#oej posts

[oneeyed-jacks]

Jacks gonna blow a gasket when Mike tells ‘im Messin’ with ‘is employees is just pain stupid though.

[mariacallous]

The “True Sensation” dildo is a fleshy, silicone tool that measures exactly 7 inches and has the ability to vibrate (three different frequencies), thrust (seven different speeds), and self-heat (up to 105 degrees Fahrenheit). It’s just like the real thing, James Guo, the founder of Our Erotic Journey, assures me from his office in Irvine, California. Best of all—everything is controlled through the app AMZ.

“It connects to someone that’s oceans away,” he says of its potential for creating all kinds of sexual fantasies. Teasingly, he adds: “There’s also music that can match the intensity of the vibration.”

True Sensation is just one offering featured among the wide inventory of Our Erotic Journey, the sex toy brand Guo launched in 2019. Its online store, which boasts more than 200 products, is a pleasure chest of sexual self-amusement. Take your pick: There’s the lipstick-shaped vibrator, a remote-controlled rotating butt plug, various cock rings, something called the “Gravity Rocket” (a clitoral suction vibrator with seven massage modes), and a smattering of glow-in-the-dark accessories. “Those are for the ravers,” Guo jokes.

The sex tech market is estimated to triple by 2030, exceeding $100 billion globally in sales. The demand for products, from AI-assisted companions and personal wand massagers to sexual wellness apps, sits at an all-time high. At a moment when industry trends favor artificial intelligence and remote sex exploration, Guo just wants to make eccentric, high-quality vibrators. He’s betting big on toys.

In the years since launch, Guo has built Our Erotic Journey into a quietly influential brand through intentionally whimsical designs and an insistence on quality products. “I know production,” Guo says. His family, he tells me, owns an auto-parts factory in China, and what he learned from the business—how the factory system runs, the science of machines, what style of packaging attracts customers—he leveraged for OEJ.

Guo admits that the initial product line—about 20 toys, of which the Sec Duo vibrator for couples remains a company best-seller—was devised to “fit the market.” “We self developed the first batch through modding, R&D, scaling, all that stuff,” he says. “Everything since that represents more of who we are.”

That’s how OEJ’s six themed collections came to be. The Cristal collection is for glass toys while the Space, Thrillz, and Lit collections are for truly uninhibited pleasure seekers (one features a dildo called “The Girthquake,” that exploits a specific, if sometimes worn out, racial fantasy).

But where Guo, who is 35, sometimes falls short in imagination, he more than makes up for in vigilance. “Users expect and deserve products that meet stringent safety standards, and any deviation can damage a brand’s reputation irrevocably,” he posted in an XBIZ editorial in September. “Partner with trusted white-label manufacturers rather than gamble on the unknowns.”

When I ask Guo about the editorial, he stresses that the success of sex tech is determined as much by the innovation involved in the products as the quality. “We want to be more of a bridge from human to human,” Guo says, “not just from toy to human.”

Even with promising market projections—another estimate goes so far as to predict sales could surpass $121 billion by 2030—industry analysts are not convinced that the future of sex tech is in toys.

It’s a “very oversaturated market that is now avoided by many,” says Olena Petrosyuk, a partner at the consulting firm Waveup. This year, she adds, investors “are looking away from ‘commoditized’ trends”—sex toys, but also sex content and social platforms. “Many failed to prove the economics and scale. The category is still fairly stigmatized,” she says. “OnlyFans being a massive exception.”

So what do consumers want? Petrosyuk says wellness, AI, and immersive realities are hot right now. “Practically every new sex tech startup is thinking in terms of AI use cases,” she says. “If it’s AI toys—companies are looking into how they can anticipate and respond to the user’s needs. If it’s robotics—we see companies looking into sex bots. If it’s content—it’s hyperpersonalized sex personas.”

Guo tells me he is not phased by talk of AI sex robots—“a low-volume business,” in his estimation—because many people cannot afford the high price tag. Continued success, he believes, is will come by expanding on the company’s themed collections. OEJ works directly with US and Canadian distributors; it is not a direct-to-consumer business, though he says customers do occasionally order via the online store.

Although ecommerce is the industry standard in retail and electronics, taking more of an old-school approach works for Guo. Next year, OEJ plans to launch a Zodiac collection, crafting 12 unique toys for each astrological sign. It’s an appeal to the Co–Star fanatics of Gen Z. “Every generation is different,” he says.

The company’s mostly nonexistent social media presence only seems to add to their Wonka-like mystery. “We’re just bad at it,” Jerry Chen, an operations assistant, says. “We’re really focused on production.”

