#odia kabi

[odishadetails]

Adi Kabi Sarala Das

Adi Kabi Sarala Dasa

Sarala Dasa (born as Siddheswara Parida) was a 15th-century poet and scholar of Odia literature. Best known for three Odia books — Mahabharata, Vilanka Ramayana and Chandi Purana — he was the first scholar to write in Odia and his revered as the Adi Kabi (First Poet) of Odia literature. As an originator of Odia literature, his work has formed an enduring source of information for succeeding generations.

HERE SARALADAS BOOK AVAILABLE

Life-- The early life of Sarala Dasa is not accurately known. He was a contemporary of the Gajapati King Kapilendra Dev. Though the date of his birth cannot be accurately determined, he can safely be placed to the 15th century AD. He was born at a village called kanakavati patana known as Kanakapura at the Tentuliapada, Jagatsinghpur district.Sarala Dasa had no organized early education, and what he achieved through self-education was attributed to the grace of Sarala, goddess of devotion and inspiration. Though his early name was Siddheswara Parida, he was later known as Sarala Dasa, or 'by the boon of Sarala'. (The title Dasa means a slave or a servant of a particular god or goddess. A long list of poets, preceding and succeeding Sarala Dasa, have names ending this way. For example: Vatra Dasa, Markanda Dasa, Sarala Dasa, Jagannatha Dasa, Balarama Dasa, and Yasovanta Dasa.) A story – similar to those told of other Indian poets, . such as Kalidasa, supposedly illiterate in early life until helped by the goddess Saraswati – tells that Siddheswara as a boy was once ploughing his father's field and singing so melodiously that the goddess Sarala stopped and listened to his song and endowed him with her power of composing beautiful poems.

There are several indications in his Mahabharata that he served as a soldier in the army of the Gajapati King of Odisha.

Works--

As well as the three books for which he is best known – Mahabharata, Vilanka Ramayana and Chandi Purana - Sarala Dasa also wrote the book Laxmi Narayana Vachanika. The Adi Parva Mahabharata opens with a long invocation addressed to the Lord Jagannatha of Puri, from which it is known that Sarala Dasa started writing his Mahabharata in the reign of Kapileswar, otherwise known as Kapilendra Deva, the famous Gajapati king of Odisha (AD 1435–67). He tells us that Maharaja Kapilesvara with innumerable offerings and many a salute was serving this great deity and hereby destroying the sins of the Kali age.

Though Sarala Dasa followed the main outline of the Sanskrit Mahabharata in writing the Odia Mahabharata, he made numerous deviations and added to it copiously the stories of his own creation and various other matters known to him. In the final form Sarala Dasa's Mahabharata is a new creation analogous to Kalidasa's Raghuvamsa based on the Ramayana.

Mahabharata brought to light about the 18 parvas. The Chandi Purana was based on the well-known story of Goddess Durga killing Mahishasura (the buffalo headed demon) given in Sanskrit literature but here also the Odia poet chose to deviate from the original at several points. His earliest work, Vilanka Ramayana, was a story of the fight between Rama and Shahasrasira Ravana (thousand headed Ravana).

He wrote the poems in Dandi chand (in which chand the number of letters in the verses is not fixed is called as dandi chand). The verse of Sarala Dasa is simple, forceful and musical, without artificiality. Applying colloquial words for his poetical purpose, his writing was free from Sanskritisation. His work can be seen as adapting the popular oral conventions of earlier Odia folk songs which were used in folk dances such as the Ghoda-nacha (Horse Dance), Dandanacha and Sakhinacha (Puppet Dance). One metrical peculiarity of these songs is that both the lines of a verse do not contain an equal number of letters though the last letters of both the lines produce the same sound. All Sarala Dasa's wors were composed with this metrical peculiarity, and so the metre used by him can be regarded as a direct descendant of that used in the folk songs. By the fifteenth century the Odia language had assumed almost its modern form and had become ripe for literary compositions.

