#ok. ok i am calm

[hinamie]

i'm exactly as normal about him as I thought I'd be

[omegalerc]

the we fuck nasty every night energy that is radiating off this pic is beyond abysmal.

[asgardian--angels]

Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

[youjustwaitsunshine]

i swear last seb post for today but the porsche test is so bewildering to me for multiple reasons.

a) seb contacted porsche for a hypercar test because he was curious according to himself. so he had a bit of sim time and then got a private session in weissach. ok.

b) that session in weissach was accompanied by a porsche works driver. huh alright but seb is a driver that most teams would desperately want in their roster so it makes sense for them to assess him a bit more thoroughly.

c) then he's in aragon as an official part of a 36 hour official wec test. with the entire group of porsche works drivers and another guy they want to test out on the car. this sounds so serious.

d) wait hold on porsche is literally a works team. they have won the previous wec race. sure seb is a platinum driver but he's (outwardly) indecisive about driving again and could have easily just had a private test or long test with a porsche customer team

e) also he's been giving feedback?!? development feedback or general? we don't fucking know??

f) if you're unaware of porsches hierarchical standing in endurance/le mans, they are THE team. porsche to le mans is ferrari to f1. the circuit de la sarthe has the porsche curves. most wec drivers dream of getting a shot at winning le mans on a porsche. a lot of porsche endurance drivers are legends of the sport. sure, a german legend with a german legend is great publicity but

g) according to the man himself (when asked about driving in fe), sebastian does not want to be a publicity mascot (he used the word "Grüßonkel" in german which literally translates to "greeting uncle") for a sport. so all of this leads us to the question

what is this fucker cooking? because i do not believe porsche is unserious enough to sacrifice testing time for a guy who is just curious

[triglycercule]

can the mtt commit more crimes that just murder please i know theyre the MURDER time trio but ppppleasse,,,, please,,,,,,

they'd be terrible to be next to on the highway. horror's going 160 mph amd has long past gone over the speed limit. dust's out for BLOOD and by blood i mean your tires. he's somehow sniping those round rubber wheels from the high moving vehicle with the precision of a master fruit ninja player. if your car explodes or flips over in the process that's not his fault. and then to make matters worse for everyone on the highway killer's in the backseat scratching up the doors and windows of your car with a knife everytime horror gets close to another car and oops he accidentally just disfigured your face also did i mention theyre all drunk during this

ok so theyve all got the classic face WHY DONT THEY ABUSE IT!!!! horror gets to do a little paper mache to cover up his head hole and then wearing glasses. killer i dont know what the FUCK he can do to get rid of his perpetual tears but let's just pretend that theyre conveniently gone for now. and then all dust has to do is put down his hood! anyways identity theft is cool. imagine how much they could totally fuck up classic's reputation with this. set up fake tinder profiles and then scam people for their credit card info/free dates (while ordering every expensive thing) and stealing wallets. walking into various grillby's's around the multiverse and telling terrible jokes. like ACTUALLY bad jokes. and then of course just being a huge piece of shit at the bar. god theres so many things they could do pretending to be classic. which one of us is hikaru looking ahh except the only difference between the three is the color of the stains on their clothes (either gray (dust) black (killer) or red. well faded red (horror))

ROBBERY!!!! ROBBERIES PLURAL!!!??? train robbery gas station robbery bank robbery GOVERNMENT robbery (what would you rob the government for?? documents??? idk) anyways. mtt robbing a train except its just a really shitty plan and they dont know jackshit about what theyre doing. killer's taken over the conductor's cabin and now he is booking it. how fast are trains allowed to go idk but the maximum. anyways meanwhile horror's on the tracks fucking up the rails with his strength or whatever (listen i know he's weak but picking and choosing what hcs i believe in is my art) and dust is there to teleport him away before the train crashes into him and turns him into a trolley problem victim. and then of course that shit doesnt fucking work and the train just ends up flipping over and catching on fire or something (killer survives because of course he does he's killer). and then in the end dust just has to flip the entire train over and they just stroll into the part that actually HAS the money

and then they go out and get ice cream. sometimes the murderers need to take a break from murdering and just do NORMAL crime yk???

