#olivia hussey tribute

[latestnews-now]

Today, we mourn the loss of Olivia Hussey, a beloved actress who captured hearts worldwide with her unforgettable portrayal of Juliet in Franco Zeffirelli’s 1968 film Romeo and Juliet. Olivia passed away peacefully at the age of 73, leaving behind a legacy of grace, talent, and resilience.

From her early beginnings in Buenos Aires to becoming an international star, Olivia’s journey was nothing short of extraordinary. Her roles in Jesus of Nazareth, Black Christmas, and Death on the Nile showcased her versatility and passion for the craft.

This is a tribute to a remarkable woman whose beauty, inside and out, will never be forgotten. As her on-screen Romeo, Leonard Whiting, said, “Rest now, my beautiful Juliet. No injustices can hurt you now.”

Join us as we remember and honor Olivia Hussey’s incredible life, her timeless performances, and the profound impact she had on cinema. Rest in peace, Olivia—you will forever live on in our hearts.

[dalekofchaos]

Black Christmas sequel pitch

After seeing the original movie and disappointed with the shitty remake and 2019 Black Christmas in name only when Performative Feminism: The Horror Movie would be a better name for it. I've come up with a way to do a direct sequel to the movie.

They can do a direct sequel. Olivia Hussey, Albert J. Dunk and Nick Mancuso are alive. Ideally, I would have James Wan or Mike Flanagan

The idea is for it to take place in the modern day. A new group of Sorority Girls occupy the Chi Omega sorority house and Jess is the Housemother.

Billy returns and picks them off one by one. only this time, thanks to more awareness of dangers facing young women, as well as the advanced technology and whatnot, the girls are able to fight back against Billy.

As a little tribute to John Saxon, Jess reads the final investigation into the murders and the identity of the killer. He learns that Peter was innocent in the killings and learned about Billy.

Lt. Fuller's investigation led him to a very troubled young man. Billy lived in the Sorority House before it became a Sorority House. He was fairly normal and convinced Agnes to pull a prank on the baby and accidentally killed the baby, Agnes told their parents what they did and then the parents turned abusive. He was sent to the asylum for a while, escaped, killed the little girl and slipped into the Sorority home attic and then the massacre began.

Jess and the new final girl, let's say played by Sadie Sink find stop Billy and have him where they want him and before they land the killing blow, Agnes is there.

[hypelens]

"Olivia Hussey: A Timeless Juliet Bids Farewell at 73"

Olivia Hussey, the celebrated actress known for her iconic portrayal of Juliet in Franco Zeffirelli's 1968 adaptation of Romeo and Juliet, has passed away at the age of 73. Her death has been confirmed by family representatives, who noted that she died peacefully surrounded by loved ones.

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A Career Defined by Timeless Elegance

Hussey shot to stardom as a teenager when she played Juliet in Zeffirelli's adaptation of Shakespeare’s classic play. Her performance, praised for its emotional depth and authenticity, earned her a Golden Globe Award for Best Actress in a Motion Picture. The film itself remains a benchmark in cinematic history, celebrated for its passionate retelling of Shakespeare's tragedy and its visually stunning production .

Beyond Romeo and Juliet, Hussey had a diverse career that included roles in horror classics such as Black Christmas (1974) and the historical epic Jesus of Nazareth (1977), where she portrayed Mary, the mother of Jesus. Her ability to embody a wide range of characters showcased her exceptional talent and enduring appeal as an actress​ .

Tributes from Fans and Colleagues

Following the announcement of her death, tributes poured in from fans and colleagues. Many remembered her as an actress of remarkable grace and skill, whose performances left an indelible mark on audiences worldwide. Zeffirelli's Romeo and Juliet co-star Leonard Whiting called her "a brilliant actress and a dear friend," while others highlighted her legacy as an artist who brought Shakespeare's Juliet to life for generation .

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Legacy and Personal Life

Born in Argentina and raised in London, Olivia Hussey's multicultural background informed her versatile acting style. In addition to her illustrious career, she was a devoted mother and passionate advocate for animal rights, earning admiration for her dedication to causes beyond Hollywood. Her passing marks the end of an era for fans of classic cinema.

