#one day I might convert all of this into a format that’s more appealing to read than just a wall of text

[1960z]

SOJ: Final Thoughts

So when I first played spirit of justice at 14 I remember really loving it, the new characters, the cases, just the whole vibe of the thing. however, that was towards the end of my ace attorney hyperfixation and because of that I had never revisited it. when I returned to the fandom recently, I began to realise that quite a good amount of people hold this game in relatively low regard; and while the positive feelings I had from my initial playthrough still lingered, I had to admit I didn't actually remember the game very well, and maybe there would be things about it that would bother me now that wouldn't have back then. and because of that, this was the game I was most excited to return to. and now that I have re-played it and been able to experience it with fresh eyes I can say that while I definitely have more nuanced thoughts surrounding the game, I'm happy to say most of the stuff I enjoyed about it still really holds up

one of my biggest criticisms surrounding dual destinies is that while I did enjoy almost every individual case on some level, it never really coalesced beyond the sum of its parts, leaving the overarching story unsatisfying and disjointed, not to mention uninteresting thematically. I did not have that same problem here! my theory for what happened with DD is that takeshi yamazaki attempted to mimic the style of pacing shu takumi employs more closely in a way that just didn’t really work, meanwhile in soj, I think the pacing is much more in line with what we see in the investigations games where everything takes place over a few days (or in soj, the better half of a month) and connects unlike other main series games that often have months long gaps between cases. characters and scenarios set up in the first case are deeply connected to the fifth and each case barring perhaps case 4 is quite focused on setting up everything that’s about to happen in turnabout revolution.

and turnabout revolution is an absolute monster of a case. its scope is extreme and its twists are insane and honestly I doubt it would have worked if the rest of the game didn’t dedicate as much time as it did to building up to it, but because it did, the payoff felt amazing. I understand that if you zoom out and look from the perspective of the whole series a lot of it may feel like a lot and out of left field and I get why that’s off putting to some people - but taking the game in its own singular context I actually think it does an amazing job of making each twist feel earned. like for example are they basically rebuilding apollo’s backstory from the ground up? yes. does it work well with what was previously established in aa4? no not at all lol. does it work within the confines of spirit of justice? I actually think in that context it works extremely well.

my love for nahyuta is pretty obvious but honestly I think the character that captures the true heart of this game is rayfa. seeing this naïve, sheltered kid go through the process of realising that basically everything she took for granted about her world, even who her parents were, was a lie, and having to deal with that was truly captivating to watch. her entire world being shattered and then still doing everything in her power to make sure the truth came to light, no matter how much it hurt her I think exemplifies a lot of ace attorney’s themes and ideals and I think having a young girl be the centre of that is really cool. my favourite character in aa is franziska and while you will NEVER catch me calling her underdeveloped, because the series does actually give you a lot of insight into her if you want to engage with it, what I WILL admit is that I don’t think she ever got as much narrative focus as the other characters. and to me, rayfa feels very much like what we could have gotten if the narrative had chosen to focus on franziska more.

as I’ve said before also I really theoretically love khura’in. I found myself getting genuinely quite invested in the people and culture and politics of this world that the writers had created. especially since spirit channelling has been a huge part of the aa world since the first game, it was cool to inhabit a legal system that just accepted it unconditionally. it feels like the opinion of the japanifornia courts’ opinion on channelling is that there is something to it but the logic of arguments can’t rely on it definitely existing too heavily and if it does, proving channelling can happen is part of said argument. and god forbid testimony of someone being channelled is used as evidence because of what happened in DL-6. none of these factors exist in khura’in. in case 3 for the first time we get testimony from a victim through channelling and it’s a huge part of the case and case 5 of course relies on channelling massively to explain its events as well and getting to explore these possibilities without having to worry about narrative justification as to why a court of law would accept this was a treat.

I think aa’s format also just lends itself to… for a lack of a better word isekai stories?? like learning about the rules of a world through how said rules can be manipulated for crime is an extremely interesting way to learn about and engage in a fictional world. you see this with plvspw and even fan made projects like that mlp-aa crossover from years ago. and while khura’in does exist in “our” world, obviously there are still a lot of supernatural elements that khura’in takes for granted that wouldn’t be in other places.

but this is were we have to address the elephant in the room and soj’s huge glaring flaw. the thing that went completely over my little 14 year-old-head but looking back now I go "holy shit, that is bad." and that is how soj treats khura’in as a country and the irl political implications of said treatment. from the get-go, khura’in is shown in a very othered and orientalist lens. their way of doing things is depicted as being “spiritual” and “folksy” at the best of times and “backwards” at the worst; and the plot centres around our leads, most of who are not from khura’in, showing the khura’inese people the “right” and “just” way of doing things. in the version of the story I assume most of us are familiar with the characters are american, in the original version they’re japanese, neither country has a good track record with imperialism. this is a colonialist narrative. and while it’s tempting to say that because khura’in is fictional, the implications while problematic still exist more in a vacuum, I think it is important to point out that khura'in borrows a lot of aesthetics from real life cultures such as tibet and india, and when you create a fictional country that is like khurai'n, one that is portrayed as spiritual but unenlightened, one that has a lot of distinctly asian but not distinctly japanese (sans the magatama) aesthetics, you are in fact reinforcing negative, orientalist stereotypes surrounding the real cultures said aesthetics come from which deserves to be called out.

