#one day the kids who read his manga will grow up and look for revenge for their destroyed homes and families

[unhonestlymirror]

Me and the besties coming to America/Japan to look for Hidekaz Himaruya

[father-time-and-baby-new-year]

happy 200! i’m so glad to see your blog grow, it’s one of my favorites and i adore all your writing. i’ve never cried so much and i love the kind of unsettling feeling you write in your fics, it’s perfect in the category of yandere and dark content. in particular, i loved your drabble about shigaraki mourning over a dead reader and i’ve reread that one too many times to count haha! as for asks for headcannons and drabbles, it would be amazing to see that with bully!eren especially since he was such an awful person to the reader. i’d love to see him suffer honestly, but if you don’t want to write it, that’s completely fine! once again, i’m so proud of you for hitting 200! that’s such a huge milestone and hopefully, there will be many more in the future! :)

SYNOPSIS: bully!Eren has to navigate the world without you.

Pairing: Bully!Eren x Fem!Reader

A/N: I can't even explain in words how much I CHEESED at this message like my grin was ear to ear. can't explain how many times I read this. It singlehandedly made my day anon, and to repay you for my happiness....here is some angst. this is a slightly different route than the shiggy one but I hope it still suits you <3

TW: mentions of death, past dubcon/noncon, mentions of trauma, bullying, alcohol addiction, drunk driving, abusive behavior, revenge porn, nonconsensual photography/videography, mentions of infidelity, angst, so much of angst, violent behavior

WC: 2.5k

It's not like Eren had been doing a lot of soul-searching. He's not delusional enough to label his half-assed epiphany of "maybe I'm a shitty person" as soul searching.

It's just the conversation with his very sick mother burned holes through the back of his mind. Carla had asked about you and why you don't come by the house anymore. How she missed baking with you in the kitchen, and how you sweetly smiled whenever you would see soft creamy peaks form in the meringue.

Eren felt like he was swallowing needles as he assured his mother with false truths, that nothing was going on and distance between childhood friends is natural, and if it means so much--ok ok he'll bring you over.

He stays until he sees her chest slowly rising and falling into a gentle asleep. He touches the tip of his ears, unsurprised by how hot it was.

Eren, when you tell a lie, the tips of your ears turn red.

You're not at school the next day. Or the day after that. Or the day after that.

Guilt is not an emotion he feels often but the events of the past weekend replay in his mind. It was just a dumb party that Floch threw, and he was surprised to find you cornered by a trio of thee dunderheads. Like a distorted fairytale, he swept you away from the bad guys like a knight in shining armor, to only shove you in an empty room and demand compensation for playing hero.

Fuck, with that big mouth, you would think that you'd know how to suck cock.

Use your tongue stupid slut. If you use teeth, I'll shove this dick in your ass without any prep.

No, I don't care, you're taking all of it.

There's a video on his camera roll. How could he not record it? You're sobbing, mascara running down your cheeks, looking so beautiful and ruined with jizz smeared at the corner of your mouth. He was brutally fucking your mouth, making you take all of his length.

Breathe through your nose dumb whore. Or else you're gonna run out of air.

You were pleading with whatever garbled sounds you were constricted into producing.

Breathe through your fucking nose. This is for your sake. Otherwise, I don't mind face fucking your lifeless body. You'd be more useful that way anyways.

Eren is conflicted with muting the video because he can't stand to hear himself like that. But he didn't want to miss out on your pitiful whines.

He remembers the distraught expression on your face when he was finally done with you. He tucked himself inside, and sneered, "I've got a girl coming here. Get lost." You looked so fucking distraught. Why? All he did was make you suck his dick. He didn't even fuck you.

He should have. Eren thinks grimly when he stares at your empty desk on the first day you didn't show up to school. He's gotten off to the video more than enough times than he can count over the weekend, and he was aching to see your pretty face twisted into a terrorized expression when he flipped up your skirt to grope your ass.

Kindly, Eren decides he'd allow you to have a rest day. But the second day, Eren pays a visit to your house finding it dark and locked, like no one was home and hadn't been there for a while.

On the third day, you're declared missing.

Your incompetent workaholic mother who finally came home and decided to give a damn reported you missing to the authorities who had scratched their heads because as far as they knew, the pivotal 72 hours were up.

Paradis was surrounded by forests. No one wanted to say it, but they were all thinking it. If you got lost in there, chances are you wouldn't make it out.

Eren wasn't always this admired and fawned over. He had his fair share of behavioral issues that frightened people (not you though, not then at least, not when you were children, and you still came back every day to play).

But when he channeled that anger into sports, there was somewhat of a star in the making, especially for some small-town boy. He was becoming extremely popular, and that's nice and all, but at the end of the day, he has a mother whose health was taking a sharp decline. He was constantly under stress, stress that he took out on you.

Where did his favorite stress-ball go?

It's all fucking surreal. Having detectives in the school. Not that there were many students to question (because christ, did you even have any friends after Eren turned everyone against you?).

Eren was questioned. He can't help but mirthfully chuckle. Maybe this was your grand plan, maybe you were able to finally sort out a mountain of evidence against him. If you were going to fuck him over, didn't you want to see it happen with your own two eyes?

The dark-haired boy wishes that was true. If you had gotten your revenge, would you be here? No, revenge isn't the right word. If you got any justice for what he made you suffer, would you come back?

Hi, I'm Detective Hange. I would like to ask you some questions today. You're Eren Yeager, right?

Yes, that's me.

How do you know ___?

We were childhood friends. We're uh, we're not as close anymore.

When was the last time you saw her?

Friday night at Floch's party-

-Floch Forster right? There were a number of kids there from your school.

Yeah. It was a big party. She uh, doesn't usually come to parties but she was there that night.

You were the last person to be seen with her. Other kids have said that they saw you and her entering a room together, and then only her leaving the said room.

[Sigh] Yeah we sorta...hooked up.

I thought you said you guys weren't close anymore.

You can be not close to someone and still hook up with them.

But you guys were close once right?

Yeah. Once.

The dark-haired boy asks if he was under any suspicion. The detective waves their hand in a dismissive gesture, “If her diary tells us anything, it’s only that she really liked you.”

Were detectives even allowed to divulge that sort of information? Eren doesn’t know but the stray detail that they offered off-handedly made him feel like he was swallowing needles.

At that point, Eren honestly still doesn't believe you're gone. You had a habit of running away, even when you were little kids, but you always came back.

Still, he participates in the search parties with a renewed vigor, even going alone in the forest with a flashlight on most nights.

And he's just so fucking tired. The darkest crevice of his mind almost wishes you were dead because this ignorance was just agony. Almost. Because he still clings to the feeling that one day, he’ll stroll into class and find you in your seat in the back of the class, looking out the window like some cliche shojo manga protagonist.

There are folders and folders on his phone. Albums. The most recent one is dedicated to your crying face as you were choking on his dick. Earlier albums are composed of creepshots of your panties, of that obscene o-face, of your skirt flipped up and your ass cheeks, pictures of your cleavage, videos of you thrashing as he dunked your head into toilets like a villainous middle school bully.

Pictures of your neck covered in hickeys, your naked breasts, ass cheeks striped with red after getting spanked, your leaking cunt, just endless and endless media dedicated to pieces and pieces of your body like you were never a whole person.

The earliest ones though tell a different tale, from off-guards to your drooling face as you napped in the middle of the day.

He has a favorite picture. Your eyes are watery from the cold, snowflakes stuck between lashes, nose and cheeks flushed red, and you're smiling. Smiling right to the camera. Right at him.

"Eren, are you taking a picture?" You asked, bouncing in place, giddy that it was finally snowing.

"Not of you, shut up. Get out of the way." His voice is gruff but not harsh.

You laughed and jumped into frame anyway, and the bright streetlamp behind you made you seem like you were wearing a halo.

He wishes he had more pictures of you being...yourself. Because now your crying face displayed over countless pixels haunt him. But like a fucking degenerate, he still jerks off to all the nudes he coerced from you. Sometimes he cries when he's jerking off which is probably the most pathetic thing he's ever done. This is what you've reduced him to.

He hates the sound of his own voice.

Breathe through your fucking nose. This is for your sake. Otherwise, I don't mind face fucking your lifeless body. You'd be more useful that way anyways.

Eren goes through the motions of life without really feeling like he's in the moment. Seasons change and time flies. His mother dies, and his withdrawn father dies a year later. He proposes to Mikasa because it's something he was always supposed to do. She loves him unconditionally, so even when he doesn't put any effort into the relationship but proposes, she says yes hoping he'll change and be a good husband.

He doesn't go to his parents' funerals because they're already dead. What's the point. He doesn't visit the candlelight vigils in your honor either. After tearing his ACL again and a somewhat traumatic injury, he kisses his pro-football career goodbye. To be totally honest, he's relieved. Because he had gotten quite bored, and maybe he was looking for excuses to quit the entire time. It's not like you'd be cheering on the bleachers anyways.

Mikasa has an affair, more out of a desire to see her fiancé feel something for her as opposed to any burning lust. But when she asks him if he's ever cared at all, with tears springing out of her eyes, he's just calmly drinking his fifth of whisky.

The dark-haired man doesn't even look up, "Let's break up."

"Is this about her, huh? Fucking get over it already Eren. She's GONE. And you have some big fucking audacity moping about her death like you weren't making her cry in the bathroom stalls every fucking day you piece of shit."

"Get out."

"You know what, I bet she killed herse-"

SMASH

The dark-haired woman doesn't finish her rant because the whiskey bottle smashes on the wall next to her head, sending glass everywhere and staining the carpet amber. She's unharmed, knowing it wasn't Eren's intention to hit her but Jesus Christ, what a monster.

She packs her bags and leaves the town like she should have a long time ago. All her friends had left years before and she stayed behind because that's where Eren was. She thanks her lucky stars that they didn't marry.

It's funny because he had always imagined himself being the first to move out of their small town, but he's the one staying. He can't leave this place. feels too tethered to ever leave. Every diner and liquor store is saturated with memories of you. He remembers buying cigarettes and exhaling the smoke to your face to piss you off in empty parking lots.

Maybe he stays in case you'll come back.

Eren's days consist of alcohol-fueled hazes. He doesn't know how his liver is still functioning. He doesn't know he's still alive after crashing his car into a tree when he was drunk out of his mind. He was on his way to get some more vodka.

He barely recognizes himself in the mirror anymore, not that he looks at himself much. His hair is long, nestled around his shoulder because he couldn't be bothered to cut it, dark circles under viridian eyes, and a perpetual stubble on his jaw.

His parents had left quite a sizable inheritance so there's no need to work but he's good with his hands. Likes crafting up birdhouses and cabinets, and occasionally does odd jobs around the neighborhood, never charging the elderly.

He's under the sink, tinkering with a wrench against the pipes when he hears the old lady coo at him.

"We're so lucky to have you Eren. I'm surprised a handsome young man like yourself doesn't have a special lady. The girls must be lining up at your door!"

The dark-haired man winces, and offers no comment, knowing that that the older lady was susceptible to long tangents.

"You know, we're getting a new neighbor." Eren grunts as a response. "They're young, I've heard. Isn't that exciting? Oh my, Eren! I think they're gonna be living in the house right next to yours..."

He tunes out the rest of the conversation because doesn't really care. He just hopes his new neighbors are quiet.

It's Sunday noon when obnoxious noises of moving trucks and people wake him up from his deep slumber. Eren's annoyed to wake up despite the fact he's probably been sleeping over 15 hours. He oscillates between getting too much sleep and getting none, his sleeping habits completely dependent on his dreams.

His nightmares are too visceral, visions of your corpse asking him if he'd enjoyed hollowing your soul with his teeth.

His dreams are achingly sweet. You in your prom gown, shining so iridescently like diamonds were sewn into the silk. He's dancing with you, holding you close, and then after you guys go to your favorite diner and gorge on burgers and milkshakes.

There's a peal of distinctly feminine laughter that stirs up Eren's senses. He's so pathetic, was the mere sound of a woman laughing getting him excited?

He sighs. He thinks of the whore he's frequently visited because of her resemblance to you. Hair color, skin color, face shape--with enough alcohol, he could really convince the person beneath him, was you. Maybe it's time to give her a call, but she's gotten so fucking needy and he hated how her voice didn't match yours.

The green-eyed man peers from the lace curtains, irritated by the brats playing on his lawn. A full family next door? Great, just what he needs.

The friendly knock on his door breaks him out of his daze. He contemplates whether he should answer but on the second more muted knock, he lets his feet guide him.

He turns the knob.

And Eren Yeager completely shatters.

Because it's you isn't it? You're the person standing in front of him? He can hear what you're saying but he doesn't really register it, soaking in the cadence of a voice he had long forgotten because all he had were pleading whimpers and frenzied moans stored on his cell.

He's shaking. Is he dreaming? He's dreaming, right? He knows it's you. You're older, far more beautiful than he's ever seen you. You have a different hairstyle, wearing clothes he would have mocked you for, and there's this joyfulness within you that makes you glow.

There's a mess of emotions electrifying in the pits of his stomach from euphoria, anger, and dread. He could feel his skin growing clammy like he was about to vomit at any second.

"Hey, are you all right?"

Doe eyes full of concern peer up at him. He voices out the syllables of your name like a desperate prayer.

You tilt your head to the side, "How do you know my name?"

[amaya-writes]

Cherry Blossoms and Forest Fires: Touya Todoroki (Dabi) x Reader

Notes: This started off as my thoughts just being written out and turned into sort of a Dabi fic. Kinda inconsistent but it's got the vibes.

Warnings: Mentions of death/funerals, kinda spoilers? I don't read the manga so I don't know much about Dabi's origin story but everything I mention about the past is things I've pieced together from fanfics.

Characters involved: Touya Todoroki (Dabi), mentions the other Todorokis

Gender-neutral reader, you/yours

Dabi felt a weird attraction to you.

You who was just another hero kid from another rich hero family like the Todorokis and Tenyas.

Who was around Natsuo's age and honestly didn't even know the Todorokis too well, yet the fact that you gave Touya a cherry blossom and jokingly asked him to marry you when the two of you were kids stuck with him.

It stuck with him enough to have him occasionally drop by your house or sneak past your bedroom window in the middle of the night when he was young and alone and had no place to call home.

It stuck with him on those nights when the streets of Japan seemed a little too cold as he nursed his burns and the new bruises and scars littering his body, hiding away in a back alley and hoping tomorrow would come with the promise of revenge.

It stuck with him enough to ensure that even after all remnants of Touya died and made room for Dabi, you still remained on his mind.

Not as a constant reminder of the past like his father, but as a bittersweet fleeting memory, just like that cherry blossom he had let loose to fly into the air so that it could be used to torment another seven-year-old boy.

It stuck with him like paper planes on summer afternoons, like the crackling of dying bonfires, like half-finished poems muttered contemplatively in the middle of the night.

It stuck with Touya like a memory, yet it was one that, if he chose to, he could allow himself to relive.

It wasn't his fault.

If anything, it was yours.

Yours for giving him that flower and plastering on that stupid grin as you called him cute and said you wanted to marry him.

Yours for making a seven-year-old Touya envision sights of the two of you growing up to be the heroes your parents couldn't and, one day, swapping vows at an altar.

A thought that had him disgruntled and disgusted then but now only led to a small scoff or smile depending on the day.

Yours for pestering him and pressing on, asking how his day was and letting out those dramatic little gasps of yours as you pried over and mended his wounds from training every time the two of you met, which wasn't as often as Touya would have liked.

Yours for gushing over him and giving Touya the one thing that could have possibly fixed it all: love.

And not just any kind of love.

No, the kind of love that had you sobbing at the back of the room as you watched the Todorokis mourn a brother and child of whom they didn't even have a body to bury.

The kind that had you fondly smiling, even giggling at the picture Fuyumi showed you when you dropped by their house almost a month after the funeral.

