#not to mention how his fans should actually love acknowledging that he's an asshole bc u can then think about WHY he's an asshole

[mccallhero]

#scott is his impulse control. like that is a canon fact #scott says actually we’re befriending all of these werewolves with morally dubious backstories :)) and he begrudgingly stops thinking about #drugging their food #stiles is just a guy. who got dragged into supernatural shit. because he really really liked his best friend. and if you want a charscters #who’s a selfless mother hen THE WHOLE SERIES REVOLVES AROUND SCOTT MCCALL. #he doesn���t trust because scott trusts too much. scott says jump he says how high etc etc #EVERYONE CALLING LIAM HIS SON. DO YOU FORGET HOW MUCH HE VISCERALLY HATED THAT FUCKING KID 😭 - jjkyaoi

speaking of stiles stilinski, the way the entire fandom like. warped his character completely for so many years is still one of my favorite talking points because what do you MEAN pack mother. what do you mean he’s this selfless hero who would sacrifice himself for his supernatural found family…???????????? girl. 90% of the characters we’ve met he’s either distrusted and theorized as killers (most of the time being right to some length but that’s beyond the point) like a cat who hisses when their owners friends come over, and the other half he’s like. made multiple comments about wanting to kill or been. unnecessarily catty to. like . that motherfucker CRAVES violence. the entire show would’ve been completely fucking different if he was the main character. why did the fandom take these things from him when they make him SO interesting

[iamanartichoke]

I wasn't sure if I was going to post this, but I may as well.

I keep starting to reply to things and then stopping bc the words just aren't there, and I suppose I figured out the core of what bothers me so much (and is making me have such a rollercoaster of a fan experience) about the show.

(cut for length)

It's not well-written. My opinion is my opinion, so I'm saying this subjectively, take it or leave it, but ... I feel that it's not well-written. The overall story is fine, and the plot is fine, but I don't know if it's because of the limited number of episodes not being enough to house the story, or because of the relative inexperience of the writer/showrunner+director, or both, or something else, but -

In an earlier reaction post to episode 4, I mentioned really wanting to sink my teeth into all of the subtext I picked up on. That was what made me initially enjoy the episode so much - there were a lot of little moments that I initially felt revealed so much about the characters and about Loki, and I wanted to analyze them. But at some point, as I gathered more information, my perspective changed and now I no longer want to analyze the subtext bc ... subtext = good. Subtext w/out payoff = not as good.

I'll go into more detail in a moment, but I think the tl;dr of it is that I feel like the narrative requires the audience to work way too hard to put together all of the moving pieces here and, like, I kinda just don't want to do that work? Not so much of it, and not in vain. A lot of the enjoyment of Loki's characterization is coming from fans who are rationalizing why he's behaving as he is, but the narrative never actually confirms those rationalizations. It's asking us to figure it out and maybe our conclusions will be correct but maybe they won't, though. At some point, subtext isn't enough without explicit follow-through.

I thought my issue was with the lack of character development - that is, not having enough narrative space to really earn the big things that are happening now, like Loki/Sylvie or Mobius turning against the TVA. And that's still true, to an extent; I still feel like the pacing is all very off and it seems like most of these things kinda came out of nowhere (but are not unbelievable - just undeveloped).

But, yknow, it is what it is, it's a limited series, and I can excuse some things. Ultimately, my issue isn't a problem with what the narrative isn't doing, it's a problem with what the narrative already failed to do and probably cannot recover from at this point.

The narrative has left out significant details that should at least help us do some of the work here. If a person turned on Loki and started episode 1 and had no background knowledge of the character besides that he tried to take over New York - how would that person interpret Loki? Would that person say, oh, well, he's been through X, Y, and Z, and plus A happened, not to mention B, C, and D, so really, it makes sense that he seems off-the-rails, or that he'd want to get ridiculously drunk at the worst time ever.

Maybe we'd like to believe they would, but how would they be getting to that conclusion? The narrative hasn't led them in that direction so, no, they would not say well we have to consider this, this, and that. It would be impossible to really understand Loki as a character from just what we've gotten in the series. The general audience would probably interpret Loki as being out of his element and so it becomes, I wonder how this character is going to get the upper hand here. And, while that's not wrong, it's just so limited.

The narrative at face value does not address Loki's identity crisis from Thor 2011. It does not address his hurt and devastation at being lied to, nor does it address how complicated his self-image is (bc it sucked to begin with and that was before he found out he was part of a race of "monsters," as he'd been taught his entire life). It does not reference Loki being so broken at the end of Thor 2011 that he deliberately let himself fall into the void of space (aka tried to kill himself). It does not reference that he was tortured by Thanos or even that he went through a seriously dark time in between Thor and Avengers, and it absolutely does not reference or address any influence or control of the mind stone.

These are all things that we, the fan audience, know because we've already invested our time into this character's story. But tons of people, the general audience, wouldn't know these things. Or if they did, bc they saw Thor and Avengers, they wouldn't be thinking about them as deeply as we would, nor contextualizing them with how Loki is behaving now, or why it would make sense that he needed to get drunk, or why it's understandable that he needs to keep going-going-going in order to not have a spare second to think or feel.

They'd probably look at Loki, again, as a character who was a villain and is now getting his comeuppance in a place where he has no power or control, and no literal powers, and even when he manages to escape and catch up to the variant, he proceeds to fuck up their plan for seemingly no real reason except that he wanted to get drunk bc he's hedonistic. Which Sylvie even berates him for! I mean. This is not exactly a complex character breakdown, nor a very flattering one, but that's what the narrative has given us.