[kinokoshoujoart]

oops all rock (springtime edition)

i’ll be able to draw digitally again soon! ;w; in the meantime i’ve been scribbling a lot on paper…

could not wait for Soon, so i resorted to coloring it using the markup tool in default iphone photos app (don’t do that ever again)

[hellonerf]

i know the america and buffalo comic was deleted and shouldn't rly be seen as canon but i rly can't stand how cute ame is here... (crying hitting a plane) I HATE YOU BUFFALO!!!!! the other guys giving him chocolate and candy spoiling him like crazy... he probably looks so young compared to them they're just inclined to do that. unable to say the truth... being pushed from alcohol by the hand. while crying. it's too fucking cute... i can't deal with this. ame's sudden moe is too strong. my head hurts

[felassan]

remember that wild Dragon Age theme park ride (Dragon Age: Flight of the Wardens), originally located in Dubai until it randomly turned up years later (now also oddly-rebranded as "[Not Dragon Age We Swears It]: The Guardian") in, of all places, Skegness England? well, I had to satisfy my curiosity and obsession with obscure pieces of Dragon Age media & archival thereof. and so - actually quite some time ago now - I finally got around to going on a pilgrimage there (which was this whole, like.. heinous harrowing in and of itself, that I will not go into), and I rode it

and to my surprise the original Dragon Age in-ride movie is still part of the ride experience! - complete with references to darkspawn, a Pride demon, dragons, green "rifts", Discount Anders (a Grey Warden[?] mage called 'Eldron'), Discount Yavanna (a Witch of the Wilds called 'Alexia') and Dragon Age: Inquisition soundtrack music. there is also now a new pre-ride movie which replaces the old Dragon Age pre-ride movie as part of the ride's rebranding, and i simply ?¿?

there are also still quite a lot of identifiable Dragon Age props in the fantasy-themed queue-area of the ride (so these must have been part of the whole purchase between parks), including multiple iconic Inquisitor helmets, Grey Warden shields, a Dragon Age dragon (now with DA-dragon identifiable horns.. sawn off??), and several Dragon Age banners, including the Inquisition hairy eyeball, the templar symbol and the Circle symbol. here's some pictures.

[^this image is taken from the video linked below]

I also captured the new pre-ride movie, and you can see it along with the Dragon Age in-ride movie here ⬇️. and so now, with this epilogue to the.. most odyssey of all time, more than two years after the first message about the ride was ever sent to Ghil Dirthalen, this adventure in obscurity and the strange fever-dream meta story of the Dragon Age: Flight of the Wardens era in Dragon Age history is finally complete.

Ghil Dirthalen: The Guardian??? {Overview. - Spoilers All}

[video source & link: Ghil Dirthalen, posted here w/ permission]

some further notes, thoughts and commentary under the cut -

there's a few seconds missing from this capture of the in-ride movie. for the sake of the curious and completion: in them, you're still in the fort and you see lots of 'Wardens' walking and milling around.

a camera in the ride takes two photos of the riders during the ride, which are displayed on a screen on the way out. you can choose to buy these from the Fantasy Island merchandise store. you know those photos of people on log flume rides? it's like those, only of the four riders in a row in the seats. the photos have Fantasy Island branding on them and fire along the bottom, then in two corners there's a bit of a dragon's head and that's about it. the ride photo is the only Guardian-specific merch available at the park.

some of the queue area props appear to be from random other places. like there was a barrel which had something like "1850 distillery" written on it, which is obviously temporally/thematically and universe-ly out of place (not that that's at all unreasonable given the rest of the rideworld lore, there's totally a way it could have gotten there easily hh, see below), and I guess it's a spare or leftover prop from a Western-themed ride or something? others were generic sword'n'sorcery fantasy props (some of these are from the ride's previous life in Dubai though). there are also some pretty random props, like a dead stuffed roe deer's head on the wall and a.. comically large spoon.

there's music playing in the queue area, but it's not DA music, it's generic ye olde fantasy world music.

some folks there mistakenly thought that the long themed lead-up (it was pretty darn long) queue area with the props was the entrance to or start of something completely different, like a haunted house or maze type thing, or was the ride 'experience' in and of itself.

the ride attendant gives you the option of watching the new pre-ride movie or not. I guess they get sick of putting it on and listening to it 9000 times a day (valid), and also cutting it out reduces queue times as it's about five minutes long. it's screened in a little enclosed room at the end of the queue area. you go in and sit down, they show it to you, then you go through another door to the chair machine.

the in-ride movie is blurry and poor quality. I heard someone else who rode it say that it was so blurry that they had no idea what was going on hhh

Now about the new pre-ride movie. first of all, here's the transcript.