A picture that represented that one day that started this peculiar...thing that existed between the two of you.

The kind of thing that had you pinning said picture on your wall and looking at it mournfully each time his death anniversary rolled around.

But then Dabi's gaze would shift away from the picture to instead gouge the other sheets of paper stringed up around your room, ones that depicted you and your hero friends.

And he would realise, albeit begrudgingly that whatever he felt for you went beyond a little weird attraction.

He would realise how strong of a memory you truly were, for you weren't distant like the crackling of a dying bonfire but lively like a forest fire ready to consume him.

Touya Todoroki thinks that the kind of love you feel for him, felt for him, is the kind he doesn't deserve. The kind he should run away from and avoid until it withers.

But Dabi? Dabi persists in reigniting the ashes of your dead love just so they can rise and fester into a flame that had you choking, burning, dying for him.

Touya Todoroki had no qualms letting you live your life while he lived his.

Yet Dabi insisted on ensuring your little pipe dreams of being a hero were washed down the drain with him.

[ladyyatexel]

Thanks and curses to @indigobluerose, who planted this particularly overly fancy seed in my head several days ago. I don't know what is going on or why, I just wanted to make Ryou and Marik with the layers of dark and light stuff I like and Fancy Fancy Bullshit.

I would still enjoy doing something related to this another time with a bunch of paper textures.

Miscellaneous thoughts about background and whatever beyond this point.

I think about Marik having been raised with his whole world being ancient. That they were there to preserve something that had been gone for several millennia. The gods are real and the pharaoh's memories are so precious you ruin your children over them. So even though he's the one who isn't possessed literally by ancient Egyptian something or other, he feels closest to it to me.

I like that after his first several years of growing up in plain robes he (and his sister, to be fair) just went out and was covered in gold. So I've dressed him wildly impractically and more like a pharaoh, I suppose, but he deserves it. I may have stolen some famous shit from the 18th Dynasty for this just saying

His heavy hand sun symbolism appeals to me because I'm a simple creature. Behold kid born just after the winter solstice with blonde hair who busts out of the dark to get revenge/liberate his family with the use of a Ra card while wearing thick gold jewelry in like every place he can get it. Okay, buddy, we all see what you're doing, we get it. And we love you, it's fine.

I didn't use a single ankh or lotus on him how did that occur

I'm so used to shoujo series in which you always get an obligatory piece of art with the protagonists dressed in New Year's kimono, so when Indigo was like, 'Ryou Bakura in kimono' I was blown away on several levels. Like oh god, not only did I not come up with this, but it also is not available in 17 flavors from the original author like it is with every other comic I read growing up, haha. I tried a few with his hair down just for character recognizability reasons, but the bun looked so much better and is what you're supposed to wear, and why not do something else to him.

I always hope he looks like himself to other people too, haha. I don't adhere to anime/manga features, but I try to hit up some kind of balance when I make these.

I tend to color him with the anime's brown eyes even though the only canon I've fully consumed is the manga, where they're blue. The brown just feels good on him. Probably because despite only having seen a fraction of it 15 years ago or whatever, the anime was my first introduction to him. Plus, given Marik's coloring, it feels nice to give at least one character one trait that they would be actually likely to have.

As is so often the case lately, I envisioned something else, but this is also nice, so Okay, we'll go with this.

[tendous-socks]

TOKYO REVENGERS HEADCANONS OF ME BEING NON BINARY / REACTING TO SOMEONE BEING NON BINARY

tw: ⚠️⚠️kisaki⚠️⚠️ and manga spoilers, mentions of death, transphobia,

would misgender and dead-name me

1.kisaki.

must i need an explanation?😐

2. shion

“ what’re you gonna do about it?? HUH?? WHAT’RE YOU GONNA DO ABOUT IT ???”

actively looks for a fight

… if y’all are in a relationship he’d still call you his “girl” but beats people up for doing so….

3. mucho

i get the vibes that he’s traditional

would silently stare in judgment

4. mochi

he just doesn’t care clslfkxkslk

thinks it’s weird

“ nor/mal”

7. rindou..

“you either have a pen or a vag. “

8.ran

“interesting”

*continues dead naming me*

9. KOKO

he would be nicer about it when he’s in toman due to inui… but once they’re separated- an ABSOLUTE MEANCE

… reluctantly apart of the protection squad with inui ( enjoys beating people up tho)

10. bontent mikey

… he’s just so tired and doesn’t really care ) that is if you’re not close with him… but then again how close can you really get?)

11. ) PAH CHIN

AND ONLY BECAUSE HE WAS IGNORANT AND HIS FATHER DIDN BELIEVE IN THAT STUFF AND HE DIDNT KNOW BUT THEN ( if y’all are close ) HE’D FEEL BAD AND AFTER YOU EXPLAINED IT TO HIM HE TOLD PEH CHIN TOO AND WERE SURPRISINGLY SUPPORTIVE

but if y’all ain’t close he would slowly get the hint… this is canon.

because i said so-

11. sanzu…

he’s quietly judging you

EDIT

SOMEONE SAID SANZU WOULD USE ANY PRONOUNS AND I REALLY LIKE THAT HC-

SO SANZU WOULD PROBABLY JUST ‘ SILENTLY JUDGE YOU’ SO OTHERS DONT CATCH ON MHMHM

12. akashi

traditional- plus it was a different era for him growing up so…

(would glare at someone if he really did see you getting emotionally distressed)

13. smiley

“ that’s one of the most stupidest shit ive ever fucking heard 😁”

.🙁

“ you either have tits or a dick “

.☹️

but would beat people up if you get SUPER upset ( call it his protect instincts with angry, but would send people to the hospital)

14. taiju

“ i wanna church girl who goes to church and reads her bible “

would spit at me

- WHO WOULD BEAT SOMEONE UP FOR DEAD-NAMING / MISGENDERING

1. PAH CHIN AND PEH YAN

THEYRE ABSOLUTE MENACES TO SOCIETY IF SOMEONE CALLS YOU A GIRL / BOY

head canon : during tenjiku you were there and had to adjust your transtape cause it was coming lose 🙄

which is literally the most annoying thing in the world-

and shion saw you.

he came up and was like “ HUH WHAT’VE WE GOT HERE?? A GIRL PRETENDING TO BE A G-“

couldn’t even finish his sentence with how fast peh chin clocked his ass 🤭

( peh yan supremacy)

2. my main man takemichy

no explanation needed ( maybe deadnamed you only once cause he didn’t know)

3. inui cause i said so

5. BAJI BAJI

BAJI WOULD ALMOST KILL A DUDE FOR CALLING YOU YOUR DEAD NAME

i KNOW mama baji raised him right ✋🙄

almost clocked chifuyu when you told him about your first encounter kcksldofospdoco

almost clocked your mom when she said “you got it girlfriend”

she was confused when she saw you desperately trying to prevent the next criminal minds episode

best listener for body dystrophia fight me 🙉❤️

6. senju

*comes out*

“..oh okay! anyways as i was saying [preferred name] “

would need some gentle reminders only once or twice cause i will say it does take a bit of time for people to get used to it and there are always a few slip ups

tells akashi about your pronouns ( ONLY WITH YOUR CONSENT OFC)

( promises to try and be more girly if he calls you by them and your preferred name)

she wants you to go into more details about what you’re feeling cause she’s genuinely very interested about everything and she wants to know more about you.

7. emma 😻 vv supportive 🙌🙌

*sicks mikey and draken out on anyone who hurts your feelings

“you know [blah blah blah] from history?”

“of course yeah “

“yeah he ended up calling me slur during class- what’re you doing?”

*emma pulling out her phone

“hm? oh nothing don’t worry about it”

gave more insight about it to draken and mikey

8. HINA

YALL SAW HOW SHE SLAPPED MIKEY-

THIS GIRL WOULD D R A G A BITCH BY THEIR HAIR IF SHE SAW THEM BULLYING YOU

the one of correct takemichy

9. yuzuha

hina but 10x worse

trips transphobes for shit and giggles 🤪🤞

i like to think that the girls (all 4) would just all stare down a girl who was shit talking you and just pick her apart mercilessly ( a little ooc but this is my head canons so they can be whatever i say they are)

ones idk about

1. mikey

he knows that you can handle yourself so he lets you correct people.

or

sometimes he’ll jump in and correct them instead for one of two reasons.

1. he felt like it

2. they kept calling you your dead name and misgendering you EVEN THOUGH you already corrected them

but if the person ACTIVELY does that and says some… not so fruity things. he’ll send em to the hospital and end up on life support 😌☝️

like dom tertto, he cares about his family. and toman is his family, and you’re in toman ( not THAT kind of y/n way 🙄 )

“ BE WHO YOU AREE🌈🌈🌈🌈🤪🤞🏳️‍🌈🏳️‍🌈🏳️‍🌈”

1. draken

… listen… idk why, but i just don’t SEE him beating people up for misgendering me… well okay i kinda see it,

but he’d be like, “ i don’t understand what you’re going through, but i support you and if you want to talk about it i’m here”

wants to try and understand so like i said before, he lets you rant about what you’re feeling

would let you handle your own battles cause your strong enough to

a true king 😎🙌

does in fact throw punches when it gets REALLY BAD

2. angry

… idk h o w empathic he is and how mad he’d have to be on your behalf when people actively kept misgendering you to become the blue ogre.

but he’d just start crying at the confrontation.. 😐

my hero ig 🤥

3. izana

“ that’s fucking stupid”

*beats up middle aged woman who said for you to “ have a good day ma’am”

but if y’all close he’ll only say it’s stupid once when he sees you genuinely upset and ignoring him

“ be who you are.. 🌈”

4. kaku

same boat as izana, A LOT less judgmental

5. mitsuya

won’t hesitate to send a bitch flying

actively corrects people

( teaches luna and mana about your pronouns for the next time you come over 🕺🏻)

TAKES YOU SHOPPING FOR CLOTHES

6. haitani brothers

*actively bullies you

*bullies kid into the grave for looking at your chest area

7. …hakkai

he accidentally slipped up once🤒

WHEN I SAY THIS MANS FACE WENT PALE- HE DIDNT TALK TO YOU FOR A W E E K MINIUM CAUSE HE FELT SO BAD

YOU KEPT TELLING HIM THAT ITS FINE-

BUT HE FELT AWFUL

( has nightmares about it)

8. chifuyu would only do it in his mohawk era cause he wanted to seem metal and impress da boys 🥶🥶☝️☝️

pulled you aside at the end of the day to apologize

( like i said before, baji almost clocked him when you told him about your first encounter )

who am i kidding they’re all in gangs, they’d probably kill someone if they hurt you cospwpfoslief

——————

IF YALL GOT ANYMORE IDEAS LMK CAUSE IM INVESTED IN YHIS AND WANNA HEAR WHAT YALL THINK

[namjoon-koya]

I’ve been seeing this trend for a bit but Todoroki, Bakugo, Hawks, and Dabi reacting to their s/o holding their faces and gently rubbing their cheeks with their thumbs and just not saying anything. It looks so relaxing especially when a loved one does it. These bois have so much internal issues and I think a gesture like that would let them relax and be vulnerable for a bit since someone they love is being gentle and their beloved is just giving them a gentle stare of adoration and love with relaxing music in the background.

(A/N: dude this request is so precious like-)

At first he’s like “... Y/N what are you doing?”

But you just tell him to relax as you continue to rub his cheeks.

Often your thumb would gently caress his scar at times and Todoroki would just melt in your hands.

He was insecure about his scar and when you two first started dating he would sometimes flinch a bit whenever you’d brush your fingers against it so it did take a while and a few comforting words for him to not flinch away anymore.

Todoroki doesn’t like showing his emotions remember in the first few episodes of my hero academia he didn’t let anyone see his emotions.

But letting his guard down in front of you and letting his feelings just.. show for once takes a lot of pressure off his chest.

Todoroki is touched starved too he really didn’t grow up in a loving family and the only thing that kept him happy was his mom until.. that was taken away from him too leaving him from having a loving childhood.

He really doesn’t want you to stop either once you start showering him with affection it makes him feel wanted and loved again.

If you often lay a few kisses on his cheek it will make his mood even better.

He’s glad that he has you, often people would only praise him because of his quirk or because he was related to Endeavor but you? You loved him because he was Shoto Todoroki not because he was “endeavor’s kid.” As people would always say to him whenever they saw him.

Todoroki’s eyes will slowly start to close, but as soon as he feels himself falling asleep he quickly wakes up and you’re just giggling because it’s really adorable how he really enjoys you rubbing his cheeks to the point where he’s falling asleep.

“Todoroki?”

“Hm?”

“If you ever need me to this again please let me know I want to show how important you are to me.”

“Thank you Y/N..”

Listen I know Bakugou tends to show that he isn’t weak, but remember how terrified he looked when the sludge villain had him?

Even when the league of villains kidnapped him and he tried acting like nothing was wrong he was actually scared?

This affected him a lot since I’m pretty sure Bakugou never expected that to happen to him.

So when you’re rubbing his cheeks gently with your thumbs at first Bakugou is asking what the hell you’re doing.

“Just.. let me do this okay?” He simply just nods.

At first he’s like okay this is awkward I’m just going to tell them to stop.

but then he hesitated once he started to relax more into your touch.

You gently press your forehead against his and Bakugou just slowly closes his eyes allowing himself to relax completely his breathing is really calm as he leans more into your hands.

He feels like all the worries he had and expectations he held just faded away from him.

Bakugou often kept his walls up even with you because he wants to act like if nothing affects him at all, but with you doing this his walls just  immediately crumble down.

“Y/N?”

“Yes Bakugou?”

“Please.. don’t stop..”

You smile “I won’t.”

Dude Dabi makes me the sad the most (if you’ve read the manga)

I know he’s tired and he wants to stop, but he won’t stop until he has his revenge on Endeavor.

He hasn’t slept for days and you can see how tired he looks even when he’s glaring out the window.

“Dabi.. dear please come here.” You said gently patting the spot next to you.

At first Dabi grumbles in annoyance, but moves over to where you’re sitting.

You’ve never really touched his scars on his face so you slowly and gently as you could hold his face and start rubbing his cheek.

He questionably stares at you, but doesn’t say a word.

He just thinks you want attention since he’s been busy with the league and all.

He doesn’t realize it himself, but he slowly starts leaning more into your touch. Dabi has told you many countless times he’s loved you, but has never showed his real emotions because he just can’t get attached to people.. in the end he knows it ends up a tragic story.

It takes him a while to finally show his emotions and when he does he’ll stare at you with those dark blue eyes of his and you could already see the emotions he was holding back.

“I’ll always love you Dabi.” You whisper softly as you kiss his forehead.

Please show him more affection he needs it badly he’s been touch starved for so long that he didn’t even realize it until you started doing this to him.

“I’m tired.”

“I know Dabi.. it’s okay.”

Hawks didn’t have a family (and I’m not going to go into detail about his family for people who haven’t read the manga.)

The hero commission basically raised him, but not how normal kids were supposed to be raised.

He was trained a lot until he became a hero.

He was never really shown any affection until you came along and changed that.

Pamper him with kisses please he doesn’t realize that he was craving so much kisses and affection until now.

So when you start rubbing his cheeks slowly and gently he will literally let out a soft whimper and lean more into your hands.

Hawks personality was sometimes (well not soemtimes) cocky so seeing how he completely changed into a soft boi made you surprised, but it made you feel a little sad.

Was he always bolting up his feelings? You ask yourself.

Now you were determined to make him feel loved and appreciated.

[usergreenpixel]

JACOBIN FICTION CONVENTION MEETING 1: La Seine no Hoshi (1975)

1. Introduction

Well, dear reader, here it is. My first ever official review. And, as promised, this is one of the pieces of Frev media that you have likely never heard of before.