And This video offers a heartfelt tribute to Olivia Hussey, reflecting on her remarkable career and the lasting impact of her portrayal of Juliet in Franco Zeffirelli's Romeo and Juliet (1968).

For more on Olivia Hussey's life and career, visit CNN, USA Today, or Fox News

[essiekuko]

the more i see olivia hussey tributes the more i mourn her passing 😢

[travelinfo120]

Olivia Hussey and Leonard Whiting. (Photo by Getty) Olivia Hussey Eisley, best known for playing Juliet in Franco Zeffirelli’s 1968 adaptation of Romeo and Juliet, has died. She was 73. The news was announced via her official Instagram account via a post shared on Friday, December 27. “It is with profound sadness that we announce the passing of Olivia Hussey Eisley, who went peacefully at home surrounded by her loved ones on December 27th,” the post read. “Olivia was a remarkable person whose warmth, wisdom, and pure kindness touched the lives of all who knew her.” The tribute went on to remember Hussey Eisley as having “lived a life full of passion, love, and dedication to the arts, spirituality, and kindness towards animals.” Related: 1968 'Romeo and Juliet' Stars File 2nd Lawsuit Against Paramount The lead actors of the 1968 film adaptation of Romeo and Juliet have found themselves in a legal battle with Paramount Pictures over the movie’s nude scene. Leonard Whiting and Olivia Hussey, who starred as Romeo and Juliet, respectively, have accused the studio of sexual abuse and harassment in two separate lawsuits. In the initial […] “Olivia leaves behind a loving family— her children, Alex, Max, and India, her husband of 35 years David Glen Eisley, and grandson, Greyson, and a legacy of love that will forever be cherished in our hearts,” the post continued. “As we grieve this immense loss, we also celebrate Olivia’s enduring impact on our lives and the industry. The caption concluded, “We thank you for your thoughts and prayers during this difficult time and ask for privacy as we mourn the loss of a truly special soul.” The Argentina-born actress was just 15 when she starred in Romeo and Juliet alongside Leonard Whiting as Romeo. The critically acclaimed film was a box-office success upon its 1968 release and went on to score four Oscar nominations and two wins for Best Costume and Best Cinematography in 1969. In August 2018, Hussey Eisley spoke to The Guardian about her role in the movie in honor of its 50th anniversary. “I loved playing Juliet,” she said at the time. “The only part I didn’t like was all the PR. It was exhausting, and I was this wild little thing.” The film wasn’t without controversy, however. Hussey Einsley and Whiting previously found themselves in a legal battle with Paramount Pictures over the movie’s nude scene. Thank You! You have successfully subscribed. Related: ‘Romeo + Juliet’ Cast: Where Are They Now? Leonardo DiCaprio and Claire Danes won over audiences with Romeo + Juliet, their modern adaptation of William Shakespeare’s most famous play. The Titanic star and the Homeland alum played the titular doomed couple in the 1996 film, which also starred John Leguizamo (Tybalt), Harold Perrineau (Mercutio), Dash Mihok (Benvolio) and Paul Rudd (Dave Paris). Baz […] In the initial complaint, filed in December 2022, the costars claimed they were told by the film’s late director, Zeffirelli, that the movie would not feature nudity and that they would wear flesh-colored undergarments for a bedroom scene, according to the Associated Press. A judge dismissed the case in May 2023. Whiting and Hussey fought back by filing a second lawsuit against Paramount in February 2024, claiming the studio digitally redistributed the film without their permission. Other memorable roles in the actress’ career included playing Mary in the 1977 miniseries Jesus of Nazareth as well as Rosalie Otterbourne in Agatha Christie’s Death on the Nile, which was directed by John Guillermin and released in 1978.

