#on the surface it’s that Harrison cares more and Lonan doesn’t care as much or at all

[coffeeandcalligraphy]

something I find very intriguing about lonan & harrison is that in moth work/feeding habits, harrison thinks about/reflects on/worries about lonan SO much, and when he does, it’s constantly about the past, what they’ve already been to each other, etc (often romanticized). the same could be said in body back. this is kind of his fatal flaw!!! ON THE OTHER HAND lonan barely refers to harrison AT ALL in in MW/FH and now also in hallowed bodies, but when he does, it’s typically about their future together (which obviously doesn’t exist because they’re broken up). anywayyy very intriguing to me. 👀

[coffeeandcalligraphy]

Please tell us more about Seventh Virtue–we need more? Also what was your general thought process for writing this right now?

Hello!! Seventh Virtue is the fantastical version of the Fostered series (which I’ve been writing for many years as you probably already know)! I came up with the initial idea for this project back in the summer of 2019, but knew I’d probably never write it because at the time, I couldn’t see myself writing beyond literary fiction (and also: I know nothing about fantasy :)) in fact I think I’ve only ever read 3 fantasy books from the same series and that was years ago)!

This led to why I’m writing it right now, actually! Earlier this week, my sister and I binge watched Shadow and Bone and it reminded me of this project (which I’d called Fostered But It’s Magic haha). I couldn’t help but delve more and more into the project as the days progressed, and so I decided I’d try to draft it. I actually tried to draft this project once before as a screenplay because I thought it’d translate better to screen, but gave up FAST when I realized I am terrible at screenwriting! With this in mind, I knew I wanted to write this project, but I’m also impatient, and know I want to write more things this summer. TBH, I didn’t want to spend the rest of my vacation writing another Fostered book (I planned to write something outside of this universe but apparently it doesn’t want me to??) so yesterday at 1AM, I came up with a very... stupid idea to write 10k words in one day.

I made this decision strictly for anxiety exposure. I’m exporting the vlog where I chat about this experience so I won’t delve too much into it. TL;DR: I wrote 11k words yesterday, and finished the first chapter (almost done the second).

So what’s the book about?? Honestly, it’s pretty loose right now. This is the pitch I wrote way back in 2019, which is more or less accurate:

After being tormented by nightmares of his ex lover, which result in violent hot flashes and an inability to keep up a job, Harrison seeks a magical intervention. When the clairvoyant he hopes will cure his strange ailment turns out to be a con woman—and his old friend, Reeve—he is thrown back into the past and forced to rekindle relationships he thought he’d left behind.

The main thing that’s surprised me since drafting is how contemporary this world is?? Despite being literally fantasy, this setting is the most contemporary-aligned compared to the rest of the series. Fostered book 1-6 take place in a sort of dystopia (which gets softer and softer as the books continue), whereas Moth Work and Feeding Habits take place in older-contemporary times (2006)! This book on the other hand I could certainly see taking place in some sort of alternate 2019 (because we :) cannot include the pandemic years :)). It’s also magnificently funny?? I feel really blessed to have just decided to write this book. I know about 10% of what is going on at all times, but it’s so fun to draft!

Something I didn’t expect initially was how big a presence Foster would have in this book! I kind of :) forgot about Foster in Moth Work/Feeding Habits (so sorry he is still an icon), and while I knew he’d be Harrison’s roommate, I kind of assumed he’d be a side character?? But no, he said, I am reclaiming my “Main Cast” title and you can do nothing to stop me. For the majority of what I’ve written, Harrison and Foster are living in the past. This is because Foster can ~time travel, but is incredibly ethical and sustainable, so he refuses to actually change the past/do anything that would affect the present/future. After a hex goes wrong and results in Harrison’s mother getting into an accident and eventually disappearing, Harrison’s life is in literal shambles. Tormented by nightmares and hot flashes, he is NOT living his best life. To cope, Foster agrees to take them back to the past where he can relive the last 5 days before his mother’s accident, thinking they will only stay there for that one week. But when they’ve repeated the same week dozens of time, Foster ups the pressure on Harrison to give him the okay to head back to the present. And when these “hot flashes”/nightmares get even worse, Foster tells Harrison about a “healer” who cured his broken wrist (so he could plant his tomatoes lol), Harrison concedes and they finally head back to present day so he too can visit this woman, who is actually their old friend, Reeve.