So, without further ado, sit down, relax, grab drinks and snacks and allow me to tell you about an anime called “La Seine no Hoshi” (The Star of the Seine).

“La Seine no Hoshi” is a children’s anime series made by Studio Sunrise. It consists of 39 episodes and was originally broadcast in Japan from April 4th to December 26th of 1975.

Unlike its more famous contemporary, a manga called “Rose of Versailles” that had begun being released in 1972 and is considered a classic to this day, “La Seine no Hoshi” has stayed relatively obscure both in the world of anime and among other Frev pop culture.

Personally, the only reason why I found out about its existence was the fact that I actively seek out everything Frev-related and I just happened to stumble upon the title on an anime forum several years ago.

So far, the anime has been dubbed into Italian, French, German and Korean but there is no English or even Spanish dub so, unfortunately, people who do not speak fluent Japanese or any other aforementioned language are out of luck ( if anyone decides to make a fandub of the series, call me). That being said, the series is readily available in dubs and the original version on YouTube, which is where I ended up watching it. The French dub calls the anime “La Tulipe Noire” (The Black Tulip), which could be an homage to the movie with the same name that takes place in the same time period.

Unfortunately, while I do speak Japanese well enough to maintain a basic conversation and interact with people in casual daily situations, I’m far from fluent in the language so the version I watched was the French dub, seeing as I am majoring in French.

So, with all of this info in mind, let’s find out what the story is about and proceed to the actual review.

2. The Summary

(Note: Names of the characters in the French dub and the original version differ so I will use names from the former since that’s what I watched)

The story of “La Seine no Hoshi” revolves around a 15-year old girl called Mathilde Pasquier - a daughter of two Parisian florists who helps her parents run their flower shop and has a generally happy life.

But things begin to change when Comte de Vaudreuil, an elderly Parisian noble to whom Mathilde delivers flowers in the second episode, takes her under his wing and starts teaching her fencing for an unknown reason and generally seems to know more about her than he lets on.

Little does Mathilde know, those fencing lessons will end up coming in handy sooner than she expected. When her parents are killed by corrupt nobles, the girl teams up with Comte de Vaudreuil’s son, François, to fight against corruption as heroes of the people, all while the revolution keeps drawing near day by day and tensions in the city are at an all time high.

This is the gist of the story, dear readers, so with that out of the way, here’s the actual review:

3. The Story

Honestly, I kind of like the plot. It has a certain charm to it, like an old swashbuckling novel, of which I’ve read a lot as a kid.

The narrative of a “hero of the common folk” has been a staple in literature for centuries so some might consider the premise to be unoriginal, but I personally like this narrative more than “champion of the rich” (Looking at you, Scarlet Pimpernel) because, historically, it really was a difficult time for commoners and when times are hard people tend to need such heroes the most.

People need hope, so it’s no surprise that Mathilde and François (who already moonlights as a folk hero, The Black Tulip) become living legends thanks to their escapades.

Interestingly enough, the series also subverts a common trope of a hero seeking revenge for the death of his family. Mathilde is deeply affected by the death of her parents but she doesn’t actively seek revenge. Instead, this tragedy makes the fight and the upcoming revolution a personal matter to her and motivates her to fight corruption because she is not the only person who ended up on its receiving end.

The pacing is generally pretty good but I do wish there were less filler episodes and more of the overarching story that’s dedicated to the secret that Comte de Vaudreuil and Mathilde’s parents seem to be hiding from her and maybe it would be better if the secret in question was revealed to the audience a bit later than episode 7 or so.

However, revealing the twist early on is still an interesting narrative choice because then the main question is not what the secret itself is but rather when and how Mathilde will find out and how she will react, not to mention how it will affect the story.

That being said, even the filler episodes do drive home the point that a hero like Mathilde is needed, that nobles are generally corrupt and that something needs to change. Plus, those episodes were still enjoyable and entertaining enough for me to keep watching, which is good because usually I don’t like filler episodes much and it’s pretty easy to make them too boring.

Unfortunately, the show is affected by the common trope of the characters not growing up but I don’t usually mind that much. It also has the cliché of heroes being unrecognizable in costumes and masks, but that’s a bit of a staple in the superhero stories even today so it’s not that bothersome.

4. The Characters

It was admittedly pretty rare for a children’s show to have characters who were fleshed out enough to seem realistic and flawed, but I think this series gives its characters more development than most shows for kids did at the time.

I especially like Mathilde as a character. Sure, at first glance she seems like a typical Nice Pretty Ordinary Girl ™️ but that was a part of the appeal for me.

I am a strong believer in that a character does not need to be a blank slate or a troubled jerk to be interesting and Mathilde is neither of the above. She is essentially an ordinary girl with her own life, family, friends, personality and dreams and, unfortunately, all of that is taken away from her when her parents are killed.

Her initial reluctance to participate in the revolution is also pretty realistic as she is still trying to live her own life in peace and she made a promise to her parents to stay safe so there’s that too.

I really like the fact that the show did not give her magic powers and that she was not immediately good at fencing. François does remark that her fencing is not bad for a beginner but in those same episodes she is clearly shown making mistakes and it takes her time to upgrade from essentially François’s assistant in the heroic shenanigans to a teammate he can rely on and sees as an equal. Heck, later there’s a moment when Mathilde saves François, which is a nice tidbit of her development.

Mathilde also doesn’t have any romantic subplots, which is really rare for a female lead.

She has a childhood friend, Florent, but the two are not close romantically and they even begin to drift apart somewhat once Florent becomes invested in the revolution. François de Vaudreuil does not qualify for a love interest either - his father does take Mathilde in and adopts her after her parents are killed so François is more of an older brother than anything else.

Now, I’m not saying that romance is necessarily a bad thing but I do think that not having them is refreshing than shoehorning a romance into a story that’s not even about it. Plus most kids don’t care that much for romance to begin with so I’d say that the show only benefits from the creative decision of not setting Mathilde up with anyone.

Another interesting narrative choice I’d like to point out is the nearly complete absence of historical characters, like the revolutionaries. They do not make an appearance at all, save for Saint-Just’s cameo in one of the last episodes and, fortunately, he doesn’t get demonized. Instead, the revolutionary ideas are represented by Florent, who even joins the Jacobin Club during the story and is the one who tries to get Mathilde to become a revolutionary. Other real people, like young Napoleon and Mozart, do appear but they are also cameo characters, which does not count.

Marie-Antoinette and Louis XVI are exceptions to the rule.

(Spoiler alert!)

Marie-Antoinette is portrayed as kind of spoiled and out of touch. Her spending habits get touched on too but she is not a malicious person at heart. She is simply flawed. She becomes especially important to the story later on when Mathilde finds out the secret that has been hidden from her for her entire life.

As it turns out, Marie- Antoinette, the same queen Mathilde hated so much, is the girl’s older half-sister and Mathilde is an illegitimate daughter of the Austrian king and an opera singer, given to a childless couple of florists to be raised in secret so that her identity can be protected.

The way Marie-Antoinette and Mathilde are related and their further interactions end up providing an interesting inner conflict for Mathilde as now she needs to reconcile this relationship with her sister and her hatred for the corruption filling Versailles.

The characters are not actively glorified or demonized for the most part and each side has a fair share of sympathetic characters but the anime doesn’t shy away from showing the dark sides of the revolution either, unlike some other shows that tackle history (*cough* Liberty’s Kids comes to mind *cough*).

All in all, pretty interesting characters and the way they develop is quite realistic too, even if they could’ve been more fleshed out in my opinion.

5. The Voice Acting

Pretty solid. No real complaints here. I’d say that the dub actors did a good job.

6. The Setting

I really like the pastel and simple color scheme of Paris and its contrast with the brighter palette of Versailles. It really drives home the contrast between these two worlds.

The character designs are pretty realistic, simple and pleasant to watch. No eyesores like neon colors and overly cutesy anime girls with giant tiddies here and that’s a big plus in my book.

7. The Conclusion

Like I said, the show is not available in English and those who are able to watch it might find it a bit cliché but, while it’s definitely not perfect. I actually quite like it for its interesting concept, fairly realistic characters and a complex view of the French Revolution. I can definitely recommend this show, if only to see what it’s all about.

Some people might find this show too childish and idealistic, but I’m not one of them.

I’m almost 21 but I still enjoy cartoons and I’m fairly idealistic because cynicism and nihilism do not equal maturity and, if not for the “silly” idealism, Frev itself wouldn’t happen so I think shows like that are necessary too, even if it’s just for escapism.

If you’re interested and want to check it out, more power to you.

Anyway, thank you for attending the first ever official meeting of the Jacobin Fiction Convention. Second meeting is coming soon so stay tuned for updates.

Have a good day, Citizens! I love you!

- Citizen Green Pixel

[junikshanasar]

Tokyo Manji Revengers - Read it!

Okay, so I feel this manga series is only just starting to blow-up, cause the anime came out?? Well that’s definitely how I found out about it - saw a clip on YouTube of a character called Mikey and I was like darn, I like this character, lemme try this series. The summary was way surprising when I read it for the first time, but let me tell you, I absolutely love reading this manga!

Came for Mikey, stayed for everyone else (especially Chifuyu, love that guy).

Basically, our mc, Hanagaki Takemichi (I put last names first, it just feels right when the names are Japanese), finds out on the news that his ex-girlfriend and her brother, Tachibana Hinata and Tachibana Naoto, have died because of the Tokyo Manji Group, a huge, powerful, and no-good gang. Just before getting run over by a train, he finds himself sent back 12 years into the past, where a careless remark to Naoto ends up changing the future, to one where Naoto survives.

From there, Takemichi makes it his goal to save Hinata, through altering the past in order to change the course of the future. How? By entering the ranks of the Tokyo Manji Group!

Okay so, I got sucked into this almost right away. You can’t help but cheer for Takemichi, and his relationship with Hinata is adorable. Everyone, and I mean everyone is likeable. The bad guys are irritating and menacing, and the fights are so badass!

Of course, it is shounen, so everyone is all about getting strong and making comrades. The story is rather dramatic, with some corny parts here and there, and you kinda got to remind yourself these are all kids. Like, middle schoolers and high schoolers. 

But the manga does not at all shy away from the darker sides of the world. It takes itself seriously. The artstyle fits the mood perfectly, and looks good.

And wow, the relationships between the characters are heartwarming and emotional. Backstories are actually interesting, and you can see where everyone is coming from. Watching Takemichi grow to care for everyone is done so wonderfully that the typical “I’m going to save everyone” mindset is one you understand, and really want him to accomplish. 

The emotion and tension is poignant, and I legit couldn’t stop reading to the point that I binged the entire 200+ chapters available in a little under two days  (o′┏▽┓｀o) 

The series is still ongoing, and I read it weekly. The only other manga I read weekly instead of bookmarking and wait for chapters to pile up is Boku no Hero Academia, so that should be an indicator of how much fun I had reading it. Going through all the ups and downs with Takemichi and experiencing everything he experiences ensures your heart soars when things go right, and pains when things don’t. 

I know a couple people who have dropped it? A lot of them are people who dislike Takemichi as an mc, because he’s very emotional, essentially a crybaby, and not physically strong compared to other characters in fights. That’s basically his entire character though, so don’t go expecting him to become some op guy who beats everyone up and always gets his way. Personally, I really like the way he is, and that his character changes are not physical, but mental and emotional. Underdogs are much more inspiring, after all.

I’m glad he never has any real ‘training arcs’ that all of a sudden make him super powerful. All his strength comes from his heart, and that’s what makes him so appealing and charismatic not only to me, but to the people around him as well.

There are also a couple of people upset with the newest arc/development in the story (which starts around chapter 200+, which is where I’ve caught up), but I kinda saw it coming. I don’t want to include any spoilers in this review, so I might make a separate post later on why I saw this arc coming.

Anyway, I hope this review made you even a little curious! It’s obviously not everyone’s cup of tea, nothing truly is, but I super recommend it!

[mikanyuzu-26]

Is Chapter 139 of Attack on Titan being messed up deliberately?

*Views are my own. I barely post anything on social media but I feel the need to express my thoughts as a long-term AOT fan.

You need to be a genius in getting everything wrong. As a reader who has been following the series for 8 years, the frustration and disappointment the recent chapters brought me are beyond words. The series Attack on Titan has long been known for its well written plotline, with pieces of hints eventually leading to the reveal of mysteries, ranging from the identity of enemies to the origin of titan. Isayama the author is more than capable in building a story, as evidenced by the carefully arranged setups and successful characterization in 130+ chapters. Probably echoed by other readers, the story surprisingly went downhill since Chapter 124 (aka the alliance arc) when pacing becomes slow with no major progress in overall plot. Eren who is the supposedly main protagonist is nowhere to be found in most of the chapters, let alone his inner thought. The conclusion in Chapter 139 is even more confusing, showing clear disconnection with previous chapters and major characters being OOC. There are fans who are kind enough to summarize the inconsistencies.

Chinese netizens’ comment on the story quality

I would interpret the bad writing in Chapter 139 as intentional, with two possible reasons, or both: 1). To betray and hurt the readers as expressed in his interview. He is free! 2). To passively protest against a plot change by his editorial team

“I was a big fan of Game of Thrones, so I can relate to the feelings of those fans who were disappointed with how the series ended. But when I’m drawing, I’m expressing my own feelings, and I think as long as I’m doing that, my fans will be able to accept whatever ending I come up with for them”. The question is – was Isayama hinting at a GOT-like ending that expressed his true feeling? Looking at his response at this point of time, was he foreshadowing a disappointment?

Personally I am a believer of (2) – the plot was hijacked. I see the pacing issue starting from Chapter 124 as Isayama and the editorial team trying to buy time in reconstructing the plot. This is the period when multiple minor subplots (e.g. Connie’s mom, Aruani, conflicts with Yeagerists like Daz, formation of Alliance, Reiner’s mom & Annie’s dad) are introduced and closed off shortly after, while Eren is nowhere to be found.

Also note that Isayama did not even show up in the interview/live stream after the end of the manga in on Apr 10 and Apr 14, 2021. The editor represented him instead. It was also revealed in the most recent live stream that the editorial team had quite a lot of influence over the plot, in which they changed the last few pages of Chapter 139.

As many of you have already raised, early chapters already mentioned the “only way to put a final end to the cycle of revenge” is to do a full rumbling. I believe this is the first draft of the ending of the story as this idea has been expressed more than once directly out of the mouth of Eren.

The other possible change is the way of how Ymir is being freed. In earlier chapter, Eren clearly understands what Ymir has been waiting for 2000 years in Chapter 122, and this is also the reason why Eren is able to start the rumbling in the first place. The possibility of Mikasa freeing Ymir is not being introduced until Chapter 138 (or 139), and certainly comes out of nowhere as the only people outside of path who have seen Ymir are Armin and Ramzi.

How is Chapter 139 being intentionally messed up? The inconsistencies above suggest that at least two plot twists are only being decided at the very late stage of the story. • Eren’s true intention (Eren Requiem vs. full rumbling) and the reasons behind • What Ymir wants

Throughout Chapter 139, there are definitely better choice of words which even average Reddit/Twitter/Tumblr users were able to re-write in the past few days. However Isayama just somehow chose the worst way in presenting the story as if it is a shoutout to readers. The presentation also makes Chapter 139 memorable, though not in a way most have expected.

“Why Mikasa?” “Well…only Ymir knows that one…” When I reread Chapter 139, it seems to me that Isayama is not trying to shy away from admitting the plot change. The disbelief from Armin’s way of saying “Huh? Did you just say Mikasa?” is an analogy to the readers’ reaction due to the lack of interaction between Ymir and Mikasa before the last panel of Chapter 138. Eren is also drawn with a resigned expression. If this is an over interpretation of the frame, Eren’s next response “Well…only Ymir knows that one…” directly points out how the statement lacks a clear and sound reasoning. You can translate it into “Well…only [the company/my editor] knows that one…” or “Nothing I just want to throw this in”. Isayama clearly knows what he is writing and indeed “only Ymir knows that one” becomes a meme.