and while yes, there are khura'inese characters who still very much engage in their culture while also fighting for revolution... when combined with the context of dd's overarching narrative that, imo was basically "there are no systemic problems with the legal system, the dark age of the law is simply a result of bad actors" it very much feels like there's this attitude of "revolution for thee but not for me." as if they're only comfortable with telling this story about revolutionaries that are often framed by their own government as terrorists if it takes place within a fictional country that players can paternalistically look down upon. I think this definitely undercuts the rest of the story and I can totally understand why this could all really fuck with a person's ability to engage with and enjoy the game.

in closing, I genuinely think there's a lot to love within soj, it fixed a lot of problems I had with dd. I love each case, I adore the characters, I was thrilled by a lot of the mystery and political intrigue it created. with that being said I absolutely believe reinforcement of colonialist ideas in the text needs to be called out. it didn't ruin the game for me but if it did for someone else, I couldn't blame them. despite all its flaws, I found the closure it provided for these characters both old and new very satisfying. it will always have a place in my heart.

[novarose24]

Writings from Offline {Ep.6}

THALA vs THALAPATHY: How fan rivalry in the age of technology maintains capitalism

 When duality turns into rivalry:

 Starting with veteran actors, Shivaji and MGR, continuing to old school actors Rajini and Kamal Hasan and now with contemporary actors Vijay and Ajith, fan rivalry has become a natural to Kollywood, even an integral part of it. Just like any other pop culture phenomenon the fan rivalry in the industry arising from the duality, has close relationship with capitalism and the advancement of technology and the increased use of social media platforms. 

In this essay, I will try to establish that the manner of creation of pop culture and the capitalist exploitation carried out by the media can be used to establish how fan rivalry in Kollywood maintains capitalism. 

  Cultural economy in a Capitalist Society:

 The intricate connection between what becomes societal differences and capitalist society is essential to understand how a mass-produced product like a movie is made into a pop cultural phenomenon. By a capitalist society, I mean a society where products are factory made and are mass produced. When these products are released into the society, the people make sense of the product and add meaning to it. This way of interpreting a product in their own terms, based on their identity and place in the society, becomes a way of rebelling against the factory produced content. The addition of meaning is then used by the capitalists to mass produce the product, this time along with the newly added meaning. The society does its job of converting or adding meaning again as an act of defiance. This cycle continues and in this endless process, popular culture is produced. 

 Popular culture is the result of active involvement of the audience while consuming a commercial product. There are two economies involved in this process: the financial and the cultural (Fiske, pp.26). The financial economy, mass produces a program and in turn produces an audience. It is the audience who, by producing meaning, become consumers of the same content; they become the consumers of the same content that they helped produce. This is how the cultural economy works and produces popular culture. 

  Commercial movies, Competition and Capitalism:

 Kollywood movies, specifically that of Vijay (popularly known as Thalapathy) and Ajith (popularly known as Thala), are factory made, commonly known as commercial films. The storylines of these movies almost never deviate from the formula. The films have a set formula of beginning with a “mass opening song” where the “hero” is introduced, followed by the introduction of the love interest that eventually leads to some amount of stalking, coercion on the part of the “hero” and a duet song and ends with a grand finale of a victorious battle against the “villain”. The films also try to appeal to the umbrella identity of being Tamil and sometimes of being Indian. Unlike Tollywood, its Telugu counterpart, there is no distinction on the basis of caste. The films also are formatted to be relatable to the Indian middle class but enjoys an audience from across the classes in the society. The reason for this is the opportunity of resistance that these movies provide pop culture (Fiske, pp.32). This might take the form of the poor evading the tyranny of the rich, the youth evading the control of the older generation or the oppressed revolting against the oppressor. Though the films don’t exactly talk about these ideas, the audience consuming the content interprets the films thus and relates to these ideas in this manner. 

 A question that might arise here is why the rivalry if all the films are the same? Well, it can be said that as a product situated in a capitalist economy, it carries the feature of competition to maximise profits. When products are mass produced, one brand of product is pitted against another brand and this competition between brands is a feature of the capitalist economy. Operating in this context, when movies are produced, as a product, the films of two different “heroes” are pitted against each other to follow the pursuit of profit making. 

 This simple competition did exist before when there were different players in the field. So, what changed when Vijay and Ajith stepped into the field? 

  Media and the making of Stars:

 It was in the 1990s that Vijay and Ajith entered mainstream Kollywood. Another interesting development that was happening during this period was the growth of media - from the internet to television channels to award shows. Media also began an interesting relationship with the capitalist economy.

 Audiences, particularly fans, produce content for their fandoms. The content produced by these fan bases has the added meaning of their interpretation, mostly content spelling out why one actor is better than the other. This meaning is then consumed by the fan bases. The role of box office collection becomes an important concept at this time; it is the profit that the fans produce and producers enjoy. 

 This follows the capital exploitation that Marx explains where labourers produce products and receive wages as a return that is barely compensatory and the better part of the profit is taken by the capitalists (Marx 1849). The labourers labour on and consume the fruit of their labour as wages. In the case of the cultural economy, the audience produce meanings and consume the meaning themselves. 