(If the narrative has addressed Loki's mind control, his torture, his mental breakdown, his suicide attempt, and his general shitty self-esteem as a result of his upbringing, please point it out to me. If the narrative has explicitly acknowledged and referenced these things anywhere and I am missing it, please show me where. Please explain to me how the casual viewer would know any of these things that they need to know in order to actually understand what's happening in this story.)

So I mean, okay, we have a narrative that doesn't paint a full, accurate picture of Loki. Fine, sure. But because the general audience starts out on the wrong footing, they're not going to get out of the overall story what the writers probably intended them to. For example, in episode 3, a lot of us theorized that Loki had some kind of plan - that he broke the timepad on purpose, for some reason, bc otherwise it wasn't believable that he'd be such a failure. But episode 4 revealed that no, there was no bigger plan, Loki just plain old messed up. Which is fine if, again, one is only considering the surface-level portrayal here, but it's not true to Loki's actual characterization.

I mean. Loki is not perfect and Loki actually fails a lot, this is true. He fails for a lot of reasons, but incompetence has never been one of them. Usually it's that either things grew beyond his control, or there ended up being too many moving parts, or he had to change his plan at the last minute due to some roadblock or another being thrown his way, or even that he got in his own way - whatever the case may be for his plans' failures, he was always at least shown to know what he was doing.

That wasn't the case here. The "plan" to fix the Timepad failed as a direct result of Loki's actions, which were careless and made him seem incompetent, like he couldn't even handle this mission. "You had one job," etc. And there were pretty big consequences for this; they were not able to get off-world in time and would have been killed had the TVA not shown up at the last second.

And maybe none of these things matter bc the writers never intended any of this to be a reflection on Loki's character, positive or negative. The situation exists solely because the writers needed to put Loki and Sylvie together in some kind of hopeless scenario so that they could get closer, and thus the narrative could set up their romance. I get that - but, there were other ways to do it that didn't require Loki to look foolish.

Furthermore, the whole reason they needed to set up the romance is to show Loki eventually learning to love himself (like, figuratively but also literally). The audience is supposed to gather that Loki and Sylvie fell for one another, possibly due to the high emotional aspect of, yknow, being about to die (in addition to the variant-bond). The intent is clear: Loki and Sylvie almost die but get rescued at the last minute, having now created an emotional bond --> Loki and Sylvie team up and the narrative further establishes that Loki, at least, has caught feelings --> Loki might confess them but is pruned before he gets the chance --> he somehow survives, he and Sylvie are reunited and don't want to lose one another again, and the combined power of their love is enough to break the sacred timeline and spawn the multiverse, and the reason that the power of their love is so, well, powerful is because it's about self-love and self-acceptance as much as it is about having the capacity to love someone else. The end.

I get all that. The writers more or less said all that. And, I mean, it's certainly not the way I would have chosen to go about it, but it's a fair enough arc to explore. I don't really have an issue with the intent - but my question, however, is this: if the narrative has so far not addressed Loki's background issues (as outlined above), and has furthermore kinda gone out of its way to portray Loki as hedonistic and narcissistic, among other things (like kinda incompetent), and the context the audience starts with is that Loki's this villain who deserves what he gets -

- my question is 1, why should the audience care whether or not Loki gets to a point of loving and accepting himself (thus to make the theme of self-love, via the romance, hold weight) if they don't know that he hates himself to begin with and 2, why should the audience root for Loki to reach that point when so far the perception of him is that he's "kind of an asshole"? if he's a hedonistic narcissist, he probably already has a pretty inflated sense of himself, right? A misplaced inflated sense of himself, at that, because, again, the narrative has made him out to be not that capable of much of anything. (And it didn't start out that way! It seemed to start out with Loki being capable and intelligent but it's like episode 3, in trying to set up the romance, just jumbled it all up somewhere. I think this is why I'm harping on the Loki/Sylvie aspect so much - it's frustrating bc it kinda messes up the whole story and can't even accomplish what it's supposed to anyway.)

Anyway, that's beside the point. What I'm ultimately getting at is, at what point is the audience supposed to get invested in Loki's personal growth journey?

They can't, not really. Without understanding and having the context of everything Loki has been through up until now, and why he hates himself, and why it's so important that he learn to love himself, then the "payoff" becomes kinda pointless bc the significance of it is lost in translation. So suddenly we're left with this romance that comes off as either "Loki loves Sylvie bc of Reasons" (best-case scenario) or "Loki loves Sylvie bc he's vain, narcissistic, and kinda twisted" (worst-case scenario). Neither of these conclusions are what the writers intended or were going for, I'm positive, but there we are, regardless.

In order for the writers' intent in these storylines to land, they need to address the context of what makes these particular stakes high for Loki. So far, they haven't done that. They're asking the audience to pick up on all of these things, and they're showing things that subtextually make sense and are relatively in-character - but only if you realize there's subtext in the first place.

But you can't expect the audience to do all of the work for you. If you don't want the audience to think that Loki is a narcissistic asshole and instead you are trying to convey that, worst-case scenario, he thinks he's a narcissist but is an unreliable narrator, then you have to address that. If you need the audience to understand why you're going the selfcest route and why it's important to explore Loki's capacity to love himself and others, you have to address where that exploration is starting from and why it matters. Etc etc etc.