This book is SO angsty and hilarious! I think my favourite thing about it is that I get to write Lonan and Harrison falling in love again lol, which I didn’t exactly get to experience in the conventional way (the first time around). By the time we meet Lonan (who is introduced in book 2), he and Harrison already have a pretty complex relationship. This relationship gets even more tangled in book 3, and book 5 is where we get to see the first glimpses of a romance. Somewhere in this timeline, between books 3-5, they ~fell in love, but I don’t know when! I think most of that occurred off the page, so even I don’t know. What’s so fun is now I get to glimpse into that a little bit more. Their relationship is my favourite thing and always has been, about this entire series, so I’m so stoked to finally get to dabble with it from the beginning. All I really know at the moment is that they meet because Lonan catches Harrison being a thief lol so, so much fun tension already to work with!

I’m not sure if I’ll finish this, mostly because the prospect of writing an 80k novel sort of terrifies me?? The project is almost 12k at the moment, and we really have only scratched the very surface, so we’ll see! I haven’t written genre fiction in so long and I’m adoring this! It’s also so much less strenuous than writing literary lols so perfect because I’m still a little wiped out after my semester ended!

Here’s an excerpt when Harrison meets up with Reeve for the first time:

The shop’s name is The Lark’s Lagoon. When he enters, a string of freshwater shells clatter, like bells would. She is not at the table like she was in the past, so he putters around the shop. Some of the things she sells are silly. Plastic mood rings that are clearly heat activated and more suited for a child but marketed to women in their thirties. Ping pong balls with the inscription enchanted aims. Snowglobes with a miniature witch figurine who says I’ll tell your fortune when you shake it.

“That’s a bestseller.” Her voice comes so suddenly that Harrison drops the globe. It shatters across the floor in a glittery bundle. “So you’re going to need to pay for that.”

Harrison describing Lonan lol:

Harrison hated him. He was cute, but Harrison hated him.

Harrison chilling in his timeloop where he can’t be seen:

It’s harder avoiding birds than he thinks. Every time one spots him, his body lurches, magnetized in the direction of the apartment. If it weren’t for the trees he latches onto along the way, he’d already be back at the brownstone listening to Foster lecture him on not being seen and not exploiting his magic. So he becomes more careful. Checks every direction—up down, left, right, diagonally, whatever—until he is certain no one can see him.

Some Stressed Foster dialogue lol I love him protect him at all costs:

“How many times have I told you that you cannot be seen in the timeloop? I woke up with a migraine five minutes ago and when I went to find you, realized you’d slipped out. Do you know how my brain feels when you stretch the timeloop like that? It feels like someone’s cracking it. My brain, a walnut. You, a nutcracker. Not to mention, you didn’t even leave a note. What if you were robbed? Or murdered? What if they dismembered you and I had no idea?

so that’s this project! don’t see any reason to stop writing it, so I’ll make an update on it soon! :) let me know if you have any more q’s!

[coffeeandcalligraphy]

Weeping Statue | Feeding Habits Update #6 & let’s chat about quitting writing

Hello! Are we back for another Feeding Habits update (finally)?? Let’s chat chapter 7, Weeping Statue.

Just a reminder: This is my original work and plagiarism of any form will not be tolerated.

Can we talk about struggle? Because this chapter was IT. I believe I started it in late July and finished it earlier this month. I’ve taken my time with chapters before, but this was next level--the amounts of changes I went through in one chapter was astronomical, and reminded me of drafting chapter three earlier in the summer. I went through so many stages writing this chapter: from enjoying it, to feeling no joy from writing at all, to nearly quitting this book altogether!

Scene A:

Harrison and his mother Suzanna simultaneously avoid each other over breakfast after he failed to return home the night previous

She lowkey calls him out (calling out his denial of missing Lonan)

Scene B:

Harrison goes to a farmhouse owned by Theodore Harvey, a friend of his mother’s, to drop off the rescued litter of kittens from chapter 6. He realizes he is missing one kitten and concludes Reeve has stolen one after dinner the night previous.

Scene C:

Harvey invites Harrison inside for coffee where he admits his coffee machine is broken.

Harrison fixes the coffee machine, and is hired by Harvey to flip the rest of the farmhouse as he and his wife are moving.

