#ohuto

[7grandmel]

Rips of the week: 09/09/2024

Float Islands (Kirby 64 Arrangement) and Aqua Star (Kirby Super Star Arrangement)

Season 3 Featured on: SiIvaGunner's Highest Quality Rips Volume A

Ripped by alan

Season 8 No Album Release (Read More) Aqua Star (Unused) - Kirby Super Star

Ripped by alan

Requested by Fezaki! (Request Form)

There are few things I love more on the SiIvaGunner channel than the phenomena I like to call "call & response" rips. These are, put simply, rips connected to one another through a sort of dialogue - an obvious example of this is with He4rt4che and 4SGOR3, two intertwined projects by the same ripper released right alongside one another. Yet these projects have also be used to, in effect, pay tribute to the works of other rippers on the channel: Shiny Smily TALE, for instance, saw Ellie53 pay respects to a rip made four whole years prior by Sarvéproductions. There's also one of my all-time personal favorites for silly sentimental reasons, Violet Snow Memories, which remakes and expands upon a relatively obscure rip made *SEVEN* years prior by a ripper who's no longer actively part of the team. Without having any knowledge of the behind-the-scenes behind their production, these rips end up feeling like true expressions of love between rippers, being creatively fulfilling projects in their own right whilst directing attention toward rips and rippers that they cherish.

Yet with the two rips featured today, Float Islands (Kirby 64 Arrangement) and Aqua Star (Kirby Super Star Arrangement), we run into a somewhat unique scenario, that I haven't personally seen all too often on the channel: a sort of combination of two of the example scenarios described. These two rips were both made by the same ripper, Alan, who's both a friend of the blog and has been contributing on and off for the channel since late into Season 1, still being active today eight years later in Season 8. And therein is what makes this pair of rips so interesting: Float Islands (Kirby 64 Arrangement) released all the way back in Season 3, while Aqua Star (Kirby Super Star Arrangement) came out just shy of three months ago back in June of Season 8 - yet are both playing off of the same core idea. Even six years after its release, the core idea of Float Islands (Kirby 64 Arrangement) seems to have stuck with the guy, and all this time later he finally decided to expand on the concept further, out of no other reason than his own personal investment in the concept. Six years of waiting, six years of experience gained - let's see where this all takes us.

The soundscape of Kirby 64: The Crystal Shards is one I've made no secret of my affection for, most notably with Aquadial just outright being an all-time favorite rip of mine, but even with more out-there bizarre projects like Kirby Joins the Circus!, they all manage to have an indescribable appeal that comes just from how beautiful Kirby 64 as a whole sounds. The channel and internet as a whole is filled with tributes paid to the game's soundtrack, yet Float Islands (Kirby 64 Arrangement) takes a direction similar to the previously covered Mt. Dedede (extended) - choosing to inject Kirby music, into other Kirby music. The Kirby franchise is itself already filled with homages paid to its legacy music, endlessly rearranging its past work, and so Float Islands (Kirby 64 Arrangement) fits in with the rest of the series' soundtracks like a glove. Float Islands in particular is a pretty crucial piece of music for the franchise, originating from the very first game in the series, being remixed in countless games, and most notably laying the groundwork for the franchise's beloved Rest Area theme, later arranged and reused for the Super Smash Bros. series and itself featured in beloved rips like Me and the rest area of the melee here, singing, "Where'd you go​?​". It's Jun Ishikawa's knack for catchy, soothing and high-tempo composition distilled into just one track - the kind of song that just SOUNDS like Kirby ought to sound, no matter what form it takes.

It should come as no surprise that Alan knocks the arrangement out of the park with Float Islands (Kirby 64 Arrangement) - Aqua Star, the track being used as the basis, already takes cues from Float Islands in certain snippets of its arrangement, and Alan is able to leverage that connection into a sound experience that sounds damn near effortlessly like an authentic Ishikawa arrangement. The lead instruments chosen follow along with Aqua Star very nicely, the brass sounds as authentically "Kirby 64" as always, the percussion is as lovely as Float Islands' arrangements always are - it's an incredibly solid rip, that even back in 2018 turned some heads with commenters denoting how surprising it was to see just outright wholesale remixes put onto SiIvaGunner. Of course, this was not something new - we've had rips like Turn On Your SEGA Genesis and Just Enjoy Yourself as far back as Season 1 - yet to see a ripper like Alan play along with Kirby series' tradition of celebrating past music so authentically was no doubt part of what made this rip stick out so much - many didn't even recognize that Float Islands wasn't originally in Kirby 64 and just thought the rip was an unedited reupload of music from the game!

