#oc | stevie brewin
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verse | desolation sound + prologue ch | stevie brewin summary | where it all began for them. u can also ugh find this on my ao3 lmao///
August The Twin Moons Motel
Stevie was barely conscious, but she could feel that she was hurting. It felt like she had been hit by a runaway eighteen wheeler, a heavy, dull ache in her body, a sharp ache throbbing against her temples. All of her joints felt stiff like they would break if she moved too quickly from her position. On the ground? She tried to gently feel around surroundings and came back with nothing but dirt, rocks, and twigs. That didnât make any sense.Â
She groggily began to come back to consciousness, and it took her a good five minutes after that before she felt she could even try to get to her feet.
Once she managed it, she looked down at herself and it revealed that she was covered in dirt and dust from head-to-toe, but she was otherwise unscathed. Not a scratch, scrape or bruise anywhere to be seen, and that might normally be good news, but it didnât explain why her insides felt like someone had reached inside and scrambled them up.Â
What the fuck happened to her?Â
She took a breath and tried to rewind her memory, but her mind was drawing a blank, probably too hampered by the vicious headache to give her an explanation. Instead, she leaned against a nearby tree and took stock of her surroundings. Time to put your detective hat on, Brewin, she thought.
Alright. Waking up in a ditch in a grove of trees explained why she was covered in dirt, but nothing else about her thinly forested surroundings provided any clues until it dawned on her that the sun was rising. She stopped and stared at the horizon through the trees, her expression pinched together in confusion. That wasnât right, but why? Why wasnât it right that the sun was rising? Stevie clenched her eyes shut, trying to will the memories back in place this time, unblur them from the thick fog that made them hard to see.
Still nothing.Â
She groaned, then turned around, spotting a building in the near distance. Getting anywhere but where she was felt like the smart idea, and she stiffly began to move through the sparse aspen trees.
As she drew closer to the building, she realized it was the motel and that was when her memory began to slowly clear up.
She had been at work doing the night shift she did every damn night. It was Thursday, or⌠Was it Thursday? She glanced towards the horizon, the sky fading into soft blues and oranges as the sun continued to rise. Okay, no, nevermind, it had to be Friday morning. So, that would make the sketchy couple she checked out shortly after her shift started the last thing she remembered doing. After that? There had nothing. Was she robbed? Drugged?Â
Was it aliens?Â
The thought that it could have been made her a little giddy. Wouldnât that be a hell of a story to tell? Despite how much pain she was in, a grin managed to tug at the corners of her lips â but it quickly faded when she stepped onto the motel property. It felt like she had to push through a tangibly thick fog, and her ears popped with enough force to make her head spin. What the fuck was that?
She had to double over a bit, one hand coming to wrap around her torso as she fought against the bile rising in her throat. Okay, if aliens did turn out to be behind this than sheâd need to have a talk with them about not taking it so far next time, thanks. Stevie hesitantly glanced over her shoulder, but there was nothing there. Just the forest and behind that where nothing grew, the endless desert.Â
She shook her head to clear it and reprioritized herself. She hoped to God that Nick hadnât shown up yet to find her gone from the office. Itâs not like this place ever got much business, but God forbid an employee step outside for some fresh air. The old bastard was insufferable to work for.Â
She muttered a quiet prayer to whoever out there felt like listening and limped around the corner of the building. Nickâs car was parked in the lot. Shit. Why did he have to always come in so early? She knew she missed a lot of time, but she knew with how little the sun had risen it couldnât even be six. She tried to wipe the grime off her face, and then pushed open the door to the office, steeling herself for a verbal lashing. The bell hanging above the door rang.Â
âHey, Nick. Iââ
Her words fell away into a choking gasp.
As she expected, Nick was there, and he was staring at her, but not her standing by the door. He was staring at her that was sitting, slumped over the front desk, blood pooling underneath her cheek, her eyes staring vacantly at nothing. It was her, but it wasnât. It was her, but she was dead.Â
But if she was dead there than how was she here? Still breathing, still thinking. Still alive. The unreality of the scene made her knees feel weak, and the bile she felt rising outside returned.Â
Her mind reeled as it desperately tried to grasp onto something that could make sense of the scene, but her thoughts were running into each other and nothing made sense. It had to be a joke or⌠Or a dream! Maybe it was all a horrible dream. Maybe she fell asleep at work and sheâd wake up behind the desk totally alive at any second and laugh it off.Â
Then Nick screamed.Â
It was a terrible and confused scream, and any hope that sheâd wake up fell away into the abyss of silence that followed. For a moment, everything around her came screaming to a halt. Oh, okay, she thought to herself. Itâs not a dream. Oh.Â
Then, like someone cranked up the radio for a really good song, the strangeness of what was in front of her hit her in a second, harder wave.Â
Her ears filled with a buzzing panic, her heart â hers â slammed against her chest so hard she thought it would burst. Her hands trembled. Her boss was trying to say something to her, but she couldnât hear him over the static. Maybe he wanted to know why she wasnât in the office when he got here. She took a step inside and tried to find a decent sounding excuse that she hadnât already used. Maybe she should take up smoking for the breaks. The room began to darken. Her boss backed away from her.
Then she realized he was also backing away from it.Â
Her dead body.Â
She blinked and snapped back into herself.Â
She had come to a stop right in front of her corpse, near enough to smell the congealing blood and see the ashen pallor of her copyâs skin. Stevie swallowed and tried to look away. Whatever it was she was trying to say didnât matter anymore. Not when she was more up close and personal with her corpse than she ever thought she would be.Â
The room continued to dim. Her knees began to buckle. Her mind continued to reel.Â
And then she was out, crumpled on the floor like she had been in the ditch outside, still breathing and still alive. Just unconscious.Â
The other her remained dead and still and silent.
#my writing*#verse | desolation sound#ds*prologue#oc | stevie brewin#ooooooh boy this sure is a small prologue here yikes
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ch | stevie brewin & GUESS WHO lmao itâs sam sorryÂ
This is your least favourite part. Itâs gross, itâs messy, it smells, and itâs just so goddamn tedious.
You wipe your forehead, hair pulled back in a messy ponytail, and kick at the mess on the floor of the motel room. Â
âStop. Letting. This. Happen.â Each word is punctuated by a heavy kick and a thud. Your shoulders slump forward in eventual defeat, a long, weary sigh escaping your lips. You swear you can already feel how your muscles are going to ache in the morning, but nobody else is going to clean this mess up for you. Buck up, kiddo. Itâs you against⌠Well, youâre not sure who youâre against yet.
It used to take you six hours to clean up, but now it only takes you four. The cleaning itself is fine; youâre used to this by now and itâs made easier with the new industrial washing machine you have out back. Your knees still hurt and your back still aches after meticulously getting into all the nooks and crannies, but you do this so regularly (down to the minute!) that it barely registers until the morning after.
Your least favourite part, though, is the last part. Before youâre even close to done your shoulders are screaming in agony, a splintering ache that mockingly inches its way up your neck.
You bend down, you push, you pull, you dump. Then you do it all in reverse. By the time youâre done youâre sweating in the midsummer nightâs heat, chest heaving with exertion.
âFor-- fuckâs sake.â
You take a step back and admire your handiwork. Itâll be a while before grass starts to grow over, but itâs not like itâs grown back in any of the other spots back here. Thereâs no need to hide what youâre doing out here every Thursday anyway. Everybody already knows. They understand.
Sort of.
Whatever. You push those thoughts from your mind and toss the shovel on top of the fresh dirt. All you want right now is a cold glass of water and a shower. You smell like dirt and copper, and despite your best efforts your hair is a mess of it, too. Â (Nevermind your clothes, but thatâs what the industrial washer is for, remember?)
A moon seems to blink down at you from the sky and in an act of defiance that would baffle naive onlookers you give it the finger and a foul expression. The nightâs first breeze blows past with the sound of a mocking chuckle coming from somewhere in the distance. You shake your head and mutter, âIf only I could fuckinâ sleepâŚâ on your way back inside.
Your room here at the motel is just within reach when you hear the unfamiliar sound of a car door slamming shut. It makes you flinch and slowly turn. Nobody ever stops here. Nobody ever stays here. Not since the murder anyway.
Who the fuck could it be?
Your mind runs through a number of names and faces, but the person standing in the parking lot wearing sunglasses in the dead of night is entirely unfamiliar.Â
Shaking a hand through your hair and wiping away the dirt from your hands and face off on your shirt, you call out, âH-Hi there. Hi. Can I help you?â
Sunglasses stares at you - or maybe past you; itâs difficult to tell with, you know, the glasses on - and the moment drags on and on and youâre already thinking of excuses about your appearance, but he eventually says, âUh. Yeah. You work here? I need a room.â
You stare at him open-mouthed. A nervous skittering arcs up your spine and your eyes dance around your surroundings, waiting for the punchline to this joke.
You wait, he waits.
Then you say, a little shakily, âSure. Yeah. Let me grab you a key.â
#my writing*#au | still unnamed horror thing#oc | stevie brewin#oc | sam wright#the beginning of my horror thing ....... ik it's short but it's not supposed to be a lot#or make sense really lmao
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nobody cares but stevie and sam in a destiny au
stevieâs an angry hunter + nightstalker. sheâll fight anything and everyone. probably shouldnt really be a guardian honestly. she knows something abt sams disappearance
sam is a voidwalker warlock who disappeared for fucking ever and then just showed up one day weird and too voidwalker-y and he refuses to tell anyone where he wasÂ
together they are Two Angry Slightly Unstable Guardians who almost refuse to work w anyone else other than each otherÂ
#not writing*#they sure wont protect the universe probably#verse | destiny#oc | sam wright#oc | stevie brewin
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in my mcu/main og verse stevie runs an underground fighting ring and itâs how she meets bucky. they met for the first time like shortly after he gets his memories back (in 616 canon) and they are Buds. thanks for coming to my ted talkÂ
#not writing*#idk thinkin about it this morning#oc | stevie brewin#ch | bucky barnes#i don't think ive ever mentioned this before so here it is for posterity
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all my characters only eat garbage foods thank you :)Â
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stevie hopes it was aliensÂ
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verse | welcome to hope county ch | stevie brewin, sam wright, jacob seed summary | sometimes you try to kidnap two people and sometimes it just goes straight to shit.Â
some new dawn era fc5 au goodness. ă˝ŕźźĘĚŮÍĘĚŕź˝ďž
Itâs been a long fucking night. Maybe the longest night sheâs had in six years and sheâs had some long, long nights.
