#omg they just texted again

[thatsnoneofurdamnbiz]

Made some lil text posts, deepest apologies if any of these have been done already- 😭

[tsuchinokoroyale]

Take a good look… with Gyo.

[otomehonyaku]

Diabolik Lovers Grand Edition Tokuten Special Booklet Short Stories ☽ Mukami ver. ☽ The Rainy School Night Mystery

Original title: 雨降る夜の学校の怪 English translation by @otomehonyaku Click here for the scans (special thanks to @karleksmumskladdkaka!) Sakamaki ver. ☽ Year-End Pandemonium (coming soon)

─── ･ ｡���☆: *.☽ .* :☆ﾟ. ───

This short story booklet was part of the limited edition release of Grand Edition! Keep reading below the cut for the second short story, featuring the Mukami brothers. I will translate the Sakamaki one at a later date!

Please do not reuse or post my translations elsewhere or translate my work into other languages without my permission.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Droplets of rain tapped against the window panes and quickly converged into small streams, drawing curved lines on the glass on their way down. The rain had started the day before yesterday and showed no signs of stopping anytime soon. Maybe that might have been why, by the time the oppressive humidity began to make everyone feel uneasy…

“Hey, Kitten. I need to talk to you. Do you have a minute?”

With a smile bright enough to wipe away any worries caused by the weather, Mukami Kou—the idol with a household name—approached Komori Yui in a friendly manner. His presence caused a stir among the other students around them.

Yui grabbed Kou by the sleeve of his uniform jacket and quietly uttered, “Kou, we’ll stand out if we talk here…”

“Alright!”

Yui was puzzled by Kou’s unusually good mood, but followed him to a spot that would keep them away from prying eyes.

“Kou… Did something happen?”

“I heard a very interesting rumour. I thought I’d ask you about it, too.”

“A rumour?”

“Yes! It’s a little strange for this time of year, but it’s about a ghost story. Apparently, most of the students and teachers are familiar with it. Have you heard about it?”

“No… What’s it about?”

As soon as he realised Yui was completely oblivious, Kou gleefully talked away.. 

“Apparently, when it’s very late on a night of endless rain, when most people have left the school… strange sounds start coming from one of the classrooms.” Kou lowered his voice in an attempt to stoke her fear. “Nobody knows exactly where the sounds are coming from. It could be an empty classroom, the art room… You can hear it from various places depending on the day.”

“And… it couldn’t just be a burglar?”

“That’s what I thought, too, but I haven’t heard anything about things going missing, and even if that were the case, wouldn’t the police have been involved already? There’s also rumours going around about it being the students’ own doing, but apparently there are scratch marks in the rooms where the sound came from. Like, in places higher up than the curtains, so people generally wouldn’t be able to reach that high.”

With the odds of it being a student prank getting smaller by the minute, Yui’s throat grew dry. She swallowed loudly.

There shouldn’t be any sounds coming from an unoccupied room. The first thing that came to Yui’s mind was an unscientific explanation—something she would rather not think about.

“So, you mean… it’s a ghost?”

“Yes, yes, exactly! People are saying it might be a ghost.”

“But couldn’t the sounds be coming from the building itself (1)? I heard that ‘strange sounds’ people hear inside their houses are usually just the rattling of the building.”

 “But that’s so boring, Kitten! Ghosts are way more interesting than rattling houses! Besides, people think it’s a ghost for good reason.”

“W-what reason…?!”

The way Kou purposefully explained it to her with such kindness, patience, and in such detail, made Yui shiver. A broad grin spread across the vampire’s face as he pulled Yui’s body closer while surveying their surroundings as if he was afraid of being caught, and started whispering into her ear.

“Some students have already snuck into the building at night as a test of courage, and apparently they saw dark shadows along with the strange sounds they heard. If it had been only one or two students spreading the rumour, it wouldn’t be a very credible story, but when so many people have had the exact same encounter, it’s difficult to still call it a trick of the mind, right? There’s also some students who claim they saw arms wrapped in bandages emerge from the darkness, at the exact timing that the lightning struck outside.”

“Oh…”

“Hm? What’s wrong, Kitten? You look a bit pale.”

“It’s because of your strange story…”

“Hehe! How cute. It’s going to be alright, Kitten. I’ll be by your side, after all.” Kou met Yui’s frightened eyes and shot her a sweet smile to put her at ease. “I’ll protect you. So… it has been a bit boring with all this rain lately. Shall we do some nightly exploration of the school for ourselves so we can figure out the truth behind the rumours?” 

“What?!”

“Come on, let’s go!”

“W-wait a minute! Where are we going?”

Kou, who would not have taken ‘no’ for an answer either way, grabbed Yui’s hand and hurried pulled her along, down the hall. He swiftly dodged the students who were already starting to head home at this hour.

“W-wait! Slow down…”

“But there’s no time like the present, right? Besides, if we don’t hurry, my fans will only try to pull me aside. Let’s go to the others quickly!”

Kou led her in the direction of a far-away third-year classroom.

When the two of them walked through the door, the other Mukami brothers were already there. Yuma was straddling a chair, Azusa lingered by the window, and Ruki stood leaning with his back against the wall, his arms crossed. 

“Hi, everyone! Sorry to keep you waiting. I brought our little Kitten!”

“You’re late, Kou. I was this close to goin’ home, even though you urged us to stay here ‘n wait.”

The discontent was plain on Yuma’s face. Kou muttered a half-serious apology to him and let go of Yui’s hand.

“Eve… did you run on your way here? You sound… out of breath…” Azusa tilted his head slightly to the side in concern for Yui.

“I’m okay, Azusa. Thank you.”

“Kou… If you need something from us, why gather us on campus?”

“Hehe. That’s because I need you all to be at school for this, ” Kou said, still beating around the bush.

Ruki glared daggers at his brother. Knowing he could not hold it off much longer, Kou decided to explain the situation.

“I was talking with Kitten about this earlier, but I heard an interesting story and I’d like you to know about it too! Have you heard the rumour that a ghost is haunting the school?”

“The one that’s making strange noises at night? I heard my classmates talkin’ ‘bout it.” Yuma clearly just wanted to know what mischief Kou was up to, making the blonde’s shoulders droop in disappointment.

“Oh, so you already know. Word certainly travels fast among the third-years.”

Ruki had a glaring suspicion about Kou’s intentions and decided to drive the point home before his brother could do it himself. “I suppose you weren’t going to ask us to look for the ghost with you, were you?”

“Hehe, bullseye!” Kou smiled broadly.

“Seriously? It’s just a rumour, though,” Yuma replied, sounding exasperated.

“How old are you? Don’t get so excited about this, Kou. Ghosts do not exist.” Ruki was referring to the fact that when someone dies and the moment their body perishes, a peculiar thing called the ‘soul’ perishes along with it. Ghosts were merely ridiculous fantasies; illusions invented by humans. Only ignorant children would be afraid of them… right?

However, Kou had already expected this reaction from Ruki and did not back down.

“Heh… I don’t think it’s good to decide that ghosts aren’t real without confirming anything ourselves. Right, Kitten?”

“Huh…? M-me?”

“Do you really believe this nonsense?” When Ruki turned to her, Yui instinctively straightened her spine.

“Not necessarily, but… It sounds a little scary, I think, but whether they’re actually real is another thing…”

“Kou, do you… really think the ghost… will appear? It might have just been… a trick of the mind, you know?”

“Of course I don’t believe the ghost actually exists.I don’t sense any other supernatural presences around here either, besides ourselves and the Sakamakis. Doesn’t that make you all the more interested in the hype around this ghost story?”

Ruki’s curiosity was piqued, if only a little, at Kou’s words. “Hm… You do have a point.”

It was easy to dismiss urban legends like this right away, but if there was a reality to this particular ghost story, that would change things.

“And what if people besides us are purposefully stirring up a ruckus at the academy? We can’t let that slide, right? So, I want to expose the truth behind these rumours! It won’t be fun if it’s just the four of us, though, so that’s why I brought Kitten with me.”

“I-I’m not going! Walking around the empty building at night sounds scary enough already, let alone when an actual ghost shows up…”

If the Mukami brothers could barely even make sense of the situation, didn’t that mean there was an actual chance a ghost was haunting the premises? When Yui thought of it like that, a chill ran down her spine.