Scene D:

On his way home, Harrison stops at a gas station where he buys a bouquet of tulips for his mother, a dog collar for the puppy he found in the kitten litter, a pack of gum, pastries, and sunscreen before heading to a beach.

At the onset of a lightning storm, Harrison swims in the ocean and has an epiphany--he decides to accept his miserable life (a development!)

Scene E:

After the beach ordeal, Harrison returns to his apartment ready to accept the plainness of his daily life when an old ghost from his past (his! ex!) Lonan appears to be having dinner with Suzanna

This chapter brought so many things. A) many... breakdowns lol (I cried a lot!), B) many false epiphanies that wound me back into ruts, C) a desire to quit this series that was just as terrifying as it sounds and D) an ideology I never would’ve gotten on my own. Just have to thank my sister Sarah for telling me a few weeks ago after I insisted that I knew what needed to logically happen but couldn’t write it no matter how hard I tried. She said: “It’s not about what works, it’s about what you want” << literally changed my philosophy on writing, even as someone who tries their best to advocate for care and enjoyment in writing. Not sure if it’s because of the timing when she said this, but I’d probably never had made it out of the rut without having this said to me.

I was *not* planning at all to have my boys reunite so soon in the book. Technically, it is not very soon and we are almost done the book, but for some reason, I really didn’t think it would work so early because I felt Harrison’s POV was so undeveloped already (I still think it is). HOWEVER, the fact of the matter is: it was not working at all. I knew exactly what I needed to do to get to point A to Z but the thing about writing is, it is not formulaic! I tried to make fit what I thought worked, but as time progressed and I immensely struggled, less and less did I want what worked. Writing was miserable and that’s not what I want writing to be for me. So I took Sarah’s advice, and I did what would make me happy, and that was, and has always been, seeing my boys interact.

Now that I’ve finished this chapter, I’m not sure if I made the right decision! I have yet to write the boys interacting so I don’t know if it will work, but what I liked about this method is that it freed me from this constriction I’d written myself into and opened a new avenue to do something that DOESN’T “work” for the story but that does work for me. To me, this project, this series, is more important to me than making something “work”. Sustaining my health and happiness (which were declining on the path I was on) is critical for me and my writing journey.

EDIT: by the time I’m editing this post, I have written the boys interacting and haha yep this was the right decision! Was doubting myself for a sec, added in a lil robbery, and now it’s all good (oops)

Excerpts:

I don’t have too many for you because this chapter does need an edit to “set” it in place (right now it feels like liquid Jello that has been in the fridge but is yet to set up). I know it needs one more scene but I cannot :) write :) what :) it :) needs :) no matter how hard I have tried, and so I am giving that section of the story a break instead of over-kneading it and toughening up the dough unnecessarily.

Here is part of the opening scene! There are things I don’t like about this but I am trying not to self-hate, so !!!

The next morning, Harrison gets up at dawn to drop the kittens off at the farm, and Suzanna makes coffee for one. This is unusual for both—Harrison rarely leaves the apartment, and Suzanna always makes coffee for two. In his room, Harrison combs his hair and twists his earring, its blue gem pearling in dribbles of sunlight. In the kitchen, Suzanna stirs coffee like it’s wronged her. Harrison dabs cologne onto his throat and blinks off his hangover. Suzanna flecks her spoon onto the tabletop so it leaves an egg of amber on the surface.

When he approaches the kitchen, Harrison pretends he does not see his mother and his mother pretends she does not see him. They move like this, repelled, one moving left, the other moving right, one opening the top cupboard, the other opening the bottom.

Harrison stops at a convenience store and buys a hodge-podge of things (also the beach scene which yes mirrors the last scene in Lonan’s POV hehe I indulge myself):

He picks up the best bouquet of fuchsia tulips, a collar for the dog he left in his bedroom even though it’ll be weeks until she’s big enough to fit in it, a pack of spearmint gum he doesn’t need, a package of pastries, and a tube of sunscreen—SPF 30. He almost drops every item at least once on his way up to the register, and definitely drops them when his receipt is spitting from the machine and the store clerk says she likes his earring—is it vintage—and he nearly vomits in the parking lot, trained against the hood of the taxi—is it even his taxi—the plastic bag teetering from his wrist, rain coiling against his cheek, the air so humid, his clothes so heavy, it is no wonder the next place he ends up is the beach.

