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florrickandassociates · 3 years ago

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TGF Thoughts: 5x01- Previously on...

Welcome back!! I’m so excited to be writing one of these again. I think this hiatus has been the longest I’ve gone without new Diane Lockhart content in ten years, and it sure feels like it. A lot of important stuff has happened in the time since TGF season four ended (not concluded—ended). Most notably, CBS All Access became Paramount+ and suddenly started offering a lot of content I care about! I kid. 2020 was quite an eventful year, so I was curious how television’s most topical show was going to take it on. TGF is always forward-looking, but too much happened in 2020 to be ignored. And while I didn’t think TGF would have much to say about the pandemic, it seemed impossible to imagine a season five that pretended it never happened. Going into this premiere, I was expecting that they’d either skip COVID entirely or include very few references, but after seeing this episode, I feel like the writers took the only approach that made sense. And that is why they are the writers, and I'm just some girl on the internet who writes recaps.

Anyway, before I dive into the episode, I should also note that my pandemic boredom spurred me to actually pay $30 to watch this episode early as part of the virtual ATX Festival. Yes, I paid $30 on top of the money I spend every month on Paramount+ for this show. But I write tens of thousands of words about each TGF episode—are my priorities really that surprising? I note this not to brag or even to poke fun at myself, but because watching the episode before I knew a single thing about it (not even the title!) completely changed my viewing experience. I’ve never had an experience like this with TGW or TGF. I’m one to search for critics tweeting cryptically about screeners and refresh sites looking for background extras (haven’t done this in the TGF era, though) and read every single piece of press I can find. For any big episode, I usually know the outline of what to expect going in (I even knew about Will before the episode aired in the US!). Not this one! So, I got to be surprised, and I had to—gasp—formulate my own opinions before I knew what anyone else thought! It was really pleasant, actually. I think the structure of the episode worked extremely well for me because it caught me by surprise... and also because I’m the kind of person who somehow managed to write a college paper about Previously On sequences.

I see Tumblr has made it so that “keep reading” expands the post in your dash instead of opening a new tab. I absolutely hate this. Here is a link to the post you can click instead of the keep reading button!

The ATX stream started mid-sentence, meaning I missed the “Previously On... 2020...” title card and skipped right to Adrian saying “I’m retiring.” It was pretty easy to pick up on the device (the directness of the scenes at the start, their cadence, and their placement in the episode made it clear this was meant to mimic a Previously) but the second title card hit way harder because... well, I had no idea if this was meant to be 2020 or some moment outside of real time until a bit later in the episode.

Man, before I get any farther into this, two things that I don’t know where else to put. First, this episode had to cover so much ground. They had to write out both Adrian and Lucca—more on that later--, figure out how to deal with all of 2020, figure out how to either wrap up or continue all the truncated season 4 plotlines, and set the stage for a new season... in 50 minutes.

Second, just wanna shout out the Kings’ other Paramout+ show, Evil, which you should absolutely be watching even if you hate horror. Evil is a Kings show, so it is unsurprisingly topical (sometimes evil takes the form of racism or misogyny or Scott Rudin) and at times very, very funny. I would be recapping it if Paramount+ weren’t attacking me personally by airing it at the same time as TGF. Ever hear of too much of a good thing, people?! (On that note, I am VERY upset with myself for not having made a Good vs Evil joke about the Good shows and Evil. I didn’t even think about it until Robert King made the joke on Twitter, and it was right fucking there. How did I fail so miserably?!)

So STR Laurie, who wants a 20% downsizing, is still a thing. Noted.

This scene with Landau is the only one in this previously that is actually old footage, right?

Unexpected Margo Martindale! Yay! (Ruth Eastman is a character who is so much more effective on Fight than she was on Wife and I’m quite glad they’ve had her appear on Fight several times. It kind of redeems season seven. Kind of.)

I don’t think the writers intentionally chose for Adrian’s book deal to be with Simon & Schuster because it is the most politically fraught publisher (the number of stories about controversial memoirs they’ve picked up in 2021 alone...) but I kind of like that Adrian’s Road Not Taken involves S&S. My guess is they chose S&S because it is owned by ViacomCBS.

“Years ago, I wanted to create a law firm run entirely by women, but it never worked out. So, why not now?” Diane says to Liz. One of the advantages of having twelve (!!!) seasons of Diane Lockhart is that we’ve seen what she’s talking about. And we’ve seen her put this idea forward multiple times, too. I have my reservations about Diane’s brand of feminism, and I’ll say more about how fraught a Diane/Liz firm would be as the show explores the potential issues there, but on the surface I’m kind of excited about the prospect of a Diane/Liz led firm. Diane has wanted this for ages, Liz is a good partner, and this actually makes sense (unlike the nonsensical Diane/Alicia alliance of late season seven, where the only rationale was “well, Alicia needs to betray Diane in the finale, but they’re not on good terms. So maybe we make them business partners so then the betrayal stings more?”). Plus I fully love that Diane would end up running a firm with Alicia’s law school rival.

(Has TGF mentioned that Liz and Alicia were law school rivals? No. Am I still clinging on to that as a large part of Liz’s character? ABSOLUTELY.)

Julius is on trial for Memo 618 reasons; Diane is defending him. So this is still happening. (There’s more old footage here.)

Do they put these references to one/two party consent in these episodes as a wink at the fans? It has to be intentional. (Please do not ask me what the actual law is on this, this show has thoroughly confused me.)

I knew Cush was filming stuff for TGF, but I didn’t know it was for the premiere. She was just posting about it a few weeks ago, so either they shot a lot of it right before air or she posted a while after filming. Anyway, yay Lucca!

Bianca’s still around. And, TGF gets to shoot New York for New York, since Bianca is there. I do wish TGF could do more location shoots; there’s something about seeing an actual skyline that feels more real.

Bianca wants Lucca, who has never been outside of the country (except to St. Lucia, as Bianca reminds her) to go to London and buy her a resort. It’s supposed to be a three week stay and Bianca’s already arranged childcare. Speaking of children, because of COVID and filming constraints, that’s Cush’s real kid in this scene! You can’t really see him, but I recognized his curly hair from Cush’s Instagram, and the Kings confirmed in an interview.

Adrian wants to write a book about police brutality cases he’s worked on. Ruth very much does not want him to write that book. She wants him to write a book without substance about how white people and black people can work together. He, understandably, has no interest in writing this book. (Also, you can see in the background that Ruth doesn’t think Biden’s odds of winning the Democratic primary are good—there is a big down arrow next to his picture, which definitely dates this scene.)

Oh, David Lee is in this episode. He acts like an asshole towards Marissa when she’s trying to help him.

Marissa, not happy with the lack of respect, calls Lucca for advice “for a friend.” Lucca mentions she’s in London and Marissa does not believe her and keeps going on and on about her frustrations and her new desire to become a lawyer—quickly.

Marissa wanting to become a lawyer because she “hates being talked down to” is not a plot I would’ve expected but it’s also one that makes a lot of sense. I think Marissa’s used to being respected and praised even when she’s doing things that aren’t glamorous, so I see how she’d get very restless when she’s no longer outperforming expectations and is instead taken for granted.

Bells toll in the background on Lucca’s side and Marissa asks where she is. Lucca again notes she’s in London and Marissa still doesn’t believe her.

I’m going to miss Lucca so much, especially since we’ll also be losing a lot of the Millennial Friendship scenes with her. Cush is fantastic (even if she never really got enough to do here) and she plays so well off of the rest of the cast. I even sometimes liked the writing for Maia (who?) when she had scenes with Lucca, Lucca is that good.

Jay wakes up sweating and unable to breathe, so he deliriously calls his father-figure Adrian. This whole scene is shot like something out of Evil and (I’m getting ahead of myself here) this plot is the only thing about this episode I felt was a misstep.

“I think you’re my father,” Jay says to Adrian. Heh, I didn’t catch this line the first time around (maybe subliminally I did, since I just called Adrian his father figure lol) but I love that it is included here. Adrian and Jay’s relationship definitely deserves a goodbye.

Adrian calls an ambulance and also gets to Jay before the ambulance somehow. Adrian notes that Jay might have “this thing from China” and... we’re doing the pandemic, y’all. (Minor nitpick: on March 13th, 2020, when this scene is dated, COVID was not “this thing from China”-- we were all aware of it. March 11th was the day Tom Hanks and Rita Wilson announced they’d tested positive and the NBA shut down and travel was restricted and every single brand that had my email sent me a message about their plans and measures. March 12th was the last time I was in my office, and we’d been getting emails telling us to wash our hands and prepare to work remotely for weeks. I went to San Francisco in mid-late February and distinctly remember deciding to leave a burrito unattended on a table while I washed my hands because I was paranoid about COVID... and then I remember making a specific trip to Walgreens to buy hand sanitizer so that didn’t happen again. My point is, Adrian lives in the same world I do. On March 13th 2020, he would not be treating COVID like it was some new thing he’d vaguely heard of.)

(I am going to nitpick this timeline, but please know that I’m only doing it because I can, not because I think it’s necessarily a bad choice. Lines like this do feel a little forced, but I see the reason for introducing COVID as something new rather than going for the line that’s exactly historically accurate. I also am pretty sure there are references to dates in March/April in s4 of TGF that are now going to be contradicted by this episode, but I truly do not care. The writers get a pass on this one.)

We skip slightly back in time to the beginning of March after the MARCH 13TH title card, or maybe this is supposed to be after March 13th and my own memories are preventing me from believing these face-to-face interactions were happening. Who knows.

Michael Bloomberg is... here, again, I guess? He asks Diane to assist with a Supreme Court case about gun control. I guess it does add some weight to the plot and make the stakes feel higher.

Oh hey, this case is the 7x17 case!!!! Love that continuity.

Diane and Adrian are both at the office late, working, and there is an unnecessary split screen that feels even more unnecessary when you consider that the editing alone was enough to create the parallel.

Diane and Adrian have a nice convo (which I’ll really miss, their dynamic is great and this really feels like a successful partnership) as they wait for the elevator. When the elevator dings, they nearly tumble down into nothingness because... the elevator never came. Apparently this is a reference to an law old show I’ve never seen that killed off a character this way, and it’s meant to be a wink at how they are not going to kill off Adrian.

I do not know why I remember this, but I do: after they killed off Will, a critic (Noel Murray; I just googled to confirm my memory) who didn’t want to spoil things tweeted, “Exactly 23 years and 2 days ago, Rosalind Shays fell down an elevator shaft.” Please tell me why I remember this reference that I didn’t even understand well enough to have tracked down the original tweet in under a minute. (https://twitter.com/NoelMu/status/447942456827326464)

Back on this show, Diane and Adrian share a drink and talk about their wishes. Diane wants to argue in front of the Supreme Court, and Adrian encourages her to speak up. His own near-death experience motivates him to trash the book Ruth has him writing, and Diane trashes the (bad) legal strategy someone else prepared for the Supreme Court.

DIANE IS WEARING JEANS!!!!!! Tbh, I think my favorite part of this episode is how many slice-of-life scenes and settings we get. These are always my favorite moments. I love the satirical and political stuff too, but the character moments are what get me invested enough to write these. (Yes, Diane in jeans constitutes a character moment.)

Diane tells Bloomberg she wants to be involved and advocates for herself. Kurt gets a call on their landline (hahaha) from Adrian.

God, I love Diane and Kurt. Not only is their banter fun, you can just see a different, more relaxed side of Diane in these scenes. Diane tells Kurt she has good news for herself, but bad news for him since she’s arguing for gun control. She asks him to help her prep for court, too.

So this is before Jay is rushed to the hospital, because now we are back at the hospital with Julius, Diane, and Marissa. I do not believe any of these people would be setting foot in a hospital like it’s any other day on March 13th, 2020. But I'm trying not to nitpick.

I get why they chose to give Jay a rather severe case of COVID. I just don’t get literally anything else that follows from the initial shock of Jay having COVID.

I see why the writers chose March 20th (the actual Illinois stay at home order) as the next date for this timeline. I still do not believe that people were in this particular office on that date.

You know what else I don’t believe? That RBL just shut down for two weeks and was like, no work is being done. Did law firms really do this? I can believe it if it’s an excuse to cost-cut, and I know there were massive layoffs, but this seems... really weird???

Why are they setting up a teleconferencing infrastructure (didn’t they have one at LG? In season five?) if they are not planning to do work?

Lol Diane explains what Zoom is, very slowly. She asks everyone to “download a program called Zoom.com” which is one of the first Zoom jokes I’ve chuckled at in a while.

Marissa is not happy to hear that there’s no work for her in a work-remote world (this I believe 100%), so she calls Lucca again with more questions about law school.

Love these NYC and London location shots. Wish they could do that for Chicago.

Lucca asks Bianca to help get Marissa into a law school, fast, and Bianca tells Lucca to use her name... then offers her a job.

Marissa is at the office, alone, boxing up her things, when one of the office phones rings with some dude offering her a spot in a law school class. I guess we are really all-in on this! (Why would Lucca have given a firm phone number not specific to Marissa, though?)

Adrian and his corrupt girlfriend decide to shelter in place together. I still do not understand why he is okay with her being corrupt. I also don’t really understand why they’re going from talking about sheltering-in-place to George Floyd. How did we just skip from late March to late May? Are Adrian and corrupt gf having a conversation about sheltering-in-place two months into sheltering in place?

Okay, I am not doing so good at this no-nitpicking thing. Again, I understand why they need to merge several scenes into one to keep things moving. And I guess they could just be getting around to this conversation.

I’m going to nitpick again, I can’t help myself. How did we just go from a scene of Adrian specifically talking about sheltering in place to a scene of Adrian bursting into a bustling and maskless DNC headquarters room? How!? The only masks in this scene are on TV!! There are like ten people in this scene!

Anyway, more importantly, Adrian tells Ruth off and screams at her that she needs to listen to him instead of acting like she knows the way forward. He is completely right.

Why is travel from London closing down in May 2020? Is it because this scene is supposed to be at a different place in the episode? Liz is asking Lucca to come back home from her three week stay in London (which has now lasted three months but travel is just now closing down), and Lucca’s hesitant to come home.

This is all happening via Zoom, btw. Lucca’s in her hotel, Diane and Adrian are at their respective homes, and Liz is in the office. All of this feels right. There is a chat off to the side of the screen where you can see Adrian and the others discussing how to unmute on Zoom. Very real. Though probably not very real in late May 2020. Feels more like April. I am convinced this scene got spliced in later to help the episode flow because everything in this scene (except the TV footage that definitely was added later) feels like it should be happening in the March section.

Lucca mentions that Bianca offered her a job, and at this point we as viewers know how things are going to go—Lucca's going to end up taking it. Liz types in the Zoom chat that they don’t want to lose Lucca. When Lucca tells them how much Bianca’s offering ($500k/year, go Lucca!), Diane types “Shit.” into the chat. “Shit’s right,” Liz replies. “Yes... What should our counter be?” Diane replies. Lucca is kind enough to point out the messages are not private (again, this feels like March not May) but I think knowing that their reaction to topping $500k is “shit” tells her all she needs to know.

Diane’s background still says that RBL is a division of STR Laurie. Weird how little we are hearing about the overlords except the 20% staff cut.

Liz and Adrian chat and decide the only way to keep Lucca is to make her a partner. Which, yeah, if you’d just made her a partner years ago when you told her she was in the running for partner and then offered it to fucking MAIA, maybe she wouldn’t be considering Bianca’s offer. Lucca is definitely one of RBL’s stars, and I don’t think she’s wrong to feel like they don’t value her enough. They treat her well enough to be upset about losing her, but not well enough to have already made her partner and not well enough to actually give her authority (even though she runs a whole department). I’d be pretty unhappy too. It kind of feels sometimes like they take her for granted, and I don’t know that Lucca is one to feel like she owes a company anything. She’s more of an “I’m out for myself” type.

Madeline and the other partner we’ve seen a few times who isn’t Liz/Diane/Adrian, walk into the office (wearing masks! Which they take off as soon as they enter a room with Liz! Without asking her if she is okay with this! TV logic!) and ask who is replacing Adrian. They think this is a good time to reevaluate having a white name partner of an African American firm, and they are spot on. Liz tries to deflect, noting that Diane is already a name partner and was before Liz even joined, but Madeline and other partner (whose name I really wish they would say so I can stop calling him “other partner”) won’t let up. Their position is that Diane shouldn’t have been made a name partner then—all she did was bring in ChumHum, an account that quickly left the firm. Good point.

“What is this firm if it’s not African American? It’s just another midsized all-service Midwestern law firm, one of 50,” Madeline argues. The other partner says Liz needs to remove Diane and promote two African Americans to name partner. Liz laughs and asks if they mean themselves. Madeline does not—she's concerned about the number of black associates they’re letting go. Liz heads out, but this conversation is very much ongoing.

And I think it’s a very interesting dilemma! There’s a lot of mileage the writers can get out of this, because I don’t think there’s a right answer or a wrong one. It’s all about what Liz decides she wants the future of the firm to be. If Liz chooses Diane, she might be choosing something that works for her personally or that she thinks is a safer financial bet—but she’ll be choosing to work at a firm that can no longer be thought of as a black firm, and she’ll be choosing to move away from her father’s vision for the firm. And since the plot hinges on what Liz will decide rather than what’s objectively the right path forward, there’s a lot of interesting tension there I can’t wait to see.