Of course, this was nevertheless a rip from Season 3, six years ago - the channel was still somewhat undergoing growing pains, shedding the anything-goes wild west of Season 1 and gradually turning into something with a higher bar of quality. Despite my love for it, there are still some slight oddities present in Float Islands (Kirby 64 Arrangement), indications of its status as, ultimately, a hobby project for a shitpost channel. And that's why I find Aqua Star (Kirby Super Star Arrangement) to be such a cool release - it saw Alan return to this old rip idea, now within the context of SiIvaGunner in 2024, part of this team that's learned so much about ripping for so many different games, that continues to find new ways to impress with every passing month with everything from Last Freight-train Night to Thwâmpröck Desert. In my eyes, Aqua Star (Kirby Super Star Arrangement) is right at home here - instead of rearranging one of Kirby's oldest legacy songs into the soundscape almost impossible to make sound bad, the rip feels like a far more daunting task in doing the opposite, taking a song built upon that distinct soundscape and attempting to recreate it within the confines of a far older game, in Kirby Super Star for the Super Nintendo.

Yet Alan pulls this endeavor off with flying colors! The thing I immediately noticed, compared to Kirby Super Star's take on Float Islands, is the percussion: in Aqua Star (Kirby Super Star Arrangement), it sounds ever so slightly...dreamier, less heavy - perhaps that's my ears playing tricks on me, but I get the sense whilst listening that Alan put in a hell of a lot of effort to recapture the magically sparkly feel that Kirby 64's music so often holds. You hear this in the lead melody instruments used as well - the primary lead is the same beautiful one used as the lead in Super Star's Float Islands, yet it's occasionally swapped out for a less-used instrument from that same track, there only used for accenting the end of certain segments, but is used here for a wonderful back-and-fourth sound throughout the rip's runtime. On the whole, it's just a wonderfully tasteful, well-rounded arrangement without twists or surprises - a perfect response to the call placed back in 2018.

As I led this post off with, it's that back-and-fourth dynamic between rips that I found so utterly endearing about rips like these two. Yet the additional wrinkle that both works here were made by the SAME ripper gives it a distinctly different flavor, it goes from viewing two rippers pay each other loving respect to seeing one ripper grow in proficiency and ability over many years of honing their craft. As a result, while I find Float Islands (Kirby 64 Arrangement) to be an absolutely wonderful piece in its own right, it was Alan's work on Aqua Star (Kirby Super Star Arrangement) that enamored me - to see that progression of a ripper in such a direct, yet at once indirect, way, was an incredibly fascinating listening experience. Alan shows no sign in slowing down in his contributions to the channel, and with rips of this caliber, I can't wait to see what the future holds for the guy.

[fusoxide]

i'd be a "general purposer". yes, when i was like 7 i wanted to have EVERY career or something lol.

@ohuto

if we lived in a world where u had to do the career u were first interested in as a child what would u be doing, id be a firefighter

[7grandmel]

Todays rip: 23/06/2023

Turn On Your SEGA Genesis and Just Enjoy Yourself

Season 1 Featured on: GilvaSunner's Highest Quality Video Game Rips: Volume 7

Ripped by Jass

Requested by @ohuto!

While it feels a little redundant doing another one of Jass' excellent Genesis arrangements so soon after the last one, the moment I received the request to cover this rip it felt all but inevitable. The rip has been a permanent fixture in my own relaxation playlist of rips for over four years now, and I think its easy to understand why.

Much like the other Jass rip I covered - Collision Chaos Good Future JP [CD Beta Mix], its a kind of What-If arrangement, as Michael Jackson's Moonwalker featured Genesis arrangements of several other MJ tracks not including Off the Wall. And wheras Sonic CD was always a game with a lot of varied sounds in it, Moonwalker has a very distinctly its-own sound to all eight of its original tracks. That's part of what makes this rearrangement feel so magical, as it styalistically blends right in with the rest of the game. There's a surprising amount of ways you can make a Mega Drive sound, from Thunder Force to Sonic Spinball to Phantasy Star, yet faithfulness to Moonwalker specifically didn't hold Jass back from going all-out in making this track sound as good as possible.

To be frank: I'd never actually heard Off the Wall in my life before this arrangement suddenly showed up in its featured album, and it kind of blew me away. Even now having heard the original track, it still feels inseparable from that Mega Drive twanginess and snare drums. It became what Off the Wall is to me. That to me is the sign of a damn good arrangement.