It was never supposed to go like this. She was supposed to get here, get Quinn and Evie, and get the fuck back to the camp. Instead, sheâs handcuffed to an old radiator and she has a nasty splitting headache from where she was knocked out.
See, it all went to shit so fast.
It wasnât hard for her to track down them down to Prosperity so much as it was tedious. Stevie had kept away from the main roads to keep a low profile, preferring to move through the forest, and it took almost two days for her to get from Edenâs Gate to the other end of the county. The next couple hours were spent watching the camp with the scope on her rifle at a distance. A part of her felt like this was wrong, but a larger part of her couldnât, and still canât, wrap her mind around the fact that Quinn and Jacob donât want anything to do with John or Joseph anymore.
Joseph was right. Heâd always been right. Turning away from Edenâs Gate now wasnât going to do them any favours in this new world. They would spend the rest of their lives wandering aimlessly and without purpose.
But her opinions donât really matter in the grand scheme of things anymore. She needed to stay focused on why she was there, so she waited and waited until the sun went down to make her move. Slipping into the camp unseen, she slung her rifle over her shoulder, but kept her pistolâs holster unclipped for easy access. She had passed the guards fine, but itâs hard to know if anybody else is awake and wandering the camp.
On light feet, she slipped inside the door of the last building she saw Quinn and Evie enter, holding her breath while she stopped in the entryway to listen for any sounds. Itâs dead silent. Stevie exhales and slips a hand into the satchel hanging from her hips. Her fingers brush over a Bliss-filled syringe that was given to her by Joseph before she left. He didnât need to tell her what it was for. It was as close to a sedative as they were going to get out here.
She quietly made her away across the room, passing the couch and flicking a longing glance at the crackling fireplace. Prosperity looks far more comfortable than Edenâs Gate is, and sheâd do anything to get a couple hours sleep on something so comfortable, but this wasnât her life anymore. With her jaw clenched, she made her way upstairs slow enough to keep the floorboards from creaking. It would make sense to have some bedrooms upstairs, and if she had to guess sheâd say that with all the people living here Quinn and Evie probably shared a room. Itâd narrow her focus and hopefully mean that sheâd get out of there in less time.
Three doors lined the dark hallway, no sound and no shadows. She gently pressed her ear up to the first door and listened. There wasnât a sound, so she slowly turned the knob and peeked inside.
Empty.
She closed it, took a breath and moved onto the next room.
This time she thought she heard the sound of someone shifting in a bed, and waited a minute before slipping inside with her heart hammering against her chest. The room was dark, but the moon provided enough light to let her see vague shapes â a desk, a dresser, an unmade bed. Someone standing at the end of the bed.
Oh. Oh no.Â
She didnât have enough time to see the shovel crack against the side of her head before crumpling to the ground like a ragdoll. Â
Which brings her back to her current predicament: handcuffed, alone, pissed off, and, well⌠a little bit scared.
John is going to be furious with her for fucking this up when he finds out about it, and Joseph, well⌠Itâs not his kid, but he trusted her to get it done. Nausea kicks up a wave in her stomach at the thought of disappointing Joseph. Fuck, fuck, fuck. Sheâd rather take John screaming at her for hours than disappointing the most important person in her life. There has to be some way of salvaging this. She tugs at the cuffs, but the metal is strong and only cuts into her wrist.
But she can shoot it off the radiator.
She reaches for her silenced pistol eagerly with her free hand, but comes up with nothing. Itâs gone. Shit. Whoever knocked her out must have patted her down which means⌠Double-Shit. Stevie reaches into the satchel and to no surprise the syringe is gone, too. She groans, her head smacking against the wall behind her. Itâs not like she canât fight her way out of here if she has to, but she also canât do shit if she canât go anywhere.
Not long after the doorknob turns. Stevie shoots her back straight, heart caught in her throat. She thinks: Quinn? Jacob? âŚ.Joseph?
Itâs none of them.
A tall, exhausted-looking man pushes the door open. His black hair, styled in an undercut, falls in messy waves to frame part of his face, dark circles painting a contrast to a familiar pair of blue eyes. He looks older and more worn out than the last time she saw him. Six years ago.
â...Sam?â Sheâs so caught off-guard by his appearance that her fear and anger momentarily fall away. âI⌠I didnât know you were here.â
He shuts the door behind him, then folds his arms across his chest. The only way she can describe how he looks is sad. âSurprise. Howâs your head?â
Stevie frowns, eyebrows knitting together. She glances at her cuffed wrist, the metal jangling against the radiator as she shifts, then back at him. It was him who knocked her out? Her temple throbs, and she has flashes of a time where he wielded that stupid spray-painted shovel every chance he could. Â
âYeah. Sorry,â he continues, answering her silent question and looking entirely unapologetic. âThis place is a Peggie-free zone, soâŚ.â
All the thoughts racing around her mind come screeching to a halt. She is a lot of things, but she is not a Peggie, damnit. Her loyalty is to Joseph and Joseph alone, not the cult. How can Sam not see that? He should know her better than that. Even now. âBut Iâm notââ
âStevie. Knock it off. Everybody knows youâre constantly dogging around Josephâs heels these days.â He crouches down in front of her, lips pressed tightly together and a pained expression on his face. âWhat the fuck happened to you?â
Her eyes narrow. Maybe Sam would be âdogging aroundâ Josephâs heels too if he let himself realize that he was right this whole time. âNothing happened,â she snaps. Nothing except for the fact that she allowed herself to accept the truth, but she knows just how stubborn Sam can be. Having that argument would only be a waste of time. âYou canât expect everyone to be the same after six years in a bunker, can you?â
His brows disappear into his hairline and the silence that he lets hang in the room is crushing. Stevie nearly cracks underneath the weight of it. âIâm sure as shit not the same, yeah, but something different went on with you.â
âYou donât know anything.â She pulls at the cuffs as if sheâs going to snap them off and grab at him. To her satisfaction, Sam does flinch and draw away from the short snap of her hand before a scowl fixes itself on his face.
âIâm not a fucking idiot, but you are. Do you know what theyâre going to do to you if they find out youâre here?â
She thought about that a lot on the trek here. She knows very well that nobody will ever truly understand what she went through, but no matter how much she preaches about it, and she has, they wonât listen. Her legacy to these people is nothing more than the deputy who let Hope County, and by extension the whole fucking country, go to Hell. Theyâll never understand, and that thought has been eating away at her for a good six years.
But dwelling on the past isnât going to do her any favours in the here and now. There might still be a chance to turn this around in her favour.
âIâll leave,â she says, biting back the eagerness in her voice. She slumps her shoulders forward with a defeated shake of her head as she glances up at him like itâs difficult to make eye contact.
(And it is difficult, but she has a part to play. The real grief can wait until sheâs alone.)
âJust let me go and I wonât even look back. Nobody has to know I was here.â Come on, Sam. Buy the lie.Â
He looks thoughtful for a moment. âMaybe, but why the hell you even here? You at least owe me an explanation.â
ââJoseph wants to know whatâs going on here.â Itâs not a lie, but itâs not the whole truth either. She has to stop herself from overly complicating the story with unnecessary details. Keep it simple and maybe he wonât ask too many questions. âThatâs it. Intel.â
âFor what?â
âHeâs not planning anything if thatâs what you mean. He wants to know like you guys here probably want to know what heâs doing.â Though she often finds herself wishing it was. Life after the Collapse isnât as glorious as she was made out to believe it would be, but she just needs to come around to it. Joseph told her so. âThatâs it. I swear.âÂ
Sam grimaces, then scrubs at his face in frustration. âYou know, like, I want to trust you, but youâre fucking the cult leader.â Â
Heat quickly spreads across her cheeks because, well... unfortunately heâs not wrong. It takes every ounce of her being to ignore that comment and act like heâd said nothing at all. âSam, please,â she begs. âIf you do me one last favour just let me go. Iâll â Weâll leave you alone. Think about how much of a shitshow this will be if anybody found out.â
He stares her down hard enough to make it seem like he can see right through everything sheâs saying. âFine,â he says after a pause long enough to make Stevie wonder if heâs not going to let her go. A small key emerges from his pocket and he unlocks the cuffs. âGet the fuck out of here. Donât let anybody see you around here again. And tell Joseph to keep his shit away from us. Far away.â
Stevie nods as the cuffs clatter to the ground, and she bites the inside of her cheek to keep her pride from showing. Fooled him. âYeah. Sure.â
Then she lunges forward and slams her shoulder into his hip. Sam bows forward as she shoves him back, and the loss of balance knocks him right off his feet and flat onto his back with a hard thud. If someone hadnât heard them before than theyâre about to. Sheâs officially running out of time.
âYou crazy bitchââ
Stevie straddles his hips, one hand bunched up in the collar of his shirt, the other closed into a tight fist. Underneath her, Sam looks dazed as hell and it gets worse when she slams her fist down onto his face. Something cracks and blood begins to pour out of his nose in a steady stream.
Sam yells and grabs at a fistful of her hair, yanking it back. Hard. Her neck cranes to the side at a painful angle and she loses her positioning when he uses the momentum to throw her off of him. Stevie lets herself go with a frustrated grunt, rolling onto her back, then scrambles to her feet before slipping a hand into her pocket. She reaches around for the Bliss-filled syringe, but quickly remembers that she no longer has it. Shit.