The predominant sentiment in Sarala Dasa's poem is not love but war. He was also motivated by a strong religious zeal to compose religious books in a language intelligible to all and to make them available to the general public in Odisha. He tells in no uncertain words that he composed his poems for the benefit of "human beings". There are several indications in his Mahabharata that he served as a soldier in the army of the Gajapati King of Odisha and his association with the army brought to him a variety of experiences. The stories he heard the battle scenes which he witnessed, the places that he visited with the company of the army the historical incidents and names that he could know all remained stored up in his mind to be utilized in his writings.

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Exploring The Teachings of Udhaba Geeta in Odia

"Udhaba Geeta", written by Sant Kabi Balaram Das, is a renowned Odia book that holds great significance in the cultural and literary heritage of Odisha. The book is a poetic rendering of the story of Lord Krishna's departure from Mathura to Dwaraka, presented in a beautiful and melodious narrative style.Sant Kabi Balaram Das, a prominent poet and saint of the 15th century, composed this epic poem in Odia language. The book is filled with the resonance of devotion, love, and spirituality, reflecting the essence of Odia ethos and Hindu philosophy. It serves as a literary masterpiece that has captivated readers for centuries.

In "Udhaba Geeta", Lord Krishna imparts his divine wisdom and addresses the despondent and forlorn Uddhava, who is grief-stricken by the upcoming departure of his beloved Lord. Through a series of conversations and teachings, Krishna enlightens Uddhava about the nature of the soul, the essence of true devotion, and the path to liberation.The narrative beautifully explores various aspects of life, encompassing love, morality, duty, and the ultimate pursuit of spiritual emancipation. Sant Kabi Balaram Das' unparalleled poetic prowess and deep understanding of religious and philosophical concepts shine through his verses, making the book a profound and inspiring literary work.

Notably, the book emphasizes the importance of self-realization and inner transformation, urging individuals to cultivate devotion towards the divine. It also provides a glimpse into the treasured cultural traditions and customs of Odisha."Udhaba Geeta" is not just a religious scripture but also a treasure trove of philosophical teachings and moral anecdotes. Its timeless wisdom continues to resonate with readers, unraveling the mysteries of life and offering solace and guidance to seekers of knowledge and spirituality. Overall, "Udhaba Geeta" is an extraordinary Odia book, celebrated for its literary brilliance, spiritual depth, and cultural significance. It stands as a testament to the profound literary heritage of Odisha and serves as a perennial source of inspiration for generations to come.

[odishaupdate]

Udhaba Geeta

“Udhaba Geeta” by Santha Kabi Balaram Das is a renowned and celebrated Odia book that holds immense significance in Odia literature. Written in the 16th century, it is considered as a classic epic in Odisha.

The book revolves around the themes of devotion, spirituality, and morality. It tells the story of the great battle of Kurukshetra from the perspective of Lord Krishna’s charioteer, Udhaba. Through vivid and captivating descriptions, the author beautifully portrays the teachings of Lord Krishna to Arjuna during the battle of Kurukshetra. The book consists of various dialogues, monologues, and discourses between Udhaba and Lord Krishna, shedding light on the complex philosophies of life, duty, and righteousness.

Apart from the religious and philosophical aspects, “Udhaba Geeta” also explores the rich culture and heritage of Odisha. It incorporates elements of Odia tradition, folklore, and language, making it a valuable piece of Odia literature. The book is not only spiritually enlightening but also serves as a historical and cultural treasure, giving readers a glimpse into the ancient Odia civilization.

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Gupta Geeta By Bhakta Kabi Balarama Das Odia Book

"Gupta Geeta" unveils the spiritual essence and eternal truths through its poetic compositions. Authored by Bhakta Kabi Balaram Das, a visionary poet of medieval Odisha, this book serves as a reservoir of divine revelations that transcend time and space. It delves into topics such as morality, ethics, spirituality, and the path to self-realization, offering profound insights into the human condition and our relationship with the divine.Bhakta Kabi Balaram Das was a master wordsmith, and "Gupta Geeta" showcases his unparalleled poetic brilliance. Through his exquisite use of language, metaphors, and rhythmic patterns, he weaves together verses that captivate the imagination and touch the depths of the soul. Each page carries the weight of profound thought and lyrical beauty, inviting readers to immerse themselves in the poetic world crafted by this literary genius.