For now, that business model seems to be a hit. Our Erotic Journey recently won the “Best Pleasure Product Manufacturer—Small” prize at the 2023–2024 AVN Awards in Las Vegas, a litmus test for newbie brands in the adult content world. OEJ also received the O Award for Outstanding New Product for “Sexy Pot,” Guo’s marijuana-leaf-shaped vibrator, a customer favorite.

Clearly wanting to capitalize on its unexpected success, Guo says, “It’s time we gave it a sister or brother.”

[ansicred]

SAVAGE MISERY | art + reg “ship” vibes (pre/post break up) playlist

TRACK LIST: 1. greedy - yonaka • 2. pillow talk - kids in glass houses • 3. labour - paris paloma • 4. the alibi - dylan • 5. judas - depeche mode • 6. savage (rain recording) - lights • 7. goosebumps (oej session) - bastille • 8. i don't want you anymore - cherry glazerr • 9. matters of the heart • 10. slipping away - love fame tragedy • 11. damaged goods - la dispute • 12. conscious uncoupling - pool kids • 13. watch you go - the story so far • 14. prehistoric - now, now • 15. i really wish i hated you - blink-182 • 16. bet - no handouts • 17. villain - heterochromia • 18. the blob - pvris ft. lights • 19. back from the dead - summer hoop • 20. chrome - recoil • 21. i don't care - fall out boy

[fanthatracks]

https://youtu.be/oEj-2qmtvrU As we posted late last week, ILMxLAB rebranded to become ILM Immersive, and here we see that wasn't the only rebranding going on last week. ILM reveal their new logo's and divisions, taking the company into the future on the leading edge of innovation, as it has been since 1975. Our team here at Industrial Light & Magic are visual storytellers who create iconic moments that inspire the imagination. With a legacy that stretches back nearly half-a-century, we are so excited to announce our next chapter, and give you a look at our updated brand reveal. [amazon box="0593597915"]

[willyfarquarsons]

To get you out of the Charlie discussion: I remember I once saw someone posting a plan of the rooms of OEJ like a layout or something they did. Do you maybe know where I can find this?

sorry!! i have no memory of that 🙈 but the ppl who made the studio posted about it on their website http://milocobuilds.com/client/one-eyed-jack/ & bastille news has pics https://vk.com/album-154374876_251710954 😭

[bastillemxfans]

Griff posted this video, means that she’s also at the rehearsals with Bastille 👁

Let’s remember that a few weeks ago, they were working together at the OEJ studio.

[perfurt-blog]

New Post has been published on https://24-7news.dk/hold-oeje-med-stjaalne-kirkestole/

Hold øje med stjålne kirkestole

143 Kaare Klint-stole blev natten til torsdag stjålet fra Thorsager Kirke. Østjyllands Politi opfordrer borgere og forhandlere til at melde, hvis de bliver tilbudt større partier af designerstolene.

Indbruddet i kirken på Kirkebakken i Thorsager fandt formentligt sted omkring kl. 3.00. Gerningsmændene har efter al sandsynlighed haft brug for en varevogn, en lastbil eller lignende til at transportere stolene i, og politiet hører meget gerne fra vidner, der har set mistænkelige køretøjer eller personer ved kirken omkring gerningstidspunktet. 

Stolene, der blev stjålet, er af modellen ”Kirkestolen” produceret i 1950’erne. De er udført i eg, lakeret brune med transparent lak og har lyse sæder i flettet papirgarn. 

”Det er et meget stort antal stole, der er stjålet, og som nu skal afsættes. Derfor vil vi meget gerne høre fra private eller professionelle forhandlere, som får tilbudt et parti af den type stole, ” siger politikommissær i Østjyllands Politi, Anders Schouby. 

Oplysninger til politiet kan gives via tlf. 114. 

[renmorris]

I HATE watching this post OEJ plotline knowing that Audrey's arc goes NOWHERE and instead she becomes Girlboss For Dad UGH

Frost fixed it in tshotp but like I still have to WATCH this

COOPERVPLEASE START BITING BEN HORNE

[iloveahangar]

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For the few who haven’t seen this yet, how good is the flight path the last Qantas 747 took whilst departing Australia for the last time. Posted @withregram • @qantas Farewell, #QueenoftheSkies ✈ Today, the last 747 in our fleet, VH-OEJ departed Australia for the final time - adding a special display en roo-te to the US #747farewell https://www.instagram.com/p/CC9evnChf1X/?igshid=169l3q306d74r

[transdanieljacobi]

03/14/2020

In an attempt to give myself meaning again, I’m starting a Twin Peaks specific journal to record my critical thoughts, picking apart Twin Peaks. As of today, I have finished the first two seasons and Fire Walk With Me (FWWM). After finding a copy and watching The Missing Pieces, I will watch The Return. I’m still looking for Laura’s secret diary by Jennifer Lynch as well as Mark Frost’s book. I know I have a copy of Cooper’s autobio at my house but with the campus closure BS, who knows the next time I’ll get to look for it. 