Samâs frustrated laugh is a little nasally as he pulls the missing syringe out of his pocket, blood pouring out of his nose. âLooking for this? Iâm no officer of the law, but Iâm not that dumb. I cleaned out your pockets after knocking you out.â
The syringe disappears back into his pocket with a smug grin on his face. It doesnât last long, though, because Stevie snarls, âGive me that!â and Sam begins to scramble backwards.
Sheâs about to lunge at him again, but the door behind her is thrown open with a forceful shove. It slams against the wall with a loud crash, and before she has a chance to attack, someone grabs her forearm with a tight grip . A stern and uncomfortably familiar voice commands, âStop it. The both of you.â
She stops.
She doesnât want to, but she stops.
The room falls into a thick silence. Sam stares past her with wide eyes as sheâs shoved further into the room by the person restraining her. She already knows who it is; his voice isnât one so easily forgotten especially when itâs been so artfully imprinted into her mind, and his presence is so imposing that it feels tangible. Stevie sucks in a breath when she senses him leaning down to her ear. âDonât try anythinâ,â he whispers.
Then sheâs twisted around and comes face-to-face with Jacob Seed.
âJosephâs not very happy with you,â she says. Itâs so, so stupid, but the words are out of her mouth before she has a chance to stop herself. She briefly considers the idea that he might kill her for it. Jacobâs expression, however, remains unreadable, but thatâs somehow more frightening than if he had lashed out at her for the smart-ass comment. Too late to take it back now.
âQuiet.â
She stops. Again.
She grits her teeth and strains against herself, but no matter how much she tries to will her body into moving thereâs no response. She simply canât.
She didnât plan for this. You idiot. It was six long years ago that he got inside her head, but Stevie figured whatever he had done had worn off with time and distance. He had no hold over her after the bombs went off for obvious reasons, and things tend to get rusty with disuse, so why should this be any different? Sheâd clearly underestimated just how fucking good Jacob was at what he did. Her heart slams against her chest, fingers flexing nervously at her side. All the brothers frighten her to an extent, but thereâs something about Jacob that makes sirens go off in her head.
âWhat are you doing here?â he asks.
She begins to answer, but Sam cuts her off with a scoff and says, âIntel, apparently,â with a heavy roll of his eyes. Â
Jacob shoots Sam a dark look, jabbing a finger at Stevie then at him. Both of them freeze in place, breath caught in their chest. âI was talking to her, not you.â
Sheâs not surprised when Sam, chastised, backs off and throws his hands up weakly in defeat, taking a seat on the edge of the bed. Sam has always been stupidly defiant, but itâs impossible to not be put in your place by Jacob Seed. Despite the situation, it makes her feel a little bit better about herself.
Jacob turns his attention back to her, sharp glint in his eyes, and asks again, âWhat are you doing here?â
Cowed, she bows her head, eyes fixated on a crack in the floorboards between them. She rattles off the truth like sheâs been dying to tell somebody. âJohn wants Quinn and Evie back,â she blurts out. âIâm here for them. John wants her and his kid back.â Her jaw clenches, teeth grinding together as if thatâd be enough to keep Jacob from getting her to talk.
Sam makes a choking sound and says, âYou fucking lied to me.â
She spares him a sideways glance, careful not to draw all her attention away from Jacob. His gaze doesnât leave her once. âYou hit me in the head with a fucking shovel.â Even if he hadnât knocked her out she would have kept the truth to herself. This was exactly the kind of situation she was trying to avoid, and foolishly she thought she was going to get away with it.
âYou wouldâve done the same damn thing,â Sam says, arms haughtily folded across his chest before pointedly turning his attention away from Stevie. Wow. What is he, twelve? âWhat are you going to do with her?â
Jacobâs steely eyes focus on Stevie with an expression so invasive that she struggles to maintain eye contact with him for very long. âI donât know yet.â Stevieâs weight shifts to her other foot, and Jacobâs fingers dig deeper into her flesh to keep her in place. His eyes flash like something just occurred to him. Her stomach twists nervously. âDonât get any smart ideas.â Slowly and carefully, he begins to release his grip on her and takes a single step back.Â
Itâs a test. Â
Her eyes narrow, darkening, but even as she tries to fight she knows itâs useless. And he knows it, too. The small uptick of his lips gives it away, the barest of smiles thatâs more like the look of a predator satisfied with pinning down its prey.
Her lip peels back in a vain sneer of defiance. It wonât do much in the way of actually overcoming the conditioning, but itâs something and doing something is better than making this easy for him. Hell, he betrayed his brothers, turned away from them like he never had any faith in their plan to begin with. It infuriates her. How could he be so stupid? So willfully blind to whatâs right in front of him?
âJosephâs going to kill you,â she says slowly. âHeâs going to kill you for what you did.â
Jacob leans down to her height, eye-to-eye. If her fight-or-flight instincts werenât currently being smothered she would be scrambling to get the hell out of here. She hides it well, but she feels small in his presence, always has. Most people might not be able to notice, but she knows he can. She canât help but wonder just how much of her he can really see.
âHe can try,â he says, his low voice a rumble in her ear that makes her skin prickle. Yeah, he can, she thinks, and he will. It wonât be tomorrow, might not even be next month, but he will. Of that much sheâs certain. (And she has to be. Because if she canât believe in him than who can she believe in?)
Jacob slowly straightens up, keeping his gaze unwaveringly fixed on her as he does. She bites down hard on the inside of her cheek to distract herself from the tension. It doesnât work. âPut the cuffs back on her and make sure she doesnât go anywhere,â he says to Sam who looks startled with the demand. He rises to his feet, already shaking his head.
âYou want her to say here with me?â He jabs his finger at her, but otherwise she may as well not be here with the way theyâre talking. âAlone? Sheâs fucking crazy.â Stevieâs eyes grow wide, a flash of hurt thatâs there and gone again. Itâs not like sheâs all that surprised, but being on the brunt end of his callous remarks instead of on the other side is going to take some getting used to.
Jacob swivels his hardened gaze towards Sam with a snap. His lip twitches just barely and itâs difficult to tell if itâs a disdain or amusement. Maybe both. âYou seemed to do well enough with the shovel.â
Even sheâll admit that there really isnât any arguing with that. That shovel was swung at her head very confidently, the way her head is throbbing can attest to that. Sam works his jaw and she can tell that he so badly wants to mouth off, but with a string of swears under his breath he does as heâs told. He doesnât look at her once.
âSo, like, what now? Raise the alarm?â Sam asks.
âNo. Iâm going to talk to Quinn alone first. Donât let her get out of those cuffs. Iâm not askinâ.â Then, Jacob focuses his attention on Stevie in a way that makes her feel far too exposed. âAnd you, Deputy? Donât. Go. Anywhere.â He leaves, shutting the door solidly behind him.
The room falls into silence, taking most of the heavy tension with it. She feels a little bit better with Jacob gone despite the fact that sheâs trapped here until she can figure out someway to get past his conditioning. She groans, letting her head hit the wall at her back. Just how the fuck is she going to do that? And how the fuck is she going to explain this to Joseph and John?
Seeming to echo how sheâs feeling, Sam cuts through the silence to say, âMan, youâre fucked.â
She wishes she had it in her to argue.
#writing*#verse | welcome to hope county#oc | stevie brewin#oc | sam wright#ch | jacob seed#holy SHIT this only took me 67 years to write and im not even all that happy about it but HERE IT IS#i also want everyone to keep in mind that sam is 33 in this and he still acts like a toddler when people lie to him#sam wright local liar cheater and theif mad that someone dared lie to him
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verse | desolation sound ch | stevie brewin + sam wright summary | stevie dies and sam has to help bury her.Â
Heâs been in Desolation Sound for nearly two weeks and heâs still struggling to wrap his mind around the fact that heâs trapped in this fucking town. Everyone else seems to deal with it just fine for the most part, but he canât walk to the convenience store unless heâs high as a fucking kite on the off-chance he sees something too fucked up for his sober mind to deal with.
It makes it easier to deal with all the staring, too. People fucking love to openly gawk at him and no amount of mouthing off on his part deters them. Itâs like telling a brick wall to fuck off sometimes. Stevie told him to get over it, that the novelty of the newcomer will wear off in, oh⌠a year, maybe.
Like thatâs supposed to make him feel any fucking better. He just wants to get out of this place, and, goddamnit, heâs been trying. Every damn day he gets in his car and drives to the city limit while Stevie watches him from that cheap pool chair sheâs parked outside the motelâs office, and every damn day she watches him pull back into the parking lot with I told you so scrawled all over her face. Itâs a straight shot out of the town from the motel, but somewhere along the way the road loops back to where he first drove in from. It doesnât make any fucking sense. He might be a near high school dropout, but he damn well knows that geography doesnât work like that.
Sometimes heâll try to pry more answers out of Stevie, but she shrugs them all off. He canât tell if sheâs keeping things from him on purpose or if sheâs just resigned herself to the absurdity of her life, so he just hides away in the room sheâs given him to avoid whatever is actually going on out there.
The room itself is cheap, old, and outdated. The TV still has rabbit ears, the phone is a chunky thing with big buttons, and donât even get him started on the carpeting. Every time he steps in the room he feels like heâs travelled back to the late 1970s.
The cracks in the textured paint on the ceiling create intricate patterns that spread out from a single point just above his bed, and he follows them with his eyes as he mulls his predicament again. At least Stevie pities him enough to let him stay here for free, but, fucking hell, he just wants to leave. He left Tuscon for the freedom of the open road, but instead wound up stuck in a town he canât even find on a map.
Go fucking figure, right?