It is never smart to swim during a storm. If he thinks hard enough, his mother’s voice warns him to keep from the shore, stand behind the yellow line, stay safe, stay where you are, don’t run under a tree, and even more, don’t run into the water. He does everything wrong in an even worse order—dollops sunscreen into his palm before opening the pastry so his teeth freckles with zinc, chews the gum and the pastry at the same time so his tongue becomes a slime of crumbs, rests the tulips too close to the shoreline so they wilt under a wave, misplaces the dog collar in his own left hand, and dives into the water fully-clothed.

Harrison getting very angsty about Lonan’s future (which he’s predicted completely wrong haha):

He will die alone. Reeve will not think of him again and he will deserve that. Somewhere in the city with the missing kitten, drinking bottles of holy water because there is no drink more fitting for a woman so sacred. His mother will miss him only briefly, and then return to her daily life of no longer needing to clean up after him. Maybe she’ll find the tulips. Put them on display until they wither, then use their carcasses as fertilizer. Save electricity. Use the coffee machine less. Downsize to a smaller, cheaper, prettier apartment with arched walkways and stained-glass windows. Harvey will think he is a fluke who missed his first day of work and will never think of him again. The dog isn’t old enough to recognize him. Suzanna will give her the collar. And Lonan will continue his life in Las Vegas, tottering after Eliza, refilling her wine, getting neon at house parties, watching French silent films without captions because he’s probably learned another language, cut his hair, gotten a tattoo, learned how to cross-stitch, bought life insurance, a yacht, a coastal summer home, learned how to play the mandolin, perfected his lamb sous vide. He’s probably married. Him and Eliza family-planning. He’ll expand a future, and Harrison will do the opposite. There is something freeing in being unmissed.

Lightning snaps across the sky like a wishbone, sounds like the prick of tambourines from under the water. Everything turns violet—the clouds, his skin, the waves. Tomorrow will be a better day, as he sinks lower into the current, tomorrow will be a better day, as the light fades and dissolves into blackness, tomorrow will be a better day, as seaweed wraps his throat, as the freezing water impales his ribs, as he burrows under and simultaneously, rises up.

This next part comes right after!

In the stomach of a tidal wave, the sky is so much bluer. An unrolling of cyan like fractals of a baked marble. There is so little to remember. No grocery lists, no fresh turmeric, no shift of portabella mushrooms. No outstanding to-dos—no kibble to by, no resume to update. Harrison folds in blue and lets it gorge his eardrums. He gives his body to that wide chasm of water and breaststrokes not into a second life, but a third.

Here is the last bit:

He buzzes back into the apartment at 3:00AM, tracking in saltwater and SPF, puff-pastry gummed to his palm, a dog collar wound around his ring finger, a sheath of tulips shedding into the elevator behind him.

He hits every floor button twice and is undisturbed when the elevator lurches and reopens in sixty-second intervals. A man rotating a jade cuff on his wrist gets on at the fourth stop and gets off at the sixth. A woman wearing a lynx cape gets on at the eighth stop, breaks up with two girlfriends, and gets off at the eleventh. Two children in coveralls tail in after she leaves and throw jacks at each other’s eyes until one of them bleeds, and by then, they are on the fifteenth floor and the children are leaving like they have not left behind accidental shell casings. On the sixteenth floor, a deer head chihuahua patters in with no owner and barks at the door chime the moment it releases and lets him out. A mother and daughter shell pistachios on the twentieth, a maintenance man introduces himself as David though his nametag says Maxwell on the twenty-second, a flock of teenage girls in whirl about a new way to blend oil pastel on the twenty-third. So it is no wonder by the twenty-fifth floor, Harrison misses his stop and becomes one of these people too—the man with zinc down his eyes like a weeping statue, juggling pastry and a dog collar and a seedy bouquet of tulips.

He tracks seawater in that hallway, parts of him scattering with the zinc, the petals, the crumbs. Like a way to get back home even though he hasn’t started at his destination, he moves through the labyrinth of halls, both starving and nauseated. Tomorrow he will rise at dawn and taxi to Brooklyn and hammer four nails into two pieces of plywood and repeat. He will feed his dog. Learn how to cook something that will impress his mother, something French that he can’t pronounce like brasillé or oeufs cocotte. Find liberation in the constrict of routine or at least pretend to. It will be good for him, the rising, the taxis, the hammers, the nails, the dog food, the cooking—it will all be good.

