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kaija-rayne-author · 2 hours ago

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Rubs eyes and the wrinkle in my forehead.

Really, if you don't like someone's critical post? Maybe roll your eyes and move on? Basic social media manners there.

Girlstandstill, perhaps you should've stuck to your 'you usually don't'. You probably bit off more than you can chew with me. I'm in pain, and I'm not in the mood to allow someone to call something I wrote for me and like minded people, from my broken heart, be called a bad take.

Chibichibisa, thank you for your measured response.

Epler is on record as saying he disliked Solas and wanted to punch him. I'm not pulling it out of my ass. Frankly, at this point, after the interviews, the AMAs and the probable lies, I'm not minded to believe a word he says. Judging anyone's mood based on a social media post is... a choice. Fool me once, shame on me and all. Harassment is never okay. I've also unfollowed all the devs for behavior unbecoming a creative professional on social media.

You're right, it didn’t go anywhere 'til Corinne came on board. I wish she hadn't. Because now she's doing interviews claiming it's 'identity politics' and 'culture wars' making the game tank rather than just owning that the team fucked up and shipped a game that just isn’t good on so many levels I honestly probably couldn't list them all. She also claimed somewhere they were going back to the roots of DA. That's bloody laughable at this point.

I would much rather this game had remained in developmental hell than ever have been released as it is. Or never even made at all. I'm really tired of people defending the devs like they're some poor coal miners working for company scrip. They. Are. Not.

These are supposed to be seasoned professionals with the skills to make a game that fits with the other games in the series. Someone made decisions every step of the way. Someone had a creative vision that did not work in the DA world. And they went with it, anyway. No matter how many things they had to twist out of shape to make it happen. Am I unfair in blaming the Creative Director for that? Isn't that his actual job?

And I highly doubt EA was going over the script with a magnifying glass and saying 'here, make the writing worse here'. Why? EA likes to make money. They would've wanted a successful game. DAV is not a successful game. Every single clue points at it sinking so badly. And Corinne's most recent interview read more like a resume.

I was more in my feelings with my original post, (on my wall, tagged appropriately with the critical tags) but I write from the perspective of a professional creative, working in a similarly brutal industry who makes a product for people to buy.

I'm not just a fan who knows very little. I've worked in creative industries for fifteen or more years. I know of what I speak.

If my product sucks, I expect to be scolded at best for it. I expect to own anything I fucked up because that is how a professional creative acts. The devs act like they had nothing at all to do with how bad it came out.

They've misled us from the start, they blamed the marketing team for 'misrepresenting the game' in the gameplay reveals when the marketing team actually did a pretty good job at showing the game for what it is.

The devs were the ones we all depended on to make it at least decent. Which, on a number of levels, they did not. That is their responsibility, as the creators of the game, to own. Just like it's my responsibility if my product sucks. Is it hard? Yup. It's hard in every single creative industry on the planet.

It's not right, but that is the world we live in.

Does late stage capitalism suck? Yup. Do I want capitalism to die? Unregulated capitalism, absolutely. Are most of, if not all AAA studios struggling? The ones I know of are. And they're going to keep on struggling while they keep working the way they do.

Personally, I've developed a greater interest in indie games since playing DAV. My money won't be going to AAA/corporate owned studios anymore, no matter how much I love pretty graphics.

BioWare has always been very clear that they have a lot of control over the games they make. So either they're lying about that, and EA really is the big, evil monster. Or people are blaming EA unfairly, and it really is BioWare's fault. In all fairness, it's very possibly a bit of both. (To be clear, I hate EA. I hate late stage capitalism. It should not be this way.) But unless someone spills the beans, we will never know who is truly responsible for the poor product they released.

It's all guessing.

All we can honestly know is that they released a poor product. One that is under fair critique by reasonable people (I'm ignoring the existence of the arsewipes because this isn’t about them.) It's about regular gamers who are disappointed in a product they purchased and are fairly communicating their disappointment with it.

I suspect for a number of reasons that the decision makers knew it was bad and gamers wouldn't like it, too.

What we do know? They paid tons of money to big game magazines for positive reviews (because that's how magazines like that work) while denying game keys to honest reviewers.

We know the game doesn't follow established Lore.

We know 80% of the writing is poor, at best.

By the time they laid off the writers, the game was being test played. So it's an unlikely reason for it to suck.

Most of us had to work through covid. I wouldn’t expect people to give me any leeway on a bad product because of it.

