She spills her watermelon frappe on the fabric. You can’t panic. Don’t fucking panic.
“O–Oh, it’s f–fine, Miss Won,” you stammer in the same fashion as hers, before realizing what you’ve just–
“Hmm?” she says, before letting out a laugh, one that’s probably out of you being a pathetic man.
Fuck.
“Miss Won?” Her laugh grows even louder.
Why not just end it all here? You sit there, frozen, until her snicker subsides.
“Oh, don’t be shy, mister,” Haneul says with a sly smile, offering you a hand to get up. “Let’s get you cleaned up. Again, I’m sorry for, well, that.”
“I–It’s fine, Haneul.” You comply with her invitation, reaching for her and getting up from the sandy floor. There goes your chance of her. It’s over. 
At least she’s still kind to you.
“Ready?”
“Yeah.”
Haneul adeptly twists the tap, and warm water flows out of the shower head she’s holding onto your swimming trunk. It was supposed to get wet, anyway. It’s just not in the way you’ve expected it to be.
She takes you back to the villa to clean you up. Sure, you could’ve just walked into the sea for a cleanup session, but her insistence was hard to resist. So, here you are, in the bathroom together.
She smiles throughout this embarrassing act (at least for you), as if there’s something amusing to be found within washing watermelon frappe off a man’s private parts. You are in a frozen state in front of this deity, just half a meter away from you, unable to say a word aside from the high-pitched grunts from time to time, bringing out laughs from her.
Until she clears her throat.
“Can I say something?” Haneul asks, eyes darting away from you, finding comfort in other objects around the room.
“Y–Yeah, sure.”
“Um…” She blinks rapidly, only able to maintain just a split second of eye contact with you. Is she finding you repulsive?
Anticipation hangs heavy. Both of you cannot say a thing under the silence. You watch her evading your eyes.
“Nothing,” she says, tucking her hair behind her ears. “We should get going.”
It’s over.
“Yeah,” you reply, before patting the last bit of the red chunk away as she turns off the water. “Thanks, Haneul.”
It ends here—your chance with her. At least you two can still be friends.
You turn back, ready to open the do–
“Wait.”
The word holds you accountable for a hot breath longer.
She turns the tap back on. But this time, she aims for your abdomen. Water trickles down your body.
“W–Woah, what the–”
A kiss on your lips silences you.
You take in her scent of sweat mixed with an otherworldly hypnotic perfume—salty, floral. Her tongue invades your mouth with ease, sweeping the insides of your warm cavern. The shower head is pressed between your bodies; water is running down and makes her frame wet alongside you. Fireworks are everywhere; people are cheering and clapping their hands; music is playing.
Won Haneul kisses you—with tongue.
She unlatches herself off of your lips, panting for air. “F–Fuck, that was great.”
You’re at a loss for words, still processing the kiss that happened mere seconds ago.
“Kneel for me, please.”
Without a single thought, you fall to your knees. The scent of her only serves to drive you insane.
Haneul would say nothing before slowly, so, so slowly, peeling off her incredibly tight shorts, revealing black panties underneath that matched her bra.
“Like the view, baby?” she asks.
You nod without resistance.
“Good boy,” she says, before softly pushing your damp head onto her equally wet cunt from the running water. And instinctively, you stick your tongue out and lick her clothed folds like some starving whore, drawing a gasp from her.
“Fuck!” exclaims Haneul. Her grip on your head becomes tighter. The pain stings, but your determination is unwavering. Your tongue keeps its pace on the soft fabric just for her pleasure. She just cannot whine louder at your touch.
The hint of her salty taste seeps through the dark fabric, diluted by the trickling water from the shower. Her fingers run along your hair, sending you into haywire, but you need even more.
Your hands seem to have minds of their own. They slither up her soft, toned legs, up the luscious thighs. They’re so firm. Until you reach the tenderness of her ass you’ve been craving for.
“Yes!” she screams, mouth opening wide, moaning. She pushes your head against the wall. The sound of the water still rings in your ear, dribbling down from your pressed head. It mixes with her thunderous moans into a cacophony. “Y–You’re gonna make me cum.”
Her legs turn stiff. Her breaths become more erratic and frenzy. You keep your pace, you have to. Going faster will kill the momentum. You keep lapping up her juices through those skimpy black panties, tasting that salt running out of her pretty cunt. The spilling softness in your hands only drives you further into mania.
And a loud gasp is all it takes for you to see heaven.
Fuck.
Her legs cease to stand up straight. Her grip on your head loosens as she becomes a wobbly mess. A high note echoes through the bathroom. Someone must’ve heard that, but you’re not in a position to care. You’ve just had the best meal of your life that is Won Haneul’s cunt.
“Fuck, shit,” she exclaims, as she’s coming down from her high. She lets go of your head. But as if you’re magnetized to her cavern, you keep slurping up her tangy juices through the revealing garment—any of what’s left. You can just do this forev–
“A–Alright, I know I taste good, baby.” The water is still running, washing any filth of the mere minutes ago away.
It takes a lot of self-reservation to put yourself out of her cunt. That salty, mouthwatering cunt. You whine a little as you pull your head back.
She washes the dirtiness on you with the water before turning it off, hanging the head back into its place.
“Thanks,” you reply with a smile.
“C’mon, let’s go to the sea. Maybe tonight–” she slithers her hand down into your shorts, groping your length—grabbing, squeezing, stroking, all in a flash. “–I’ll give you more than my lips.
The touch alone puts you back in your place. “Y–Yes, Haneul.”
593 notes · View notes
tokkiwrites · 4 months ago
Text
ᴍᴏʀɴɪɴɢ ᴡᴏᴏᴅ & ᴀɴɢᴇʟ ᴄᴀᴋᴇ
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summary: your dad's birthday is coming up, and you want to buy something special, but you're short a couple hundred dollars. not wanting to change your idea for a gift you ask his best friend, Joel Miller, to help you out until you get more money. He agrees but surcharges. tags: pwp, dbf!joel, f!reader, afab reader, age gap (legal, the reader is 22, joel is in his mid forties), kind of slut shaming i dunno, fingering f receiving, head m receiving, dirty talk galore, pet names galore, p in v unprotected. (lmk if i missed anything)
/ᐠ - ˕ -マ⁩ authors note 𑁯 ✿ Woah i dunno what this was, kind of lame but i desperately need dbf joel to give it to me. 4.03k words but its mostly exposition. not proofread!!!
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Your dad's birthday was just around the corner, and this year, you wanted to get him something that truly mattered. The usual gifts—grilling tools, books, maybe a bottle of whiskey—didn’t feel right. You’d found something more special, something that spoke to him. It was a vintage guitar, similar to the one he had when he was younger, the one he used to play for you on lazy sunday afternoons. You knew it would bring back memories for him, and maybe, just maybe, he’d start playing again.