Also to add that prior to Chapter 139, Ymir has always been a parallel of Historia/Krista, not Mikasa, even as early as Chapter 51, but this plot was just somehow nowhere to be found eventually.

Why Rumbling? The most disastrous consequence of a plot change, from wiping all history and civilization (that has been repeated in his conversation with Historia in Chapter 130 and his internal monologue in Chapter 131) to an Eren Requiem, is that it takes away all the justification and rationale for Eren to eliminate 80% of the population in the first place. Whether or not Eren executes the rumbling and dies willingly, the world will still be in conflict and future generation will remain in the forest. If the plan is to free Ymir, a better way is probably just asking Mikasa to chop his head off. That saves humanity (Ymir likes drama, after all!).

Isayama could have easily used phrases like “I just want to move forward” but he put “I don’t know why, but…I wanted to do that…I had to”. This is also Isayama speaking from the Eren – he does not know why Eren is doing rumbling just to achieve the 80% plan. He just “had to” draw it.

“10 Years, At least!” This is probably the most debatable and dramatic part of the chapter. Eren expresses his love to Mikasa but the scene is presented in a way as if it is a kid throwing a tantrum. In addition to that there is Armin’s comment “Oh ok…I didn’t expect something that pathetic..” as if it is again, the readers’ comment. The scene is portrayed in an unbelievably comedic way, especially when you compare it with Eren’s conversation with Ramzi in Chapter 131, which is supposed to serve the same purpose in showing Eren’s human/soft side. Most importantly, freedom has always been Eren’s core value throughout the series. The outright contradiction this line shows only makes the whole idea of this panel questionable.

Character Regression Needless to say, characters’ behaviours surprisingly regress back to the first arc, wiping out all developments throughout the series. The worst thing is it even kills the hype of re-reading the manga as you know the characters never grow, after all the sufferings and hearts sacrificed. Examples include: • Eren is still a crybaby • Mikasa remains trapped by her relationship with Eren and the scarf • Historia is not living proudly for herself after the Uprising arc • Reiner sniffs Historia’s letter after going through depression and wars (there is even a petition online asking Isayama to change this! You see how problematic this is.) • Jean and the horse joke

Almost everything that could possibly go wrong is wrong in 1 chapter These are written by the man who have been writing good chapters in the past 10 years. Can you believe it is just a lack of sense?

• “Thank you. You became a mass murderer for our sake.” • The “poop” that Armin gives Eren (Isayama likes using meme right? :P) • Eren’s face when he is punched

Is this the High School AU style?

Compared to Chapter 112...You can tell the difference.

The way how the fandom views Chapter 139 is certainly very divided, but even amongst those who like it, most still think “things could have done better” (source: SNK Chapter 139 Poll), showing how awkward the style is compared to previous chapters. The inconsistencies in character portrayal and plot are too hard to ignore. It pains me to see a well-constructed and reputable series, one step away from legend even just with an average ending, closed with a chapter that almost defeats the purpose of the rest. Trust in Isayama – while he can build a legend in 10 years, he can also take it down with 1 chapter.

By the way, Levi is one of the few characters who isn’t ruined. Probably also a conscious choice.

[takirasu]

Why I cannot understand how a huge majority of the Persona 5 fandom ships Akira/Protagonist with Akechi if you’ve played the game and what is possibly wrong about it

First and foremost: I do not mean to offend or hurt anyone personally with this. This is purely analytical from the viewpoint of someone who is interested in analysing characters and character dynamics. The group of people mentioned that I dislike regarding this ship is targeted to certain types of people in the fandom that will be explained at the end, meaning if you ship this No, I don’t automatically dislike you and even if I would, who cares? It’s just me. I don’t know you and it shouldn’t matter to you. I also want to mention that obviously Persona 5 will get spoiled in this analysis as well as slight mentions and spoilers of Royal, especially the third semester. Read at your own risk! Without further ado, let’s jump into a very interesting dynamic between two characters that had potential, but – in my opinion – leaves a bitter aftertaste in my mouth due to what fans did and do with it most of the time and how Atlus ends it in both Orginal and Royal. I will try to be about this as neutral as possible, since an analysis shouldn’t take a side and then put my opinion about it at the end, because the aspects and whys about this matter more than one person’s opinion alone. Also, the analysis will help form an opinion and back it up. There is nothing worse to me than giving an opinion, but not having anything to back it up with.

To analyse the relationship between the two I will be taking important parts of the story in this dynamic and analyse it as well as analyse the characters briefly according to the situation and towards each other. I will be taking the Anime and Manga into this for certain parts as well. I would like to do a whole character analysis one day if I find the time and fans are interested, but since the main focus of this is a ship and what is up with it I will only analyse the moments that they either have together or that further underlines the topic.

 Starting with Akira, it is clear from the very first hour on that he has a strong want of helping other people – in need or not - and cannot stand injustice. To underline how important it is to him you have to understand that in Japan’s society it is considered incredibly rude to interfere between two adults in whatever situation given. It is not your business, like Sojiro Sakura – his guardian in Tokyo during his probation – explains to him and much more the player at the beginning of the game. In short, Akira knew what he might possibly get himself into. Even if Shido wouldn’t have tripped and hurt himself. Even if Shido wouldn’t have threatened the women to tell the upcoming police Akira apparently assaulted him. The only thing important to those who found out about the incident and know that he did not push him was still this: You do not interfere between two adults, keep your business. People who do that are considered delinquents and you really do not want this stamp on your forehead in Japan. Further, I assume Akira might be suffering from a Saviour complex. In all three media – game, manga and anime – he puts other people’s needs over himself and gets incredibly upset if he is not able to help someone or better, in Akechi’s case, save them. As helpful and kind a someone can be by nature, you have to understand that not everyone will either want your help or will be able to accept it. Not everyone can be saved and you do not have to save everyone. People who have trouble with accepting this suffer from a Saviour complex. A moment to justify both this and my first point is during the beginning of Madarame’s Palace, with one of my favourite quotes of Akira being,

“I want to help. I just want to be sure what we're doing is right. Trust me I'm not saying we should turn a blind eye and do nothing...”

After this event, Ann and Ryuji call him out for being both too timid and yet in haste at the same time. They’re barely out of the Metaverse and obviously have a private life that they need to care about when he already wants everyone to gather information on if Yusuke is really being abused and used by his teacher as fast as possible; on the same day. Again, he puts others over himself. While of course Ryuji and Ann aren’t any less concerned, to him someone might be getting hurt and there is no time to waste on matters like this. When they do find out through Nakanohara, a former student of Madarame, that he steals his pupil’s art, threatens everyone that leaves him and makes students even hurt themselves, Akira as the Phantom Thieves leader decide on saving Yusuke. Said complex also feeds his need of wanting to protect others, shown and explored more in two major scenes in the anime. When Phantom Thieves meet Akechi for their finale encounter they captured it very well. Akechi reveals he has the power of the Wild card, being able to handle more than one Persona, like Akira does. When the Thieves try to either talk to Akechi or attempt to walk up to him and handle it, Akira as Joker takes his role seriously. He tells the others, “He’s mine. Hold. Don’t worry, I’ve got this.” knowing full well that nobody else would be able to take him on other than another Wild card. Another scene is when he protects Sojiro from a few police men. He knows he shouldn’t step in between two adults and he is still on probation, but the want of protecting the person that offers him shelter and that warms up to him is stronger than his own desires. He stands in front of Sojiro and shields him.

 Akechi on the other hand is one of the most interesting and misunderstood characters I have seen in a long time. While not outright admitting it himself, Akechi has this immense and unfulfilled need of being loved since his past was pretty much empty of it. His resentment towards Akira is fuelled by this since he sees how said one has a lot of supportive friends when he’s nothing special in particular. This possibly means that in Akechi’s eyes you have to have a certain standard to achieve to be special and lovable, which would explain the way he made himself for the public. He further insults Akira as a criminal who lives in an attic during their last meeting and asks himself what he has that Akechi lacks, not knowing that it is something he never grew up learning. He hates Akira, but deep down he does not. It pains him to see the exact opposite of himself and how out of place it is for him. Akira is nothing yet loved, while Akechi build up this perfect self that is special, but not actually loved. It messes with him whenever Akira is in front of him and does better than him. He is the reason he gets reminded of the things he hates the most about himself. Similar to Akira he is an outcast to society – just carefully sealed and hidden behind his Ace detective mask. Shido, who is actually his father and he only works with to get revenge on, did not care that he got someone pregnant and left, which lead to Akechi’s mother giving him away and committing suicide. In Japan these kind of families are frowned upon on, being the kid of a possible one-night stand gives no meaning to your life and only tarnishes the mother, which is most probably the reason why the women took her life. It wasn’t bearable for her in this society and she couldn’t life with Akechi’s existence. He was given from foster home to foster home, never had any parents that would give him love and that he could look up to as well as forming actual bonds with people. You see him both struggling to form an actual friendship with Sae, an adult, as well as adapt to people his age, for example the Phantom Thieves. He feels odd and has this unpleasant aura of superiority around him, since he has never learned anything regarding love and how to work and be with other people. So Akechi decides he needs to build his mask to be lovable to the public since his actual self, in his eyes, is not. He’s smart and basically reforms himself completely new for the public. His public self is near to perfect for the role of a student detective. Justice driven, charming, funny and smart. During the game while he is on stage it slips his thoughts during the moment everyone cheers for him and adores him, that none of these people know he’s an unwanted bastard child, which means that he does not think as highly of himself as the player tends to think at the beginning of the game. He is sure nobody would like him and he would never be able to become a detective if it was him as his true self that is worthy of nothing. These two things lead to him being able to be cold-blooded and cause the mental shutdowns, as well as try to kill Akira. First, he has never gotten love and affection. These things are needed for a child to grow and learn empathy, which Akechi lacks. It might almost sound mean, but from a neutral viewpoint this is why it was so easy for him. He does not feel for other people as openly as others do. Also, you have to keep in mind that every shutdown being demanded by Shido would eventually bring him closer to his goal. His father to acknowledged his existence in the perfect moment, the apex of his power, and to take revenge on him for the life he has to live and most possibly for his mother to be driven to suicide. Lastly important for this analysis, Akechi knew what he did when he decided to let himself get killed by his cognitive self, Shido’s so-called security system. First, it would have either been him and the Phantom Thieves who were the only ones able to use the Metaverse next to him and change Shido’s heart, or only him which means that there was a possibility to at least ruin his life and not make him the new Prime minister of Japan. He knows that they won’t kill Shido, but taking everything from him that is important to him, his only desire, and the reason Akechi had to live life like this to begin with seems enough in the moment he faces death. Second, he does not believe in second chances and he does not believe in forgiveness. Akechi’s believes that are present during the whole game aren’t just towards others, but also himself. He hates his true self the same way he dislikes Akira. Both his true self and Akira are nothing in society therefore neither worthy of love or forgiveness. To him, there is no other way to atone for his sins. When the Phantom Thieves defeat Akechi he states,

“You (Akira) are so lucky to be surrounded by teammates who acknowledge you. Once Shido confesses his crimes, you’ll all be heroes. As for me, people will find out my past deductions were just charade. My fame and trust will vanish. In the end, I couldn’t be special…”

The only place he could eventually feel loved was when he faked those crimes and fake investigated them, since they were his own the public didn’t know about. He could feel important and respected, have a place in Japan’s society while working on his goal of his father’s downfall. The moment the Phantom Thieves won over him, he knew this would be taken away from him since to him the only possible outcome of this is the Phantom Thieves winning over Shido and either turning Akechi in or Shido spilling during his change of heart. People relying on him and trusting him, people acknowledging him. That is what the trust and fame was about to him. The moment they meet in Shido’s palace and Akechi is defeated, it would all be taken away from him. Putting this together is the reason he decides to trap himself with the summoned shadows and his cognitive self. His father would lose everything that was important to him if he saves the Phantom Thieves and he has no reason to live in a world where he has no fame and trust from the public, since in his distorted mind he will not be worth of love and worth of existence. He wouldn’t be special. When the Phantom Thieves do reach out and tell him all the things they admire about him and give him a chance to join them against Shido, he laughs about them. His true self is out and to him, it is not lovable or special no matter what they say.

From the reasons shippers bring up for these two, Akira being devastated about Akechi’s death and wanting it revoked is a big one and the first one I want to analyse and explain. As analysed earlier, it is important to Akira to save others and help them, especially when they cannot help themselves. In certain parts, the two aren’t far from each other yet polar opposites. Akira knows that and despite everything feels empathy for Akechi after said ones tells the whole story. Witnessing someone’s death whether it is hearing or seeing it is traumatizing and it’s normal to think about it later back at home in the real world how Akira does, but taking his character analysis into consideration it probably messed with him more than it would with other people, like the other Phantom Thieves. In the anime, Akechi throws a chess piece with Akira catching it. Akira, who is not someone to have emotional outbursts, gets so worked up and angry that he hits the wall that came down in front of them with his fist before he quickly catches himself back in the role as the leader who always had and has to stay calm and collected. If you look at it, Akechi is the only one Akira couldn’t save when he knew he needed it and, to Akira, deserved it. Because throughout the whole game with so many different cases of people not being able to save themselves or being in unjust situations not once does he care about how the people are or if there is any certain character trait etc. to them in particular. Akira probably shares the same belief like his friends. Everyone is special in their own way and so was Akechi deserving of a better life like everyone else is. It messes with him so much, that in Persona 5: Royal, a game that came out 3 years after the original game and it is still tightly being fought about if it is canon or an alternative reality to which the developers have yet to make an official statement to, he tells Maruki, the school’s therapist who is interested in cognitive science, that if he could change reality, his wish wouldn’t be that all of this had never happened, but that Akechi would still be alive. While this is the number one situation people who ship the two use ever since Royal has come out, it just further underlines Akira’s character and my suggestion of him having a Saviour complex. He cannot live with the fact that he couldn’t save Akechi, when this is what the Phantom Thieves stood for. It pains him so much that his wish is actually beneficial to someone else. We know nothing about Akira’s past, but it is impossible that there isn’t something he wishes wouldn’t have happened that is outside of the game. Instead, he chose something that helps someone else and puts himself back to ease. He knows, this is what pains him the most and will for quite some time. Having Akechi back would ease his complex and give a person he thinks that deserve a second chance another tries. This is once more better shown in the anime during the last confrontation when Akira tries to talk to Akechi multiple times during Akechi’s small monologue, but eventually realizes it will be of no use. Akechi is too far gone and Akira tells the group to finish it.

Second are the moments we got early in the anime. While the game doesn’t allow this, the anime explores Akechi’s detective side a bit earlier and more for the viewer. In game, we only see Akechi working on the cases he created while he is actually really good at “real” cases as well and able to solve them. During Yusuke’s arc, Akira and Akechi work together on a few of those and Akechi teaches him how not to be fooled by rotten adults. This all goes quite wholesome, but at that point the interrogation nor the black mask reveal had happened yet. The story is early and fresh, not even having picked up the pace. It almost feels like Akechi either tried learning how Akira’s mind works, or honestly just wanted to spend time with someone he felt like was similar to him. All of this gets revoked though when he massively insults him at the end of the game, making it hard to put this in canon. It might be that Akechi was trying to give himself a chance, because Akira was probably the first person who could handle Akechi just like how he is and also accepted him just like that - since that is what Akira does with everyone throughout the game and also gets complimented and aknowleged for - but instead Akechi couldn’t stop himself and pulled through with the rest of his plans. Looking at it from another side, taking this from the anime into consideration makes the next thing and points even worse.

