#now it’s g59 to the grave
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#remember when last year I thought I was in love#with a 22 year old man who couldn’t hold a job#HA BITCH#I was goofy for that frfr#now#I am free of the hold this man had on me#oh how the times change#o how I’ve changed#but I’m SO HAPPY AND proud of myself#learned so much this year#pce luv n joy#:*#the only good thing about that situationship was that he put me on to $b#now it’s g59 to the grave#on god!!#ngl tho#dick was ungodly#SHIT Hit#rip 2 my fav lil goofy goober
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My thoughts on Fuck The World by Sematary, Hackle, and Sosa
Haunted Mound's music and the discourse surrounding it exemplifies the fact that you can't truly "win" in the music scene as a whole, you will have haters don't matter what (unless you are a blonde woman who sings folky pop music and people treat you like a god and the ones who dare to dislike you are called misogynists or even nazis). Sematary is widely known for his quick uprising to underground hip hop hegemony being compared to groups like Drain Gang, Goth Money, and G59, the thing about his music is how the direction he started his music attracted a particular audience who were at most interested in the witch house + emo + plugg fusion he did with his partner Ghost Mountain, but as time passed, Grave Man changed his style to noisier and drill oriented, talking about violence and murder on a more Horrorcore fashion instead of the peep-esque emo misanthropy of his debut albums. The noisier style is often fused with black metal music. The issue here is how the paradox of innovation applies to his art, you see if he kept the style he had with Ghost Mountain to this day, people would call him repetitive and one-note. If he kept the black metal style of the Rainbow Bridge saga, he would be called one note and repetitive. And because he is keeping the violent dissonant witch drill style, he is being called repetitive and one-note. But there is also the fact that every time he innovates his style to a new direction, he alienates a part of his audience, as he alienated people who wanted more black metal-style music, and he alienated the Ghost Mountain fan audience who wanted more emo witch plugg. That's why I say that he is stuck on a paradox where he can't truly win everybody and by scrapping KOTG 2 because of its poor reception, he is playing by this game that he can't win, since he has constantly shown how much he cares about the opinions of others, he doesn't "do what he wants to do" as he claims to, if he did, he wouldn't scrap songs based on other's people reception. Now, about the song, it's truly overhated by the Haunted Mound fanbase. Yes, Sematary's lyrics are freestyled and this makes them incredibly cheesy, but the cheese of lyricism is what gives Horrorcore music its particular charm, we are talking about a genre where one of its pioneers had lyrics about having sex with pigeons. Hackle and Sosa's verses are more gangsta-oriented and don't look freestyled at all, which gives the song a notorious quality jump from there. with Keef's verse being the best of all and giving me personally an adrenaline jump unique to him, I would mosh to his verse despite hating crowded environments.
#stoneflower's pseudo journaling#stoneflower writing#haunted mound#music criticism#music#sematary#hackle#chief keef#glo gang#ftp#horrorcore#horrorcore rap#hip hop#underground hip hop
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I'm burnin the city and producing toxins, life ain't no option
#suicideboys#suicide#$uicideboy$#$uicide christ#$uicide leopard#$now leopard#$crim#$carecrow#scrim#ruby#rubydacherry#ruby da cherry#slick sloth#yungxrist#yung xrist#g59#grey#greyfivenine#grey five nine#grey till the grave#my work#my edit#my gif#gif#goth#emo
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