As an integral part of Odisha's literary and cultural heritage, "Gupta Geeta" is a testament to the rich legacy left behind by 2. His works have not only entertained generations but also served as a source of moral guidance and spiritual inspiration. By preserving and studying this book, we ensure that the cultural heritage of Odisha remains alive and continues to shape the hearts and minds of future generations."Gupta Geeta" acts as a catalyst for spiritual awakening and inner transformation. The verses in this book serve as a reminder of our higher purpose, urging readers to seek spiritual enlightenment amidst the transient nature of worldly life. Balaram Das's words resonate with truth, guiding seekers on a journey towards self-discovery, compassion, and a deeper connection with the divine consciousness.

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Chhanda Bhusana Odia Book

Odia literature boasts a rich tradition of poetry, and one name that shines bright in its poetic landscape is that of Kabi Samrat Upendra Bhanja. Among his remarkable literary contributions is the book "Chhanda Bhusana," where he showcases his mastery over various poetic forms and linguistic nuances. In this article, we delve into the world of "Chhanda Bhusana" and celebrate the poetic brilliance of Upendra Bhanja.

Kabi Samrat Upendra Bhanja, also known as Badajena Kumara, was an eminent poet and scholar who flourished in the 17th century in Odisha. His lyrical verses, rich imagery, and profound themes earned him the title of Kabi Samrat, meaning "the Emperor of Poets." Upendra Bhanja's works continue to captivate readers with their literary finesse and timeless relevance.

"Chhanda Bhusana" is a collection of poems by Upendra Bhanja, where he showcases his command over diverse poetic forms and meters, known as chhandas in Odia. The book encompasses a wide range of genres, including love poetry, devotional verses, historical narratives, and social commentaries. Each poem in "Chhanda Bhusana" reflects Upendra Bhanja's intricate craftsmanship and refined sensibilities.

Upendra Bhanja's poetic style in "Chhanda Bhusana" is characterized by his exquisite wordplay, skillful employment of metaphors, and evocative imagery. His verses are imbued with poetic devices such as similes, alliterations, and rhythmic patterns, creating a musicality that resonates with readers. The language used in the book is rich in idiomatic expressions, classical references, and historical allusions, showcasing Upendra Bhanja's erudition and literary prowess.

"Chhanda Bhusana" delves into a myriad of themes, reflecting the poet's wide-ranging interests and observations of society. Love and romance find a prominent place in his verses, with vivid descriptions of longing, separation, and the intoxication of love. Alongside this, Upendra Bhanja also addresses spiritual devotion, moral values, social issues, and historical events, offering readers a holistic view of life through poetic lenses.

Beyond its aesthetic appeal, "Chhanda Bhusana" holds immense historical and cultural significance. Upendra Bhanja's works offer insights into the socio-cultural fabric of Odisha during his time, reflecting the ethos, customs, and beliefs prevalent in the region. The book serves as a valuable literary source for historians, scholars, and enthusiasts, shedding light on Odia society's nuances and evolution.

Upendra Bhanja's "Chhanda Bhusana" has left an indelible impact on Odia literature and continues to inspire generations of poets and writers. His innovative use of poetic forms, profound themes, and mastery over language have set a benchmark for poetic excellence in Odia literature. The book serves as a guiding light, encouraging poets to explore new horizons while staying rooted in the rich tradition of Odia poetry.

"Chhanda Bhusana" stands as a testament to the poetic brilliance of Kabi Samrat Upendra Bhanja, showcasing his versatile genius and profound insights. Through this collection, Upendra Bhanja invites readers into a world of lyrical beauty, intellectual depth, and emotional resonance. As we immerse ourselves in the captivating verses of "Chhanda Bhusana," we embark on a poetic journey that transports us to the heart of Odia literary heritage, celebrating the enduring legacy of Upendra Bhanja, the Kabi Samrat.

[sahoorinky]

Odia Book Adhyatma Ramayan By Kabi Suryamani Chyau Pattnaik

These sacred verses are extract from the latter portion of the Brahmand Puran composed by the great Ved Vyas. These verses are a dialogue between Lord Shankar and goddess and universal mother Parvati. This pious story was recited to the universal mother Parvati by the Lord Shankar. This religious book contains the ideal characteristics of Lord Ram, the precept related to devotion, knowledge, dispassion, adoration and good conduct. The main context of the book is based on spiritual and metaphysical knowledge. The book is available in Hindi commentary. It is hard bound, with illustration.