Last is the interrogation, probably one of the most well-known scenes in the whole game, that I want to analyse further. To begin with, Akira finds himself getting arrested due to Akechi’s betrayal. While it is not exactly explained how, it is obvious that Akechi lead the police in since only Metaverse app users can enter the Metaverse. If you have a non-user nearby, you can pull them into it. Akechi probably did this beforehand, told them to hide and gave them either a time limit or symbol. After the fight against Sae Futaba picks up enemy readings, so many that they’re being surrounded. Akira and the Phantom Thieves part ways and the leader makes all the attention go to himself so that the others can escape. In the end he gets ambushed, cuffed up and knocked out by drugs. What the player does not know is that the group had known about Akechi’s plan all along and they had to play along. All throughout Sae’s palace, Akira knew he would most probably be cuffed up by the end, but it was necessary to let it happen. Otherwise they would never be able to defeat Akechi. I would like to add that this in particular sounds pretty traumatizing and stressful as well. Moving forward and the Phantom Thieves’ plan succeeding, Akechi is unknowingly being dragged into the Metaverse. He outright plans to kill Akira, which reveals his true motive on why he worked with them on Sae’s palace in the first place. The Phantom Thieves are blocking his path of the mental shutdowns and destroying his father. It is so soon that he cannot lose due to them. He is smart about it and wants to kill their leader. Once again and as stated earlier, Akechi doesn’t feel empathy and he has killed before. He gets things done so that they are beneficial to what he needs to do further, just like how it was beneficial for him to work with the Thieves together for at least a while. Be that figuring out how they work, or just messing with them. What he doesn’t know is the person in the interrogation room is the cognitive version of Akira. He is only in there, because he just entered Sae’s palace and in her cognition Akira is in the interrogation room, which she does not have much control of. Therefore, it keeps being the interrogation room instead of anything Casino related. Akechi proceeds to shoot an innocent guard and then Akira. While doing so, he seems like on a high, fully enjoying it getting rid of him and it is almost uncomfortable to watch that is how good it is made. It is Akechi’s first time he kills someone in the real world, but it doesn’t seem to be much different for him. He shoots Akira right in the head when he has nowhere to go, tied up and completely drugged to a point that both in the game and anime he can’t talk properly and even passes out. The state Akira is in is portrayed very well and just underlines the atmosphere further. A murderer just aiming at their helpless victim. Akechi puts the gun in his hand to report it as a suicide and leaves. He never shows any remorse when they meet again, only throwing in that the two might possibly would have become friends if having met earlier. He does not mention the faked death, because there is nothing to say. It might be, because both know Akechi wanted to do it. It was necessary for his path and nobody, especially not someone like Akira, would be standing in his way. Shippers defend this situation, saying Akechi had to kill Akira. To some extent, I would analysis this as true and say that it was a possibly way of getting rid of the Phantom Thieves and continuing his plan, but is your first idea really murder to this? In such a special way? Concealing it as a suicide and not have any respect to the person you just killed? It is unlikely as smart as Akechi is that this was the only possible option he had regarding on how he would get rid of the Phantom Thieves or their leader. Killing the person is just probably the most convenient one to Akechi and again, he does not feel for others properly, since he has never learned how to. This is why he is able to plan this, kill someone he acted like a friend with, saw multiple times for weeks and just walk away. In conclusion that means it is not because he had to and also not because he wanted to in particular, but because Akechi did not care and therefore made it possible to just shot him and continue with his life. It is one of the most important scenes in the whole game and does a lot to the development for all three characters involved (Sae, Akechi and Akira) yet shippers throw it under a bus with the sole statement that he had to.

Putting everything above together, the major moments these two had, shipping Akira and Akechi is complicated and probably not the best.

To finally conclude my opinion to this. In another world, Akechi could learn a lot from Akira. He has a lot of empathy for others and wants to help, which Akechi lacks. It would have been good for him and the part where Akechi mentioned that they might have become friends if met earlier made me emotional as someone who does not support it in a romantic way. In this moment, I thought of them as friends. I thought myself thinking of what would have been if they had met one or two years earlier. Two people who get better through each other and learn from each other. As much as I love this character trait from Akira, I have had my personal fair shares that having this can be negative at times. It would be good for him to have someone that shows him the opposite or at least a middle path. Both characters go All-Out on this. It is either full on empathy or complete lack of empathy. Either you want to save everyone or you’re okay with killing whoever as long as you obtain your ultimate goals.

Many people have stated already that the ship is quite abusive. Anything that comes out of Akechi’s mouth towards Akira in both game and anime (I’m only referencing the anime since the last two times because the manga is barely at Futaba’s arc yet) after revealing his true motives, is negative. Either he insults him directly or the way he lives, just because he found someone that reminds him of himself deep inside if he wants to or not. That gives him no right to act like this, even when psychology is complex. And if you want to defend this, it gives him no right to shoot him and actually visibly enjoy it – which you cannot deny and a lot of people in the fandom stated as well. He didn’t have to, but he did. He wasn’t forced to, but he did it. I wonder if Akechi tells Akira he hates him for the fact that he did make him feel something. Not in a romantic way, again, but more in a way of empathy and this feeling of friendship and he knew he had to stop this.

There are a lot of good people in the fandom fan of his complex character. I don’t necessary like Akechi as a character, but I find him interesting and good to talk about. As for liking or hating him…the interrogation scene happened the way it happened let’s just leave it at that. Sadly, there are also a lot of people in the fandom who will shove this ship down your throat. Somehow, it is superior to them and it should be canon. I have seen so many tweets and Tumblr posts, especially with Royal and its’ third semester that genuinely leave me concerned. What started as 3AM ramble to my friend ended up being this 5000 words essay on why the situations and character traits stated above get taken out of context or misunderstood by shippers. It goes further when you find out that some people ship it because it is abusive to begin with. They acknowledge it and love it and while there are more important things in life than this, I just found it too concerning and also very annoying at one point, I had to make an analysis about it and clear some things up. I have blocked a lot of tags regarding this ship and I still see it every day in the fandom and get attacked if I say something against it, so I just made this  post, knowing that people will eventually get mad at it. But, I honestly really enjoyed it. I really enjoyed writing about Akechi’s character. He is interesting, complex and there is so much to talk about him, but do I ship him with my favourite video game character? Hell nah.

If you want to add something to this, feel free to. I also enjoy respectful and normal discussion about this! I researched a lot for this, re-watched a few anime and game scenes and wrote for a total of 7 hours. If you enjoyed it or it made you think a little, it would be kind to let me know. I haven’t written anything in a while and my last character analysis was years ago, so this was quite a challenge, but knowing how popular this ship is and how much worse it got with Royal’s existence, I had to put this out. I’m going to be honest here. If they would’ve met a few years earlier, who knows if this wouldn’t have become one of my ships (I don’t interact in a lot of shipping to begin with so), because the basis of it is nice. But then the actual plot happens. All this stuff from the interrogation until the end happens and shippers just dismiss it or try to make it sound less bad. Like it’s the actual plot. It’s there. This is how P5 goes down. Akira’s one of the most traumatized characters I’ve come across in fiction and Akechi does a fair share to that. Don’t just dismiss that so your ship can be cute. It won’t, I’m sorry. And if you want to come at me for shipping in general, I as well ship something with complex and interesting dynamics within this game. It’s appealing, but not like this.

 Thank you for reading this if you got through all of it! I seriously appreciate it and my non-existent sleep does to! - May

[recentanimenews]

ESSAY: Berserk's Journey of Acceptance Over 30 Years of Fandom

  My descent into anime fandom began in the '90s, and just as watching Neon Genesis Evangelion caused my first revelation that cartoons could be art, reading Berserk gave me the same realization about comics. The news of Kentaro Miura’s death, who passed on May 6, has been emotionally complicated for me, as it's the first time a celebrity's death has hit truly close to home. In addition to being the lynchpin for several important personal revelations, Berserk is one of the longest-lasting works I’ve followed and that I must suddenly bid farewell to after existing alongside it for two-thirds of my life.

  Berserk is a monolith not only for anime and manga, but also fantasy literature, video games, you name it. It might be one of the single most influential works of the ‘80s — on a level similar to Blade Runner — to a degree where it’s difficult to imagine what the world might look like without it, and the generations of creators the series inspired.

  Although not the first, Guts is the prototypical large sword anime boy: Final Fantasy VII's Cloud Strife, Siegfried/Nightmare from Soulcalibur, and Black Clover's Asta are all links in the same chain, with other series like Dark Souls and Claymore taking clear inspiration from Berserk. But even deeper than that, the three-character dynamic between Guts, Griffith, and Casca, the monster designs, the grotesque violence, Miura’s image of hell — all of them can be spotted in countless pieces of media across the globe.

  Despite this, it just doesn’t seem like people talk about it very much. For over 20 years, Berserk has stood among the critical pantheon for both anime and manga, but it doesn’t spur conversations in the same way as Neon Genesis Evangelion, Akira, or Dragon Ball Z still do today. Its graphic depictions certainly represent a barrier to entry much higher than even the aforementioned company. 

    Seeing the internet exude sympathy and fond reminiscing about Berserk was immensely validating and has been my single most therapeutic experience online. Moreso, it reminded me that the fans have always been there. And even looking into it, Berserk is the single best-selling property in the 35-year history of Dark Horse. My feeling is that Berserk just has something about it that reaches deep into you and gets stuck there.

  I recall introducing one of my housemates to Berserk a few years ago — a person with all the intelligence and personal drive to both work on cancer research at Stanford while pursuing his own MD and maintaining a level of physical fitness that was frankly unreasonable for the hours that he kept. He was NOT in any way analytical about the media he consumed, but watching him sitting on the floor turning all his considerable willpower and intellect toward delivering an off-the-cuff treatise on how Berserk had so deeply touched him was a sight in itself to behold. His thoughts on the series' portrayal of sex as fundamentally violent leading up to Guts and Casca’s first moment of intimacy in the Golden Age movies was one of the most beautiful sentiments I’d ever heard in reaction to a piece of fiction.

  I don’t think I’d ever heard him provide anything but a surface-level take on a piece of media before or since. He was a pretty forthright guy, but the way he just cut into himself and let his feelings pour out onto the floor left me awestruck. The process of reading Berserk can strike emotional chords within you that are tough to untangle. I’ve been writing analysis and experiential pieces related to anime and manga for almost ten years — and interacting with Berserk’s world for almost 30 years — and writing may just be yet another attempt for me to pull my own twisted-up feelings about it apart. 

  Berserk is one of the most deeply personal works I’ve ever read, both for myself and in my perception of Miura's works. The series' transformation in the past 30 years artistically and thematically is so singular it's difficult to find another work that comes close. The author of Hajime no Ippo, who was among the first to see Berserk as Miura presented him with some early drafts working as his assistant, claimed that the design for Guts and Puck had come from a mess of ideas Miura had been working on since his early school days.

  写真は三浦建太郎君が寄稿してくれた鷹村です。 今かなり感傷的になっています。 思い出話をさせて下さい。 僕が初めての週刊連載でスタッフが一人もいなくて困っていたら手伝いにきてくれました。 彼が18で僕が19です。 某大学の芸術学部の学生で講義明けにスケッチブックを片手に来てくれました。 pic.twitter.com/hT1JCWBTKu

— 森川ジョージ (@WANPOWANWAN) May 20, 2021

  Miura claimed two of his big influences were Go Nagai’s Violence Jack and Tetsuo Hara and Buronson’s Fist of the North Star. Miura wears these influences on his sleeve, discovering the early concepts that had percolated in his mind just felt right. The beginning of Berserk, despite its amazing visual power, feels like it sprang from a very juvenile concept: Guts is a hypermasculine lone traveler breaking his body against nightmarish creatures in his single-minded pursuit of revenge, rigidly independent and distrustful of others due to his dark past.

  Uncompromising, rugged, independent, a really big sword ... Guts is a romantic ideal of masculinity on a quest to personally serve justice against the one who wronged him. Almost nefarious in the manner in which his character checked these boxes, especially when it came to his grim stoicism, unblinkingly facing his struggle against literal cosmic forces. Never doubting himself, never trusting others, never weeping for what he had lost.

    Miura said he sketched out most of the backstory when the manga began publication, so I have to assume the larger strokes of the Golden Arc were pretty well figured out from the outset, but I’m less sure if he had fully realized where he wanted to take the story to where we are now. After the introductory mini-arcs of demon-slaying, Berserk encounters Griffith and the story draws us back to a massive flashback arc. We see the same Guts living as a lone mercenary who Griffith persuades to join the Band of the Hawk to help realize his ambitions of rising above the circumstances of his birth to join the nobility.

  We discover the horrific abuses of Guts’ adoptive father and eventually learn that Guts, Griffith, and Casca are all victims of sexual violence. The story develops into a sprawling semi-historical epic featuring politics and war, but the real narrative is in the growing companionship between Guts and the members of the band. Directionless and traumatized by his childhood, Guts slowly finds a purpose helping Griffith realize his dream and the courage to allow others to grow close to him. 

  Miura mentioned that many Band of the Hawk members were based on his early friend groups. Although he was always sparse with details about his personal life, he has spoken about how many of them referred to themselves as aspiring manga authors and how he felt an intense sense of competition, admitting that among them he may have been the only one seriously working toward that goal, desperately keeping ahead in his perceived race against them. It’s intriguing thinking about how much of this angst may have made it to the pages, as it's almost impossible not to imagine Miura put quite a bit of himself in Guts. 

  Perhaps this is why it feels so real and makes The Eclipse — the quintessential anime betrayal at the hands of Griffith — all the more heartbreaking. The raw violence and macabre imagery certainly helped. While Miura owed Hellraiser’s Cenobites much in the designs of the God Hand, his macabre portrayal of the Band of the Hawk’s eradication within the literal bowels of hell, the massive hand, the black sun, the Skull Knight, and even Miura’s page compositions have been endlessly referenced, copied, and outright plagiarized since.

    The events were tragic in any context and I have heard many deeply personal experiences others drew from The Eclipse sympathizing with Guts, Casca, or even Griffith’s spiral driven by his perceived rejection by Guts. Mine were most closely aligned with the tragedy of Guts having overcome such painful circumstances to not only reject his own self enforced solitude, but to fearlessly express his affection for his loved ones. 

  The Golden Age was a methodical destruction of Guts’ self-destructive methods of preservation ruined in a single selfish act by his most trusted friend, leaving him once again alone and afraid of growing close to those around him. It ripped the romance of Guts’ mission and eventually took the story down a course I never expected. Berserk wasn’t a story of revenge but one of recovery.

  Guess that’s enough beating around the bush, as I should talk about how this shift affected me personally. When I was young, when I began reading Berserk I found Guts’ unflagging stoicism to be really cool, not just aesthetically but in how I understood guys were supposed to be. I was slow to make friends during school and my rapidly gentrifying neighborhood had my friends' parents moving away faster than I could find new ones. At some point I think I became too afraid of putting myself out there anymore, risking rejection when even acceptance was so fleeting. It began to feel easier just to resign myself to solitude and pretend my circumstances were beyond my own power to correct.

  Unfortunately, I became the stereotypical kid who ate alone during lunch break. Under the invisible expectations demanding I not display weakness, my loneliness was compounded by shame for feeling loneliness. My only recourse was to reveal none of those feelings and pretend the whole thing didn't bother me at all. Needless to say my attempts to cope probably fooled no one and only made things even worse, but I really didn’t know of any better way to handle my situation. I felt bad, I felt even worse about feeling bad and had been provided with zero tools to cope, much less even admit that I had a problem at all.

  The arcs following the Golden Age completely changed my perspective. Guts had tragically, yet understandably, cut himself off from others to save himself from experiencing that trauma again and, in effect, denied himself any opportunity to allow himself to be happy again. As he began to meet other characters that attached themselves to him, between Rickert and Erica spending months waiting worried for his return, and even the slimmest hope to rescuing Casca began to seed itself into the story, I could only see Guts as a fool pursuing a grim and hopeless task rather than appreciating everything that he had managed to hold onto. 