But there was one big problem—you couldn’t afford it. You were short. A couple hundred dollars short, and no matter how you shifted your budget, it just wouldn’t work. You’d gone over your options more times than you could count, and each time, you felt that pang of disappointment grow stronger. You weren’t someone who liked asking for help. You always tried to handle things on your own, but this time, there was no way around it.
That’s when Joel came to mind. Maybe he could help.
Joel Miller had been your dad’s best friend for as long as you could remember. He was the one who was always around, helping out when your dad needed a hand with anything or just dropping by for a beer and a quiet conversation. Joel had a way about him—steady, unshakable. Older, but not in a way that dulled him. His rough edges made him seem more dependable, like someone who’d been through enough to know what really mattered.
Over the years, you’d noticed things about him. Little things. The way his voice, low and gravelly, would call out your name with a slow drawl that sent a small shiver down your spine and straight to your cunt. The way his hands, calloused from years of hard work, looked when they were fixing something or just resting casually on the steering wheel of his truck. Somewhere along the line, what started as casual observations turned into a quiet crush. It was ridiculous, really. He was your dad’s best friend, and you were way too young for him. But that didn’t stop the way your heart skipped whenever you saw him or how your breath caught when he gave you one of those long, unreadable looks.
You’d always had this childish, gnawing thing for Joel, even though you knew it was wrong. He was someone who’d practically watched you grow up. But that didn’t stop your mind from wandering in all the wrong places. Over the years, you’d caught yourself daydreaming about him, what he'd do to you, imagining what it would be like if things were different—if you were his.
It wasn’t just his looks, though those didn’t hurt. Joel had that rugged charm about him—broad shoulders, rough hands, and a way of carrying himself that made you feel safe and small in a way that made your mind spiral. you wanted to be at his mercy. You couldn’t help but notice the lines that deepened around his eyes when he smiled, the slow, steady way he spoke, that gentle drawl making every word sound like it was meant just for you. And those moments when his gaze lingered a second too long—when his eyes would flicker over you in a way that made your pulse quicken—you’d catch yourself wondering if maybe, just maybe, he saw you differently too.
But it was just fantasy. Joel was older, your dad’s best friend, and he’d never cross that line. You told yourself that over and over, but it didn’t stop the thoughts from creeping in. Late at night, when you were alone, you’d let yourself imagine— touching yourself while wondering. What if you weren’t who you were, and he wasn’t who he was? What if, in another life, he could be more than just your dad’s friend? You’d picture his hands on you, the way his voice might sound close to your ear, the roughness of his touch, the warmth of his breath on your skin.
But every time, reality pulled you back. Joel would never see you that way. It was impossible. You were just the kid he’d known for years, nothing more. Still, the fantasy lingered, a secret you kept tucked away, knowing it could never become anything real.
right?
You hadn’t planned on asking him for help. It wasn’t something you were comfortable with, especially not from Joel. But as the days ticked by and you couldn’t figure out how to make the money work, the idea crept into your mind more and more. He was reliable, and if anyone would help you out without making you feel bad about it, it would be Joel. You sat with your phone in your lap for what felt like forever, staring at his name on the screen. It took a few deep breaths before you finally hit call. The phone barely rang twice before you heard his familiar voice on the other end.
"Hey, darlin'," he spoke, the warmth of his voice instantly grounding you. "Somethin' wrong?" His concern was real. Joel wasn’t the type to waste words, and for a second, you thought about backing out. But then you thought about the gift, about your dad’s face when he saw it, and the words spilled out.
"Hey, Joel. I’m okay, just... I need a favor," you admitted, biting your lip, feeling the awkwardness rise in your chest. There was a soft chuckle on the other end of the line, the sound rumbling through the phone. "You? Ask for a favor? Must be somethin’ important."
You smiled despite yourself, already feeling some of the tension ease. “It’s about dad’s birthday. I found this perfect gift, but I’m short a couple hundred dollars, and... I hate asking, but I don’t know what else to do.” Joel was quiet for a moment, and you held your breath. Then, his voice came through, steady as always. "How much you need?" You blinked, surprised at how quick he was to offer. "Uh, about two hundred. I swear I’ll pay you back as soon as I—"
"Don’t worry ‘bout that," Joel cut you off, his tone so casual it almost threw you. "Come by later, we’ll figure it out."
And that was it. He hung up before you had a chance to protest, leaving you sitting there, a mixture of relief and something else bubbling inside you. Later came quicker than you expected, and before long, you found yourself driving out to his place. The sun was low in the sky, casting the road in golden light as you drove the familiar route. Joel lived just outside town, far enough out that it always felt like stepping into a different world when you visited him.
When you pulled into his driveway, his old truck was parked out front, dust-covered and reliable, much like the man himself. The air was warm, the sun casting long shadows across his yard, and for a moment, you sat in your car, your heart thudding in your chest. You didn’t know why you were so nervous—this was just Joel, after all—but something about this felt different. It wasn’t just about asking for money. Before you could second-guess yourself, you got out of the car and walked up to his front door. Your shoes crunched against the gravel, and the soft thud of your knock on the door sounded too loud in this quiet evening.
Joel opened the door almost immediately, like he’d been waiting for you all this time. He stood there, leaning against the doorframe, arms crossed over his chest, his dark eyes fixed on you. For a second, you were caught in his gaze, feeling the heat rise in your cheeks. "Hey, darlin'," he greeted, his voice soft but thick with that familiar gruff.
"Hi, Joel," you replied, stepping inside, trying to hide your apparent blush. The smell of wood and something faintly musky filled the air, and the room felt like it always did—warm, safe. You’d been here countless times, but today, something felt different. Maybe it was just you. You sat down on the couch, trying to calm your nerves, while Joel took his usual spot across from you, leaning back in his chair with that easy posture, his eyes still lingering on you. There was something about the way he looked at you tonight, something that made your skin prickle with awareness.
“So,” he started, his voice low, “you need a little help with this gift, huh?” You nodded, feeling suddenly self-conscious under his gaze. “Yeah. It’s more expensive than I thought. I didn’t want to ask, but…” Joel shook his head, cutting you off. “You ain’t gotta explain. I told you I’d help, didn’t I?” Relief washed over you, but then, as you glanced back at him, you caught the way his eyes hadn’t left yours. There was something different in them now—something that made your heart race a little faster. "But," Joel continued, his tone dropping just a notch, slower now, like he was considering each word carefully, "you know me. I don’t do favors for nothin’."
Your breath hitched. There was an intensity in his voice, in the way he was watching you, that sent a rush of heat through your body. You felt your folds dripping through your white cotton panties. He wasn’t just talking about the money, and you knew it. The room seemed smaller, the air between you thick with something, your pulse plummeting under his steady gaze.
