#on look i wrote something

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[iid-smile]

you've always been interested in how nanami was part danish. it was only a small percentage, but the genes were obviously strong, still standing two generations later. he wouldn't consider himself bilingual in the language, especially since he only knows a few words here and there. he can say hello, he can introduce himself, but that's about it. or that's what he lets on anyways.

his secret comes to light when you snuck up on him while he was moving furniture around the house.

you don't doubt his strength, and he's not all that clumsy to get hurt, but accidents can always happen. just a little bit of skin managed to get caught underneath a surface. you were close to approaching him, but at that moment, he had a small slip of the tongue.

"kraftedeme..." he mumbles under his breath. if there's one thing you know, what he said definitely wasn't anything nice.

you're not all that heartless to not check up on him before you investigate, looking at him with the most innocent expression you can pull off. "so... what does that mean?" this was a once-in-a-lifetime experience. you've never heard him verbally swear, but for him to do it in a different language was even better.

usually, nanami knows when something's up, or when you're planning on teasing him, but this time he doesn't even know he's said anything out of the ordinary. "what does what mean?" he questions.

"cra- crafdeme... kraftdem..." you only had a barely audible sample to go off on, but it's already clear enough what you're trying to pronounce.

"don't say that, love." conflict runs over his features, clearly concerned over you picking up on his use of foul language. he's been way too confident in your lack of understanding. "you weren't supposed to hear that."

him avoiding your gaze was something he never did, unless it was under one condition. he's flustered. "why?" you try your best to stay within his line of sight, holding onto his hands so he can't escape or walk off anywhere. "just tell me what it means!"

he won't be able to leave until he tells you, and that's not going to happen for a long while. what a mess he's gotten himself into.

[martyfive]

SHHH… ma’s looking for you!

[magicicephoenix]

i think they are a bit like brothers

bonus:

[vatelixx]

Ton 618,

S3-S4ish Spencer Reid x Reader (no mention of gender).

Fluff (no angst… surprisingly). Autistic Spencer (present in all of my one shots bcos it’s canon to me).

──── domesticated time inbetween cases & blind adoration.

Warnings: literally none (who am i???), brief mention of past trauma (Hankel).

w.c: 1.5k

— They’re both nerds who are a little too invested in space. Light biblical imagery & Greek mythology references. My writing has been sufficiently domesticated (dw i’ll be back to angst soon, war is not over.)

Loosely inspired by:

a/n: just giving him what he deserved to have.

────────────

For the first time, in a long time, there is little residing in Spencer’s mind. Beyond warm hands, and soft skin, and the pulse of someone else’s body. Obsessed is one word for it, a textbook definition that can’t truly articulate the ache he derives from the thought of you. Obsessed, fatefully ruined, if this is the work of divine intervention, then consider him, once obstinate in his atheism, entirely, profusely devout.

He’s still thinking about you. What’s new? The memory of your lips pressed against his, the tattooed promise of more, more because it will never be enough. He wants, god when has he ever wanted? Life before appears bleak now, black and white. Academia, pursuits of knowledge, lonely nights and the transient fear of forever being stuck in a cyclical cycle of loneliness.

You think he’s pretty. He smiles on the way home from work, Morgan pressing him, because ‘kid you can’t be that happy for no reason.�� There is a reason, a monumental, life-altering one that waits for him at the door. He likes that, the domesticity. He’s never asked for much, content in his mishaps of intimacy, always baring the weight because he wants needs to be good. For the people around him, for the home he’s carved into his skin, for anything that starves off the decades of isolation.

When he threads his arms around your waist, leaning all of his weight into the contact, you both go stumbling back.

He’s soft. Of course he’s endured more than anyone should, the sharp edge of addiction, the stifling weight of a morbid job that has him fixated, hook line and sinker, compass pointing South every time he’s thrown into the field. But for all of that, he still obtains naive, blinding light.

He burns. Or more so, he warms.

“Hi, hi. Sorry— that wasn’t very eloquent. Can I try again?” He’s halfway out of the door; you have to lean forward, grip his wrist, tug him closer, “Okay.” He laughs, “I’ll take that as a no?”

He’s certain your name is imprinted onto his heart. Carved just for you alone. There is no one else. There could never be anyone else.