As far as insulting to the devs? Since when is it insulting to say, 'hey, this product you made isn't good'. That's the basic right of people who paid money (that a lot of gamers often don't have a lot of) for a product, and were disappointed in the product.

Devs see this kind of stuff? Yeah, you know, that's called professional development. It sucks. Every creative deals with it on some level. And it's not as if I tagged them, or posted that anywhere but properly tagged with the critical tags on my wall.

One of the first things they try to teach newer creative folks regardless of industry is to not go looking for reviews. If they do that and find my honest reactions to their game, that's on them. Not me for writing about my feelings on my blog.

I followed the devs closely for years. I never once got the impression they were struggling with EA all that much.

Romance in these games sells. And, again, EA wants to make money.

When exactly did Corinne say that? I've already seen her lie, in print, about this game. And easily provable lies, too. Was it after people complained about the objectively poor romances?

I didn't say anything about the marketing team in my original post. Though I have had a few things to say about their treatment elsewhere. (Spidey senses activating.)

The dev team cared, huh?

They cared enough to get the lore right? (They did not.)

They cared enough to decently edit the text? (Nope)

They cared enough to make a balanced game where a rogue player can enjoy it as much as a tank player? (Again, nope.)

Am I willing to believe whoever came up with Joplin wanted to make a good game that most gamers would enjoy? Absolutely.

But there's a thing called creative exhaustion. At some point, every creative can reach a point of 'fuck it, I don't give a shit about this product anymore, I never want to see it again.' Am I inclined to believe that's what we're dealing with regarding DAV? Yup.

Did they love it? Maybe. You can't really tell that from most of the game itself, and media critique, editing, and writing is my actual job. One I'm pretty decent at.

I can tell when someone loved the thing they made. I believe Sylvia truly loved Emmerich and his story. Because it shows. I believe the arts department loved their work, because it shows. It always does.

You seem to be writing under the delusion that I haven't thought about the devs' experiences and feelings. That I haven't followed them, talked to them, watched closely, hoping for a decent game that did the story justice. You seem to be writing from the concept that I don't work in a similarly brutal field. Those are incorrect assumptions.

I even told Epler he needed decent developmental, content, and diversity editors after playing DAI. (No. I absolutely do not want to work for bloody BioWare, it had nothing to do with that, and everything to do with the issues I saw in DAI that I hoped would be addressed for DAV.) I asked Trick if there was any hope of a happy ending for Solavellan. They led me to believe there was. "There is a suggestion of a happy ending." I'm happy for people who liked that ending. It does not fit the industry requirements for a happy ending.

This entire game feels like a shitshow of the highest calibre. And the devs are at least partially responsible for that.

Pardon me if I hold professional creatives pulling probably decent paychecks with benefits responsible for the product they want people to buy.

And I will absolutely hold them professionally responsible for their behavior in the face of legitimate, fair critique.

Please just do us all a favour and let the post you shouldn't have responded to drop. I'm more likely to fry your face off next time. Given how your reblog has made me feel, (which, to be clear, is very bad) I've been remarkably polite, thus far.

Dragon Age, as a series, deserved so much better than Veilguard.

Spoilers for Veilguard and maybe other DA stuff.

Obligatory 'I'm not an asshole' disclaimer. Feel free to jump to the cut if you've read it.

Something came to my attention. I need to make it crystal clear that I utterly love the diversity in DAV. It's fantastic. I'm also a heavily left leaning, non-binary, queer as fuck reviewer, editor, and author.

I was on media blackout while I played DAV. Please be safe and take care of yourselves. Arguing with incels and white supremacists is completely pointless. They sea lion worse than an actual sea lion. Your mental health is important.

Though, every single time the anti-queer brigade comes out for a new DA game, I sit there thinking 'have you bozos ever played any DA game, like, ever?' My guess is nope.

Note. None of my writing on DA, but especially DAV, is edited. This is just my off the cuff writing. I don't have the time, energy, or heart to edit them properly.

The Solavellan romance deserved a much better end than 'die and go to fade prison'. I agree that Inky would likely be happy to leave. She's as traumatized as Solas for having to lead when she didn't want to. But I needed more than a craptastic Romeo and Juliet ending.

I refuse to do the heavy lifting for the writers. If it wasn't shown in the game or in supplementary materials, it didn't happen. Showing us the story was the writers' and devs job, not mine.