By the time he gets to their door, his fingers are oiled and dripping with sunscreen. Rising, taxis, hammers, nails, dog food, cooking. He nearly drops the house keys. Rising, taxis, hammers, nails, dog food, cooking. Tomorrow will be his arrival. Rising, taxis, hammers, nails, dog food, cooking. His beginning swelling as he turns the lock. Rising, taxis, hammers, nails, dog food, cooking. There is no other way out.

The apartment is dark when he tracks in. The scent of cinnamon steeping the air like Suzanna’s pulled a saucepan of papas off the stove. At first he doesn’t hear it, but he should, the voices leafing the kitchen like a flit of moths. He steps out of his shoes but never sets anything down, even after he passes the coffee table. Two plates ringing the centre, streaked with and caldeirada and bayleaf. A pitcher of lemonade sweating onto the glass. It is almost like he never left, like he and his mother shared dinner, sipped from each other’s cups, cleaned the tines of each other’s fishbones. And he almost believes it. He never went to the farm. The kittens are where he left them, just a few feet away, not in Brooklyn. He doesn’t have a job to tend to. He never fixed the coffee machine. He didn’t go to the convenience store. He is not slathered in sunscreen, not holding a dog collar or pastries or a bouquet of tulips. He never dove into the ocean like it was some port to asylum and didn’t emerge soaked and walking half-dead to his apartment because he never left. This reality is so easy to believe, he is unfazed by the voices and how they get louder when he reaches the kitchen, when one says “Were you shopping for the apocalypse?” and the other one chokes on its drink and apologizes for its rudeness and stares at him in daydream, those eyes like forget-me-nots, gas fires, seafoam, the wing of a starling, his drop earring.

Harrison is grateful he is soaking wet when he enters that kitchen and Suzanna and Lonan sit at the table sharing a box of petit fours. At least he has an excuse when he drops everything.

That’s it for this update! The tea starts HERE!

--Rachel

[coffeeandcalligraphy]

Teeth Marks, Empty Nest, Picking Ritual | Writing Update

Hey People of Earth!

It’s been a hot minute since I last wrote a Moth Work writing update, and so here we are again for the final countdown! Today’s post will be covering everything related to chapter 12, 13, and 14. Let’s start with Teeth Marks, which I wrote probably sometime in February.

Teeth Marks marks the third part of Moth Work, called Wings, and the first chapter back in Harrison’s POV. I honestly can’t remember much of the writing process as it’s been a while, so let’s dive straight into the scene breakdown!

Scene A: 

We start in the doorway of Eliza’s apartment where Harrison stands shook because a) his boi Lonan has answered it (scandal) and his mother, who he has been estranged from for the last four years, is also in this apartment (EXTRA scandal). Eliza ushers Harrison inside (and this is probably the only *nice* interaction they ever have, spoiler alert!)

Harrison is very shook, and also a little angry, and also a little confused! He doesn’t know why his mother is here, and doesn't understand why Lonan wouldn’t contact him to tell him she is here.

Him and Eliza get into a bit of a scuffle where Eliza is protective of Lonan and is like “who are you mate” and Harrison’s like hahahHA pardON. This leads to Lonan kicking them both out even tho this ain’t even his house!

Scene B:

We now move to the stairwell right outside Eliza’s apartment where she and Harrison have been sitting in awkward silence! Harrison notices she’s wearing his guardian angel necklace (which Lonan mistakenly took back in chapter 6).

This scene is instrumental in setting up how these two interact, which in short, is not! fun! for! either! They try to be civil but can’t help but be protective over Lonan for different reasons. Eliza because they are now sort of in a relationship, and Harrison because hahaha he’s been there, and also because Eliza is Lonan’s father’s ex! Why!

Lonan interrupts this conversation and him and Harrison have a lil private moment even tho Eliza is standing right there aahaha. Eliza leaves which prompts Lonan to go after her, and we end with Harrison all alone in the stairwell like a proper sad boi.

Excerpts:

I previously wrote some mean things about this chapter and am editing it out cuz we tryna be positive! Here’s some tender romance because why not! For context, Harrison has asked Eliza how much she knows about the nature of the boys’ relationship (she knows nothing!!)