“Heh, sounds fun!” Yuma put a hand on the back of the chair he’d been straddling and stood up with great vigour. “If she’s coming, I’m in, too!”

Yui was taken aback by his enthusiasm. “Yuma?!”

“I knew you’d come around, Yuma! Hey, Ruki. Please join us!”

“Alright. I do not care for ghosts, but I agree that we have to find out who’s causing all this trouble.”

“Right? Azusa, you’re coming too, aren’t you…? Azusa? Hello—?

“...”

Even as Kou’s eyes intently watched Azusa’s puzzled expression, the younger brother still didn’t answer. He raised a hand to his mouth as if in deep thought. Thinking it strange, Yui instinctively called out.

“Azusa?”

“Huh? Ah, I’m sorry… If you’re all going… then I will join you.”

“Great, that settles it! Let’s wait here for a bit until the school empties out.”

“H-hold on a second… Don’t I get a say in this?”

“Your opinion does not matter. Were you thinking of going home all by yourself, then?” Ruki said.

“Oh…” Met with four stares that left little room for protest, Yui reluctantly went along with their plans.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Several hours passed.

By the time all lights in the academy had been turned off and the emergency exit signs were the only source of light in the halls, the five began their search. The building had fallen completely silent. Only their footsteps and the distant sound of the rain outside could be heard.

Kou pulled Yui along by her hand and walked slightly ahead of the others.

“Hey, Kou… I don’t like going first.”

“Why?”

“Because it’ll be even scarier if something appears…”

“It’s okay, really! You can lag behind if you want, but something might creep up behind you.”

“L-like what?”

“Who knows? But I’m right in front of you and Ruki and the others are right behind you. Don’t you think this is the safest position for you to be in?

Though Kou encouraged Yui to move to whatever position she wanted, she felt unable to do so. She decided to quietly follow behind Kou. They had been walking around the school for a little while now, but had not noticed anything out of the ordinary yet. 

Fed up with their aimlessly walking around, Yuma began to complain. “Hey, Kou. Nothing’s happened so far.”

“You’re too impatient, Yuma. We haven’t even been walking around for that long.”

“I feel no other presences nearby, nor have I heard that particular ‘sound’ you were talking about. Do you think it’s wary of us?” Ruki whispered, frowning as he surveyed his surroundings.

“Hey… If this really is a ghost’s doing, what do we even do? It probably won’t worship us or anything…”

Ignoring Yui’s worries completely, Yuma clutched his stomach and could not keep from bursting into laughter. “Pff, haha! You dummy. Why’d it worship us?”

“Because—isn’t that what they say about ghosts? That they worship people?

“Then they’d only worship you.”

“What…?”

“They only worship people, right?”

Yui tilted her head to the side, not quite understanding what Yuma was saying right away, but Ruki filled her in.

“Because we are vampires, after all. Besides, I don’t understand why you would be afraid of something as abstract as ghosts.”

“But… You never know! They might worship vampires too!”

While Yui desperately clung to her theory, Azusa and Kou decided to rub salt in the wound. 

“I think… we’re stronger than ghosts, though...”

“I know, right? I think they’d be repulsed rather than worship us.”

“Ah…” With nobody agreeing with her, Yui felt her position becoming more and more vulnerable. On top of being forced into this situation, she was the only one who was actually scared. 

Kou watched her intently, an almost reproachful expression on his face. “Oh, this won’t do. Even if you pout at me that way, I’ll just think you’re cute. But hey, I’ll protect you whatever happens, so stay calm, alright?” He winked at her in a way only an experienced idol could.

When Yui thought about it, being surrounded by four vampires—former humans, but still—probably was the safest position for her to be in, oddly enough. There was no way vampires would lose to an intangible ghost.

However, precisely because they were dealing with something intangible made it difficult for Yui to suppress her nerves. She desperately fought to keep the fear from overtaking.

The five walked around for a little while longer, Yui securely in the middle, but nothing happened.

“This is weird… Maybe it really is wary of us, like Ruki said. I wonder if it doesn’t like being ganged up on by a large group of people.”

“How about we split up then?”

“Right! If we go in small groups, the ghost might be more motivated to come out.”

“What…?! I don’t like the idea of splitting up.”

“We’re not asking for your opinion. That said, you would be in trouble if we left you alone, so… Yuma?”

Yuma looked puzzled when Ruki called his name. “Huh? What, Ruki?”

“Keep her company. If one of us goes with her, we’ll be able to swiftly deal with any unforeseen situations.”

“Yeah, true… Alright, Kou. We’re switchin’.”

Kou complied with Yuma’s demand, though the displeasure was clear on his face. The blonde might have rebelled against this change if Yuma had been the one to ask, but Ruki’s orders, on the other hand, were simply to be followed.

“Ah, what a shame. I was looking forward to holding hands with Kitten for a little longer.”

Kou reluctantly let go of Yui’s hand and surrendered his spot to Yuma.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

After that, Yui and Yuma split up from the rest of the group and began exploring the school anew.

It’s so quiet when it’s just the two of us walking around… Not feeling brave enough to speak up, Yui kept quiet and followed Yuma. I hope we can meet up with the others soon… If the ghost comes out now, I wonder if we’ll make it to them if we run.

“Hey, Sow… Why’re you shufflin’ behind me the entire time? Go out in front.”

“What?! N-no! I can’t!”

“There ain’t no way in hell that ghost is real, so no need to be such a scaredy-cat. You’re only makin’ yourself look more like an idiot.”

“I-I don’t care if I look like an idiot��! Some things are meant to be feared!”

“Ha! There ya go again… If I wanna leave , I’ll leave!”  As if to get the irritation out of his system, Yuma banged his fist against the wall beside him. 

Yui’s eyes snapped shut for a brief moment, but she did not flinch when she returned Yuma’s gaze, his face suddenly much closer than before.

“But…”

“But what?”

“Don’t you think… if vampires exist, then ghosts might exist too?”

“Hm… Sounds pretty funny comin’ from you, but nah, they don’t exist.” One corner of Yuma’s mouth curved upwards into a mocking grin. He let out a laugh. He seemed pretty convinced that ghosts were not a thing of this world.

CLATTER—!

“...!”

A clattering sound suddenly came from one of the classrooms. It startled Yui, making her tremble. “That wasn’t… in my head, was it?”

A lick of ice-cold fear slid down Yui’s spine. She quickly hid behind Yuma.

“You… Why’re you hiding? You’ve got some guts usin’ me as a shield.”

“B-but…” She could not find the words to speak—she was simply too scared. She crouched in on herself behind Yuma in an effort to hide.

The sound seemed to have come from the empty, unused classroom near them. It was pitch-black. Nobody seemed to be inside.

“I’m gonna go look.”

“What?! W-wait, Yuma!”

Yuma ignored Yui’s pleas and opened the door to the classroom. He thoroughly inspected the room, but still, there was not a soul in sight. As though expecting someone to be hiding, Yuma set foot into the classroom.

“Y-Yuma, don’t! It’s dangerous!”

“Ha! You’re scared shitless, aren’t ya? Just wait here. I’ll only have a quick look inside.”

The only thing coming in from outside was the sound of the rain. Not even a sliver of moonlight fell into the room. The ominous darkness gradually swallowed Yuma’s form whole as he walked farther away.

Oh no… If something comes out at me, I’ll…

Yui’s heart hammered against her ribcage, and just when her eyes inadvertently fluttered closed—she felt something brushing up against her leg. Goosebumps rose on her skin. She couldn’t keep her voice from leaking.

“Eek!”

Yuma rushed back when he heard her cry out, but still found no traces of anything lurking in the shadows close to where Yui was standing, nor in the deserted classroom. 

“Damn, don’t scream like that! I thought somethin’ happened!” 

“B-but… something… touched my leg…”

“What?! What the hell was it?”

In the end, the two never figured out what it could have been. The sky, still clouded with heavy rain, slowly started to become brighter.

“Shit. It’s close to mornin’ already. Hey, Sow? We should get back to Ruki ‘n the others. We’re done for today.”

“For today? You don’t mean…” A heavy sense of dread fell upon Yui, but she did not need to finish her sentence. 

The anxious look on her face made Yuma’s lips curl up into a sadistic smile.

“We’ll be back for round two tomorrow.”

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

The next night, Yui was accompanied by Azusa on their rounds through the school hallways. Yui kept a tight grip on Azusa’s left arm and had no intention of letting him go.