That night he falls asleep on your shoulder. Hands interlocked, body splayed out across stressed leather, abandoning his book for the soft drab of safety. There’s a tangled wire of headphones draped between you, knotted further when you pull him, half conscious to bed. He follows mindlessly.

You spend his allocated time off as recluses, abandoning civilisation. No sunlight, his apartment is permanently drenched in molten light. Scattered lamps, balancing off stacked books and messy surfaces. Every morning he’ll wake you with butterfly kisses and the promise of a breakfast he will consistently burn. He’s content, over the moon, to forget the world around him. For it to just be, just the two of you.

Today, as usual, you eat his charred attempt at food. He’s trying, he’s definitely trying, even if the end result is… a health risk. Still, you eat it regardless, without complaint, you eat it.. and then he’s just… kissing you senseless in the middle of his kitchen. Cold tiled floor, and mismatched socks. Fuck, he loves you, he’s never loved someone the way he loves you.

“I’ve been dreaming about falling into black holes recently,” he says when you cradle his face. Pretty features besotted with the sight of you. “Weird. Kinda cool. Please don’t eat anymore of my food.”

“No promises,” you grin, and he has the audacity to pout.

Because that’s not fair, burnt food can cause carcinogens to form, to obstruct digestion and metabolism. “My cooking is going to kill you. Your death will be on my hands. The grief will be immeasurable. I’ll become a hermit, never leave my apartment again. Don’t do that to me.” hands wrapped around your wrists, he preserves the contact. “Please don’t do that to me.”

“Well only because you said please—“

He sighs, audibly, ”You just died, you’re dead, and the only thing you can focus on is a word. A word I very generously repeat, at any given moment.” — he’s polite, he will use his manners, and he will unceremoniously echo please please please to obtain even a fraction of you.

He’s senseless. Too far gone.

You take his hand, press it against your heart. “Still alive. I think?”

“Yeah,” he scoffs, “For now.”

“You’re dramatic—“

He cuts you off, “Did you know one of the largest black holes ever recorded is 66 billion times the mass of the sun? Ton 618.” Pausing to kiss you (a vital necessity), his hands play aimlessly with your hair, strands sliding through the crevices of his fingers. “Imagine falling into that—“ kiss, “You would die obviously,” kiss, “But it would be a pretty cool death.” Kiss. 

Time dilation, worm holes, cosmic demise, you. Sigh— you.

“It would take over 10 billion years for its light to reach earth.” you say, and yeah. Okay. Just casually recite facts to him. That’s okay. He won’t melt, because he’s a rational, dignified, highly-cerebral adult.

Lie. You always know when to talk, sometimes, sometimes, he gets so lost in thought-loops and spirals of intellectual confusion that you have to draw him back to the present. He disintegrates. Every. Single. Time. One intelligent word and the threads of him are woven tightly around your finger.

”You’re stealing my job. And—and you’re doing it better than me. I’m taking a vow of silence. No more words. I’m becoming a monk. Except, maybe without the celibacy?”

“Whore—“

“For you? Always.” he says, knocking his shoulder into yours, “You’re missing the important aspect to this. Don’t discard my threat.”

“Spence, if you ever stop reciting random facts to me at..” you scramble to check the time, early morning, it’s hard to differentiate the hours when they all bleed into one convoluted mess of intimacy. “At 9AM, we will have serious issues. I might get HR involved.“

He’ll ramble about the laws of thermodynamics. Dedicating hours to the philosophical differences between determinism and free-will. You’ll call him a nerd, and he’ll laugh, muffling your protests with his mouth. It’s routine. Something to fall back onto.

 “Hey! Don’t drag HR into our domestic affairs! That’s—“ he interrupts himself to kiss you, again. Just because he can.

Once he’s satisfied that his lips will ache for the next millennium, he continues. “Anyway. I think we should get old together, and then, when we’re losing our minds, and we can’t tell the days apart, we just.. take a casual trip to space, travel through Ton 618. I’d be scared, so I’d hold your hand when we fall. Getting sucked into eternal darkness would be an acceptable way to go.”

He laughs, “You know, as long as you’re by my side, or whatever.”

“Or whatever,” you repeat, before holding out your pinky. “Deal?”

He feeds his own through yours, “Deal.” 

