#oliver newton

[teknikolor-walters]

WOE.BEGONE ocs masterlist!!

Decided to make one of these finally because there's a lot of them

MIKELIJAH CONSOLIDATIONS

Cicada Walters (they/he/she bird/wing)- Consolidation between Mikey Walters and Eli Mayfield. My self insert! And my favorite disaster bisexual. They're one of the founders of H1VE. In a romantic relationship with PR1ZE and Jessica.

C.W. (they/he/she bird/wing)- Cicada iteration from the future. They came back to the present to help out with the H1VE and Elijah conflict. After that, they pop in for individual missions and corrections, but mostly stay in their own time.

Scarab Walters-Baker (they/she yee/haw)- Cicada's older, cooler, and sadder cowboy iteration! They're about 10 years older, give or take. Used to be a flinchite boot but rebelled and helped Cicada escape the compound. Married and in a qpr with B0UNTY and Jessie. Part of H1VE.

Timema Walters (she/he)- Iteration of Cicada still playing WOE.BEGONE. She works at OI and is still doing missions for them. She keeps surveillance over H1VE and protects them in the ways that he can, but doesn't interact with them outside of that.

Viceroy Walters (he/xhey)- Iteration of Cicada, iterated off at the same time Timema was. He works at OI and goes to OVER occasionally. Part of a separate base inside of OI, run by a different OI worker, Facade. (Heshemikey's oc) Xhey're part of the Elijah council.

Rove Walters (he/him)- Iteration of Timema that she created to try and help escape from WOE.BEGONE. Rove ran off and met M3DAL, a PR1ZE iteration, and now they live their stupid little hippie lives on the beach. He's filled with paranoia about WOE.BEGONE finding him and kills any iteration he sees of himself on sight.

Mantis Walters (he/they)- Mikelijah consolidation, not a Cicada iteration. Basically just the came back wrong trope. I love him. He's so angry all the time and at everyone. Most iterations of them are compound torture subjects but there are a couple running around on the outside. One of their iterations is part of H1VE.

Hornet King-Walters (he/they xe/xet)- Consolidation of Cicada and Damian (also a two person consolidation). Has a small council but they don't do much except for steal stuff from OVER. Has a bunch of medical issues because of their consolidation. Coowned by @ltacryptid. Xe's also in a weird polyam relationship with xet's other iterations and Ana and Hyde.

H2 (he/him)- Hornet iteration. Very much the quietest and softest iteration, but still ruthless.

H3 (she/they/he)- Hornet iteration. Literally Will Just Kill You.

H4 (he/it)- Hornet iteration. Quietly angry and sad all the time.

H5 (he/she)- Consolidation between two Hornet iterations. Completely immobile. His body is always falling apart. The only reason he's still alive is because Ty wants to see how long it takes her to die.

Tracker King-Walters (they/them)- Hornet's cowboy iteration. Originally wasn't part of the council but got roped into it. Also will just kill you.

MISCELLANEOUS

Elijah Alexander Mayfield (he/she/they)- Hoo boy. Where do I even start. The council of elijahs are probably the most powerful ocs I have. They have their grubby little fingers in every time travel org out there except Walters Base. They all consider themselves they same person even though the aren't so they all use the same pronouns. They're all bastards. ESPECIALLY Eli.

Oliver Newton (prns vary between iterations)- The Elijah's rival council. Just as powerful, a little less ruthless. They and Elijah used to be friends, before Eli coerced (read: threatened) Cicada into doing a connectivity strike on them.

Aaron Fowler (he/him)- Elijah's boyfriend and ex WOE.BEGONE player. Used to work at OVER, but then he tried to start his own version of Base and got killed for his efforts. Elijah brought him back, but now he lives in hiding.

Anaphora Lawson (she/they)- Tier 1 OVER worker. Knows a bit of what's going on but wants nothing to do with it. Lives with her partners, the hornet council and Hyde, and just tries to keep them safe. Accompanies the Hornets on their OVER missions anyway.

Brair Campbell (she/her)- Consolidation between Anne and an unnamed OI worker. May's (Elijah's OI iteration) pet project. OI made her forget she's a consolidation and she's just living a normal life. Now and again the Elijahs use her for something and then she gets her memory back, but it's rare.

[diioonysus]

"A death mask is a likeness of a person's face after their death, usually made by taking a cast or impression from the corpse. Death masks may be mementos of the dead or be used for creation of portraits.

The main purpose of the death mask from the Middle Ages until the 19th century was to serve as a model for sculptors in creating statues and busts of the deceased person. Not until the 1800s did such masks become valued for themselves.

In other cultures a death mask may be a funeral mask, an image placed on the face of the deceased before burial rites, and normally buried with them. The best known of these are the masks used in ancient Egypt as part of the mummification process, such as the mask of Tutankhamun, and those from Mycenaean Greece such as the Mask of Agamemnon."

[miralure]

A beautician specialising in hair, makeup and skincare and her emotional support puppy Sprinkles :)

Will hopefully be posting some gameplay with her!!!!

Thanks CC creators! @pralinesims @simuko @enriques4 @dogangje @tina-sims @its-adrienpastel

[littleblackraincloudofcourse]

Luke and Ryan both used "to the core" describing the closeness of their relationships (Polin and Buddie)

Nicola and Oliver both said they had natural chemistry with their co-star (Nicola saying they stopped repressing it, Oliver saying they just let it flow)

Now 911 is posting bees for next season!What in the friends-to-lovers is going on!!

[fill-me-with-dirt]

Crazy how a podcast character can give me gender envy. Girl that is WORDS !!