I mourn what will never be, even as I work on a Solavellan fix it fic.

How could they betray the IP so badly?

How could they betray their fanbase so badly? The fanbase that kept hope for that game alive for 10 years. I've seen so many people saying they've lost their interest or passion for the entirety of Dragon age. That they're not even remotely interested in another game because absolutely none of the choices we made in previous games matters anymore. They've wiped everything clean... or blighted it anyway. (I have absolutely no interest in another DA game. Not with Epler/Busche/Weekes involved. And whoever designed that ridiculous fighting system.)

The only way I could possibly be interested in another game would be if they loudly decanonized DAV, gave us a DLC (they've already confirmed there will be no DLC) that showed us Solas and Inky happy and not in a horrible place. One that showed us that somehow, something changed for the elves.

But that's so unlikely it's laughable.

The elves deserved a better ending. Are the survivors still enslaved or living in alienages? What actually changed for the elves except the largest portion of the Dalish being dead from blight? (That’s a real elvish win, isn't it?)

I'm a stubborn person. I refuse to let Epler's 'hate-revenge on Solas fan fic' ruin something I've loved for years. I still have the first 3 games. I'll make an actual happy ending and a decent romance for Rook in my fic.

And by the fact they paid a fortune to big gaming magazines while denying game keys to bigger honest reviewers... they knew.

They knew gamers wouldn't like it and tried to blow so much smoke up our asses with the interviews and AMAs.

How do they even sleep at night?

I'm a creative too, I write, do graphic design, digital (learning) and traditional (good) art.

My stories are important to me. They deserve not only an ending, but an ending that respects the characters, lore, and world that I've created.

My readers deserve that, too.

I, as the creator of my stories, deserve a decent, respectful ending.

Dragon age deserved it, too. A good, well thought out, and well written ending to the story of the Dreadwolf storyline, which, if you're paying attention, is intertwined through all 3 games. It's not just in Inquisition. One that made sense to the collected Lore, his struggles and mistakes, his literary role as an anti-hero.

I would never be able to do what they've done to a beloved series. I could never knowingly mislead fans like they did.

It's just a really painful reminder that beloved stories can be utterly destroyed in the wrong hands. And a reminder that there's so much talent and skill in Fan fic.

Busche worked on the Sims. No wonder the companions often feel as interesting as wet cardboard. Most Sims NPCs do, too. (I actually enjoy the Sims, but the NPCs aren't why I like it.)

And she had the gall to blame 'culture wars' and 'identity politics' for why the game is tanking. Rather than take ownership of the incredibly bad calls made for DAV.

It's just gross. I wish I could stop thinking about it. But Dragon Age got me through some tough times. It means a lot to me.

And it just deserved better. So did we.

#veilguard critical #Everyone involved did their best Im sure but it was their responsability and it's simply not good for the franchise #I genuily think it is not a good dragon age game and they were hired to make one and yes they had their part into do this #dragon age

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nereidprinc3ss · 11 months ago

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light of the morning

in which spencer sneaks into bau!reader's hotel room and they share a little more than just the bed

18+ (smut) warnings/tags: softdom!spence x sub reader, munch!spence, unprotected piv sex (dont do that), creampie (hate that word btw) praise, mentions of having to be quiet because morgan is right next door LOL, fluffy, established co-workers/friends with benefits, soooo idiots in love a/n: here is the promised smut. i am literally kicking my feet and twirling my hair and giggling and blushing at my own writing. I'm gonna have a freak out. requests are open like my legs

It’s late when the knock finally comes. Late enough that you’re dozing on the bed above the covers.

It takes you a moment to reorient yourself—you’re rubbing your heavy eyes when you finally get the door.

"Hi."

"Hey," says Spencer, hands awkwardly shoved into his pajama pants pockets. It’s funny, really. He never gets any better at this.

You step aside and he enters the room, looking around as you close and relock the door.

"Did I wake you?"

"How could you tell?"

"You’re in pajamas. And you look tired. I mean—you don’t look bad. You never look bad, I just meant… you don’t look tired but you’re not—I didn’t mean to—"

"Relax," you yawn, putting him out of his misery. "I was joking. I know I look tired." You glance at the digital clock on the nightstand. "It’s late. We have to be up early tomorrow."

"Yeah, I got, uh, sidetracked. Sorry."

He was reading. If it was anyone else, you'd be offended--but a sinkhole could open up under Spencer's feet and he probably wouldn't notice if he was absorbed in a book.