Yeah, just promise eternal devotion to him. That wont have any lasting, fatal effects on his sanity. It’s not like he’ll cling to it for the remainder of his ephemeral existence.

Later that night, when you’re draped in limbs, skin pressed against skin, you sigh against the warm slope of his neck. “You’re reciting the periodic table in your sleep again..”

It’s a habit. A permanent, engrained idiosyncratic that he’s endured since adolescence. He stirs awake, turning to face you in the hazy light. Features swollen, sleep-soft and pretty. “Was I?” He murmurs, finding the audacity to ask, “What element was i on?”

Because that’s clearly essential.

“Osmium,” you say, tucking strands of tousled auburn behind his ear. “Gonna continue?”

“Mhm— yeah. Iridium. One of my favourites, thank god you woke me up before I got to it.”

You humour his tendencies; you’re nothing if not a condoner of his weird quirks. “Discovered by Smithson Tennat in 1803.” is your response, “The name comes from Greek Mythology, Iris. Two stable Isotopes, 191 and 193.”

There you go again. Fracturing his mind, and stealing his information before it can fall from bruised lips.

He thinks you might be cut from the same cloth. He thinks he was probably just made for you. “I like the way you say Isotopes.” He mutters, “Like the way you kiss. You always take my top lip.”

There’s no epiphany. No sharp blade, dragging, penetrating, skin, forcing you to confront stifled feelings. They’ve always been there. Red string of fate, Plato’s Symposium: Aristophanes’ account of the ‘other half.’ Hero and Leander. It doesn’t matter. There’s only the here and now.

He does this thing. Often. Where he’ll moan into your open-mouth. Fingers sunk deep into your hair, keeping you impossibly tethered to him. You’re not sure what planet he fell from, but you’re glad they deported him, if only for your selfish benefit of circuiting around him.

“I’m in love with you,” the admittance is easy. Maybe the words have always been waiting for you to verbalise, bated breath, inexorably interlinked. Maybe they’re long overdue. Something pleading to be let out. But, maybe, it matters more to wait until this, when everything is soft and untouchable. Fresh, untainted. He’d like to live in your skin.

Here’s the thing, Spencer always thought he would be the first one to say it. Reciprocation was always a fantastical hypothetical, something he could only blindly hope for. But, to have his illimitable feelings, in their extensive capacity, matched? That’s— more than he ever thought he deserved.

He presses his forehead to yours, “Saying ‘i’m in love with you’ doesn’t measure up, doesn’t articulate even a fraction of what I feel for you.”

He’s pretty sure he could die right here, in this one fragile moment, and be happy with everything he’s accomplished.

[doverstar]

can't express accurately how happy it makes me that c.s. lewis did not leave room for many interpretations in narnia. it's christian and you can't get around it. susan chose to care more about worldly things than what matters and he said what he said. the lion is Jesus. evil is evil and good is good and people have to choose. and that makes some readers angry because it's nearly impossible to ignore and they want to ignore it. they want it to be something else and they can't make it something else without making it not narnia. love that. that is doing it right

[poorlydrawninstarsandtime]

the humble conkroch

[id in alt]

[corseque]

I thought I would just finish creating these for every language as long as I had everything open.

DA: Veilguard 繁体中文 Traditional Chinese Script (Organized)

DA: Veilguard 繁体中文 Traditional Chinese Script (Raw)

DA: Veilguard 简体中文 Simplified Chinese Script (Organized)

DA: Veilguard 简体中文 Simplified Chinese Script (Raw)

DA: Veilguard 日本語 Japanese Script (Organized)

DA: Veilguard 日本語 Japanese Script (Raw)

DA: Veilguard 한국어 Korean Script (Organized)

DA: Veilguard 한국어 Korean Script (Raw)

DA: Veilguard Русский Russian Script (Organized)

DA: Veilguard Русский Russian Script (Raw)

DA: Veilguard Português Portuguese Script (Organized)

DA: Veilguard Português Portuguese Script (Raw)

DA: Veilguard Polski Polish Script (Organized)

DA: Veilguard Polski Polish Script (Raw)

DA: Veilguard Italiano Italian Script (Organized)

DA: Veilguard Italiano Italian Script (Raw)

DA: Veilguard Français French Script (Organized)

DA: Veilguard Français French Script (Raw)