He could tell her the truth. About the polaroids left back in Boston. What it felt like to kiss him underwater. What it felt like to dance with him, his clumsy instep. What it felt like to trace each notch of his ribs in the off moments he’d sleep and how wonderful it was, to touch the places his hunger would go. 

Some more romance because yesss:

He pretends they’re alone at the cabin, somewhere on the water, sharing a sleeve of crackers, looking at the moon like it’s the other’s iris, somewhere where constellations read less like hieroglyphics and more like sonnets. 

Let us move onto chapter 13, Empty Nest!

Scene A:

Harrison sits alone at the dinner table watching a TV show in a language he doesn’t speak. His mother interrupts this *chillin* and they get into a heated conversation.

This ends badly for Harrison, to which Lonan (who is presumably arguing with Eliza in her bedroom) comforts him and yeets the two of them outta that apartment! Knight in shining armour babyyyy

Scene B:

Lonan takes Harrison to chapter nine’s beautiful place (the cove).

They chat about their (fallen) relationship and Lonan + Eliza’s relationship that is apparently now flourishing (hahah it actually isn’t)

This turns romantical very fast!!! I am guilty of self-indulgence!!

Excerpts:

EDIT: I originally had an edit in here saying I didn’t have the mental spoons to edit this chapter which is why I wouldn’t share a lot of excerpts! This was very true haha, as I was amidst the worst mental health week I’ve had in years, but guess! who! tried! to! edit! anyway! This obviously was not the best idea and I pushed myself too hard. This led to me doing some crying and beyond that, a decision to take a few days off of writing (despite the fact that I didn’t want to). I’m feeling great now which I’m so grateful for, but just a note! Anyhow!!

This excerpt makes me laugh because it gives me “lonely man sitting on his porch in the prairies” vibe:

No one eats together. Lonan and Suzanna have already taken their pick, and Eliza eats in her room. Harrison hasn’t seen Lonan since he followed Eliza’s empty trail back into the apartment, and he hears him now, between the drone of infomercials and advertisements on the Spanish TV station he doesn’t even understand. Coming from her room, he can picture him, the way Lonan argues, competitive like he’s trying to win something. Suzanna sits on the balcony, maybe hiding a smoke, or something more ridiculous, new age, like an essential oil pen. Ribbons of grey luminescing in the neon lights. Maybe it’s more accurate to say Harrison eats alone. 

This is the excerpt that I had a breakdown editing lmaooo I think it’s cute tho!!

Somewhere better is a beach. Hidden in a cove, the stones arched over seafoam. In the moonlight, sand glitters, water trills, a night owl in the distance wails. Lonan leads him to the cove’s heart, a bullet of clearing that reveals constellations neither recognize. Lonan’s brought a basket with him, unfolds the checked blanket across the shore. Harrison sits first, and observes as Lonan travels the cove’s perimeter, collecting driftwood as he goes. He stacks them into a pyramid at the shore’s lip, pulls out a lighter.

He starts the fire easily, cups the flame like it’s a jittering organism, coaxes it until it expands. The flame tints his jaw gold, glares in his eyes so they look like blue fire. The night halos around ­Lonan, burnishes the cove walls, turns the sand into a mirage. As Lonan nurses the fire, Harrison traces his face, the violet impasto around his eye. Lonan has always looked like a masterpiece to him, damp black hair that almost looks navy blue, a smile so subtle, it’s almost acquired. He holds the fire so it toasts his chin, his focus a delicate, paternal thing.

Picking Ritual is chapter 14 of the book! I wrote this during reading break, and it’s one of my faves a) because of the title and b) because Harrison and Eliza FIGHT (I’m here for the tea).

Scene A:

Lonan and Harrison get back from their self-care-gone-romantical escapade to drunk Eliza creepily sitting in the dark!! Harrison’s mother has left, which Eliza uses as cruel ammo (don’t we love her)!

This is where we really get to see Eliza’s other side as she gets gaslighty as a response to Harrison’s very true callouts

Scene B:

Later, Eliza may or may not purposefully leave her bedroom door open while mildly unholy matters occur that’s all I’m gonna say about that!!!

Scene C:

Eliza leaves her room to “get some orange juice” (she’s trying to get a rise out of Harrison, which works). They roast each other endlessly until Harrison asks her to play a game with him.