“Eve… If you hold on to me like that… it’s a bit difficult to move…”

“Oh! I-I’m sorry, Azusa! I’m still not quite used to this…”

“...”

“Azusa?”

“Ah… What is it…?”

Yui was even more unsettled by Azusa’s restlessness. He’s been lost in thought the entire time, she thought. 

“Hey, Azusa? Is something wrong…? You haven’t seen the… g-ghost, have you?”

“Huh? Oh, no… I haven’t.”

“Ah… That’s a relief.”

“Are you… really that scared? Then… here.”

“Huh…?”

Azusa came to a halt and pulled Yui into a hug with his other arm, gently patting her back as he whispered into her ear. “Eve… I’m here with you. Even if something comes after you… I’ll protect you. But… are you maybe worried… that it’s just me…?”

“No, not at all… Thank you. I think I might be a little less scared now.”

“I’m glad… to make myself useful.” Azusa smiled softly, but then his gaze quickly shifted to the window.

He really is worried about something… I wonder what’s gotten into him…

Once again, the night ended without them coming any closer to finding the source of the strange sound.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Along came the third night of exploring the academy.

Carefully calculating when the building would empty out, the five once again split up and made their rounds. The never-ending rain had abated into a drizzle for a brief moment, but before long, it was pouring once again. The weather showed no signs of letting up.

“It really won’t stop raining. It would be nice to be able to see the moon, though…”

The night sky was covered by heavy rain clouds. Yui had been looking out of the window while she was walking down the hall, but in the meantime, Ruki—who had been right next to her only a moment earlier—had already put several steps in between them. Yui half-ran to catch up to him.

“You seem awfully careless today. Have you already overcome your fear of ghosts?” 

“N-not exactly, but… This is the third day already, so it’s getting a little… Ah!”

Maybe Yui’s attention slipped because she was relieved to walk beside Ruki again, as she suddenly stumbled and nearly fell over. Ruki immediately extended his arms, swiftly catching Yui and keeping her from falling.

“T-thank you…”

“If you let down your guard like that, bad things will happen—like this, for example.”

“Huh…?”

The ominous tone of Ruki’s voice caught Yui’s attention. She tilted her face upwards to look at him.

Ruki looked pointedly somewhere behind her, nodding in the same direction as if to urge her to do the same. Yui’s hands were braced on his upper arms as he held her, and her grip only tightened at the thought of something being at her back.

“I-is something there?” 

Yui was hit by an indescribable wave of anxiety. Her breath involuntarily caught in her throat, but she bolstered her resolve and gingerly looked over her shoulder. 

There was nothing but the long, dark, gloomy hallway stretching out behind her.

“N-nothing’s there, right? Wait, were you… Huh…?”

“You said you’d gotten used to it, right? I figured I’d test you. It seems like you don’t have your fear under control just yet, though.”

“Ah…!”

Yui’s cheeks flushed bright red. Had Ruki really been toying with her, even though he knew she was scared?

“That’s not fair…! You can’t just play with me like that… I’ve gotten a little more used to walking through the dark hallways, but you know I’m scared of ghosts…!”

Yui crouched down on the ground, her face between her knees, both mortified and scared beyond her wits. Any regular male student might have been worried, might have tried to calm her down, but Ruki showed no signs of showing her such kindness.

“Don’t make a fuss. How long are you going to sit like that? If you don’t feel like moving, I’ll leave you here.” Quickly dismissing Yui’s worries, Ruki did not bother to cast her another glance and began walking away.

“Oh… W-wait up!”

Not knowing where to direct her fear and frustration with being ignored, Yui’s head was full of chaos. Still, she would not be able to bear being left alone like this, and so she hurried back to Ruki.

Yui felt herself grow stiff while she walked behind him. Just then, a strange sound reached her ears.

“...Did you hear that?”

“It came from that classroom. Do you want to check it out?”

It was a different sound from the one she had heard with Yuma the day before yesterday. This one clearly sounded like someone was rummaging around… and it kept going.

“Ruki…”

“There’s definitely someone here.”

Ruki opened the door to the classroom with great force.

The moonlight did not quite reach the room because of the heavy rain—it was darker than the hallway had been—and the unoccupied desks and chairs were nothing but eerie silhouettes. 

When Yui’s eyes had gotten used to the darkness, though, she saw someone standing there with her back to her—someone familiar. Recognition struck her.

“Huh… Azusa?” The words just slipped out.

At Yui’s surprised voice, Azusa slowly turned around to face them. He looked just as surprised to see them. “Eve… Ruki…” 

“Azusa? What are you doing here?” Ruki took a step forward and had barely finished speaking…

And then, it happened.

“Found you—!”

Yui looked in the direction of the voice reverberating through the hallway, she spotted Kou running towards them. Their eyes met. Kou raised his voice as if he’d known all along how this would end.

“Grab it, Kitten!”

“What?!”

Yui followed Kou’s finger pointing ahead. A small, black shadow darted out in front of him. Kou had clearly ordered her to catch it, but she couldn’t bring herself to do it right away. While she stood there hesitating for a moment, the black shadow collided with her chest on its own.

Out of sheer reflex, Yui wrapped her arms around it immediately. It felt heavier than she’d thought, and softer to the touch. The unexpected sensation almost made her drop it, but she regained her posture and held it tightly.

“Nice catch, Kitten!”

Kou was out of breath, having run at full speed, as he pointed at the black lump in Yui’s arms. “That’s… the cause… of the ghost story… the source of the sounds… is that cat.”

Yui suddenly realised she was holding a black cat. Its tail pointed upwards, the fur fluffed up as it eyed Kou suspiciously. In an effort to calm down the evidently upset cat, she gently stroked its back. “It’s okay… Don’t be scared…”

“Wow… Have you seen the way it’s staring at me?” Kou breathed. 

“Isn’t that because you were chasing it?”

“I had to! Of course it’s going to run if someone tries to catch it.”

“Hey, hey! What’s with all the—what the fuck! What’s that black thing?”

Yuma burst into the room after having heard the commotion. Yui had only just managed to calm down the cat a little, but in response to Yuma’s voice, the black cat’s tail fluffed up again.

“Whoa, that’s a pretty rough-lookin’ cat… But wait, what’s a cat doing on campus?”

A nod from Ruki confirmed his brother’s unspoken suspicions. “If this cat is the cause of the ghost story going around, I wonder how it managed to sneak into the academy and cause such an upheaval.”

If the cat had snuck in while the students and teachers were on campus, it could not have gone unnoticed. The fact that nobody was aware of a cat on campus must mean that it had snuck in sometime late at night, when the school was already empty.

However, that still begged the question how it came in. The campus was built in such a way that it seemed unlikely for the cat to have come inside easily. If that was the case, maybe someone had purposefully lured the cat inside and hidden it from everyone…

How did this little one even get here…? Yui was at a loss as she stared at the black ball of fur in her arms, but the only response she got from it was a loud meow.

Azusa, who had been quiet up until now, suddenly joined the conversation. “I’m sorry… Actually, this cat… is here because I was… looking after it…” He apologetically raised his right hand.

“Huh? Azusa, you’ve been taking care of this cat…?”

“Yeah… I’ll talk you through what happened…” Azusa began explaining the origins of the ghost story and how the cat had infiltrated the school. “About a month ago… I found this cat in the school courtyard, but…”

Azusa’s story went something like this: one day, he had found a weakened black kitten. He had given it something to eat and soon began to look after it. Even after it had mostly recovered, the heavy rain continued to fall, and Azusa had felt the need to keep checking in on it out of sheer worry. 

As he suspected, the cat had fallen ill again after a while. Azusa had pitied the little black cat and made sure to gently stroke it and talk to it. Eventually, he brought it to this classroom so he could take better care of it.

“Oh, Azusa, you’re too kind,” Kou said, carefully approaching the cat so as to not startle it, and petted it. The cat seemed to have gotten a little more used to him. It was more docile now, allowing Kou’s gentle touch.

“That’s not… true… In the end, I only… ended up scaring the cat…”

“What do you mean?”

“When the cat became healthier… I got a little careless… After it escaped from this classroom where I’d been taking care of it… I lost track of where it went…”

“So that means this cat roamed the school at night, and the kids mistook the sounds it made for a ghost… and that led to the ghost story?”