You shrug, a knowing smile lifting the corner of your mouth.

"It’s fine. But I don’t know if tonight is a good night. I really am exhausted."

His eyebrows dart up.

"That’s fine. That’s totally fine. I’ll just, uh—"

When you don’t move from in front of the door, he pauses, unsure. You bite the inside of your cheek, studying his rangy frame and choice of clothing. Blue pajama pants, slippers, grey CalTech zip up hoodie. It feels wrong to describe a 6'1 man as adorable, but that’s how he looks in his sleep clothes. There’s a very real chance, you find yourself thinking, that you are the only member of the BAU to ever see him in something other than slacks and a button-down. He looks so cozy that you kind of really want him in your bed even if he’s not doing anything but sleeping. The invitation slips out before you can think too hard about it.

"You could… stay, anyway, if you want?"

His mouth parts slightly, and those eyebrows raise again. There’s a moment of awkward silence and you are very much beginning to regret your offer, wondering if you somehow violated the sanctity of your co-workers/friends with benefits situtationship. Clumsily you try to backtrack.

"Sorry, I didn’t mean to make you uncomfortable, you can—"

"No, no! You didn’t, I just don’t want you to feel obligated to invite me to stay in your room. I’m right across the hall, I can go back if you want me to."

You smile awkwardly, silent relief replacing the brief anxiety.

"It’s fine. It’s not like we haven’t shared a bed before." And not like you wouldn’t have ended up doing it tonight anyway, if things had gone as originally intended.

He chuckles, looking to the floor and nodding. The blush on his face does not go unnoticed by you. "Fair enough."

It’s incredibly endearing how nervous he still gets after six months of this little arrangement.

"Do you wanna get your stuff, or…"

"No, that’s okay. I’ll just go back early tomorrow. The chances of someone seeing me leave your room are significantly higher if I do it so soon after entering."

You squint, unable to tell if he’s fucking with you or if that’s an actual statistically sound probability. And then you realize, blissfully, that you don’t really care.

"Okay, well. Make yourself comfortable. I’m just going to brush my teeth."

Once you’re enclosed in the bathroom, hotel vanity lights blinding you as you brush, you find that there is a jittery sort of apprehension buzzing in your chest. But that’s silly. As you yourself pointed out, the two of you have shared a bed many times over the past few months. But the sleeping together is always a byproduct of the sleeping together. Never have you shared a bed in a completely decent, virtuous, strictly non-sexual manner. It’s always been a matter of convenience—less bother if he doesn’t have to worry about sneaking back into his room in the middle of the night when you’re both exhausted. Or maybe that’s just what you’ve been telling yourselves.

You rinse your mouth out and exit the bathroom, flicking off the light and finding that Spencer has indeed made himself comfortable. The hotel room is dark and he’s already under the covers, fiddling with his phone.

"What time should I set the alarm for?" He asks, looking over at you as you crawl into bed, drawing the covers over yourself. "I was thinking 6:23. That should give me enough time to—"

"Sounds perfect," you affirm, wiggling under the blanket as you get comfortable. He schedules the alarm and sets his phone on the bedside table, dousing the room in complete darkness. Your eyes stay open despite, waiting for them to adjust. A few moments of utter silence and stillness pass, and you can tell Spencer is completely stiff next to you.

"Spencer."

“Yeah,” he answers immediately. Like he’s even more wired about this whole situation than you are.

"You know you don’t have to avoid touching me at all costs, right? I’m not a leper."

He looses a nervous laugh.

"I know. We’ve just never really done this."

You frown at the darkness.

"We’ve definitely slept in the same bed before."

"Yeah, but… this feels different."

That, you can’t argue with. Can friends with benefits share a bed just to be near each other? Does that blur some line? And why does it feel more intimate than the sex?

Screw it. If there is one thing you don’t want your relationship with Spencer to be, it is uncomfortable. Uncertain, you can work with. But not uncomfortable. You reach for him, hand sliding under the duvet—and find his hand already waiting for yours.

"I don’t think it’s that different," you lie, interlacing your fingers together slowly.

"Prolonged physical non-sexual contact does have measurable health benefits…" the words are murmured, like the moment is fragile and he doesn’t want to shatter it.

"Can’t argue with the facts," you breathe, trying to modulate the shakiness of your voice. But you have a feeling you’re doing about as good of a job at concealing your nerves as he is. He shifts.