Pre-ride movie transcript "Welcome, my friends, to the gates of our kingdom, and the start of your adventure. I know your journey has been a long and arduous climb to get here, but we are grateful that you are the ones that have stepped forward to help us in our quest. I should probably start at the beginning. My name is King Aethelswyth [sp?] and I am the ruler of Elvia [sp?] - at least, what's left of it. You see, six months ago, our world was invaded by giant demons and creatures from another dimension, which now plunder our lands, and continue to destroy our kingdom piece by piece. They came, through a time-rift, from another world, leaving much destruction in their wake. Ever since they came, our people have defended as best they are able, but, we were once a peaceful race, and sadly no match for the giant demons and dragons. Luckily, a few days ago, help arrived. They came through the rift, human in form but with incredible powers, and the ability to not only fly but transform into dragon-like creatures. That's where you all come in. You see, not only have they brought hope to our lands, but also gifted us with technology, the likes of which we have never seen before. This communication device for example - it enables us to talk to each other from great distances without being in the same room. And there is something else, and the reason why you are here. They provided us with plans to create our own machine, which as we speak is being prepared for your mission. I should explain. The machine, although made of metal and advanced technologies we can't even begin to understand, requires biological matter to function; a very specific amount of oxygen, carbon, hydrogen, nitrogen and calcium, all of which you are made from my friends. Once you are connected to the machine, you will be lifted into the portal and instantly dropped into the outer world. You'll be able to fight alongside the guardians and help close the rift once and for all. I won't lie. The mission will be dangerous, but with your help, we can defeat the giant demons, close the rift and save the kingdom. Hahahaha! [dragon roars] Ah, do not be afraid! This is Mia [sp?], one of the dragon guardians. She will help you on your quest and guide you to the rift. There it will be up to you to find a way to close it. My friends, it is almost time for you to enter the machine, and become the guardians! [inaudible] a safe journey. Save Elvia, become the heroes you're destined to be! The gates will open momentarily, as soon as the machine is ready for you. Good luck my friends, and I'll see you on the other side!"

in the linked video, the start of the new pre-ride movie isn't included in full at normal speed as it seemed to be a compilation of whatever random fantasy-themed stock footage the video creator could find, stitched together. but again for the curious and the sake of completion: it starts out panning randomly around SPACE, like at the solar system and of planets and at the Milky Way. for a sec I wondered if it was made up of random old Mass Effect assets. then it shows dragons (FROM SPACE) invading an Earth-like planet where I suppose the Ferelden-y kindgom (formerly called "Noathen", now called "Elvia" or something) setting in the rideworld is now supposed to be set. these invading dragons invade either from space or.. another dimension?? or maybe from the future or both?? [see below], entering through a big green rift. (and they still have the green coloring for the rifts and call it/them "rifts" like in DA, which was honestly so funny to me for some reason). the whole panning in from space start to the movie reminded me a lot of the Easter eggs in the DA and ME games that, while they're just Easter eggs for fun and I don't subscribe to this theory myself (as DA is its own great, self-contained thing), could light-heartedly imply that the planet with Thedas on it is a planet in the MEverse (like the krogan head in the Winter Palace in DAI or the ogre in that ME dlc).

in the pre-ride movie, the kingdom of "Elvia" might have actually been called "Albion", which is the earliest-known name for the island of Britain. (it was hard to make out exactly what the king was saying there) the new pre-ride movie seems like it was made in England and ofc thats a common fantasy setting, so I could see it, especially since the king character's name was something like Aethylswyth, which sounded very "Old English". for me personally, if it was "Albion", it adds fuel to the fire of Caitie's cracktheory/"trying to make this fit"-headcanon for the ride story/lore (see Caitie's original video on the ride's previous life for this), that it's set somewhere obscure and backwatery in Ferelden, which is kinda England- or Britain-inspired. (dont take these thoughts or other thoughts in this post about the lore/canon etc too srsly pls hh, it's just crack for fun and I know tis just an off-brand themepark ride)

on the whole the new pre-ride movie is pretty random. there's a giant in it, but it doesn't look like a DAI giant. (is it his big spoon??) it shows a fortress in part of it which looks a bit like Skyhold if you squint, with the long bridge approaching it as the entrance. at one point one of the dragons that pops up is a dragon designed more in the style of a dragon as they are sometimes depicted in, for example, Chinese mythology and folklore. the "communication device" the king described had me rolling, it's exactly like a Dragon Age Skype Crystal or a working set of eluvians from Thedas.. I wondered if the video creator was inspired some by DAI promo images and took cues from the Inquisitor's green hand/the Anchor, since the king has a green glowing thing on (or in?) his chest. and when the king started listing the elements humans are made of, I was reminded of Fullmetal Alchemist.