Scene D:

This game is a game of cards, which is actually Harrison choosing four cards (king of spades = Lonan’s father, queen of hearts = Eliza, the joker = Lonan, and a jack = Harrison) so he can learn more about each one he chooses for her.

This is where the chapter title comes from!

Excerpts:

The following is a self-roast because my house does all the following (besides magnets on ALL four corners of dishcloths, there’s currently just one. ;) Lonan in this scene is Fiona in that scene in Shrek 2 where Shrek and King Harold are arguing over dinner (CW: there’s a description here that could be potentially triggering for self-harm!).

Suzanna is gone when they get back to Eliza’s apartment. No jacket on the coat hook. No shoes on Eliza’s straw-woven welcome mat. The kitchen has been picked over, each plate, fork, back in its strangely correct place. Eliza keeps her cutlery in jars, and her pans in the oven, her dish cloths magnetted to the fridge by all four corners, a pristineness that feels chemical.

Just as he’s about to comment on it, a light from the living area flicks on, and underneath sits Eliza, paging through a book in the dark. Spots like wine stains on her cheeks shine glassy under the harsh lightbulb.

“She has a place twenty minutes from here. By the public gardens,” she says, running her fingernail against the ribbed spine of the hardcover. Harrison can’t make out the title. When he stares blankly at her, examining the patches on her skin until he’s memorized of their surface area, she clears her throat and shuts the book. “Your mother?”

“I know,” he says.

“That your mother has a place twenty minutes from here?”

“That you were referring to my mother.”

“So you didn’t know?”

ugh I love Harrison and Eliza arguing it’s my fave dynamic:

Eliza stands, and smooths the silk of her night dress, though one crease continues to bunch. She folds her hand into a fist, and brings it to her mouth, biting on her knuckles as she paces. Harrison and Lonan watch her, and Lonan’s about to step toward her when she nods and directs her gaze straight at Harrison. “Did that upset you?” she asks, peeling a sliver of skin up between her teeth, letting it snap back. “The way I spoke of your mother.”

“I don’t care about anything you have to say.”

Oof oof tensions be RISING:

Lonan knocks on Eliza’s door a half hour later and doesn’t come back out. Harrison watches the shut door like he can break through it from the couch, how heavy it sits in its frame like they’ve taken turns smearing caulking in its seams.

The nightglow decolours his chin, his eyes, and he stares at the stars as he did an hour ago with Lonan. He touches his lips, hoping something divine will reappear on his fingers, something divine enough to anoint himself with. Nothing does, of course, but he tries, dappling each groove of his mouth. 

Here’s some Eliza being Eliza :)

He should tell her to buy some curtains. The sliding door’s glass opens to her balcony where his mother stood, pouring onto the busy street below her apartment complex. He can almost perfectly replicate the image of his mother with just his fingertip, a familiarity of her unknown, but unconsciously memorized by him. Suzanna has traded her only pair of shoes—a dingy set of floral flip-flops—for boots with silver zippers, steel toes, heels perfected by a designer she has a connection to. He thinks of his mother with sour precision, a sugary glumness that makes his mouth heavy.

He still wears the angel Lonan re-fastened around his neck and examines it against the belly of the two-seater Lonan once slept on.

She’s lost a stone from where he threw it, almost unnoticeably in the corner where her wings meet her back. He runs his finger over the empty spot, a nearly undetectable groove, and wonders how difficult it would be to find it in the tooth of Eliza’s hardwood.

Just as he’s prepared to get up and find out, the heavy door jars open. Wider than he’s expecting, so he can see Lonan from the couch. Arranged against a pillow, his hair disappearing into the dark wood of Eliza’s bedhead. His eyes closed, a tremor that rocks through his forehead every few seconds. And then quickly, Eliza shuffling through the opening. She wears a kimono patterned with koi fish, the fabric rustling against her bare thighs as she enters the kitchen.

Harrison watches her through his eyelashes, her half-up hairdo falling toward her face, the flash of skin pale, like the peel of the moon.

She grabs a glass he washed and fills it from the sink. Once a bulb forms across the surface, she tips it to her lips, and swallows deliberately.

Harrison watches as she checks the sink for unwashed dishes she knows aren’t there. As she adjusts a placement on her table that doesn’t need adjusting. As she spins herself on her toes around the kitchen island, her kimono splaying so he sees flashes of her thighs again. She dances like this back to her bedroom, where she sets her water glass on the dresser, and keeps the door wide open. 