A loud cracking sound reverberates through the thin wall separating his room from Stevieâs. Sam bolts upright in bed, the way his heart is hammering against his ribcage is enough to rouse him from a drowsy half-sleep. The clock radio on the end table reads two forty-six in the morning, and hushed conversations coming from the lowered television fills the air; these sounds are joined by another: a faint gurgling on the other side of the wall.
He slowly pushes himself out of bed and presses his ear against the paper-thin wall. The gurgling becomes clearer, but just barely; if he focuses, he can hear the faint sounds of someone shuffling around the room, and a heavy thud as something hits the floor followed by wet groaning. He peels away from the wall, staring at it as if heâs capable of seeing right through the cheap wood and plaster.
âStevie?â
Thereâs no response, so Sam raises his voice and knocks against the wall. âHey, Stevie. Are you, uh⌠are you good over there?â
All sound from the other side ceases except for the faint gurgling which picks up into another wet groan. Samâs stomach twists at the agony he can hear in it. Heâs heard the sound in movies, sure, so has everyone, but hearing it in real life is something else.
Something fucked up is going on over there.
Sam swallows nervously before stepping outside to knock on her door. Thereâs nothing unusual outside; his car is still the only one in the parking lot and the office has been locked for the night, leaving only the vacancy sign to flicker sporadically in the night. It all seems fine until he turns his attention to Stevieâs room.
The door is open just a crack, and that sends a million alarm bells going off in his head. Stevieâs the only person aside from him that ever seems to be here, but she still keeps her door locked up tight and reminds him to do the same nearly every night. Strange for a town this small where residents typically trust each other not to just waltz into each otherâs homes.
An almost imperceptible shadow shifts on the floor of her room and he calls out, âStevie?â
Thereâs no answer and all movement ceases. The gurgling seems to have stopped, too. Â
Terrified of what heâs going to find on the other side of the door, he pushes it open tentatively and steps inside. Heâs greeted by the sight of Stevie splayed out on the floor, limbs loose and askew, her jaw slack, laying in a large pool of her own blood. Her head is turned so that her eyes are looking right at him, but theyâre void of anything resembling life. There are bits and pieces of her scalp, chunks of hair still attached to bone torn right off from getting shot in the head, and a bloody, gelatinous, gray, wet-looking something scattered across the hardwood floor in globs.
He was staring at her corpse.
Bile shoots up in his throat, and it takes everything he can muster to keep from throwing up all over himself.
The other figure in the room only registers with him once he starts trying to stumble away from the macabre sight â a hooded figure, tall and imposing, their gloved hand bloody and curled around a gun. The handle of a knife is sticking out of Stevieâs chest and the figure reaches down to roughly yank it out with a wet sucking sound. Stevieâs body lifts off the floor from the force before dropping back down with another heavy thud. Â
âIt had to happen,â they say.
Samâs body twists away to run, but the figure moves at an impossible speed to cut him off before heâs even fully turned around.
âIt must always happenâ they say to his stupefied face. Â
They crack the butt of the gun against his temple and Sam goes crumpling to the ground like a ragdoll before he has a chance to react. Blood seeps out from a small gash on his temple, spreading out across the concrete like an unholy halo framing his head.
Minutes pass, blood pools; a half an hour passes, blood grows sticky, forty minutes, forty-five.
No cars drive past the scene, nobody walks by the motel. Itâs Sam and a corpse until those forty-five minutes pass and a single, solitary figure stumbles out from the back of the motel.
They use the wall as a support as if theyâre still learning how to walk. Strands of limp blonde hair mask their features, a grimace of both pain and disgust etched on their face. They brush the hair away from their eyes as they stagger over to Samâs unconscious figure.
âAw, fuck me, Sam.â
They crouch down and smack his cheek until his eyes begin to groggily flutter awake. He groans, a hand coming up to press at his temple. âWhat the fuâ HOLY SHIT.â A near-scream rips out of his throat as his vision clears and he registers who slapped him awake. A rush of pain floods his head as he bolts upright too fast for someone with a probable concussion.
Stevie says, âI donât look that bad, do I?â She drags her fingers through her limp waves, nose scrunching up a bit. âLike, I know itâs bad, but fuck, dude.â
âBut⌠But I just sawâ You. Your body. Youâre ⌠dead.â Samâs eyes are like saucers as he looks her up and down for any sign of blood. She looks worn-out and  scuffed up, but thereâs no gaping hole in her head or chest, no blood pooling around her or brain matter leaking out of her skull. âYou were dead. You are dead. I sawâââ
Stevie slaps her hand across his mouth to shut him up. âYeah. You did. Fuck. I was kind of hoping to leave you out of this.â Getting to her feet, she holds out a hand to help Sam to his, but he simply stares at her with blank incomprehension. âCome on, bud. Iâm not a zombie so Iâm not gonna bite. Iâll explain while we clean up.â
âââCleanâŚ?â He hauls himself to shaking feet with her help. Her hand is clammy and cold, and dirt coats the undersides of her fingernails.
âUh, yeah. You think Iâm just going to let all that blood and shit soak into the floor? Hell no. Iâve had to have it replaced too many times over the years to do it again.â She waltzes over to her room like nothing about this is strange, and he mindlessly trails behind her, far too confused to do much else than be strung along. She shoves open the door and immediately groans. âOh, this is a messy one. Fantastic.â
Stevie goes to crouch over the corpse of herself and all Sam can do is stand in the doorway with his jaw slack and his head spinning. âYou â Thatâs you.â He points at the corpse like she hasnât already seen it, then looks at her desperately pleading for a rational explanation.
Instead, all she says is, âSure fucking is.â She presses down on the bloody gray matter and it squishes and spreads. âGross,â she says, shaking it off her hand and getting to her feet. âWe clean, Iâll explain. Come on.â She opens the closet and pulls out a myriad of heavy-duty, industrial cleaning supplies before tossing him a surgical mask. âHere. For the bleach. Weâre going to need a lot of it.â
âI really hate how blasĂŠ you are about this,â he says stiffly.
âWell, when this happens more times than you care to keep track of anymore it stops bothering you. Can you scoop up the brain bits? Iâll start with the blood.â
âI think Iâm going to be sick.â
âIf you do make sure itâs not on the floor. Itâs messy enough as it is.â
Lucky for the both of them, he makes it to the washroom in time to throw up his guts in the toilet. âWhat the fuck?â he croaks, then louder: âWhat the fuck?!â He sits back and stares blankly at the tiled floor. He has to be dreaming. None of this is real. Heâs asleep, heâs in bed, heâs high and hallucinating. All that would make a whole lot more sense than any of this actually being rooted in reality.
But then Stevie calls out, âAre you gonna give me a hand?â and heâs reminded that no, this is happening and itâs happening to him. He unsteadily walks out of the washroom with a hand towel to scoop up the brain matter and throw it out.
âAre you going to tell me what the fuck is going on?âHe tosses the matter into a garbage bag and tries to fight the nausea still swirling in his stomach.
âYeah, so ⌠Where do I start? Uh, well, I get murdered every month. The last Thursday of every month if you wanna get specific.â
Heâs not sure what he was expecting, but it was definitely not that. âSorry, what?â
âMurdered. I get murdered, in a variety of different ways, once a month, and then I come back. Donât ask me why and donât ask me how because I still havenât figured it out.â She scrubs hard at the floor with a ragged washcloth soaked in bleach. âCome on. Get out, you stupid bloodstain.â
Sam bites the inside of his cheek as he scoops up more brain matter and scalp. If he tries to act like this is completely normal maybe he wonât feel like heâs losing his mind anymore. âLike ⌠how long has this been happening?â
Stevie hums in thought. âSince 1987, so thirty-two years.â
He almost drops the cloth, whipping around to stare at her incredulously. So much for trying to act like everything is normal. âThirty-two years? Thirty-two fucking years? This is a joke, right? This has to be a joke. Youâre lying. This is a prank. This isââ
âHey, hey, hey. Whoa.â Stevie peels off the bloody latex gloves and drops them onto the floor. âDeep breaths, Sam. In through your nose, out through your mouth. Relax.â
He wants to scream at her, but all he can do is grip her arms tightly, his eyes saucer-wide. âI â I just â This shouldnâtâŚ.â
âOkay, okay. Sam, letâs rip this off like a bandaid, yeah? I was born here in 1961. In 1987, while working here, I was murdered. It was in the paper, so you can look it up if you donât believe me. The kicker is though the next night I was back. I woke up next to the fucking dumpster behind the motel. Nobody knows how, nobody knows why, and nobody knows who decided to slit my throat that night, and it keeps happening. Andââshe glances back at her corpse with a grimaceââIâm always left to clean up the aftermath. The bodies donât go away when I come back.â
Samâs chest heaves like he just finished running a marathon. Not being able to leave Desolation Sound is one thing, but tacking whatever this is on top of that is too much for his mind to handle. Stevie says something else and begins to guide him outside to sit where he takes a deep breath of the fresh air.
âThis doesnât make any sense,â he mumbles under his breath.
âI know, and I really wish you didnât have to get involved in this, but youâre here now.â She brushes some hair out of his eyes. âIâm sorry.â Stevie crouches down to his level. âListen, Iâll take care of the clean up in there, but I could use a hand burying the body out back. Do you think you can do that later?â
After a long pause, Sam nods mutely, then mechanically pulls out a cigarette.
Stevie smiles brightly, back to acting like nothing is amiss. âSweet. Iâll give you a shout when I need a hand. Deep breaths, okay?â
He sits out there for two hours, smoking and staring up at the sky while he listens to the music drifting out of Stevieâs room. He doesnât think much of anything. He doesnât want to.
Eventually, Stevie pokes her head outside the door. âHey. I think things are mostly clean in here. Letâs go bury this thing.â The way she says âthis thingâ makes his skin crawl, but he stubs out his cigarette and goes back inside to help her with the body.
The sight of her and her corpse make his head spin again, and he has to look at everything but it.
âPick it up by the wrists,â Stevie says, grabbing herself by the ankles.