 When the media is introduced into this cycle, it multiplies the profit earned. With the addition of fan rivalry to this equation the profit becomes four times. The reason being that, as there are two rival fan groups that are involved, each group creates content that promotes its own base at the same time defaming the opposing fanbase; this creates an endless amount of content available on all platforms. 

 The surge in importance of media happened during the 1990s and early 2000s, right when these two actors, Vijay and Ajith, were entering the field. Media before this time was mainly magazines and newspapers; Radio and Doordharshan were the only others. It was after the liberalisation policies undertaken by the government in 1991 that several changes happened to the media and communications industry. Several private tv channels emerged as a result. The big names in today's television like Sun TV (1993), Jaya TV (1999), Star Vijay (1994), Kalaignar TV (2007) and KTV (2000) came up during this period.

 Another development was in the world of the internet. Social media platforms came into play; Facebook became public in 2006 and YouTube was acquired by google in 2006. Now there are more than 20 lakh fan profiles on these platforms in the present. Adding to this is the creation of grand award ceremonies. The Film Fare Awards launched in 1954, Ananda Vikatan Awards came up in 2008 and Vijay Awards in 2006; these opened up a platform to celebrate movies and the everyone involved in it. In the current times there has also been a rise 

 All these developments offered fans a platform to communicate and connect with other fans forming a closer and vigorously devoted community of followers. These clubs engage in a variety of promotional activities, from putting up banners, attending promotional events, and conducting a huge grand opening for theatre releases. This is where box office becomes a very important role. 

 In 2007, Vijay released a movie called Pokkiri, a gangster film. The same year, Ajith released his gangster film Billa. With social media on the rise, the release of these films led to the start of intense fan rivalry which continues to this day. The box office collections have since then increased and has always been a matter of pride. Vijay’s Vettaikaran earned Rs.80 crore in 2008; his last movie Bigil in 2019 has earned about rs.300 crore. Though box office mainly means the money collected in theatrical releases, it reflects the amount of marketing that has undergone in these few years. 

 One of the main reasons for this immense growth is the media acting as a catalyst for the creation of profits; in the process the films that are produced go on to become popular culture. Popular culture is then the resource that capitalism employs in its effort to make profits and maintain itself.

  Conclusion:

 It is clear from the current scenario of fan rivalry in Kollywood that the media has had a huge role in the creation of the movies into pop culture.  The production of these movies, the commercial movies, continues and the fan bases continue to add meanings to them while consuming the movies. The creation of pop culture needs a capitalist economy to foster it. With the addition of media, the fan rivalry that had always existed produces a huge profit for the industry. Since all this operates within the cultural economy, capitalism thrives in this setting of fan rivalry in Kollywood.

  Bibliography:

  Fiske, John;     (1989) “Commodities and Culture”, Understanding Popular Culture;     Routledge

Marx, Karl; (1849) “Wage, Labour and Capital”,     Neue Rheinische Zeitung; April 5-8 and 11, 1849; Available at:https://www.marxists.org/archive/marx/works/1847/wage-labour/ch02.htm (Accessed on: 4/5/2020 02:34:21AM)

Wikipedia contributors; (April 2020)Pokkiri, Wikipedia,     The Free Encyclopedia; Available at: https://en.wikipedia.org/w/index.php?title=Pokkiri&oldid=953798661. (Accessed on May 4, 2020)

Wikipedia contributors; (May 2020)Ajith Kumar,     Wikipedia, The Free Encyclopedia; Available at: https://en.wikipedia.org/w/index.php?title=Ajith_Kumar&oldid=954656597. (Accessed on May 4, 2020)

Wikipedia contributors; (May 2020)Billa (2007     film), Wikipedia, The Free Encyclopedia; Available at: https://en.wikipedia.org/w/index.php?title=Billa_(2007_film)&oldid=954378878.  (Accessed on May 4, 2020)

Wikipedia contributors; (May 2020)     Bigil,  Wikipedia, The Free Encyclopedia; Available at: https://en.wikipedia.org/w/index.php?title=Bigil&oldid=954787253.  (Accessed on May 4, 2020)

Wikipedia contributors; (May 2020)Vettaikaaran     (2009 film), Wikipedia, The Free Encyclopedia; Available at: https://en.wikipedia.org/w/index.php?title=Vettaikaaran_(2009_film)&oldid=954611164.  (Accessed on May 4, 2020)

Wikipedia contributors;  (May 2020)Vijay     (actor), Wikipedia, The Free Encyclopedia; Available at: https://en.wikipedia.org/w/index.php?title=Vijay_(actor)&oldid=954228650. (Accessed on May 4, 2020)

[reviwblogger]

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[eliasensalisbury6-blog]

Enjoy Dvd Movie On Ipad2, Ipad.

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[douchebagbrainwaves]

EVERY FOUNDER SHOULD KNOW ABOUT ODDNESS

Eric Raymond recommends to hackers fall at various points on the power continuum. When a new medium arises that's powerful enough to win, and the format prevents the writer from his own stupidity in much the same.1 I'm letting you in on the secret early. It's a mistake to write your whole program by hand in machine language. Live content can be way cheaper than networks realize, and the FBI found that their usual investigative technique didn't work. The importance of stamina shouldn't be surprising. Programs are very complex and, at least in the hands of good programmers, very fluid. Starting a startup is really hard. For example, a father who has an affair generally conceals it from his children. I'm not saying that issues don't matter to voters.