DA: Veilguard Español Spanish Script (Organized)

DA: Veilguard Español Spanish Script (Raw)

DA: Veilguard Deutsch German Script (Organized)

DA: Veilguard Deutsch German Script (Raw)

DA: Veilguard English Script (Organized)

DA: Veilguard English Script (Raw)

BONUS INQUISITON SCRIPTS:

FRENCH:

Dragon Age: Inquisition Organized Script in French

French Dialogue Separated By Character

Everything Solas says in French

Comparison between Solas' dialogue in French and English

GERMAN:

Dragon Age: Inquisition Organized Script in German

German Dialogue Separated by Character

Everything Solas says in German

Thank you to @bluebadger37 for helping me get the Inquisition talktable in German!

ITALIAN:

Dragon Age: Inquisition Organized Script in Italian

Italian Dialogue Separated by Character

Everything Solas says in Italian

Thank you to @amburuthings for helping me get the Inquisition talktable in French and Italian!

(the lines that read like "0x00097cf3" are lines that appear in English that didn't seem to get translated into the other language - they appear in the English script but are not translated in the talktable of the other game.)

(I would like to make organized scripts for Dragon Age: Inquisition in the other languages, but I need the raw talktable for them in order to process them, so if you would like to export the raw talktable in your language for me using Frosty and link me to it, I would be glad to quickly put it through my program.)

[imaredshirt]

Give me a Stan who thinks Fiddleford doesn't know how to throw a punch, much less defend himself in a fight with your average goon, so one morning he takes it upon himself to show the nerd a few basic jabs and hooks and maybe an uppercut or two behind the cabin, because let's face it, there's gonna be a time when Stan can't be there to take a hit for the guy or defend his nerd butt. So he's gonna teach him some stuff for his own peace of mind.

Fiddleford just kind of genially goes along with it, following Stan around the back of the cabin and watching with hands on his hips and a smile as Stan gets into position.

"This is one of the most basic punches in the world, so pay attention, 'cause I'm not gonna show you again," Stan says, knees slightly bent and fists up.

Fidds nods. "You've got my full attention, Stanley."

Stan isn't sure if he's imagining the way Fidds is eyeing him up and down, but he automatically flexes his arms a little more than he needs to. Up ahead, Ford is sitting on a tree stump and taking samples of the air or something (Stan had stopped listening to Ford's explanation once his words went from interesting to Big Science Shit that Stanley Does NOT Care About) and he's watching them with this amused grin, rolling his eyes skyward when Stan won't stop flexing and showing his arms off.

Stan ignores him and rolls his shoulders before jabbing his fists forward in a quick one-two. "There - you catch that?"

Fidds has got his arms crossed now and gives Stan a thumbs up. "Sure did!"

"See, just like this," Stan says, and shows him again despite saying earlier that he wouldn't.

He shows him a few more punches, going over each one a couple times before telling the engineer to mirror him, even getting in close to adjust the guy's scrawny arms and balled fists. He's being real professional about it and everything and doesn't understand why Ford keeps grinning and shaking his head at them, which is making him a little incensed but he stamps it down because Fidds is watching him with this nerdy, dopey smile while letting himself be maneuvered around and he's gotta learn to defend himself 'cause Stan can't stand the thought of some jerkwad wiping that smile off the nerd's face.

"See," he says near the end of the lesson, tapping his fist right against Fidds’s chin. "Do it right and your fist'll hit right here."

Fidds tilts his head a fraction at the touch. "Well alright then, seems easy enough."

"Yeah, like I said, if you do it right. Gimme your hand-" he takes Fidds’s wrist and taps the guy's balled fist against his own stubbly jaw. "Right here. You got that?"

Fidds nods. "Sure do!"

"Good." Stan drops Fidds’s wrist and gets into position again. "Then come on - lay one on me."

Fidds pulls back and blinks at him. "Come again?"

"Hit me!" Stan taps his jaw. "Right here!"

The guy suddenly looks nervous and galnces over at Ford for help. "Hit you? Stanley, I don't think-"

This is what Stan means. Fidds isn't always gonna be able to look to him or Ford to save him. He gets this weird, uncomfortable feeling in his chest at the thought of Fidds facing off against some asshat on his own, and that alone is enough to keep him from letting the guys off easy, if only to get rid of the weird feeling. Maybe a bit selfish but he doesn't care.

