#one day i will finish the car fucking with tendou fic

[idfk-damnit-its-a-haikyuu-blog]

I desperately want to turn this blog into an imagines/scenario blog but work leaves me exhausted every damn day so honestly rn it's just shitposts and head canons

Lots of writing ideas but no motivation or energy 😩

[sturlsons]

jaywalkers FAQ + extras

(( spoilers! please don’t open this unless you’ve finished reading pt24 ))

HELLO. first of all, if you’ve made it this far, i want to say thank you for sticking with the kids right until the very end! thank you, thank you, thank you.

as always, my FANTASTIC team: teddy ( @soodyo ) and ksenya ( @fyolette ) without whom this would not have been a thing.

i’m going to ramble a bit about the series here, with some extras and questions like the packaging says! without further ado:

general

≫ jaywalkers tag // jaywalkers fanart tag (excluding teddy’s fantastic work which is in the main tag)

≫ my askbox if you have any more questions // my twitter // my instagram (locked but i’ll accept all requests!)

≫ previous FAQ post

playlists

≫ jaywalkers titles // all the songs i borrowed fic titles from, in order

≫ le petit ____ // a café playlist

≫ god of disc jockeying // a vertigo playlist

≫ raspberry muffins and existentialism // kuroo and tsukki

≫ one thousand three hundred and seventeen // akaashi and bokuto

≫ boxes // bokuto and kuroo

≫ jaywalking

questions

≫ will you be writing more haikyuu!! fic? nope! jaywalkers was my present/contribution to the fandom, and while it’s been a fantastic ride, i won’t be writing anymore! you can now find me in my BTS sandbox.

≫ le petit ____? le petit writer-is-still-an-asshole.

≫ WHO IS Iwaizumi the Angry Review Guy’s EDITOR, DAMN IT. iwa-chan’s editor is The Dog Park. as in, Do Not Approach The Dog Park.

≫ Hinata the Hug Guy? happy as ever! the world always needs hugs; his career is flourishing. his scooter, not so much, but it was totally not kageyama and bobby pin’s fault, okay.

≫ OIKAWA? IWAIZUMI? they couldn’t do it. the condoms were rilakkuma. it set them back by five years in terms of getting their shit together, but they do eventually get their shit together. ushijima has to intervene; i’ll leave you to imagine how that happened.

≫ USHIJIMA? TENDOU? ushijima is very happily uninterested in romance and relationships. tendou clocks this after a few misguided attempts at wooing him. neither disheartened nor disappointed, he instead takes up an elective in literature and vows to become ushijima’s BFFL. it works.

≫ Gecko Tooru? Count Dracula? they continue to be worshipped; they are immortal.

≫ what is kuroo’s reaction to seeing bokuto’s project? they aren’t sure which one of them cried harder, but kuroo likes to think it’s bokuto and bokuto likes to humour kuroo.

≫ what are their careers? tsukki actually ends up landing that actuarial management job, but he also has a double master’s in economics because he’s greedy about education, which eventually leads to him being a visiting lecturer at universities. kuroo works his way up the ranks of a conglomerate to make a place in the executive suite. bokuto is an obnoxiously whimsical fashion photographer whom the industry hates and loves in equal amounts. akaashi is a simply terrifying and efficient engineer with a company the country probably can’t do without.

suga teaches dance, and daichi works at kuroo’s rival company, something he never shuts up about. yamaguchi stays in education the longest, ten years from the day he first started university. he opens up a small clinic of his own eventually, and yachi and gou do the interiors. kageyama and hinata go pro, because what else were they supposed to do, study?

oikawa earns the most out of all of them, which would be just fine if someone knew what the fuck he does for a living.

≫ does tsukki get his headphones back? nope! tsukki progresses to earphones, and kuroo keeps the headphones safe. in a velvet lined box in the bottom drawer of his study desk, first in his campus abode and then in every progressively larger apartment he and tsukki move into.

≫ brah they what OF COURSE THEY MOVE IN TOGETHER. in tsukki’s second year and kuroo’s final year of their bachelor’s degrees. it’s a splendid disaster at first, which is amazing because you’d think they’ve gotten used to each other’s habits by now, but no. kuroo uses approximately thirty hair products and tsukki’s tiny basic colour-protect shampoo bottle is lost among them, much to his chagrin. tsukki has the terrible habit of midnight snacking that personally offends kuroo, who follows a military regimen during the week so that he can drink his bodyweight in screwdrivers during the weekend. they both initially hate someone being in the same bed as them. but they work it out, they work it all out, because they’re kind of embarrassingly in love and refuse to do without each other.

≫ k,,  ur o tsu kk ki ,, same. what do u wanna know? ask me anything, i know everything about their lives.

they move in during their bachelor’s degree. kuroo graduates with a master’s in management and companies looking to recruit him before he even sends in his application. tsukki gets a chance to do a one-year master’s program abroad and hesitates to take it because he’s too attached to everyone and everything and he doesn’t want to take off just when he’s gotten everything together. it leads to the longest and worst fight he’s ever had with kuroo (sneering, screaming, sarcasm; everything that they’re so horribly ashamed of later), one that kuroo wins. when tsukki comes back, he thanks kuroo for forcing him to grow, and he gathers kuroo up in his arms, and he promises himself that he’ll never forget this lesson that he’s learned.

when tsukki moves out of his childhood home for good, there’s one final night when he and akiteru are sitting on opposite ends of the couch, watching a movie they both used to love as kids. halfway through, akiteru hunches over with his hands to his face, and tsukki sits quietly, still watching the screen. they’ve never had a single fight for all the wrong reasons, and they’ll never have a single one for all the right ones.

kuroo proposes when he’s twenty-seven and tsukki’s twenty-five. says “i love you so much that it changed my life. will you let me use the rest of it to tell you that every day?” and tsukki’s so busy hyperventilating that he doesn’t even say yes, something kuroo points out when tsukki indignantly sobs “why are you still on the floor? get up!” pay attention, tsukki, you’ll never get your doctorate this way.