The narrative isn't doing any of that. And it isn't like it'd be that hard to do it. They don't need to reinvent the wheel here; a lot of the pieces are already there. A few lines of dialogue for context, a brief scene here or there addressing the issues, a little more care and consistency in how Loki handles things - these are all little things that could go a long fucking way in making the narrative stronger.

I'm rambling. My basic point is that my rollercoaster of emotions with this show is because

- as a part of the fan audience, not the general one, I can contextualize and analyze the subtext and come to the conclusions the show wants me to, and thus find the story and the characters more or less enjoyable,

- but I am also going to be using the subtext to come to conclusions that aren't there but probably should be (I think it would be a better story, for example, for Loki to confuse platonic love with romantic love bc it would pave the way to explore just how fucked up Loki's understanding of love - whether of other people or of himself, and the different forms it can take - actually is)

- and when they're ultimately not there, then I think, okay why am I bothering doing all this work just to ultimately feel very unfulfilled? They don't even have to write it the way I would, I'm not saying that, but they do have to do something to make the story feel rewarding.

If we don't get some confirmation of what Loki's been through, and where his headspace is, and why it matters for him to love himself, then the story remains pretty shallow and, for me, it's not fulfilling enough. It's not engaging enough. There isn't actually anything to sink my teeth into, so it becomes kind of boring. Maybe it's rewarding to other people, and that's great for them, but like - I need more than whatever this is.

So I'm just like - well, I had a lot of worries about this show, but my being bored wasn't one of them and now there's only two episodes left and am I really not going to get anything out of this, in the long run? No new canons, no new depths or layers, no new information on Loki's experiences? This is it?

I don't dislike it. I didn't start out disliking it, and I probably wont end up disliking it. I mean, there are a lot of good moments, and good things, and fan service-y things that I appreciate. As far as inspiration for fic goes, it's a goldmine, both plot-wise as well as aesthetic-wise. All of that is great. I don't dislike this show.

But I am disappointed in it, and I feel like I'll be watching the next two episodes lacking the sense of anticipation that would make it exciting. I'll still enjoy them, probably, if for nothing else just the sheer Loki content, but whatever it was I felt watching episodes 1 and 2 is gone and I'm sad about that, too. Because I really wanted to feel fulfilled by this series; I wanted it to fill up the void that Loki's death in IW created three years ago. And I just ... don't feel it. Maybe, maybe that'll change over the course of episodes 5 and 6. I don't know.

Everything that I end up enjoying long-term, I think, will come about as a result of my own interpretations and analysis and while theoretically there's nothing wrong with that, if I had known all I'd get out of this series was more headcanons or support for my current headcanons then, well - that's fine, I suppose, but I'll definitely a little bit robbed.

[jonathanrook]

legally i have to give you intern 2

em you have awoken an ungodly beast inside me so i need to warn everyone that this post is. incomprehensible. but so is mymusic so i guess we're all used to it.

How I feel about this character:

i watched mymusic as it was airing/running/coming out specifically bc i'm a jack stannie, and as a kid melvin was my second favorite character (w scene being in first, obvs) for mostly that reason. he basically hovered around this ranking until my most recent rewatch in the summer of 2020, which was actually spurred by some events in my personal life that vaguely reminded me of scene's season two arc w jeff, and i thought it'd been a funny/nostalgic way to get my mind off things.

(i want to side note here that -- i know you didn't ask, but -- i love jeff. i have since i was a kid. like, obviously not as a person but i think he's honestly the best written character in the series, w indie close in second. idk what it says about the f*nes that their most interesting and well rounded characters are the villains, but i digress. to this day i'm salty that jeff never got added to the theme song and wasn't really included in promotional merch.)

however, in said rewatch, certain things about how he was written started to really get under my skin, and certain moments in particular have really stuck out to me in a negative way. like, for the entirety of season one and a good chunk of season two he's one person, and then he leaves mymusic and we have an entirely different person, but not in a nuanced character building sort of way.

i've said a few of these points before but i'll repeat them here regardless. at the risk of sounding like i've put on a tin-foil hat, it's my sneaking suspicion that scindie was supposed to be endgame, but since fan reception to it was pretty neutral, and scenechart stans were, at the very least, more vocal, changes were made to the intended finale, which is why in the last scene he's basically just. indie. like, if everything about the show was exactly the same but indie was the one who had ended up w scene in the end that would have made so much more sense since a) scene had a crush on indie that he/everyone knew about and b) indie was kind of a dick despite the half-assed attempts at redemption, so both combined make it slightly less weird/out-of-nowhere that he kisses her w/o her consent (since, even though like. implied consent is not real at worst and a fuzzy subject at best but you could argue that scene would want indie to kiss her); and this isn't even taking into consideration that c) melvin is heavily queer-coded in both seasons, with his friendship with nerdcore being, dare i say, homoerotic at times, and his arc about leaving the company and changing his name mirroring nerdcore's almost perfectly (with nerdcore being a character who b*nny [at least] has all but confirmed is actually gay).

i've also been on the fence about melvin's behavior in that final scene making more sense for indie's character being an intentional decision as a way of shoe-horning in a theme about the lasting effects of abuse/cycles of abuse/the corruption of power but i also don't think the f*nes are smart enough for that. however, for the sake of defending my straw theory, i also point to the scene where indie comes to visit the acid factory after melvin told him to shut up, and we see melvin use reggie as a foot-stool, going as far as to say that it feels good to do so (which, in all honesty, i think is a bit that was entirely improvised, since the f*nes were "notorious for never saying cut" [paraphrased from a bts video], but work w me here). he's also given a seltzer mug that perfectly resembles indie's kombucha mug. in these moment melvin is directly emulating the behavior of his previous abuser, purposefully or not, literal moments after being promoted to an equal position of authority, which was totally just included as a joke, but could also be argued is meant to show that he's becoming indie; or, if we acknowledge that the f*nes have no fucking clue what they're doing and were just directing like chickens with their heads cut off, it at least shows that melvin's new position of power is leading him to understand where indie was coming from, which is supported by their conversation in the finale.

the following contains a couple brief mentions of irl sexual assault so if that's something you'd like to avoid skip to the next section!