"Ah, come on, one little punch ain't gonna hurt ya, Fidds."

"I'm not worried about me," Fidds says, and then frowns when Stan barks a laugh.

"You think you're gonna hurt ME?"

Fidds is still frowning when Ford calls over in an amused, warning tone, "This is not a good idea, Stanely!"

"Just worry about your air test or whatever and leave us alone," Stan calls back. Ford shrugs and scribbles something in his journal, and when Stan turns back to Fidds, Fidds is finally getting into position.

He looks unsure, watching Stan nervously as Stan stands before him with his arms crossed.

"Hey, not bad form - you ready?"

"Well, I suppose so," Fidds says, accent coming in a little thicker than before. "Stan, if you're sure, I should probably warn ya-"

"Don't tell me nothing, just punch me!"

Fidds presses his lips into a line and throws his fist - and jabs Stan on the chin just hard enough to tilt Stan's head half an inch to the side.

"That's it?" Stan guffaws and shakes his head. "That was barely a tap!"

"I don't wanna hurt ya!" Fidds says, sounding so conflicted that Stan gets this urge to pull him into a headlock and ruffle his hair and drive the worry away.

Instead he riles him up.

"Please," he says. "Fidds, look - one of these days I'm not gonna be there to take a hit for you, and then what're you gonna do? Just let some jerk punch ya around?"

Fidds looks slightly perplexed. "Where is this all comin from? No, Stanley, I am NOT gonna just let some jerk punch me around."

"Good! So you gotta learn to defend yourself!" Fidds still looks unsure, so Stan tries a different angle. "Okay, how 'bout this - what if some jerks are beating up on me and Ford, huh? You're just gonna let em?"

Fidds looks up. "What? No, I am not!"

"You're gonna defend us?"

"Dangnabbit, Stan - of course I am!"

"Not gonna let us get our teeth kicked out?"

"What!? No!"

"Then show me!" Stan slaps a hand against his own chin. "Right here, come on! I'm some jerk who just threw your friend Stan to the ground and I'm about to kick him in the gut, what're ya gonna-"

The blow lands hard. Stan's head jerks to the side and he's thrown off balance, and he sees actual stars before his vision clears again and he realizes he's crumpled on the ground. His head swims as hands pull him around onto his back.

"Mother o pearl!" Fidds gasps. He's got his hands on Stan's face, careful touch at complete odds with the punch he'd just landed in the same place. "Are you alright? I am so sorry! I hit ya and you weren't even ready and - you just got me so riled up and I tried to tell ya and I shoulda said earlier instead o just lettin ya show me all those moves, but I just wanted to, well - goddangit, Ford, this ain't funny."

Ford's laughing as he comes up behind them, looking down at where Stan is staring kinda dazedly up at Fidds, who's kneeling by his side in the cool grass. "We did try to tell him, Fiddleford."

"Tell me what?" Stan demands. His jaw is already aching but Fidds’s hands feel kinda good so he doesn't tell him to move.

"Fiddleford was a boxing champion back back in his hometown," Ford says.

Stan blinks. "Bwuh-?"

"Not much of a champion," Fidds says with a wince, but he's blushing a bit as he goes on, "It was never anythin official, but - well, I did win more than a few matches at some backyard parties, see, and - well, people usually don't think I got any hittin power or can defend myself, but my Ma's been all too happy to teach me since I was little, and-"

The guy's rambling, and Stan quits being able to understand what he's saying half way through cause the accent is coming in thick and Ford’s chuckling and standing there looking proud of his best friend and Stan’s a little worried that he's still jarred from the hit, cause when he looks at Fidds kneeling there, one hand one Stan's chest and the other bashfully rubbing his neck while he rambles on - he's still seeing stars.

Later, while Stan sits in the living room with an bag of ice in his jaw and Fiddleford sitting next to him, still rambling about all the times he'd knocked a few guys into the mud in some backcountry hoedown get-together or whatever, Stan can lean back and relax and grin, knowing Fidds is gonna be just fine.

He can't wait to teach him wrestling.

[ssentimentals]

Hello can i get number 6 from the prompt with S.Coups after having an argument. Thanks 🩷

hi, honey!💜 thanks for the request, hopefully you will like it!