(My favorite thing about Adrian leaving is that Liz will likely get more to do, especially when it comes to managing the firm. Adrian tends to speak up first, but Liz is more than capable of managing without him and I’m so excited to see what she does when her ex-husband isn’t constantly talking over her.)

Marissa and Lucca video chat with Jay. He’s still in the hospital. One thing that bugs me about how this episode handles COVID is that I never really get the sense that any of the characters are particularly afraid of the virus. Maybe none of them were. But you’d think you’d see a little of that fear, the weird dance of trying to assess others’ comfort levels with masking, etc., in an ep specifically about living through this time. ESPECIALLY since someone they all know and are close to has been hospitalized for MONTHS with this thing! It’s just so weird to go from a scene where people wear masks until they come in contact with other people (when masks matter the most) to a scene of someone in the hospital with COVID.

And now Jay’s weird hallucinations start as his battery dies on the video chat. I really, truly, hated these hallucinations. I was ready to be done with these from the second they started. They’re weirdly shot, they go on for too long, and they feel like the clunkiest parts of Mind’s Eye when Alicia starts having a debate in her mind about atheism mixed with the (far superior) hospital episode of Evil.

I don’t have much to say about these hallucinations except that I hated them a lot. When there’s the reveal that Jay is hallucinating a commerical, I almost came around on the hallucinations because that’s kind of funny and inspired. And then several more hallucinations popped up and they had a round table and Jesus got added to the mix and I was like, nope, this is bad in a very uninteresting way. I reject this.

I feel like the Kings didn’t have much to say about COVID, the actual virus. This episode is definitely more about what the characters’ lives were like during COVID and not the pandemic itself. I think they likely got a lot of their COVID commentary out of their system with their zombie COVID show The Bite (I have not seen The Bite due to it airing on Spectrum On Demand, which I have no way of accessing. Like, I would have to move and then decide to pay for cable in order to watch it.) I also suspect a lot of their commentary on COVID isn’t going to be specific to the virus and is instead going to be about things like mask-wearing and vaccinations becoming political. And, really, that’s just a new variation on talking about polarization... and they’ve been talking about polarization for years.

In fact, they even wrote a whole series about an outbreak of a (space-bug-spread) virus that caused political polarization before Trump was even elected. BrainDead is basically commentary on the pandemic before the pandemic even happened. Soooooo I get why they are more interested in recapping 2020 than in doing a Very Special Episode about themes they’ve been talking about for years. (I still think they would’ve benefitted from at least one character being afraid of getting sick or getting their family sick.)

There is likely some interesting content in these Jay hallucinations. I hate them so much I cannot find it. You know when you’re just on a completely different wavelength than the writers? This is an example of that.

Also I’m not a fan of the shadowy directing. I think this is meant to look cooler than it does.

Have I mentioned yet that I absolutely love the “Previously On” device for this episode? It’s such a fun, propulsive way to get through the slog of 2020. Scenes can be short and to the point, and each scene has to do a lot of lifting to fill in the gaps. I think that leads to scenes that are better constructed and telling on lots of levels��where are people when they’re quarantined? Who’s wearing casual clothes and when? What about this scene defines this character’s life at that moment in time?

Bizarrely, even though this episode is pretty much all plot (this happens! Then that!), I actually found this to be one of the most character-driven episodes TGF has ever done. There’s a lot of story, but most of that story is about how the characters reacted to 2020 rather than overarching plots that will weigh on the rest of the season. This episode covers a lot of ground, but it does it with character moments that resonate.

Now it’s July and Diane’s prepping to argue in front of the Supreme Court. Kurt’s helping her witness prep and it gets a little personal... and that ends up turning Diane on. Good to see McHart hasn’t lost its spark. (Remember how Kurt cheated on Diane in season 7 of Wife? No, me neither, because that never happened.)

Corrupt judge is back. Adrian playfully tries to distract her from work. Then he takes a video call from Liz, who updates him on the conversation she had with John (so that’s his name) and Madeline. I guess that part of May was close to July? Anyway, Adrian isn’t surprised to hear that people are upset at the prospect of Diane being one of two name partners.

Liz is at the office in workout clothes and I love it!

They’re losing 15 black associates (and Adrian and Lucca) and 4 white ones, Liz says. This sounds like a very big problem. (I’d be curious to know what that is as a percentage of the firm and how the racial composition shifts.)

Liz knows it’s not exactly up to her if Diane stays on as name partner (the other partners get a vote, but I think Liz knows she has a lot of sway here). She’s also wondering if Biden could win, and if so, would it be to the firm’s advantage to be black-owned? Interesting.

“Well. If you’re thinking it, then Diane’s thinking it, too,” Adrian says. He’s right. “White guilt. It runs verrrrry deep on that one, huh?” Ha. He is right about that, too. I actually can’t decide which of these interpretations is correct, because it could be either even though they seem contradictory. (1) Is Adrian saying it with a hint of mockery because he knows Diane will fight for her partnership even as she would say she’s a huge supporter of black businesses? (2) Is he saying it because he knows Diane would have enough white guilt to realize what her presence as a partner means and think through the implications? I think it is, somehow, a combination. I’m interested in this line because this whole dilemma (from Diane’s POV) is something that’s very familiar. Diane’s always been an idealist who will betray her ideals for personal gain. That sounds like an attack, but I mean that as neutrally as I possibly can. There are so many examples of this that this is kind of just a character trait of hers at this point. Usually those ideals are about feminism, but this situation seems closely related.

Adrian overhears Corrupt GF talking about Julius, Diane, and Memo 618. You would think she would wait to have this conversation until there is no chance of Adrian overhearing, because if Adrian overhears, he might...

... do exactly what he proceeds to do and hop into a car with Diane to give her a heads up. (I think I’m just going to have to accept that the mask usage rule on this episode is “we use masks to show that the characters would wear them, but we don’t want to have scenes where characters are fully masked because that’s annoying.” If that’s not the rule, then why else would Adrian be masked outside... and then take off his mask as soon as he gets into a confined indoor space with Diane?

Baranski looks ESPECIALLY like Taylor Swift in this scene.

Adrian tells Diane what he knows. He dug deeper after overhearing Charlotte, so he has even more info. “If you tell me, I will use it,” Diane warns. Adrian knows that, so he takes a moment to decide. And he decides that he cares more about Diane and Julius than about his relationship with a corrupt judge.

Diane and Julius are masked in court. Visitor and the judge are not. They use masking in a clever way in this scene: Diane uses being masked to her advantage because it means no one can possibly read her lips, so she can use the info Adrian fed her against Charlotte without any fear of spies. Charlotte, who is unmasked, guards her lips with a folder, as the Visitor watches interestedly.

Diane convinces Charlotte to recuse herself. Charlotte says she’s making a mistake; Diane does not care.

The new judge is, unfortunately, the idiot who doesn’t know anything about the law. Uh oh.

Charlotte decides she’s done sheltering in place with Adrian. He tries to talk through the conflict, but Charlotte says “You made your choice, Adrian. Julius Cain over me.”

“The choice was about right and wrong, Charlotte,” Adrian tries to explain. I mean, yeah, but if you’re dating a judge who has admitted she’s totally corrupt, didn’t right and wrong go out the window a while ago?

Adrian seems to think the other people involved in the events are bad and Charlotte is good. I am not convinced. I don’t think she’s the big bad, but I don’t think she’s good.

Charlotte points out that he invaded her privacy. She is right about that. “You said the choice was between right and wrong. Turning over my emails was the choice,” she said. I get her POV. But also, she is corrupt.

I do not like the way the part of the scene where Adrian physically restrains Charlotte to keep her from leaving is shot. I don’t think this is an abusive scene but I think it should’ve been shot from a little farther back so we could see it’s more like Adrian reaching out in desperation than trying to choke Charlotte. Because it very much looks like he is trying to choke Charlotte.

He tells Charlotte he loves her. She says it’s too late and leaves. “Maybe you won’t be with me. But you keep down this path... you’ll be done, I’m telling you, you’ll be done.”

I think something that I’ve been missing in these interactions is that I didn’t quite realize until this scene that the Adrian/Charlotte dynamic is more interesting than Adrian liking a corrupt judge. I think he truly believes Charlotte is a good person who got caught up in some bad stuff, and that she can bounce back from it. I’ve always seen Charlotte as someone who is corrupt for herself and then ended up going along with the corruption of others, too, so I’ve dismissed her and the relationship. This is the first scene that has felt real to me, and the first scene where she’s felt like more than a caricature. Kind of sad it’s the last she’ll get with Adrian—now I’m actually starting to find her interesting. Notice how in these last few sentences I’ve used her name instead of “Corrupt GF”!

Charlotte says she loved Adrian too, but that’s not enough. Awww.

He can’t really be surprised though, can he?

Now it is August and we get to see Diane and Liz react to the announcement of Kamala Harris as Biden’s VP pick, and I would like to thank the writers for giving me the opportunity to see Diane and Liz react to this. It’s kind of fan-service, but it’s also a nice tie-in to the girl-power theme of the Diane/Liz alliance.

Diane and Liz realize that Adrian’s probably not a good candidate for 2024 if the DNC only wants one black candidate and Harris is the clear front-runner. Liz suggests keeping him on as partner instead, in a way that very much implies this would be her ideal solution. Diane, being Diane, says she was liking the idea of an all-female firm. Liz hesitantly says she was too, and Diane senses the hesitation.

“Let’s look again at which associates to fire. I’m worried we’re losing too many African Americans,” Diane switches the subject. How have they still not made this decision? If any employees know downsizing is coming, and they’ve had months to act on it, assuming there are jobs elsewhere, people would’ve been jumping ship by now.

But that’s not the point of this scene. The point of this scene is that Liz corrects Diane: “Black. You can just say Black people.” Very nice moment underlining the tension. Diane means well, but she’s still acting like a white lady who doesn’t know how to act around black people... and she wants to (and, I guess, already does) run a black firm. Major yikes.

Marissa and Lucca are talking again. Marissa does not want to be in law school—she just wants to be a lawyer. Lucca won’t accept Marissa’s refusal to memorize meaningless rules: “Marissa. I know that you know how to play the game, but you have to pass the bar to get into a position to play the game.” Why does this line make me love Lucca? This line isn’t even anything amazing. It’s just a line that cuts through the bullshit and makes a good point.

Marissa keeps going, insulting all of her peers and teachers, and Lucca figures out how to cut through that, too: she tells Marissa that she’d hire her as a lawyer if she killed someone, but only if Marissa passes the bar. Marissa is instantly intrigued.

“Why are you leaving here? I’ll miss you,” Marissa says.

“Because they won’t pay me what I deserve,” Lucca says in a matter-of-fact tone. “Anyway, I thought they fired you.”

“But they didn’t mean it. It’s like the smoothie place—they kept trying to fire me and I just kept showing up,” Marissa replies. That checks out. (Love the callback!)

Lucca tries to get Marissa to come over to England. Marissa shuts that down as Lucca gets a news alert—and it’s not good news.

Our next date is September 18th, 2020 and I will get my nitpicks out of the way up front! I don’t really know why it is daytime for Lucca when she reads the news, considering it was already the evening in the States when the RBG news broke. And, also, it was Rosh Hashanah, so Marissa probably would not have been sitting in her bedroom studying... she most likely would’ve been with family or friends. OK I’M DONE. FOR NOW.

Diane is getting ready for her arguments in front of the Supreme Court. It’s almost time! She’s in casual clothes but has on a wonderful mask. She’s standing in front of Kurt’s guns to make a point (love that she’s using her video call background to her advantage) and there are several people in her bedroom getting the tech all set up. I have noted before that they only built one set for Diane’s apartment, and it’s just a massive bedroom. Diane choosing to be in front of the guns does a nice job of cutting off my question about why she’d be arguing in front of the Supreme Court from her bedroom rather than the home office she absolutely would have.

Kurt walks in and tries to shake hands... he’s clearly not very COVID paranoid, and Diane seems to be, and... that’s something I might have wanted to see? How was Diane okay with Kurt taking risks that also affected her?

Diane confirms she intentionally chose to stand in front of the guns. That’s when Kurt gets the push notification. He pulls Diane into the bathroom to show her the news. He hands her his phone and Diane’s face falls. She starts tearing up. “2020 just won’t let go,” she says, speaking for us all.

Normally I hate things that are like, we’re going to contrive this so the news hits at the worst possible moment! This works for me, because the Supreme Court plot for Diane feels more like something that exists to be a through line for the episode. It would also be a little hard to work in RBG’s death as a main plot point—and it is definitely important enough to be a main plotpoint—if it didn’t also affect something in the world of the show.

Also, another reason I like this contrivance is that it makes it all the more powerful when Diane says, “It’s over. He gets to nominate someone. Another Kavanaugh! We’ll have a conservative court for the next 20 years. My whole fucking life!” She’s not thinking about how this affects her case (and that case is basically a life-long dream for her). She is thinking about way bigger things, and knowing that her mind goes to the bigger things before the personal with news like this really underlines how big of a deal RBG’s death was.

Diane tells Kurt, “I don’t deserve you. You don’t agree with me.” “I can still feel bad for you,” he responds. He holds her while she cries.

Jay’s hallucination thing is back. Now Karl Marx is here. So is Jesus. I’m so done with this. It’s nice to get a break from writing.

Malcolm X is also on the roundtable and now they’re talking over each other in that way that everyone on this show always does. (RK gave an interview about Evil where he said he likes having the children on that show talk over each other because he grew up in a household like that. I did not need to read that interview to understand that RK likes scenes where people talk over each other.)

If anything happened in those hallucinations, I missed it, because I didn’t pause the episode. Because I do not care about the hallucinations. Because I hate them.

Now it’s November 2020... Diane’s watching election results and rocking back and forth. She tells Kurt he can go watch Fox News in the other room (so they do have more than one room!). He says he’s fine—he thinks Diane needs it more.

“Yes, but Kurt, if you stay, I know this isn’t sensible, but... Trump seems to get more votes whenever you’re sitting on this couch,” Diane tells him. Ha, I relate to this kind of superstition so hard. “Are you serious?” Kurt says. “I am so deathly serious,” Diane responds. “Whenever you’re sitting here, Arizona goes for Trump. Humor me, please. Just go in the other room.”

When Kurt tries to kiss her, she pulls away: “No, no, no. No kiss. If you kiss me, we’ll lose Georgia.” This scene feels so, so real and perfectly captures what it was like (at least for me, though I don’t have a Republican husband or anything) watching election results come in.

“Uh, if you lose, we’ll be fine, right?” Kurt asks. “Kurt, let me just say this. I’m only saying that we won’t be fine so that the universe will grant me a win,” Diane responds. This scene is so fun and so good! It simultaneously captures a relatable mood, adds some levity, gives us a window into Diane’s life, and shows some of the tensions in her marriage?! I want this all the time!

Kurt leaves the room. Diane pours more wine.

Later, with Diane still rocking back and forth with anxiety (just you wait for the several more days this will drag on!), Kurt brings in the champagne. “That was for when Hillary won. I can only drink it if Biden wins,” Diane protests. Did I also refuse to drink any celebratory alcohol until things were absolutely certain? No comment.

“It’s odd you progressives resisted religion. You seem to have a hundred religions to take its place,” Kurt says, speaking on behalf of the writers’ room. (This joke doesn’t get written if the writers don’t believe this and probably even see it in themselves.)

“Go away, Trump. I mean Kurt,” she shoos him away. Have I mentioned yet I love this scene?

“Love me even if you lose?” he jokes (though I do wonder if this isn’t that joking? I think it is, but he keeps saying it!) as Diane gestures at him to get out.

I could do without the joke about Diane’s heart on the TV for a couple reasons. One, it goes on too long. Two, I was very worried something would actually happen to Diane. You’d think that would make the scene feel more tense, but it does not, because it takes me out of the moment.

“Ok, God. You know I don’t believe in you. But I will believe in you if Joe Biden wins. I’m sorry. I know that that’s not what Jesus taught. There’s nothing in the New Testament that says, ‘Believe in me, and I’ll make sure your candidate wins,’ but I need Joe Biden to win. I’m sorry, God, but I just do. I need some faith.” This is a little much but... yeah. Also, is this the first time Diane’s flat out said she’s an atheist? I think it is, though I’ve assumed as much for quite a while.

The next day in court, masks are no longer required if you’re a series regular and votes are still being counted. I remember those days. Marissa thought Diane was checking in on Jay... Diane was not. She was checking on vote counts.

Apparently Jay’s finally being released from the hospital!

Bad news for Julius—the idiot judge finds him guilty of some nonsense charge and sentences him to seven years in prison.

Diane says not to worry, and Julius asks “Why not?” Good point.

Then we have election results! We skip, specifically, to December 14th and the electoral college vote. I’m a little sad we skipped over the huge party that was November 7th, but I get why they’d rather keep things moving along. I think showing November 7th in an uncomplicated way would’ve just been too close to fanservice. But, man, what a day.

Diane, in a red hoodie with leopard print that she somehow manages to still look classy in, is ready to pop champagne. Then she hears that on January 6th, a joint session of Congress will count the electoral votes and there might be a debate. “Nope. If I open it now, something bad will happen,” she reasons. “I’ve waited four years. I can wait another few weeks.”

It’s been almost a year and they’re still somehow negotiating with Lucca, but I understand why they’d space this out across the episode. Otherwise we’d have to say goodbye to Lucca in the first like, 15 mins of the episode and all those scenes would be in a row. I can forgive (and still nitpick) choices like this when the reasoning behind them seems sound.