also, "through a time rift".. I mean technically Dorian's involvement in DAI DOES show green space-time magic right? Where is this other dimension? ofc I know it's not literally Dragon Age, but it's funny to think about and to try and make it "fit" skhskdhfjhe. is it the Fade? the Void? from somewhere in-between like Tevinter Nights implies exists? or is it the dimension which has Thedas's mundane world itself in it - like maybe the dragons are invading this poor guy's kingdom dimension from Thedas? if so what tf is going on in Thedas?? did Solas' explosion at the Conclave ripple through spacetime and rip holes in the fabrics of other worlds as well - like is Solas out here accidentally causing interdimensional Space Dragon invasions? like, theoretically.. the new pre-ride move does reference the in-ride movie, and in turn the in-ride movie is still Dragon Age (!), so technically the new pre-ride movie IS.. kind of.. weirdly.. canon.

((the pre-ride movie references an "outerworld", implying that even in THAT dimension there's an outer world and an inner world, definitely more than one at least. and back on the dimensions thing, I'm not clear - are the dragons coming from Thedas dimension? or are they coming to Thedas dimension? "they came through the rift, human in form but with powers, the ability to fly [that's Eldron] and the ability to transform into dragon-like creatures [that's Alexia]" implies that the dimension on the other side of the rift - if the helpers came through the same rift as the invading dragons - is Thedas, because that's Eldron and Alexia from the Dragon Age in-ride movie being referred to, and Noathen where they're from is in Thedas somewhere. so some Thedosians have travelled to another world to save it?? Dragons are escaping out of Thedas? but.. from space? but also - the narration is telling us that Eldron and Alexia and the other Guardians brought with them from where they came from, as a gift, incredible advanced technology that the people of Elvia have never seen before. he then gives the example of "this communication device" which could be read meta-ly as meaning the television screen, and of plans to build a machine made of metal and advanced technology (meaning the ride machine you go sit on, which is a themepark machine irl obviously and in the 'world' of the ride, some kind of flying machine). so like.. are Eldron and Alexia from Future Thedas (think Avatar Aang/Korra, when by Korra's time there's like lots more machinery and a more modern feel), a Thedas which has advanced complex machines like idk, AEROPLANES? is that what they mean by "time-rift"? because they specifically did say "time". is that to try and explain the modern machinery? does that mean the invading dragons also came from the future, not just from space or another dimension? the other option: Eldron and Alexia came from alternate universe Thedas, which has more modern technology in it. but Thedosians Time-Travelling From The Future And Also Space And Another Dimension is so funny to me so lets go with that. my headcanon is that on the way to Elvia they also timetravelled through a Westernthemed time period and thats why theres a recent-modern period whisky barrel)).

in the ride's previous life, the explanatory hook was that Eldron made you a special harness or saddle thing with which to ride a dragon, which was what the ride machine was simulating. however now, the hook to explain the machine is that it's a gift of advanced technology powered by carbon, hydrogen, organic matter (Big Oil lmao?) etc. (I enjoyed that this explanatory hook got wackier between eras of the ride's life, much like the whole meta story of this piece of media itself. it was already weird because riding dragons isn't really part of DA. though I don't understand meta-ly speaking this convoluted explanation for the machine. dragon-riding isn't an identifiable or key part of the Dragon Age franchise, so they could have kept the idea that you're sitting on a dragon's back and flying around on that in instead of having this wacky explanation about a flying machine gifted from magical strangers from Back To The Future and it would have been fine. I love it though bc its so absurd)

And Tiny Dragon Alexia from the original ride experience is kinda referenced (unintentionally?) when the king introduces the dragon "Guardian" "Mia", as when she comes on-screen her size or scaling looks small/kinda off, so maybe Tiny Dragon lives on. so now we have Tiny Dragon Alexia, Tiny Dragon Mia, and Tiny Dragon queue prop. it's a Tiny Dragon Conference.