[logray]

THE INCREDIBLES (2004) dir. Brad Bird

"In a stunning turn of events, a superhero is being sued for saving someone who, apparently, didn't want to be saved."

[thetooncrew]

anyway. lupin the third if he was a codename kids next door

[mooncustafer]

(edit) Forgot add the caption "It's pathetically obvious that I have A Type"

[granny-weatherwax]

This specific gif with the cast of Lisa Frankenstein is giving such greencanary vibes what even

[back-and-totheleft]

"Oliver, he’s an accidental intellectual in a way, and a fucking genius director. Any chaos is very much within his own personal space. He takes references from everywhere: suddenly he’ll speak to you in French, or about some ancient Greek myth, but it’s all exquisitely relevant to what you’re doing. Oliver kind of reminds me of a bear with a splinter in his paw. There’s just something that he’s trying to get to, and it hurts him. I just loved that about him and desperately wanted to create whatever was necessary to get to that place.” -Thandiwe Newton on Oliver Stone, The Sunday Times, Sept 2008

[cinemaocd]

There is a scene in David Lean's Oliver Twist where Bill Sikes (Robert Newton) wakes up after murdering his girlfriend in a drunken rage the night before. It's clear that he doesn't really remember what happened but he wakes up and finds her dead body. It's a brightly lit room (as contrast to most of the movie which is all shadows and greasy cobbles and chiroscura lighting) and there is no music in the scene, just the noise of passersby on the street outside, traffic etc.

Lean shows us Bill's face (and Newton's acting here is absolutely minutely perfect) in a long, relentless take and then he cuts away to Bill's dog who is absolutely terrified. That little guy gives the performance of a lifetime. The dog knows that Bill murdered her and he knows what is going to happen when Bill realizes he murdered her and you imagine it's at this point that Bill would normally lash out at the dog. Instead Bill opens the door and is about to leave and we see the dog launch himself across the room to get out of the door ahead of him.

Later, the dog leads the angry mob to Fagin's hideout because Bill is with them there. Bill goes out in the street to silence the dog, but the mob is already coming down the road, it's too late.

All of this is silent, done without much if any dialog. The whole thing with the cobblestones and the dog reminds me so much of The Third Man which came out the next year and had a big chase across wet cobblestones involving an animal that was associated with the person being hunted...

[crownspeaksblog]

Misogyny is the reason why claire novak and mia queen didn't get their own show..

[nae-vis33]

Banner gif

Oliver x Oc

Fanfiction:

[miralure]

Summer Days in Tartosa ft. Olive Newton

[littleblackraincloudofcourse]

I've come to the conclusion that if I want to keep my brain functional I have to stop watching/reading 911 and Bridgerton interviews.

"I love you to the core"

"They know each other down to their core"

"We have a natural chemistry. We just let it flow."

"We didn't have to build chemistry. We just stopped repressing it"

The Buddie/Polin parallels are going to the death of me!

[byneddiedingo]

John Howard Davies and Robert Newton in Oliver Twist (David Lean, 1948)

Cast: Robert Newton, Alec Guinness, Kay Walsh, John Howard Davies, Francis L. Sullivan, Henry Stephenson, Mary Clare, Anthony Newley. Screenplay: David Lean, Stanley Haynes, based on a novel by Charles Dickens. Cinematography: Guy Greene. Art direction: John Bryan. Film editing: Jack Harris. Music: Arnold Bax.

After George Cukor's 1935 David Copperfield, this is my favorite adaptation of Dickens for film or TV. What Lean does right is to treat the Dickens book as a fable, not a novel. A novel takes its characters seriously as human beings; a fable sees them as embodiments of good and evil. And there's plenty of evil on display in Oliver Twist, from the brute evil of Bill Sikes (Robert Newton) to the venal evil of Fagin (Alec Guinness) to the stupid evil of Mr. Bumble (Francis L. Sullivan) and Mrs. Corney (Mary Clare). Oliver (John Howard Davies) is innocently good, whereas Mr. Brownlow (Henry Stephenson) is a man of good will. Nancy (Kay Walsh) and, to a lesser extent, the Artful Dodger (Anthony Newley) are potentially good people who have been corrupted by evil. The performers are all beautifully cast, especially Davies as Oliver: He's just real-looking enough in the role that he doesn't become saccharine, the way some prettier Olivers do. This is Lean in what I think of as his great period, when he was making beautifully filmed movies with just the right measure of sentiment: Brief Encounter (1945) and Great Expectations (1946) in addition to this one. But he would be bit by the epic bug while working on The Bridge on the River Kwai (1957), and its success would betray him into bigger but not necessarily better movies: Lawrence of Arabia (1962), Doctor Zhivago (1965), and the rest of his later oeuvre would have the same attention to visual detail that make his early movies so rich, but they seem to me chilly in comparison. Here he benefits not only from a perfect cast, but also from Guy Green's photography of John Bryan's set designs. There are probably few more terrifying scenes in movies than Sikes's murder of Nancy, which sends Sikes's dog (one of the most impressive performances by an animal in movies) into a frenzy. Running it a close second is Sikes's death, seen from a vertiginous rooftop angle. We don't actually see the death, but only the swift tautening of the rope as he plunges, punctuated by a sudden snap. The film is not as well known in America as in Great Britain: Guinness's portrayal of Fagin elicited charges of anti-Semitism, especially since the film appeared so soon after the world learned about the Holocaust. Guinness doesn't play to Jewish stereotypes, but Fagin's absurdly exaggerated nose (which makeup artist Stuart Freeborn copied from George Cruikshank's illustrations for the novel) does evoke some of the caricatures in the Nazi newspaper Der Stürmer. The film was edited to remove some of the shots of Fagin in profile, and was held from release in the United States until 1951.