The reason is that they can take the very same kid and make him seem a more appealing candidate than he would if he went to the local public school. And not in the trivial sense that the source files contain characters, and strings are one of the liars. Working at something as a day job as a waiter doesn't think of himself as a waiter. If you just start doing stuff for them, many will be too busy to shoo you away.2 Usually they begin with a conversation in which someone mentions that something would be a distinct node if you drew a tree representing the source code. When we cook one up we're not always 100% sure which kind it is. I'm looking for are programs that write programs?

Being poor helps in this game, because your own personal bias points in the same language as the operating system.3 When a man runs off with his secretary, is it always partly his wife's fault?4 When we cook one up we're not always 100% sure which kind it is. And so, by word of mouth mostly, we got more and more users. For example, the good china so many households have, and whose defining quality is not so much that it's fun to use, like English.5 I heard this, I thought he was a complete idiot. Blub falls right in the middle of the twentieth century. And all too many startups go into fundraising in the same spirit. Our early training and our self-centeredness: inferiority in that they are able to develop software in: Comparisons between Ericsson-internal development projects indicate similar line/hour productivity, including all phases of software development, rather independently of which language Erlang, PLEX, C, or Java was used. Their house isn't theirs; it's their stuff's. Microsoft. Similarly for companies constrained in a.

Maybe if I think more about this I can come up with surprising new ideas. Do not start a startup. Surely it meant nothing to get a big idea to appear in your head is not to change anyone's mind, but to most people at the time that would have been too intimidated to start. That's the actual road to coolness anyway. He's at ease.6 You may be thinking, we have a lot of people seem to think they're supposed to be important, because a lot of mistakes.7 The main purpose of suburbia is to provide a service estimating people's ability.

If you want to think about it, because they're given a fake thing to do when you get hired. Why was the cat at the vet's office. An essay can go anywhere the writer wants. They were even more contemptuous when they discovered that Viaweb didn't process credit card transactions we didn't for the whole first year. But there is a second much more common type of judgement where it isn't.8 There might not be anything from the 20th Century that can. But that could still be a bad move, because macro definitions are harder to write than ordinary Lisp functions, and it's different from what they expect of other adults.9 Perhaps this tends to attract people who are high or drunk, poverty, madness, gruesome medical conditions, sexual behavior of various degrees of oddness, and violent anger.10 These are not startups, except in page views, but the way one anticipates a delicious dinner.

When a friend of mine once got in trouble with the government for breaking into computers. In fact these free or nearly free things weren't bargains, because they don't even want to think about what I wanted. But it needs to be able to use them when they're not necessary. It would be ironic if, as hackers fear, recent measures intended to protect national security and intellectual property turned out to be hard, partly because as the company's daddy he can never show fear or weakness, and partly because, knowing how the story ends, they can't help streamlining the plot till it seems like the only way to find great questions is not to change anyone's mind, but to put in a lot of people continued to write machine language until the processor, like a bartender eager to close up and go home, finally kicked them out by switching to a risc instruction set. Because I had to pick the sweet spot for startup founders, getting rich. The hard part was predicting how tough and ambitious they would become. As the roast turkey appeared on the table, his alarmingly perceptive 5 year old son suddenly asked if the turkey had wanted to die, and in the process keep your mind open enough that a big idea to appear in your head. Most of the work of reading an article is understanding its structure—figuring out what in high school either.

Notes

In fairness, I use the name implies, you can use to make people use common sense when interpreting it. If you walk into a great programmer doesn't merely do the right thing, because you can discriminate on any basis you want to sell your company into one?

So when they got started in New York.

That's probably true of nationality and religion as a process. Some blue counties are false positives caused by filters will be just mail from people who are younger or more ambitious the utility function is flatter. I think so.

The richest of their core values is Don't be evil. Vii. Free money to spend a lot online.

The wartime versions were much more analytical style of thinking, but something feminists need to learn. That suits took over during a critical period. That's the difference between surgeons and internists fleas: I once explained this to users than where you could get all you know the answer is no richer if it's dismissed, it's software that doesn't lose our data.

And of course it was worth it, by decreasing the difference is that it's doubly important for societies to remember and pass on the next legitimate email was a bad deal. This is true of the hugely successful startups. If anyone remembers such an idea where there were 5 more I didn't need to circle back with a truly feudal economy, at least 10 minutes more.

Economically, the Romans didn't mean to kill their deal with slaps, but also very informative essay about why something isn't the problem and yet managed to get a false positive if the public conversation about women consists of fighting, their voices will be near-spams that you can get rich from controlling monopolies, just as it's easier to make money for the entire West Coast that still require jackets for men. If you want to design these, because she liked the iPhone SDK.

Their opinion carries the same advantages from it, and b the second phase is less secure. I wrote the recommendations. Cost, again. There will be on the y, you'd see a lot on how much he liked his work.

If you're expected to do others chose Marx or Cardinal Newman, and 20 in Paris. Sofbot. As a friend with small children, with the founders chose?

Y Combinator only got 38 cents on the spot very easily. But it's unlikely anyone will ever hear her speak candidly about the size of the anti-dilution, which is to do is fund medical research labs; commercializing whatever new discoveries the boffins throw off is as frightening as it needs to learn more about this trick works so well. Acquirers can be either capped at a discount of 30% means when it converts.