Azusa nodded in response to Yuma’s question. “I think those sounds… must have been the cat running away or playing around… and when I couldn’t find it for a while… it must have been hiding somewhere… because it was scared…”

“Yeah, that’s fair… It’s pretty scary to be chased around, after all.”

Kou nodded exaggeratedly, but the brothers’ reactions were pretty mild overall, as though these kinds of things happened on the regular. Yui thought it strange, but tried to gloss over it by shooting Azusa one more question.

“The students were talking about an ‘arm wrapped in bandages’ poking out from the darkness… So that was…”

“Yeah… They must have seen… me. As soon as I heard the rumours about the ghost… and knowing about the cat, it just clicked… so, lately… I’ve been looking for it by myself…”

“Ha… so that’s it. That ghost story was brought to life just ‘cause of Azusa and this black cat.”

“Good grief… You certainly caused trouble.”

With all questions answered, Yuma and Ruki looked even more exasperated than before.

“Azusa… Of all places to take care of a cat, you should not have done it at school. If you’d just taken it home, it wouldn’t have caused such a stir.” (2)

“I thought it might… bother you…”

“Well, that’s Azusa for you. But this wouldn’t have inconvenienced us at all! We’re brothers, right?” Kou said light-heartedly in an effort to cheer up Azusa, whose eyes were downcast.

“Of course. Don’t be so reserved, Azusa.”

Touched by the kindness of his brothers, Azusa smiled cheerily. “Yeah… Thank you, all of you…”

“So, uh… What do we do with the cat?” When Yui handed the cat over to Azusa, it began loudly purring in his arms.

“How about we bring it home with us?”

“I don’t mind either.”

The cat could suffer a grim fate if we leave it here like this and someone else finds it… What if it becomes weak again? What if it dies?

“Ruki… Would it be alright if we took it home?”

Everyone’s eyes naturally shifted to Ruki.

“We can’t decide that so easily. If the cat belongs to someone who lives somewhere around the campus, shouldn’t we return it to its home? Don’t they say that dogs tend to be attached to their masters, and cats are attached to their homes?”

Ruki had a point, but Kou was not yet convinced, especially seeing how Azusa felt for the cat he’d been taking care of for so long. “But look how attached it is to Azusa…”

“Thank you, Kou… I’m alright… The cat’s happiness is… the most important, after all…”

“Well, if Azusa’s fine with it, then I’m fine with it… Ah, I’m so tired from chasing the cat. Hey, Kitten. Can I lay my head in your lap (3) when we get home?”

“What?!”

The subject of the conversation shifted from the cat to something else so quickly that it almost gave Yui whiplash. 

When Yuma joined in as well, it became even more confusing. “Hey, Kou. You’re not the only one who’s tired! You don’t get to keep all the fun for yourself.”

“But I worked really hard, you know? Don’t you think I deserve to ask for a small reward?”

“I don’t. I ran pretty damn hard myself! Hell, I was the only one who actually ran.”

“What? How do you know? I definitely ran the hardest!”

“Nah, I did!”

“I’m telling you, I did!”

Kou and Yuma’s bickering escalated quickly, neither of them realising their fight was getting farther and farther away from the issue at hand.

“Christ, this is not worth fighting over.”

“But… it’s kind of fun, isn’t it?”

Ruki averted his eyes, clearly fed up with his brothers’ antics, while Azusa warmly watched over the two.

It would be nice if they forgot about the laying–his-head-in-my-lap thing, too… Yui thought. When her gaze flicked to the window, she noticed that the rain that had plagued the city, pouring incessantly for days on end, had let up.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

A little while later, the black cat left the campus, and the ghost story that had haunted the academy quickly receded into the students’ and teachers’ memories.

THE END

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

家鳴（やな）り：Lit. the ‘rattling of a house,’ meaning things like creaking windows, the air vents, the sounds you sometimes hear when the walls or window panes expand due to moisture or heat, things like that.

Not a translation note but Ruki, sir, with your history of ‘taking care’ of cats, I’m not sure if that’s a good idea…

膝枕（ひざまくら）: Lit. ‘knee/lap pillow,’ meaning to use someone’s lap as a pillow, laying your head in someone’s lap.

[dadrockconfessions]

[lemongogo]

Not only do I have the image, I have the high res wallpaper from the secret website. Here u go

[angeltannis]

The fact that Symmetra’s seemingly only childhood friend was a boy she fundamentally disagreed with everything about and disliked pretty much everything that he stood for - and that it was exactly the same for him - is so so so funny to me. Unlikeable neurodivergent bitches gotta stick together

[mortyinc]

Okay. I’m a little bit peeved that I’m seeing some people saying that Rickbot is 22% nicer, when in reality he is 22% more LOVING.

I’m sure that is pretty minute to some, but I feel like this detail shifts how we are meant to perceive Rickbot. It builds on Rick’s character and in what way’s he decides to show his love.

I feel like just calling it nice brushes off what it is showing us in the writing. How he not only interacts with Morty, but also the whole family. It’s what he wanted for the future, for his healing journey. It’s what he wanted to give when he didn’t have.

[maxblonda]

wes, warly and non-verbal communication

i know we've seen wes communicate in both pantomime and asl, the latter of which can help him with any language barriers he has with the cast if he doesn't speak english (as the only time we "hear" from him is in the english translation for his solo performance on stage, so we at least know he thinks in french. doesn't necessarily mean that he can only communicate in french since he uses asl- but i guess you could argue that asl has more visibility than lsf- whatever, point being that he at the very least doesn't speak or write in english) but i feel like not enough people have explored the possibilities of his communication with warly, who also speaks french and addresses other characters with french honorifics.

there's already a link they have in game with wes's favorite food only being able to be cooked by warly. there's also warly's constant usage of "mon ami(e)" to address characters, which i take as a sign that he can be just as warm and friendly as wes is (i mean, forgiving maxwell for imprisoning him for what was supposed to be eternity is remarkably kind.)

as for lore-based links, i'm not sure if wes lived in paris, specifically, like warly used to, but i wouldn't be surprised with the way klei has characters cross paths that you'd never expect (ie wickerbottom and willow, walter and woodie) that they could have potentially ran into one another but have no recollection of it. furthermore- it could be kinda sweet to imagine that warly could have seen wes on the streets of paris down on his luck after his shift and taken time out of his night to give him some nice fresh food.

but to be real i really just wanted to write this because i had this one thought of warly knowing some level of french sign language (maybe working on it with one of wickerbottom's books. that lady does have access to a bunch of knowledge, why not books on sign language of all kinds?) and surprising wes when he comes back to base after a long day by signing some sort of equivalent to "i'm so glad you came back safe, mon ami." and wes immediately feeling seen, signing back thank you with a smile, feeling like not only is there someone who knows french, but also is willing to go out of his way to learn to communicate with him in a way that considers wes's own abilities and to find a way to further include him in exchanges between the survivors.

additionally, woodie could join in on the fun. i already imagine as a result of his quotes that he has a pretty heavy canadian english accent, if he has any experience with french it'd likely be quebecois french. so i imagine wes and warly hearing him try to communicate with them in whatever limited french he knows in an accent they're not at all exposed to and simply blinking in silence at him before warly says "come again?"

but back to the two frenchmen. warly could ask wes what he would like to eat by pointing at pictures, sure, or just making whatever he wants and sharing with the other survivors, but i like the idea of warly being considerate enough to sign to wes in lsf, asking him that way instead and getting a direct answer. and the answer is almost always crepes.

[ilynpilled]

entertained by mutual hot takes but ill be real im still so unmoved by the twins dying together conceptually for a plethora of reasons (and i think a lot of them r not really the typical ones that i see of “wahhh redemption wahh” that i find silly kinda too sometimes) but most of all i am just so averse to how corny and predictable i personally find the murder suicide whatever twin shit with them 😭😭😭

[james-spooky]

this is a test

[cryptidm0ths]

[shimmershy]

Hey shimmer! Here’s a question, which other UT characters do you think Chara would get along with?

Definitely Undyne, for one. They seem really impressed by her in their narration, and I think they'd really respect her for her passion and sense of justice.

I think they'd get along with Papyrus too. He'd be fun to hang out with, and they'd appreciate his optimism. Plus I think they'd really enjoy puzzles.