Adrian says they don’t want to lose Lucca. He, Liz, and Diane are all in the conference room, and they ask Lucca for a yes or no on their latest offer by the end of the call. Diane offers Lucca partner—she'll be the youngest partner in the firm’s history—and she’ll get a $500,000/year salary. Adrian tries to sell her on being part of American history by being part of the firm.

“We are a black firm, Lucca, and we need you,” Liz says with a lot of passion for someone who knows she might very well partner with Diane. Diane looks at Liz with a bit of suspicion at this, wondering if Liz is showing her cards.

Lucca manages to make the wifi malfunction (or she gets very lucky) and uses the disconnection to call Bianca for a counteroffer, even though they said they needed a yes or no on the spot.

“They used George Floyd because they want you for less. They have never appreciated you as much as I do. All those scars, all that time being taken for granted and undervalued has made you a fighter. It’s made you someone I now want,” Bianca tells Lucca. She gives Lucca a counter offer of $1.3 million and the title of CFO. Lucca takes it. Is there really another choice? (If she were concerned about loyalty to the firm and the partnership was what she wanted, she probably would've just taken it.)

(Also, the partners can’t really act like Lucca is making history by being the youngest partner ever when they passed her over for partner two years earlier and offered it to Maia! To MAIA! Who had like three years of work experience! And yes I was fine with Alicia and Cary getting partnership offers with four years but, one, that was a scam, and two, Alicia and Cary actually worked. Oh, I see I still hate Maia with a passion. Back to THIS season...)

Lucca apologetically informs Marissa she’s leaving and the offer was just too good to turn down. I believe it. I also believe Lucca wants that job more. What has loyalty to RBL gotten her? She's someone so talented and good at her job that she just gets job offers from acquaintances all the time (starting with Alicia!). RBL appreciates her, but just enough to appease her while still undervaluing her. I don’t know that I would’ve believed a plot where Lucca actively job hunts, but I definitely believe this.

“Marissa, we don’t have to work together to be friends,” Lucca tells Marissa. I’m going to miss this so much. Why is this the best material Lucca’s gotten in ages?! I think one of the things that makes Lucca such a great character is that you can see why everyone instantly wants her on their team. She’s a fantastic friend (without giving too much of herself), she’s not a pushover, and she is incredibly sharp and able to get to the heart of any situation. I love her and I’m sad we won’t get to see more of her.

(On that bit about friendship—I can’t write about Lucca’s departure without writing about the moment I realized just how great of a character Lucca was. It was in 7x13, when Alicia has her breakdown that’s seven seasons in the making... and Lucca supports her. But the writing, and Cush’s performance, never make it feel like Lucca exists to be a part of Alicia’s story. Lucca seems like her own fully formed person who happens to be supporting Alicia at this moment. I don’t think I can overstate how tough of a task it is to get me to care about the other person in a pivotal Alicia scene, especially when that other person was added to the cast in the final season and many suspected she’d just be a replacement for a different beloved character! Anyway, Lucca’s been great for years, and I’ll miss her.)

Just when I thought I couldn’t hate the hallucinations more, we get a hint that they are going to continue: Jay sees one right after he learns that Marissa’s used her quarantine to start law school and he’s done nothing.

Jay says he carries a gun now and it’s “performative.” I have no idea what that means and Marissa and Lucca don’t seem to, either.

Another thing I like about Lucca’s final scene is that it isn’t rushed. We have time for all that, and also for Lucca to tell Marissa about the time she stole her breakfast sandwich, and for Marissa to react to it, and for Marissa to find Lucca’s Birkin bag, and for Lucca to tell Marissa to keep it, and for Marissa to react to that, and for Lucca to sappily say “think of me when you use it,” and for Marissa to nonsensically reply, “you think of me when I use it,” and there’s still a little bit more of the scene after that!

Marissa’s silly line makes Lucca tear up. “God, I’m gonna miss you guys,” she says. “I’m gonna miss this. You make me smile. I didn’t smile much before you guys.” Awwwwwww. This is also so true to character! Her friendship with Alicia aside, Lucca’s definitely said before she’s not one to have friends (which is hilarious because she is, as I've said like 100 times, a fantastic friend and also just like, the coolest person??? Who wouldn’t want to be HER friend?!).

She says she has to go because she’s getting too emotional and says goodbye. She’s also super sappy and when Marissa says, “you were the best,” she responds that they were the best TOGETHER! Awwwwwww.

What a nice, fitting goodbye for Lucca. There’s no bad blood or fireworks—she just makes a change like a lot of people do. I’d like to think she’ll still be friends with Marissa and Jay after this. I don’t want too many Lucca references in future episodes, but I would really like it if we see Marissa and Jay update each other on the latest from Lucca, or if a scene begins with Marissa closing out an Instagram post from Lucca of her kid, or something. I wouldn’t want clues about what Lucca’s up to, but I’d love to see that she’s still a part of Marissa and Jay’s lives.

Now it is January 6th. Liz, Adrian, and Diane sit on the floor of the mostly empty office, watching TV coverage and drinking. It’s so relaxed it’s almost surreal, and it, like many other moments in this episode, feels like a slice of life. Everyone’s dressed casually and no one is worried about appearances or looking like the boss.

“God, have you ever seen anything like it. It’s so fucked,” Diane says. Adrian’s more optimistic—the courts rejected most of the challenges to election results! “System worked,” he says. “Yay.” Liz says in response. She’s not as optimistic as he is.

“Liz. Liz. Sometimes when things work out, there is no parade. There’s no congratulations, but I’ll tell you this: We live to fight another day,” he explains to her even though she makes a good point that a system just barely hanging on doesn’t bode well for the future. (She doesn’t say all this, but that’s a very loaded, “Yay.”)

“Yeah? Then why are you leaving the law?” Liz asks. Diane seconds to the question.

Adrian announces he’s still retiring—and he’s moving to Atlanta. He wants to go to the south to help “create and consolidate political power.” He’s excited to start over and inspired by Georgia going blue. This is a very nice exit for Adrian. I fully believe that he’s interested in political organizing, that he’d be good at it, and that he’s ready for a change. I don’t think he’s always the most progressive person (of the three in this scene, Liz is absolutely the most progressive one, though Diane probably thinks she is!), but I absolutely think he thinks of himself as an activist and I believe that if he’s going to step away from the law, he’d do so to make a move like this.

Adrian—and Lucca, but especially Adrian—probably both got better exits thanks to the events of 2020. If Adrian had just left to be groomed by the DNC, that would’ve been a predictable and boring ending for him. His candidacy would, obviously, go nowhere, and the whole thing felt weird from the minute it was introduced. But this? Adrian being energized—like so many others were—by the ways the world changed in 2020 and using his already announced departure from the firm and recent breakup as a chance to start over and make change? This is great!

Adrian asks Liz and Diane what’s next for them. Liz says that she thinks the Biden admin will be better for black businesses. Adrian asks if they’re replacing him, and Diane says, “I think the big question is, are you replacing me?” She’s smart. I like how this scene goes from friendly to tense very fast, with everyone kind of testing the waters. Adrian tries to force the conversation, Liz opens with something vague yet pointed, and Diane speaks what’s previously been unspoken.

Liz says it’s not her intention to push Diane out. “I can’t change the color of my skin,” Diane replies. “I know,” Liz laughs. Audra’s delivery is fantastic on that line.

“Hey, I’m gonna fight for my partnership,” Diane says. “I know,” Liz says. The tone of this scene is so different from previous partnership drama on these shows and I’m excited about it. This is just a bunch of adults talking about business decisions with each other and treating each other as equals?? It's not backstabbing?? Or drama?? No one is hiding things?? It’s refreshing and I hope this plot stays like this. We’ve done so much partnership drama that I think drama that stems from a real, pressing question that has no easy answers and isn’t anyone’s fault is going to be much more fruitful for the show.

Adrian heads out—ah, I see now this scene is set in his empty office and this is why they are on the floor—and gets a nice last moment with Diane. And then they give him a last moment with Liz, which I knew they would but was still glad to see.

Liz asks if he knows what he’s doing—he says he’s not sure.

Adrian asks if Liz knows where she stands regarding Diane. “It’s going to be interesting,” Liz says. I don’t think she’s decided what she’s going to do yet.

It wouldn’t be an Adrian and Liz scene if Adrian didn’t have some unsolicited advice. “Diane’s a terrific lawyer, but this firm belongs to you. Your dad built it. He did, Liz. Despite all his faults. You got to run this place the way you want. This is a black firm. And after today, the world needs black firms. You got me?” He tells Liz. He makes it seem like Liz gets the choice and then tells her what to do. She says, “I got it,” signaling she understood him but not that she necessarily agrees.

I cannot wait to see what Liz does next!!!!!!! About this but just in general!!!!! Without Adrian there giving her constant advice I feel like she can grow so much and the show will have to give her more to do!!! I think Adrian, for all his many wonderful qualities and all he brought to the show, can suck all the air out of a room with his charisma, and Liz usually ends up suffering as a result. She’s such a capable lawyer in her own right, but Adrian has a way of making it always seem like he’s right—even in arguments she wins. I’m excited to see Liz lead (or stumble at leadership; she is fairly new to management) without Adrian’s direct influence.

Liz walks Adrian out and it’s cute. They run into Marissa and Jay. “Everybody fun is leaving,” Marissa notes. Liz is minorly offended, but playfully. Heh.

Adrian asks Jay how he’s doing; Jay says he’s a long-hauler but he’s doing okay. I like that they included that moment in Adrian’s goodbye sequence. It’s a very little thing, but it underlines that Adrian cares about Jay.

Then Liz interrupts to note that Trump pardoned a lot of convicted and corrupt Republican officials....... including Julius.

Everyone celebrates, but especially Diane and Marissa. Diane lets out her wonderful laugh and then we, finally, get to the credits. Because now that the previouslies are over, it’s time for the real show.

The credits are absolutely delightful, btw. I was a little worried some of the kittens would blow up, though! Once I relaxed and realized what they were up to—literal puppies and kittens because Biden won—I couldn’t get enough of these credits. They work so well because they accurately capture the way I (and all of these characters, except maybe Julius and Kurt) feel about the election results, but it’s so exaggerated that you know the kittens and puppies aren’t a realistic representation of our new reality. They’re just too good to be true, but you may as well enjoy them for a minute. I’m sure we’ll be back to exploding vases next week.

What a great episode! My timeline nitpicks and whatever they’re trying to do with Jay aside, I was blown away by how well the writers managed to move on from season 4, tie up loose ends, and write out two main characters. And they did it all while making me revisit the events of 2020, a year I don’t think many of us want to spend much time thinking about! This episode was enjoyable, fun, emotional, and clever. I don’t know what to expect from the rest of the season, but I’m definitely excited about the show in a way I haven’t really been in quite some time.

This season’s naming convention seems to be titles that end with ... and only have the first word capitalized. I want to see more.

Season FIVE? There have already been as many TGF seasons as there were TGW seasons prior to Hitting the Fan?! Time flies.

Please writers: No topical episodes this year-- no pee tape, no Melania divorce, no Epstein. None of that business.

Sorry if I repeated myself here. I never proofread these things, and I wrote half of this on Saturday and half of it today (Wednesday) and the days in between were an absolute blur so I cannot remember if I said the same things about this episode twice.

#the good fight #tgfthoughts

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jalapeno-princess · 4 years ago

Text

Got7 Most to Least Likely to Get Married and Start a Family

This was requested by one of my favorite followers (and just human beings in general) on here, the amazing @safetypineapples thank you for the request love I hope you enjoy it ☺️

Disclaimer: This is strictly my personal opinion based on what I’ve observed in the last three years I’m sure they would all be such amazing husbands and fathers if they decide to get married and start having families I’m sorry if you disagree but I did have fun doing this so please don’t hesitate to send it more requests!!!

MOST

Mark: This one is a no brainer. After watching the Ask In A Box video when he was asked where he sees himself in ten years, he didn’t hesitate to say “married”. From what I’ve seen with how he is with the guys and towards the staff I can tell he’s such a kind-hearted, generous and well-mannered person. He always puts others before himself and makes sure everyone is taken cared of before tending to his own needs. Mark also gives off such boyfriend vibes and I know in my gut that there is 100% chance he is a very loving and doting boyfriend; the type to memorize his significant other’s coffee order, to buy them things that reminds him of them, to check up on them every now and then to make sure they’re eating their meals on time and getting well deserved rest I mean—just look at how he treats Milo that man is so in love with that cute little dog I’m not being biased because I love that man with my entire fucking soul but it’s the truth. I know the guys playfully bully him about being the most sensitive member, but unlike other guys who consider having feelings and being sensitive a feminine trait, Mark embraces that shit (big dick energy) like, he’s not afraid to cry it just shows that he cares a lot. I hope whoever he ends up marrying one day knows just how lucky she is to have him. Honestly, he’s such a family man—he spends every free moment with his family and you can tell that he really misses them. I’m sure he probably feels bad that he had to leave his family at such a young age, especially Joey because it must’ve been hard having to grow up without your main role model so now he gives to Joey whatever he possibly can to help him out he donated money to Joey’s charity, supports his gaming streams and buys him gifts almost every single time I’m not crying you are. Also, he never fails to go and support the other members in their solo activities (wearing their merch, attending their solo fan meets, promoting their music). He just seems like such a supportive and loyal person. The way he interacts with his nieces is extremely adorable, what more when he has his own kids? And when there are kids around, he always is so good with interacting with them and making them feel comfortable. I’m sure if he wasn’t an idol, he would’ve started a family a long time ago and I have a feeling that might be one of the things he dislikes about being an idol. The idea of father Mark is making me scream ugh I just know he’s going to be the best dad.

Jinyoung: Just like Mark, Jinyoung gives me family man vibes. He is quite the gentleman towards every single woman he comes in contact with; his co-stars, female idols, makeup artists and staff members. I know he is such an amazing actor, but sometimes acting can only go so far—the way he kisses, touches and talks with his co-stars makes me feel like he is like that in person also; very romantic, gentle and sensual. He is also very good with kids (he couldn’t stop hugging that little boy who interviewed him one time it still makes me cry to this day) and back in that one real got7 episode, he was doing THE MOST to make sure one of the little girls chose him. But even if it was a competition, he seemed to have fun entertaining the two girls and it’s not easy taking care of children. On the set of He Is Psychometric, he was so sweet towards all the children; holding them, making them laugh, playing around with them. Also, being the youngest, it seems as though his sisters are very protective over him and it’s obvious that they have a very tight bond. I mean, he used to refer to himself as the mother of Got7, so I feel like he has caretaking traits and knows how to provide for the ones that he loves. The way he interacts with the other guys also gives it away; he might be playful and mischievous when it comes to Yugyeom, BamBam and sometimes even Jaebeom, but he can also be very defensive when it comes to them. All in all, I feel that Jinyoung is focused on being an actor and an idol, but once he’s done with his military enlistment and when Got7 decide to start slowing down in order to live domestic lives (which won’t be for a while please don’t come for me I’m begging) then he will start focusing on his personal life.

Jackson: I had a hard time choosing between Jinyoung and Jackson on who should be in second place just because Jackson seems like he really wants to start a family as soon as he can like he talks about it all the time. When he attended his best friend’s wedding, he just seemed so happy and he made it known that he couldn’t wait until it was his turn to be at the altar. I just know this man is so amazing when it comes to women like he is a FEMINIST and he’s one of the only idols I know who isn’t afraid to talk highly about female idols or just women in general like in my opinion, he doesn’t seem like the type who would be upset if it came out that he was in a relationship. Just look at how he treats his mom—the way a man is with his mother just shows the kind of man he’ll be in a relationship. He is always so quick to give a girl his jacket, cover them up if they are uncomfortable with what they are wearing or to feed them (he fed a fan once I don’t know what war she fought in her past life for that to happen but shit why wasn’t it me). On Let Go Of My Baby, he did not let any child cry for less than a couple of seconds before running to their rescue like that show was honestly so cute it just gave us a glimpse of what an amazing father he will be one day. He also held them whenever they felt homesick and even when he scolded one of them for playing around, he picked her up and apologized. Even when it comes to his niece; especially since he only sees her a few times every year, he puts that little girl on a pedestal. I just feel like right now, his main priority is his career and he wants to wait for it to simmer down before he starts settling down.

Youngjae: I still have yet to witness Youngjae even talking to a woman (other than staff members and fans) and it’s probably just me, but he doesn’t seem like the type to really put himself out there as much as the other members do when it comes to talking with other girls but from what I’ve read, he is a really good friend (and was one of the only people who helped Mina from AOA with the whole Jimin situation) so it’s obvious he genuinely cares for those he is close to. And if it’s any consolation; just look at the way he loves Coco like I’ve never seen someone love anyone as much as Youngjae loves Coco. But he’s such a sweet and kindhearted person (his laugh could honestly cure cancer don’t @ me) and from the videos I’ve watched, he is also very sensitive and that just proves he has a heart of gold. He said that he wants a daughter like the little girl in miracle because she was so cute so it’s obvious he does want a family some day. He might not be the type to go all out when it comes to showing affection or interest in communicating with women (maybe he just doesn’t want unnecessary controversy) (poor idols have to worry about what people would say if they were to even just wave to someone of the other sex) but he might be the type to do it in private. I’m sure he’s a gentleman, but more of the kind of person to do it secretly in order to prevent wandering eyes or irrelevant rumors. I don’t see posts of his nieces and nephews on social media as much as I do with Jackson and Mark, but then again maybe his sister isn’t the type to show off her kids. However, he seems like such a doting uncle in that one video at their concert in Korea when his nephew yelled his name (it was so fucking cute).