"Can I…"

"Yeah."

Your heart is pounding as he slips one arm under your neck and the other around your waist, pulling you close. Instinctually you curl into him, slinging your top leg over him as you’ve done before, but always dismissed as post-sex brain chemicals making you feel all warm and fuzzy. A neurological reaction that is so solidly scientific, neither of you ever questioned it. But it feels bigger now.

He exhales as you settle against each other—a sound of relief that mirrors your own. He’s so warm, so safe as he envelops you, physically and sensorially. In such close proximity, so clear-headed, you notice each layer of his scent. Toothpaste, lavender, vetiver, detergent. You sort of feel like a creep, but you can’t deny how comforting it is. Nor can you deny the pirouette your heart does when he begins minutely rubbing your back, like he’s not even thinking about it.

"Goodnight," you whisper into his shirt.

"Goodnight," he whispers back.

You fall asleep pretty quickly after that.

------------------------------

It’s unclear what wakes you up—maybe it’s the blue-grey dawn light filtering in through the filthy window (doubtful, it’s still mostly dark) or maybe it’s the blinking green digital clock on the nightstand. 5:02 AM. Your alarm will go off in an hour and 21 minutes.

Sometime in the night you shifted, turning over in your sleep, but Spencer is still holding you close. The arm slung so casually over your waist is slightly domineering, but you manage to rotate again and face him once more. Mere inches away from his face you can see every detail. His expression is so peaceful, it makes your heart ache.

But you’re just friends.

Perhaps he felt you moving, because his eyes flutter open and you watch as they flood with consciousness. He takes you in, takes in his arm over your waist. For a split second you’re nervous he’ll pull away.

"What time is it?" His voice is scratchy with sleep.

"Five."

"Why are you awake? We have over an hour til the alarm goes off."

"Sometimes waking up early is okay."

His eyes flicker between your own, and momentarily you’re paralyzed as you realize this is a limbo state for the two of you in which you’ve never operated. You don’t know what’s acceptable. You don’t know what to do. Being close to him feels so good, that the idea of separating hurts. But you don’t want to make him uncomfortable, or—

He leans forward and kisses you softly. In the blue light of dawn, rather than frenzied and hidden in the dark, a desperate tear of clothes and teeth and hands—it’s almost freeing. All the anxiety you were feeling just seconds ago begins to melt.

Friends.

"You looked anxious," is his whispered answer after he pulls away a moment later, like a kiss is the simplest remedy in the world. He brushes a lock of hair behind your ear. "We should go back to sleep."

"I don’t want to go back to sleep."

The corner of his mouth twitches as he studies you.

"No? What do you want?"

Emboldened by your mutual indiscretion, it’s your turn to kiss him. You feel him smile against your lips, hand finding the back of your neck and raking up through your hair to pull you closer.

The delirium of sleep seems to have softened you, filed down the rough edges of your boundaries and kicked away the lines in the sand. What’s a kiss or two when you’ve just woken up? A small, innocuous display of affection while you’re still barely conscious. Nobody could fault either of you for that. People don’t think clearly when they’ve just been asleep.

So what if your lips part against his, and his other hand finds its way under your shirt to stroke the bare skin of your waist and hips? So what if you hitch that leg over him again and press closer?

Spencer breaks the kiss, still ghosting over your lips.

"I thought it wasn’t a good night?"

"It’s not night time anymore, is it, genius?"

You sneak another kiss, nipping his bottom lip gently as you pull away.

Instead of whatever array of responses you were expecting, Spencer smiles slightly, eyes almost sparkling in the faint light. The hand on your hip moves to your face, gently thumbing across your cheek. He begins to say something, and stops himself—biting his lip to hold back the words.

"What?" you ask, heart dropping. Illusion fracturing.

"I was just—" he begins, pausing for a moment before the words all come out in a rush. "I was just going to tell you how beautiful you are, but I don’t know if that’s something I should say, or if it would feel too… I don’t know…"

He trails off. A rare instance in which he doesn’t have the words.

You do. Intimate. Real. Romantic. And he’s right, it does feel too much like all of those things. But that doesn’t mean you don’t like it, perhaps more than is strictly good for you.

"It’s fine. Thank you."

He continues chewing on his lip for a moment.

"Did I just ruin the mood?"

"No," you laugh, "not at all."

"Thank god," he sighs, surging forward again.