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Gupta Geeta Odia Book

"Gupta Geeta" is a timeless Odia classic written by the legendary poet and saint, Bhakta Kabi Balaram Das. This book is a collection of soulful poems that delve into the mysteries of life and explore the deeper meaning of existence.

Through his poignant and thought-provoking verses, Balaram Das invites readers to reflect on the eternal truths of the universe and seek spiritual enlightenment. The book is divided into five chapters, each one dealing with a different aspect of life, such as love, faith, karma, and liberation.

The poems in "Gupta Geeta" are written in a simple yet powerful language, making them accessible to readers of all ages and backgrounds. The author draws inspiration from various sources, including the teachings of the Hindu scriptures and his own personal experiences.

What sets this book apart is the depth of wisdom and insight it offers. Balaram Das's profound understanding of life and spirituality shines through each verse, offering readers a glimpse into the nature of reality and the true purpose of human existence.

Whether you are a poetry lover or someone looking for spiritual guidance, "Gupta Geeta" is a must-read. It is a timeless masterpiece that has inspired generations of Odia readers and continues to be a source of inspiration and enlightenment even today.

[ghostlycreatorconnoisseur]

Odia Book Kabi Mayadhara Mansingh

Indian poet and author Mayadhar Mansingh composed in the language of Odia. In 1967, he was given the Padma Shri, India's fourth-highest national honour. Essays, poetic plays, and lengthy story poems are among Mansingh's creative accomplishments. He also wrote a number of academic papers about Odisha's history.He was also the director of Utkal University's Jnankosh Project. His poetry frequently employs erotic and love metaphor, earning him the title "Premika kabi" (Lover Poet) in Odia literature. He penned works like The Saga of the Land of Jagannatha (in English), which eloquently depicts Odisha's early history. He also authored works in Odia, including the J. Mohapatra & Co.-published Mahatabani, Geeta Mahatmya, and Sarbajanina Geeta.

[rinkeyb1]

New Odia Book Sarala Sahityara Shakta Dharma By Dr. Dharanidhar Nayak

Sarala Dasa (born as Siddheswara Parida) was a 15th-century poet and scholar of Odia literature. Best known for three Odia books — Mahabharata, Vilanka Ramayana and Chandi Purana — he was the first scholar to write in Odia and his revered as the Adi Kabi (First Poet) of Odia literature.As an originator of Odia literature, his work has formed an enduring source of information for succeeding generations.

As well as the three books for which he is best known –Mahabharata, Vilanka Ramayana and Chandi Purana - Sarala Dasa also wrote the book Laxmi Narayana Vachanika. The Adi Parva Mahabharata opens with a long invocation addressed to the Lord Jagannatha of Puri, from which it is known that Sarala Dasa started writing his Mahabharata in the reign of Kapileswar, otherwise known as Kapilendra Deva, the famous Gajapati king of Odisha (AD 1435–67). He tells us that Maharaja Kapilesvara with innumerable offerings and many a salute was serving this great deity and hereby destroying the sins of the Kali age.

Though Sarala Dasa followed the main outline of the Sanskrit Mahabharata in writing the Odia Mahabharata, he made numerous deviations and added to it copiously the stories of his own creation and various other matters known to him. In the final form Sarala Dasa's Mahabharata is a new creation analogous to Kalidasa's Raghuvamsa based on the Ramayana.

[odishadetails]

Madhusudan Das

Madhusudan Das

Madhusudan Das (28 April 1848 – 4 February 1934) was an Indian lawyer and social reformer, who founded Utkal Sammilani in 1903 to campaign for the unification of Odisha along with its.. social and industrial development. He was one of the prominent figure, helping in the creation of Orissa Province (present-day Odisha, India), which was established on 1 April 1936. He was also the first graduate and advocate of Orissa. He is also known as Kulabruddha (Grand Old Man),

MADHUSUDAN DAS ALL ODIA BOOK AVAILABLE Madhu Babu, and Utkal Gouraba (Pride of Utkal). In Odisha, his birthday is celebrated as the Lawyers' Day on 28 April.