  The same attributes that made Guts so compelling in the opening chapters were revealed as his true enemy. Griffith had committed an unforgivable act but Guts’ journey for revenge was one of self-inflicted pain and fear. The romanticism was gone.

  Farnese’s inclusion in the Conviction arc was a revelation. Among the many brilliant aspects of her character, I identified with her simply for how she acted as a stand-in for myself as the reader: Plagued by self-doubt and fear, desperate to maintain her own stoic and uncompromising image, and resentful of her place in the world. She sees Guts’ fearlessness in the face of cosmic horror and believes she might be able to learn his confidence.

    But in following Guts, Farnese instead finds a teacher in Casca. In taking care of her, Farnese develops a connection and is able to experience genuine sympathy that develops into a sense of responsibility. Caring for Casca allows Farnese to develop the courage she was lacking not out of reckless self-abandon but compassion.

  I can’t exactly credit Berserk with turning my life around, but I feel that it genuinely helped crystallize within me a sense of growing doubts about my maladjusted high school days. My growing awareness of Guts' undeniable role in his own suffering forced me to admit my own role in mine and created a determination to take action to fix it rather than pretending enough stoicism might actually result in some sort of solution.

  I visited the Berserk subreddit from time to time and always enjoyed the group's penchant for referring to all the members of the board as “fellow strugglers,” owing both to Skull Knight’s label for Guts and their own tongue-in-cheek humor at waiting through extended hiatuses. Only in retrospect did it feel truly fitting to me. Trying to avoid the pitfalls of Guts’ path is a constant struggle. Today I’m blessed with many good friends but still feel primal pangs of fear holding me back nearly every time I meet someone, the idea of telling others how much they mean to me or even sharing my thoughts and feelings about something I care about deeply as if each action will expose me to attack.

  It’s taken time to pull myself away from the behaviors that were so deeply ingrained and it’s a journey where I’m not sure the work will ever be truly done, but witnessing Guts’ own slow progress has been a constant source of reassurance. My sense of admiration for Miura’s epic tale of a man allowing himself to let go after suffering such devastating circumstances brought my own humble problems and their way out into focus.

    Over the years I, and many others, have been forced to come to terms with the fact that Berserk would likely never finish. The pattern of long, unexplained hiatuses and the solemn recognition that any of them could be the last is a familiar one. The double-edged sword of manga largely being works created by a single individual is that there is rarely anyone in a position to pick up the torch when the creator calls it quits. Takehiko Inoue’s Vagabond, Ai Yazawa’s Nana, and likely Yoshihiro Togashi’s Hunter X Hunter all frozen in indefinite hiatus, the publishers respectfully holding the door open should the creators ever decide to return, leaving it in a liminal space with no sense of conclusion for the fans except what we can make for ourselves.

  The reason for Miura’s hiatuses was unclear. Fans liked to joke that he would take long breaks to play The Idolmaster, but Miura was also infamous for taking “breaks” spent minutely illustrating panels to his exacting artistic standard, creating a tumultuous release schedule during the wars featuring thousands of tiny soldiers all dressed in period-appropriate armor. If his health was becoming an issue, it’s uncommon that news would be shared with fans for most authors, much less one as private as Miura.

  Even without delays, the story Miura was building just seemed to be getting too big. The scale continued to grow, his narrative ambition swelling even faster after 20 years of publication, the depth and breadth of his universe constantly expanding. The fan-dubbed “Millennium Falcon Arc” was massive, changing the landscape of Berserk from a low fantasy plagued by roaming demons to a high fantasy where godlike beings of sanity-defying size battled for control of the world. How could Guts even meet Griffith again? What might Casca want to do when her sanity returned? What are the origins of the Skull Knight? And would he do battle with the God Hand? There was too much left to happen and Miura’s art only grew more and more elaborate. It would take decades to resolve all this.

  But it didn’t need to. I imagine we’ll never get a precise picture of the final years of Miura’s life leading up to his tragic passing. In the final chapters he released, it felt as if he had directed the story to some conclusion. The unfinished Fantasia arc finds Guts and his newfound band finding a way to finally restore Casca’s sanity and — although there is still unmistakably a boundary separating them — both seem resolute in finding a way to mend their shared wounds together.

  One of the final chapters features Guts drinking around the campfire with the two other men of his group, Serpico and Roderick, as he entrusts the recovery of Casca to Schierke and Farnese. It's a scene that, in the original Band of the Hawk, would have found Guts brooding as his fellows engage in bluster. The tone of this conversation, however, is completely different. The three commiserate over how much has changed and the strength each has found in the companionship of the others. After everything that has happened, Guts declares that he is grateful. 

  The suicidal dedication to his quest for vengeance and dispassionate pragmatism that defined Guts in the earliest chapters is gone. Although they first appeared to be a source of strength as the Black Swordsman, he has learned that they rose from the fear of losing his friends again, from letting others close enough to harm him, and from having no other purpose without others. Whether or not Guts and Griffith were to ever meet again, Guts has rediscovered the strength to no longer carry his burdens alone. 

  All that has happened is all there will ever be. We too must be grateful.

      Peter Fobian is an Associate Manager of Social Video at Crunchyroll, writer for Anime Academy and Anime in America, and an editor at Anime Feminist. You can follow him on Twitter @PeterFobian.

By: Peter Fobian

[apollo-justice-for-all]

Ace Attorney Amusement Park Headcanons

Something nice for ya.

Apollo fucking destroys at the arcade

He tries to challenge Klavier to a Guitar Hero match...and ends up losing. Cue Polly feeling incredibly dejected and all the fangirls swooning over Klavier

Apollo and Trucy both own the boardwalk games (and not because they were using their perceive ability, nope)

Athena goes absolutely apeshit over bumper cars

“OUTTA THE FUCKING WAY, SHITLORDS!!” - Athena as she bumps into some hapless twelve-year-old’s car

Meanwhile, Phoenix is watching all this from the sidelines, going all “They grow up so fast” with tears in his eyes

Maya buys everything from all the fast food stands, including burgers

Phoenix just gives her this questionable look, and Maya glares at him because screw you, she wants her burgers

Nahyuta also splurges on the fast food, including popcorn. Rayfa will occasionally snag a bite out of his food when he’s not looking, but he ends up giving the popcorn to her because he’s such a nice big brother to her

Apollo decides to enact his revenge on Klavier by seeing who can go through the house of mirrors because he knows that Klavier won’t last a full minute in there

It results in Klavier being so incredibly distracted by his reflection, that Apollo goes through five rounds of the house of mirrors before having to drag the glimmerous fop out on his sixth run, so it effectively becomes Klavier’s turn to feel dejected

But, of course, Apollo goes through the house of mirrors a seventh time, stopping only once to make sure his hair’s in check

Maya wants to go on Splash Mountain with Pearl, and even drags Edgeworth into it

Phoenix opts to watch from the sidelines because he cannot do heights for shit, and tries to get Trucy and Franziska to go with them, but Edgeworth refuses to suffer alone

“Wright, if I have to get on Splash Mountain, then so do you!”

The end result becomes Maya and Pearl enjoying the entire ride, while Phoenix and Edgeworth cling to each other for dear life (hhhahahahaha)

Both Franziska and Trucy snapped a photo of this beautiful moment, and they are going to engrave this forever

Athena is bored with bumper cars, so she challenges Simon to one of the boardwalk games

Simon FUCKING OWNS HER

Everyone goes nuts over this

Simon’s grand prize...is a stuffed panda. Which he immediately shoves in Nahyuta’s arms

Nahyuta says nothing

Meanwhile, Ema indulges on the sweets

Her arms are filled with cotton candy, ice cream, chocolates, you name it

Klavier challenges her to one match in Dance Dance Revolution...only to lose. Miserably

But that’s okay because he gets even with Ema in a second round of Guitar Hero. And gets Snackoo’d for it

Trucy wants to go on the Tilt-A-Whirl with Phoenix, who has never been on there

It does not end well, and Phoenix opts to sit out the rest of the day

Rayfa wants to ride the roller coaster, and she wants to ride it with Nahyuta, as well as Apollo and Athena

Apollo does NOT want to go on there because heights and oh my God I’m gonna die

Athena holds his hand the whole way through, while Apollo continually screams his head off. Meanwhile, Nahyuta is practically calm and Rayfa enjoys herself

Apollo decides to enact his revenge by bringing the other three to the haunted house (he’s read a ton of monster manga and watched a lot of monster movies, especially as a kid)

It ends with Athena and Rayfa huddling with fear. Nahyuta isn’t particularly as scared, but he’s so incredibly tight-lipped and does not let go of Apollo’s sleeve

Apollo feels bad for Athena, so he decides to cheer her up by going through the tunnel of love as friends *cackling*

There’s cherry blossoms in the water, and glowing stars (in an artificial sky), and the two of them are just sitting next to each other, not glancing towards each other

Apollo finally works up the courage to lean in and kiss Athena, if only to get this over with. Ditto for Athena. The two of them just close their eyes and lean in slowly, slowly, almost there-

Suddenly, Trucy pops in like, “I KNEW you two had that connection!”

Apollo screams and nearly falls off the boat. Athena has to stand up, grab his hand and precariously balance the boat with both her feet to keep it from tipping over

Pearl also appears (the both of them were riding in the backseat), squealing with excitement because of what she almost witnessed

Apollo simply groans and buries his face in his hands, feeling hot with embarrassment, while Athena hands over a bag of Skittles to keep the teenage girls quiet because she knows that Mr. Wright is going to have a long talk about why and how Apollo and Athena got his daughter and her best friend to ride the tunnel of love with them. She then resigns to sleeping the rest of the ride, with her head resting on Apollo’s shoulder

At the end of the day, Simon challenges Apollo to one last boardwalk game

Neither of them win anything big, but they do consider each other as equals

The end

[razeluxe]

Razeluxe’s Top Ten Male Characters

So I’ve been thinking about doing a particular list for my favorite characters across anime and games for quite a while and with some advice I decided to break it into my favorite male and favorite female characters. Most people that know me can probably guess at my top three favorites but if you don’t know me... well you ‘bout to learn lol. This was harder than I thought to compile...enjoy my fanboying of the boys lol.

By the by, I’ll do my best to keep spoilers to a minimum.

10) Apollo Justice (Phoenix Wright Series)

I’ve played only two games that this character was in (Apollo Justice and Dual Destinies, slowly working through Spirit of Justice) and this character particularly in Dual Destinies struck me even more than Edgeworth who is another amazing character. Apollo has an amazing spirit and it was only through playing Dual Destinies that I really got to understand Mr. ‘I’m Fine’ and his stupid ‘Here comes Justice’ puns. I feel his original game didn’t allow him to shine (still a great entry in the Ace Attorney series I don’t care what anyone says) and Dual Destinies allows him the development he deserves. He gets hurt during a trial and it allows a deep dive of his character even if his personality shifts for a while. Damn he’s savage. He’s considered the underdog in the Wright Anything Agency but he’s to me the hardest working person there who is also the most factual in court.

9) Gokudera (Katekyo Hitman Reborn)

Or as I like to call him, Scowludera since he’s scowling like 90% of the time. This Ichigo ripoff’s character development is insane. And I think that trend follows most if not all the characters in this list. His relationship with his sister is interesting and he’s pretty explosive in terms of personality and intelligence. His fights are all really interesting too, he has some of my favorite interactions in the series thus far (haven’t read the post anime manga chapters yet sadly, but he’s more than earned this spot on this list). He butts heads with people a lot and he can be ignorant but he grows from his experience and you get to see it bit by bit. This dude is loyal to the bone. RIP if you aren’t Tsuna or Reborn. Also, I’d like to shout out this anime as one of the few to do the shounen genre proper justice. Go watch it. Also his sister Bianchi is <3. Oh wait. Male list. Oops. Can we also talk about his weapon? Not gonna say spoilers but that thing is dope and probably one of the best ever designed weapons. And his kitty Uri <3

8) Joshua Bright (Trails in the Sky)

This will be short as I don’t want to spoil anything, but Joshua is a very easy character for me to connect to personally. His feelings, actions, development probably relates more to me than a lot of characters on this list. He’s got good people around him...I’m very happy for his ship and support it 120%. Also the Trails Series, both Sky and Cold Steel are probably my favorite series of anything period. Go play it. There is more to this character that meets the eye and has broken my heart more than once ;_;

7) Neku Sakuraba (The World Ends With You)

Neku Neku Neku. Another very relatable character for me (see the theme here? lol) He initially shuts out people and over time, through his experience in the Reapers Game, he starts to open up and bring people into his circle. He goes through some crap, like a lot of trauma. When you learn of him it’s no wonder he wound up disliking people and society. He’s extremely creative and that creativity manifests itself in different ways. Kinda like me. It’s worth mentioning I used to roleplay this character back in the day, the very first canon character I used to write for. 

6) Shulk (Xenoblade Chronicles)

One of the only blonde’s on this list. Shulk is a character that is driven by revenge but eventually changes. He goes through some pretty traumatic stuff that I absolutely will not spoil. His personality when he encounters a certain characters shifts big time and it’s kind of scary considering how early you see this. Also he gets points for being a notably intelligent character. I mean, the dude has his own lab...and is able to fix and adjust stuff. He’s really a great and well balanced character despite all the crap he goes through. Also I used to make fun of this character and dislike him a little bit, but then I grew up. 

         The list gets real starting...now. Not that it was fake before. :o

5) Jaden Yuki (Yu-Gi-Oh! GX)

Anyone who has actually watched the entirety of GX might know why he’s here. His character development in the latter seasons so unreal and interesting. I’m not spoiling crap but there is a lot more to the character than meets the eye. Like a lot lot. Over the course of the series he loses his innocent eyes and his personality changes a lot...His character is probably one I can relate to in terms of the reasons for his actions, the way he gets down about himself, the way he acts in the final season...it hits me hard...he’s too dang relatable...just like..

4) Rean Schwarzer (Trails of Cold Steel)

Surprise surprise. Rean is here. -hears crickets- Guess you’re not surprised. I wonder why. I think I relate to this character more than anyone else on this list. Except number one. Number one is in his own league. Rean is a character who generally carries a happy disposition...he has a unique power but you can see he is actively scared of it. It’s something I actively deal with...he’s so scared of himself that he puts distance between family and friends. He never feels he’s good enough. He’s made headway through this, but...

One thing that’s extremely interesting about this character is his selflessness. You may think this is driven to the ground in character stereotypes but for Rean it’s different...his selfless has been described as abnormal by characters in game, and it’s not for positive reasons...Rean deals with some real unhealthy stuff. This is getting long.

As of this post Cold Steel 4 comes out in one month and I’m extremely worried for his character. If you’ve played 3 then you’ll know why. Also if you haven’t played the Trails series, go play it. No buts. Heck I’ll even buy the game(s) for you if I can.

--

Oh look we’re at the top three. I want to say that while numbers two and three here are pretty interchangeable, these characters have been in my top three for over a decade and a half and I don’t see this changing anytime soon. Rean I love you but you have your work cut out if you ever want to breach the top 3. I wanna post a few honorable mentions here. They didn’t get into Smash but they do get Mii Costumes at least! -shot-

Davis Motomiya (Digimon Adventure 02) 

This character was everything I was when I was a kid. The way he tries everything to woo Kari is too cute. Also his unwavering faith in Ken. Also Davis Cries Veemon.

9S (Nier Automata)

Not mentioning any spoilers. Just watch this character and see how his vision of the world changes over time.

Okabe Rintaro (Steins; Gate) 

Okabe’s shift from his ‘persona’ as things get real and his efforts to fix everything is too relatable for me ;_;

Yosuke Hanamura (Persona 4) 

No, I do not ship him with Yu. They’re great buddies for sure, and he’s pretty cool. Really likable character for me personally save for a few moments in the game...he’s also the main in the Arena games. “Let’s do this, Jiraiya!” He’s so cool lol.