You swallowed, suddenly unsure of how to respond. You’d known Joel your whole life, but this—this was different. The way he was looking at you now wasn’t like anything you’d felt from him before, hungry, and it made you both nervous and excited, a dangerous mix you didn’t know how to handle. He leaned forward slightly, elbows resting on his knees, his eyes never leaving yours. "So," he drawled, his voice like gravel, "what’re you gonna give me in return?"
"A-Anything.." You spoke up, the words cascading out before you could even process them. "That so?" You see him smile, looking down at his hands. "You're a big girl... I think you know what i want." Your heart almost stops. Joel stands up, slowly inching himself closer. "Joel, Iㅡ" you try to protest, not quite sure what to make of what he just said. "You think i don't know? think i dont notice how you look at me, always wearin' those skimpy clothes when 'm around...tryna' look innocent." the rhythm of your heart races, realizing what is really happening. you were to afraid to look up, afraid of what he'll say next, so you stuck to staring at the ground. "You think i couldn't hear ya touchin' yourself, moanin' my name, when I stayed over? God, woke up with the biggest morning wood ever that dayㅡ felt like a fuckin' teenager." he chuckles to himself, rough fingertips trailing your shoulder, finally reaching your chin. he grabs a hold of it, turning your head harshly so you could look at him. your blushed skin burned, eyes wide with expectation.
"Joel, 'm sorry, pleaseㅡ"
"Oh, so now you beggin'? could've come to me so long ago 'n ask me nicely to give it to you, sweet girl. Guess this is where you repay me for helpin' out with your dad's gift and for all those boners you made me power through." is this really happening? your eyes dart around the room, but he's quick to grab tightly on your cheeks, making your gazes meet. "You look at me when I'm talkin' to you, angel." His eyes were dark, intense, filled with something you couldn’t quite decipher, but it made your stomach twist with a mixture of fear and something else you were ashamed to nameㅡ you could try to deny it but the way your cunt pulsed when he talked to you that way was your biggest enemy. "Joel, please—" you started again, your voice shaky, but he cut you off with a low, humorless chuckle, his thumb brushing along your jaw, keeping you in place.
"Don't 'please' me, darlin'," he murmured, his voice dipping even lower, eyes now on your obvious cleavage. "You've been teasin’ me for years now, comin' ‘round lookin’ all sweet and innocent, actin' like you didn’t know what you were doin’. Always starin' at me with those big eyes, waitin' for me to make a wrong move." he was right and you hated to admit it. he held you firm, his grip unrelenting. " I didn't mean—"
"Oh, I think you meant every bit of it," he said, his lips curling into a small smile, head lowering. "But now look where that’s got you. You came to me for help, and I agreed to help, didn’t I? Now it’s time to give somethin' back." your pulse thudded loudly in your ears, drowning out everything but him, his voice, the feeling of him so close. You’d never thought it would be like this, not with Joel. You couldn’t move, couldn’t speak, caught between the fantasy you'd let grow over the years and the reality of what was happening now.
"You're gonna be good for me, aren't you? Gonna be a good little girl 'n let me have at you?" he asked, his voice a low rasp, like gravel scraping across your skin, the words sinking deep into your bones. "Yㅡyes." you say, voice was quiet, buried under the arousal, the want for more and his honey words. "Atta girl." Joel leaned in slowly, giving you time to pull back if you wanted to, but you didn't. You couldn't. Instead, you tilted your head up, closing the distance between you, your lips finally meeting his in a kiss. The moment his lips touched yours, it was like everything clicked into place. There was no hesitation, no uncertainty anymore. His kiss was slow but sure, his hand moving to the back of your neck, pulling you closer. You sighed into him, hands instinctively resting on his chest, feeling the warmth of him, the roughness that made him like a drug to you.
a few moments pass, and joel pulls away from the kiss, a string of saliva connecting your lips, one that he breaks when his rough thumb drags itself across your bottom lip. "pretty, pretty girl." you moan, you feel so pathetic. he's barely touched you, yet you feel the pool growing inside your panties by the second.
"p-please, joel.."
"please, what, angel cake? gotta tell me exactly what ya want." he smiles, prepping soft pecks onto your face. "t-touch me..please." you gather the courage to speak up, watching his eyes grow darker as he hears your request. "fuck, baby...what would your dad say if he heard you just then, huh? what if he saw what a cock desperate slut you are?" chuckling low, his fingers tangle themselves in your hair, making you whimper. "don't c-care.."
" 'Course you don't. Always knew you were a little whore. well, right now you'll be my little whore, right?" he tilts his head to the side, his thumb urging your mouth to open. "c'mon, girl, open." and you do as you're told, opening you mouth wide, tongue lulled out. he then gathers some spit in his mouth before letting the glistening droplet fall from his lips onto your tongue. "Swallow it. Let me seeㅡ" its so overwhelming, so dirty, and he didn't even do anything. at this moment, it feels as if only a slight nip at your skin could send you over the edge. "You know your place, yeah, baby?" you hum eagerly, not sure what his next request will be but ready to fulfill it and give him your all. "tell me. you really wanna do this." Guilt clawed at your heart. Yet, you couldn't stop what you felt. it was wrong, but in this moment, it felt so right. "need you, Joel, please.."
"fuck, okay angel."
his large hands start to pull at your clothes, undressing you slowly, savoring and drinking you up with his eyes. your naked body was shivering, you didn't know if it was from the temperature or because of the anticipation playing with your heartstringsㅡ you just knew you needed to give everything you had to Joel. make him proud. "i got you, babygirl." you feel yourself get picked up and placed onto the old leather couch in the middle of the living room, the cold surface making you jump a little. joel leans in, trailing soft kisses down the curve of your hip all the way to your mid thigh, as you try to bite back your moans. "Let me hear you, baby, don't hold back. you wanna make me proud, don't ya?" Oh, you do.
"gonna let me ruin you, angel girl?" and it feels like your heart could run a marathon. you nod away, eagerly. you feel so pathetic, all sprawled out naked under him, whilst he's still dressed. "words, baby. you that stupid already? I ain't even fucked you yet 'n you can't even say one word. tsk." he mocks you, twirling with your hardened nipples. "i'mㅡ please, joel, please..." you almost cry. he laughs, fingers finally reaching your dripping folds and swirling around them "fuck, darlin', you're so wet. all this for me, hm? this pussy cryin' for an old man like me?" he teases "yes, only f-for you...please."