HOWEVER, that alone isn't what i have a problem with, since i think melvin is completely justified in being a dick to indie (and also reggie enthusiastically consents to being used as an ottoman so good for him i guess). the issue comes completely in how he treats scene in the scenes where the f*nes clearly thought what they were writing was super romantic. like, the fact that the only thing he's got hung on his cubicle wall is a single picture of scene taken from the fucking opening credits (like. how hard would it have been to have. literally any other photo[s] esp since there's an abundance of cute bts pics of the cast in costume that could have been put there) and him scrolling through her twitter at work really creep me out (and at the risk of oversharing the weird, like, social media stalking angle really fucks w me bc that may or may not have been the exact fucking thing i was trying to escape in rewatching mymusic in the first place). also, having him sexually assault scene as a means of comforting her after she had just been sexually assaulted in the same way by someone else was... a choice (which is also, uh, personally familiar).

again, i recognize that demonizing melvin wasn't what the f*nes were trying to do here, and i perhaps seem hypocritical for opening liking jeff, but what makes jeff work is he's intentionally "the bad guy." having melvin do the same things as indie and jeff uncritically only proves further that the f*nes can't write for shit, and ruins his character which had, up until he quit mymusic, been unironically good. like, it's obviously not beneficial that the exact asshole things he does are personally triggering, but the character would still be a mess and i would still dislike him regardless.

i want to say though that jack delivers a surprisingly great performance despite how shoddily his character is constructed and how little experience he has as an actor. like, it's clear he was having a lot of fun on set and i would love to see him in something, like, good; i think he could pull off even like, guest television roles, which is a lot more than can be said for other youtubers.

-----

All the people I ship romantically with this character:

nerdchart should have been canon i'm sorry. i know that close, nonromantic male friendships are valuable, esp between queer men, but also gd wouldn't it have been baller to have a canon interracial mlm ship. like. c'mon. and they could have been such a good friends to lovers story! we already got to see how melvin was the only person nerdcore could really be himself around so it would have been so cool if melvin's self-advocacy arc/flowchart arc had revolved more around nerdcore with a little role-reversal! and then they kiss! like god intended!

also i ship him and indie bc i'm a grubby little gremlin man ohoho. enemies w weird sexual tension? sign me up. not even enemies to lovers i'm not saying this one should have been canon i just love the vibes. do you think melvin and indie ever explored each other's bod-- *gunshot*

-----

My non-romantic OTP for this character:

i wish him and scene had just been bros. god remember in season one when they were just bros that was the life.

alternatively, i wish we'd seen more bonding w him and metal, as a means of reconciling that. uh. moment from season one. along similar lines i would have loved to see him get closer w rayna in a similar way to how she bonded w nerdcore in season two. i think that could have also worked to show how she'd grown between the two seasons.

-----

My unpopular opinion about this character:

HIM. AND. SCENE. SHOULD. HAVE. JUST. BEEN. BROS. (though i think my general dislike of him is pretty unpopular, lmao).

when the show was coming out i don't think it's unfair to say that scenechart/scenetern 2 was the most popular ship (aside from potentially techstep whatever) but luckily we're all gay and have better taste now. unfortunately i totally fell into this camp and scenechart was even my otp for years (until it was arguably more unfortunately usurped by reddie in 2019) and i didn't even realise that it's a hot mess until, again, the summer of 2020.

when actually watching the show the choices the f*nes made in regards to how the ship actually became canon are so odd and out of place, too? okay, so, on one hand everyone just shipped scenechart bc it was the whitest hettiest ship in the show (esp in season two when idol left) aside from scindie (and we already discussed what's wrong w that). but, on the other hand, lainey and jack clearly also just got along? and i suspect that lainey probably also admired jack's work and was happy to be working with him bc we have so many shots throughout even the first season when the ship wasn't the intended endgame of lainey scene looking really fondly at jack melvin at times when it doesn't make much sense at all, esp since she's smitten w indie? this trend continues into the second season which arguably works but it still seems really out of place for him to be the one to ultimately make the first move on her since it's clear she was the one crushing this whole time and also he's gay! this bitch is gay what the fuck!!

-----

One thing I wish had happened with this character in canon:

at this point i'm struggling to think of anything i haven't covered yet. oops.

i've talked at length before about how he should have been a woman/lesbian, but the tl;dr is that it would have solved a lot of the queer-coding "problems" that just didn't get resolved in the show. if he'd been a lesbian then not only would the friendship w nerdcore still made sense, but scenechart would have as well (not even mentioning that both of scene's other relationships w men make a lot of sense as comphet anyway).

[jeongincore]

Shit i really liked and kinda didn’t like about Ragnarok

I recently saw ragnarok and became so rejuvenated that i brought my marvel blog back but i wanted to seriously talk about like things that i liked and really didn’t just to get shit out there. 