Sam swallows, then pulls the corpse up by the wrists. Itâs heavier and colder than he thought it was going to be and he nearly drops it in disgust when more brain matter slips out. âOh, Jesus fucking Christ.â Even Stevie grimaces.
âEugh. I shouldâve done something about that. Iâve never been shot in the head before.â
They haul the body outside and begin to round their way to the back. âSo, like ⌠you donât always die the same way?â
âNo. I mean, sometimes I do. Thereâs only so many ways to kill someone and thereâs bound to be repeats in thirty-two years.â
âAnd you donât know who does it?â
âNot a clue. It could be different people for all I know, but whoever it is or they are are dedicated as hell.â
âCanât you, like, I donât know, stop them? Kill them before they kill you?â
Stevie snorts sarcastically, but her face betrays how much she hates what sheâs resigned herself to. âTrust me. Iâve tried. I always end up eating shit. I donât think I can stop them. I think⌠I think this is just the way things are now. Drop it here.â
Thrilled to not have to touch the corpse anymore, he all but dumps it onto the grass. Stevie hands him a shovel and the two get to digging. By the time they get to six feet, his back and shoulders are screaming at him to stop and they protest more when he does it all in reverse after dumping Stevieâs corpse in there. When theyâre good and done, the sun is beginning to rise over the horizon, the sky coloured in shades of orange and yellow.
âSo,â Stevie says, digging her shovel into the dirt and leaning against it, grinning. âHow do you feel after burying your first body?â
Sam stares at her with dead eyes. âFucking horrible.â
Thereâs a long pause where the two of them just stare at each other. Itâs broken by loud and uncontrollable laughter; first from Stevie and then from Sam until there are tears running down their faces.
#writing*#oc | stevie brewin#oc | sam wright#verse | desolation sound#i have been sitting on this FOREVER. i'm so glad i finally finished it jskdg#i'm ..... pretty proud of it tbh please read
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verse | far cry 5 ch | stevie brewin, joseph seed ft. everyoneâs (my) fav asshole sam wright lmaoo summary | it only took me about 800 years to write this and itâs nothing but self-indulgent bullshit.Â
stevie meets joseph, itâs kinda weird, samâs an asshole. end scene. xoxo. cc: @egosumdivina for reasons
i. THE FIRST MEETING
The first time she sees Joseph after the helicopter crash sheâs coming down from Bliss, sitting against a tree, the assault rifle resting on her lap and only loosely in her grip. Eyes closed, sheâs breathing steadily, trying to ride out the high until sheâs feeling clear-headed enough to get to the outpost down the road. This isnât the first time sheâs been exposed to the drug, and Stevie has a nagging feeling that it wonât be her last. Faith and her Angels seem to have a fondness and talent for drugging her, but at least she has a talent for managing to stumble away still in one piece.
(The Angels are never quite as lucky.)
It certainly doesnât help that this whole region is covered in patches of Bliss. It feels impossible to go ten feet without stepping into one of the green clouds and spending the next ten minutes staggering around in search of a place to lay low and ride out the high. Things would probably be a whole lot easier if everyone hadnât wound up kidnapped by a bunch of religious lunatics â or, in Quinnâs case, gone straight up missing â and she wasnât alone out here.
A clusterfuck doesnât even begin to describe whatâs going on.
Hope County is a war zone and an isolated one at that. All the surrounding roads out have either been caved in by the mountains or are being guarded with heavy machinery. Trying to leave has become as much of a death trap as staying, and without a way to reach anybody on the outside sheâs stuck with the impossible task of trying to clean up this mess herself.
God, she hopes Quinn is out there somewhere and alive. The guilt of letting her come out here when she damn well knows she should have said no would eat her alive if something happened.
Fuck. She canât keep wasting time like this. High or not, the outpost down the way isnât going to take itself and the sun is beginning to set. The night provides enough cover for herself and the Peggies, and that slight advantage in their favour is not something sheâs willing to hand over. If she can clear it and get the Resistance in there before night falls sheâll be able to sleep soundly tonight.
The dimming sunlight shining through the treetops sparkles in a way that threatens to undo any grip she has on coming down from the Bliss, and getting to her feet proves to be a little more difficult than she anticipated. Despite knowing better, Stevie flips the safety off on the assault rifle and begins to take small, steady steps through the brush, focusing on the rise and fall of her chest instead of the way the world threatens to tilt and spin in her vision.
She shakes her head to clear the fuzz from her mind and raises the rifle a little higher in front of her. She doesnât get very far before the distinct crack of a foot snapping a branch sounds off like a crack of thunder in the silence. Stevie spins around, beginning to aim the barrel in the direction of the sound, but the world keeps spinning even when she stops.
She stumbles, trips, begins to fall and â
She never hits the ground.
Someoneâs sturdy grip catches and rights her before she can ungracefully eat shit in the dirt. For a split second she thinks itâs a member of the Resistance, but it turns out to be quite the opposite.
âCareful, Deputy.â Â
Sheâs only met him once before, but sheâd recognize that drawl anywhere. Her heart lurches in her chest and she wrenches herself free more forcefully than necessary because he lets her go without a fight. Odd behaviour coming from someone who knows she wants them brought to justice, but Joseph Seed is pretty fucking weird in general. She can dwell on it later.
Her finger moves to the trigger as she raises the rifle to aim for his chest and she spits, âWhat are you doing here?â with a slight slur in her voice.
He smiles ever so slightly, knowledge glimmering in his eyes. âI simply want to talk. You can put the gun down.â
âFuck you.â
The gun aimed at his chest doesnât seem to phase him in the slightest. âVery well. Will you at least permit me to say what I wish to say?â
She has to admit that sheâs curious. Itâs a bold move to come out here by himself to talk, and he looks awfully confident that sheâs alone and thereâs no one lurking in the brush. Has he been watching her? How much does he know about the Resistanceâs work? Her grip on the gun tightens, knuckles turning white with the effort. She should get the fuck out of here.
So why does she let him speak?
She remains silent, lips pressed in a thin line of anger just bubbling under the surface, and he takes that as permission to continue. âI wanted to welcome you. Formally.â He takes a step forward, and she can see the purpling of a bruise beginning to fade around his eye. She takes solace in the fact that the crash wasnât very kind to him either. âI admit, Iâve been praying for someone such as yourself to come to Hope County.â
âReally?â she deadpans. âYou want to be taken in? Gee, why didnât you say so earlier? Couldâve saved me a lot of trouble.â She speaks slow enough to enunciate each word to mask the slight slur in her voice, but something tells her that he knows the Bliss is still running its way through her system, and thatâs probably why he decided that now was a good time to have a conversation. Her heart leaps in her chest at the thought of how vulnerable she might actually be right now considering. He doesnât look armed, but heâs dangerous as hell and sheâs still struggling a little to keep her attention focused on reality. For all she knows he didnât come alone and there could be a gun aimed at the back of her head.
âWe both know thatâs not what I meant. You see, sometimes one needs an obstacle to overcome before they are ready to fully believe. These people  â  they have no faith. They need to see the work of God for themselves before they realize the truth.
And you, Deputy, are Hope Countyâs obstacle. You will help these people see the light.â
Her skin runs cold. The conviction in his voice and the leftover Bliss swimming in her head almost makes it enough for her to believe his words. Stevie swallows hard, pressing the gun stock hard into her shoulder as a painful distraction.
âYou really buy into your own hype, donât you?â
Joseph smiles, faint and unnerving. âIt is not mine, but Godâs.â
She bristles and has to bite down on her tongue to stop herself from snapping at the obvious bait. Her jaw clenches and she exhales her frustration through her teeth. Enough with this religious bullshit. As far as sheâs concerned none of this has anything to do with God and everything to do with humans being exceptionally shitty. âAre you done?â
He takes another step forward  â a single bold step, not once moving away from the barrel of the rifle. She could shoot him now and have him in cuffs before he could blink, but his family would certainly pull the trigger on whatever fucked up plan they have. It might be a better idea to get rid of them first. Heâd be less dangerous without his cronies to come to his aid.
âGodâs work is never done.â
Stevie rolls her eyes. âSure, yeah. Whatever. Go preach at somebody who gives a shit. I have to â quote-unquote â take care of some of your people.â
ââIt is only by sacrifice and suffering, offered as penance, that you will be able, by the grace of God, to convert sinnersâ. Go. Show Hope County the truth.â He holds his hands behind his back and makes the slightest motion of his head. Â
Stevie freezes, recognizing that heâs not signalling her, but someone else. Before she can react an Angel steps out from behind some brush and blows some a familiar powder into her face. She gasps, and in the surprise inhales the Bliss. It slams into her like a runaway freight train and her surroundings begin to double-up.
âFuck â you,â she manages before collapsing. The last thing she sees is something like hope shining behind Josephâs eyes.
âHey. Hey! Wake the fuck up.â
Something cracks against her cheek. Once, twice, a bold third time. âArenât you supposed to, like, be the one getting us out of this fucking mess?â Thereâs a fourth crack and the stinging pain against her flesh jolts her out of unconsciousness. âFucking finally.â
Crouched above her is a stranger and she blindly fumbles for her gun in case itâs a Peggie, but her fingers close around nothing but air. The rifle is resting in the grass out of her reach. The stranger notices and hands it over to her. âDonât shoot me, alright? I get shot at enough out here and Iâm fucking tired of it.â
He gets up and reaches out to help pull her to her feet. Sheâs unsteady and Josephâs words are still echoing around her head. Groaning, she rubs at her forehead and says, âWhat happened?â
The stranger shrugs. âDoes it look like I know? I just found you like this. Youâre the Deputy, right?â She follows his gaze to the badge attached to her belt.