Family-

Madhusudan Das was born 28 April 1848 at Satyabhamapur, 20 kilometres (12 mi) from Cuttack during the Company rule in India in a Zamindari Karana family.His father was Choudhury Raghunath Das and his mother, Parvati Devee. They had initially named him Gobindaballabh. He had two elder sisters and a younger brother named Gopalballabh. Gopalballabh was a Magistrate at Bihar Province and the father of Ramadevi Choudhury. He was converted to Christianity that caused him boycotted in the village which he had to quit to erect a small house at the end of the village. The house was known as ‘Madhukothi’ or ‘Balipokharikothi’, later on used as the state office of the Kasturba National Memorial Trust, in a part of which was running the Anganabadi, Balbadi. Madhusudan had adopted two Bengali girls; Sailabala Das and Sudhanshubala Hazra. Sailabala was an educationist who had been trained in England, and in whose name the famous Sailabala Women's College of Cuttack was founded.Sailabala was Bengali, and her parents had left her in the care of Madhusudan Das and his wife Soudamini Devi at Calcutta. In 1864, he passed Matriculation from Cuttack and thereafter he was inclined to become a teacher and began his career as a teacher at Balasore for three years. The year 1866 was the year of a acute famine in Odisha, called the "Naanka Durviksha" When more than one lakh people died of hunger. This year he converted himself to Christian and changed his name as Madhusudan Das from his earlier name of Gobinda Ballav Choudhury.

Political career--

Known as 'Madhu Babu' by the common people, he worked for the political, social and economical upliftment of the people of Orissa and worked as a lawyer, journalist, legislator, politician and social reformer. He founded Utkal Sammilani which brought a revolution in the social and industrial development of Orissa. He was elected as a member of the legislative council of Bihar and Orissa Province and under the Diarchy scheme of Government of India Act, 1919, he was appointed as Minister for Local Self-Government, Medical Public Health, Public Works in 1921. He was the first Odia to become a member of both the legislative council and the Central Legislative Assembly of India. He founded Utkal Sammilani (Utkal Union Conference) which laid the foundation of Odia nationalism. Utkal Sammilani spearheaded the demand for unification of Odia speaking areas under a single administration. This led to the formations of state of Odisha on 1 April 1936. He was also the first Odia to travel to England. He founded the Utkal Tannery in 1905, a factory producing shoes and other leather products. In 1897 he founded the ODISHA Art Ware Works. With his support, the Tarakasi(filigree) work of silver ornaments achieved commendable feet.

Contribution to literature--

As a writer and poet, patriotism was always at the forefront of his mind, and that was reflected in all of his literary works. He penned a number of articles and poems in both English and Odia. Some of his important poems are "Utkal Santan", "Jati Itihash" and "Jananira Ukti". He was also an influential speaker in Odia, Bengali and English.

Last years--

He died on 4 February 1934 at the age of 85.

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Udhaba Geeta Odia Book

Delve into the profound teachings of "Udhaba Geeta" by the esteemed Santha Kabi Balaram, an Odia literary masterpiece that embodies the essence of spirituality. This enlightening book takes you on a transformative journey through the timeless conversation between Lord Krishna and Udhaba.

Through captivating storytelling and insightful dialogues, "Udhaba Geeta" imparts profound wisdom, guiding readers towards self-realization and inner peace. The spiritual lessons contained within its pages transcend boundaries, offering solace and clarity to seekers of truth.

Prepare to be inspired and uplifted as you explore the depths of human existence, the nature of the soul, and the path to eternal bliss. "Udhaba Geeta" is a treasure trove of spiritual enlightenment, inviting readers to embark on a transformative quest of self-discovery.

[lalmohanpatnaik]

An acre for the King of Bards

Despite living in Cuttack since my school days I didn’t know that Upendra Bhanja Jayanti Saptaha is organised every year at Mission Road in the city to commemorate the birth of the celebrated Odia poet and classical Odissi music composer.  

Regrettably, my awareness was limited to enthusiastic references to the love lyrics of Upendra Bhanja by a fellow student of Odia Honours and friend up to this day - RB - during my graduation years.