I can’t not share this part I apologize there is some spice but also Harrison’s iconic Gay (TM) takedown at the end brings me so much joy:

Eliza exits the room a half hour later, except this time, doesn’t dance. Still, she steps carefully, her toes taut as she patters against the floorboards. Harrison watches her with his arms crossed, and stays like that, even when they make eye contact.

She startles and re-adjusts her kimono, so the clip of her skin disappears. She’s combed her hair since she and Lonan finished, and it sits gauzy over her forehead.

“Have you ever thought of buying a deadbolt?” he says, watching carefully as she turns and grabs a glass from a cabinet.

The refrigerator thrills when she opens it, a wash of gaudy tungsten yellowing her face. She sucks on her lip as she pulls out a bottle of orange juice, glugging a cupful into her mouth first, and then into a glass. 

“A deadbolt,” she says, a lightness in her voice—false innocence. “Why?”

“I’ve heard good things. Security. Privacy. You live alone, don’t you?”

She juts the orange juice to her lip fast, her chin bucking like she’s taking a shot. “I do.”

“You’re planning on keeping it that way?”

Eliza drains the last of the orange juice and rests the glass in the sink. She flicks on the tap so a stream splashes into its mouth like somersaults, diluting the juice until the glass cleans.

“There must be someone,” Harrison elaborates. He shifts, so his legs hang off the couch’s edge. The hardwood is cold, and for a moment, he feels like he’s stepping on water. “You’re seeing people, aren’t you? You live in Las Vegas. Good job. Decent apartment.”

Eliza shakes off the wet glass and sets it on the drying rack. “Are you interested?”

“I’m gay, but thanks. How does that work, anyway? Dating you. Would I send in an application? Self-addressed stamped envelope and all? Email?”

ugh more iconic Harrison I love him:

Harrison’s eyes focus on the lip balm and he imagines Lonan putting it there, his finger moving across her mouth and then down, like an anointment. “Isn’t that such a coincidence, then? You’re so selective, yet you manage to date two members of the same family.”

Her smile fades. Eliza clucks her tongue and wipes her mouth quickly with the back of her hand. Thoughtlessly, she refills the clean glass with more orange juice, and only realizes her mistake after the liquid sits precisely at the rim of the cup.

“Shit,” she says, wringing her hand out. “Shit.”

“I’ll drink it,” he says, and is already up and at the kitchen island before she puts another hand on the glass. Eliza almost scowls, but chews on her gums when she catches herself. She slides the glass across the granite, and a blip of orange juice jitters onto the surface. Harrison dabs his pinky in it and sucks it into his mouth. “I want to ask you a favour.”

“I’m not doing anything for you.”

He puts a hand against the fridge before she can move past him, and Eliza sighs, weaves her arms haughtily over her chest. “Cards.” The fridge rumbles to life under his fingertips, and Eliza jumps. “Play a game with me,” he says.

Sharing because of Harrison’s roast at the end, it’s really just one of those days:

Eliza’s a good shuffler. Easily, she dices the cards, the hard split of their edges when he usually shuffles almost non-existent. He’s only ever met one other person who can shuffle like her—his mother.

Harrison sips the orange juice as she shuffles the deck. In all truth, he doesn’t need the cards to be shuffled—he knows exactly which ones he needs. But her ease intrigues him, and he can’t help but feel mesmerized with each flitter of the deck.

“Where did you learn how to do that?” he asks after another long pull of juice.

She cuts the deck and continues. “My father.”

“I didn’t know you had parents.”

“I didn’t know your mother had children.”  

“I don’t think she knows either.”

Eliza rests the shuffled deck onto the countertop and nudges it toward him. He hasn’t told her what game they’re going to play, and as Harrison searches for his necessary cards, the prickle of her gaze deadens. He keeps at task, combing each card and pulling out the needed.             

“I would’ve liked to know.” Eliza says this nimbly. “You look like her.”        

Another pick. “Every son wants to look like their mother. What a dream.”      

“I meant that as a good thing.”

“And I meant what I said as a bad thing.” 

What a way to end this update lol! 

I’ll be back soon with an update for the final chapter in this book! I hope y’all have been okay in these times, I know it’s not easy. Let me know what you’re working on!

--Rachel