"Since when do you thank god?" You manage between kisses.

He moves to press his lips to your jaw and down your neck.

"Do you want me to talk about the historical and cultural transition of religious expressions into ubiquitous secular colloquialisms right now?"

"Kind of," you breathe.

"No you don’t," he murmurs against your neck as his hands find the hem of your shirt. "You want me to take your clothes off."

Well, he’s not wrong there.

You help him tug the shirt over your head before leaning back into the pillows as he situates himself over you and lavishes more kisses down your neck and collarbones, pausing to suck a mark only when he knows it’s low enough to be covered by your clothing later.

You gasp when his lips brush over your nipple, before running his tongue over the sensitive skin. He glances up at you, and though his mouth is occupied, you can see the humor in his eyes. He loves how sensitive you are—how easy it is to get a reaction out of you.

Of course, you continue to prove him right when he takes the other into his mouth, trying to hold back your little whimpers as he darts his tongue over the peak. Maybe somebody else wouldn’t hear them, but Spencer does. He’s hyper attuned to the sounds you make. Something of a catalogue has begun to form in the back of his mind; he knows exactly what each noise means and how to get them out of you.

Once satisfied, he moves to press a kiss to your sternum.

"You’re gonna be quiet for me, right?" Another kiss above your bellybutton. "Because Morgan is sleeping right on the other side of that wall, and we don’t want to wake him up."

"I’ll be quiet," you promise, somewhat breathlessly. Spencer’s mouth trails lower until he’s pulling your shorts down your legs, leaving you completely naked. He tosses them somewhere on the floor and hooks your legs over his shoulders.

"Good." He plants one last kiss to your thigh and the next one lands right between your legs.

You regret the need to be silent almost as soon as he drags his tongue over your clit. It’s not like the two of you have ever had the privilege of making a lot of noise, as the hotel rooms are always so close to each other, but it doesn’t make it any easier.

Instead you opt to rake your hands through his hair and try to take deep breaths. But he knows exactly what you like—he knows starting light and slow, teasing around your most sensitive spot will work you up to the brink of insanity, just like he knows gentle circles make your back arch and elicit the prettiest little moans.

"More," you beg, and the hands wrapped around your thighs rub soothingly, reassuring you that if you can just be patient you’ll get what you want.

He takes your aching clit into his mouth, sucking lightly and you’re forced to clap a hand over your mouth, muffling the sob of pleasure you can’t hold back. Spencer keeps it up until you’re practically riding his face, teasing your dripping entrance with the tip of his tongue when you get too close.

"Fuck, please, Spence," you whisper through your fingers, hips rutting in your desperation. Somehow it always ends up like this—with him in charge and you begging. Not that you have a problem with it, of course.

He hums into you, and if the way his tongue moves back to circling your clit with newfound fervor is any indication, is apparently satisfied with your entreaty.

You gasp and try to control your breathy moans, but his mouth feels so good on you that your vision is going out and you’re losing touch with reality ever so slightly. You use the last of your brain power to bite down on the back of your wrist, hoping it adequately muffles the noises you make as you come on Spencer’s tongue and he greedily continues lapping at you. There’s really no way of knowing—your ears are ringing anyway.

When you come to a moment later he’s peppering kisses on your thighs, rubbing your hips gently.

"So pretty," he murmurs, climbing back up so your lips can meet again. "Everything about you is pretty."

You paw at his shirt, signaling that you want it off as you moan at the taste of yourself on his tongue, feel your slippery arousal staining the kiss. Spencer helps you, sitting up briefly to unzip his hoodie and pull off his shirt.

You’re the one to drag him back down, and you notice that he pulls the covers back over the both of you in a sweet gesture he probably didn’t even think about.

"Need you to fuck me," you beg, reaching down to try and undress him further.

"So crude. What happened to my nice, sweet girl?" He mumbles against your neck, but helps you with his pants anyway.

"You must have me confused with someone else."

"Doubtful."

You don’t have much time to consider what that could mean before he’s running the head of his cock over your clit and you’re gasping into his mouth, saying please like it’s the only word you know.

"There she is," Spencer croons, slipping inside you slow enough for you to feel every inch but quick enough for it to expel all the air from your lungs. Once he’s opened you all the way up, impossibly deep and close, you’re seeing stars, barely breathing. His head has dropped to your shoulder but now he drags his lips up your neck and jaw. "We okay?"