Things i really liked (like so much that i am obsessed)

-Thor’s new hair cut/outfit, i think its actually super suitable. Gives that sort of cool ass warrior refugee look. Plus, Chris Hemsworth is beautiful. 

-The humor, oh god it was hilarious, i’ve never laughed so genuinely and so much in my life and it made the movie so charming and relatable. It was also such a departure from The Dark World and the first Thor, which dealt with so much emotional baggage for not only just Thor, but for Loki, who basically suffered throughout both movies. 

-Hulk being an actual toddler/Bruce Banner being so fucked up and anxious because WHEN DID HE GET ON AN ALIEN PLANET. 

-”You’ve been on other planets before i assume” “Yeah, one!” “well now it’s two” 

-Valkyrie. Her entire everything gave me so much to love and adore. Tessa Thompson has stole my heart yet again. 

-TAIKA WAITITI AS KORG WAS ACTUALLY SO FUNNY

-The little tiny glimpses of Loki and Thor’s childhood, aka the snake story, get help. It really showed how much time Loki and Thor had spent together, which i assume is a lot because age in Asgardian years work differently probably? Like imagine that, Loki and Thor spending time together and being inseparable for 100 years. It showed that they were always close despite loki feeling different or alienated, which explains why its so hard for Loki to just leave thor for dead. 

-”You’ll always be the god of mischief, but you can be so much more” See that shit destroyed me. Thor acknowledges that Loki is not like him. He’s a trickster, manipulative, and selfish. But he also acknowledges that Loki is so much more than his tricks and lies, which shows so much character growth in Thor, who sees loki as more than just an asgardian prince that was raised the exact same way opposite of Thor, but as his own fucking person.

-Thor actually not being stupid and falling for Loki’s tricks, aka his magic projections of himself/his petty, stupid betrayals. Tom mentioned that Thor was evolving and that Loki was finally starting to realize that he’s the only one not growing. Scenes like the betrayal scene and the snake scene, although meant to be hilarious, point out that Thor isn’t that idiot that just was too trusting of his brother, he sees through Loki’s tricks, he’s seen them for years, and it really shows that Loki’s getting predictable with his fake deaths and betrayals, which might hint at him changing? 

-IT FIXED THE INCONSISTENCIES. The main reason i didn’t like Dark world, though i did see it as amazing for its ability to mix the emotional darkness between Loki and Thor along with the humor throughout the movie, was because it pointed Loki out to be the type of cold blooded monster that would murder his own father. I mean I’m no Loki apologist, i love the kid but he’s killed, he’s manipulated, he’s hurt everyone around him, but i doubt he could ever kill Odin, no matter how much of a shitty father he is. Also low-key hated the whole “Loki if you betray me, ill kill you” Thor bullshit. We all know thor wouldn’t be able to do that, he still hopes Loki is his brother. 

-AGAIN, THE SNAKE SCENE WAS SO FUNNY. 

-”I thought the world of you Loki.” Ouch. 

-Hulk and Val’s bromance. 

-The entire Valkyrie v. Hela scene. It was so beautiful and ethereal i actually nutted. 

-LOKI DIDN’T NEED TO COME BACK. HE DIDN’T NEED TO GO BACK TO THE SHIP WITH THOR. HE DIDN’T NEED TO GO BACK TO ASGARD. HE COULD HAVE NOT. BUT HE DID. BECAUSE SOMEWHERE IN THERE UNDER THE SELFISHNESS MAYBE HE CARES.

-Loki’s face when odin called him his son. 

-Loki’s face when Hela told him to kneel. 

-Loki refusing to let Thor go back to Asgard. “Are you serious? you can’t be thinking of going back there, that’s madness!” is that? Loki cARING? 

-Loki’s character development. 

-thor in a jean jacket and hoodie in new york. 

-Thor spilling beer everywhere. 

-Loki letting Thor take the orgy ship. 

-Jeff Goldblum. Thats it. 

-LOKIS FACE WITH THOR AND ODIN ON THE ROOF OF THE CASTLE I SCREmed AFTER ALL LOKI DID HE WAS STILL PUT THERE AS A PRINCE OF ASGARD BYE.  

-”Hello father” “OH SHIT” 

-The entire play. Loki’s rule as a benevolent god/king in which, before everyone feared him for a dictatorship militaristic form of ruling he could have, but in reality he just like ate grapes and watched plays. 

-Thor wanting to be a Valkyrie. The crowned prince of asgard, wanting to be an elite team of woman warriors. 

-VAL IS GAY AND IN TESSA THOMPSONS WORDS, HAD A GIRLFRIEND THAT SACRIFICED HERSELF TO SAVE HER. 

-Val kicking Loki’s ass. 

-THE RETURN OF THE DOUBLE BLADES OUT OF NOWHERE. 

-Loki in a suit. 

-HEIMDALL I LOVEJWIFHTGE.

-”I thought you didn’t want to talk about it” “heres the thing” 

-”Hello!” “Hi” *blasts everyone in room with giant laser guns* 

-”What are you? Thor, god of hammers?” 

-IMMIGRANT SONG. 

-”i swear i left him right here” “where? on the street? Or in that nursing home thats being torn down?” 

“I’m not a witch” “Why do you dress like one then?” 

-Loki rolling his eyes when thor is approached by fans. 

-Loki calling stephen strange a shitty sorcerer and going at him with stabby hands. 

-Confirmation of loki’s love of stabbing. 

-Confirmation that Loki is a snake, and also Thor’s favorite snake.

-Loki reciting Thor’s prayer to odin with him mY SON. 