âUh, yeah. Call me Stevie.â As her head clears, she looks him up and down and decides that heâs not much of a threat. He has a handgun holstered, but heâs scrawny and looks like she could snap him in two in a fight. âWho are you?â
âSam. Iâm not one of those religious freaks in case youâre wondering.â
âIâve never seen you before.â
âYeah, because Iâm smart enough to keep to myself and not get involved in⌠Whatever the fuck this is,â he grumbles. âYou alright?â
âUhâŚ.â Stevie rakes her fingers through her hair, mussed up with leaves, grass, and dirt, and she still feels a little woozy from the Bliss. She picks out a leaf from her hair and lets it fall to the ground. âIâve had better days. What time is it?â The sun is about to disappear underneath the horizon which means she was out cold for at least an hour.
âAbout seven-thirty.â
âShit,â she hisses. This is about the time she shouldâve been finishing up dealing with the outpost down the road, but itâll have to wait until tomorrow now. Besides, the world is still spinning a little.
Fuck the Bliss. Fuck Edenâs Gate, and fuck Joseph Seed. She canât settle on a single reason why he would so boldly show up like that other than to fuck with her for his own amusement.
(But he seemed to so genuinely believe what he was saying. She doesnât want to admit it out loud, let alone to herself, but it frightened her.)
âLook, no offence, but you look like shit. What happened to you out here?â
Stevie shoots him an icy look, but he seems completely unperturbed by it. âThe Bliss,â she says, leaving out the bit about how Joseph Seed himself was involved. The people of Hope County donât need to know that he caught her off-guard like that. Their belief in her ability to stop this mess is too strong to let seeds of doubt grow.
Sam barks out a laugh. âYeah, that explains it. You kind of have that pale, sunken-eyed junkie look like the Angels.â
Her expression collapses. âYou really donât sugarcoat anything, do you?â
âI donât see the point,â he says with a sardonic grin. He unholsters his handgun and nods further into the woods. âSince my getting out of this fucking place is entirely dependent on you being in one piece how about you lay down for a bit? I got a place just up that way. Itâs a shitty cabin, but itâs something and itâs got a couch you can crash on. I know what itâs like to come down from a high.â
Stevie scrutinizes Sam a second time before wearily agreeing. Sheâs got nothing left. âYeah. Fuck, I really need to lay down.â It feels like sheâs been running on empty for days, going up and down Faithâs region to take it back from the Peggies. âTell me you have liquor. I need a stiff drink.â
The grin on Samâs face becomes a little more real and less plastered on. âYouâre in luck. I do. Itâs shitty and cheap, but itâs alcohol and itâll probably help with that blistering headache I bet you got. Come on.â Â
The relief Stevie feels is palpable and her muscles unwind from the tension sheâs constantly wound up in. The outpost will still be there tomorrow and so will Joseph Seed, but she needs to rest if she wants a chance at doing any good.
Walking to Samâs cabin drains her of the little reserve energy she still has and she all but collapses on the couch the minute she gets in. Sam, busy bitching about the Seed family and the cult, goes to pour the both of them a heavy-handed drink, but by the time he turns around Stevie is out like a light.
#writing*#verse | welcome to hope county#oc | stevie brewin#oc | sam wright#ch | joseph seed#i cant believe i finished writing something i thought it'd never happen again#i thoroughly enjoy this au thanks
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verse | marvel & dc ch | stevie brewin, bucky barnes
will i ever go back to this au? idk! but this sure is the beginning of it. also, itâs an unfinished chapter so ignore the abrupt ending. lmao.Â
âEnough! Outta the ring the both of you.â The refereeâs voice rings out loudly across the cheering crowd surrounding the ring. The two fighters break apart reluctantly, still sneering at one another before stalking off and disappearing into the large group of people in the underground club.
Coloured lights pulse from above, putting on a miniature light-show that rivals ones put on by still-touring glam rock bands from the eighties. Music thumps against the walls, loud bass pulsing with the lights in a hypnotic rhythm that keeps those not interested in the fights dancing.
Stevie stands on a balcony above the makeshift ring, leaning forward against the railing as her eyes sweep across the crowd. A smile grin flits across her lips seen only in the moments when the lights flash upon her figure. When she first started this fighting ring she never thought itâd move from the courtyard behind her favourite dive bar, but she somehow managed to work her way up into monetizing the whole damn thing.
Sheâs so fucking lucky. Without it she wouldnât be able to go through her doctoral program without winding up in a bone-crushing amount of debt. This entire operation is funding her schooling, and thank fuck for the accountants she has on hand that keep the IRS from looking too closely at her.
The reverie ends swiftly, however, when a tap on her shoulder interrupts the train of thought.
ââScuse me. Are you Stevie?â
Stevie turns, startled â awfully jumpy for someone who prides herself on her situational awareness. Talk about embarrassing.
The stranger isnât much taller than her, but he gives off a presence imposing enough to negate his shorter-than-most stature. Itâs enough to make her stand up a little straighter.
âUh, yeah. Thatâs me.â
âGreat. I want in on a fight.â
She blinks â once, twice, then forces herself to give this guy a proper look. He looks like he could give her best fighter a run for their money, and the haunted look in his eyes is enough to send a chill up her spine. She doesnât need to ask to know that heâs been through some shit and needs an outlet. Sheâs seen people like him before, just ⌠never to this extent.
âItâd be stupid of me to ask if youâve ever fought before, huh?â
The guy gives her the ghost of a smirk. âYeah. It would.â
She clears her throat, then sticks her hand out for a shake. âFigured.â His hand clasps tightly around hers, a no-fucking-nonsense shake. Fucking hell, this guy could probably pack a hell of a punch. The dollar signs are already greedily floating in her vision. âYou got a name, dude?â
Thereâs a pause that lingers for a moment too long before he says, ââ-Bucky.â
âBucky. Cool name. Alright, Bucky. You want in tonight? I got a spot open that you could fill.â
He shrugs, eyes flitting down to raucous crowd surrounding the ring. âYeah.â
âA man of few words, huh?â She grins a little, then hollers down to the referee, pointing out the newcomer in lieu of using words that wouldnât really be heard over the music. âHead on down, dude. Letâs see what you got.â
He turns without much more than a nod, and something in Stevieâs gut tells her this guy is going to kill it down there.
And he does.
The guy â Bucky â steps into the ring, rolls up his sleeves, and just about crushes his opponent.
It doesnât take more than a couple well placed hits, a couple to the ribs, one that Stevie just knows lands on the guyâs kidney, and a solid hook to his jaw that makes her cringe. Sheâs pretty sure that dudeâs jaw is shattered.
The poor guy is left bleeding and bruised in the middle of the ring, carried off by a few pitying onlookers. Itâs been a long time since a fight as left Stevie speechless, and she trades a shocked look with the referee. It takes her a good minute after the fight to get her feet fucking moving to talk to this Bucky guy.
âHey. Hey! Bucky!â She chases after him through the crowd, grabbing his arm to catch his attention. He spares her a look over his shoulder, a little bit of blood smeared down his chin. The normally chatty owner of this establishment is still a little tongue-tied. âYou, uh⌠Youâre really, really fucking good.â Stevie clears her throat. âYou lookinâ for a little cash, man? âCause, uh, youâre gonna bring in good money if you can keep fightinâ like that.â
Bucky looks like heâs giving her the once over now, and her stomach flips nervously. Stevie isnât normally so nervous or afraid that sheâs going to be turned down, so she quickly adds, âLike real good money. Cross my heart, hope to die.â
Bucky gives her a gruff laugh, pushing the mess of tangled hair from his face. âYeah. I guess I could use with a little cash.â
(It wonât be until much later on that she realizes just how much he needed the money.)
Her face lights up, an eager smile spreading across her lips, and she nods back to her office. âIf yâgot a minute you can sign the paperwork now.â When he gives her a quizzical look she continues, âI know this is some illegal shit, but I wanna run the business right, at least.â
That seems to ease him up a little, and with a gesture of a hand with bloodied knuckles he allows her to lead the way.
The office itself is minimalistic in design â stark white walls, succulents adorning the desk, a few prints framing the walls. The bookshelf is filled with full binders, stuffed to the brim with present contracts and contracts from years gone past. Stevie fishes out the most recent binder, relatively new and flips it open on her desk before dropping into her chair, sighing in relief as if she had been on her feet all day.
(Truth is, she was in a couple fights earlier that night herself. The fact that sheâs a got enhanced strength definitely plays a part in why sheâs so eerily good, but itâs a secret only known to a few people close to her. Sometimes she feigns at being weaker than her opponents just to keep the ruse going.)
âAlright, alright. Lemme see here.â She flips to the end of the binder, pulls out a contact with a few blanks for Bucky to fill in his name, the date, and his signature. She slides it across the desk with a pen and a wide smile on her lips. âAlright. Read over this, sign all the blanks, and weâll be good to go. After that anytime you want to fight just call me up and I can find somethinâ for you. I do most of the scheduling around here.â
âHow long have yâbeen doinâ this?â Bucky asks as he meticulously scans over the contract.
âMmm. Four, five years now, I think. I mean, it hasnât always been this fuckinâ⌠grand. I started this entire thing in the back of an after-hours bar, then word got around and wellâŚ.â Stevie trails off, gesturing vaguely with her hands and a proud glint in her eyes. âSpeaking ofââ She leans forward, elbows resting on the scattered papers across her desk. ââhowâd you find out about this place?â Â
Bucky fills in the last of the blanks with a near indecipherable scrawl before handing the sheet back. âSame way I guess everyone else did.â He leans back in the chair, one ankle resting across his knee. âWord of mouth.â
Heâs not all that talkative of a guy, but Stevie isnât surprised or all that put off by it. Nobody here is really all that interested in telling their story, so she accepts it for what it is.
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verse | marvel & dc characters | stevie brewin, bucky barnes, jonathan crane
There are voices â muffled, nervous hushed whispers from one, another is stern. They grow more coherent as consciousness slowly draws him back into the present from the inky blackness he was lost in mere moments before.