6. kiss of a falling tear (choi seungcheol)

when you voice wavers seungcheol knows he lost. and not in way like this is some stupid contest with winners and losers, but lost in a way of losing all will to go on with this argument. he hates them in the first place, but they are inevitable especially at the start of any relationships, so he sucks it up and tries to push through as gently as he can; which he's obviously not succeeding at, judging by your broken expression. what seungcheol hates the most about arguments is how they strip him down to his insecurities, the ones he's not ready to show to anyone and the ones he very much wants to hide from you. but you are you and even under few months you got under his skin so deep that being in the room with you and your tear filled eyes makes him want to swing himself to the wall.

'babe,' he calls in a tired voice because he is tired and this should end now, fuck, he can't stand seeing you like this. 'come here.'

you sniffle and his heart aches at this sound. uncertain, you take few steps towards him, stopping right at the arm length. 'you don't have to be like this with me,' you whisper, rubbing at your eyes. 'i'm- i'm not like them.'

seungcheol nods, ruffling his hair. he knows, he knows. he knows it all but sometimes it's so hard to act exactly the way he thinks is right, the way he knows is right. old habits die hard. 'i'm sorry, sweets.' he says instead, slowly reaching out for you. 'i really am. come to me, please?'

he needs to have you close or seungcheol fears he might break down. you wait for few moments during which his heart doesn't beat but then take his hand and let yourself fall into his arms, silently crying. knowing that he's the reason of your tears hurts seungcheol more than he can explain because it's so wrong - he's supposed to only bring you joy and happiness, not tears. taking a hold of your chin, he gently makes you lift your head and kisses away your tears, stopping right at your eyelids. 'i'm sorry,' he repeats, kissing your tear striken eyes. 'i'm so sorry, my love. it won't happen again, okay? i promise. it won't.'

[hyakunana]

Two researchers and a granute walk into a lab

[shalomniscient]

a letter from a sailor to her lover. || beidou x reader

On the open ocean, Beidou is left with her thoughts. Of course, she ends up thinking of you—and tonight, she chooses to write them down in a letter to you.

notes. been obsessed w sailor song by gigi perez ,,, ooo the sapphicism. also this is short as hell but i kinda like it, might make it a series or smtg for bei

cw. fluff

To my dear heart,

We’ve just made landfall in Snezhnaya. It’s a damn cold place—I always think I’ve gotten used to the cold every time I go back, but I keep eating my words. I guess the Tsaritsa’s love isn’t so warm, huh? It makes me miss those summer mornings where I’d wake up in your arms. A little sticky, a little sweaty, but warm. The sunrise never could outdo your smile.

I miss you. And it’s got me thinking about the ways to describe how I love you.

I know, I know. I’m no poet. I’m a pirate captain! But… a mutual friend of ours keeps sending me to fetch all these literature books, so I figured I’d flip through a few pages on the journey back. Might as well make use of the time, right? Indulge me, please, sweetheart, just this once.

I thought, first, that I love you the way the ocean loves the moon. You move me, coaxing me into rhythm. You are there, always—for my highs and for my lows, for when I’m strong and when I’m weak. But the moon shines so far in the sky, and I hold you too close to my heart to bear the distance.

I thought, next, that I might love you like an anchor loves a ship. You hold me steady on stormy nights, when the waves crash harsh and high. And I carry you with me wherever I go. But you are more than just an anchor.

So I thought instead, that perhaps I love you the way a navigator loves the north star. With faith and certainty in its presence, a guiding light in the darkest of nights. I know you will shine forever in my night sky, but I think I would miss you too much during the day.

So I’ve thought about it lot, but in the end, sweetheart, I think I’ll only know how to love you as myself. I’ll come and I’ll go but my love for you will always stay right there in your hands. I’ll love you like a sailor; and you’ll always be my safest harbor. Today, tomorrow, and all the tomorrows after that.

Yours entirely,

Beidou

PS. Please don’t tell our mutual friend i’ve been reading her books. She might fine me extra…

[wow-an-unfunny-joke]

Dazai leans over the edge, a strong gust of wind is all it would take to push him over, to send him falling to his sweet, ultimate demise.