-The avengers parallel. “He’s my brother!” “adopted.” 

-”mbLERG ITS ME” 

-”AGH LOKI!” 

-’DIRECT ME TO WHO’S ASS I HAVE TO KICK” 

-”Where? the devil’s anus?” 

-Bruce fighting evil with fireworks. Good job sweetie. 

-Bruce flopping like a fish on the bifrost. 

-Thor and his sparkles. 

-Lightning eyes. 

-Odin finALLY DYING. THANK GOD. 

-*Loki on a death trip* ‘this is a terrible idea” 

-Loki somehow reciting a spell to bring surtur back. what a weirdo. how did he know that. 

-LOKI COMING BACK. 

-im here. 

-Loki

-Brodinson. 

-Thor and Bruce’s bromance. 

-Jane not being there. I mean it makes sense she dumped him, he left her for two years chasing down infinity stones and constantly almost dying while she had no way of contacting him because Thor’s ass didn’t know how to use fucking email. Also i just really honestly never liked her character to begin with, i mean sure i love that Jane is a strong, smart woman but tbh i just wanted to Fast forward every time she was on screen. 

-The cute death wolf. 

-”THATS HOW IT FEELS!” “sorry i just really like the sport” 

-THOR ACTUALLY BEING PORTRAYED AS LESS OF A JERK WITH CACTUSES SHOVED UP HIS RECTUM AND MORE LIKE THE SWEET, CHARMING, CHARISMATIC AND SLIGHTLY ARROGANT BUT MEANS WELL MAN HE IS. 

-Val being there as a cool as member of the team rather than just the love interest of Thor. Protect her at all cost even though she probs doesn’t even need it. 

-”I’VE BEEN FALLING FOR THIRTY MINUTES” 

-Stan Lee’s cameo as the dude who cut Thor’s hair. Thank you for doing all of us a giant favor. Please do the same to Loki. 

-loki beating someone up with his horn hat. 

-Loki twirling his horn hat. 

-Loki being such a self serving, extra asshole that he came from the fucking fog screaming “YOUR SAVIOR HAS ARRIVED” 

-Bruce asking where tony was and then complaining about his tight crotch pants. 

-LOKI’S COSTUME CHANGE GOD I HATED THE OLD ONES BLESS UP. 

-Loki’s costume being mainly blue, black, and gold :-)))))))

-Loki being 100% done with everything that happens. 

-Val knocking Loki out when he makes her relive her trauma why do people ship this you go honey that was a dick move

-Thor throwing various things at Loki to make sure he’s not a mirage. 

-he’s a friend from work, something a kid from make a wish that met chris suggested, being in the film and all of the trailers. I hope that made that kid smile. 

-”In return, i wish to be granted safe passage through the anus” 

-LOKI FINALLY ACCEPTING THAT HE DIDN’T WANT THE THRONE WITHOUT A FAMILY. THAT HE’D RATHER WATCH HIS BROTHER TAKE IT AND STILL HAVE A BROTHER THAN HAVE A THRONE WITH NO ONE TO SHARE IT WITH. 

-LOKI SHOWING UP ON SCREEN DURING THOR’S CORONATION. 

-Loki being genuinely worried about and double checking if Thor really wants to bring him back to earth after what he did kill me honestly that would probably hurt less. 

-Loki’s face when thor said that going their separate ways was what Loki always wanted bc in reality that is the opposite go back. 

-Hela not being Loki’s daughter because 1) it proves that ya’ll should stop hoping that a comic soap opera about rich petty alien boys with daddy issues would be anything like classic norse mythology, and 2) when the fuck and how the fuck and why the fuck 

-Loki suggesting that he and Thor both rule over Sakaar together lmao ouch. 

-Loki just being really cute and quirky. 

-Thor being so fucking amazed by Val all the time. 

-”You’re late.” 

-”I saw you coming” “course you did.” 

-THE GUNS NAMED DES AND TROY I WANTED TO FUCKING DIE. 

What i didn’t like much; 

-Hela. I loved her character, but honestly here is where i think there might’ve been some failure despite how much i loved that movie. She seemed so out of place as a villain, and i feel like the whole related shit tried to mimic Guardians vol. 2, but honestly the fact that Thor didn’t care much about her made her feel so out of place. But i did like some parts, like how she was so disappointed about not being remembered or what her existence and disappointment did to how loki was raised. 

-Dr. Strange? Ok that was weird. It makes sense and it was funny to see him but to be honest i wasn’t into it. 

-tHE SCENE WITH VAL AND A GIRL BEING CUT. WHYWHYWHY

-tbh was not fond of frost master, don’t hate me. 

-Loki possibly taking the tesseract????? And hinting that he might turn evil again??? don’t do this to me marvel. 

-loki possibly being turned into the quirky sidekick of his brother. Loki is Thor’s equal, not his annoying little brother/wacky sidekick. I didn’t get that vibe often, but sometimes i did honestly. 

-RIP thor’s hammer. 

-ODIN BEING A PIECE OF SHIT YET AGAIN. 

-Hela’s entrance. it was so quick and like out of place i was like what wait, Loki and thor didn’t even have time to prepare or even mourn. 

-the comedy. It was its best and worst part of the movie. Sometimes it was tasteful. Other times it was too much. Thor and Loki didn’t even get to mourn for their dad who tbh was an asshole but still their dad before there was a annoying joke about kneeling. It took away from the story sometimes.

-the lack of hugging between thor and loki.