and like I just have so many questions. in her original video on the ride, Ghil Dirthalen wondered at length where in Ferelden/Thedas Noathen could be. where is Elvia? why does the pov of the pre-ride movie proceed downstairs into the room where the king is - like why does the king have his throne in a basement? is he in an underground bunker for safety because of the Space Dragon invasion? why does he say we "climbed" up when we have just gone down into his dungeon? why is the tiny dragon introduced as "Mia" when the tiny dragon witch lady in the in-ride movie is called "Alexia"? does the king's green glowing chest thing work like the Anchor - does he have a chest Anchor.. a Chanchor? where did they get Discount Gandalf from the queue area and why is he exactly like the Ghil Dirthalen Stock Theatre Wizards in her original video? why did they change the kingdom's name from "Noathen" to "Elvia" in the pre-ride movie when "Noathen" was already non-existent in Dragon Age lore? why did they scrub Dragon Age from or avoid Dragon Age in the pre-ride movie but leave the whole Dragon Age in-ride movie intact? are the "Guardians" Discount Grey Wardens? is the king's whole schpeel secretly an evil plot so he that can use our bodies for like necromancy-alchemy? why does the ride run on your flesh and are we about to be sacrificed in a blood magic ritual? do we end up like the husks in Mass Effect after our organic forms are broken down into compounds to fuel the King of Elvia's flying anti-dragon defense tank? is the actor of the king a park staffer who is into larping, or someone's fun nerd uncle who likes DnD? does Caitie not in fact agree that I am very handsome and smart, indeed the World's Most Interesting Guy? 😤 why go to the trouble of sawing off the dragon's DA-dragon horns when the in-ride movie is still Dragon Age?? why are the dragons invading from space anyway like what do they want??? how can I obtain the king actor guy's autograph? where are EA's lawyers? and why is there a giant spoon?

[milkbreadtoast]

OH GOD OH FUCK

[francolapintogf]

twirling my hair and giggling

[fullmoondelinquent]

Jammers when the item isn't pink, conventionally useful, or doesn't have potential rare qualities

[perilegs]

i know astrology is fake but i'm not too keen on how a lot of people on this website seem to be clowning on it as a hobby a bit too hard. i swear the woman who thinks it's neat how she and her friends with the same sun sign are all similar isn't trying to say that you are who you are born as and there is nothing you can do to change it. it's a hobby. an interest. what happened to finding meaning and joy in the small things. does it affect you if someone enjoys tarot reading or crystals. does it make you upset someone has interests that they enjoy.

[skunkes]

[itsthegirlinthebowtie]

hi I am deceased and I want to stare at this picture for the rest of my life!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[wexhappyxfew]

whispering prayers into her hair

(a/n): requested by @sunny747 for Annie x Brady and ‘wrapping arms around the others neck when standing behind’. ie — annie and brady being two adorable people in a horrible situation and all their deepest thoughts seem to surface underneath a cold sun. and oh. annie wants to be a mom (distant sobbing). please enjoy this rather sad piece and commentary on two people struggling to hold onto each other in a world like this. (plz know i am sobbing !!!!) thank you so much for this prompt - quite literally has altered my life <3

Staring was the worst part.

At what was just past the barbed-wire fence; what stood between her and the world on the other side.

It had been six months and she was still standing here, still on this side of the fence, still staring at the opposite end of the threshold. Through the wires, the wood, and the dust. The world was on the other side and she was here.

Annie knew she shouldn't be out here alone - especially with the way the Germans had been ever since the British had dug those tunnels. She crossed her arms tighter over her chest and let a sigh escape her chapped lips as she squinted in the bleak sun, the warmth seeming to dissipate just as it reached her body.

Glancing over her shoulder, she watched as some of the men in the bunk room next to their groups began playing a scrap game of ball in the dust pit that could become a makeshift play field when needed. The kick-kick-kick of the pathetic ball bounced about, as the wind whistled past her ears and the sound of silence hung above. There were little-to-no animals around the place - no birds sang, no crickets chirped, there was no sign of life except for the American officers.

Otherwise, they were a dead zone.

A black 'x' crossed out a dot on a map.

"Hey, little birdie." Annie glanced over her shoulder and saw Brady coming towards her. Hands shoved deep in his pockets, his coat looking a little too big now on his form, his broad shoulders now swamped in the scarf and the wool button-up, he still looked like the John Brady from her first day on base at Thorpe Abbotts. Even with his hair a little longer and his cheeks dotted with stubble, and that scar nestled near his jawline.

He was still John Brady.

"Hi." Annie said, watching as he approached her, that lopsided smirk growing on his face, as his eyes fought to keep that grin growing.

He'd been growing quieter in the coming weeks, she'd noticed. Not majorly, not anything that would make her incredibly concerned though, she would always worry - about the crew and about Brady.