Chuuya grabs his arm in a strong grip- but he doesn't pull Dazai away from the edge. Chuuya looks Dazai straight in his eyes. Bright blue eyes meet Dazai's and he says in a firm voice,

"If you jump, you'll kill both of us."

And it's clear, right then, how deeply Chuuya trusts Dazai.

And Dazai doesn't jump.

[sweetieviktor]

jealous! sevika x bartender! reader (headcanons + tiny scenarios)

summary: while working at the bar, a guy is being inconvenient. luckily, a jealous sevika takes care of him.

content warning: slightly spoilers of season 1, arc 2 and 3, the guy is harassing reader (it is not sooo explicit but if you dont feel comfortable with this dont read it, please!!), little violence (just a punch) and a bit of blood. be warned, be safe!

author notes: i loved doing this request and, as my first one, i hope this is good. btw here is almost 4am and i haven't slept yet (i promised myself that i would write something on the weekend and i did it yey), so there may be a lot of typos and things like that but i can't think properly now, so yep i will post it as it is now, no proof read, no nothing. wish you guys like it!

» in the late night hours, the last drop was more agitated than ever. in every corner there were people talking, smoking, playing and drinking the drinks you made and poured in their cups again and again.

» working in such a crowded place was like hell, specially today, it looked like all of the lanes came to the bar at the same time. but you were well paid, you couldn't complain much, well, not now that a guy was just about to tip you.

“hey, pretty thing,” the weird man waved his hand to get your attention, smiling creepily at you when he finally got it, “would you get me one more of these?” he raised his glass mid air to make his point clearer “i can pay you well...”

» you knew the risks of his proposal, but money is money, and so is job, and you needed it bad now, things in the lanes never were this difficult, but since the enforces forced their troops in, making money was even harder.

» so you did as you were asked. picked up the bottle from behind the counter, walked to his side and poured in the glass a dose of the liquor. he placed a few more coins than the drinks price on the table and you smiled politely, picking them up.

» in between cards, a certain someone was already watching you from afar, waiting to step in if the man tried to do something that could possibly harm you. she was silco's right-hand, a regular at the lost drop and nothing more. just another sometimes flirty customer, but unlike him, she was respectful with you.

» when you turned your body so you could put the bottle back to its place, the man called you. again. and now she was on full alert, almost forgetting about the cards game she was playing.

“pretty thing, you forgot something! you still haven't told me your name, right? i want to know you... better.” the way he was eyeing you, your body, was making you sick and all you wanted to do was to punch him now, and sadly you couldn't.

but someone could. and she did.

even before you registered what was happening, the tall woman was already at your side, almost shielding you from the man's view, burning eyes looking directly at his soul. “if you ever come here again, i swear to you, the chances of you being alive are zero, you understood?”

“b-but ma'am i did nothing!” his nose was bleeding almost comically, but she still kept her composure, holding the man's face in place, so she could punch him again if needed.

“i've asked you if you understood!” she slammed down her mechanical hand on the table, raising it again, her voice full of rage.

“yes, ma'am!” she released him, and he runned away from the bar, shrinking and muttering “sorry's” at you both again and again.

“and you better never try to talk with them like that.” she shouted so he could still hear her words, jealousy dripping in every one of those. when she looked down on you, your pretty eyes were already shining while you looked up at her.

“thanks. for defending me.” you offered her a little smile, a genuine one, and she offered her hand, which you gladly shaked.

“no need to thanks. name's sevika.” she said, displaying a smirk on her so pretty lips.

“sevika... a beautiful name for an even more beautiful lady.”

» you didn't know her well, and neither did she, but maybe this could be a start of something.

[fuckyeahdindjarin]

Just wanted to confirm that Pin absolutely loves Joel wearing his hair long. Especially since he wakes up with the most deliciously disheveled bed hair in the morning.

He watches you with a lazy lopsided smile, his nose smushed into the pillow, eyes still heavy with sleep, as you run your fingers through his messy curls, until he drifts off again with the Sunday morning sun warm on his back and you tucked into his chest.

P.S. I don’t know when it happened, but I found myself hesitant about posting this. Like I’m… anxious about talking about Seams? It feels like I’ve lost momentum with the series and somehow it feels wrong for me to post a silly little thought like this to try to spark inspiration for myself.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)