"that's right." Joel kisses the side of your neck, nibbling at the skin whilst he finally pushes inside of you one of his rugged fingers, making your back jolt and arch. you cover your mouth with your palms, shocked by the own sound you just made. "Keep moanin' for me, little girl. let me hear how good I make you feel.." his words flood over you, as the knot in your tummy tightly turns, Joel's cologne swirling in your nostrils and getting you drunk off of it and this feeling. "so tight, baby. can't wait to feel you 'round my cock." you choke back a pathetic whine. "you like it? like it when i fuck you with my fingers and talk to you like this?" you nod, pushing yourself further onto his digits. "filthy girl, s'it turn you on when you're fucked out on an old man's fingers?"
"yesㅡ god, yes, please, joel, please, 'm so close." but then it all stops. you whine at the sudden lack of feeling, but you open your eyes and see Joel stand up.
your vision was hazy from all the tears in your eyes, and your heart felt stuck in your throat, but you watched the man discard himself of his clothes andㅡ holy. fucking. shit. all of your fantasies of Joel couldn't prepare you for what was going to happen. he stood there, tall, gruff as he stroked himself. his length was girthy, almost too thick, veiny, with a pinkish, angry tip. he knew he was huge. That's what made it so exciting for him. watching you gawk at his cock, made him feel more powerful over you.
"c'mon, angel, it won't bite...open wide now. widee ㅡ there you go...good little girl." he preaises, sliding his length between your lips. it was hard to adjust, and honestly, your jaw was hurting from the first couple of minutes you had him in your mouth. but the way his lips dripped with quiet moans, 'goodgirls' and 'thats rights', it made you push back the pain. it was bearableㅡ it was worth it. "jesus christ, girl, you look so pretty, mouth full of my cock." the man laughs, pushing his length further down your warm throat that was constricting as you gagged around him. "shitㅡ gonna make me come already." hissing, he pulls out, leaving you gasping for air.
you look up at him, mascara smudged, lips swollen and blushed cheeks stained with tears and spit. "you're so gorgeous like this, baby. my gorgeous angel girl, begging for cock." he sighs, caressing you cheek before his hand slides down to wrap around your neck, squeezing it and making you light-headed. "gonna let me fuck you, darlin'? c'mon, answer."
"y-yes, please fuck m-me, Joel." joel scoffs, placing a little kiss on your forehead. with his other hand, he grabs his shaft and drags the tip along your folds, collecting all the juices that dripped from you. "fuckin' soaked for me, baby." and you hum a little 'only for you.' without stalling, he pushes in just the tip making you yelp as the sting spread through your pussy. you stare him deep in the eyes as he pushes in further, hushing you along the way. it was so bigㅡ too big. but you loved it, you loved that it was all you dreamed about and more. "I know, baby, I know. You're a good girl, you can take it." with that, he pushes in all the way, ripping through you, his precum mixing with your juices that were flowing over his cock. he thrusts in you cunningly, gripping your hips tightly and licking long strips down your neck. all you could do is sit there and take it. take it and make him proudㅡ you were paying him back, though.
"so pretty, angel, so, so pretty and tight 'f me, shitㅡ " joel moans, indulging further into you. your hips crash with his, and you try your best to say quiet as you feel his cock hit so deep, you're sure it reached your stomach. the room spun with you, you could only mutter little 'joels' as he pounded into you. after a few more pumps that familiar feeling was pooling at your core, causing you to tighten around Joel's length, which made him grunt and pull your hips flush to his "that's it, girl. come around my cock, let me feel ya squeezin' me."
you let go. bliss and pleasure take over you as your body contorts under joel, your walls fluttering around his shaft perfectly, eyes rolling to the back of your head. it doesn't take him long reach his orgasm, pumping a few more times into you before he take his cock out and paints your stomach and breasts with white, silky strands.
this all really happened.
After you both come down from your high, you cup his face in your warm palms, your stare tied to his. Joel's eyes were soft, warm, and filled with something you'd never seen beforeㅡ something that made your heart swell even more and realize what just went down between you two. "Should've done that a long time ago," he said with a soft, crooked smile, his thumb brushing against your cheek, still a little out of breath. You laughed lightly, still caught in the moment. "Yeah, you should've." His smile grew, and he leaned in again, pressing a gentle kiss to your forehead. "You know this changes things, right?"
"I know," you whispered, feeling the truth of it all settle into your bones. "I want it to."
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kaiserin-erzsebet · 4 months ago
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I would LOVE to hear more gripes about accuracy of portrayal of historical monarchies!!!
I have been wanting to do this for a while, because there is a lot that irks me. And this ranges across board from big budget period dramas to how people write royalty AUs, which means this isn't one specific thing I'm pointing at. And if it is helpful on a writing tips level, I'll be happy with that.
Long post under the cut:
Disclaimers:
I research 19th century European history, which has a lot of questions about what a monarchy is and why they continue to exist. That's the perspective I am bringing to this.
I probably shouldn't have to say this, but: this is not about modern monarchism. This is about history. I don't want to debate whether you think certain countries should continue to have their monarchs be public figures who are only nominally head of state.
The short version:
Monarchies are institutions. They are part of how the government functions and that should have implications for how someone writes them. A monarch is a person with a built in job that they were born into.
Monarchies are not all absolute. They can exist in a multiple forms with very different structures, and often discontent within a monarchy wants to reform the system not replace it.
My biggest advice would be this: figure out how your fictional or historical monarchy is structured. You don't have to exposit about it, but you do need to know it.
The long version:
The King has a job and there is a right and wrong way to do it.
Fantasy monarchies that draw upon history seem to have Versailles in mind in terms of an aesthetic space and royalty with a lot of power over the people around them. This also includes a lot of lounging around and looking pretty and doing lavish things. However, the issue is that this is a mental image of the dysfunction in the French monarchy close to the revolutions. You can't "Après moi, le déluge" through several centuries of government.
A King (or Queen) has a job, a really important one. They are the head of state, the highest authority in the country, and the highest judge on legal matters. At least in the platonic ideal of absolute monarchy, those jobs being concentrated into one person means their responsibility and good judgement will give the state stability and consistently.
Enlightened absolutism was exactly that: monarchs staunchly holding onto the ideals of the Enlightenment and making reforms from the top down. People who read texts about ideal government and natural rights and put it into practice.
A lot of fiction takes that and goes: Oh, so they have unlimited power and can do whatever they want. Being king means you can do what you want without oversight? That's why someone would want to be king?
And yeah, sure, in theory. But the problem with having a job is that you can do it poorly and people will object to you doing it poorly. If someone is not fulfilling obligations, it is noticeable because the state functions poorly. The premise of Robin Hood is that the king is doing his job poorly. He's overtaxing, the officials are corrupt, there's disorder. The solution? Bring back the true king who is good and fair, and thus functional.
Ludwig II of Bavaria gets ousted from his throne for being more interested in opera and extravagant building projects than ruling. Again, it is a problem and people notice.