Jaebeom: This man’s mind never fails to intrigue me. With a lot of his songs, he is either really romantic, angsty or really horny there is no in between. The guys say that he is the type to get really shy and act like a dork in front of the girl he likes and honestly, even if he tries his best to come off as “chic and sexy” this man is a literal ball of fluff. He seems like the biggest momma’s boy and I feel it’s because growing up, it was just him and his mom until she met his stepdad. If you watch the way he acts towards his mom, his personality is that of a little kid. From my personal experience of having a single mother, I’m sure it was hard for him watching his mom struggle as a single mother raising him all on her own, so he just wants to give back to her what she deserves and I know he is probably like that in relationships also. He claims that he writes songs based on what he reads in books and watches in movies, but with how the boys tease him about how romantic he can be, I know he writes songs based on personal experience. He has five cats and he literally talks to them like they’re children (and the fact that he doesn’t want to post about them because he wants to give them their privacy) makes my heart so warm I can’t even explain it like I know he says his fans are his friends, but there are some things he wants to keep to himself and I respect that. There was one Vlive where he did say he doesn’t plan on having kids but he does want to get married some day. As much as I think he would be a great dad, if he doesn’t see himself having kids then that’s totally up to him. Even if he is so soft whenever he is around children, it’s another thing when having your own kids. Who knows though, maybe one day he’ll come to the realization that he does want a big family. As a leader, he does such an amazing job with making sure all members are happy and healthy (he might present himself as this big, scary dude but he has the biggest weakness for his members you can tell he loves those 6 boys with his entire being)(Im Jaebeom is the best leader in Kpop I don’t make the rules). Also, when he talks, he comes off to be very insecure and he’s the type who isn’t afraid to speak his mind even if he knows it might be controversial so I get the vibe that he is very vulnerable. He might seem like a dominant person, but I think that he’s willing to be such a submissive ball of cheese to the lucky girl who owns his heart. Idk man, but he also seems like the type to get really hurt over a break up (I will fight anyone who breaks this man’s heart deadass).

Yugyeom: As the youngest of the group and just like BamBam, I don’t think he’s really think about getting married or settling down any time soon. Honestly, Yugyeom seems like the type who would start having a family in his late 30s/early 40s just because he wants to give his full attention to his career. When Got7 first started out, he always seemed so shy when it came to talking with other girls, and I feel as if at one point, he was insecure about approaching girls, but now he just oozes confidence and sex appeal. I’m not saying he hasn’t dated anyone before (I’m sure he’s had a couple of relationships or at least a few flings) but he doesn’t strike me as someone whose main priority is a relationship as of right now. He’s always making music, preparing choreographies and producing songs, so as much as he wants to date, his girlfriend might not be the top of his list. A lot of his songs are sexual, so maybe a lot of the relationships he’s pursued were sexual rather than romantic and domestic (but what do I know). I haven’t really heard him talk about what he plans on doing once Got7 no longer are performing and making music as much; but sometimes it’s the ones we’d least expect who have dreams of getting married and starting big families. In the few reactions I’ve watched with him and kids, he seems to have a lot of fun teasing them and playing games with him and I think it’s because he’s still somewhat of a kid himself. I think he’s willing to change his outlook on relationships when it comes to the right person and he’ll be willing to fit them in to his busy schedule if he really loves them. Maybe after he finishes his military enlistment and decides that it’s time to start setting his focus on something other than his career, he will take the leap and get in to a full-blown relationship.

BamBam: Okay, just because I put him as the last one doesn’t mean I don’t think he wouldn’t want to settle down or have a family. But I feel like both BamBam and Yugyeom are still so young that getting married and having kids is way in the back of their minds as of right now. When the time comes, I just know BamBam is going to be such an amazing father. Just watching The Return of Superman and the way he took such amazing care of that little girl proves that he has a weak spot for kids. He’s even an uncle now and I really want him to go back to Thailand so he can finally meet his nephew. Unlike the older members, I haven’t really seen BamBam interact with women other than the few clips of when they were younger (and he was always such a flirt). In the episode of Hello Counselor he told one of the other celebrities on the show that he didn’t have time to date and his job kind of prevents him from experiencing what it’s really like to be in a relationship (but I’m pretty sure he and all of the members have been in relationships) however, they’re always so busy and probably don’t have the time nor the privacy to really go outside and walk around freely with their significant others. The guys also make jokes about how he’s narcissistic and pretty in to himself (Jackson made the joke that if he were to date someone, he would focus more on himself than his partner) but I don’t think he would be the type to do so. Like I said, he’s still young to be thinking about what his future with a family looks like but who knows? He might just surprise us all and be the first one to get married then you can all disregard this post HAHAHAHA. Deep down, I know BamBam is a genuine person and he will be such a wonderful husband and father one day.

LEAST

#got7 imagines #got7 #got7 drabbles

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razorblade180 · 3 years ago

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Twin Snowflakes 26: Preparation

[part 1 of 2]

TSF pt25 here! <-

“THANK YOU, PEOPLE OF MANTLE!” Summer yelled, shredding each note of her personal favorite songs. One after another she played to her heart's fill. Each song was more aggressive and brimming with vigor than the last. Summer would’ve played till dawn if she had her way but neither her body or promise to her brother would allow that. It wasn’t time to leave yet but she needed a break.

Summer begrudgingly got herself to get off the stage to let others perform. Their music wasn’t terrible by any means but the other musicians could easily stand to have more practice. A rave audience isn’t hard to please however, so the crowd ate up the talent all the same. A little insulting to her own performance but eh, this wasn’t an actual contest. Summer was happy enough blowing off steam and listening to the beats from behind the stage. Not even she could deny the beats and tempo. Her hips couldn’t help but sway!

From the corner of her eye she could make out a familiar figure keeping an eye on her. “Did Nick tell you to keep an eye on me, Eliza?”

“Not really.” She walked over and poured herself a cup of water. “I was training in the area.”

“Are you saying he had nothing to do with you being here?”

“Oh no, that would be a lie. You know Nick, always negotiating. He really knows how to persuade a person. I wouldn’t be surprised if he could sell a heater to someone living in Vacou. Anyways, he didn’t ask me to stalk you or anything like that. He knew where I’d be and told me if I could swing by for a spell. No harm in that.”

Summer smiled. “Funny. That sounded like you were defending him. Don’t want me getting upset with my own brother?”

“Shut up. It would be a pain if I caused unnecessary controversy in a household. Need I remind you that you both have duties to the school that require your full attention? Frankly I’m glad I arrived. I don’t go to your concerts so my opinion of your performance skills was limited.” Eliza sipped her water, giving Summer’s attire and overall attitude a once over. “Where’s all this when you're getting harassed in the halls?”

“That’s...school is different.”

“Pfft, yeah okay.”

“It is!” Summer said, defensively crossing her arms.

Eliza watched the girl's face soften into the meek and reserved Summer she was used to. To think that’s all it took to shut her down. “I swear you and your brother don’t have a consistent bone in your body. Whatever the case, I don’t really care much as long as you bring your best effort to rehearsal and the live performance.”

Summer squinted. “Not the actual tournament?”

“Hey I don’t participate in the duos. You can bomb that for all I care. But you know, Nick is counting on you to pull your weight. Also it would be pretty annoying if you lost to Max and his asshole know-it-all, Darren. Gods know he’d talk about it until graduation.”

“Was the fight that happened in the school bad?”

Eliza shrugged, “Can’t say. Wasn’t there. He’s always been a thorn to me though so I don’t doubt he made things ugly. He was very rude to Veronica in the principal’s office as well. An act I find inexcusable.”

Summer couldn’t help but roll her eyes. “Look I know you admire her and all that jazz, but I’d bet she didn’t help the situation.”

“My views on her have nothing to do with it!” Eliza huffed. “I would think you off people would be sympathetic to a person like her.”

Summer leaned against a wall. “Call me jaded, but Veronica has a habit of bringing out the worst in people.”

Eliza frowned. “You know her better than I. Tell me, is she the type to lie about being harassed?”

Summer didn’t have to think long, especially after learning more about her in the forest. Then there was Veronica’s sketch journal. Summer still couldn’t make sense of all the scratched out pages. On top of that, Blake’s request made Summer even more uncertain. “No. Veronica’s a piece of work, but she isn’t a liar. She might actually be too honest if you asked me. I’ve never had to deal with Darren personally but Nick’s not a fan by any means.” Summer bit her bottom lip. She couldn’t believe it, did she just defend Veronica’s qualities!? It was only fair. Veronica did almost end up a frozen husk.

“Well it’s good to know we can all agree on at least one thing without fail. So not to rush you but how long are you planning on staying in a place like this?” Eliza asked, watching all the party animals.

“Haha, not your type of crowd?”

“The crowd is fine. I can handle a little noise and rowdiness, but it is technically a school night. I- ah! Summer!?” The girl had taken Eliza by the hand and started pulling her to the dance floor.

“If you keep bringing up assignments 24/7 then all you’re gonna look like is a stick in the mud. Live a little. School sucks!”

“School is important!” Eliza protested.

Summer grabbed Eliza’s other hand and started making them sway side to side, back and forth. The blood rushing to Eliza’s cheeks made Summer giggle. “Awww you know you dig it. I’ll make a deal. Cut loose with me for a few songs and I’ll gladly let you dance me right out the front door. Show me that colorguard rhythm!”

Eliza watched the petite girl actively laugh without reservation. Summer jokingly shimmied towards her and swayed her hips, getting lost in the music. Just how much did this girl go out to rave? She looked like she belonged here! The beat got more intense by the moment with no sign of stopping. With her pride in check, Eliza began to sway steadily, getting into the music.

Summer’s eyes lit up. “Aye!”

“Two songs and then we’re out of here.”

“Works for me! Show me what ya got!” Summer turned up the heat by dragging Eliza deeper into the chaos. She might not be as persuasive as Nick, but Eliza quickly found out Summer was definitely more pushy. Forget the tournament. Eliza was beginning to think they’ll beat her at everything!

xxxxx

“This is crazy. How did I not know about this!?” Nick said, walking down the rainy sidewalk.

Veronica smirked as she held Nick’s hand, allowing rain to pass right through them. “Why would you? I barely have any reason to use my semblance; let alone in the more complex ways.”

“You don’t use it when making clothes?”

“Haha, I’m not entirely sure how it would help. Unless I wanna get out of my clothes and into something new in an instant. Not a real trick to show others. Unless…” she blushed at her lewd teasing, refusing to finish the punchline. “Never mind.”

“Okay?” He had a feeling he knew where that was going but chose not to pull that grenade pin. “Speaking of clothes, that brings up a question. Why aren’t our clothes falling off now?”

“Control. Anything I touch can phase like me. My clothes are touching me, so are you. I can keep it strictly to myself though with control and timing. I can also start it and end it on any spot on my body; which is why we aren’t falling through the street.”

“That sounds hard.”

“Little bit. Really flexing my semblance like a muscle right now. Still, I’ve done harder, like not breaking surface tension.”

Nick did a double take. Did he hear that right? “Surface tension? Like...for water?”

Veronica nodded. “Yeah that’s the one. Well I’m not actually walking on water. It’s more of me beginning to fall through the water with my semblance, and shutting it off quick enough to push me back up just above the surface. Took a lot of practice but I got it most of the time. Waves suck.”

“Don’t you burn through your aura quickly?”

“Well it’s like flicking a switch on and off. Also I’m quick about it; not to mention not fighting anything in the water. I’m bound to fuck up them.”

“Still sounds like an extremely large amount of work and multitasking. You got real talent. I’d get a headache.”

“Says the king of multitasking.” Veronica chuckled, “It’s less thinking and more of reaction; knowing how to feel the shifts to the things connecting you.”

Her explanation was interesting. Veronica had an understanding of her semblance to a complex level though she didn’t fight. And here was Nick, struggling with a candle exercise for a semblance that didn’t interact with physics or molecules. “A reaction huh? Maybe I should try that more often? It might help with-”

“Valerie.”

“What? No my-” His hand was squeezed a little before being brought up to point towards the Schnee gate. Nick’s eyes went wide. Valerie stood by it with her mother’s car, staring just as surprised. “Oh…” Nick said.

The three stood quietly, not prepared in the slightest. Valerie was the most shocked. She was prepared for an awkward conversation with Nick by the door. Not catching him outside in a suit; next to Veronica. Nora, who was in the car, wanted to take initiative but found her lips tucking themselves in.

“Oh boy. Maybe convincing Val to see him was a bad move on my part.” She thought. Ren was gonna have a field day whenever Nora got back home.

Done with the shock, Veronica finally spoke. “Umm I can give you two a minute, if you need it?” All the events that happened tonight made her feel very pleased. Veronica did not want to taint those moments and knew it would be for the best to remove herself from this before she said anything...emotional. She turned to Nick and smiled awkwardly. “I’ll see you inside?”

Nick could only blink while he thought about it. Veronica was a bit quicker to the draw though. “No, no, it’s...clearly you two are in the middle of something. I was just leaving anyways” Val said, a hint of irritation and even a bit of sarcasm crept into her voice. It might not have been that big of a deal but for some reason it made Nick tense up.

“This is only happening because of you.” He said instinctively, catching everyone off guard. “I don’t see how you can be upset about a thing you caused. I did invite you originally.”

“Don’t see how that has to do with anything.” Valerie lied, clearly offended. “You can do what you want.I only came here to-”

“It’s always your terms.” He interjected, grumbling a bit. “You tell me you want space and we’ll see each other at the tournament, but then show when you feel like talking. If I did that you’d be pissed.”

“Hey! I came here to try and smooth things over.”

“Yeah well maybe I don’t want things smoothed over right now? I...I have nothing to say to you right now. We’ll talk at the tournament.”

Valerie let out a subtle gasp. Her brows furrowed and she bit down on her lip harder than she meant to. “Forget it. If you wanna be made then be made. Tournament it is.” Valerie didn’t waste another breath, getting back into the car so it can drive off.”

Veronica was in disbelief. Did that really just happen? In now way did she think the conversation was going to be good, but she at least thought there was going to be one. She might’ve thought this best if it wasn’t for Nick visibly sulking next to her as he started walking her up to the manor. The solemn look on his face did nothing but make her feel bad. Not to mention a little guilty.

“Hey...I know this is a dumb question but are you okay? If I influenced that in any way during dinner, that wasn’t really...what I mean is...”

“I know, and don’t worry. That wasn’t me being caught up in my emotions. I just really want to think about all of this for at least a couple days. Besides, I made a deal with Eliza. I might not keep it if Valerie tries patching things up.”

“You’re plotting on her? That’s...wow. Now I know for sure that you’re pissed.”

Nick rubber the back of neck. “For once I think I’ll get greedy, act the way I want. Does that make sense?”

“Make sense? It’s my language. Fair warning, your best quality is that heart of yours.” She poked his chest. “Keep it safe, or I’ll be the one getting greedy by knocking the optimism back into ya.”

“Oh is that right? Haha, maybe try praying to me first, then I really know you must mean business!” He teases.

Veronica gave a playful shove. “Like I’d know how to start one? I think I’ll stick with the tough love approach.”

“Tough love huh?” Nick opened the front door. His eyes never left the girl as she walked in, seemingly content. Veronica eventually looked back at him and gave a head tilt.

She blinked, “What?”

“Nothing.” He chuckled. Nick was starting to think that just maybe, he understood Veronica’s choices and beliefs a little more than he used to. If he learned anything from tonight it was just how differently they saw the world around them. “Well I guess this is the end of our date. Didn’t go as planned but I’ll admit it, I really liked spending alone time with you.” He said, rubbing the back of his head.

Veronica couldn’t stop herself from letting out an anxious chuckle.“Hehehe, what’s with the sweet talk all of a sudden? Trying to butter me up?”

“No, just being honest with myself. A date should end as well as possible.” Nick stepped towards Veronica and gave her a quick kiss on the cheek. Eager to not let this moment linger, Nick swiftly left for Summer’s room to see if she was back. Without thinking about it tonight, Nick had left two girls red and speechless. One of them standing in the main hall with a smile growing wide; while the other watched the rain fall during a quiet ride home, frustrated and jaw clenched.

Nora took care to drive slowly. Getting home quickly would only mean Valerie would march to her room. Nora let out a sigh. “Whether it’s me or your father, one of us is gonna make you talk about this. So-”

“What’s there to talk about? I’m upset and he’s upset, because we want different things. So we’re taking a break. Simple as that.” Valerie leaned against the cold glass.

“And what is it exactly that you want?” Nora asked. She was given no answer. Not that she was expecting one. “I love you, but if you don’t know the answer yourself then how can you expect Nick to not upset you? Life is like any sport you play. Gotta know the rules if you wanna do well. Only way to figure that out is knowing yourself.”

“I know myself pretty well.” Valerie huffed.

“Really?” Nora dragged out. “So tell me, do you like Nick, romantically?”

“No.” She said instinctively.

If Val could see Nora’s face then she would’ve been upset that she was rolling her eyes, not believing her daughter. “Okay, but just so you know, taking a break is not what most friends say about another.”