(before that, kuroo stumbles through asking akiteru for tsukki’s hand, talking about how he’s been expecting this promotion and when he gets it— akiteru cuts in with a gentle “kuroo, as far as i am concerned, you had my approval six years ago.” so when kuroo gets that promotion, he calls akaashi up because they’re on the same sartorial wavelength, and bokuto is very offended at not being invited to ring-shopping.)

the wedding is fantastic. bokuto brings up the bubble butt video in his best man’s toast, kuroo cries his eyes out, tsukki laughs, there’s a raspberry muffin on a plate in front of the god-knows-how-many-tiered cake. even akaashi cries.

man, they love each other. kuroo the hotshot young managing director bakes tsukki dinosaur cookies in their high-end kitchen and brags about him at fancy business parties. tsukki calls him tetsu and carries him to the car when he falls asleep on the couch during poker night with the boys. no one lives as happily as they do, because no one’s happiness is as hard-earned.

≫ bo .. o k ku  a ka ? ? bokuto’s one of those genius photographers who makes it big all of a sudden because his talent is spotted. the problem is, he’s kind of too fucking dense to register his success (ever). one evening he brings home two mcdonald’s happy meals like “keiji, keiji, i scored a shoot with this one magazine”, and akaashi indulges him, smiles, takes a sip of his fanta, says “that’s nice. what magazine would that be?”

“l’officiel!”

akaashi chokes on his fanta.

it’s not all rainbows and butterflies, though; bokuto earns a reputation for being a temperamental photographer, which, well, is entirely accurate. they recruit a personal assistant for him, this girl with a death glare and a high ponytail who takes exactly none of bokuto’s shit. (he never thought he’d meet someone even half as terrifying as akaashi, but life is always throwing new things his way.) he also has to deal with a shitton of temperamental models, whom he complains about when he puts on his reading glasses and balances his laptop on his knees in bed, waiting for akaashi to get in and listen.

bokuto still wears his polos but he also wears glasses now. adult, put-together, just as obnoxious as ever. akaashi’s definitely the more frightening one of the two with his blueprints and ironed shirts, but no one bokuto works with is ever willing to believe that his muse is an industrial engineer. (they are, however, very welling to believe that bokuto met said muse because he took over a thousand pictures of him. one thousand three hundred and seventeen, to be precise. that they are very willing to believe.)

no photographs bokuto takes of akaashi are ever released, despite everyone wanting to see. bokuto pronounces akaashi as the love of his life very publicly, and then spends the rest of his time making sure no one takes pictures of akaashi. vicious, protective, expensive clubs with VIP entries, glitter and glamour yet bokuto still stutters if akaashi says something cutting enough, and akaashi smiles to himself like yep, still got it.

going to the country house with kuroo and tsukki once a month is a ground rule. meeting up with the rest of the gang once a month is a ground rule. being efficient but ridiculous, silly but ambitious is a ground rule. living life to the fullest is a ground rule.

≫ ARE THEY ALL HAPPY? THEY’RE ALL HAPPY. daichi and suga get married first, followed by kuroo and tsukki. bokuto and akaashi don’t even consider it for the longest time; do it almost as an afterthought because the idea of rings is nice. kenma goes into research, iwaizumi goes into journalism, yachi goes into design.

shimizu is as beautiful as ever, michimiya is as whipped as ever. asahi and nishinoya never have more than that one dance at suga’s new year’s eve party, but nishinoya promises to always be ready to fight if someone ever upsets asahi. (himuro and izuki, on the other hand, have several existential crises when granrodeo breaks up and they go into different lines of music production, before they realise that not making music together doesn’t mean they can’t make music together.) gou and tanaka are constantly voted cutest couple wherever they go, and end up getting matching tattoos because no one informed them that’s too corny to be legal. saeko shows up at one point with a hot russian girlfriend, and bokuto gets another pitcher turned over his head for the trouble of asking if said russian girlfriend would like to come to one of his photoshoots. (it’s iced tea, which bokuto considers progress.)

they’re all happy. friends are forever if you reach out, the world is beautiful if you reach out. these kid always reach out. kuroo and tsukki always reach out.

≫ I’M ALL UP IN MY FEELINGS NOW. I’M ALL UP IN MY FEELINGS NOW.

THAT’S A WRAP, FOLKS. i will always be answering questions about jaywalkers, whether it’s headcanons or other extras or behind-the-scenes re: the writing process. like i said, just because this is where i stop telling the tale, it doesn’t mean that this world no longer exists! it always will, and you can revisit it whenever you want.

thank you for sticking with the kids, and with me as i improved! 2016 taught me a thing or two about writing, and i want to show what those things were in 2017, so i hope to see you around for my writing endeavours for the year.

thank you once again! see you.