[boome11]

Olivia Hussey and Leonard Whiting. (Photo by Getty) Olivia Hussey Eisley, best known for playing Juliet in Franco Zeffirelli’s 1968 adaptation of Romeo and Juliet, has died. She was 73. The news was announced via her official Instagram account via a post shared on Friday, December 27. “It is with profound sadness that we announce the passing of Olivia Hussey Eisley, who went peacefully at home surrounded by her loved ones on December 27th,” the post read. “Olivia was a remarkable person whose warmth, wisdom, and pure kindness touched the lives of all who knew her.” The tribute went on to remember Hussey Eisley as having “lived a life full of passion, love, and dedication to the arts, spirituality, and kindness towards animals.” Related: 1968 'Romeo and Juliet' Stars File 2nd Lawsuit Against Paramount The lead actors of the 1968 film adaptation of Romeo and Juliet have found themselves in a legal battle with Paramount Pictures over the movie’s nude scene. Leonard Whiting and Olivia Hussey, who starred as Romeo and Juliet, respectively, have accused the studio of sexual abuse and harassment in two separate lawsuits. In the initial […] “Olivia leaves behind a loving family— her children, Alex, Max, and India, her husband of 35 years David Glen Eisley, and grandson, Greyson, and a legacy of love that will forever be cherished in our hearts,” the post continued. “As we grieve this immense loss, we also celebrate Olivia’s enduring impact on our lives and the industry. The caption concluded, “We thank you for your thoughts and prayers during this difficult time and ask for privacy as we mourn the loss of a truly special soul.” The Argentina-born actress was just 15 when she starred in Romeo and Juliet alongside Leonard Whiting as Romeo. The critically acclaimed film was a box-office success upon its 1968 release and went on to score four Oscar nominations and two wins for Best Costume and Best Cinematography in 1969. In August 2018, Hussey Eisley spoke to The Guardian about her role in the movie in honor of its 50th anniversary. “I loved playing Juliet,” she said at the time. “The only part I didn’t like was all the PR. It was exhausting, and I was this wild little thing.” The film wasn’t without controversy, however. Hussey Einsley and Whiting previously found themselves in a legal battle with Paramount Pictures over the movie’s nude scene. Thank You! You have successfully subscribed. Related: ‘Romeo + Juliet’ Cast: Where Are They Now? Leonardo DiCaprio and Claire Danes won over audiences with Romeo + Juliet, their modern adaptation of William Shakespeare’s most famous play. The Titanic star and the Homeland alum played the titular doomed couple in the 1996 film, which also starred John Leguizamo (Tybalt), Harold Perrineau (Mercutio), Dash Mihok (Benvolio) and Paul Rudd (Dave Paris). Baz […] In the initial complaint, filed in December 2022, the costars claimed they were told by the film’s late director, Zeffirelli, that the movie would not feature nudity and that they would wear flesh-colored undergarments for a bedroom scene, according to the Associated Press. A judge dismissed the case in May 2023. Whiting and Hussey fought back by filing a second lawsuit against Paramount in February 2024, claiming the studio digitally redistributed the film without their permission. Other memorable roles in the actress’ career included playing Mary in the 1977 miniseries Jesus of Nazareth as well as Rosalie Otterbourne in Agatha Christie’s Death on the Nile, which was directed by John Guillermin and released in 1978. https://www.usmagazine.com/wp-content/uploads/2024/12/olivia-hussey-dies-at-73-514890482.jpg?crop=233px%2C433px%2C1663px%2C873px&resize=1200%2C630&quality=86&strip=all 2024-12-28 03:31:15

[tocampos]

Tribute to the great designers of cinema costumes. Danilo Donati’s gown for Olivia Hussey as Juliet in Romeo and Juliet. 1968. #danilodonati #fashionillustration #boceto #sketch #fashionillustrator #cinemacostume #oliviahussey #romeoandjuliet1968 #romeoyjulieta #1968 #renacimiento #renaissance #fashionhistory #tocampos #tocamposilustraciones #ilustraciondemoda #figurines #mywork #digitalillustration #illustration #digitalart

[blairemclaren]

Olivia Hussey Death - Obituary | Olivia Hussey Dead - Passed Away

Olivia Hussey Death - Dead,  Obituary, Funeral, Cause Of Death, Passed Away: On December 29, 2020, InsideEko Media learned about the death of Olivia Hussey through social media publications made on Twitter. Click to read and leave tributes

Olivia Hussey Death – Dead,  Obituary, Funeral, Cause Of Death, Passed Away: On December 29, 2020, InsideEko Media learned about the death of Olivia Hussey through social media publications made on Twitter. InsideEko is yet to confirm Olivia Hussey’s cause of death as no health issues, accident or other causes of death have been learned to be associated with the passing. This death has caused a…

[biofunmy]

“Romeo and Juliet” director Franco Zeffirelli dies at 96

Italian director Franco Zeffirelli, who delighted audiences around the world with his romantic vision and often extravagant productions, most famously captured in his cinematic “Romeo and Juliet,” has died in Rome at 96.