Valerie’s eyes widened. She turned to her mother to see her focused on the road like she hadn’t said a word. Val went back to looking at the window. “Good to know.” Valerie controlled the urge to huff. Talking to Ren might’ve been less painful.

xxxx

Nick walked into Summer’s room to find it sisterless and a little cold. “Guess she’s not home yet.” He closed the door behind him as he went further in. Nick made sure to keep the light off but turned on the heater. A cold room was the last thing this night needed. His chill hadn’t kicked in all this time so Nick had no real reason to worry about Shiva, yet his nerves would feel better actually seeing Summer come home safely. Pulling up a chair to sit in may have been a bit much but he did it anyway. Overbearing or not, Shiva would never be a subject he’d take lightly. Not like he had in the past when he was younger, naive of the danger that thing had. He could his body ache at the thought of it. Pain fades and the body heals, but it also remembers. Not like he needed a reminder. Not when the memories rear their ugliness often in his dreams.

A scroll rang loudly, bringing Nick out of the dark thoughts. He reached in his pocket to see it was in fact Summer who was calling.He wasted no time answering. “Where are you? I thought you’d be back by now?”

“That didn’t sound like hello.” Summer grumbled. “Relax, I'm close by. I actually called to ask for a favor. You’re home right?”

“Yes?”

“Cool. Can you open my window?

Nick walked over to her window and opened it. In the distance he could spot his sister and Eliza outside the gate from the right side. “Done. What-”

“How’d you do that so fast? Were you already in my room!? You aren’t snooping are you!?” She yelled.

“Quiet before you get caught. No, I wasn’t snooping. Pretty sure whatever secrets this room holds is one that would scar me. Though I’m curious about your journal, wherever you hid this time. Perhap under your nightstand?”

“Do you really want to rummage around a young woman's nightstand?” Summer could hear her brother let out an overtop gagging noise. “Grow up.”

“Say it to my face. You better hurry before I decide to close this and watch you hit the glass like a pigeon.”

“Fine, ya baby.” Summer hung up. “Thanks for walking me home, as well as helping me stay dry.” She looked up to see the small dome of water floating over her from Eliza’s magic.

“Exactly what was the plan if I had said no or not shown up at all?”

“Glyphs aren’t just for platforming and dust ya know? Not that it matters. I knew I’d see you tonight.”

Eliza scoffed, “Tah! That confident in your predictions about your brother?”

“Well yes, but that’s not it. It’s not a secret you practice at the pier. It’s also terrible luck on your part you almost shot a captain with a bolt of lightning. One time.”

“W-What!? B-but how would-”

“Is it a Marigold thing to be attracted to my family like a magnet? That captain is my cousin. He says your aim could use work. Bye!” Summer made glyphs to trampoline over the gate and platform through the air and through her window.”

Eliza couldn’t believe it. Why was this her life!? It had to be a joke. Atlas or Mantle, you’re bound to be in Schnee territory. It would’ve been fine if she wasn’t practicing moves to fight one! Now she needed a new training spot. Who knows what they might now. “Damnit, now Nick’s offer is even more to my best interest!”

“Sup bro. How was your date?” The rock n’ roll twin kicked off her shoes and took the black wig off before falling backwards onto her bed.

“Well Valerie was at the front awhile ago.”

Summer sat up. “Okay, that’s not what I expected. Did I miss a fight? No wait, I’m pretty sure I’d hear Veronica scream bloody murder because there’s no way her dress would stay flaw-” her rambling was cut short when Nick suddenly sat beside her and fell on her lap. “Woah. Hey, are you still sick!?”

“No, just tired. The past week has been a little...draining. To be honest I don’t think I even have the energy to shower right now.”

“Well you probably smell better than me right now so I’m not complaining.”

“How was the rave?”

“Fun. Got Eliza to dance a little. The crowd worshipped my performance.” She chuckled.

“What did you sing?”

“Nothing special. A few Linkin Park songs; an experimental original. Oscar thought it would be a good idea to take a few of my journal entries and vent it out through music.”

“Hmm, anything you’ll share to your actual fan base, or me?”

Summer looked at her ceiling to let out a composed sigh. “I don’t think I’m quite ready, or the song for that matter. It and myself are...a work in progress. Sorry.”

“It’s okay. Just know your fans think you can’t do wrong and there’s no world where I won’t support you. Family and all that.”

“Love you too.” Summer patted his head. “Sorry if I’ve been causing you trouble. Well, more than usual. Tomorrow is a new day.”

“That’s the spirit. Push yourself but not too hard. That’s my territory. Speaking of which, I’ve been racking my brain with ideas. You can talk to Shiva in that headspace whenever you like right?” He felt her hand stop. Nick looked up to see Summer look apprehensive.

“I can...but it’s not a thing I look to do. Plus tonight has been good. I really don’t want that to-”

“Summer, do you trust me?”

Nick’s words were calm and real. Summer didn’t know what he had in mind. It wasn’t like Nick to invite danger. Her eyes looked to the floor to the orange glow of her heater. Like usual it appeared that her brother had already taken strides for her and everyone’s sake. Just how far would he go, ever making herself feel like she’s at a stand still? Maybe tomorrow could start today. Just a little bit.

“What’s this idea of yours?” She said cautiously.

“Nothing too crazy. You’re just gonna take a page out of Veronica’s playbook.”

xxxxx

You would think a person would know what goes on in their head. Unfortunately, that’s hardly ever the case. Summer never got a full understanding of what went on upstairs in her mind. Then again that would only make sense. She was in therapy after all. Though no amount of emotional talking could explain why her headspace imagery was inconsistent at times. A void of nothingness, her own room, those were the usual shapes that took place. However, this time she found herself back at the frozen lake. Going back and triggering an episode must’ve left a lasting impression. At least her trauma brought variety. The only separation from the real place was the ice ceiling and a distinct lack of cold nipping at her skin. Her psyche though, it was definitely feeling something.

She began walking through the white hell of her own making until she found her target, Shiva. The being was skating across the lake like how Summer once did. “Shiva.” Summer called out.

The woman of ice and snow looked over, surprised. She stopped right in the middle of the lake. “Well, well, well, come to properly thank me? You’d be in a grimm’s stomach by now if it wasn’t for me. You and that idiot girl. Tell me, is she in pain from our encounter?”

“I’m not here to thank you or chitchat.” Summer bluntly stated. “This is an in and out thing.”

“I’ll take that as a no then? Pity. I wouldn’t mind seeing her cry and despair. I bet her tears are uglier than yours. Though I'll say that this look you have going on isn’t gross. Honestly it helps to see you better in this place. You’re always so pale when you’re talking to me. Afraid I might hurt you?” A smirk spread across her face. “Oh I do hate you so.”

“Feeling is mutual. I came here to tell you that from this point on things are gonna change.”

“Pfft, heard that before. You’re all talk.”

“Am I?” Summer reached her hand out. Right before her eyes, the shape of a shovel formed. Hiding her surprise, she focused on Shiva’s own shock. “My mind, my rules. If I can subconsciously make this hell then I can shape it to an extent. Summer tossed the shovel at Shiva for her to catch. “Keep that safe for me.” Summer’s body began to slowly fade from this space.

“And what exactly is this for?”

“Your grave. Feel free to dig it yourself.” Her final words before disappearing completely while witnessing a smug smirk vanish before her eyes. Right as she faded, Summer could hear one last remark.

“We’ll see who buries who.”

Summer opened her eyes to find herself back in her room. Good, she hadn’t moved an inch. “Well I’ve thoroughly pissed her off, but it actually felt good to be the one harassing her. Thank Ni- huh?” Summer failed to realize she’s been talking to herself. Nick was fast asleep already! “Unbelievable. What if I would’ve messed up?”

“Zzzzzz.”

“Quite the convincing answer.” Summer returned to rubbing his head. He felt a little warm but nothing serious. Taking breaks needed to be at the top of his list from now on. Only way that would happen is if things weren’t hectic. It was time to step up. “I’ll do right by you. I promise. Just...give me a little more time.”

Her eyes became heavy. It appears the day’s events weighed on her more than she realized. Both twins fell into slumber there for the entire night, finally getting some rest.

#rwby #rwby twin snowflakes #summer schnee #val valkyrie #nora valkyrie #eliza marigold #veronica belladonna #nicholas schnee

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feathered-serpents · 4 years ago

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The Official Post About the TMA Dragon Age AU

I talked about this before but have now finally made a long ass post with everyone’s roles + past roles but cleaned up. I love TMA and Dragon Age just That Much (Only the first couple descriptions are Super Long and the rest are under the cut)

(If there’s typos in this I’m sorry this has been in my wips for so long I’m so TIRED OF LOOKING AT IT)

The Tower

All Circles of Magi are governed differently depending on the templars that run them, this circle is known for having some...odd practices. The mages within are largely tasked with the study of the more “forbidden” practices. Especially the Fade and demons. They’ve become known for their expertise in this area, and reports of demonic possessions or any other “dark and forbidden” occurrence is brought to them.

This is done with the Chantry’s consent, with the belief that the understanding of such things is the best method to learning to combat them, but it has given this Circle a bit of a reputation among the rest. It is allowed by the Chantry under the assurance all research is done under Knight Commander Elias’ strict supervision, and all findings are given directly to him.

The tower itself is particularly tall, and has a glassy structure at the top that can be used as a viewpoint. Those passing by it and the few that live near find its gaze unnerving, gaining it the name “The Eye.”

Jon

Jon is an elven man, not unskilled in magic, but not nearly the skill level one would expect of the newly appointed First Enchanter of the circle. There were several mages more senior than him who could’ve easily taken the position after the previous Enchanter’s death, and no one is more aware of this than Jon himself. The obvious doubt coming from his fellow mages has not at all helped to ease the pressure of this sudden change in rank. Nor has the arrival of an apostate, allowed to enter the circle under the approval of Elias, and without any consent from Jon.

Regardless, Jon takes his role as First Enchanter incredibly seriously, trying his hardest to fill a role much to big for him. He has to, he owes Elias so much.

Jon has been in the Circle since he was eight years old, far younger than most find themselves gifted with magic. Jon might have still been able to live outside a Circle for a few more years had it not been for the “incident in his village.” Never has anyone in the Circle heard him speak of it, Jon himself giving no indication that anything of the severity of what happened occurred, but Elias knows.

Any other Circle would have executed him instantly for what he did. Child or not, the whole village saw how he summoned a demon to kill a boy in his village. Sometimes evil is simply bred from birth. But Elias took him in, and has not whispered a word of it.

Martin

A half-elven man, though Martin is an example of the rare scenario in which a half-elf looks more elven than human. His father the elf, and his mother the human, his father walked out on their family when his mother began to show signs of some sort of illness. Martin was too young to remember him, but his abandonment left his mother with a deep bitterness towards Martin and all elves, something he had to quietly live with.

Martin has, unlike most mages, lived the majority of his life outside a Circle. He began to show signs of magic when he was fifteen, and disappeared from normal life because of it. Doing his best to go unnoticed so he could continue to live outside of a Circle and care for his mother. Martin never used his magic openly, even going as far as to conceal it from his mother, but he did use it to assist him in making potions to ease her pain as her illness worsened. To this day, he does not know his true magic talents, if he has any beyond potion brewing at all.

He was only recently turned over to the Circle after ten years of life as an apostate. He doesn’t know how he was discovered, and has had trouble adjusting to life inside a Circle. Where he’s under constant supervision and his First Enchanter determined to hate him for his “dangerous lack of skill.”

Tim

Tim doesn’t seem to take the study of magic nor the practices of the Circle seriously. He constantly toes the line of what’s “allowed” in a circle tower, making him the bane of the Templars and a controversial figure among the mages. Some say his antics are fun, while others say it brings on unneeded- and unwanted- Templar attention.

The reality of it is that Tim is actually a very skilled mage, always surprising people with what he knows, and he hates the Circle to his core. He and his brother both were mages, taken from their home young, and when the time came for their Harrowing, the proving that they are able to master their magic, and will not be a danger, Tim passed, and his brother did not.

Sasha

A talented mage, and many believe, if the Knight Commander was going to chose such a young mage to be the new first enchanter, it should have been her. If Sasha herself is disappointed, she doesn’t show it, what is she going to do about it? No, Sasha would rather focus on keeping herself busy, she’s in a tower after all, it can feel very small very quickly if you don’t have something to do.

She is one of the tower’s most prized researchers, and she is particularly fearless in their studies in demonology, and while he hasn’t made her First Enchanter, Elias has indeed taken quite an interest in her.

Daisy and Basira

Two of the most notorious Templars in the tower. “Daisy” as she is called by her partner, is the Knight Captain, one step below Commander. Elias keeps a frighteningly tight hold on all the Templars below him, but he especially seems to have quite the hold over her. She is feared by the mages, as she is known for dealing the harshest punishments. Her gaze is inescapable, the mages say she stalks the halls of the Tower like some hungry animal, waiting for your single misstep, her excuse to strike.

Basira is often seen with her, and while she isn’t held on as tight a leash nor is she as cruel, she never speaks up against her partner’s actions. Making her no more favorable in the mages’ eyes.

Georgie

A Chantry scholar, with an interest in the study of the occult, anything forbidden caught her eye, this made her a bit of an outcast amongst her fellow sisters. But what did she care? Georgie’s research eventually lead to her briefly gaining the ability to study in the Eye, she being one of the very, very few to willingly seek out and ask for entrance into the tower. She was allowed, but just barely. She was permitted to study in the library under only the strict supervision of the templars as well as assistance from a tower mage. This assistant, came in the form of an Enchanter by the name of Jon.

He did indeed help her with her studies and in the process the two formed a romantic relationship that they were able to carry on in secret for quite some time. They were both smart enough to be very, very careful, and carried the relationship almost exclusively through notes and whispers, it was thrilling for a time, but where could it go? The relationship ended, as one could argue it was always doomed to, and the two have not seen each other since.

Georgie did go on to publish some of her studies in books. Several of her works were banned by the Chantry, but they have earned her a bit of notoriety, and just might have found their way into the tower’s library.

Melanie

An apostate, like most apostates, one that never stays in one place for long. The Chantry IS aware of her, as she tends to leave, at least in their words “a path of destruction” in her wake.

The reality of it isn’t as dire, but she is more than willing to use her magic to defend herself, and that magic might become a bit untamed if she’s angry, and she might be angry often. What? Wouldn’t you be? She’s never known another way to be, never known another way to stay safe. She doesn’t like it. She knows this is all because one woman said one line hundreds of years ago, and people have decided to damn her for it. She didn’t have to live like this. Wouldn’t you be angry?

Elias

Knight Commander of the Eye. All things considered, he is a rather...lenient Commander, selectively at least. He is known for being especially merciful towards apostates, while many Knight Commanders execute adult mages that have thus far lived outside of a circle for their “danger to the tower mages” Commander Elias will take them in, and offer them a place in his tower. It doesn’t exactly matter what goes on IN the tower after that, at least those mages are allowed to live somewhere.

Of course, mages in the tower tend to go missing often, but who outside is going to notice?

He claims that the research he has the mages doing on the Fade and demons is known and approved by the Chantry, but the reality is if the Chantry knew exactly what went on inside this tower, and what was being allowed, his Circle would be annulled in an instant, and Elias is well, well, aware of it. But what’s the worry? So long as he is Knight Commander, the Chantry will never find out, he’s quite proud of his ability to forge reports.

The realities of Elias’ existence are far, far worse than anyone can imagine. Elias is one of the original Tevinter mages that sought to enter the Fade, extending his life through grizzly, hellish blood magic. Thousands of years ago, he and his fellow mages entered the fade to take their place on the throne of the Golden City, but we all know the story, there was no throne, and the city was black.

But what destroyed Elias’ fellow magisters sparked something in him. Oh, there was a city, empty and godless, with a bare throne for the taking. Whoever sits in it, becomes the god of this world and whatever world comes after. This is what the Eye is truly researching, a way back in, a way for Elias to wear the crown of the gods.

#TMA #Dragon Age #The Magnus Archives #I spent way too much time on this for something that only 5 people are going to care about #but that's fine

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chaoticspacefam · 4 years ago

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OC Music Meme

I was tagged by @raven-of-domain-kwaad , thank you! :D I shall tag (no pressure as always, only if you want to!): @mercurypilgrim , @mimabeann, @rainofaugustsith , @thelastenvoyyy , @a-master-procrastinator and anyone else who wants to do this one, yes, I promise I mean you!