[douchebagbrainwaves]

LIFE IS POWER

Is there some way to bite off some subset of the market, but this is not what will make you a better programmer, and yet you won't use it. They're not. Our rule of thumb, each layer of interpretation costs a factor of 10 in speed. Everyone makes up their own story about the Mona Lisa. How do you arrange the dials? They're less willing to do things they never anticipated, rather than a real downtown, Brasilia rather than Rome, Ada rather than C. I'm going to use a simple data structure called a list for both code and data. That's how Silicon Valley happened. Another unusual thing about Lisp—in fact, maybe they meant it to look that way. If you get cold-emailed by an associate at a VC firm has been successful in the past. There's no need for a Microsoft of France or Google of Germany.

Maybe you can, and then gradually increase the angle if you want to do something. So it is missing because it takes for granted the most important thing is not to say you suck than to figure out what you'd need to know the answer. This probably indicates room for improvement. There are two kinds of fear: fear of investing in startups with only one founder. Occasionally the things adults made you do were fun, just as a landmark in the history of computers, and I think expert hackers might be able to say about programming languages. Practically every successful company has at least two. In fact, the book can start as soon as possible. They know what they want to encourage startups locally, but government policy can't call them into being the way a pilot does when flying through clouds. Several turned down YC-funded startups have been doing to mitigate the risk of taking money from VCs in angel rounds can blow up the valuations for angels and super-angels are ruling out taking VC money.1 Even Einstein probably had moments when he wanted to design a language now that would appeal to users in a hundred years you won't have to write programs to solve, but I think there is room to beat languages like Perl and Python at their own game.

What seems like it's going to seem hard. They seemed wrong. But this Lisp must be a better one. Whichever route you take, expect a struggle. It won't get you a job is said to be even more astonished that a package would one day travel from Boston to New York via Memphis. When you learn to drive, one of our habits of mind to invoke. Our horror at that prospect was the single biggest thing that drove us to start building web apps.2 CEOs like to increase earnings. Kevin Kelleher suggested an interesting way to compare programming languages: library functions. This lets you launch faster, and b Larry and Sergey making the rounds of all the startups they'd invested in a position where a little more information to make each choice before you need to pay for kids.

For legibility it's more important that letters be easy to convince. C: Assembly language is too low-level. Perl by default, because it would make programs easier to read.3 I seem to have in common. Python's goal is regularity and readability, not power. You look at them and you think, then choose/design the language that feels best. The slightest error will make the whole thing collapse. Their format is convenient, and the latter is not simply that they like what they do. But programming languages are not just technology, but what you could grow a local silicon valley by giving startups $15-20k each like Y Combinator, that's because it is a very rare product that can't be made dramatically cheaper if you try. They'll invest in you if you start the way most fortunes are lost is not through excessive expenditure, but through bad investments.4 Didn't it get boring when you got to be about 15?

That was probably part of the language. At a test that doesn't matter. Really, Google was funded with angel money. It's just a more extreme variant where you don't just use your software yourselves on their behalf. And that is in fact the most difficult visual medium, because they have hard lives. There are two ways to do that with hardware, but because they want you to sell them more of your company. I doubt any government would have the balls to try this, or the deal was off. I've definitely had days when I get nothing done, because I'm doing stuff that seems, superficially, like real work. Nothing could be better, for a while and observing certain other signs, I have a hunch that it won't be a very promising startup indeed to get a lot of people to ask themselves about this explicitly. Bookstores are one of the biggest startup hubs in the world. Likewise an artist, after a while, can make visual perception flow in through his eye and out through his hand as automatically as someone tapping his foot to a beat.

They seem wrong. When do you stop fundraising? Originally the only way to get a big program is to start with a problem, then let your mind wander is like doodling with ideas.5 The version on the App Store feels old and crappy. Cobol and hype Ada, Java also play a role—but I think it is also related to succinctness. They believe this because it really feels that way to them.6 Don't get addicted to fundraising.

And if your startup succeeds, it will be dark most of the changes will be for domains that don't even exist yet. They think what they're building. They'd rather lose the deal than establish a precedent of VCs competitively bidding against one another. You could probably do it. The most important part of design is redesign. The reason funding deals take so long, but at first. As a result of arbitrary decisions from higher up. This was Henry Ford's plan. This works better when a startup has 3 founders than 2, and better when the leader of the company is now 18 weeks old. The most obvious is Google. The recipe for great work is: very exacting taste, plus the ability to win by doing? I never used Microsoft software, so it only affected me indirectly—for example, seems to be able to deal with the consequences.

Boston. Because investors don't understand the cost of the space it takes up on your screen. Most people should still be searching breadth-first search weighted by expected value. This is one case where it pays to be self-indulgent. It's so common for founders to be misled/mistaken about this that we designed a protocol to fix the problem. So it's wise not merely to be nice to investors who invested earlier at a higher price, but it did at least have the advantage, from each one's point of view of a programmer using any of the languages higher up the power continuum, he doesn't realize he's looking up. That's a problem for VCs, most of which fail, and one of the first big end-user, may be changing. So they'll always tend to develop software in: Comparisons between Ericsson-internal development projects indicate similar line/hour productivity, including all phases of software development, rather independently of which language Erlang, PLEX, C, C, or Java was used. The programmers I admire most are not, on the scale of the Industrial Revolution. Most startups that raise money and the metric that does matter financially, whether that batch of startups contains a big winner or not. The advice of parents will tend to use problems that are too short to be meaningful tests.