Being a student of English literature, a newfound interest in Upendra Bhanja, led me to educate myself about him and know that he was a 17 th century poet renowned for his Odissi songs and epic poems that typified his extraordinary creative sensibility. He made significant contributions to enrich Odia literature.

His date of birth is not known with certainty, but it is traced to between 1670 and 1688 at Kulada in erstwhile Ghumsara Princely State, now Bhanjanagar, a town named after him in Southern Odisha.

He died sometime in the 1740s. By then he wrote some 52 to 60 books. While many of the hand-copied books have been lost in the absence of a printing press, only 22 are reportedly available. With his poetry replete with similes, he carved out a niche for himself in medieval literature as a leading ornate poet.

Upendra Bhanja’s works based on Odissi classical music, the traditional classical music of Odisha won him wide acclamation as one of the greatest Odissi composers of the time. His compositions are commonly employed in Odissi dance as well as Gotipua, Sakhi Nata, Prahallada Nata, Radha Prema Lila and other allied art forms.

He composed many love lyrics with symbolic reflection of nature. Devotion to the Almighty was integral to most of his poems. His Cantos (one of the sections into which long poems are divided) mostly ended with symbolic dedication to the Supreme power. Apart from the literary legend, historical facts are described in several of his works.

Upendra Bhanja whose first published work is "Rasapanchaka" came up with the first dictionary – Gita Abhidan in Odia literature. He is said to have contributed 32,300 words to Odia language and literature.

According to literary critics some of his well-known Kavyas – long narrative poetic compositions characterised by decorative elaboration are Baidehisha Bilasa (with each line starting with "Ba"), Rasalila, Brajaleela, Subhadra Parinaya  (with lines starting with "Sa"), Labanyabati, Premasudhanidhi, Rasika Harabali, Subhadra Parinaya and Chitrakabya Bandodhya, Koti Brahmanda Sundari, Kala Koutuka (with "Ka" initial for every line), Satisha Bilasa" (with 'Sa'  initial in every line), "Damayanti Bilasa" (with 'Da' initial in each line) and "Padmabati Parinaya" (starting each line with 'Pa').

He has been addressed as “Kabi Samrat” in popular reference since the early part of 19th century for his unsurpassed rhetoric excellence as a poet. Perhaps no other language has a poet to compare with him apart from Sanskrit.

According to poet and critic Mayadhar Mansingh, Upendra Bhanja may be taken as the most supreme master of using Sabada Alankar (a recognised and respected element in literary art in Indian poetics) in the whole Indian literature.

This year Upendra Bhanjas annual 78th birth anniversary week was observed as usual from May 16 to 22 at the Bhanja Mandap constructed for this purpose close to the Union Club in 1973.

Kalinga Bharati, one of the oldest cultural organisations of the state along with Utkal Chhatra Sahitya Samaj organised like all years the week-long anniversary marked by symposiums on Upendra Bhanja, Odissi dance and Odissi music from 6 pm to 10 pm.

But the red tape over grant of permanent lease of near to one acre land which has been the venue for the unrelenting observation of the Upendra Bhanja’s birth anniversary week year after year by Kalinga Bharati testifies how well successive governments in the state have patronized the ‘Kabi Samrat’ over the past nearly five decades.

Madhusudan Das, better known as Madhu Barrister had established the Union Club by obtaining a plot of 3.65 acres of Government land at Mission Road, on lease in 1914 with Netaji Subhas Chandra Bose’s father Janakinath Bose as its first President. Union Club was purportedly established as a challenge to the colonial powers which refused entry of the locals to the Cuttack Club established in 1865 for Europeans and Anglo-Indians.

Kalinga Bharati – an organisation at Dagarpada in Cuttack was created by Guru Bichhanda Charan Patnaik in 1933-34 purportedly for the promotion of ancient and medieval Odia literature and culture, especially the works of Upendra Bhanja.

Available records, including Court orders indicate that Kalinga Bharati requested Cuttack Collector for allotment of land for permanent office, stage and library in 1971.

After Union Club agreed to spare one acre from the 3.65 acres lease hold land in its possession to Kalinga Bharati. Cuttack Collector approved the proposal and permitted sub-lease of one acre on May 30, 1971.

