#of age peter

[thatonedudeinthecorner]

Obsessed with the fact that the spideypool dynamic can be watered down to “miss you pookie bear” “oh lord” mindset

[potato-lord-but-not]

Baby, why don’t you come over?

[fromthedeskofcripslock]

This really ought to top every “Best Opening Lines,” list. The 21st century reading public is sleeping on Dorothy L Sayers.

(Have His Carcase 1932)

[bioware]

BioWare is saddened to hear of the passing of Peter Renaday, the talented voice actor behind one Dragon Age’s favorite Grey Wardens, Duncan.

His performance in DA: Origins brought life to his character, and his passing has left an impact on our community.

Our thoughts are with his family and friends during this difficult time.

[gay-fae]

part of what made across the spiderverse so perfect was that it was largely centered on WHO spider-man is, in EVERY universe. not just Miles, or Peter, or Gwen, or Miguel. Spider-Man. it was about the ESSENCE of Spider-man. Spider-Man is love for humanity. Spider-Man is having to sacrifice and lose everything you love for the mask. Spider-Man is rebellion against the powers that be. Spider-Man is about trying to do both, in every universe. about not taking no for an answer or listening when everyone tells you your destiny. refusing to choose between the things and people you love. that’s why Spider-Man is so compelling: they want everything, even though everyone else tells them they can’t have it. that it’s not meant to be. and they just. keep. trying. keep getting back up. they just keep going, man.

[erinwantstowrite]

Do I look like him?

had a lot of people ask me to make a tiktok for it and i swear i tried but,,, making tiktoks just isn't working for me rn so we're getting still images until i can get my brain to cooperate. anyways!! i am obsessed with chromokopia and when i heard Like Him i ascended into heaven and also cried. and it very much reminded me of LoF

[gwifirusu]

THE TWO OF THEM... im so yaoipoisoned. it’s joever 

[mikakuna]

i see this jason todd who actually looks his very young age (instead of the 30yr old man that comics like to portray)

and feel my heart breaking just imagining bruce beating him up, almost killing him, mind-breaking him, and just overall being a total piece of shit father towards him.

a huge chunk of the reason why people don't view bruce's actions towards jason as abusive or wrong is because jason doesn't look his age. he's drawn to be this 35yr old father of three who looks even older than dick (and way too on par with bruce) that people see their fights as one between batman and any of his regular rogues. when they fight, it just looks like batman is fighting a man his age and not an actual young person. it doesn't look like batman is fighting his son who's barely even drinking age (and who def wasn't drinking age in utrh). their fights are portrayed in a way that eliminates the very real power struggle between them.

this applies to jason's entire character as well. a lot of people don't sympathize with how he died or his actions as robin or his fights with the other bats because he doesn't look his age. he always looks older and scarier than everyone else. tim has many sympathizers from the titans tower incident because jason just looked like a grown man fighting a 12yr old (even tho i disagree, tim was built and like 17 lmfao).

anyways, i just wish comics would actually draw jason to look his age, which literally ranges from 19 to early twenties. he's young- so young, and it's so annoying to see him drawn and written as someone older than even bruce.

[ghostyfunerall]

them but babies

[myykster]

posting here once in a while to dump some art and disappear again

[jade-bright]

Before Stiles and Derek find out the other is part of the supernatural.

Stiles: Who are you talking to?

Derek: No one.

Stiles: You're talking to the air, Derek, and at a volume like you're talking to someone

Peter, from a distance, grinning: He's smart, good choice nephew

[always-a-king-or-queen]

The ache will go away, eventually. 

That was what the Professor told them, the day they got back. When they tumbled from the wardrobe in a heap of tangled limbs, and found that the world had been torn from under their feet with all the kindness of a serpent. 

They picked themselves off of the floorboards with smiles plastered on child faces, and sat with the Professor in his study drinking cup after cup of tea. 

But the smiles were fake. The tea was like ash on their tongues. And when they went to bed that night, none of them could sleep in beds that were too foreign, in bodies that had not been their own for years. Instead they grouped into one room and sat on the floor and whispered, late into the night. 