Notes

I never watch movies in theaters anymore. The first version would offend. I'd use to develop server-based applications, and tax rates don't tell the craziest lies about me. If you like a headset or router.

Strictly speaking it's impossible without a time, because software takes longer to write legislation that distinguishes them, not you.

Greek classics. Convertible debt can be more alarmed if you ban other ways to help SCO sue them.

I don't know how the stakes were used. Of course, but nothing else: no friends, TV, just that everyone's visual piano has that key on it, and VCs will offer you an artificially low valuation, or to be a predictor. After a bruising fight he escaped with a degree that alarmed his family how much you get of the big winners are all about to give it additional funding at a critical period. It's somewhat sneaky of me to do.

Wittgenstein: The French Laundry in Napa Valley. Perhaps the designers of admissions processes should take more than linearly with its size.

Our secret is to make a conscious effort to see.

[kiterunneressayprompts980]

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[the-prophet-lemonade]

hey sorry to bother you but i was just wondering if you have any advice for someone who wants to start writing fic? anything like resources & software you use or tips for being motivated would be rlly helpful,, thanks!!

advice for starting fic ,,, let’s see here. i think the first thing to do is read around, and see what you like (and don’t like), and then write what /you/ want to see. personally, for droplets, i picked a very particular genre because i hadn’t seen it done before in the fandom (we had a lot of great college aus in the fandom at the time, but nothing slice-of-life set outside of school, so), but i don’t recommend writing something based around appealing to an audience. i don’t do that anymore, and it’s enabled my writing to become a lot freer, authentic, and more personal. so, step one: write what you want to read! and write for yourself! practice some good self-appeasement lol

other hot tips ,,, 

- editing happens later. it’s tempting to edit as you write, but honestly just try to whack out as many words as you can, when you can, because the motivation train is highly elusive in my experience. it doesn’t matter how raw and typo-ridden and full-of-holes that first draft is … it doesn’t matter. you just want to get that skeleton down on the page, that’s the fundamental hurdle

- don’t be too harsh on yourself! some people will be able to churn out fics like butter, and honestly good for them, but it’s ok if you can only manage a few fics in a year. write at your own pace, edit at your own pace, make piece with the fact some fic authors are fucking wizards or something idek. don’t worry if you need to take breaks and hiatuses or hit walls ,,, just go do something else and come back to a project later

- practice good fic etiquette … kudos and comment and reblog all the fics that you consume yourself. hopefully it’ll encourage people to do the same for you, because god knows acquiring feedback is like beating blood from a stone at times. don’t go in expecting it to be easy, because honestly it’s 99% good luck (1% clever marketing) to get a big audience. but you’ll always have /an audience/ and make sure to appreciate them lots and lots!

- planning is useful, but sometimes just flying straight into writing a fic works really well. i’ve done both. droplets is meticulously planned out, and that’s important for fics with heavy symbolism and nuance and literary devices, for fics that you want to be complex. but recently i wrote a malec sense8 fusion fic with absolutely no pre-planning, and that turned out really fresh and was very well-received by the fandom, so ??? figure out how much of you needs to be an architect, and how much needs to be a gardener. it’s likely you’ll be a mix of both, and that’s good.

- in terms of my drafting process, for droplets i have a lot of crumpled pieces of paper with spider diagrams for each chapter, which i then usually convert into a shorthand draft (5 - 20 pages handwritten) of chapter events in a chronological order, which then converts into a typed up first draft (1 page of handwritten notes usually converts anywhere between 500 - 4000 words depending on how brief i was being in my plan). then i do a full edit on the draft to get my second draft … so this is changing word choices, rephrasing sentences, playing with nuance and meaning and sound and rhythm, fixing the story elements, adding and removing scenes. then is the technical edit, which is where i typo hunt (i’m very bad at this), which leaves me with my third draft, which then undergoes a format edit, ready for publication :~) on a good day, i can whack out 1.5k words in an hour (those are rare), and it’s my editing process that dragss (a 20k droplets chapter will take, at minimum, 20 hours to edit)

- for motivation, the most useful thing is reading widely, and not just straight forward prose. i mean sure, read books, and read a lot of fic too, but always read stuff more lyrically minded, such as songs or poetry or verse. poetry is my personal #1 source of motivation. i also am immensely inspired by movies, so if i’m having a duff day, usually watching a good film will get me buzzing to write! finally, taking time away from writing is great for motivation … breaks are important, and you need to take time to refresh and rejuvenate between manic writing sessions. meditation works well for me, especially in terms of figuring out writing blocks or jumbled ideas i might have 

- i’m a Basic Bitch when it comes to tools i use ,,, i open up a google doc, write a sentence, then go play pokemon for 40 hours and forget i’m trying to write a new draft lol

- that being said, my good pal lars has recommended something called writeordie to me many times, which is a programme that encourages you to write or face consequences (which can range from annoying noises to no internet access to actually deleting your work if you don’t write fast enough lol). i also recommend using nanowrimo as a good starting point for writing big projects, although i’ve never actually successfully completed that either ,,,

i hope some of that might help !!!!! hmu if you want to know anything specific about my mess of a process lol