Yaaay another music meme, I LOVE these, as any of my long-term followers/mutuals probably know :P Oh no, Raven what have you done! 🤣🤣

List one or more songs that relate to the following

*drags Rai and her three consecutive playlists full of songs in here and plops her down proudly* Now I’m not joking when I say combined her three playlists would run for ~10 hrs if I played them all back-to-back. Sooooo for that reason I will be trying to restrict myself to 3-4 songs per “question”, except for the last one which is annotated with an explanation there, ANYWAYS!

reminds you of them most:

Down To The Bottom - Dorothy :: This is a very new one to her playlist (discovered a few days ago), but it still vibes so well with Saarai’s attitude to love, and her need to have some sort of emotional closeness to other people, to love and be loved, or else she just doesn’t function quite right

Up The Wolves - The Mountain Goats :: This was one of Rai’s first EVER theme songs that made it onto her list as I gave the Ahaszaai the backstory that led to them becoming main characters, so it feels only right that I include it here. To me it perfectly sums up her character progression, from a frightened young woman with a lot of skeletons in her closet and no willingness to be a commander of anything or confidence that she could, to a strong and dedicated leader willing to do whatever it takes to protect the people she works with, and make sure that the person who once took it from her family will suffer the righteous justice he deserves for his actions. Oddly enough, Saarai never goes back to take over the Sith Empire as D’leah planned (in Subterfugeverse anyways), they do eventually “come home” and build something of their own with the other members of the Alliance <3

Bruno Is Orange - Hop Along :: This song is very important too. It makes me feel a lot of things and as I developed more of Saarai’s backstory and began tying everything together, it became an essential part of her backstory. This is 100% a “Saarai Song” in my brain (and I’ve had the script for that meme planned out for over a year, I’ll get to it soon :3), summing up the chaos and her own feelings on what happened with Tsâhis (and her mother and sister’s reactions to finding out about what happened, and Ty, the baby which resulted from that clusterfuck of a relationship)

Someone New - Hozier :: Kinda supplements “Down To The Bottom”, Saarai was a character who puzzled me sexuality-wise for a long time, she has a lot to unpack and a lot of nuances in her attractions, and for a long time (because it is the default for modern media) I tried to shove her in the monogamy box, except...that doesn’t work for Saarai LMAO. I remembered this song existed one day (I think it came up on Youtube shuffle or something) and it was the lightbulb that went on in my head that finally clicked and told me she was actually polyam as well (though ironically I forgot to actually put it in her playlist until @darth-bagel reminded me it existed again a few months ago LOL).

reminds another character of them:

All The Pretty Girls - KALEO :: (Sash - Zephyrverse AU) This one had a few options too, but I think this is the best song that Sash would associate with Saarai. Their relationship was slow burn, although there was near-immediate attraction there, Sash struggled with self-doubt and her own insecurities for a long time, firmly believing that Saarai would get bored of waiting for her to be “ready” to take things further and explore other options (she didn’t. They’ve been married something like 20+, nearing 30 years now, you’re stuck with her sweetie <3)

The Last of the Real Ones - Fall Out Boy :: (Lana - Subterfugeverse) “I know this whole damn city thinks it needs you, but not as much as I do.” Lana wasn’t looking for Saarai when she found her, but Lana wouldn’t have it any other way. Though Lana is a big pillar of support for Saarai, and Saarai in turn is the social “glue” that holds the Alliance together, what many people don’t realise is that the feeling is mutual and Lana relies upon her just as much. Saarai’s dependable, and trustworthy, even if sometimes she makes Lana want to roll her eyes into the ceiling because of her antics, she wouldn’t want to change her for anything, it’s that part of Saarai that she secretly loves the most because it reminds Lana that it’s okay to unwind and have fun or be silly every once in a while, especially with the people you love.

Shut Up And Dance - WALK THE MOON :: (Koth - Subterfugeverse) Koth’s relationship with Saarai took a lot longer to develop into something openly romantic because Saarai had a lot of stuff to work through before she could accept her own feelings for him, but the cantina party at the end of KOTFE was the moment that Koth realised she was comfortable with him, because it’s the first time she really opened up to him, the first time she asked him to do anything together, and the first time she didn’t flinch or jump away from him when he touched her.

reminds you of a relationship of theirs, doesn’t have to be romantic, can be paternal, friendly etc.: I’m taking that as an invitiation to do a song for each of the main ones of any kind and that means this one has like six songs because...Saarai has a lot of influencial relationships in her character arc, I’m sorry (but not really) :’)

Broken Crown - Mumford & Sons :: Saarai & D’leah (Familial, It’s Complicated). This one is probably gonna be the “controversial” song of this post but you know what I’m gonna do it anyway. Saarai and D’leah have a very complicated relationship, because on the one hand Saarai does love her mother very much in spite of the horrible things she said and did, and on the other...the last thing that she wants is to turn out like her. And sometimes, sometimes you gotta call your mom out on her toxic shit. Hey Brother - Aviici :: Saarai & Ni’kasi (Familial Love). “What if I lose it all? Oh sister, I will help you out. Oh, if the sky comes falling down, for you...there’s nothing in this world I wouldn’t do.” The “brother” part does not apply to the twins, gender-wise, but the essence of this song is undoubtedly Saarai & Ni’kasi’s relationship. When Saarai thought she had no-one else, Ni’kasi was there to pick up the pieces and get her back onto her feet. They’re ride or die till the very end, wherever Saarai leads, she knows Ni’kasi will follow her.

Son of A Gun - Lord Huron :: Saarai & Tsâhis (Romantic ”Love”, though I’mma be very clear here that he was a manipulative abusive asshole, but Saarai loved him so...quotation marks. Y’get it yeah? Good.) “Well she fell in love with that son of a gun, but he was not the man that she took him for.” This line in particular sums it up. Saarai was young, naive and a perfect target for someone like Tsâhis to take advantage of because she didn’t know any better and believed him when he said he “loved her”, only for him to pull the rug out from under her feet later on. (he got his tho, don’t worry 😈)

Youth - Glass Animals :: Saarai & Tyûk (Maternal Love). This is the closest I can find to a song that sums up their relationship, I have a lot of thoughts about it but there are very few songs (that I’ve found) that touch upon the essence of Saarai & Ty’s relationship. D’leah chose to blame Ty for his father’s actions, Saarai chose the opposite. She chose to love him in spite of what his father had done to her, and to make sure he grew up feeling safe, loved, and learnt to be better than that.

Curses - The Crane Wives :: Saarai/Sash (Romantic Love) Both Saarai and Sash have had difficult pasts, with a lot of emotional trauma, and they both had hurdles they had to overcome in order for their relationship to truly work and stay healthy. But with each others’ support, they’ve managed it and are all the closer for it. If you asked either of them where “home” was, they’d say the other’s name.

Sorry I Stole Your Girlfriend - Stereo Skyline :: Saarai/Lana/Koth (Romantic Love). Okay, I really really wanted to pick a more serious song from their playlist for them, BUT....this song is the song that started this ship in my brain so here we are. LMAO Originally, this popped into my brain as an idea of Saarai’s response to Koth’s attempt at getting between them in that scene of KOTFE on the Gravestone. Koth and Saarai’s moral compasses are very similar and I wanted them to sit down and have a proper, healthy discussion about their feelings instead of becoming enemies and sort of agreeing not to hold a grudge against each other, though I didn’t expect for that piece to get away from me and for Saarai to end up developing feelings for Koth too, I can’t say I’m unhappy with it. I love them and I will fight anyone who tells me I can’t make them an OT3, I can, I will, and I have. >:) (Healthy Polyam Good, Love Triangles Are Fucking Stupid (tm). No I am not taking criticism on this lmao) Though Saarai & Koth’s relationship isn’t sexual in any way, they love each other just as much as they love Lana, just express it differently. So even though the snideness of this song doesn’t really apply to them, I kept it in their playlist and it also became their ship name because it was too good to pass up, though “Stole” is in inverted commas as it’s definitely more of an inside joke between the three of them than actually seriously accusing them of stealing each others’ girlfriend. 🤣 (as always, Saarai & Koth thinks it’s hilarious, Lana rolls her eyes at the stupid pun but also secretly thinks it’s funny as hell)

#swtor #star wars: the old republic #swtor OCs #tagged meme #OC music meme #swtor oc: saarai ahaszaai #sith pureblood #the outlander #LS! eternal empress #subterfugeverse #ot3: sorry i ''stole'' your girlfriend #saarai/lana/koth #saarai x tsâhis #zephyrverse au #saarai/sash #the ahaszaai twins #the sith twins #yes i have written down a lot of stuff regarding the ot3's relationship and how it developed etc #one day i will throw them out into the world when i feel like they're ready #but they're not ready yet so sorry y'all you gotta wait #but trust me when i say this is very elaborately planned out #LMAO #[banging pots and pans] they're. poly. and. in. love. fucking. deal. with. it. or. leave #my ships my rules #complicated mother daughter relationships are complicated #projection? i don't know her #no sir #tw: manipulation #tw: abusive relationship

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psyga315 · 4 years ago

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Some Roses Will Never Bloom: A Rewrite Of Volume 8, Part 1

Never before have I felt so disappointed with the turnout of a RWBY Volume. It had the potential to be extremely good, but it chose mediocrity. Again. It felt like Volume 5 all over again.

I know I should probably wait for the final two episodes, but let’s be fucking honest here. Atlas is done. The plot is finished. These two episodes, if people are to be believed, are to hype for the next Volume and even then, given how RWBY did its “hype” and “payoff” in Volume 8… No, fuck that noise. Those last two episodes will get their own segment called the Volume 9 Character Short. If anything, only scenes with Emerald from those two episodes will be brought over to Volume 8 and if they’re big scenes, like her interacting with Cinder, I’ll make an addendum.

Before we begin, keep in mind that this is not a complete rewrite. If there’s a scene I haven’t mentioned, that’s because it’s good as is and can be left in. Length wise, I’ll try to aim for the same 14 episodes, but minutes wise… Who even counts these anymore?

So, let’s get into the meat and potatoes with a Meta-Rewrite. If this does not interest you, skip ahead to when I start talking about the episodes.

Grimm Expectations

Let’s rewind the clocks back to the hiatus of Volume 7-8. Rooster Teeth is proud to announce a new contest where Grimm entries are submitted and the winner would receive a prize. There was controversy the minute it began and it only got worse when the finalists were called.

So, let’s fix that. In this Meta-Rewrite, Rooster Teeth decide to instead broadens the prize pool to include five winners instead of the one, with no popularity contest to determine the winner. Of course, this doesn’t fix the contest results, which includes a controversial figure. However, because there is no voting involved, it instead becomes a flame war over the design that, let’s be honest, wouldn’t have mattered in the grand scheme of things.

So, yeah, RT uses all five Grimm winners, disregards any fucks that the fanbase has (again) and the only thing I could see happening is if the artist personally reached out to Rooster Teeth and requested it to be removed, to which RT will word it so that it doesn’t backfire in their face.

Alright, now let’s do it.

Divide

We’ll start right where the show left off, with Oscar witnessing the Whale arrive onto Atlas. However, curiously, it is stationary. Oscar asks what’s up with it before Ozpin cryptically tells him that’s what she wants it to do. We don’t need to see a huge montage of Oscar getting to the Crater, but just enough to know how he got there.

We cut to RWBY and co discussing what to do now, especially with Salem making good on her threat. Ruby tries to contact Qrow and Oscar, but she can’t reach them. Pietro and Maria pilot the aircraft down to the same discreet spot they parked in Volume 7. However, as they get off, they’re ambushed by soldiers. Just then, Johanna, May, and Fiona barge in and beat them with an ambush of their own.

“What the hell just happened!?” Johanna barked at Ruby. We’ll cut to fifteen minutes later where they all discuss what happened

“So, Ironwood’s finally lost it.” May mutters. They hear the news and see their wanted posters. Most notably, they see that Robyn and Penny are added to the list and that she and Qrow have a big “ARRESTED” sign over them. However, with Oscar, there’s a clear big red X over his face, causing Ruby to fret. Jaune gets upset and punches a wall, blaming himself for leaving Oscar behind on both occasions.

I don’t think Jaune would blame Ruby at this point, since 1) he, at this point, knows better than to point fingers and 2) it’s more his character to beat himself up rather than someone else.

It’d still be Yang, but she’d be joined by Ren. Yang brings up how Ruby’s leadership led them to this situation and Ren mentions how they destroyed Ironwood’s trust, not knowing what was really said up there back in “Gravity”. Ruby told Yang about how they not only went behind Ironwood’s back but also theirs by telling Robyn about the Amity Tower and thus burned their bridge with Ironwood, only for Blake to go on full blast and say what Critics have been saying for the entire hiatus:

“YOU GUYS ARE ACTING JUST LIKE THE WHITE FANG!”

She explains how they’ve done the exact same things that the White Fang had done, taking lives, stealing vehicles, but she adds the extra caveat of bringing up how they’ve also borrowed from Ozpin’s playbook. She confesses to being the one who planned on telling them about Amity.

However, Johanna breaks up the fight and tells them flat out: doesn’t matter what they did, they need to worry more about what to do. This is when they argue more about what’s important: Amity or Mantle. The team splits up the same way, since it is integral for their arcs to be like this and not go with the obvious “Ren cared about saving the world so he’s going for Amity and Nora cared about Mantle so she will help Mantle.”

Ruby frets more, since ��this is what Salem wants”, only for Yang to retort: “well, she’s already getting that right now…”, which stings Ruby since she feels like it meant her splitting off with Ruby while she actually meant what happened with Ironwood. We’re not gonna do the “future” stuff. I feel like that should happen naturally instead of confusing people.

Just before they go, though, Ironwood calls Penny and tells her that Salem is here. Penny is about to answer when Ruby takes the phone away and tells him to fuck off, only for Ironwood to go “hey, people are going to die if you’re acting like a doofus about it!” Ironwood tries to talk more, but Ruby hangs up on him.

We smash cut to Ironwood growling in frustration, looking at the arm he lost in order to stop Watts. He gets a solemn look, pondering to himself about how far he must go in order to save the world. His arm trembles and thinks back to shooting Oscar. He begins to have second thoughts about what he had done, though they’re brief as the Councillors came in. During their rant, Ironwood grabs Sleet by the throat and drags his ass out to a window where they see the whale.

“YOU SEE THAT!? That is what we tried to protect the world from and now it’s at our front door. That’s why I’ve enacted Martial Law.” He then tosses Sleet to the guards and tell him to lock the Councilmen up. “You two have gotten in my way before. I won’t let it happen again.” As they get dragged away, he looks over to Winter and apologizes. Had he not arranged for her to be the Winter Maiden, she wouldn’t have been injured.

Winter reassures him and tells him that he was the only person who has given her purpose in life after her father ruined it. Ironwood is both touched and horrified with that comment, especially once the Ace Ops come, having done their grieving for Clover. Harriet also affirms her faith in Ironwood and tells him that Clover died for his Kingdom. Ironwood gives a moment to think… Closing his eyes.

“So… If I’ve led you all onto the path of hell…” He opens them as we see the light in his eyes disappear, followed by the sound of a loud, distinctive click. “Then there’s no other choice but to keep moving forward.”

And as we get our first official look at Mettle, the opening plays out.

Refuge

The villain scene from Episode 1 is moved over to here, but Cinder brings up why they haven’t made their move yet. Salem brings up that Tyrian’s report of the situation has confirmed that Ironwood has taken her bait and is now the greatest weapon they have. Let him destroy Atlas from the inside out and then clean up the mess. She then brings the relic to the Hound and has him sniff for Oscar’s scent.

The rest of the episode plays out like usual, with Ruby and Yang’s teams doing their thing, but with Oscar at the Crater, he’s not there for the scenes. He does still have his chat with Ozpin about how they’ll be one soon, however. He sees Yang, Ren, and Jaune arrive with people and he is elated to see them. He is elated to see them and asks what happened with the others. Yang sums up and then Oscar asks what happened to Qrow, Clover, and Robyn.

Cut to the jailbirds and Qrow saying how he wants to murder Ironwood. The Councilmen are tossed in while they extract Watts.

The Hound Scene gets changed somewhat, as we see it attacking Oscar in the middle of the Crater, bringing people to harm against the Hound. This furthers the reason why they couldn’t just shoot the Grimm, since the Hound threatens the lives of the refuges in the Crater. We end our episode there.

Strings

So, here’s where I think we’re going to make the big changes and axe a subplot. While the premise of Penny being hacked and her aura resisting it is good, I feel like, of the subplots that need to be cut, this would be the one. We can dedicate more of this time to her conflict with being the Protector of Mantle and now being the Winter Maiden, in other words being the Protector of Atlas.

Meanwhile, Nora, Ruby, and Blake all have their doubts. Ruby and Nora are obvious, but Blake has trouble deciding if she made the right call in returning to RWBY. Weiss, in a Tsundere way, brings up how she is a very integral part of the team. Blake then brings up how, if it weren’t for her, then they wouldn’t have had a hard time getting to Atlas, blaming herself for both their rejection at Argus and how Adam ruined their plans in the hijacking.

Weiss, however, wants none of that. While this was Ruby’s plan, Weiss takes charge of the operation due to Ruby being emotionally compromised. She gets a taste of being a leader in this episode, one she had wanted in Volume 1.

During this, Ironwood discusses matters with Watts, where they talk about the possibility of hacking Penny. For this rewrite, I think keeping the ‘Watts is working with Ironwood’ angle, complete with Ironwood having guns pointed to him, would benefit Ironwood’s arc and show how low he’s going. Not just working with one of Salem’s thugs, but also holding them at gun point. Ironwood justifies it by saying that this is Watts’s ‘punishment’ for the crimes he’s done. Watts, however, plays it by ear and waits for the opportune time for a backstab. That and he wants to stick it to Pietro.

The rest of the episode plays out like normal, but we get that ‘made a deal with the darkness’ scene as Watts is dragged back to his cell, Harriet has a hissy fit, and Robyn is like ‘you’re looking for someone to blame’. As the Ace Ops and Guards leave, Watts brings Qrow’s ‘we kill the man who put us here’ idea back to him and says he’s interested in his offer.

Fault

We open right where we leave off, as Watts reveals that he’s only getting close enough to Ironwood to acquire the right tools to escape. He then proceeds to dangle the carrot in front of Qrow.

“We’ve all been screwed over by Ironwood in one form or another. He disrupted your business, abandoned your town, betrayed your Headmaster.” The last part gets to Qrow and he lashes out. “We all want him dead, so… are you in or are you out?”

“Preposterous!” Jacques, to Robyn’s surprise, beat her to the punch. “Let’s not forget that you’ve done your fair share of screwing. Believe me, I had my experience. I know better than to trust you.”