When morning came, Mrs. Macready discovered the four of them asleep in Peter and Edmund’s bedroom, tangled in a heap of pillows and blankets with their arms looped across one another. They woke a few moments after her entry and seemed confused, lost even, staring around the room with pale faces, eyes raking over each framed painting on the wall and across every bit of furniture as if it was foreign to them. “Come to breakfast,” Mrs. Macready said as she turned to go, but inside she wondered. 

For the children’s faces had held the same sadness that she saw sometimes in the Professor’s. A yearning, a shock, a numbness, as if their very hearts had been ripped from their chests.

At breakfast Lucy sat huddled between her brothers, wrapped in a shawl that was much too big for her as she warmed her hands around a mug of hot chocolate. Edmund fidgeted in his seat and kept reaching up to his hair as if to feel for something that was no longer there. Susan pushed her food idly around on her plate with her fork and hummed a strange melody under her breath. And Peter folded his hands beneath his chin and stared at the wall with eyes that seemed much too old for his face. 

It chilled Mrs. Macready to see their silence, their strangeness, when only yesterday they had been running all over the house, pounding through the halls, shouting and laughing in the bedrooms. It was as if something, something terrible and mysterious and lengthy, had occurred yesterday, but surely that could not be. 

She remarked upon it to the Professor, but he only smiled sadly at her and shook his head. “They’ll be all right,” he said, but she wasn’t so sure. 

They seemed so lost. 

Lucy disappeared into one of the rooms later that day, a room that Mrs. Macready knew was bare save for an old wardrobe of the professor’s. She couldn’t imagine what the child would want to go in there for, but children were strange and perhaps she was just playing some game. When Lucy came out again a few minutes later, sobbing and stumbling back down the hall with her hair askew, Mrs. Macready tried to console her, but Lucy found no comfort in her arms. “It wasn’t there,” she kept saying, inconsolable, and wouldn’t stop crying until her siblings came and gathered her in their arms and said in soothing voices, “Perhaps we’ll go back someday, Lu.” 

Go back where, Mrs. Macready wondered? She stepped into the room Lucy had been in later on in the evening and looked around, but there was nothing but dust and an empty space where coats used to hang in the wardrobe. The children must have taken them recently and forgotten to return them, not that it really mattered. They were so old and musty and the Professor had probably forgotten them long ago. But what could have made the child cry so? Try as she might, Mrs. Macready could find no answer, and she left the room dissatisfied and covered in dust. 

Lucy and Edmund and Peter and Susan took tea in the Professor’s room again that night, and the next, and the next, and the next. They slept in Peter and Edmund’s room, then Susan and Lucy’s, then Peter and Edmund’s again and so on, swapping every night till Mrs. Macready wondered how they could possibly get any sleep. The floor couldn’t be comfortable, but it was where she found them, morning after morning. 

Each morning they looked sadder than before, and breakfast was silent. Each afternoon Lucy went into the room with the wardrobe, carrying a little lion figurine Edmund had carved her, and came out crying a little while later. And then one day she didn’t, and went wandering in the woods and fields around the Professor’s house instead. She came back with grassy fingers and a scratch on one cheek and a crown of flowers on her head, but she seemed content. Happy, even. Mrs. Macready heard her singing to herself in a language she’d never heard before as Lucy skipped past her in the hall, leaving flower petals on the floor in her wake. Mrs. Macready couldn’t bring herself to tell the child to pick them up, and instead just left them where they were. 

More days and nights went by. One day it was Peter who went into the room with the wardrobe, bringing with him an old cloak of the Professor’s, and he was gone for quite a while. Thirty or forty minutes, Mrs. Macready would guess. When he came out, his shoulders were straighter and his chin lifted higher, but tears were dried upon his cheeks and his eyes were frightening. Noble and fierce, like the eyes of a king. The cloak still hung about his shoulders and made him seem almost like an adult. 