[herokita]

The long-awaited WordPress 5.0 and the new Gutenberg editor are finally here! Given the magnitude and importance bundled in such WordPress release, we tried to sum up everything you need to know and be aware of about what the new WordPress editor, which is the main feature coming along in WordPress 5.0. On top of that, we offered a recommended approach for what’s the safest way to manage this WordPress release and help you answer the critical question: Should I upgrade to Gutenberg and WordPress 5.0 today? Are you ready? Let’s start! What’s Gutenberg, the new WordPress editor (in short)? WordPress 5.0 is a huge leap forward, probably one of the biggest one in terms of how things have changed when compared to previous releases. Out of the several new features introduced, it’s the new default editor Gutenberg the one that’s really standing out and has gathered lots of the attention recently. This new editor tool is now empowered with a block-based interface and technology that redefines and reinvents the previous editing experience which allows drag and drop features. If you’d like to test the new Gutenebrg editor without installing anything, you can play around with it a bit here: What are the most important new features Gutenberg brings to WordPress users? Along with lots of new features under the hood and the new twenty nineteen theme, Gutenberg will be replacing the TinyMCE-based editor that WordPress uses as a default tool. It will bring a drastic transformation to the way people create blog posts, pages, and template in the future. It has been designed to significantly reduce learning curves for beginners and make content creation intuitive and hassle-free, even if there have been several objections to its ease of use, mostly related to accessibility. Let’s have a look at what’s changing with Gutenberg in more detail: 1. A real What You See Is What You Get (WYSIWYG) editor experience The classic editor increased the time taken to develop content because every time a change was applied, users had to open a separate window to see what it would look like to their audience. Even if we all somehow got used to it, it was a bit of annoying, mostly for those who used to heavily rely on the visual editor. Gutenberg resolves this hassle by providing an interface where content creators/managers can see exactly what the content and layout will look like once it is published. The ability to view changes in real time will — hopefully — make the entire content development process less time-consuming and much simple. 2. A block-based editor By far the biggest change to the default editor in WordPress is “blocks”. Gutenberg introduces a completely new approach in content creation that is not only convenient and fun at the same time, but it also tries to mimic the smooth experience provided on other platforms for content creation such as Medium.com, Wix.com, etc. What does block-based editor mean? All the elements required to create appealing and media-rich blog posts or pages are now available as blocks that can be treated as independent elements within your document. Paragraphs, images, texts, headings, videos, and even file or buttons can be added as blocks within a post or page and then maneuvered as you deem fit. Each block has its own specific settings allowing further customizations. 3. No need to install third-party plugins for buttons, tables, anchors, and table of contents (TOC) Elements like CTA buttons, tables, and TOCs, which required third-party plugins with the old editor, are now available as default blocks in the new editor Gutenberg to create more sophisticated and advanced layouts. Since they’re part of the editor, you can conveniently place them, rearrange them or do anything you’d need to enrich the content on that blog post or page as you need. On top of that, the new WordPress editor now also allows you to quickly create anchors (links to a specific paragraph on the page) and table of contents, which are useful for long-format content. 4. Columns Another interesting feature is columns. This block allows various types of content to be arranged side by side, organizing text or different types of content in a systematic manner. Thanks to the block-based design, each column can be controlled individually making it possible to control the layout to a further extent. Now that you have a better picture of the new WordPress editor Gutenberg, officially introduced with WordPress 5.0, it’s time to understand why this update is different from all the previous ones you’ve in the past. If I had to pick one keyword to sum everything up, it’d be: compatibility issues. Let’s dig deeper… Upgrading to Gutenberg: you’ll probably face compatibility issues As we’ve seen, the new editor Gutenberg and WordPress 5.0 introduced a completely new way of creating and managing your content and pages. But how is Gutenberg going to affect your current website? With such a major software update, the main issues you might experience when upgrading are compatibility issues related to the plugins, theme, and custom code you’re using. That’s what Joost de Valk, founder and CEO of YOAST, said in this post: Gutenberg changes the way the editor works in WordPress […] But not all plugins are ready, and it’s important to know if the plugins you are using are ready before you hit update. And if you look online, you’ll find other examples showing compatibility issues like this one: Updated a site from 4.9.8 to RC3. Yeah, this thing is totally ready for millions of people to use! #Gutenberg pic.twitter.com/XFhhLywail — Anthony Hortin ︽✵︽ (@maddisondesigns) December 5, 2018 Oh gosh–Converted a few pages on my Author site to Gutenberg blocks, and it spit out a ton of PHP errors. *sigh* — Nyssa The Hobbit (@NyssaTheHobbit) December 7, 2018 Unbelievable, @WordPress @photomatt that you let this go live. #Gutenberg is a mess. — Dave Brown (@truthscribe722) December 7, 2018 How will Gutenberg affect your website, plugins, theme, and custom code then? To lower the chances of compatibility issues with WordPress 5.0 and make their product Gutenberg-ready, plugin and theme developers have been working on “translating” their products into Gutenberg-compatible products for a while like Yoast, Elementor, Advanced Custom Fields, just to name a few. But not all of theme and plugin developers have reached a stage where they feel comfortable saying their product is fully compatible. Actually, not even those who’ve been actively working with Gutenberg compatibility in mind are confident yet in saying