While Zeffirelli was most popularly known for his films, his name was also inextricably linked to the theater and opera. Showing great flexibility, he produced classics for the world’s most famous opera houses, from Milan’s venerable La Scala to the Metropolitan in New York, and plays for London and Italian stages.

Zeffirelli’s son Luciano said his father died at home on Saturday.

“He had suffered for a while, but he left in a peaceful way,” he said.

Zeffirelli made it his mission to make culture accessible to the masses, often seeking inspiration in Shakespeare and other literary greats for his films, and producing operas aimed at TV audiences.

Claiming no favorites, Zeffirelli once likened himself to a sultan with a harem of three: film, theater and opera.

“I am not a film director. I am a director who uses different instruments to express his dreams and his stories – to make people dream,” Zeffirelli told The Associated Press in a 2006 interview.

From his out-of-wedlock birth on the outskirts of Florence on Feb. 12, 1923, Zeffirelli rose to be one of Italy’s most prolific directors, working with such opera greats as Luciano Pavarotti, Placido Domingo and his beloved Maria Callas, as well Hollywood stars including Elizabeth Taylor, Mel Gibson, Cher and Judi Dench.

Throughout his career, Zeffirelli took risks — and his audacity paid off at the box office. His screen success in America was a rarity among Italian filmmakers, and he prided himself on knowing the tastes of modern moviegoers.

He was one of the few Italian directors close to the Vatican, and the church turned to Zeffirelli’s theatrical touch for live telecasts of the 1978 papal installation and the 1983 Holy Year opening ceremonies in St. Peter’s Basilica. Former Italian Premier Silvio Berlusconi also tapped him to direct a few high-profile events.

But Zeffirelli was best known outside Italy for his colorful, softly-focused romantic films. His 1968 “Romeo and Juliet” brought Shakespeare”s story to a new and appreciative generation, and his “Brother Sun, Sister Moon,” told the life of St. Francis in parables involving modern and 13th-century youth.

“Romeo and Juliet” set box-office records in the United States, though it was made with two unknown actors, Leonard Whiting and Olivia Hussey. The film, which cost $1.5 million, grossed $52 million and became the most successful Shakespearian movie ever.

In the 1970s, Zeffirelli’s focus shifted from the romantic to the spiritual. His 1977 made-for-television “Life of Jesus” became an instant classic with its portrayal of a Christ who seemed authentic and relevant. Shown around the world, the film earned more than $300 million.

Where Zeffirelli worked, however, controversy was never far away. In 1978, he threatened to leave Italy for good because of harsh attacks against him and his art by leftist groups in his country, who saw Zeffirelli as an exponent of Hollywood.

On the other hand, piqued by American criticism of his 1981 movie “Endless Love,” starring Brooke Shields, Zeffirelli said he might never make another film in the U.S. The movie, as he predicted, was a box office success.

Zeffirelli wrote about the then-scandalous circumstances of his birth in his 2006 autobiography, recounting how his mother attended her husband’s funeral pregnant with another man’s child. Unable to give the baby either her or his father’s names, she intended to name him Zeffiretti, after an aria in Mozart’s “Cosi fan Tutti,” but a typographical error made it Zeffirelli, making him “the only person in the world with Zeffirelli as a name, thanks to my mother’s folly.”

His mother died of tuberculosis when he was 6, and Zeffirelli went to live with his father’s cousin, whom he affectionately called Zia (Aunt) Lide.

It was during this period of his childhood, living in Zia Lide’s house with weekly visits from his father, that Zeffirelli developed passions that would shape his life. The first was for opera, after seeing Wagner’s “Walkuere” at age 8 or 9 in Florence. The second was a love of English culture and literature, after his father started him on thrice weekly English lessons with a British expatriate living in Florence.