Which women go unharmed in Twin Peaks 1990 and FWWM?

Annie Blackburn- Kidnapped, taken to Black Lodge, last we see her she is being rushed to the hospital and she has Teresa’s ring, which a nurse removes.

Audrey Horne- OEJ events, explosion at bank

Blackie- Dead

Blackie’s sister- Dead

Catherine Martell- Survived attempted murder

Denise Bryson

Donna Hayward- Drugged and sexually assaulted at Pink Room before Laura’s death, possibly on other occasions she joined Laura in Twin Peaks’s nightlife. 

Josie Packard- Assaulted by man working for Eckhart, killed by BOB who traps her soul in the wooden knob of a nightstand

Log Lady

Laura Palmer- Raped and drugged by several men on different occasions, murdered by Leland Palmer/BOB. Underage prostitue

Lucy Moran

Maddy Ferguson- Murdered by Leland Palmer/BOB

Mrs. Hayward

Nadine Hurley- Suicide attempt, age regression post-attempt

Norma Jennings- Married Hank Jennings

Rosette Pulaski- Assaulted and drugged by Jacques Renault and Leo Johnson, only survived BOB’s assault because of Teresa’s ring and Laura’s sacrifice. Underage prostitute.

Shelley Johnson- Repeatedly emotionally abused and physically assaulted by husband Leo Johnson, attempted murder by Leo at least twice

Sarah Palmer- Drugged by Leland/BOB whenever Leland/BOB would rape Laura, physically assaulted by Leland/BOB as well

Teresa Banks- Murdered by Leland Palmer/BOB, underage prostitute

[oneeyed-jacks]

I employ full grown adults (-minus Jonny don’t ya say shit) can someone tell me why the hell I just watched a group of em sprint past the entrance when there s’pose to be working.

[becomixdatabase]

[One-Eyed Jack: all’origine di Judge Dredd](https://blog.becomix.me/one-eyed-jack/ "https://blog.becomix.me/one-eyed-jack/")

articolo di Francesco Iesu

Durante la metà degli anni ’70, il mercato fumettistico inglese era in fase di stanca e molte riviste stavano perdendo lettori su lettori. John Wagner era l’editor della rivista Valiant, settimanale a fumetti che, come gran parte delle pubblicazioni del periodo, stava subendo un costante incostrantabile calo delle vendite.

Ma è proprio nei momenti di crisi, come l’etimologia greca asserisce, che si riesce a pensare e creare i presupposti per un futuro fiorire. Fu così che Wagner fa confluire la sua passione per i polizieschi, soprattutto The streets of San Francisco, ma è il contributo del disegnatore John Cooper a far pendere la bilancia verso il Dirty Harry diretto da Don Siegel con Clint Eastwood nei panni dell’ispettore Callahan (in Italia tradotto come Ispettore Callaghan: il caso Scorpio è tuo!). Nasce così One-Eyed Jack. L’azione si sposta dalla San Francisco di Scorpio alla frenetica New York, che nel 2099 diventerà la Mega City One in cui si svolgeranno le indagini del Giudice Dredd.

Locandina di Dirty HarryJack McBane è sempre stato un poliziotto che si attiene alle regole. Fino a quando la sua osservanza lo porta a perdere l’occhio sinistro e ottenere il soprannome con cui sarà riconosciuto dall’opinione pubblica, One-Eyed Jack.

La perdita dell’occhio, che avviene nella prima storia, fa cambia l’indole di McBane: da ligio alle regole qualsiasi cosa accadesse ora non si fa più alcun scrupolo pur di imporre la giustizia. Tra interrogatori con mafiosi intrappolati nel cemento a presa rapida, case date alle fiamme con criminali all’interno, sparatorie e incidenti d’auto a non finire, One-Eyed Jack diventa una vera spina nel fianco per la criminalità che vede affari e manovalanza venire eliminata indagine dopo indagine. Wagner nell’articolo introduttivo al volume scherza su come McBane trasgredisca la legge almeno una decina di volte per poterla applicare e che il risolvere tutto nel segno delle pistola non fosse così adatto al pubblico di dodicenni a cui la rivista fosse rivolta. Nonostante questo One-Eyed Jack diviene il personaggio di spicco di Valiant, durate la serializzazione iniziata nel Dicembre del 1975 e finita nell’Ottobre del 1976.