Historically, if you want to protect from someone being bad at the job you can support the idea that there should be more oversight and safeguards: Other bodies that control parts of the government alongside the king's ability to approve or disapprove. This tactic takes away the ability to be arbitrary since laws and such are not just coming from the crowned head of state. That would be a constitutional monarchy.
Not everyone needs to be Franz Joseph, waking up at the crack of dawn and working on governmental papers and meetings until bedtime. However, if a monarch is shown in fiction lounging around or talking to courtiers all day but never doing any actual governing, I'm going to assume they are very bad at their job.
2. You're probably understanding Courts and Ministers wrong.
I run into the issue quite a bit that courts are flattened to random servants, ladies-in-waiting, and people trying to be the king's sole advisor (for malicious power grabbing reasons).
The first problem: Being at court isn't an easily accessible thing. You're probably nobility or a scion of an important family. Your presence is built on family prestige and your own skill. Yes, even people in service to the monarch. There are no random people here, because proximity heightens the likelihood of greater promotion.
For example, I'm currently doing my research on a prince from an important dynasty in the 19th century. His secretary is a Baron.
It's not impossible for someone not of noble birth to get to be at court. They could have risen up the ranks of the army or be an exceptionally skilled civil servant promoted to the rank of minister. Though depending on the time period, expect these "new men" to get pushback from nobility by blood.
Ministers also matter.
Unless your fictional monarch is one of the few people who decides (to mixed results) to do all of the thinking about government on their own, there is a cabinet and ministers.
These are skilled people whose job is to think about aspects of government and be knowledgeable about them. A monarch might have many of them that argue and balance each other.
Or, you can write a particularly skilled statesman in a leading role that makes them just as prominent as the monarch if not more so. There are many historical examples of ministers who define their period:
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If your monarch character isn't a strong person politically, but is intelligent, having them find a minister to take over most of the governing is a good idea. This person is promoted based on merit, even if the monarchy is hereditary.
I have rarely if ever seen fiction do a good job with a prominent minister as a character (except A Royal Affair, which everyone should watch).
Think of monarchies as whole institutions of government. They have people within them who do all the jobs of governing. But the structure of the government and the personality of the monarch can determine whether it is one person (Joseph II, Peter the Great, etc.), a prominent minister (like a Metternich or Bismarck) or a counsel or congress.
The structure can support a person not doing a lot as monarch, but you as a writer need to think what structures are around them allowing that.
3. Revolutions are scary.
There is a common trend in fiction to make your good guys pro-republic. They're revolutionaries who want to get rid of the king, so they must be good.
But here's the thing: Revolutions are a step into the unknown and have historically happened rather rarely and with very mixed results. That's because the system has to be really broken for something totally new to sound better than what you already have.
A monarchy can create a sense of stability: A fixed head of state who will be there until they die. Historically, people aren't seeking to change that. More often, the call is for a change within the existing structure. The Magna Carta or a written Constitution. Firing of Bad Ministers or the abdication of a bad king in favor of their heir. Creating elected bodies under the sovereign. These are all shifting the monarchical paradigm but keeping the monarchy intact.
And historically even the most liberal of people wanted to place restrictions of some sort on voting, especially property and gender restrictions.
There is a myriad of ways to change the system, the person at the top, or both while maintaining a monarchy. You can have a monarchy be elected as the best person among the nobility (though it didn't go that well for the Polish-Lithuanian Commonwealth).
Completely throwing the whole thing out means risking all stability vanishing. That could be anarchy. That could mean a charismatic strongman who is also bad at governing in power. You could end up with a guillotine and rivers of blood in the streets. You could end up with a restoration eventually because Cromwell or Robespierre doesn't actually produce something people want to live under and they want the old certainty back.
People have a sense of inertia about changing government. What you have is better than what you don't know, especially if there can be internal reform. Making your character a Republican (in the Jacobin sense, not the US politics sense) means that they are a radical in most times and places and will likely be in the minority.
If there is one thing I would say is the point here is that monarchies are government systems, and thinking through how someone exists in that system in fiction is important. Being king isn't actually much of a fun job unless you're very good at delegating or very irresponsible. Unless you want to be celebrity, president, congress, and moral center of the state all in one, being king isn't a great deal.
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ven0moir · 5 months ago
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... DID KAREN LISTEN IN ON BYLER'S CALLS? Okay so hear me out
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HER SIDE EYE HERE AT TED'S COMMENT ... like, she knows something. i doubt she knows about Byler per se but she knows something we don't know or at least suspects something. Like she did in S1 before the Wheelers learned about El.
WHAT THE HELL HAPPENED DURING THOSE PHONE CALLS? one thing Karen and i have in common is that we're both nosey af i need to know what the heck those two talked about. bc i understand this moment:
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was when they both had butterflies for the first time / established that 'mutual understanding' thing they got going on, but i've always felt that something meaningful may have happened during those phone calls to prompt Will to draw that painting. So i get the feeling those phone calls matter for further context.
circling back to Karen, Mike telling Karen "how many times?" literally makes it canon that this moment in S3 was NOT the first time Karen listens in on HIS phone calls specifically.
so i do think this either means Karen having listened in on their phone calls will be brought up in s5 for some reason involving exposition, or we will literally hear their phone calls .... through a recording.
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During a moment of action / when something else is going on. Just LOVE the theme of people listening in on private phone conversations, huh? And guess what scene comes RIGHT AFTER THIS ONE? Yup. MIKE ARRIVING AT CALIFORNIA.
We know phones / phone calls have been lightly associated to Byler especially in S4 but now let me introduce to you the idea of them being SPIED ON while having those phone calls, by Karen (intentionally) AND Hawkins Lab/military people (by chance/coincidence)
this is right now my favorite theory i have came up with, bc honestly it is SO much fun finding clues about it. And i feel like whatever conversation they had will be relevant somehow. and this all might be a reach but a part of me feels like i am onto something. perhaps we will have a karen/mike parallel to nancy's conversation with her in s3.
I'll keep updating this if I find more evidence of Karen spying on their phone calls but if anyone else has anything to add that I might've missed I'd greatly appreciate it!!
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shamelessexplosions · 2 months ago
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I'm about 8 years late with this but one thing in the Civil War dispute I have never seen anyone from either side point out (and I could just be completely wrong on this):
There is no indication Steve actually knew Bucky killed Tony's Parents
Steve knew it was Hydra because, and as far as I am aware ONLY because of Zola's little exposition scene in Winter Soldier where he shows a bunch of newspapers clippings of things Hydra is responsible for, including Howard and Maria Stark's death.
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I repeat: things HYDRA is responsible for. So, yes, Cap knew Hydra killed the Starks, and knew Bucky was working for Hydra. That does not mean, because of that little exposition scene, Cap decided, 'oh yes, in the last 70 years Hydra has only had one man doing all their assassinations, so that must mean Bucky killed Howard and Maria.'