He'd say a little less at dinner, when they all sat around and were inhaling what food they had, and then when they were all sitting around, and she was tucked into her bunk, attempting to read (she never did get through any of the books or even a page anymore), she'd glance towards Brady's bunk and catch him in his silent prayer.

His lips a silent whisper, his hands clasped together, eyes and those long lashes gently shut. Everything about him calm and at peace.

And by the time she was curled up beside him, she swore he'd been whispering prayers into her hair, against her forehead and through their threaded fingers, like if he said it enough it'd get them through. And she clung to that more than anything.

He came to stand beside her, this awkward distance between them as they stood there, eyes locked on one another, this fence in between them and the world, dust at their feet, the war at their backs. Hands empty. Annie couldn't look away.

"How are you doing?" she asked him quietly, watching as his face winced slightly, like the question was more hurtful than the response, "You didn't eat much at breakfast." Which was true - his plate still had some oatmeal (they called it oatmeal) on it and he had looked withdrawn and distant. And Annie had watched, her stomach in knots.

It reminded her of when she had to get her siblings ready for school and sometimes one of them wouldn't eat - usually because they didn't feel good or were upset about something - and she'd get a pit in her stomach because she wasn't sure how to fix that. And she had felt that here. Watching Brady.

"Okay." Brady said with a nod, a stiff smile. She wanted to make him smile. More than anything. "Just wasn't super hungry." Annie caught his gaze for a moment and nodded slowly.

"I don't know," Brady said with a shrug, his smile falling, face focused on the world just past the fence, "just think this place is getting to me a bit." And she could see it in his face - just saying that, admitting that - she could see it hurt. He looked over at her and nodded weakly. "You know?"

"I do." she answered quickly, wanting to comfort him as her immediate response to the pain in his voice, "And I try to tell myself it's not. That doesn't usually work anyways, but…." Brady quirked out a small grin that faded just as fast as it'd appeared.

"You shouldn't be out here alone." Brady said quietly, hands shoved deep into his pockets, but it wasn't in a way that was scolding or even upset. Just a statement, a fact, something they all kept a conscious eye on.

"I know." Annie said quietly, her voice strained as she looked out through the barbed wire again, "I just….couldn't keep staring at the bunk room ceiling, you know?" Brady chuckled slightly, like it was some funny inside joke they'd all remember one day.

"I know." he said, voice soft, as they met each other's eyes again. He put on a hopeful smile, as best as he could it seemed. "The sun suites you, An, by the way." Annie caught his gaze, the small flutter in her chest warm, gentle and comforting.

God, the sun. So bright and gleaming even in this gloomy world that had been their ever-present for the past six months - in this bitter cold, this dull air - the sun still would shine even on days where Annie felt like it shouldn't.

"Who was your letter from?" Brady asked - it had seemed like he'd been waiting to ask her that question all morning - between his longing stares, those split second gazes where she swore she could breakdown in front of him and he'd patch her right back up. With all that, it seemed he just wanted to be there with her, to ask her that, alone.

Annie watched him, biting back her lip as the cold rushed over her cheeks. Something in the way his face was strained, like it pained him to even beg the question, knowing her response would hurt either way - knowing her response would hurt him, because it hurt her. The ache never dulled in a place like this.

"Dad." Annie said, her voice a whisper; quiet and shallow.

Seeing her dad's handwriting had sent her into a new dimension - she was sure of that. She couldn't remember the last time she'd even gotten a letter since being back at Thorpe Abbotts. So seeing his handwriting there, loopy and scratchy had made her heart ache in a way that she knew wouldn't fade in a lifetime.

You're mother isn't doing well, kid. She's really sick now, won't eat much or drink much, keeps saying something's tugging her arm. She's calling out for you. Don't know what to say. Keeps saying it's my fault you're gone. She's going down the tubes.

Annie looked to Brady, who was watching her in that unspoken way where it seemed everything and nothing was on his lips, that vulnerable glint of his gaze destined only for her, the want to reach out towards her.

They were always reaching towards one another, she thought.

In every lifetime there was, she was reaching for him and so was he.

But stood out here - in the open - with the eyes of the Germans on their backs, waiting for them to pulsate into the barbed fence just to shoot them, to make a run for it, she couldn't risk it. Instead, watching him made her yearn for every bit of him and more in those other worlds, those other times.

"What was he saying?" Brady asked quietly, tightening his jaw a bit, noticing her evident quietness. Annie sniffled and crossed her arms together in front of her and shifted her shoulders.

"Mom's probably going to be gone soon." Annie whispered quietly, looking at him, "She keeps asking for me. She's blaming Dad. For me being here. For me even joining up in the first place probably. It's…..it's basically a shit show."