I'm really on-and-off about whether they'd get along with Sans. Because, on one hand, I think they're a big fan of jokes and puns themself, but like. They're clever about it. They'd probably think Sans's puns are Bad and Lame, and they'd be put off by his general demeanor and laziness. BUT, at the same time, I think they'd be able to relate to how much he cares about his brother. They would Tolerate him.

I don't know if they'd get along with Alphys super well. They wouldn't hate her or anything, but like. I feel like it would be a situation where you put two people who have self-worth/anxiety issues in a room together and they just end up stressing each other out. But maybe they could still get along, I don't know.

Napstablook, on the other hand, seems more chill, even if they're not super confident in themself either. I think Chara would get along with them. They could vibe.

Probably not Mettaton, though? They just don't have a lot in common, and they'd probably find him kind of annoying. (Too dramatic.)

Their relationship with Flowey would be very rocky. They would very much hate him at first, but it would be more complicated post-pacifist especially. They would want to get along with him, I think, but a lot of things would make that complicated. They would mostly just bully each other.

They'd still consider Asgore and Toriel to be their parents, and they'd appreciate their company. They'd like gardening with Asgore, and baking with Toriel maybe. It would probably be complicated with them too, though.

[mywastelandperfection]

[griffincastle]

i read soul grown deep back when it was being updated and loved it. but now that i’m older my appreciation for it has grown tenfold. it was so good and had such an impact on me. dare i say it, i will be in the old folks home talking about that fanfiction. enjoying ur new fics too as your writing just takes me back to a good time in my life. thank u griff.

'

[seaofreverie]

I listened to a new Sparks album and it was all I could think about for two weeks straight afterwards, a.k.a. My Hello Young Lovers Review

Okay, so here's my fabled review (I mentioned having written it once about three months ago, so I guess there's a chance that someone still remembers that). It's hecking long (seriously, it's long.) and consists mostly of me pointing out specific sections of the songs and raving about which specific elements of the songs I particularly like. And also attempting to make some sort of general statement on the style / atmosphere / themes etc. of the whole thing. I wrote this back in november, after 5 full listens of the album, over the course of about a week, and I didn't update it with any new opinions that I have formed since, to keep it true to that original form, besides some side notes where I thought they'd be useful to add. I hope you enjoy my yapping, however unprofessional and all over the place this whole thing probably is.

How to start album reviews? Well, I could sum up the general vibe / thing / feel / theme with the album but that seems much more fitting for the conclusion of the whole thing.

So let's kick this off with the first thing we see instead!! The album cover, the sleeve! (note: I got this album on vinyl for that first listening experience, the 2022? reissue) Ohh so pretty and cute, isn't it? Even inside, so much pink, even over-the-toply-so (for real though, I didn't even really think about what to expect from the inner cover, besides some photos that I knew would be there, but it was certainly not THIS. level of pink and cute), it looks so pleasant and sweet, doesn't it? And the band photos too, fun times all around!

Oh wow, ok, let's get back to reality here, I knew what I was in for (knowing just one track and excerpts of other two + reading misc comments on the album before already, as it is inevitable, you know. And frankly, that was actually the exact right amount of info from that commentary for a peak enjoyment here. Not going in totally blind but still encountering many surprises). This is a prime and, imo, very well executed example of mood dissonance. In a way where, idk, maybe it comes from me still having this even small amount of info beforehand, but it's the kind of situation that you can actually tell that something is off.

So yeah, the visual aspect of the album does fit it and I'd even say it does so VERY well, but as to how and why, maybe I should start exploring the atmosphere and themes and elements of individual songs first so we can make more general conclusions from that! So yes, I think it's time to dive in!

1) Dick Around ▪︎

Shortly put, amazing, showstopping and life changing song. And one of the earliest ones for me too! As a part of the extremely important and memorable playlist (note: my first time hearing a bunch of random popular sparks songs), it appeared somewhere in the latter half on the mix and oooh boy, was hearing this song for the first time, on the road in the dark evening too, an experience. I certainly found it intriguing to say the least, maybe I wasn't yet completely SOLD you know, and let's not forget that the second time I heard it (july) it actually kind of freaked me out in a way, but still, it certainly made an impression immediately. There's a reason this is one of the more well known / popular / important songs of theirs overall. This song is truly a journey and it messes with you in so many ways, oooohhh so many ways. I was super looking forward to hearing it again properly after being teased with some parts of it in the more recent weeks, so ok, maybe this is where I get to the individual parts I want to talk about.

Actually wait, first let's maybe say something about the placement. Of course it's the first song as I was pretty much certain it would be (and maybe already had kind of possibly spoiled..?), and it does work incredibly well as a mood-setter for the rest of the album, so it truly couldn't work any other way in my view. So yes, speaking of parts, there are so many different ones! Hearing this again was extra fun also because I would remember the main "point" / mantra of the song ("all I do now... is dick around") but not much else, then be reminded of another notable but very different part, then listen after this whole time properly on pretty much repeat now and be aware of those other little touches and bits that bring it all together...

So, let's start with the pleasant vocals & piano break near the beginning, it's, well... I just really like it (I hope I'll be able to say more specific things about other elements in these songs that I think need to be mentioned as I go on LOL), and right after that we have some very nice strings, then, suspenseful strings!! Idk why but I really really like it when those come in, they really set the unnerving classical tone that follows and returns throughout the album, then the same "calm" / bouncy vocal melody and a more "all over the place" piano returns (at least from what I remember, the notes are sort of more expansive in range in this part I think...). And soon enough... we reach the real moment of the song when it gets, well, real. And very intense. And this is almost jumpscare-like, ohhhh it's so good, even when you know you can expect it it still hits the spot amazingly.

So this is the rocking part that's honestly pure distilled joy and amazement to hear for me each time, the repeated echoey "hey hey"s for a second there are just the icing on the cake, so so so good. And, in fact, it doesn't get more rocking than this for the rest of the album. Dissappointing? Maybe it WOULD be, if there weren't other things still going on later, which were also in their own ways showstopping, so I think that yeah, those can make up for all that follows not really coming close to this level of unhinged. And this is the right word here I think, unhinged!! Damn, this freaking song. Like for a second there I remembered that in one of my early-ish hearings I just found it almost uhhh, unbearably raw? Idk if it's the right word but yeah, it gets... ugly for a second (I need to stop cringing at every more unusual / to the point word I use or I won't be able to write any genuine reviews in my life). Before going back to the main mantra of course! And then it goes on in a circle a bit more again, with more changes and some progression of the story and all that. And end on the mantra again. I don't know if I'm leaving out any super important bits here, I might be... Well, it comes back to full on rocking near the end too, with some variation too, so that's awesome! And very suspenseful and unnerving strings too for a moment!

So, should I talk about the lyrics / the story just a bit now? Ok, I won't go super deep into these or any of the following ones, I'll try to focus more on specific bits and the feelings that come with them and a general "theme" if anything. So, I think this song and its story is very engaging and I like it a lot and it certainly provokes further thoughts and ponderings, those 6 and a half minutes fly by super fast (guess that's just the power with sparks and their long songs, it's kind of incredible how maybe this goes ESPECIALLY for songs that rely a LOT on repetition, because those might work this trend the best), lots of variation, while still keeping some prominently repetitive / reoccurring parts balances it very well. You're really just thrown from one part to the next with this song. Ok, I wrote a lot about just one song and I feel like there's still more I could say if I thought about it hard, but let's move on now, we don't have all day (night)...

2) Perfume ▪︎

This is a favourite. An instant favourite. Right away this song grabbed me with its subdued, brooding and honestly pretty dark tone and sound. Low vocals, kind of ragged but driving guitar sound, and the DRUMS. They do SO much for this track, something about this specific drum pattern / style is very pleasant to me, very atmospheric. It's like a specific pattern that works to deliver some kind of effect (ok, I think through that, in a way, I just described the whole thing with repetition in sparks' music, especially in this era, nice, I guess that's how I view it and why it works so well) there's still a lot of interesting stuff going on there, plus it just sounds nice, idk. Once again, maybe "driving" is a good word for it. But now I need to mention that there is this one odd-one-out part that sounds much more cheerful, or maybe hopeful (and it returns again near the end). Because it has this specific thing, the different intonation of the SAME lyrics than the rest of the song ("and that's why...") feels strangely emotional. It certainly hit ME in the feels once I noticed it, so, yeah!!