âI donâtââ
ââ-you scared?â The voice is male, condescending.
âNo! I just thinkââ
His eyes slowly flutter open, the figures standing in front of him doubling up, the room seeming to tilt. He groans, his body feeling like a million pounds of lead, arms tied up tightly . Who the hell hit him that hard in the head?
As his vision begins to clear the two blurry figures come into focus: a male, tall, older, a dark but clinical look in his eyes that sets Bucky on edge. The other figure is female, shorter, trying to look meaner than she is if the voices from before are anything to go by, and looks awfully familiar.
The man leans forward, peering into Buckyâs eyes, head tilted just so as he studies him. He straightens up after a moment and gives Bucky a tight smile.
âJames Barnes.â
Thereâs something familiar about this asshole, too, but his brain is still too fuzzy to put the pieces together so he spits out, âWhat the fuck is going on?â
The man shakes his head, looking disapprovingly at Bucky before sparing a glance to the woman. âYou didnât have to hit him so hard, Stevie.â
Thatâs when the pieces fall into place and the fog lifts. This has got to be a fucking joke.
âOh, come on,â she hisses out between clenched teeth. âHeâs got a metal arm, for fuckâs sake. I wasnât going to take any chances.â
Bucky makes brief eye contact with Stevie, but she quickly looks away with a shame filled expression â something that he rolls his eyes at. They were goddamn friends, or, at least, he thought they were.
The man sighs like heâs speaking to a toddle before turning and waving a hand towards the lab table where five syringes filled with amber liquid are lined up. âRun the test, Stevie.â
She looks at the doctor, lips parting as if she has something to say against him, but thinks better of it. With a tight nod and a nervous look at her one-time friend she grabs one of the syringes and uncaps it. The doctor leaves the room, and itâs just Stevie and Bucky now. Bucky watches her like a hawk, and she seems to be pointedly ignoring him.
âAre you fucking kidding me, Stevie? Please tell me this is one of your stupid jokes.â
Stevie sighs as she turns to face Bucky, the syringe in one hand. Something twists up in Buckyâs stomach at the sight of the needle and he fights against the restraints, but whatever the fuck they used has managed to tie down even his metal arm. She steps towards him cautiously, and he can plainly read the regret in her face, but he canât bring himself to care about how bad sheâs feeling right now.
âYouâve been working with him? This whole damn time?!â
She chews her lip in thought, then shakes her head. âI donât have an excuse, really. He came to me with an interesting proposal. Things just got⌠a little out of hand.â
(A little is a bit of an understatement. She didnât sign up for any of this, but here she is. Doing it anyway.)
She cleans a patch of his skin with an alcohol wipe before looking at Bucky and mumbling, âSorry about this,â and plunging the needle into his arm.
The amber liquid â whatever it is â is cool and gives him a head rush like no other.
âWhatâ-â Itâs the only word he can manage before things darken, his heart rate spiking, and thereâs something undeniably terrifying about whatâs to come.
The last thing he hears before he loses himself to the fear toxin is, âSeriously. Iâm so sorry about this.â
#writing*#verse | unnamed marvel & dc#oc | stevie brewin#ch | bucky barnes#ch | jonathan crane#i'll have a proper verse name for this one day
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verse | desolation sound ch | sam wright, stevie brewin, charlie mcgrath, adam tourney, marisol bowers summary | sam wright plans to spend one night in desolation sound, but desolation sound wants more than one night out of him.Â
chapter one of who knows how many. ps. this is long so if you actually read it i love you with all my heart.Â
Things have been unchanged in this sleepy little town for decades. People are born, people die, but only within the confines of the city limits. Those who stumble across this place tend to leave as quickly as they arrived as if some unseen force compels them to put as much distance as possible between them and it.
It stays this way for year and years and years, and then one day it doesnât.
Samuel Wright is the catalyst for all the events that follow. He is the one who stays. Later on heâll say that it was difficult to tell the difference between the paranoia of coming down from drugs and the unsettling feeling that something was always lingering just beyond his field of vision. Heâll say his biggest mistake was pulling off the road and staying for the night.
There doesnât seem to be any other cars in the motelâs parking lot when he pulls in. The sound of the car door slamming shut echoes strangely around him. Sam peers into the office to find it empty, too. Heâs starting to wonder if maybe this place has been very recently abandoned when a voice rings out from somewhere behind him.
âH-Hi there. Hi. Can I help you?â
She looks startled to see somebody here, but he doesnât take much note of it. He looks her up and down from behind his sunglasses. The chick looks like she just got finished running a marathon in the forest. Weird. Â âUh. Yeah. You work here? I need a room.â
She continues to stare at him slack-jawed. Itâs really not that big of a deal that someoneâs here for a room, is it? The dishevelled woman finally clears her throat and nods her head.
âSure. Yeah. Lemme grab you a key.â
Sam follows her inside the motelâs blessed air-conditioned office, finally pushing his cheap sunglasses up onto his forehead, brushing the hair away from his face in the process. He looks exhausted, red-rimmed eyes, cheekbones that cut too sharp, a weariness hanging off his bones like a second skin. He leans against the counter as he fishes his wallet out from his back pocket and asks, âHow much for a night?â
âSeventy bucks. Here. Fill this out for me and then Iâll grab you your key.â She slides a clipboard with a relatively short form for him to fill out. Sam scribbles his information out in a relatively legible style before sliding it and the cash back over to her. When he straightens up, Sam finds her staring at him again, something churning behind her eyes.
âIs there something on my face or what?â Heâs too fucking tired to be deal with strange peopleâs shit. Heâs been on the road for something like ten hellish hours; all he wants to do is lock himself up in a room and pass out.
Her eyes widen and her cheeks flush pink with embarrassment. âOh. Uh. No. Sorry.â She turns quickly and grabs a key from off a hook behind the desk. âHere. Room number six is all yours.â Thereâs a brief pause, a subtle shift of something in her eyes, and then with a smile a bit too wide, a bit too forced, and with a bit too much cheeriness, she says, âEnjoy your stay!â
It makes him flinch.
Sam stumbles out of the less-than-adequate room number six mid-afternoon, the same cheap sunglasses haphazardly on his face, and shoves his way into the office to get a coke from the vending machine. The coins clink in and the can hits the bottom with a heavy thud.
The girl from the other night is still behind the desk, the same overly-cheery smile fixed on her lips. She looks significantly more cleaned up than she did the night before. She says, âEnjoying your stay?â
He answers her with an uneasy look before leaving as abruptly as he arrived. There are still no other guests here but him, but he takes no more notice of that than the way the motel girl longingly watches him step off the property.
Sam heads down the road of this dreary town to the main square in search of a cheap diner. The sunlight is bright enough to have him squinting a bit even with his sunglasses on, the sound of cicadas humming in the air.
God, how the fuck did he get here?
It started with the drugs. He reaches into his pocket to reassure himself that the small baggie of pills is still there. And then he had to run away. Itâs the cliche story of a junkie: guy gets into drugs, drugs get into him, yadda yadda yadda. The rest of it goes about the same way youâre probably thinking about right now. Guyâs life blows up in his face. He loses his girl, he loses his job, he loses his apartment. He almost loses his life.
So he leaves. He runs and runs some more, hoping to leave all his bullshit in the dust behind his wheels. This isnât the first town heâs stopped in and it likely wonât be his last, but it seems like no matter how far he goes the guilt, the loathing, and the regret continue to wrap around him like an anaconda suffocating its prey.
He pops two of the pills from his pocket, washes it down with the coke, and then crushes up the can, chucking it into the front yard of an abandoned looking house. His past canât keep running to catch up with him forever, can it? Itâs got to get tired eventually. Right?
Right.
All thoughts of his past are forcefully shoved in the back of his mind. Thereâs no time to dwell on that bullshit right now when heâs hungry for something cheap and greasy to satiate his cravings.
The town itself - whatever itâs called; he canât even remember the name of the place - feels hollow. The streets are lined with a few cars, mostly worn-down trucks, a smattering of open businesses lining the main strip. The rest are closed and boarded up; those that arenât have windows that are smashed in, glass littering the sidewalk. Sam saw only three people from his ten minute walk from the motel to the diner and he canât help but wonder if people actually live here or not.
The question is answered when he finds a diner - Twin Moons Diner - and pushes the door open.
A little bell, like something from out of a slice-of-life film, rings above the door as he pushes it open into diner. It looks like every person in town is here for brunch. They all turn to look at him and look they do. Itâs unnerving enough that Sam remains standing in the doorway with one hand still on the edge of the door, wondering if he walked in on something he shouldnât have. He makes eye contact with a guy that looks to be about his age and surprised to see a stranger here.
Itâs a highway town. What do these people expect?
Sam and the strange guy become locked in a staring contest and then it happens: for a brief second the guy seems to flicker. It looks like something from an old VHS tape thatâs seen too many plays in its years, like the TV stuck on static, and then itâs gone. Sam blinks, rubs at his eyes, and lets the door shut behind him with another tinkle from the bell.
The guy looks away sharply and stares down hard at his half-eaten breakfast. The guy sitting with him looks sympathetic, but doesnât say anything.
Sam stares for another moment before something seems to shift, and the air in the restaurant loses its tension. Everyone turns back to their meals and their conversations, chatter filling the air, but the tension doesnât leave Sam. He hesitantly slides into a booth by the wide windows and steals a glance at the Flickering Guy. It was just a trick of the light, right? Heâs too tired, too strung out, too many things. All he needs is coffee, another pill (which he promptly, and not-so-surreptitiously, swallows back) and some greasy food.
Yeah. Thatâs all. Â Â
A waitress is hovering above him before he can even blink and sheâs already pouring steaming coffee into a bland ceramic mug. âAfternoon, darlinâ, or is it still morninâ for you?â Wavy, muddy-red hair pours down the waitressâ shoulders, some of it pulled back with a clip, one hand resting on her hip, the other holding the coffee pot. Her nametag reads Marisol, and underneath that is the word âmanager.â She smiles brightly with the edge of something sharp. Like the rest of this place it catches Sam off-guard and he stumbles over his words.