“You’ve trusted Ironwood, right? And look where it got you. All of you.” That comment hangs in the air.

“We wanted Ironwood out for some time, but not like this! Are you mad?” Sleet asked. Robyn is visibly horrified at what Watts is suggesting and is the next to speak up.

“Jacques has a point for once in his life. Why should we trust you when you’re the reason Mantle is in this mess in the first place?” Then Qrow raises his hand.

“I want to hear him out.” Qrow said.

“What? What do you mean? You realize he works with-”

“I know! But remember who we’re dealing with. This prison… It’s not like the kind of prisons I’ve seen, especially in Atlas. No other people but us, only the top of Ironwood’s army are allowed to check in, and I’m pretty sure the guards aren’t allowed to give you that shiner. No… This isn’t our holding cell. It’s an execution cell, and we’re just waiting for Ironwood to drop the axe.”

We end on that implication as we see the episode play out like normal. While I like to have Ren bring up Pyrrha, I think the “cheated into Beacon” thing is big enough and we’ll need to unravel that bundle of worms. Instead of the “yeah, Ruby” scene, we could have Yang ask Jaune what he meant and Jaune reveals his fake transcripts. He also reveals that, for a time, he blamed Pyrrha’s death on his inexperience and that he knew about Pyrrha using her Semblance on his shield some time later. Yang, however, isn’t really in a position to pat Jaune’s back.

Meanwhile, the group crash at Whitley’s mansion, but Weiss doesn’t immediately point a sword at him. She’s tempted to as Whitley complains about having to harbour criminals without an explanation as to what’s going on, but then she notices that… he’s afraid. She then remembers Willow’s words to her and calmly goes “If you’re willing, I’ll explain everything. Please. Just help her.”

And we end on the Grimm River.

Amity

This episode is mostly the same, but with two exceptions. One, Ironwood does not, in any way, try to interfere with the broadcast. This had been the thing he was working on the whole time and, albeit without the Ironwood could no longer be trusted bit (which he looks solemnly away to), is pretty much what he wanted. And two, Watts ‘fakes’ hacking Penny.

He later reveals to his coup that there’s no way to hack Penny, bringing up how they had her schematics back in Volume 3 but were unable to activate the virus for her. What he really did was force a reboot and lied out of his ass about how it was a failed attempt. He then reveals the broken phone and offers the escape plan one last time.

Midnight

Here we are. One of the biggest episodes in Volume 8. The big backstory reveal for Cinder…

And we’re instead going to make it about Hazel, so instead, it’s going to be…

Gingerbread

We open with twins, lost in the woods. The elder reassures the younger that everything will be fine. They were abandoned by their parents to line their bellies and forced to fend for themselves. There, they come across a house that looked like it was made of gingerbread, with eagled eyed viewers being able to spot a young Cinder being carted off.

A blind woman greets the kids and brings them into the house. We know the schtick here, though instead of fattening the kids up to be eaten, she toughens them up to be sold to wealthy people who use them as child labourers. Gretchen finds out about this but she gets captured and is about to be killed to be silenced. Hazel, in a fury, ends up awakening his Semblance and, using a Dust Crystal, sets the house ablaze as they escape.

A montage plays out of them surviving however they can, even joining some bandits and raiding towns. However, during one such raid, they’re stopped by a young Qrow and have them be brought to Ozpin, which plays out similarly to how Ruby got inducted into Beacon.

We cut to Oscar chatting with Ozpin about Salem’s plan and how it seemed to be working before getting the idea to do the same to her. As Hazel walks in and gets upset that Ozpin casually says hello, Ozpin asks: “Why? Why do you follow Salem?”

“You know why. Did you tell him the full story?”

We cut back to another montage where we see that Hazel and Gretchen are part of the same team and they were the best years of their life. Unfortunately, they go on a mission to Mountain Glenn where it just so happens to be the time a mad scientist was fucking around there. They try to stop the Grimm from overrunning it, but it seems hopeless. Hazel, as the team leader, pulls the team back. However, Ozpin gives them the order to not run away and to hold the line. Gretchen follows this to a T and sacrifices herself in vain.

This devastates Hazel and causes him to drop out of Beacon, bearing a grudge against Ozpin. Not only that, but it paints some parallels between Hazel, Qrow, and Jaune, as all of them had friends they lost to the orders of a Headmaster who they despised. Qrow teeters in the middle (he talks big about killing Ironwood but hasn’t committed to it yet) between Jaune (who accepted Pyrrha’s choice and lets go of his hatred) and Hazel (“OZPIIIIIN!”). It also presents a dark parallel to the current story, since Atlas and Mantle are currently undergoing a similar siege, but it’s Ruby who insists on holding the line.

Ozpin admits that this was just one of his many mistakes, but asks again why he decided to work with Salem because of it, when she was the one behind the Grimm. Hazel then answers the obvious:

“I tried to kill her.”

We then get to see Hazel beat her senseless in a flashback, only to reform from dust and taunt him. Eventually, he gave up as Salem comforts him before revealing that Ozpin has sacrificed people like him for one huge lie (as she does this, Sacrifice plays). He then swears his allegiance to her if it means there’d be no more Gretchens.

Ozpin cuts the flashback by retorting that she’s planning to bring-

Salem comes in. The show’s about to start.

Cut to Weiss as she enters Whitley’s room. She notices that he just finished calling someone and suspects he’s ratting out on them. Whitely denies this and calls Weiss out for being overtly protective. Weiss counters by saying that she grew up in a hostile home and can’t really trust any Schnee but her sister, which she begins to doubt.

Whitley brings up that she barely had it as bad as he did and talks of his turmoil of living with the parents alone while Winter was at Atlas and Weiss was at Beacon. Between his mother’s drunken rambles and his father’s angry rants, he barely had time to live his own life. He just lets Weiss have it for ditching him before he breaks down and realizes that, no, he’s just jealous because she got to be free while he was still stuck in the cage. Weiss remembers when she was grounded and stripped of her title and realizes “oh… shit.”

Then the doorbell rings and, surprise, it’s Klein. Whitely explains that they need a doctor for Nora and without Jacques, he figured to invite the person he fired just to further spite his ass. He and Weiss begin to rekindle an old flame that they never ignited.

Back with Salem, the scene plays out like normal, but when we see Cinder get tortured, we see flashes of Cinder having a shock collar, hinting to her big backstory event. Then Salem has a small speech.

“It would appear that we have been brought forth into the light as monsters and villains. So, why not play that part and show them why dear old Ozma had to keep me a secret for so long… It’s time.”

Suddenly, Beringels fly out of Monstra and Zerg Rush the shields while the Grimm River activates and rushes forth, destroying the hut that RJY were at and almost killing them. Jaune sends out a distress call with his scroll as they try to avoid getting washed away in the water. They see that it’s heading to Mantle and that the plan by Salem is a two-prong attack to further force the division between Mantle and Atlas by putting them both in peril.

During this, Ren tries desperately to activate his Semblance, but just couldn’t. He panics, he worries, he sees Grimm emerge from the River to try and kill them and he just can’t make his Semblance work. He asks why now of all times must this happen. He closes his eyes and tries to think… Then sees petals on himself. Before he has any time to figure out what happened, they see a plane arrive and blast the River, stopping it in its tracks. Just before Jaune is about to thank their savior, they see that it’s Winter and the Ace-Ops…

War

The Beringels break through the shields and invade, destroying much of Atlas and overrunning the city, killing people on-screen. The rest of the scenes play out, however, when we cut to RWB, we see Weiss is trying to restrain Ruby from running out there, saying that she could be arrested or killed and Ruby responds with wanting to do the right thing. May interjects and asks why they bother saving Atlas when all they do is laugh at the misfortune of others. She’s basically the “Let Atlas Fall” part of the fanbase.

And this is where RWB give their counter arguments.

Weiss says how, even though the elite are snobby twits, Atlas is not exclusive to just them. May and her were just born with silver spoons in their mouths but that doesn’t excuse them from leaving everyone else on Atlas to die, bringing up how the Mantleans they saved were also on Atlas.

Blake brings up that, yes, Atlas has done bad things in the past, but so did every Kingdom at one point or another, bringing up Mantle’s role in the Great War, so to say that Atlas deserves to burn is to basically say Mantle deserves to burn.

Ruby then uses her “there are no sides” bit, but also blurts out that the whole situation was her fault and that she’s at the very least trying to fix it. And that starts by heading straight to the Whale and beating Salem herself.

The whale scene plays out the same, as does RJY’s scene right up until they plan to blow up the Whale. Yang and Jaune argue against it while Ren vouches for Atlas, saying how this may be the only chance they have at beating Salem, proposing to Winter to go ahead into the whale to scout it. This leads to the argument about replacing Oscar which pisses Ren something fierce as he finally drops the Pyrrha bomb on their ass.

“You say that like we haven’t lost a team mate before!” Boom. In a flash of light, Ren could see clearly. While muted colors were around him, he can see the petals around everyone. Jaune has blue petals, Yang has red petals, and Harriet has burning crimson petals. He could hear what each petal represents. He hears crying when he sees blue, he hears screaming when he sees red, when looking at Winter, he hears a bunch of different things as he sees multi-colored petals.

He sees that most of the Ace Ops don’t have a consistent feeling. Not even Vine and Elm, who he can’t help but see himself and Nora in their places. Then he looks to his own petals. Pure white as he hears exhaling: calmness. He’s reached a zen state, making peace with what he had felt in Volume 7: A desire to stop Salem and prevent what happened to him and Nora from happening to other people.

Hopefully that gives a slightly better explanation at what his Semblance does without directly telling the audience. However, he doesn’t use this to basically read the script and tell the audience what people feel because, reading the dialogue, it just feels forced. “You’re going to be a good guy because I have magic petal seeing powers!” Instead, he plays therapist.

“I understand why you think people are replaceable. I guess it comes with the territory of being in the army.” “If you can’t even gauge what your partner is feeling, you can’t work as a full team.” “What did you hope to accomplish when you joined the Ace Ops?” “Who are you trying to prove yourself to?”

I feel like that’s a lot more in character for Ren. As for Winter, she doesn’t go “I outrank you” but rather appeals to Harriet’s blood thirsty nature by saying that they’re basically sentencing them to a trial by Grimm, even tricking Harriet into agreeing that, should they survive and free Oscar, that they’d be let go, kinda playing into how she’s the Hare.

Back at the manor, Weiss gets ready to accompany Ruby. Willow approaches her and they have a small chat about what to do now that Jacques is arrested. Willow brings up that Jacques was promptly fired from the SDC due to his treason and, as a result, his previous rulings are called into question, including stripping Weiss of her title. She lowkey implies that Weiss should return and become the proper heiress to the SDC once more, even resisting the lure of the bottle to prove that they can make it right.

Weiss, however, looks to Ruby and Blake getting ready, then says to her “thanks, but… I think I’d rather be a team player than a team leader.” The two have a small, proper mother-daughter bond before BOOM!

It’s Penny, and she says that she’s sorry.

And that’ll wrap up this half of the rewrite. There are a lot of unaltered or even minor altered stuff, I know, but the front half of Volume 8 was alright to say the least. I think the back half of Volume 8 will be where major changes for this rewrite will happen. So, tune in for part 2.

#RWBY #Rewrite #Volume 8 #RWDE #Semi-RWDE

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scrambl3dbr6in5andc0ff33 · 4 years ago

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Shadow Work: Journal Prompts - 2/11

Do you see any of these qualities in yourself?

Perfect.

I hate that word; more than any other word in the English language. The same goes for the old saying, “practice makes perfect”.

As a mother, I have spent the last 17 years telling my kids that there is no such thing as perfect. Perfect is an illusion. Perfect is unattainable. Expectations of perfection are insulting in, and of, themselves. Unreachable expectations of perfection can drive one insane, if they believe perfection can actually be achieved & then they, inevitably, are unable to do so.

I, am beautifully imperfect.

In PART ONE of this exercise, I discussed some of the qualities I find irritating in others. I still intend to come back and revisit PART ONE at some point; but for now, I will continue on.

The first of the three irritating qualities I mentioned was entitlement.

Understanding how people can be so entitled has been a personal struggle of mine my whole life. I just don’t get it. How can one feel that they are owed something for nothing, or just simply for existing?

I.Don’t.Get.It.

I can honestly say that this is one trait I do not possess. I have worked hard for what I have. In some cases, I have fought many times over. I am BEYOND grateful for every day that I wake up. I am BEYOND grateful that I have a roof over my head, food in my stomach, a job that pays me decently & that I actually enjoy, & family that I love above all else.

I have had nothing. I have been nothing. I have been hungry. I have lived on the street with nowhere to go. I have been alone. I have been jobless.

Even then, I did not for one second believe I was owed anything.

Even then, I was grateful to wake up every day despite the misery I was waking up to.

The third quality I mentioned in PART ONE was a lack of compassion.

I know I keep saying that I don’t understand how people can be in possession of these traits, but it’s true. How can someone not have compassion? Especially in the world we live in today?

Throughout my life, I have been accused of being a softie. I care about people. I care about animals. I care.

It’s that simple, and that complex.

The mother who is waiting in line at the grocery store with a crying toddler? I can’t help but think of the anxiety she must be feeling, the shame of not being able to ‘control’ her wee one, embarrassment as she considers what others around her must be thinking; all of it. My heart will actually ache & all I want to do is give her a great big hug & tell her I understand, it’s ok, and that she’s doing the best she can.

The homeless man who sits outside my local Walmart with his loyal black Labrador in the cold of winter. I wonder what happened in his life to make him end up there? I can’t begin to imagine how it must feel to have to beg people for a few coins. He dotes on the dog, his constant companion. Every time I see him there, I give in to the urge to buy food for his beautiful dog & give him a little money so he can get himself something to eat. I always wish I could do more, but I try and fool myself into thinking what I can do will make a difference, at least for awhile.

I could provide more examples, but I don’t think that is the point of compassion, caring, kindness, or love.

The second item on my list in PART ONE is the item I chose for last in PART TWO because it is full of controversy: bigotry/racism/prejudice.

I do not consider myself a bigot, racist, homophobic, or prejudice. I consider myself LGBTQ+-friendly & a feminist.

But...

I don’t think there is a person alive who has not experienced moments where they have acted as though they are a bigot, racist, homophobic, etc. Not necessarily intentionally. A statement. A joke. Some comment about a particular stereotype. We’ve all done it; often without considering how it might make someone who might overhear feel like they are less than they are. Sometimes remembering immediately afterward that they shouldn’t have done or said that particular thing because it is just not right.

I wouldn’t be honest with myself, and you, dear reader, if I didn’t admit that I have done this before.

I try to do better. I try to learn from my mistakes.

But, in the end...

...I am only human.

And...

I am imperfect.

***Just as I said with PART ONE, I will come back & re-visit this some day. For now, I am signing off.

Original Post with List

Part One

#Shadow Work #Journal Prompts #Writing #Writer #Witchcraft #Pagan #Witch #The Witch of the Forest #Prompts #irritating qualities #Perfection #Journaling

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aurirising · 5 years ago

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Another potentially unpopular/controversial opinion

From the girl who brought you the long defense of Kal/call out of the squad, comes the thrilling and really rather contradictory sequel. I humbly present to you A Defense of Squad 312 because nuance is fun and important and I'm nothing if not fair in a situation like this.

Okay, so, to clarify, I'm not necessarily going to be saying that their actions were morally right or that I agree with them per se, but, what I am going to do is explain why some of them make sense and are understandable given the circumstances and who the characters are as people.

I'm gonna go character by character here and first up we have Scarlett. Go big or go home right?

So, Scarlett has possibly the worst reaction, but also the most justified. Everyone in that squad has gone through absolute hell but Scarlett has at this point suffered the most, second only to maybe Auri (who has had time to process and let go and move on and stuff in the Echo but we can get to that later). Let's remember that both books in their entirety span less than 2 WEEKS and in that time Scarlett has:

Had a death scare for her brother on the very night all this started

Been shoved into an incredibly dangerous mission which she, along with everyone else, was completely unprepared for

Been attacked by God knows how many different groups of people almost everyday INCLUDING AURI, even if that wasn't really her and she didn't want to do that

Lost her absolute best friend in the universe thanks to this mission neither of them really signed up for

Had to watch her brother, the only family she has left who she absolutely adores, fight a monster with a TINY KNIFE and almost watch him get killed right in front of her

Watched all the people she's grown to care for and feels at least somewhat responsible for get hurt and nearly killed over and over again

Actually lost her brother to the clutches of the very people/being that took away her best friend maybe a week ago and doesn't know if he's even still alive or what might be happening to him

Been thrown into a leadership role she has never wanted or trained for under the absolute worst circumstances and doesn't have time to grieve anything that's happened to her and is now being slowly crushed under the pressure of leading the squad and keeping them safe that even Tyler - the best Alpha in their year - struggled with

And this isn't even to mention the fact that the Starslayer killed her father and his relation to Kal did in fact put them all at higher risk from the Unbroken even if, like I mentioned in my Kal post, this can't all be blamed straight on him.

Now, although this isn't all Kal's fault and, if Scarlett was thinking more rationally, she'd realise that, you have to remember that she ISN'T thinking rationally. Look at that list and tell me that if you'd been through all that, you'd be thinking clearly and I will straight up call you a liar because we humans are incredibly emotional beings and stress and loss makes us do all kinds of things we'd not normally do. And Scarlett, well Scarlett is one of the most deeply emotional people of all.