So I think this is one of the darkest songs in mood and sound, while it also has something extremely COOL about its sound that I can't really categorize, I think I'm gonna feel like repeating this for every other song on the album but it just feels so CLASSIC, it's that typical song that always existed type of feel, yeah. But here it's less so due the melody necessarily, and more due to the whole picture. With some others it's also the song as a whole of course but they don't necessarily feel as much as a representation of a whole THING / genre / type of song / feeling in music of sorts (I'm really bad at articulating my exact views on these, am I not...) rather than those specific special moments that just bring it all to the next level. But OHHH I can't believe I almost forgot this, but the piano lines (I mean the post-chorus ones specifically) in this song, oh my goddddd!!!!!!! They're truly THE thing that sold me on this song completely, they're just so... something. So I guess this song also has that special "it" moment after all, doesn't it? Well, still possibly not quite as prominently as the next one, because...

3) The Very Next Fight ▪︎

Well, this is the kind of song that's completely made up of those specific parts making a very special whole. Starting with, of course, that melody line during the chorus "it's always the same. It's always the same". But maybe, just to be fair, I should actually start with where the song actually starts so, well, hmmm, the beginning. The very solemn piano and overall kind of heavy atmopshere here kind of slows down the momentum after the first two songs, and it delivers something quite different instead. So yeah, well, that chorus melody!! Oh wow!!! Isn't it so simple though? But it works so well!! It's simply beautiful honestly. It absolutely is! And later the electric guitar comes in for more effect and oh wow, it feels so incredible, yeah. And then some more solemnity with the... I think harpsichord?

This track feels very empty (as in the atmosphere, I'm not actually calling it empty as a bad thing or something like that, no no no!!) in some parts, then it has those emotionally charged bits, and let's not forget that it has some more really amazing guitarwork near the end. That kind of guitar "wailing" sounds beautiful in its own right too, it also kind of reminds me of some other rock-adjacent genre(s), I can't tell what exactly though...

4) (Baby, Baby) Can I Invade Your Country ▪︎

In all honesty, after my first listen I decided that this was probably the song I was the least impressed by? Kinda strange, yeah, because I no longer think that, and yeah, it was another one that I was only slightly familiar with already. Very slightly. It's a very interesting song once again, I think it's really unique after some thought actually (as are most all of the songs on this record tbh, obviously). It's unique, but it once again has this special classic quality to it that just feels like it represents a very specific type of sound.

I wanna say that the chord progression in the chorus might be some variation of one of the "usual" progressions although OF COURSE I might be very wrong here, it's just the feeling I get because maybe it's worth mentioning that 1) a while ago I started noticing this one type of progression in songs that made them sound very similar to Kiss Me, Son of God (They Might Be Giants song), so I figured it must mean that KMSOG is just in some kind of typical progression that is used a lot, especially in country-sounding songs from my experience 2) there was also an element of some classic rock / rock&roll (?) / punk (??) songs that also made them sound very alike after a while when I started listening to this one internet radio station recently, idk if it's the same progression or its variation or if all those songs use different variations mostly but are still based on a very similar thing at the end of the day, but yeah. I might still not understand chords or be able to catch them while listening, but there's now at least a little part of that whole section of music theory that I might be able to recognise in music just by myself, so that's some major music literacy development on my part I think... Anyway, maybe the progression in this song didn't even remind me of that usual pattern specifically, but it just made me think of that thing nevertheless, maybe it's similar, maybe it's not... So this was kind of an irrelevant tangent on my part, oops.

So ok, let's get to the jist of this... What exactly I like about this song and such, or just what I wanna mention. Well, I wanna mention that this is probably one of the more repetitive songs, also one of the longest I think, maybe the third longest, I wouldn't be surprised by that (the opener and closer are both pretty tough competition in the length department) but it doesn't feel monotonous, it flies by super fast, once again.

I think it's also possibly the brightest sounding song on the record, the word that immediately sprung to mind here is "triumphant". Certainly fitting with all those awesome horns!! They're truly what really sets this song apart. I'm especially a fan of the horns in the bridge part, I think it's the bridge. Sooo so cool sounding, kind of "descending". I also really like the layering of the different vocals and their melodies and such, the acoustic guitar also brings it all soooo nicely together, it's so pleasant sounding, especially in the quieter "baby, let's invade" part.

Idk what else to say, very awesome song though and I definitely don't mind listening to it twice (with the repeat as a bonus track, which I'll also get to briefly at the end) at all, in fact this might be the least "intrusive" song in a sense, so that makes the best choice for a repeat, if I had to choose, I could see myself going with this one, it's just very pleasant all around.

5) Rock, Rock, Rock ▪︎

So things get real once again, huh. This is one of the songs that I count in the category of kind of sick and twisted but in a way where I only respect them more for making it, so that puts it right next to, hmmmm, sherlock holmes for sure, maybe some others I can't think of right now. Big part of that factor is surely played by the repetition which just works, well, very well. Specifically the choruses.

One part of this song I was pleasantly reminded of on my first few listens were the short strings interludes, they really give it some of that pleasant classical feel (a separate thing from what i describe as classic feel here!) that I could say kind of contrast with the song and its atmosphere in general. Or maybe spruce it up, idk, we do have very dramatic strings during the verses too... The very deep drum sound is also pretty prominent in this track I think, pretty great.

As to some more notable parts in the vocals department... Let's just say that the way Russell says some words is very, uhhhhhh, effective (i think this sounds more cursed than it should, but i mean exactly that, the delivery just really hits you... and other times it's kind of silly instead). And also, with that repetition and it creating something great in mind, there's the repeated "and since you put-" part near the end that's also really great. The repeated "I"s in the bridge I think also need a mention. It's like they know exactly what word / phrase to repeat, what amount of times, and in which part of the song for it to work the best, like the perfect placement and number.

I think this song also has a bit of a fake ending, so that's also something of note, especially when it's supposed to sound as dramatic as possible (at least that's the idea I get from it). And actually, oh, so does the previous song! I forgot that part even though it's even more noticeable / memorable in that song than it is here imo.

6) Metaphor •

Second half of the album starts off with something that's very elegant and all the while very pleasant and melodic, all of which makes it a very nice track, even in a more usual pop song sense. Some very cool piano to start things off, and the electric guitar accompaniment, which also enters pretty early on. And then we have that slightly more strange part, kind of like an early bridge, that honestly has a bit of a comical effect imo (with no disrespect intended!!)? As in, I find it kind of funny and silly personally. Yeah, the "who's up for a metaphor" part, especially when we get the repeated "don't don't"s and "we we"s, and, well, what follows is what's definitely the greatest part(s) of the song, when Russell enters his falsetto mode and we get the "aaaaa-ªªªªª..." etc. backup vocals in choruses. Those are the moments of the song that are just, well, ONCE again that classic factor that makes the melody & everything else super special. But more specifically, I think those parts are just kind of beautiful. Yeah, I'd say this song is the prettiest in sound that this album gets overall. Truly wonderful and gets you excited for the remaining songs.

Meanwhile, the spellings of dig as d-i-g might feel kind of random I guess? But it works. Adds variety or whatever (note: it's also a very good moment of a rhythm change I believe, I think now that's what makes it sound as cool and satisfying as it does). So yeah, kind of a heavenly song I think, in a sense, also one of my top faves just for that factor (note: this song is now probably my favourite on HYL, and also among my top fav Sparks songs overall. It wasn't instant, but it grew on me quickly and oh man, I truly love this song so much now)

7) Waterproof •

I think this is kind of an odd-one-out actually? And why? I think it's probably the closest on the album to being sort of a fully, or at least MOSTLY, "normal" song. It doesn't have so many parts that are just downright weird and unexpected I'd say, it's just kind of friendly instead compared to the other ones (note: it took me perhaps too long to realize that this song just doesn't have quite as much repetition, which most other songs here rely on heavily, so that's definitely what makes it stand out the most). Not that it's an entirely bad thing! Sometimes you gotta slow down and relax a bit I guess...

I do appreciate the kind of sudden switch with the "the sky is starting to cloud up" part, and the little orchestral bit right after the first time the aforementioned switch happens (the second? or generally some later time it happens again there are also some very awesome horns! Really starts feeling like a quaint rainy street in some french town or something...) when, well, I was going to say that the vocals and the strings do the same melody, but they actually don't, at least not fully, still though, I did have that illusion before I made sure it wasn't the case with another relisten, either way, when it DOES happen, and Sparks do that a whole lot I feel like, it's always quite awesome, I mean, syncing the vocal melody with some other prominent intrument's melody...