The thought it might have been him could have occurred to Steve, but either way, that would be a theory, and not something Steve has any reason to tell Tony.
For further proof, this exchange from Civil War straight after Tony & Steve watched the security footage:
Tony: "Did you know?"
Steve: "I didn't know it was him."
Tony: "Don't give me that shit, Rogers. Did you know?"
Steve: "...Yes."
To me at least, that 'yes' means Steve knew Hydra, as an organisation, killed Stark's parents, and he elected not to tell Tony, which he is shown to have found out in Winter Soldier so we know that. But his initial statement, "I didn't know it was him", we have no evidence wasn't entirely truthful.
(Whether Tony hears that 'yes' as 'yes I knew Bucky killed your parents' or 'yes I knew your parents death wasn't an accident/orchestrated by Hydra' is ...debatable, but either way I can't see any reason to believe Steve meant the latter, especially since he has already said he knew it wasn't Bucky specifically.)
Why didn't Steve tell Tony Hydra killed his parents?
I can think of a few reasons, whatever side of the Civil War divide you are you can probably come up with more:
1. Steve knew Zola was trying to distract Steve and Nat when he showed those newspapers, so was just trying to keep them engaged, and hinting there might be more to the death of an old friend and get Steve emotional would be a great way to do that. Steve might have suspected it was true, but with no actual evidence he didn't want to open Tony's old wounds.
2. The avengers were going after Hydra post-Winter Soldier, and Steve was worried about what Tony might do/how reckless he might be/didn't trust him enough to risk telling him the people they were targeting killed his parents.
3. It was more than 30 years in the past. If Steve didn't know it was Bucky, it would be likely the person who did it (or at least authorised it) was long dead or unfindable (again, 30 years cold case, no evidence except in a bunker in nowhere siberia that Zemo spent a year searching for when he knew exactly what he was trying to find), so there would be no justice to get, so it would be only hurting Tony for no reason.
But the point is there are a lot of reasons Steve wouldn't tell Tony (admittedly a lot aren't very good or wishful thinking, and Steve probably should have said something, but it is a common theme across the MCU that Steve doesn't always have as much faith in Tony as he should (and then sometimes Tony builds Ultron because he got scared and you can understand why Steve might not trust him when emotional), I'm not here to idolise either of them or say either were completely right in this movie, just point out one thing I see a lot of people complain about). A lot of those reasons don't hold if Steve knew that it was Bucky, and we will never know if Steve might have told him if he did, but you can't blame Steve for not telling Tony something he didn't know himself.
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lime-bloods · 2 months ago
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Reading Roxy and Meenah as doppelgangers: a digression on manifestation theory
A brief introduction to manifestation
Manifestation theory sounds scary - the idea that the appearance of trolls and other fantastical creatures might double as insight into the psychological goings-on of our human protagonists is not one that necessarily comes intuitively to all readers. But as blogger azdoine succinctly put it: it's basically "just symbolism". Characters in a story symbolise something, and, understanding that Homestuck is chiefly about its human protagonists, it's logical to presume that the non-human elements symbolise things that are relevant to the protagonists' human experience.
mmmmalo has written at length about what he identifies as the signs linking Meenah to Roxy's inner psychodrama - the things that make Meenah an "esoteric mirror" or "doppelganger" of Roxy. For comprehensiveness' sake, I'm going to outline from scratch what I have identified to be the key signs, and to that end this post is going to discuss the topics of reproduction, reproductive coersion and miscarried pregnancy (with text-pertinent allusions to grooming and incestuous abuse).
One big happy family
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Looks like a little girl's room. This all strikes you as a bit odd.
Hussie suggests only briefly in commentary that the young Roxy's (β) upbringing was at the hands of "a younger grandpa Harley" (Book 2, p. 106), but we needn't take their word for it; the scenery here speaks for itself. Roxy grew up in a dark green basement, trained from childhood to become an agent of Harley's goals, just as Damara (β) - and then by succession Meenah (β) - would be trained as English's agents. So, by analogy, Grandpa Harley is Lord English.
This is another point mmmmalo has (in)famously already made, but regardless of your thoughts on the particulars of that specific reading, the key clues pointing to English as a manifestation of the "Grandpa" character are still plain to see. When John says "the worst case scenario" would be "[facing] our grandfatherly paradox-dad as a last boss", he's explicitly referring to he and Jade's family patriarch, but he's also implicitly foreshadowing Lord English - a character who, in the maturity of 2024, we should now all be able to recognise is in one way everyone's grandfatherly paradox-dad. He represents the same upper echelon of paternalistic power on a cosmic scale that Jake (β) represents on a familial level.
Moving this along towards my point: essentially all of Acts 1-4's adult characters form part of this elaborate Nuclear Family Roleplay - a pantomime of the 'Suburban' setting Homestuck is founded upon. In the same way Jake being known as simply "Grandpa" symbolises his arch-patriarchal position, the reason Roxy is known only as MOM for the first five acts of the comic is because this is the archetypal, impersonal role she has been reduced down into. Her relationship with the character named DAD is a direct invocation of this - the two are essentially playing house, living out the gendered roles that have societally/cosmically been laid out for them. The comic's exposition coyly brushes over this, but a deeper look at Alternian culture gives us a much clearer vision of why 'MOM and DAD' make such an iconic matespritship: on Alternia there ARE no real family units, only procreation, and therefore matespritship is understood by the planet's inhabitants as a mere expression of "mating fondness". MOM and DAD make such a cute couple because they are exactly what their assigned titles depict them as - a breeding pair.
This is basically the crux of Roxy's arc right up to the very end of the comic; though Roxy's (Α) post-apocalyptic anxieties about the extinction of the human race bring these thoughts to the forefront, her struggle within the patriarchal structures of the household / society / reality itself has always been that she is only valued as a MOM - as a breeding machine.
The problem therein is that Roxy is seemingly incapable of having children.
The grieving mother
Within Sburb's scheme of universal childbirth, a "void session" is one that simply doesn't have the eggs required to bear fruit. So it's immediately easy to see why the Hero of Void would have similar trouble bringing a pregnancy to term. But certainly not for lack of trying!
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Sorry, Jaspers [...] your final resting place is already a mockery. You should have decomposed years ago under a bed of petunias like a normal cat. Not given to a taxidermist and fitted with a tiny, custom-tailored suit, and then stuffed in a coffin built for infants.