âYeah. Something like that.â The ghost of a sardonic grin flashes across his features as he slides the mug of coffee closer, words a little slurred as the warm haze of the pills begins to wrap around him.
The waitress - Marisol, manager - drawls out a laugh, accented with something Sam canât quite place. âWell, what can I get you, darlinâ?â she asks.
âSurprise me. I donât really give a shit.â he says, gesturing vaguely with his hand before taking a sip of the coffee. The high has him too lost in the beginnings of a comfortable daze to bother reading over the menu with much more than glazed eyes. âJust make sure itâs greasy.â
âSure thing. The greasiest meal cominâ right up just for you.â She gives Sam a wink, and leaves him to his high and his coffee. Sam exhales, allowing his body to slump into the dinerâs surprisingly comfortable booth.
Yesterdayâs drive was long as fuck and equally as uncomfortable. There was no reason for him to have driven so long; he must have passed through a good six towns he could have stopped in for the night, but something compelled him to keep going until his eyes threatened to shut behind the wheel. As much as he carries a death wish around with him he doesnât want to act on it in a grisly car crash on some highway that rarely anyone ever drives down, so into that shitty old motel he pulled into. He presses the palm-heels of his hand into his eyes, takes a deep breath, then runs a hand through his unkempt hair.
Snapping him out of his thoughts is the scent of something mouth-wateringly delicious being placed in front of him. Marisol smiles her polite little smile and places a hand on his shoulder. Something flickers in her expression similar to the chick at the motel earlier before saying, âEnjoy your meal!â
It makes him flinch.
As he forks a pile of hashbrowns into his mouth, he finds Flickering Guy staring his way again. Sam has never been afraid to meet someoneâs gaze, but it doesnât feel like heâs looking at that guyâs eyes so much as heâs looking at something elseâs. A wave of uneasiness spreads from head-to-toe and he loses the battle heâd normally win, turning his attention to his food.
The foodâs okay, but just as greasy and bad for him as he wanted it to be. The sounds of the diner fade into the background as he tunes everything out, including the stare, Â and doodles on a piece of napkin as he eats. Itâs been nearly a month since he left Tucson, and even though thereâs hundreds of miles between him and that shit city he feels like he hasnât gone far enough. Is there really any running away from the shitshow he let his life devolve into? He can still hear the nurseâs voice echoing in his head after he woke up from the overdose: You need to see somebody or youâre going to die.
At the time he brushed off the comment with an arrogant roll of his eyes and some slurred words, but when his head cleared and he was left alone to discharge himself from the hospital it hit him like a ton of bricks. Youâre doing to die. Sure, that might not be such a bad thing, he thought, but standing in the rubble of his life in the aftermath suddenly made it terrifying.
Sam breaks through the napkin he was doodling on from pressing down too hard, tearing the thin paper in a jagged line. The once intact, scribbled in dark heavy lines, eye stares back at him from the torn napkin. He stares back at it, the diner around him seeming to fade for good until itâs just him and this booth until someone puts a hand on his shoulder.
He nearly jumps, reaching up to smack away the offending hand, eyes darting to the figure standing above him.
âYâshould leave,â the Flickering Guy says. His features are drawn tight, dark circles rimming his eyes. Heâs tall, but heâs hunched forward as if heâs trying to make himself smaller. Thereâs a borderline crazed look in his expression.
âUh, what?â
âYou should leave,â he repeats, enunciating each word carefully, as the static retakes his form in a blink-and-you-miss-it moment. Sam doesnât miss it. âThis whole town. Leave now. You shouldnât be here.â
The stranger the Flicking Guy was eating with puts a gentle hand on his shoulder and pulls him a little bit away from the booth. âSorry,â he says, a pitying expression on his face - not directed at Sam, but at his friend. âIgnore him. Enjoy your meal.â Samâs brows furrow.
The friend, though he comes off as more of some kind of caretaker, Â tries to pull Flickering Guy away from the table all together, but his feet are planted too firmly to move him. He raises a hand slowly, pointing at the doodle on the torn napkin. âThatâs why yâshould leave.â Sam stares down between the doodle and the two crazy guys invading his personal space.
He almost laughs, but a shiver runs up his spine instead and he says, âYou guys mind fucking off and taking your weird shit somewhere else? Iâm trying to fucking eat.â Flickering Guy - and he does flicker again and Sam does attribute it to the drug bender heâs been on - finally unglues his feet from the checkered floor and stumbles off outside with his caretaker-buddy in tow. He watches them have some kind of half-hearted argument outside before getting into the only car in the parking lot. Thereâs no real point in driving a car in a town where you can walk everywhere, and that makes the sleek Mercedes-Benz stand out like a sore thumb - especially when the town seems to be crumbling down around everyone.
Marisol returns to refill his mug to the brim with fresh coffee. âAnythinâ else I can get for you?â
âNah, but... those guys who just left. Who are they?â
She pauses, watching the car make a left out the parking lot before saying, âThe taller one is Charlie, the mayorâs son. The other one is his friend, Adam. He works for the mayor. Joined at the hip those two are. You rarely see one without the other.â
Theyâre long gone, but Sam looks over at the table they were seated at.
âTheyâre good boys, but mostly keep to themselves these days--â Marisol cuts herself off, looking like sheâs revealed a little too much about them. âAnyway, sweetheart. If you need anythinâ else give me a holler.â Sheâs off to another table before Sam can even say anything else.
Small towns are always so fucking weird.
Letting the strangeness go, he slaps some cash down on the table and makes the short walk back to the diner, leaving the coffee unfinished and the doodled-on napkin behind. Itâs midday, but he could probably get a decent amount of driving done today. To where? He has no fucking clue, but heâs never have an end goal in mind. His only plan was to drive until he found a place he felt good about and God knows he feels the opposite of good about this place.
He didnât bother taking all his belongings out from his car the night before so sweeping through the motel room is a quick event. All thatâs left is dropping off the key at the front desk.
The girl is still there, no longer cheerily smiling. âSo, like, do you ever get off work?â he asks, dropping the room key on the counter. Her smile is as hollow as the town.
âI live on the property,â she explains. âI own the place, so no. I donât really. Getting back on the road?â
âYeah. No rest for the wicked.â Sam laughs, and the girlâs expression brightens up a little bit.
âWell, thanks for staying. Enjoy yourself out there.â
Sam pulls out of the motel, his life haphazardly packed into the backseat of the car, and makes a left down the road. He passes the abandoned looking house he saw earlier, he passes the diner, he passes a lot of closed businesses. As he reaches the outskirts of town he sees a sign for some sort of environmental research facility, and then it and the town is gone.
Tension he hadnât realized he was holding in his shoulders releases as the town disappears in his rearview mirror.
Now thatâs a place he hopes he never has to see again.
But someone out there loves to play cosmic jokes on the unfortunate.
He drives for an hour. Another town sign comes into view and before long he can read whatâs written on it:
Welcome to Desolation Sound!
Something makes his stomach lurch and when he drives past the dilapidated sign he feels like heâs about to throw up.
Itâs the motel he left but an hour ago, standing wearily off to the left like itâs about to crumble to its foundation. Sam slams on the brakes, the car skidding to a halt and leaving a trail of tire marks on the highway behind it. He blinks, rubs his eyes, then looks again. This time his eyes focus on a figure standing in the parking lot smoking. Itâs the motel girl and sheâs waving at him with a sad smile on her face.
With his head spinning, he pulls back into the parking lot he left in the opposite fucking direction and gets out of the car on wobbly feat. Â He doesnât understand. This doesnât make sense. He drove down a straight desert road. He didnât take a single turn, so how did he end up back here?
âWhat the fuck--â
âIâm sorry, Sam,â Motel Girl says. She flicks the joint to the ground and crushes it out underneath her boot as she looks up at the sky. âI was hoping this wouldnât happen.â
âWhat? Hoping what wouldnât happen? How did I⌠I drove straight. I left this place.â
âStop trying to rationalize it,â she says wearily. Motel Girl tosses the key to the room he stayed at the night before to him. âYouâll need somewhere to stay so here. Itâs on the house. Not like this shit place is making money anyway.â
Sam catches the key, then promptly throws up on the concrete, his head spinning with the absurdity of it all.
âCome on, Sam.â She gently reaches out to grab his arm and guide him towards the motel office. âLetâs get some liquor in you and Iâll explain it all. Itâll be fine.â
Itâll be fine. Those words will only come to haunt him.
#writing*#verse | desolation sound#oc | sam wright#oc | stevie brewin#oc | charlie mcgrath#oc | adam tourney#oc | marisol bowers#does a little excited jig
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please view all my children as they are in desolation sound. none of them are ok.Â
#not writing*#verse | desolation sound#oc | stevie brewin#oc | charlie mcgrath#oc | adam tourney#oc | sam wright#oc | marisol bowers#god i love dress up gfames shshjkd
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                        stevie brewin.                 the prettiest girl at the party             & she can prove it with a solid right hook.
indie fandomless oc. written by billie.
#self promo.#self promo#rp promo#fandomless rp#fandomless oc rp#dc rp#marvel rp#independent rp#what are tags
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STEVIE BREWINÂ â the prettiest girl at the party and she can prove it with a solid right hook. indie fandomless oc w/ multiple verses. written by billie.
#self promo.#self promo#marvel rp#dc rp#independent rp#oc rp#idk tags hello creeping on the dash at work
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stevie brewin. club owner & part time dealer. messy bitch.Â
indie oc rp blog. priv + selective. written by billie. credit
#self promo.#self promo#rp promo#oc rp blog#original character rp#marvel rp#dc rp#idk how to do this anymore it's been so long
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