Peter never went into the wardrobe room again, but Susan did, a few weeks later. She took a dried flower crown inside with her and sat in there at least an hour, and when she came out her hair was so elaborately braided that Mrs. Macready wondered where on earth she had learned it. The flower crown was perched atop her head as she went back down the hall, and she walked so gracefully that she seemed to be floating on the air itself. In spite of her red eyes, she smiled, and seemed content to wander the mansion afterwards, reading or sketching or making delicate jewelry out of little pebbles and dried flowers Lucy brought her from the woods. 

More weeks went by. The children still took tea in the Professor’s study on occasion, but not as often as before. Lucy now went on her daily walks outdoors, and sometimes Peter or Susan, or both of them at once, accompanied her. Edmund stayed upstairs for the most part, reading or writing, keeping quiet and looking paler and sadder by the day. 

Finally he, too, went into the wardrobe room. 

He stayed for hours, hours upon hours. He took nothing in save for a wooden sword he had carved from a stick Lucy brought him from outside, and he didn’t come out again. The shadows lengthened across the hall and the sun sank lower in the sky and finally Mrs. Macready made herself speak quietly to Peter as the boy came out of the Professor’s study. “Your brother has been gone for hours,” she told him crisply, but she was privately alarmed, because Peter’s face shifted into panic and he disappeared upstairs without a word. 

Mrs. Macready followed him silently after around thirty minutes and pressed an ear to the door of the wardrobe room. Voices drifted from beyond. Edmund’s and Peter’s, yes, but she could also hear the soft tones of Lucy and Susan. 

“Why did he send us back?” Edmund was saying. It sounded as if he had been crying.  

Mrs. Macready couldn’t catch the answer, but when the siblings trickled out of the room an hour later, Edmund’s wooden sword was missing, and the flower crown Susan had been wearing lately was gone, and Peter no longer had his old cloak, and Lucy wasn’t carrying her lion figurine, and the four of them had clasped hands and sad, but smiling, faces. 

Mrs. Macready slipped into the room once they were gone and opened the wardrobe, and there at the bottom were the sword and the crown and the cloak and the lion. An offering of sorts, almost, or perhaps just items left there for future use, for whenever they next went into the wardrobe room.  

But they never did, and one day they were gone for good, off home, and the mansion was silent again. And it had been a long time since that morning that Mrs. Macready had found them all piled together in one bedroom, but ever since then they hadn’t quite been children, and she wanted to know why.

She climbed the steps again to the floor of the house where the old wardrobe was, and then went into the room and crossed the floor to the opposite wall. 

When she pulled the wardrobe door open, the four items the Pevensie children had left inside of it were missing. 

And just for a moment, it seemed to her that a cool gust of air brushed her face, coming from the darkness beyond where the missing coats used to hang.

[purestpup]

🍎 ⋆˚｡ ⋆ cg! spiderman moodboard ⋆ ｡˚⋆ 🍎

"Ohhh, would you look at this, my tiny spider missed me sooooooo much you colored in a picture of me!!! no, c'mere little one let me see!! ah, the perfect shade of red! gosh, what a talented little bug i have! c'mon, let's go hang it up with the others!" (v self indulgent featuring the pic i didn't finish coloring in today!!)

[dragonageconfessions]

Rest in peace Peter Renaday. The Dragon Age Fandom will never forget your amazing talent voicing Duncan.

[fairmerthefarmer]

My take/designs on the pevensies! (They’re definitely heavily inspired by their looks in the movies.)

Beginning of the lion, the witch and the wardrobe

End of golden age-ish

I’d call this a WIP but it’s not really, mostly once we get into designing clothes in fantasy settings I feel very out of my depth, but I wanna practice more. I’m the most happy with Lucy’s but that’s also cause I most heavily referenced with hers.

Im mostly still just figuring out the clothes design for when they’re in narnia. I want brighter/more jewel toned and warmth to contrast with the more muted London clothes. And for the clothing design I want embroidery, but other than that I have no idea how I would make the designs of the narnian style in this era cohesive.

I also have vague main colours for each of them, lucy green, secondary red, edmund blue secondary brown, Susan purple secondary blue, Peter red secondary purple, and all of them use gold as well.

[retrodisneydaily]

darling children costume appreciation  (requested by anonymous) 

PETER PAN (1953)