"Annie, I'm sorry…." Brady whispered shifting towards her, that unspoken distance when they were outside the bunks room seeming to make a reappearance as he froze and then watched her as she stared back at him.

"It's okay…..it killed her." Annie whispered quietly, nodding, "Having to take care of us kids. Her and my dad…..one night, they were talking about it all. She never wanted to be a mother. She never wanted any of that. But that was what she got and that was her life and she drowned herself in cheap liquor to get rid of that pain." Annie looked at Brady with tears in her eyes. "I didn't want to end up like her."

Those inches between them pushed on her stomach like a heavy weight; it hurt, physically hurt. Annie glanced up behind his head towards the guard station, before looking back at Brady and his crestfallen face.

What hurt was, there were no amount of words a person could say take it all away, to magically get Annie back home to watch her mother's passing, to be there with her family.

War didn't care, the Germans didn't care, life didn't care.

Despite being dealt the short straw with a mother who wanted nothing to do with her, Annie still wanted to be there for the end of her life. She still had that want to be there for a mother who was still her blood. And that want made the guilt explode inside her chest and suffocate herself nearly to death.

"It's why you joined up," Brady whispered quietly, looking down at her, "in the USAAF. You didn't want that life."

"Yeah." Annie whispered back with a nod, "I'm sorry, you probably came out here to want to talk about anything else rather than this." Annie reached up to wipe at her eyes, but Brady only gave her a smile and watched her.

"You know I came out here because I wanted to be with you, you know that?" Brady said with a sad smile, "Now, c'mon, you got me interested now. What was it like? Joining up for yourself?" Annie watched him and couldn't help but smile a bit.

"It was probably the proudest I'd been of myself in my life, to be honest." she said, "Especially after the war broke out and I had enough money to get myself doing something more than farm work. I flew a few planes with kids from school. At the fair. Little things, but enough to make me want to do it more." Annie smiled up at him. "And sometimes they say you can't do something and usually that's enough to make someone do it."

Brady seemed to step forward and cut off that silent agreement to not make contact when outside the bunkhouse or in daylight hours - and he didn't seem to care.

For a moment, they just took to watching one another there, listening to the sounds around them, the chatter of voices in the background, the shuffling of feet, the linger of stale air. It was consuming, but yet, when looking at Brady, she didn't quite mind the sudden presence and stillness of the world around her.

"I remember seeing a poster," Annie said quietly with a smile, "in the local market. Surprised something like that even made it up, that's to say, even got put up in a market in Mankato, but….I saw it and." Annie looked to him. "I knew what I wanted to do right then and there. Then I signed up. 'Your Fight Too Sign'. Must've gotten the masses out because of that." And Brady juts smiled at her that wide grin, standing there like he couldn't look away from the sight of her. Despite where they were, despite it all, he could still stand there and look at her like that.

"What about after this?" Brady asked her, "Where you going?"

"I always wanted to be a mother." Annie said quietly, her heart squeezing as Brady's head tilted to the side and that certain, pained look erupted across his face as his fingers trailed to the side of her cheek. She nodded.

"You will be." Brady said quietly, encouraging smile on his lips, "When you get out of this. That guy's a lucky son-of-a-bitch." Annie watched him, her big eyes exploring his face before settling on his gaze again.

You, she thought, I want you to be that lucky son-of-a-bitch. And she couldn't seem to form the words, tell him that all she ever wanted was right here in front of her, but that look in his eyes, the war standing around them, she couldn't. Making promises that she wasn't sure would come true or not.

"Do you want kids?" Annie asked him quietly, watching as Brady smiled just as the word 'kids' left her lips. She managed a watery smile. "You'd be such a good dad. I know that."

"I do." he said with a small smile, "Always have."

"I know you'd be a good one because that one time I got way too drunk, you made sure I got into my bunk and had water and ate the next morning. You even let me use your sunglasses. And you didn't have to, but you did it just because." Annie said with a smile, watery grin, "They'll be lucky." Brady watched her inches from her face, seemingly taking a minute to simply watch her and then nodded.

"They will be." he whispered back, before licking his lips and smiling at her, "Why do you want to be a mother?" Annie watched him.