Infatti non poche volte il personaggio ha assunto il ruolo di personaggio di copertina della rivista. La serie è composta da storie di tre-quattro pagine in media, talvolta anche sei dove la sceneggiatura di Wagner è ridotta all’osso, non vi sono momenti di pausa, tutto è volto alla dinamicità. La formula in storie autoconclusive che al massimo durano due episodi, senza alcun trama orizzontale, regge per la quasi totalità delle apparizioni, eccezione fatta per il confronto con il Jigsaw Killer e gli ultimi episodi dove avviene un cambio dello status quo del personaggio che nonostante tutto mantiene la sua sete di giustizia.

Il Duo composto da Wagner e John Cooper tornerà per Valiant Annual 1978 con una breve storia a colori, precedente al finale della serie, che nulla aggiunge al mosaico del personaggio se non un’altra applicazione della Giustizia dal suo punto di vista.

Il lavoro di John Cooper ai disegni è importantissimo nel determinare l’atmosfera della New York in cui McBane sta facendo mattanza di criminali. I forti bianchi e neri, la scelta di creare toni di grigio con l’apposizione di lunghi tratteggi regolari sono fondamentali nel caratterizzare gli edifici e le location newyorkesi, soprattutto le notturne. In questo modo l’occhio si concentra sui corpi e sui movimenti che rappresenta il fulcro del disegno di Cooper. L’azione è dirompente, soprattutto nella gestione della tavola dove la griglia di 4 strisce sovrapposte da quattro vignette l’una viene manipolata il più possibile per generare dinamicità, la stessa che caratterizza lo scrivere di Wagner. Ecco quindi che Cooper usa vignette sbilenche, senza margini, irregolari o circolari per portare il lettore a compiere un lavoro di lettura attivo e non ripetitivo. Ciò è fondamentale contando che si tratta comunque di storie che hanno una struttura di base simile e che nella lettura in successione possono dare una sensazione di deja-vù. Gli accorgimenti che Wagner e Cooper trovano lungo la loro collaborazione permettono comunque di ridurre al minimo questa sensazione. Tra la personalità quasi inscalfibile del protagonista, le sue battute al vetriolo, la violenza che permea le storie (maggiore rispetto al primo ciclo di Dredd) e le invenzioni grafiche sulle vignette e i layout c’è tanta carne al fuoco.

Unico neo la storia in coda al volume, quell’annual del 1978 della rivista che vede la reunion tra i due autori dove il bianco e nero lascia spazio al colore, cambiando l’atmosfera creatasi nelle precedenti storie. Il passaggio dalla New York ruvida in bianco e nero a quella solare dove la fanno da padrone i colori primari (il giallo soprattutto) creano un forte contrasto e rigetto da parte del lettore, soprattutto considerando il continuo passaggio a colori differenti caratterizzanti le vignette, a quando il viola, a quando il blu, senza soluzione di continuità. È proprio questa gestione del colore ad azzoppare una storia che è in linea con le altre presenti nel volume.

Mini Lion Comics # 10 – One-Eyed Jack![2]Grazie all’acquisizione da parte della Rebellion dell’archivio Fleetway e Ipc Youth da Egmont la serie del “fratello maggiore di Judge Dredd” ha visto la luce in patria in un volume brossurato con alette di grande formato, con la speranza che prima o poi venire ristampata in Italia.

Mini Lion Comics # 12 -Sri Lanka Anche perché nel caso specifico siamo stati anticipati addirittura dallo Sri Lanka. Infatti tre episodi di One-Eyed Jack sono stati tradotti e pubblicati dalla rivista Mini Lion Comics, tra i numeri 10 e 12.

Immagini in lingua tamil tratte da: http://akotheeka.blogspot.com/2010/06/blog-post.html

L'originale è stato pubblicato su [https://blog.becomix.me/one-eyed-jack/](https://blog.becomix.me/one-eyed-jack/ "Permalink")

original post

[karthick0587]

via Entertainment News http://ift.tt/2zPVOdv Actor-director Albert Dupontel's Gaumont-backed feature 'See You Up There' is a post-World War I crime epic starring Nahuel Perez Biscayart, Laurent Lafitte and Niels Arestrup.

read more

[oneeyed-jacks]

Sometimes I say things and think how much ’m to this bastards face, that’s customer service for ya.

[oneeyed-jacks]

Seeing as y’all think it’s ok to use corkscrews for removing stuff some lava or what ever ya said it was i feel the need to make sure y’all at lest know how to sterilise it.

Ya have 2 main options doing it with stuff y’all probably have on ya both will work and ya probably can get away with just doing the one but both will work better:

1. Alcohol hold what ever ya using in it for as long as ya can before use, ya can also poor it on the injury.

2. Fire heat what ever ya uesing works better if ya did the alcohol before hand.

And if ya can get it use steam works better then the other two.

[oneeyed-jacks]

‘M sorry for my lack of activity at the casino yesterday but ‘m back so I’ll look forward to seeing y’all.