When Rose was still very young, Jaspers was found dead. Roxy took the death of her CAT so hard that Rose found it difficult to take her grief seriously, interpreting the cat's elaborate mausoleum as a "structure erected with a spirit of scornful IRONY in response to [a] youthfully innocent request to hold a funeral for the animal." But more than any other, Rose and Roxy's relationship is one defined by miscommunication, and this assessment of Roxy's grief doesn't even seem to hold up to Rose's own recollection of events: later, we hear that the funeral service was something Roxy "insisted upon".
And thus begins probably Homestuck's most clear-cut example of a character's arc stretching across multiple iterations, because from this point - parallel to her neverending quest to settle down with a nice hubby and start a family - Roxy (both β and Α) becomes fixated on bringing back her baby - I mean CAT - only to produce failed mutant after failed mutant. These freaks of nature are not Jaspers, and by the laws of time travel dictating the lives of Paradox Clones they can never be Jaspers. The younger Roxy's first few attempts are literally stillborn; while she's eventually able to create what she calls "healthy felines", she still keeps those monsters locked in the basement they came from, for fear of upsetting her real CAT.
Even as over the course of her Sburb quest and her interactions with the new arrivals from the other session Roxy is seemingly able to address and even overcome some of this obsessive gnostalgia for the things she's lost, her apparent inability to bring to term resurfaces when she's made the reproductive object of another grieving mother.
The lamenting queen (or: the other mother)
Her Imperious Condescension is not so immediately recognisable as part of the family pantomime because the troll social structure doesn't use the same terminology we're familiar with, but she's always been there; just as Lord English is grandfather of grandfathers, Meenah is the family tree's literal grandmatriarch of grandmatriarchs, placed upon the Earth in the guise of Betty Crocker - archetypal nurturing housewife - so that her children's children might seed the events architected by her master. This kind of familial roleplay is exactly how English and Meenah's story is passed down to her descendants; Jake recalls that "the witch used to be married to a terrible man named english." Dirk is insistent, though, that this is a masking of the truth, and that English was only ever "her superior". And while it's true that we can't say for sure a young Meenah (β) slept in the same bed Damara grew up in, the fact that Meenah was only formally recruited after Damara's death should not be mistaken for suggesting that Meenah was not one of English's many daughters. She was "the Lo+rd's slave all alo+ng", even if implicitly.
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ARANEA: Once she claimed the throne, she would have to serve for many thousands of years, until the next successor was ready.
For all the differences between Meenah and Roxy's cultures, slavery in the form of motherhood has always been the expectation of the female fuchsia caste, right from the very beginning of Meenah's arc - not as the empress of Alternia, but on Beforus, where the hemospectrum is reframed in far more familial terms:
ARANEA: The jo8 of each 8lood caste was to serve the needs of all those 8elow it. ARANEA: We were to use our progressively greater longevity and wisdom to help the lower castes learn and grow. To listen to them and try to provide whatever they were missing. Like a hierarchy of caretakers with increasing social responsi8ility.
Crucially, this is where Meenah and Roxy appear most to act as reflections but not carbon copies of each other; because where Roxy constantly strives to contort herself into this motherly, wifely role, Meenah perpetually runs from it. Saddled with the "incredi8le responsi8ility" of sitting atop Beforus' structure of care, Meenah "viewed the empress as a glorified slave" and fled to the moon, and even forced into ascendancy on Alternia she finds implicit ways to be absent from her children, spending her life flying further and further away from the planet where they're born and taking every opportunity to hand off any real political authority to clown rappers (a tendency reflected in her human heirs - the company is always passed on to the son and never the daughter).
But when Meenah finally returns home to find her children suddenly massacred by a galactic apocalypse, her arc begins to pull into line with Roxy's in earnest.
A fluffy twitching prison
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TT: The rumors say it was her own "pet" who killed them.
From the moment of her dramatic introduction, Meenah's tragedy is that though she can extend life indefinitely, she cannot have back what she's lost, and this continues to be true as she attempts to resurrect her children on a new planet; attempt after attempt, her babies all die. Despite Gl'bgolyb's explicit death in the meteoric holocaust which claimed the rest of her family, the creature has inexplicably returned on the trolls' prospective new homeworld with the apparent sole purpose of making sure Meenah can't carry to term. We're left to our own devices to figure out just what's going on here.
Act 6 of Homestuck introduces Watchmen to its repertoire of intertexts through Jane's poster of cobalt beefcake MANHATTAN. Watchmen's Dr. Manhattan is an omnipotent world-shaping being who flees the responsibilities of Earth to settle on the planet Mars, iconically rendered in beautiful rosy hues by colourist John Higgins - when we hear the story of Meenah's refusal to the call of being Beforus' own god-empress, it's against the backdrop of a photograph of Mars literally hue-shifted pink (see fourth image), and images of Meenah's ship flying over a settlement on the red planet are included among the products advertised by Crockercorp. Far more explicitly, though: Watchmen originated the idea of using the screams of a psychic alien squid as political leverage, and that's why Gl'bgolyb has to be here for this part.
Alongside commenting on the political landscape of the 80s and the fascist undertones of the superhuman archetypes found in comic books, Watchmen pays particular attention to these characters' sexual eccentricities, and particularly their hangups with women. It stands to reason that of the latter closet homosexual Ozymandias' are the most severe, but they also become the most explicit: the artificial 'horrorterror' he uses to usher in his new world order is his fear of the female body made manifest. With its single clitoral eye and sphinctered mouth, the creature is unmistakeably yonic, and included in the horrific psychic imagery it broadcasts to instill fear into the Earth's population are nightmarish images of juvenile aliens chewing their way out of their mother's womb - the very same image trolls use to describe their disgust at human reproduction in The Homestuck Epilogues. Meenah's relationship to Gl'gboylb should be thought of the exact same way; one of the rare insights we receive into the adult Meenah's psyche is that she finds the process of giving birth "revolting", and it's for this reason she insists that humans procreate only through impersonal cloning. Gl'bgolyb reappears as Meenah's own manifestation: alienated from her own lusus after spending centuries literally running away from it, and traumatised by repeated miscarried attempts at reviving her race, she sees her own reproductive organs as nothing more than a hideous, baby-killing monster. It's no coincidence that when we see our single glimpse of the enigmatic emissary to the horrorterrors on Earth, it's with its tendrils wrapped around the throat of a symbolic depiction of the Genesis Frog (see above image) - the baby that grows in the womb of Skaia.
Breaking the cycle
By Act 6, the matriorb has already long been associated with failed and aborted pregnancies, having been rescued from the first mother it killed and taken into the care of Kanaya, who is then blasted through the abdomen just as it's destroyed, symbolically miscarrying through physical trauma. So when Roxy is tasked with finally bringing a dead baby back to life, it's a coalescence of multiple disparate threads.