                    Top 3 time. Fiercely dedicated to these guys.

3) Robin (Teen Titans Go! 2003)

Robin is such a raw character that carries his past and tries so hard to move from it yet it embodies him to his core. He has since gained a softer side from forming a team, and has been doing normal teenager stuff...which is good for him. However at times that Batman side impacts him so hard that he can only concentrate on his mission, and starts shutting out everyone and everything to do things himself. It actively gets in the way of his interactions. He deals a lot with moving on from failure and acknowledging his friends more, which he does get better at over time. He is also represented by the color red. My favorite color. He’s badass and yet carries so much crap. I connect to this character a lot even now. Third canon character I ever wrote for.

2 Lloyd Irving (Tales of Symphonia)

I love Lloyd. I love his voice, I love his attacks, I love his stupid double sword logic. He says wielding two swords makes him twice as powerful lol. I love his development. I love his idealism and how it matures over time. I love everything about Lloyd. It was legit love at first sight. I remember being 15-16 and seeing him on that Gamecube boxart and saying “I wanna play that guy” Most people I feel (guys in particular) probably looked up to certain characters growing up as a child/teen. Lloyd was mine.

1. Zidane Tribal (Final Fantasy IX)

While it was love at first sight for Lloyd, that was not the case for number one on this list. I was 13 when I first played FFIX. Zidane upon encountering him, I always thought he was a cool character, but he was nothing special.  Even at Zidane’s lowest point I thought he was an okay character at best. I had not finished the game.

Fast forward a few years and I decide to play FFIX again, this time determined to finish it. I had went through some things, grew up a bit before turning this game on. This damn bandit...I remember writing this bit years ago: “His infamous mantra labeled above describes him well, but under his ability to console others with a smile, to cheer people up and meet them at their point of need with his abundant optimism lies a blonde who masks his pain and keeps his issues to himself. Despite his many friends and buddies he harbors a deep loneliness that, like his problems, he keeps to himself. One would have to look carefully to notice his character flaws for Zidane does an impressive job of hiding these problems. Whether it be through his energy, his theatrics, or focusing on other people, Zidane can cover things up quite well.”

Zidane has an absurd amount of depth to his character that I was never able to comprehend as a kid, beneath his flirting, his playful attitude, he hides a lot of feelings, a lot of anger, a lot of sadness. It used to boggle me how he’s able to uphold his sense of virtue despite what goes on in his life and the end of disc 3 answers this for me. It goes without mentioning that this was the second canon character I’ve ever written for, and I still love writing him. I could and write walls of text about how Zidane is so amazing, a chivalrous thief, a lover and a flirt but I think I can let you go lol. Hit me up if you really want to hear me ramble about any these characters, also play FF9.

...So I wrote all of that and forgot to write about Zidane’s ship...have to give it its own paragraph because I love these two together and she does wonders for Zidane as a whole as does he to her. She’s a princess and he’s a thief, they take their time to show them together through different things, different ordeals...particularly the ordeals. Its interesting seeing them both at their worst moments and the many funny moments..Man, that boat scene gets me every time...If I ever write a top ten couples list this couple would no doubt be in the top two if not number one. And I’d probably write way more than this about them because they’re great. Also they’re canon. A healthy canon. Also Dagger’s hot. Oh wait wrong list.

Okay finally done. Not editing this anymore :P

[datleggy]

a list of every anime i love/recommend, accumulated over the last 10+ years

1. NATSUME YUUJINCHOU 

SUMMARY/REVIEW: 

The main character is a teenage boy named Natsume, whose parents died when he was too young to remember them properly. He’s passed around random relatives homes, but because he can see yokai (spirits), he’s ostracized by classmates and his foster families (ALL HIS CHILDHOOD FLASHBACKS ARE SO FUCKING SAD) and eventually very distant relatives (an older couple who never had kids of their own and have so much goddamn love to give D:!!!) take Natsume in, and the story basically starts from there. 

It’s a very heart-warming story following Natsume’s new life in this new town, accepting his ability to see yokai, forging new relationships in the form of friends and family, and even with the yokai themselves. 

This is honestly probably my favorite anime/manga period, because it’s so sad but so cathartic and you watch as the main character grows and learns to trust those around him, and finally gets the unconditional love he’s always deserved, not to MENTION THE FACT THAT THEY DO A WHOLE EP WHERE NATSUME IS TURNED BACK INTO A LITTLE KID AND IT IS SOOOO GOOD OMG

Plus for those of you who enjoy whump, this show has a decent amount of it. Mainly emotional whump, but also some episodes where Natsume is injured or sick--as well as I believe one where his companion (the chubby cat on his shoulder who’s actually a pretty badass yokai) gets shot with an arrow and is down for the count. 

10/10 would and have watched again. 

2. KODOCHA NO OMOCHA 

SUMMARY/REVIEW:  The main character is a sixth grader named Sana. She’s a gifted actress on a t.v. show everyone likes and she’s silly and fun, very intuitive and surprisingly empathetic for a child. 

Her main problem is in school, where Akito, who she deems the leader of her class’ wolf pack of rowdy rude boys, lets them terrorize not just the teacher, but all the girls in class, as well. 

I don’t really want to give a lot away, so I’ll just state the obvious. This anime/manga is shoujo, which means that it does focus on a romantic relationship throughout the series. Mainly the one between Sana and Akito. Sana is absolutely oblivious about her own feelings, while Akito is a stubborn little shit. 

I remember watching this at like, age 12 maybe? And I really enjoyed it because (although I do enjoy your typical silly doesn’t take itself too seriously slice of life shoujo) this particular anime, while super funny and light hearted at times, was also really dramatic and even kinda dark, which was surprising considering the characters ages and the general kid-friendly vibe (especially the opening for the anime). 

3. DETECTIVE CONAN

SUMMARY/REVIEW:  Our main character is initially Shinichi Kudo, teenage detective, who’s on a date with childhood sweetheart Ran (whose father also happens to a detective but like....not a good one lmao), when his nosy ass self decides to go and check out some shady business and gets “poisoned”. 

The poison he’s given is intended to kill him, but what it actually does is turn him back into a child. And now, as Conan Edogawa, (who’s 7 but like....we just supposed to believe all these cops and detectives on the force are cool with a seven year old wee lil babe on these really gruesome ass crime scenes??? lmaoooo) we follow him on his adventures as he solves crimes and tries to solve the biggest mystery of all, his own! 

I absolutely LOVE this anime/manga, even though I’ll be honest, there is SO MUCH FILLER, but I like the characters enough that I really don’t mind. The show is at least 900+ episodes in at this point, and there are a total of 26 movies so far, last time I checked. 

Also, the show is a whump fangirls’ dream come true. The main character is thrown out of windows, balconies, shot at, and in one occasion actually shot, he’s had broken bones, sprains, almost been blown up or drowned/burned, been sick, and oh, his occasional transformations from child to teenager are incredibly painful. 

This show is probably at fault for my love of whump, since it was one of my first animes at like, age 9. smh. 

4. THE DEVIL IS A PART-TIMER!

REVIEW:

I’m not even going to summarize this one. The title does it for me. This is truly one of the funniest animes I’ve ever seen. Motherfuckin Satan works at a McDonalds part time and it is the BEST. 

Technically I would count this show as a kind of harem, but only because there are like three main girl characters after the overlord Satan himself. I usually dislike harem type animes but the way this is done is sooooo good I couldn’t resist. 

I would watch a million filler episodes of Satan trying to solve problems at his minimum wage job tbh. I love every single character, I love the plot, I love everything about this anime! In terms of comedy (with the occasional plot driven serious moments) this is IT bro. 

5. BLACK BUTLER

SUMMARY/REVIEW: 

The main character is Ciel Phantomhive (roughly 14 years old). His parents are killed, his house is burned to ashes, and he’s kidnapped (around age 9 or 10 I believe) and abused. During this abuse Ciel calls upon a demon to free him and help him get revenge on those who harmed the Phantomhive household, which is where Sebastian, one “hell of a good butler” comes in. 

We then follow Ciel and Sebastian on their path of vengeance, and along the way we meet Ciel’s human servants, three very clumsy and seemingly bad at their given tasks characters (i love them all), and some of his extended relatives and connections. 

My favorite thing about Black Butler is the art, both in the anime and manga. Everything is so detailed and pretty! 

The characters are interesting, the plot is dark but they manage to make most of the series overall pretty light-hearted and funny in general. Though of course there are chapters/parts of the series that get really grim (which duh, the whole thing focuses on revenge so...) 

I have to say, the arc I enjoyed the most has to be the movie, Black Butler: Book Of the Atlantic. It is beautifully drawn and sooooooo entertaining. 

6. INUYASHA 

SUMMARY/REVIEW: 

Our main characters are Inuyasha, a half-demon, who’s been in a sort of spiritually binding coma for the last few decades, and fourteen year old Kagome, who falls into an old well in her family’s shrine and finds herself being transported into another time period. 

Together, she and Inuyasha travel across the lands in the feudal era to find the scattered shards of the shikon jewel, a powerful jewel which grants anyone who possesses it ultimate power. 

I was too young to stay up and watch Inuyasha on adult swim, so my mom would tape the show on a VCR for me to watch the next day after school--yes, I’m old old. lmaoooo I ADORE this show. 

It’s so good! It’s got everything! A tortured lil half-demon with a sad past who’s stubborn and rude but got a good heart! A fierce and equally as stubborn main protagonist, who’s whole ass family knows exactly where she goes off to??? and are supportive af????? like???? her mama packs her and her squad of demon/exorcist/demon hunter pals bentos?!?! lmao i love it. 

The characters are awesome and funny and likable as all heck, and of course they all have their sad backstory, but like, unlike some animes (lookin at YOU Naruto) they don’t go mega overboard on it, at least not without some plot behind the episode. 

7. YU YU HAKUSHO 

SUMMARY/REVIEW: 

Before I even start in on the summary, ya’ll should watch this soley bc of the cute ass 90′s style animation alone. LOOK AT ALL THAT SHINY HAIR!

ANYWAY. Main character is teenage hooligan and overall cutie pie Yusuke! He gets struck by a car and fucking DIES in the first episode after shoving a little boy out of the way, only to end up in the spirit world where the head honcho up there (who looks like a wee baby) tells him “Oh shit, didn’t expect you to like, actually do anything self-sacrificing EVER so like, you’re not on our list of people who were supposed to die today...” 

And uh, I don’t wanna give anything away, so I’m just gonna say that if you haven’t seen this anime yet, you definitely should! It’s hilarious and dramatic, the fight scenes are very well done, all the side characters, who eventually become main characters are a blessing (specifically Hiei, who’ve I’ve had a crush on since I was 12) and the ending is a satisfying one, which you can’t really say for a lot of media. 

8. CHRONO CRUSADE 

SUMMARY/REVIEW: 

I still get weepy when I think of this anime, so all I’ll say is it’s about a badass demon slaying nurse and her demon companion and some very tragic shit. 

It’s a great anime overall, especially if you like crying yourself to sleep at night :) 

9. GHOST HUNT

SUMMARY/REVIEW: 

The main character is high school student Mai, who is hired by Naru, the head of a Shibuya psychic research, and together, with a group of questionable exorcists/psychics, they encounter paranormal phenomenons and some outright scary shit. 

I’m not really a fan of the horror genre tbh but I do like mystery, and the series deals with that quite a bit. They deal with each case for several episodes so nothing feels too rushed. 

The series is really fun in a creepy, wtf is that way. I recommend the manga, only because it’s more detailed in terms of plot than the anime. 

10. ASSASSINATION CLASSROOM 

SUMMARY/REVIEW: 

I didn’t really make this list in any particular order but if I had to say, Assassination Classroom and Natsume Yuujinchou probably tie for BEST ANIME PERIOD! 

This anime is about a weird ass “alien” creature, no one knows where it came from or why tf it’s here on earth, all they know is that in one year it’s threatened to blow the world up. 

His only request to the government is that they let him become a teacher for Class E, the worst class of Kunugigaoka Junior High School, and he will stay put, so that they can attempt an assassination on him during this one year period. 

AND LISTEN! I am a shallow hoe, so I literally never would have read this manga or watched the series had I not been roaming Barnes and Noble one day with my S.O. and picked it up to read as a JOKE! 

I was hooked after the first chapter and I am soooooooo glad I picked this manga up, bc it is absolutely not the type I would normally go for, cover art wise. I finally, after many many years, learned not to judge a book by its cover bc LORD this anime is so goddamn good, you don’t understand! Like, I’ve watched it so many times and still laugh at the same parts, cry at the same parts, am proud af at the same parts! like, this anime is an instant classic and should definitely be more popular than it is. 

assassination classroom and natsume yuujinchou????? MASTERPIECES! 

[thanatosbananatos]

What in the heckin' heck is Hanji's backstory? -- A Meta

At this rate, Yams is never going to tell us.

I guess it may not be all that important to the story, but then again, knowing his writing style, he really enjoys leaving mysteries, and it won't surprise me in the slightest if this series ends with a lot of the mysteries being unsolved.  Hanji's backstory will likely be one of them.

As a disclaimer, I use she/her pronouns for Hanji, but Isayama specifically has stated that Hanji's gender is irrelevant, so please feel free to use whatever pronouns you'd like. If Hanji was real, I don't think she'd care, either...

Anyway, I want to start this meta laying out the facts we already know about Hanji BEFORE the year 845.

--Hanji had joined the Corps for ??? reason, and had a thirst to kill the Titans mercilessly, just like Eren at the start of the story.  She was “fueled by insecurity and hate.”  However, she kicked a Titan's head and was fascinated by how light it was, which began her obsession with the Titans from a scientific standpoint.

--Hanji does not bathe regularly and doesn't care about hygiene.  Apparently Levi has to knock her out to get her to bathe.

--Hanji doesn't care about gender.  Or at least, Isayama said it doesn't matter to the story.  In a very early interview, he stated that Hanji was female but had moments of masculinity, which means she's gender-fluid or nonbinary.

--Hanji was in the Corps before Levi, Isabel, and Farlan joined.

--Hanji has known Erwin, Mike, and others for a little while--it's a quick little thing, but in episode one of season one, Hanji is shown to be in the same squad as Erwin when Shardis was the Commander.

--Hanji has anger issues.  Isayama has stated that she is the scariest character when angered, and is also a different person with and without her glasses/goggles.

Aaaaand that's it.

Thanks, Yams.

Well, if the Wings of Counterattack game is to be believed, Hanji was also a super cute kid who was always kind of androgynous and messy-haired and had bad vision. Super cute.  I love.

But that's really it.  Hanji didn't even get a character song, despite Romi Park having the singing voice of a fallen angel that's going to drag me straight into hell where there are hot jazz musicians and Satan serves us all whiskey on the rocks.  Did y'all know she released a jazz/pop album?  It's fire and you can't stop me from thinking about Hanji being able to sing like that.

...I'm getting off track.

ANYWAY.

Compared to many other recurring characters in the series, Hanji has a very limited amount of backstory.  She's never even drawn as younger, even in the panel we get of her kicking the Titan's head--if you recall, it's just a dark scribble with a scary-looking grin.

That being said, Isayama has indeed been dropping bread crumbs here and there with clues throughout the series that can lead us to a conclusion about Hanji's past.

Where was Hanji born and raised?

I think it's fair to say that Hanji was not raised with wealth.

It's hard to draw conclusions about her exact family, but considering her being totally chill with not bathing for weeks and being a little bit of a...gremlin, she probably grew up somewhere in Maria, or in the slums of someplace in Rose. However, I tend to lean more toward Maria.  