"My mother told me I wouldn't be one. A good one." Annie said quietly, watching as something shifted in Brady's gaze - from soft to protective in a manner of seconds that was enough to make her heart race, "But it means I can selflessly love this child that is my own. Nuture them into their life, fulfill them with all that is goodness and love that I never got myself. Give them a better life than what my own childhood was. I can give them what they deserve." Annie smiled. "I get to be the person I never had." The emotion swirling in Brady's gaze was enough to make her smile, eyes welling with tears, and reach out towards him and brush his cheek fondly.

"That's what growing up is sometimes, not for everyone," she said, "being the person you never had when you were little." Brady seemed to lean into her touch a bit as they stood there, cuddled in jackets and wool sweaters and warm hands, underneath a cold and frostbitten sun, staring at each other like it was their last time together ever again.

"What are you going to do if we get out of here?" she asked him quietly.

"We will." Brady said back to her, clenching his jaw, "We're getting out of here. One another or another." Annie stared at him. "I'll be heading back to New York, most likely." Annie cracked a smile at him.

"With your parents?"

"Yeah." Brady said, "I'll try and get my gig back teaching. Play some more music." Brady watched her. "I can finally take you on a date." Somewhere in that string of words, Annie felt her body shutter to a stop and all she could do was stare back at Brady with wide eyes, slightly glazed over and frozen as she watched him.

"A date?" she asked him quietly and Brady grinned instantly, and nodded.

"A date." he said quietly back, "You and me. Where I grew up. In the mountains." Annie couldn't help but watch him with some much awe in her eyes - despite how battered and bruised they looked, he was making promises that could be hard to keep in a place like this, looking at her the way he did. He didn't seem to care or mind and when he looked at her that way, she believed it would happen to.

She wanted a life outside of this and she wanted, somehow, someway, to share that with John Brady.

"I'd love that. With you." Annie said quietly with a smile, staring at him with wide eye still, taken aback by his words, his forwardness, his sudden step over that invisible line they had drawn when they had both started acting like more than just friends. When whatever 'this' was appeared more than just what friends were to each other. And they'd been just too scared to acknowledge that maybe there was something more there.

"What's it like? New York?" she asked him quietly as she stared at him. Brady grinned.

"You'll have to wait and see. It's a surprise." he said with a chuckle, "One that'll be worth waiting for."

"What about a hint." Annie said quietly back to him, "In the mountains and all?"

"Here," Brady said softly, placing his hands on her shoulders and slowly turning her towards the barbed wire fence and holding her there. Warm hands on her shoulders, pulsating through to her skin, she felt a shiver run over her as his face appeared above her shoulder.

"You see that out there? All that greenery, trees, shrubbery?" he asked her with a smile, a nostalgic twinge to his voice that made her long for the sight of where John Brady had lived and breathed as a small child - who had grown to become the person standing there with her now. What had made him to be the person he is today. Her heart clenched.

"Imagine all the birds out there, the wildlife. Frogs, birds, foxes, sometimes bears, the cicadas in the summer. Leaving the windows open. You can hear the frogs from the lake. Everything's alive." Brady said, his voice dropping, "So different from here." Annie tilted her head to look up at him. "You'd love it, Annie."

Staring at him there on her shoulder, she slowly felt his arms wrap around her neck loosely and hold her against him. Leaning back against his chest, enveloped in the warmth from his jacket and his arms and simply his body, she had never felt more relaxed in a place like this, comforted by the touch of a person who she was growing more and more feelings and thoughts for by this point in time. And someone who had seen her in far too many phases of life now than she would've thought.

Looking out past that fence, she did imagine a life in New York, near those Finger Lakes, John Brady playing his saxophone as the sun set, listening to the frogs and the cicadas and the birds, his gentle, jazzy thrum, watching his eyes glow with mirth and life, a quiet step away from war and this camp and the world. A place where she could let herself simply be. A home. With him.

And for a moment standing there, she could imagine her life where it was just the two of them, watching the sunset, listening to the world around them, being enveloped in the presence of one another. She could practically feel it, reach out and grab it with her fingertips. It was so close. It was right there.

[elenagoeslightly]

THIS BITCH WAS LEAVING US TO DROWN???

Seriously???

Ok I need to say the truth: out of all of them Rafayel scares me

This man is so unpredictable, one second he's whining about cats and the next thing you know you literally have to call him to rescue you bc homeboy is in his secret mind palace.

I think that what he said about his paintings is a hint: when he says that ppl prefer calm seas to stormy ones I kinda saw it as the way he places himself in the world, being nonchalant and all while being way more chaotic and intense than he lets on.

While for me he's still a no from a romance point of view he sure is an interesting character, I want to see the way he develops.