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(p. 6463)
Meenah unwittingly - or perhaps uncaringly - perpetuates a patriarchal cycle which has been repeating for eternity by selecting a younger, more fertile doppelganger to take over the role of mother, and locks Roxy in a dungeon with the intention of making her have the baby in her place. But, cycles being cycles and doppelgangers being doppelgangers, the same problem arises. Roxy can only create mutants.
When Roxy does ultimately overcome this, ending the comic with the culmination of this long, meandering motherhood arc, superficially it's because of time spent blitzing her Void chakras in the space outside of reality, and with the help of Calliope as a Muse. But in the time Roxy spends in the white nothingness, she's crucially able to take steps to end her own obsession with reviving the past - not just by burying a version of her own mother, who she spent so much time hoping to resurrect in sprite form, but also in sharing a tearful reunion with the literal ghost of her dead CAT. As with so much of Homestuck, the key to ending the suffering is breaking the self-perpetuating cycle that causes it; made literal, in this case, by Roxy's slaying of her dark mirror image using a sword known for splitting vinyl records - symbolically, for breaking the ever-turning circle of time. And in passing the matriorb off to Kanaya rather than letting Meenah have control of it, Roxy never actually brings this baby to term herself, either - at the end of the day, the minutiae of biology aren't really what motherhood is about:
ROXY: the way i see it is you shouldnt have needed to worry about makin the thing ROXY: i think it will be challenging enough like... ROXY: hatching it?? ROXY: and tending to all the stuff that comes next ROXY: isnt that basically being responsible for the preservation of an entire race of people?
Physically overcoming her demonic doppelganger isn't the end-all of Roxy's struggle with gendered expectation, either. Roxy's complicated relationship with their sex and their motherhood, introduced to us only indirectly through the relationship between Meenah and Gl'bgolyb, becomes central to their understanding and exploration of their own gender identity as they grow into adulthood. Anxieties about the inherent femininity of a childbearing body - the glorified slavery that is seemingly inherent to the cosmically-assigned role of the mother - give way to an understanding of the human body as "something altogether different [...] A flesh machine" with "a specific, practical purpose."
But I digress
The threads running between Roxy and Meenah exist along the types of lines most Homestuck readers will already be familiar with in some form. When two characters share a class, or an aspect, we expect that traits from one character can be used to analyse and further our understanding of the other. Manifestation theory simply asks that we look for even more subtle and non-literal connections between characters than these - a process which Andrew Hussie themself has identified in authorial commentary as part of what they call "persona alchemy". (Book 4, p. 151)
Roxy and Meenah's particular relationship, though, should also be thought of in terms of another phenomenon which is central to Homestuck's structure - escalation. Homestuck constantly reorders and transmutes the alchemical elements that compose one character into 'new' characters, but it also consistently stretches these fundamental concepts to their logical extremes. Just as a game that destroys planets works its way up to the destruction of universes, John striving to leave his house in Act 1 should be taken as the logical precursor to our heroes leaving reality itself in Act 7. The forces keeping these children in their houses - essentially the story's first ever antagonists - are their parents, and as we scale this story up to a cosmic level, we find that the cosmos is dictated by the same suburban family structures; by celestial GRANDPAs and MOMs, raising/grooming/training/neglecting entire worlds or even galactic empires at once.
By allowing us to meet not only the teen MOMs and BROs and NANNAs, but also the teen Lord Englishes and the teen Condesces, the scratch takes us in the opposite direction, reducing these faceless, larger-than-life figures into their smallest, weakest, most fundamentally human forms. And in some cases, as in Roxy's, this creates the opportunity for the child-form to confront and overcome the very darkest of their potential; by being the one to put Meenah down, Roxy not only liberates herself from her own expectations for what a mother has to be and do, but shatters the very cosmic image of MOM itself, breaking the mold that reality had set in stone for her entire sex - her entire caste.
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fuckyeahisawthat · 3 months ago
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Dune: Prophecy episode 1 thoughts, tried to keep it vague to avoid major spoilers:
Wow there is a lot of exposition. Like a LOT of exposition, especially in the first 10-15 minutes when we're not invested in any of the characters yet. I hope this is a first episode problem.
Ah they went the coward's route and used "Great Machine War" instead of "Butlerian Jihad."
There's an interesting "history is written by the victors" thread there right from the beginning that I hope they pull on some more.
I love how they did the Voice, which appears early in the episode, because both the actor's performance and the sound design of it are slightly different from the films. It really feels/sounds like the character using it is straining to access a new and unfamiliar power, in contrast to the effortless, overwhelming assertion of control it comes across as in the films.
Salusa Secundus looks so green and lush in comparison to how it looks at the time of the films.
I realize this is probably an unfair complaint for something made on a TV budget (even an HBO TV budget), but imo the production design doesn't quite measure up to the films. I think the best work is on the props. The key to the genetic index room, the little slides that Valya and Tula are looking at with students' info on them, the Emperor's projection table--those all look great and have that feeling of "future filtered through the past" that I think is key to the Dune aesthetic. Many of the location exteriors are gorgeous, too. Some of the interior sets are quite striking and others are underwhelming. The costumes are...mid imo; there are some beautiful elements and others that look too identifiably modern. Including Princess Ynez's red gown unfortunately which looks like a department store prom dress. I realize it's a high bar--the films were really really good at making everything look both futuristic and ancient, layered and textured--but you do notice the difference.
So! Many! Women! Pretty racially diverse casting too. But also omg so many characters and I already forget half their names. I'm gonna need Dune: Facebook for the next episode.
Emily Watson and Olivia Williams are already very compelling, even if you don't quite know their characters' full agendas yet. Heckin ready for some Machiavellian women scheming.
Love some of the more fucked up shit that just slides by and the information it gives you about the world. Adult (? idk maybe she's supposed to be in her late teens) woman getting engaged to a 9-year-old. Practicing Truthsaying on prisoners, some of whom have fresh bruises on their faces.
Arrakis is...the same. This one is honestly fucking me up. I know time scales in Dune are absurd and really kind of incomprehensible in comparison to real Earth history but can you imagine your home being passed around various imperialist powers for resource extraction for ten thousand years?? FOUR HUNDRED GENERATIONS. 80 years of Harkonnen rule seems like nothing. We're talking about whole eras of colonial control and resistance here. Like damn. No wonder so many Fremen have come to believe that only a messiah can save them. Imagine being someone like Chani and feeling the legacy of not decades or even centuries but millennia of struggle on your shoulders. It is gonna take me a while to fully absorb this one. Holy fuck.
Travis Fimmel's character has an...ability that we haven't seen in the Dune universe before and I'm super curious to see where they're gonna go with that.
Overall it feels like this episode was mostly setup but there's a lot of potential? Like there are a lot of potential threads that could develop into something cool and twisty and interesting. I'm not sure where any of it is going yet but I'm ready to find out.
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