-The way they glossed over the warriors three’s death like they weren’t Thor’s closest friends and the only ones there for him when Odin tried to banish Thor to earth :-))))) I mean after all that shit he went through I’m pretty fucking sure it probably hasn’t caught up to him but ya bitch still pissed. 

-The way, Thor, who basically admitted that Loki actually meant the world to him and was the only family he had left, didn’t ask where he was after asgard exploded? Like tbh i get it, he trusts Loki, his brothers capable and strong and most of all really fucking smart, but i’d still be like :-) the fuck is Loki. I think this is a directing error though rather than like the characters fucking up but i was freaking out, i mean asgard was literally pebbles and everyone was out BUT my son. 

-No sif, i mean i get it Jaime Alexander was busy but like y'all could’ve explained smh. 

-Loki not getting a hair cut. When will his emo phase end. 

-Not getting that one flashback to 80′s asgard with mullets and emo loki. 

Overall it was pretty fucking cool, one of the best movies of the trilogy. I fell in love with the marvel cinematic universe all over again. But it wasn’t perfect. 

[kayvsworld]

Could u convince be not to hate Steve 'Hypocrite' Rogers? I'm really trying not to hate him but whnever I think about anything to do with him I just get even angrier at him. MCU Steve is a repentless fuck up and I wanna know what u have to say about him? U don't seem like u hate him and u also love Tony so I figure u probably see stuff I'm not seeing and I wanna know what ;u; (mostly so I can stomach stony fics to widen my range of reading material) :p

steve rogers is a stubborn emotionally-constipated asshole. i also love him very very much. here are some post-cacw thoughts on why i still love him:

flawed characters are good, and the only reason we expect Perfection from This Particular Human Character is bc other people (and…the narrative….) put him on a pedestal. I can’t be mad at him for doing what he thought was the right thing, because as a fan of tony stark, i know that sometimes things that seem like a good idea at the time are maybe actually not always that great

issue: banking on the fact that your rich genius teammate and his team of lawyers will still get you and your friend out of a bad situation After you let him know that the friend in question murdered his parents a week before christmas and that you’ve lived in his house and looked him in the eye while Knowing Abt This for several goddamn years is uh. a v scary situation and potentially a bad plan for 19 reasons. prioritize the people you know are ride or die & cut ur losses

some people are emotionally constipated assholes who do their best and fail miserably,,,,To Cope™

ok but seriously have you ever had 6.3 billion Terrible Things happen to you in rapid succession, and then One More Thing comes along (to take away the only remaining thing in your life you can control and the only semblance of normalcy you have left) and you just. dig your heels in automatically and go “absolutely fucking not”

like i will personally bet you 5 canadian dollars that steve has been crossing his arms and glaring at the tv for months like “listen what else do they want us to do. we’re helping. we’re the good guys. they Have To See That we’re good people and we’re doing our best and we saved the world Come On if we just wait…maybe…….it will…..Be Fine without us having to do anything? maybe?” 

he’s been fighting to keep People™ safe for a While and it’s Apparently still not enough and he is probably tired and bitter and frustrated. also, last time he was working for/with a third party they turned out to be nazis and while i get that that 100% isn’t the same as a UN Panel (noT THE SAME, STEVEN) at some point you have to take a quote out of context, plant urself like a stubborn asshole tree, and say “actually no fuck you please just let me do the only thing that is giving my life meaning right now in a way that doesn’t make me feel trapped and afraid for myself and my team”

peggy (steve’s last connection to his life before waking up in the future) had just died, and bucky (steve’s surprise Actual last connection to his life before waking up in the future) has been having a Hell Time and is being targeted. sometimes when you find out your best friend has been brainwashed and tortured for 70 years, your bullshit meter maxes out and you (steve rogers, “fight me” personified) want to give the finger to anyone who wants to do absolutely else to that person. yes, getting him help was an option (the other option being some kind of prison?) but also, it still would have been someone else making that choice for bucky, and at some point yelling “can you please just leave him alone” with ur fists becomes a default reaction

as someone who regularly avoids things when i should really deal with them, i 100% believe that there is a large part of steve that genuinely thought he was protecting tony. sure, he was protecting himself and bucky, too, and he admits that openly, but i can buy that steve had been sitting on the couch for months listening to tony talk about Processing His Grief Through Technology and screaming internally like “would it truly and genuinely make it easier on this guy to know that his parents were brutally murdered by my friend and i’ve known abt it for 2 years when he’s still this messed up over it already oh my god”

the problems i have with a lot of steve’s choices really just come down to the film not giving him room to put up a legit argument. a lot of it was banking on me assuming that captain america & the team were correct bc they’re cap & the team in a captain america movie? if they had given steve a speech instead of a shitty letter, i’m sure i would have initially understood his side a lot better

some people are emotionally constipated assholes who do their best and fail miserably,,,,To Cope™ Part 2: The Letter

steve is not great at feelings. steve is not great at processing and expressing his feelings in a healthy way. steve is an all-or-nothing prickly bitch (see: every film he’s been in) and taking these excellent canon facts into account, i do actually genuinely believe that this dude forced himself to sit down while in hiding to write 12 different drafts of this letter by hand in cursive and eventually ended up with the monstrosity tony received

he can’t apologize for the accords situation, because he doesn’t think he’s wrong, so he can only apologize for hurting tony. “i’m not sorry for what i did but i’m sorry that it hurt you” is a shitty thing to read and say but i guess at least,,,he,,,was honest? steven why didn’t you get a friend to proofread this letter

by saying that the avengers are more tony’s family than his, he probably thinks he’s acknowledging that tony cares about them and was doing what he thought was best. im personally for my own sanity choosing to believe that.