The I think harpsichord also makes a return, yay! And then there's the guitar part, that does have some real surprise factor when it comes in, but this time for sort of the opposite reason - it sounds bright and nice this time around, and also it reminds me of Sparks' later style tbh, specifically in their following more rock-centric songs of course. And I think that's very nice, we see the always progressing evolution of their sound here I think. That guitar bit also has some album closer vibes, that kind of fake closer (or nearly-closer) situation kind of reminds me of a similar thing I experienced with Bon Voyage on Propaganda for example (note: I have since learned that Bon Voyage IS the closer on Propaganda, and the following two songs on streaming are just b-sides. So it makes sense that it would sound like an album closer because it IS one).

Annnddd the last thing that I just can't forget about here is Russell's another epic falsetto moment (waterwatereverywherebutnotadroponme!~) that part actually makes me smile. Yeah. Legit. I paid attention and I did smile on that part during my relisten today. ... Ok, let's go on.

8) Here Kitty •

When this song came on the first time during my vinyl listening I of course instantly knew exactly which song it was (bcs I've heard the title before, and a few words on it too) and had this little amused "oh no" moment. And, well, turns out this song is actually very awesome and veeeery interesting! It adds something really unique to the album. I saw someone call it quite impressive in the vocals / vocal lines layering department recently (in the last week, so already after hearing it myself I'm pretty sure) and I absolutely agree.

First off, let's settle that - this is a very strange song. But that's exactly what makes it so good of course. The strangeness keeps you so distracted from this fact, that when we reach the bridge of the song you suddenly realize that beneath all the "tatata"s, meows and unsettling rising piano notes we have the very much usual song structure with verses and choruses. Yeah, I think I actually sort of figured it out, what might be the verse, and what might be the chorus... Speaking of which, the parts that I identified as choruses have this, well, it's the same thing all over again (but each time the specialness comes from a different place and is totally different of course), but that very classic feel, indicative of maybe even some specific genre but idk what exactly...

Besides that, well, maybe let's go back to my oh no moment for a minute, and let me say that I either am very illiterate in that sense (and yeah I am tbh) or the lyrics aren't as overtly, let's say, innuendo-filled? as I expected. They actually have a semblance of a story you know... I mean, NO, not even a semblance, it IS a story! Let me also say that this is a very interesting song to have stuck in your head a lot over the course of pretty much an entire week. Yes, it got to the point where it could be annoying. One last bit of the song I really like is at the very end, when one vocal line starts to sound kind of echoey / distant, nice touch.

9) There's No Such Thing as Aliens •

The song that first cemented itself as being by far the shortest song on the album, sort of an interlude before the incoming epicness of the last one (that was quite literally my very first impression before I even heard either, looking at the vinyl this one was visibly much shorter than the last, and of course I expected the last one to be fittingly grand, and so it was obviously, but we'll get to that in a minute). The funny thing is, it's not even that short, as I figured even before eventually making sure how long it was in fact, and that's almost 3 minutes, which, well, of course that's still something around well over two times shorter than the last song.

But enough about its length, this song actually does kind of work as an interlude thematically too, which it is? it sort of even feels like it doesn't quite fit with the themes of the other ones, I mean, maybe not that it doesn't fit but just that it's defintely the furthest removed from the much more similar topics of the other ones (more about that also later!). Plus it's pretty sparse lyrically, once again, there's less you can fit in under 3 minutes anyway. Which supports the interlude argument also I believe.

Anyway, the music. First of all, waltz time!! Always a treat in sparksland to have that rare spooky 3/4 time track. The feeling I get from this track is: grand, very orchestral, anddd, hmmmm, elegant. But is it more elegant than the rest of the album... Idk, I wanted to use 3 different descriptors. I honestly don't think there's much more to say about this one, it's great, the melody is really great, the grandiosity of the choruses, the even more notable waltz time during verses. I think that yeah, I could pick this track as the most orchestral / classical inspired of the album. One cool moment I'll mention though would be the very ending, with the repeated "no"s going for longer than you'd expect them to maybe, and the deep drum accompanying all that. Very grand ending.

10) As I Sit Down to Play the Organ at the Notre Dame Cathedral •

Well, how do I even start on this one. I think I can say that with literally each single listen I become more and more in awe of this song. Could I even call it even more of a journey than the opener? In a sense, yeah. There's so much going on here. So much that I almost feel like breaking it down into individual parts and giving all of them their due because they all work for the amazingness of the whole. In fact, I might even already have this track roughly memorized (all... 7 minutes of this track) so it could be done. But ok, I'll just go with each part as I remember it, we'll see if I in fact do go over nearly all or all of them.

So. Echoey synth (?) intro, then the first melody part, with the individual words repeated, kind of "urgent" vocals part, very nice rhythm and something I just find very cool. As it progresses we get another part of just the synth / electric guitar-like synth / guitar or whatever this thing is, then a mix of both + this clicky instrument and / OR is it the harpsichord again? Giving it all more urgency and a nice constant rhythm. I also really like when the "byebyebye" vocal gets looped before the synth reenters. Overall, this part of the song has a very electronic, drony feel that I greatly enjoy and find very atmospheric and immersive already.

But, well, it doesn't end here. Because later, everything else stops and we hear a church organ. Even the melody it enters with is very much like something you'd hear in a cathedral, indeed! Good environmental storytelling, isn't it? But then... the organ transitions into this very very cool frantic melody (and by very very cool I mean that it's probably the #1 thing that stood out to me about this song right from the start) which returns consistently throughout the song and is just oh so very awesome.

So we enter the next part, what could probably be called the central part "as I sit down to play the organ...", tension is rising, the organ is doing its thing in the back, then some "hallelujah"s and BOOM! The chorus? The "I've got faith" part of course. And with it some epic strings, and I don't think I can really say what exactly it is about this part that makes it SO FREAKING GOOD & ABSOLUTELY SHOWSTOPPING but it's easily in my top 3 moments on the album at least. Then it's followed by the slightly considerably calmer "she's here..." section and we go mostly full circle for now, more variations on the same parts. Some grandiose "lalala"s & epic drum action too. And then, the "I believe" sections which I cannot let myself neglect, mostly just on the basis of them being kind of sickening to me. You know, in the "why did they do this (said respectfully)" way.

Ok, did I really just talk about all of the individual parts, I guess so. But before I move on I have to mention the moment when the very first major part, the "bye-bye-bye my baby" part, makes a sudden comeback. It's honestly just so good and satisfying, when completely different sections switch and make unexpected (or maybe you actually DO expect them on some subconscious level, and that's what makes them work so well??) returns like this, if a song has that it's very likely it will become a top top favourite or at least have a very big effect on me. Or even HUGE effect, like here.

So yeah, the song does eventually end (I mean technically unbelievable somewhat, since it's so long, but have I actually mentioned yet that this track goes by about just as fast as the first one, because it sure does, you do not notice the time passing WHATSOEVER) on some more "hallelujah"s. And the album's over. Wooo boy.

Bonus tracks

Well, it's not really over yet if it's not the vinyl but the streaming version. We still have just two more bonus tracks, technically just one? So I'll go over both quickly now for completion's sake.

First we have "We Are the Clash" which is a pleasant song for sure, can work as kind of a denouement after the crazy journey of the previous track, so you're left on a little less of a mood unresolution and can become a little less unsettled after all of this going down... Idk.

But yeah, I actually have this impression veering on pretty strong conviction that this song is a cover actually. It could even be a cover of the band whose name is mentioned in the song, which would put this version in a extremely funny area of how far stylistically it might be from the hypothetical original, if it exists (what's up with all these bands and their "we are the [band name]" songs, there's so many). Of course I could also be very wrong about this so all I just wrote could turn out to be absolutely hilariously off target, still, a fun little attempt at guessing things and connecting ideas on my part, whatever the truth turns out to be (I will learn the truth... in due time. My experience tells me that when I'm still fully in initial unwell mode over an album it's difficult for me to read and retain any outside information / commentary on it. So no need to rush it, heh) (note: yeah I was right for once. I meannnn I guess it was obvious anyway but still, let me have this, I've been fooled by assuming that a cover was someone's original song way too many times so I'm happy to not be fooled for once).