Throughout both books, it's repeatedly said and shown how much and how deeply she cares, even about these people she's only just met, and, I mean, she's a FACE for gods sake, feelings and caring about people and being in touch with the emotions of others to better negotiate is literally part of her job and one of her core personality traits. If that kind of stuff would destroy any one of us, it would without a doubt destroy her too. And then to get such an earth-shattering piece of news that could at first glance link directly to most of her problems? Well that is just the straw that breaks the Camel's back and so she lashes out. It makes sense, it's understandable and an emotional response that doesn't come out of nowhere. It's been built to all this time and no, it's not fair and it's not right, but when you snap, you snap and Kal is about the only thing right in front of her that she can see having caused her some of these problems that she can let it out on.

I want to reiterate once again that this isn't right. It's not an action that's supposed to be okay, it's one that highlights the flaws in good people and that doing what's right isn't always easy and people sometimes act selfishly. But the fact remains that she had a reason for behaving how she did, even if it wasn't a good reason, and though she acted incredibly harshly, that doesn't make her a bad person, it just makes her a person.

Also like, if I remember rightly it wasn't her who was first to tell Kal he needed to leave but choosing as the leader to do so also makes sense in circumstance. Something like that reveal will create something of a rift whether people want it to or not. When you find something like that out, you absolutely would start questioning what you know about a person in even the best of times and, as we've already established, this is far from the best of times. With everything going on and the crushing weight of grief and anxiety and fear and doubt and everything else she's feeling, it isn't surprising that she would opt for the simplest solution to this. Whether Kal was trustworthy or not and regardless of whether he'd been the cause of any problems before or would be in the future, if he's not there, he can't possibly cause any further problems and they can focus on what they have to do without that extra worry on their minds. In both a tactical leadership sense and from a highly emotional view, it makes sense and I get why she and the others chose that.

Once again, I'm not saying it's fair or right or just, but it is understandable and one poor and somewhat cruel decision does not make Scarlett a mean person.

Okay, moving on. You'll be glad to know I'm not gonna go on so much with the other characters because there was significantly more to talk about in regards to Scarlett than any of the others.

I'm actually gonna talk about Fin and Zila together because I feel a lot of their reaction comes from a similar place and they handle it in ways not too different from each other.

So for both of these guys I got the impression that they were more shell shocked and a little hurt rather than truly angry like Scarlett. They don't do or say a whole lot in this scene in comparison to Scar and Auri and Zila even tries to mediate just the tiniest bit at the begining. Both of them really seem to mostly be puzzling it out and trying to deal with the hurt of being deceived somewhat (especially Fin after he'd shared some meaningful bonding moments with Kal and had also come to him about the note and been lied to then) and barely get involved in the whole thing. Fin really only does when it looks like things are about to get physical between Kal and Scarlett and it's more out of worry that her rage is going to get her hurt if she tries to punch him or something (which is exactly what happens). And Zila is just in distress throughout the whole thing and again this doesn't seem to be specifically because of Kal but more from the fracturing of this group she'd started to feel at home in and like she belonged. She'd been coming out of her shell in the last few days after finally letting these people in and starting to feel safe with them and then this huge fight and breaking up happens and it's like another family unit is all being ripped away from her again and it triggers that trauma response that makes her start shutting down again.

Similarly I can see some of that response happening a little bit in Fin because he also has never felt like he belonged and has always been cast out and he finally found a group that cared about him and didn't consider him a burden because of his disability and he's also having that torn apart which can't be easy even if he seems to handle it better than Zila since it's more traumatic for her.

They both have milder reactions that are able to be somewhat more logical in approach since they comparatively have less emotional investment in some of the implications of this reveal than both Scarlett and Auri do. However, they're both still deeply hurt by the fracture this has caused within the group and Kal is in fact part of the cause of that fracture for them so they go along with Auri and Scarlett (who is literally their leader now and following orders and sticking together is so important to these two now that they have this group. They don't want to lose any more of it). And like I mentioned in the Scarlett section, they're smart and they recognise that distrust within the group as they head into what's next is incredibly dangerous and a huge detriment to the mission so since they are understandably hurt and a bit unsure now, they make the logical decision to reduce the potential risk in keeping him around.

Okay so a quick bit on Tyler. He, like Scarlett, is understandably hurt by finding out about Kal but his reaction is muted and more reasonable after what he's gone through with Saedii on the TDF ship and also due to the gravity of his situation and everything going on with Cat somewhat overshadowing it all. I don't think anyone is really mad at Tyler so I'll move on, but I think his level of hurt, betrayal, and anger is more in line with what I'd expect from him and probably Scarlett if she hadn't been through all she had and was being more rational.

So, where my irritation starts coming into play more is with Auri. She's spent 6 months with Kal in the Echo where they grew closer and more in love and I guess I can see questioning all that because if he lied about that for all that time then what else could he lie about? But there's also the debate to be had about certain point of view like in Star Wars and whether omission of something that might never really have needed to be said is acceptable. And the thing is, I can't give a definitive answer on that because every person is going to have a different opinion on that idea in general and on Kal's handling of this situation in particular based on what we've experienced in our own lives and where we draw the right/wrong line or handle the grey area of morality. With something like this, there really isn't much in the way of a right answer and that's okay.

But I think the thing I see with Auri which makes her a bit more understandable here is how she's using Kal's OWN WORDS to rationalise this and figure out how to feel. "And I remember you said our past makes us what we are." That part in bold is what Kal told her, what she knows he believes. When you know someone holds that belief and then you find out THAT is their past, there will be a question mark over them no matter how well you think you know them.

Also, Auri has dealt with so much loss lately and time and again people and systems she should have been able to trust and feel safe with have let her down or turned against her and, speaking as someone with some level of trust issues, I know it's incredibly hard to get rid of doubt after it's started to set in and all too easy to call up any small moment that might support that doubt, so I can see why Auri might be doing that now.

I am still personally of the opinion that Auri should have reacted better and known him well enough to not have acted that way but remember this is a defense post and I already gave the other side (at least most of it) on my Kal defense post.

I think we're gonna leave it here now. And in conclusion of both of these posts, whichever side of this you come down on more (or even if you sit in the middle like me), that's completely fine and valid and you're not wrong for feeling a certain way about a situation like this. Fundamentally, it comes down to which characters you most identify with and who's experiences most resonate with you.

It's not a clear cut right and wrong thing because literally every single character handled something badly and everyone's motives, including Kal's, were understandable in some way and believable. They're all people and people are flawed and selfish and jump to conclusions and lash out and although we have to remember that those aren't morally sound things to do, they're a shared human experience.

I know no one asked for this long-ass analysis of this scene and situation but as a writer and film student, scene and character analysis is kinda what I DO so I thought I'd go ahead and make this post. Something like this is actually brilliant writing from Jay and Amie because there's a lot more nuance to it than a quick glance at the situation might suggest and since it's such a hot topic in this fandom after Aurora Burning, I wanted to address it and make sure a bit more of an in depth look was taken into exactly what happened.

Anyway,

Tl;dr: this is something of a counter point to my Kal defense post and every member of the squad had understandable reason for reacting the way they did in this situation, even if they may have been too harsh. People are flawed and these characters are no exception, but that's okay.

#aurora cycle #aurora burning #aurora burning spoilers #again I'm really sorry i can't put this under a read more on mobile #discussion #rant

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daesungfmd · 4 years ago

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playlist 1.

seven songs describing different stages of daesung’s life so far.

lights, up we go / 2008 ― 2012.

here, in a familiar place. we got our heads down and we pretend it’s ‘cause the night is dark and running out of space for us to run around, but it’s a dead end and money’s tight. it’s been a long time of this ― something has got to give. everyone here is ready to go, it’s been a hard year with nothing to show. from down this road, it’s only on we go. everyone here is ready to go, it’s been a hard year and i only know from down this low, it’s only up we go.

2008 is the earliest year of daesung’s life that he vividly remembers. before 2008, his life definitely had downsides, but he didn’t have much that he could rightfully complain about; at the end of even the hardest day, things were still… good. but 2008 brought more hardships than daesung was equipped to handle & saw his relationship with his mother deteriorating. they were both struggling, but instead of coming together to support each other, they frequently lashed out and simply made things worse. in the three years that followed, daesung became better at supporting his mother, but he rarely felt supported in return ― internally bitter with the idea that he was having to act as a parent, but in reality, she was so caught up in keeping their family afloat that she often fell short on the emotional side. they were also beginning to struggle financially (which only got worse and worse over the months, with his mom falling far enough behind that it didn’t seem like she’d ever catch up), which added a feeling of helplessness to the loneliness that daesung was (poorly) dealing with. generally a bad time all around, but they both continued to pretend that they weren’t struggling so no one around them would pity them, even though they definitely could’ve used some assistance. this was around the time that daesung became extremely ambitious (surprisingly). set high goals in his personal life, his school life & for his future career because……. life can not suck like this forever!!! it’s gotta be up from here, right?

john the ghost, red house / 2008 — present.

if you’re not everything, you’re nothing ‘til you try to be. nobody needs saving, just a little bit of empathy. you can’t save the ones you love, but who would really want to? who would really want to?

i touched on daesung’s relationship with his mom in the explanation for the previous track, but it goes a lot deeper than a few sentences could ever explain. before 2008, she was outwardly happy and very, very loving — after 2008, she hardly seemed like the same woman. she and daesung endured the same pain, but neither of them coped healthily. neither got counseling, either, so they often took their sadness and pain out on each other in the form of harsh words and accusations. more often than not, they were fighting. the only time they got along was when they were in daesung’s mom’s salon, and even then, they still argued quite a lot, just with softer voices. after the first year, they started to build back the relationship they’d had prior to 2008, but it was a slow process and often involved daesung taking blame for things that (usually) weren’t his fault & having to calm his mom down when she got too angry or sad. things never did fully go back to how they once were and even now, twelve years later, daesung’s still bitter over how things turned out. how he so often had to take on responsibility that he was too young to deserve and how she failed to emotionally support him like he supported her. he realizes that having to provide financial support took almost all of her energy, but still — it doesn’t change the fact that he felt like he was lacking parental love at that time and even feels like he’s still lacking it now. if you get them alone, a fight is almost always sure to occur, even if it’s a passive one that only ends with secretly hurt feelings rather than outwardly hurt ones. they both acknowledge the other’s suffering, but they’re both too clumsy and ashamed to apologize for the past twelve years or even give reminders that they love each other. most of their meetings are confined to her salon; a semi-public place where they can be semi-vulnerable without necessarily viewing it as a bad thing. they spend a lot of time together there, but rarely have conversations of substance and, as a result, they’ve both begun to feel a lot like strangers rather than family.

jimmy eat world, 555 / 2012 — 2014.

i keep my focus on the simple things, trying to find some peace along the way. i wish i knew how long i’m supposed to wait. holding on, but just barely. got the feeling i’ve been talking to a dead, dead line. there’s always a reason to let it change. is there anyone there listening while you cry, cry, cry? there’s always a reason for the pain. i’m doing the things that i’m told every day, every day, every day. then why does it feel like i’m moving in place?

training, in daesung’s opinion, simply sucked. he went into training completely blind, considering he didn’t even fully realize what he was auditioning for — just that it may or may not lead to him being a musician. the competitiveness was what hit him the hardest. he’s not a particularly competitive person, so he was more interested in making friends and having a good time (😔), but he didn’t encounter a whole lot of people who were as nonchalant as he was. he struggled to adjust to the trainee life and harsh criticism from trainers/supervisors hit him hard, being some of the first real criticism he’d ever received. he spent his two years as a trainee feeling really lonely, but he didn’t have anyone outside of the company that he could reasonably turn to — his lack of time meant that most of his friendships had vanished and he cut off all contact with his mom during this time, as well, so he couldn’t turn to her. he tried very hard to stay focused and optimistic, but his strength was wavering. especially because he frequently got scolded for doing things that he didn’t even realize he wasn’t supposed to do. felt like he was getting pushed around by life & the people around him, even though half of that was undoubtedly just self-pity amplified by his loneliness.

blackbear, i feel bad / 2014 — 2016.

you’re so good at making me feel bad, at making me feel terrible about myself, good. you’re so good at making others hurt with only just your words, with only just your words and i feel bad. i don’t feel good.

daesung has a heart made of glass & his tendency to take things personal was a whole lot stronger when he was seventeen. sure, he was supposed to be the ~funny guy~, but constantly being the subject of jokes took a huge toll on his mental health in the beginning. he felt like no one acknowledged the fact that he’s an actual human being with actual feelings and, consequentially, felt like he wasn’t good for much aside from evoking laughter, even at his own expense. it didn’t help that inpulses hadn’t gotten the chance to know him on a more substantial level yet, so they, too, chose to make him into a joke. most comments or interactions at fansigns were ~playful teasing~ but enough ~playful teasing~ loses its humor, as he learned firsthand. eventually, he mastered the art of either initiating the jokes about himself so that they didn’t catch him off guard or swiftly changing the subject to something equally funny but not confidence-crushing. by 2016, he’d matured enough that he realized that’s just variety, baby! sometimes you gotta suck it up and get made fun of a little. learned to laugh at himself & fire back — nowadays, it’s virtually impossible to hurt his feelings with a joke and fans know him well enough to know that he’s more than just a jester.

glass animals, dreamland / 2015 — present.

you’ve had too much of the digital love, you want everything live, you want things you can touch. make it feel like a movie you saw in your youth, make it feel like that song that just unopened you.

less than a year after debuting, daesung had already become bored of idol life. of course, it’s not like the industry itself is boring — it’s an eventful life with seemingly never-ending work hours, but all in all, it lacks the enthusiasm, color and realism that daesung has always, always craved. as a child and teenager, he already knew how big the world was beyond his own day to day life. half the reason he wanted to be a rockstar wasn’t because of his passion for rock music itself, but because of how rock ‘n’ roll is portrayed in the media. you can think whatever you want, but to daesung, their lively and borderline reckless lives appealed to him like nothing else ever had. to live like that — throwing caution to the wind, living for yourself and having fun was something he couldn’t fathom, but he wanted to experience it so bad. skip a few years in the future and he is a musician, but not the kind he wants to be. and nowhere near as free as he’d dreamt of being. his first complaint was backtracks on music shows; thoughts of how rock musicians would be called posers if they dared to perform without… well, actually performing. his second complaint was how strict the rules were. he learned to accept that there are extreme differences between idols and “real musicians” (as daesung himself would put it), but he still isn’t happy about it. you could say that he feels like his life is lacking something and possibly always will be lacking that something, but he tries to live as freely as he can while still avoiding ~controversies~.

grayscale, diamond / 2016 ― 2018.

i know it took some time, but i got my footing right. feeling, i’m feeling so good tonight. can’t stop me from dancing, can’t keep me from blooming. welcome to my, welcome to my — this world is my diamond.

as a public figure, it took some time before daesung was able to earn widespread approval. it’s not like he’s ever done anything controversial, it’s just that the rumors of him bring arrogant from next: origin story stuck around for a hot minute & his loud, impossible to ignore persona after debuting rubbed some folks the wrong way. by 2016, he’d managed to escape the negative opinions almost entirely and was able to ignore any lingering hate comments with ease. although he’s always had a happy and energetic demeanor publicly, any long-term fans could confirm in a heartbeat that he was the happiest from 2016 to 2018. during these two years, daesung felt like he was conquering the world — in retrospect, maybe this is really just the time when fame had him feeling the most invincible. but by 2019, there were other things factoring into his overall outlook, including his strong desire to break into acting versus gold star’s refusal to let him do so. he’s still pretty happy and grateful for where he’s at in life, but the elevated sense of self was left in 2018.

waterparks, lowkey as hell / 2016 ― present.

if you need me now, i’ll be there somehow. i’ll pick you up, we can ride. i’ll fly away like i bought my own airline, i’ll take you with me, we can ride. i’m highkey and lowkey as hell your diva, just wanna see ya. i’m highkey and lowkey as hell your sweetheart, don’t wanna be apart.

as a result from reading far too many hate comments about himself from next: origin story and promoting with songs that really, really embarrassed daesung, it took him a hot minute to fully adjust to idol life. he wasn’t sure what people thought of him (and as much as he tries to come off like he doesn’t care what people think, he definitely does), so he tried to shrink his presence as much as he possibly could. if for no other reason, then to at least get rid of the general public’s idea that he was arrogant. but by 2016, impulse had started making music that only slightly embarrassed daesung & he became more comfortable with the amount of attention that was on him. moreover, he become more comfortable with the love that his fans so readily gave him. he wanted to give them just as much of himself, even though the expected distance between idols and their fans made it hard to do so. since 2016, he’s been walking along a thin line more often than not, trying to get as close to his fans as he possibly can without ~breaking the illusion~ as his managers have so elegantly put it, even though daesung will argue that he’s not a magic trick and there shouldn’t be an illusion to begin with. he loves inpulses very, very dearly and constantly dishes out reminders in any way he can. he wants to be his best self for them ― not because that’s part of his job, but because he genuinely cares about who they are beyond a view count and nameless comments. their love and support is what keeps his spirits up and he wants to give them the same strength, no matter what. (aka daesung will never understand why he has to play a character instead of jus bein able to ACTUALLY be there for his fans)

#𝐃𝐀𝐄𝐒𝐔𝐍𝐆. playlist.#2000+ words of pure nonsense tbh #i honestly don't rec reading this BUT #the songs are fire so i do rec listening to those

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