For me, it's not really an issue of just her hygiene--it's also her social skills.  Again, we know ZILCH about her parents/guardians, so they could have been weirdos, but I think also that Hanji just didn't have the proper upbringing to gain boundaries like normal people.  She gets up in people's faces, she can be very physical/grabby, and she can be argumentative and stubborn to a fault.  I think it's fair to sometimes call her actions childish, though some of them also are symptoms of something like ADHD.

I want to argue, however, that she is just eccentric.  I think it's part of who she is and was raised to be--or perhaps it's from a lack of attention.  

She also just doesn't care about a lot of things that people raised in high-status upbringings would care about.  She literally throws on her uniform jacket over her pajamas when called out to see Pastor Nick's death scene.  Showering/bathing every day is not a priority,but it's also not something that bothers her.  For instance, I'm incredibly busy, but I shower every day because anxiety dictates it to be so, but I also just enjoy being clean.  Hanji is super busy and could make time to shower/bathe more than she doesn't, but she doesn't see it as a priority and never once is it mentioned that she pays any mind to it.  

Regarding her gender, I wonder if she was an only child.  It's possible that there were expectations put on her to be more of a “lady,” but she was much more concerned with studying and learning.  

That's just speculation, of course.  Some people just are the way that they are.

However, I think she was an only child for a couple of other reasons, too.

First, I think that economically, if she did grow up in Maria, one child was all that her parents could afford. There are also just not a lot of people in the walled world with siblings; it's just not very convenient to add to an already-starving population, I suppose.  

But also, I think her love for studying might be connected to this.  I know that, as a kid growing up with older brothers MUCH older than me and not a lot of friends, I loved to read to the point that I owned my own encyclopedias and actually read them. A lot of kids who grow up lonely/isolated tend to do the same.  

Especially if she was already such an extroverted kid, I think she'd need the stimulation.

Why did Hanji hate the Titans?

It's possible to think about this from a couple of different angles, but there's one that I prefer over the other.

First, we could consider that Hanji perhaps lost someone she cared about to the Titans.  Maybe her parents joined the military and were killed.  Maybe her sibling, or aunt or uncle, or grandparents.  

Second, we could consider that she valued freedom and independence, and that she considered the Titans to be something that stood in the way of that.

Personally, I think the second one is more likely.  Of course, it's possible that both happened!  We really don't know.  

However, I lean toward the second option because of Hanji's personality, and the little we know about her when she joined the Corps.  She was a bit unhinged (as all interesting characters are), and she was very violent.  This tends to be a characteristic of people who are forced to keep everything in for a long amount of time.

In psychology, there are two categories of people:  externalizers and internalizers.  For instance, if a child endures trauma, and their reaction is to lash out violently (physically or verbally), or to become selfish and attention-seeking, that is considered externalizing.  On the other hand, if the child endures the trauma and then keeps it locked up, considers the abuser to be the “real” victim, learns self-blame, etc., then that is internalizing.  

For instance, Erwin is probably an internalizer, when we take into account his father's death and the trauma he endured because of it.  Armin is also an internalizer.

Hanji, however, is probably an externalizer.  She shows a lot of the signs of someone who has perhaps undergone something traumatic/repeated traumatic events and has lashed out as a sign of “dealing with it.”  It's a sign of emotional immaturity, so it makes sense that that's what Hanji was doing as a young'n.  She's also quite empathetic, which could add fuel to any flames, and she's also proven to be a skilled manipulator.

What was the trauma?  I think it was the feeling of isolation.

One thing that really is evident to me is how goddamned EXTROVERTED Hanji is.  If we have the scale E to I, Hanji is probably one of the farthest if not THE farthest over on the E side of ALL of the characters in this story.  She likes to talk, she verbalizes everything, she enjoys people, and she clearly gains energy from social situations.

I have a feeling that Hanji has always been a bright kid, and that perhaps she was understimulated as a result of growing up not only in a poor community, but being surrounded by this big-ass walls and constantly being told, “No, you can't go outside.  You'll be eaten alive by Titans.”

She would very naturally turn into this teenager/young adult with a thirst for absolutely destroying the things that kept her locked up in the first place.

Again, I think either situation is likely, but I have the feeling that it goes deeper than just getting revenge for someone's death. Something tells me that Hanji has been looking for answers to deep questions for a long time.

So, Hanji joins the military.  Then what?

Well, from the hints that Yams has dropped, Hanji met Erwin, Mike, Nile, and perhaps others at some point.  I don't think that Hanji was in the same class as them, save for maybe Moblit, but I think she probably knew them. This part is a bit hazy, considering that we don't know what age Erwin and company were when they joined the military.  Mike is canonically older than them all, pushing 40 years old (like a fine wine) at around 850.  Erwin is supposedly in his late 30's, and I believe even Levi is older than Hanji, which would put her around 30 at in the year 850.  

Now, if we think about when Levi entered the Survey Corps, which I believe was in the year 846...

Hanji was not a new recruit that year, and she already seemed to have a pretty close friendship with Moblit.  She was also more emotionally mature.

In other words, Hanji had probably already kicked the head of that Titan by the time Maria fell.

That means, it had to have been before Shiganshina/Maria fell that she had a change of heart.  

During all of this, Mike and Erwin were also in the Corps, and they probably witnessed this change.

However, despite it being explicitly mentioned in the manga, this is the hardest part to flesh out about Hanji's backstory.

We at least know the details of her becoming a Squad Leader specifically focused on the science of Titans, thanks to the OVA for Ilse's Journal.  It was thanks to her curiosity, emotional maturity, and a bit of dumb luck that it happened.  

But before this, we don't know much else about her time in the military, and it's hard to discern anything without knowing details about the others, too.  

I know that there are snippets of details in smartpasses (is that what they're called?) that reveal that she, Mike, and Erwin were friends, etc., but that really doesn't give us much to go on. Much of it, unfortunately, remains a mystery.

However, there is one last thing I want to point out:

In the first episode of season two, after Hanji lets Nick down instead of yeeting him off of the wall, she mentions “I haven't felt this way since I first went outside of the walls.  Talk about scary.”

There are many people who interpret this line as her fear of the Titans, but I think it's fear of her own anger.  She was ready to brutally kill someone who could have otherwise provided valuable information, just because of her pure rage.  

I think this moment, along with a couple of others (kicking down the table and saying “it was a roach,” for instance), drive home some of the assumptions from earlier in this meta.  Consider the torture scene and her actions compared to Levi's.  Levi grew up in an environment where violence was used as a form of communication.  You don't see him saying a lot as he punches Sannes over and over.  He doesn't stick around to talk to the men once they're returned to their jail cells.  

Hanji is, however, a bit too eager to rip the nails and teeth out of this guy (partially as revenge for Pastor Nick's death, I'm certain).  She rips into them verbally as well, as they sit defeated in their jail cell.  Her anger is a terrifying force.

So what's the point?

Well, there's not really one.

I just would like to know more about one of my favorite fictional characters of all time.

Is it important to the story?  Well, not necessarily.

But what if this backstory is more than I wrote here?  What if it's something quite wild or disturbing?  What if it digs further into the fundamentals of humanity?  Was she abused?  Was she bullied?  Is she just psychologically disturbed?  

Like I said, we may never know, and at this point (2019/09), the series seems to be coming to an end.

I personally think it's really too bad.  The story is a character-driven one, so to leave so much mystery around Hanji's past is very curious.  Hanji tends to get shoved to the side a lot (though not as much as some other MCs), so it’s pretty frustrating to see that even the creator isn’t divulging more information...

Then again, I guess it does make writing fics easier, right...?

[katieusualthings]

The reason why Kimetsu no Yaiba (KnY) is so well received by the Japanese (as such a remarkable phenomenon)

Written by Vũ trụ 一１９九

Translated by Meownie

Proofread by Alice

Everyone knows that just in a short time, KnY has almost occupied the spotlight in all fields, everyone talks about it, the number of sale in goods and comics is enormous, both of them are sold out, etc.

Following my own curiosity with this phenomenon, as well as my existent love for the original work of Kimetsu no Yaiba (the manga), I dug into this issue because, in Japan, every trend has its own root.

Taking aside all the numbers of sale or whatever, which have been analyzed by a lot of people, as I’m not a data person, I will look into the content, the storyline and the core of this phenomenon in reference to many sources and comments about KnY coming from people in this country.

Many of you say that KnY is only at an average level compared to the manga/anime general standard. Then let me tell you what the extraordinariness that an ordinary series can do.

Apparently, there are always conflicting opinions, the Japanese community is no exception. However, the pro-KnY still grows bigger and there is no sign of softening. And here are some positive comments for the success of this series.

1. The anime is excellent in graphics, sound effects, the plot details are neatly arranged, easy to understand and heart touching

Cannot ignore the fact that the anime has built up the KnY’s success. Ufotable made the anime so excellent, especially in terms of visual and sound. It makes the story more approachable and the audience more empathetic to it.

The anime is a contribution to KnY’s greatest success. But many seem to be mistaken that only thanks to the anime did KnY succeed like that?

If the anime succeeds, viewers will be more interested and curious about the main storyline, so they will try to read the original manga. But if the manga was a trashy series, they could stop buying/reading it and just wait for the anime, right? So what is the reason behind the boom in the KnY manga sales until the beginning of this year, and its rankings which are always in the top 3 of WSJ magazine?

Sometimes ago, I did a research and presentation about the anime/manga industry along with the cultural reforms that contributed to the revival of the Japanese economy after the war. In that research, there was a detailed analysis of the connection between the original manga and the anime adaptation as a yin-yang relationship. They are all for the sake of the original publisher and the animation studio, so one will complement the other.

Manga is a product which only attracts a certain group of people, it is not so popular since there are homemakers, young children, the elderly, and people who are not fond of reading, those who do not find manga interesting. But anime is more universal and extensive, as you know, Japanese families often buy a TV to watch the news or to entertain on weekends. The anime is only about hearing and watching, so anyone can access it. When a manga is adapted to an anime, it brings the original closer to the people, and furthermore, hopefully, make it to the big screen.

On the other hand, the original manga is the base, the soul of the work, so readers feel more excited when waiting for each chapter be published in the magazine, waiting for the changes to be re-compiled each time for a new volume. So the manga contributes to increasing a large number of consumers. Of course, buying DVD-BD is definitely more expensive than buying the volume.

As a result, success is mutual support between manga and anime. And making an anime warmly-received is not that easy, the good base of the manga should be credited and vice versa.

I will talk more about the content of the original in the second reason. But initially, it is necessary to distinguish: not all good originals are well-received and vice versa. Everything’s got its relative value, in which context and timing play a role.

2. The charisma of the protagonist, Tanjirou, a young boy trying to save his sister; With a warm-hearted characteristic, his story is not about “revenge” but “restoration”

11 over 10 people being asked, answered that KnY’s success comes from the main character. This is yet another compliment to the editor who directed the way for KnY, Katayama-san, for orienting to make a more gentle, kind Tanjirou, eliminating the brute in the original portray.

Firstly, it is appropriate in this day and age to have a main character who is kind and gentle, which replaces for the old MC portray, who was noisy, hot-tempered and “brainless”. Secondly, it suits the plot that Croc-sensei wants to shape, a story about a boy finding a way to help his sister to be human back, about family love and values. A character who is kind-hearted, with a loving and protective care towards his sister, is more suitable for the readers. On the other hand, the story which does not turn to revenge, but to the path of helping the younger sister to be back to normal and the main character with his sympathy for the tragic fate of the demons makes the readers/audience impressed and pleased and feel like they’re saved and soothed as well.

Tanjirou takes the crown not only because of his kindness but also the determination and strong will, as he does not forgive the crimes committed by the demons. Yes, he is surely sympathetic to them but they all have to pay for their guilt. Therefore, our main character is always consistent from the beginning to the latest chapter and that personality has never wavered.

Not to mention, there is an indispensable point in the MC of WSJ, that they all constantly try their best and do not deny what they are given.

Tanjirou carries all of those points of a MC of WSJ but still reaches many different types of audiences. Lots of mothers want their children to watch KnY so they can show more love towards their families and younger sisters like Tanjirou does.

That is the greatest success of the series. And that’s the reason why the media team take the slogan “Japan’s softest slaying demon story” to PR KnY successfully everywhere.

3. The next detail making the manga a big hit is the consistency in story theme, which is “family”

As everyone knows, the shounen mangas in general and ones in the WSJ, in particular, all discuss the solidarity. But there is a theme in KnY which reaches the audience more easily and widely: “family”. This is the affection that almost everyone can receive and understand.

The modern social situation of Japan, an Asian country, where even though family love is appreciated, the family warmth have gradually disappeared. Children who reach the age of independence and are out of a parent’s guardianship are able to easily leave the country, live independently and rarely return to visit their family. Here in Japan, the proportion of the elderly, late marriage and single people is increasing sharply. The rate of living alone now in Japan is very high and alarming. So a series about love for parents and siblings in the family is like warmth for this cold society.

From an old man’s POV who are living here: “I feel wholesome and nostalgic of the days I spent with my family, feel warm when watching KnY, and how Kamado siblings protect each other.”

The elderly do not pay attention to whatever trend is, they just watch TV basically to enjoy good work and support it.

The family theme is easy to empathize and to be delivered, so even the kids can watch and enjoy it with their mom. There are some POVs from some mothers, telling that their little kids love KnY and hoping they love their family just like the characters in the story do.

Although the context in the story is dark, the path of the story, the way expressing the theme of Croc-sensei is easy to understand, which brings in the light in the darkness and makes the number of readers become more diverse, makes the work more popular and universal.

Tbh, KnY is still very “bright” compared to many series in Japan, so a lot of children can approach this manga. Moreover, there are many cute characters and details in the story.

4. The gap between characters makes a unique way in Gotouge-sensei’s character creation

The Japanese love the interesting dynamic, and they define it as “the gap”. The more surprising gap a character has, the more popular that character is. Briefly, it is, “not judging the book by its cover”.

The first example is the character has the same or sometimes, more popularity over the MC in Japan, Zenitsu. They don’t usually like noisy guys, but because Zenitsu is a cool character and has an interesting gap, which attracts readers. Apart from his noisy, cheerful behaviour,  he is a serious, thoughtful and experienced person who accepts pain and loss just like an adult.

Then there are countless characters with interesting gaps like Inosuke, Giyuu, and the Pillars. Crocs-sensei’s characters are not many, compared to a shounen series. But this is the mangaka’s intelligence to choose the strengths outshining the weakness. Although sensei does not create many characters, sensei has built the base for the character very well, for the impressive appearance of each one and makes the readers/audiences remember them deeply.

The proof of this success is that KnY goods are sold out with every character, from the most to least favourite.

5. The story is clearly set in the Taisho era, coming with its proportional design and architecture that makes the reader accessible

Taisho era is neither old nor new. The people witnessing the change in that era are still alive. But Taisho was the period of transition with the insecurities in the society. So the creation of a fantasy battle with the chaos between demons and people is extremely suitable for the Taisho era.

There are billions of reasons, like the previous parts, here would mention only main points. KnY is simply a normal series, but it is the ORDINARINESS that pulls out the EXTRAORDINARINESS and delivers those CLOSER to the readers. And this “extraordinariness” is not something that a so-normal series can do.

I love the welcoming spirit of the Japanese, they always appreciate new things, yet never forget to maintain and preserve the old ones.

Because it is a constant rule in development.

The same thing applies for the WSJ: increasing sales for the currently published series, at the same time discovering and boosting new titles. And the latter is more important than the former. But they still welcome new series that inherit such values in shounen genre, the magazine would develop the series open-heartedly if it is deserved.

I am also a fan of shounen and WSJ, I think KnY totally deserves the success it has achieved now.

I also hope it is kindly well-received because Kimetsu no Yaiba was made not to be a replacement, not to take any seats from any series. It is simply a shounen legacy in WSJ magazine. You would know that the spirit in shounen manga highly values this “inheritance” characteristic.