His experiences with the British expatriate community under fascism, and their staunch disbelief that they would be victimized by Benito Mussolini’s regime, were at the heart of the semi-autobiographical 1991 film “Tea with Mussolini.”

He remained ever an Anglophile, and was particularly proud when Britain conferred on him an honorary knighthood in 2004 — the only Italian citizen to have received the honor.

As a youth, Zeffirelli served with the partisans during World War II. He later acted as an interpreter for British troops.

The lifelong bachelor turned from architecture to acting at the age of 20 when he joined an experimental troupe in his native city.

After a short-lived acting career, Zeffirelli worked with Luchino Visconti’s theatrical company in Rome, where he showed a flair for dramatic staging techniques in “A Streetcar Named Desire” and “Troilus and Cressida.” He later served as assistant director under Italian film masters Michelangelo Antonioni and Vittorio De Sica.

In 1950, he began a long and fruitful association with lyric theater, working as a director, set designer and costumist, and bringing new life to works by his personal favorites — Mozart, Rossini, Donizetti and Verdi.

Over the next decade, he staged dozens of operas, romantic melodramas and contemporary works in Italian and other European theaters, eventually earning a reputation as one of the world’s best directors of musical theater.

Both La Scala and New York’s Metropolitan Opera later played host to Zeffirelli’s classic staging of “La Boheme,” which was shown nationally on American television in 1982.

Zeffirelli returned to prose theater in 1961 with an innovative interpretation of “Romeo and Juliet” at London’s Old Vic. British critics immediately termed it “revolutionary,” and the director used it as the basis of frequent later productions and the 1968 film.

His first film effort in 1958, a comedy he wrote called “Camping,” had limited success. But eight years later, he directed Elizabeth Taylor and Richard Burton in Shakespeare’s “The Taming of the Shrew,” and made his distinctive mark on world cinema.

When Zeffirelli decided to do “La Traviata” on film, he had already worked his stage version of the opera into a classic, performed at Milan’s La Scala with soprano Maria Callas. He had been planning the film since 1950, he said.

“In the last 30 years, I’ve done everything a lyric theater artist can do,” Zeffirelli wrote in an article for Italy’s Corriere della Sera as the film was released in 1983. “This work is the one that crowns all my hopes and gratifies all my ambitions.”

The film, with Teresa Stratas and Placido Domingo in the lead roles, found near-unanimous critical acclaim on both sides of the Atlantic — a rarity for Zeffirelli — and received Oscar nominations for costuming, scenography and artistic direction.

Zeffirelli worked on a new staging of La Traviata as his last project, which will open the 2019 Opera Festival on June 21 at the Verona Arena. “We’ll pay him a final tribute with one of his most loved operas,” said artistic director Cecilia Gasdia. “He’ll be with us.”

Zeffirelli often turned his talents toward his native city. In 1983, he wrote a historical portrait of Florence during the 15th and 16th centuries, what he called the “political utopia.” During the disastrous 1966 Florence floods, Zeffirelli produced a well-received documentary on the damage done to the city and its art.

“I feel more like a Florentine than an Italian,” Zeffirelli once said. “A citizen of a Florence that was once the capital of Western civilization.”

Accused by some of heavy-handedness in his staging techniques, Zeffirelli fought frequent verbal battles with others in Italian theater.

“Zeffirelli doesn’t realize that an empty stage can be more dramatic than a stage full of junk,” Carmelo Bene, an avant-garde Italian director and actor and frequent Zeffirelli critic, once said.

It was a criticism that some reserved for his lavish production of “Aida” to open La Scala’s 2006-7 season — his first return to the Milan opera house in a dozen years and the fifth “Aida” of his career. The production was a popular success, but may be remembered more for the turbulent exit of the lead tenor, Roberto Alagna, after being booed from the loggia.

“I’m 83 and I’ve really been working like mad since I was a kid. I’ve done everything, but I never really feel that I have said everything I have to say,” Zeffirelli told The Associated Press shortly before the opening of “Aida.”

Zeffirelli had trouble with his balance after contracting a life-threatening infection during hip surgery in 1999, but didn’t let that slow him down. “I always have to cling on this or that to walk … but the mind is absolutely intact,” he said in the AP interview.

———

Giada Zampano contributed from Rome.

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