So ok, the last last track. Baby baby can i invade your country is baaaaaack, not much to say but it's pretty much the same other than the lyrics, since well, it is the "alternate lyrics" version, not "alternate" version. I do think that it might be slightly longer than the final version though but it's also likely I'm misremembering.

Anyway, lyrics, all I can or feel the need to say is that they seem to be definitely way more to the point on what this song's actual topic is (not... invading... countries . I don't need to explain it here do I) so subtlety win for the final one I guess. Just so it is known, I have not read these two songs' lyrics unlike all the main album tracks'. But I think I caught enough to get the main idea from both, you know. I do think also that the final version's lyrics just kind of sound better, idk if it's the rhythm of the words or what but they do just have a nicer flow. So, improvement, probably, still very nice to know this version anyway of course. (note: yeah i have learned since that most of the final lyrics are the US national anthem. Makes sense that if any song were to have alternate lyrics it would be this one)

To round it all up...

I think there's still a lot that can be said about this album as a whole but how do I go about that. Well, I did mention earlier that I'd come back to a) the overall feel / atmosphere here b) the themes / stories and how they connect. So those shall work as a guide to my conclusions part of this whole review.

First off, I could even say a bit about the main vibe / sound here in reference to Lil' Beethoven! Since it really does work as a sequel, at least in sound, by all means. I described LB with stuff like... cold, distant, cathedral-like, what else was there.... Ok, I have more, lifted directly from my LB write-up. (note: finally listening to LB a month prior to this was enough of a big deal for me that I wrote down my live reactions to hearing the songs) Impersonal / detached. Alien. Spacious.

Do those apply here too? I think so, yeah! Pretty much all of these words also feel like pretty good descriptors here. But honestly, the more I think about it.... Maybe it's just that the distance / the detachedness and alienated feeling is a bit lower here? Or at least in some songs more than the others. It's hard to explain honestly.... That similar atmosphere continues here but it's just..... not as pronounced maybe. Idk, maybe it will become clearer with this next point I wanna make which is that LB actually is less, uhhh friendly in sound. Less accessible! Yeah, I do think that this album could be seen as: LB started the experiment, HYL perfected it by taking it in a slightly more accessible direction. Or is perfected a wrong word here, who can say which was, or should be considered the better outcome here.... I think I actually have a problem putting concepts into the right words today. But maybe at least some of my feelings about this can still come across here...

So yeah, I don't think it's possible to tell if HYL is better or LB, it also depends on how you look at it! As it kind of always does when judging stuff per good / better. One thing that I can say sort of for sure though is that LB certainly started ideas / techniques that HYL expanded on and toyed with further, so in that sense, it could be considered an improvement. And so it is clear, I don't think I can say 100% that I like one more than the other. It's not that simple. I guess you could however say that HYL was more of an instant hitter and LB really just grows and grows more in power overtime....

So yeah, they kind of did take the LB concept and all of the avant-garde, experimentation factors that come with it, and made it more accessible, which is a form of art and an achievement and a testament of skill in itself. I think the somewhat friendlier, more palatable approach of this album also lifts off the coldness aspect a bit, but it's still there, especially on tracks 1, 3, 5, 10, off the top of my head.....

But maybe I should talk more about the album and its sound as it stands on its own before I move on though. Maybe we could jump from the words I already used: classic, orchestral, brooding, dramatic, dark, aggressive (yes, I somehow see it as friendlier than its predecessor despite also being much more aggresive in all senses. Raw even. How does that work? I can't tell you today. And idk if I'll ever figure it out. And also personal, YES, that's the word, this album feels soooo very personal and emotive. Not in the sense that I'm trying to say that it must be personal to them, more like it just shows some very personal feelings and struggles), triumphant (but that goes only for that one song really), driving, ELEGANT. I think the word elegant is the key here. In all of its subtler or less subtle tone shifts it keeps that very elegant, kind of graceful feel, all throughout. Even when it seems to be touching subjects that wouldn't necessarily bring that kind of atmosphere to mind, it kind of elevates them and gives them, idk, a new meaning?

So is this a good segue into the topic of themes? I guess the album name sits well with what I think is going on here, because my main impression of the whole thing was something like.... stories of fucked-up guys with self-image problems / feelings of inadequacy, which they try to go around fully convinced that they're right (and their messy love-lives too ofc). Or are they just, normal, regular guys actually. Who can tell. It certainly gives you an idea / a whole concept to work with and ponder here and to connect and visualize kinda.

I think that yeah, out of what I've heard so far this has to be the most thematically-consistent sparks album there is. It comes to a point where all the songs give this little impression of a whole universe where all of this takes place, and while I've had these kind of impressions from albums that are way more all-over-the-place conceptually with their lyrics (I mean like.... pretty much every They Might Be Giants album. You can create this sort of illusion with more than words, the music and its atmosphere and often also its stylistic consistency might be even more important actually), this comes, in my mind, almost close to concept album levels in that regard.

The definition of a concept album probably calls for something more specific than all the tracks being in sort of a similar theme but you know.... I don't think it really happens most of the time in music in general, that the whole album has this sort of a familiar idea / spirit throughout that makes a unique whole. (note: apparently wikipedia calls this album a concept album. Another win for me in that case, lol). You could probably try to connect different songs' themes and work with that in some way.... Which is something I already did in all honesty, but actually it's a between albums thing here, because I do believe that the dick around guy could be the same guy that the narrator from ugly guys with beautiful girls talks about. Similar ideas you can connect! That's what I'm talking about. I love it when songs tell overarching stories.... Make me think about characters from songs or little universes and vibes created by even the vaguest of lyrics and the ideas those create and the imaginings they bring, any day.

Ok, what else can I say. I think I mostly covered everything I could actually. Should I say something more about the cover with the added context now. I already said that it gives off a "something's wrong" feeling, but I think it's also compelling in how it conveys that elegant, non-threatening and polished image, sterile kinda. Well, I think only one of those four words I just chose doesn't really apply to most of this album's songs. I mean non-threatening ofc. Hmmm, maybe sterile doesn't really work here either, besides those prominent examples of the coldness of sound on this album, it would actually go more with LB, which also has a fittingly minimalist, all-white cover. Collected and orderly to a distressing degree. Just like here, it also gives off some.... distressing vibe. As I already said with the "this isn't right" feel.

What else can I say. In reviews you usually give your opinions, which I very much did throughout this thing here, everything like this is always somewhat subjective I think, but even then, a final verdict could also be said here. I think it's pretty damn clear by now what my opinion on this album is. I wouldn't spend several days writing a review and analysing every little detail if I didn't have a very strong (positive) opinion on this album (I guess I technically can imagine writing a very throughout review of something that just annoys you so much that you simply have to go through everything wrong with it and have some relief and closure through that. I can't see myself doing that kinda thing however, I'm not that kind of hater (or really a hater at all lol, i hope), I'd rather devote my time to things that I find actually cool and awesome and stand-outs in a positive sense, and worthy of attention and that dedication).

So this comment I fittingly found on tumblr over the last few days feels pretty relevant towards my opinion of writing "reviews" of stuff (this was more of a, very detailed analysis I know, but review just kind of fits, especially with how people call their recaps / commentary / writeups of concerts "reviews" a lot of the time):

(note: yeah I think I should come clean here that despite my very recent start of actual social media participation I've already been a serial lurker in various places for years now, lol, I mean, that's probably a normal thing to do though, I hope. I mean, probably lots of people do or did that at some point, but still. And I don't know whose post this is anymore sadly. But I thought I'd keep it here because it's a good summary)

And also, just for the record, this is my opinion on HYL pretty much. Yaaaayyy i loved it i had so much fun!! For real. i'm glad they're creating something!!!! Absolutely. One of a kind album that I will cherish as yet another great and unforgettable entry on the list of albums that changed me (TM) and brought me lots of fun and great memories / associations, even in such a short time. And the actual FIRST on the new list of albums that I'm happy to have brough the utmost attention to and dissected like that. It's out of love.

Thank you for reading this far! Here's a little bunny as a prize!

Whoa whoops this gif was supposed to be small! Have a huge bunny in that case, you deserve it! 🐇

[oscar-isaac]

so, the tags are broken, ay? 🤡