The sub-lease was executed on July 6, 1971 between the President of Union Club and Secretary of Kalinga Bharati. Secretary Union Club gave consent February 15, 1973 for construction of Bhanja Mandap on the subleased land.

Cuttack Improvement Trust accorded permission for construction of the Bhanja Mandap on the subleased land on June 9, 1973. Thereafter, Kalinga Bharati constructed a permanent stage to perform different literary and cultural functions along with a library and music rehearsal room’

In the same year when lease granted in favour of Union Club expired Kalinga Bharati applied for renewal of lease of the one-acre land in its favour. But the entire land 3.65 acres was renewed in favour of the Union Club on January 31, 1987.

Kalinga Bharati filed a title suit in 1989 before the Court of II Additional Civil Judge (Sr Division) which directed the Cuttack Collector to dispose of the case for permanent lease considering their possession within six months on December 20, 2013.

The available records further indicate that the Union Club sought intervention of Orissa High Court for allotment of the entire land in their favour in 2016. Acting on it the high court directed the Revenue Divisional Commissioner (Central) to take steps on the pending lease application.

Kalinga Bharati on its part also sought intervention of the high court in 2017. Responding to it the high court directed the Cuttack Collector to dispose of the pending lease application of Kalinga Bharati on July 22, 2019.

But the lease applications of both Union Club and Kalinga Bharati relating to the Khasmahal land are pending before the Cuttack Collector.

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Shesha Drushti, The Last Vision (1997)

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Birat Geeta Odia book

In the treasure trove of Odia literature, "Birat Geeta" stands tall as a monumental work that showcases the literary brilliance and spiritual insights of Bhakta Kabi Balaram Das. Written in the 16th century, this epic poem holds a revered place in Odisha's cultural heritage, captivating readers with its vivid storytelling and profound philosophical teachings.

"Birat Geeta," which translates to "The Song of the Universe," is an extraordinary literary creation by Balaram Das. This magnum opus takes inspiration from the Mahabharata, one of the ancient Indian epics, and presents a unique retelling of its stories and characters through the eyes of Odia culture.

Spanning over 12,000 verses, "Birat Geeta" offers a panoramic view of the varied aspects of human existence, blending mythology, history, and spirituality into a cohesive narrative. Balaram Das skillfully weaves together tales of divine incarnations, moral dilemmas, and the eternal struggle between good and evil. Through his poetic prowess, he brings forth the timeless wisdom hidden within these age-old stories, imparting valuable lessons for future generations.

One of the remarkable aspects of "Birat Geeta" is its exploration of bhakti, or devotional love, as a path to spiritual realization. Balaram Das emphasizes the power of unwavering devotion to the divine, highlighting the transformative effects it can have on individuals and society at large. The book serves as a guide for seekers on their spiritual journey, inspiring them to cultivate a deep connection with the divine and embrace the virtues of humility, compassion, and righteousness.

Through vibrant descriptions and lyrical verses, Balaram Das paints a vivid picture of the landscapes, traditions, and cultural nuances of ancient Odisha. His poetic genius brings the characters to life, making them relatable and captivating. The book becomes a conduit for preserving Odisha's rich heritage and folklore, ensuring that future generations can appreciate and cherish their cultural roots.

Furthermore, "Birat Geeta" holds a mirror to contemporary society, reflecting upon the timeless ethical dilemmas faced by individuals. Balaram Das explores profound philosophical concepts such as karma, dharma, and the eternal cycle of birth and death. By doing so, he encourages readers to reflect on the moral choices they make in their lives and strive for spiritual growth amidst the complexities of the world.

The impact of "Birat Geeta" extends beyond its literary significance. It has been embraced as a cultural gem, celebrated through performances, recitations, and scholarly commentaries. The poem's influence can be seen in various art forms, including Odissi dance, music, and theater, which continue to draw inspiration from its themes and narratives.

In conclusion, "Birat Geeta" by Bhakta Kabi Balaram Das is an epic masterpiece that unveils the vastness of Odia literature and spirituality. Through his exquisite verses, Balaram Das weaves together mythology, history, and philosophy, offering profound insights into the human condition and the pursuit of spiritual enlightenment. This remarkable Odia book stands as a testament to Balaram Das's literary genius and continues to inspire and enrich the cultural fabric of Odisha.