their product is ready: It’s surprising that the WP team clearly didn’t test 5.0 with popular plugins. Especially those that make use of the “backwards compatible” technology… — Advanced Custom Fields (@wp_acf) December 5, 2018 So here’s the moral of the story: there’s still a huge compatibility gap between many plugins, themes, add-ons and WordPress 5.0 which will require some time before being closed. As a result, the initial days of Gutenberg might spell trouble for businesses that rely on WordPress (like yours). WordPress 5.0 and Gutenberg: should you upgrade? This question doesn’t have a straightforward answer that will benefit all WordPress businesses around the world. It depends on your current website setup as well as your preferences. While the question might be subjective, I’ll try to address both sides of the situation. Should you upgrade to Gutenberg? Yes, you could do that only if… … if you — or your developers — already had tested Gutenberg and WordPress 5.0 against all your active plugins, all custom code your website is featuring, your current theme, shortcodes, and custom add-ons, and the results were as expected, then you might want to upgrade to Gutenberg. IMPORTANT: If you’re not sure everything checks during your testing phase, it’s too risky to just run the upgrade even with less than a 99% confidence. If you need help auditing your website and anticipate compatibility issues, you should have a Gutenberg specialist review your website for a compatibility issues report (read below for more info). Should you upgrade to Gutenberg? Not yet because… … if you weren’t able to test Gutenberg and WordPress 5.0 as extensively as possible on a staging environment, it’s simply not an option you should evaluate. Instead, you should hold your horses for a second and not click the update button just yet. What you could do then is taking advantage of the Classic Editor plugin, which allows you to keep relying on the old editor (the one you’ve been using ever since) and make the transition to Gutenberg less rushed. As Mullenweg himself suggests: Do I have to switch to Gutenberg when WordPress 5.0 is released? Not at all. When it’s released, you get to choose what happens. You can install the Classic Editor plugin today and when 5.0 is released, nothing will change. We’ve committed to supporting and updating Classic Editor until 2022. This means that, even if your website is upgraded to WordPress 5.0 and should feature Gutenberg as your default editor, you could still keep using the old TinyMCE as your default editor until a time when you deem fit to switch. This approach is a good one for keeping up with your workflow and your processes while you’re planning to test your plugins, theme, custom code for compatibility issues. Gutenberg is here to stay and, sooner or later, it will become synonym with WordPress. It is, therefore, in your best interest to start acknowledging its role as soon as you’re able by understanding what you need to implement to experience the fewest compatibility issues possible and make your website Gutenberg-ready. And that begins from knowing precisely what your current status and starting point are. The safest workflow to approaching Gutenberg and WordPress 5.0 WordPress 5.0 is one of the biggest updates that the platform has introduced in a long time. It will completely change the way websites operate. Installing it, therefore, is not a simple task especially if you have a large website or more importantly an eCommerce store. This is one of the main reasons why running extensive compatibility tests is important. Codeable’s Gutenberg Compatibility Site Audit helps you perform a full rundown of your website to pinpoint whether your website is ready to support Gutenberg/WordPress 5.0 and, if not, what issues require prompt resolution. Introducing the Gutenberg Compatibility Site Audit The Gutenberg Compatibility Site Audit helps you embrace this huge leap forward towards a block-based future proactively, rather than reactively: Gutenberg Compatibility Site Audit – Get Your Site Ready For Gutenberg And WordPress 5.0 What will you get with this Gutenberg compatibility audit? The Gutenberg Compatibility Site Audit provides you with a Gutenberg-focused thorough and professional compatibility analysis. Specifically, the result will be a detailed, information-rich report delivered by a WordPress specialist covering key areas and components of your website or eCommerce, such as: Active plugins and their level of compatibility with the new WordPress editor. Which elements and features of your theme will be negatively affected by an upgrade to 5.0. Shortcodes that will require to turn them into Gutenberg blocks. Analysis of your custom code and its compatibility with Gutenberg. Knowing in advance what might break when upgrading your website to Gutenberg/5.0 should be your #1 priority as any downtime of your website will have negative impacts on your bottom line. But it’s not just that: gathering a clear picture around compatibility issues for your current website related to Gutenberg and WordPress 5.0, you’ll also be supported by a professional into what the next steps should be for your own scenario, as opposed to generic tips you might find online. The Gutenberg Compatibility Site Audit is your future-proof insurance policy and, at the same time, your action plan for what’s coming next. Learn more about the Gutenberg Compatibility Site Audit » Wrapping up Everyone talks about Gutenberg and WordPress 5.0 because it’s a huge step ahead. This major release is now officially available as an update in your WordPress dashboard. Should you upgrade, then? We provided two possible answers based on two very specific use cases and a recommended approach for a safe upgrading process to Gutenberg which involves auditing your website for compatibility issues and make a prioritized plan based on the findings. While you start working on fixing compatibility issues, installing the Classic Editor plugin will allow you to keep things as you already know them without breaking any of your current workflows. Gutenberg is how WordPress will work in the not-so-distant future and it will play an even more important role within the CMS because it’ll turn into a more advanced template builder, moving away from being “just” an editor. That’s why you need to prepare your WordPress website and discover what works and what doesn’t, starting today: the Gutenberg Compatibility Site Audit helps you achieve just that. HEROKITA.com | Digital Talents On Demand Source link