It’s been a while, you realize, since that last case in Maine. He always takes some getting used to. Hardly able to think around the pressure of his cock you nod, trying to string together a few words.

"Fuck, I need a second." The words come out choked, but you manage. Spencer rubs your hip, his lips brushing yours as he speaks.

"Relax, sweetheart. I don’t want to hurt you."

He curses to himself, dropping his head momentarily. You’re so fucking soft, and warm, and perfect, he can’t think straight. But he has to try because he has to take care of you.

"Spence," you gasp, failing to verbally communicate the intensity of the physical sensation.

"I know, baby," comes his sympathetic coo. "You know you can take me. Deep breaths."

"Mhm," you squeak, trying to take follow his directions and soften your muscles. Spencer keeps rubbing soothingly over your hips, stomach, whatever he can get his hands on, really, pressing kisses all over your face and telling you how good you are, how perfect you feel for him. After a few moments he feels you fluttering around him and experimentally pulls out halfway, before pushing back in equally as slowly. Your jaw drops as he begins to leisurely fuck you, arms wrapping around his back. He gets deeper than you expect every time, rubbing you raw and stretching you out in the most delicious way.

"Perfect, baby. Such a good listener, did exactly what I asked."

You cry out when he begins fucking you impossibly deeper, but still so slow and sweet.

"You feel so fucking good for me," he groans. "This is what you were made for, huh?" You agree enthusiastically, eyes fluttering shut.

"Only for you."

Just three words—but he wasn’t expecting to like hearing you say that as much as he does. A strong desire to possess you overtakes him—one that he’ll probably have the decency to feel guilty about later, but for now feels fucking fantastic and intoxicating.

"Only me?"

You moan an affirmation.

"Good. I don’t want anyone else fucking you, do you understand me?"

"Yes!"

"I’m the only one who gets to touch you," he breathes, speeding up ever so slightly, "nobody else is going to feel you like this. Such a good girl, spreading her legs for me at five in the fucking morning. You’re not doing this for anybody else, baby."

"Uh-uh, please, pleasepleaseplease Spence—"

He knows what you need, reaching a hand down between your bodies to rub your clit.

You gasp an airy, high pitched curse, hips twitching but unable to escape the near-punishing rhythm of his own. It’s obvious that your orgasm is close, but you can’t even warn him, too overwhelmed with pleasure. He kisses you, swallowing your moans that have probably become just a bit too loud given the whole hotel thing.

No words are exchanged between the two of you as you near the finish line for a change, open mouths slipping against each others in what is too messy to be called a kiss. Your orgasm body-slams you, a choked silent scream as you tighten around Spencer and he seems to come at nearly the exact same moment—deep inside you, slowly rolling his hips in a few more strong thrusts as he finishes.

You let out a delayed moan at the sensation of being filled up, still pulsing around him as he comes to a halt, buried inside of you. He drops his head to your neck, and you can feel each breath against your flushed skin. Other than the panting, you’re both silent for a while. Spencer seems to gather himself sooner than you do, finally breaking the quiet.

"You okay?"

All you can manage is a little squeak, at which he looses a breathy chuckle. His hand slides to your hip, gently stroking the skin with a thumb.

"Need your words, angel girl."

"I’m okay," you coo into his shoulder, but he has to strain to hear it above his own breathing.

"Yeah? Why so quiet?"

But it seems that at least for the moment, he’s gotten all the words he can out of you. When he tries to move, you whimper indignantly, clutching onto him tighter.

"I really did a number on you this time, huh?" He laughs when you nod into him. "Are you falling asleep?"

"Mhm," you hum dreamily, little puffs of warm air slowing against his neck.

"You can have…" he cranes his head to check the digital clock, "48 minutes."

"An hour."

He settles his weight on you once more, pressing a chaste kiss to your throat. His voice is low and gentle as he admonishes you.

"I said 48 minutes."

But it doesn’t matter—you’re already asleep, or close enough to it. Spencer takes the opportunity to shift you to your side, and the way you wrap around him like a vine even unconsciously makes his heart ache. He really should go now—the earlier he gets out of your room the less likely certain complications will arise—but how can he possibly leave you like this? A vulnerable, dreamy girl with tangled hair haloing around her on the pillow case, clinging to him with blind trust that he’ll watch over her as she sleeps? No—there’s no way he’s leaving yet. Instead, he brings you closer. 48 perfect minutes will go by far too quickly, he’s sure.

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