“i’ve never really fit in” aka “okay i definitely didn’t talk enough about where i was coming from at all for the past few…..years….and this was the only draft that included my ‘i’ve been lowkey struggling’ admission and didn’t sound vaguely pathetic or directly mention my friend who involuntarily murdered your parents” 

this entire thing is actually imo a fairly decent “listen i know things are really messy right now and i hurt you and we’re both still upset, but here’s some effort on my part. if you ever need anything, here’s how you can contact me & i promise i will still drop everything to come help you with what you need” gesture considering the situation & time frame

anyway, steve for sure messed up with his approach to this and put a lot of people in danger, but as someone who is a fan of tony stark i have to take The Context into consideration and also understand that sometimes people do questionable things even while having the best intentions. it was a really rough situation and i think mr evans did a great job of showing steve emotionally shutting down and struggling for the past few films? i can see where he was coming from from an emotional standpoint, & bc of these and 130 other reach-y reasons including me just enjoying him as a person, i forgive him. it’s 2:30am this is so long oh my god

[victor-v]

so yesterday i finished all for the game for the second time in my life (weird thing i've never read a book or series twice) and it wrecked me for the second time. it was unexpectedly nice that i actually understood everything with so much clarity, but that makes sense i've got lot of practice in reading english since then. also, i wrote my thoughts on the book this time.

i can't understand how a book can have such an impact on me, i hate that and i love it, everything else that crossed my mind is under the cut

★huh andrew really bullied aaron into dressing identical to mess up with neil

★"i don't swing either way" is the phrase that made me feel more valid that the whole queer community ever

★neil is pure nihilism

★how can i EVER forget neil wore a tight long sleeved TORN tshirt that andrew bought this is way too much

★seth is dead and all kevin can think about is the line up tbh i do that often

★they are making a scandal about how they sit

★kevin telling neil "destroy him" filled me with power

★the most unreal part is neil ALWAYS keeping his roots another colour the guy must dye his hair every fucking week

★how did neil buy andrew's promise to protect him from the japanese mafia's professional murderers when the only people he physically bullies is an obsessive young adult with anxiety, a princess in high heels and his sunshine sister in law

★wait a fucking minute andrew saw neil filled with terror while holding the phone and immediately gave him the car keys so he could be alone fuck

★nicky fucking hemmick attended to improv class

★ according to dan few athletes were crude enough to start trouble at an ERC event, you mean as crude as neil?

★how to take care of your teammate while he's in a crisis according to: andrew→show concern and reassure him. wymack→10 seconds of vodka

★"hey, jean. jean valjean" is peak comedy

★the ravens walking in v formation is genuinely the most cringy thing you can think of

★neil first finds out the only possible person to date him is andrew because he was jealous of renee are you kidding me

★andrew only missed 13 from 150 shots on goal for fucking real what a Man

★renee is an angel, she's specifically andrew's angel

★neil truly is a watcher

★bee wearing a bee costume is the only good thing on this world

★dan and matt dressed like greek gods!!!!! they can adopt me already

★can you believe nicky is the one who got into neil's brain and planted the idea of realying on someone, and since then neil actively pursues an investigation on andrew's relationship status how on god's name i missed that HOW he's not even subtle about it damn

★he first worries about renee now about kevin goddamn it josten how can't you se how much you care about him

★it's funny how sexuality is such a heavy topic between them when they sure as fuck have some pretty huge stuff going on you know like dying in the hands of the mafia or being tortured

★i imagine andrew running to renee all bonkers like "listen if the cute guy asks, for fucks sake tell him i'm gay but make it ~casual~ maybe this way he'll get it"

★the sole mention of thanksgiving dinner makes me want to die

★kevin is checking the scores in a newspaper I forget this book is so 00's

★they should have spent the day eating turkey and frozen pie at abby's fuckkkkkkkk

★are you kidding me they are in the middle of a conversation and andrew casually chokes neil a little but it's ok they carry on wtf

★"we are all going to regret this" is the fucking worse piece of foreshadowing in this book

★neil interrogating andrew the same night he was raped what kind of fucking piece of shit does that

★i can't fucking believe neil went ahead and shoved andrew's hand under his tshirt in front of kevin, wymack, betsy and two fucking lawyers are you kidding me

★neil asking "are we? friends?" to nicky is so relatable because i also would have an aneurysm if someone told me i am their friend

★someone else tries to flirt with him and he immediately considers andrew how i was too ace to see it the first time i read

★jesus fucking christ riko is one truly fucked up sociopath and neil is the bravest motherfucker on the land

★how can he face riko like that in the nest and be extremely pure in other occasion

★"are we watching the ball drop? i want to make a wish" he wants to make a wish and i want to die thanks

★i can't believe the whole if it means losing you then no and side effect of the drugs shit it's unreal fucking unreal how oblivious neil is too ace to realize anything SOMEONE JUST CALLED YOU "DREAM" THE LEVEL OF ROMANTICISM

★the amount of heavy staring in this trilogy is ridiculous and all i can think about is twilight

★these books made me see how far from the 00s we are, for many reasons, but mostly for some jokes that can't let slide; like calling neil a battered wife, domestic misogynistic violence is not a joke

★i can't believe from all people, wymack was the first one to get andrew was into neil

★"that doesn't mean I wouldn't blow you" is such a funny phrase to be said casually why is it

★"you are a racoon, not a fox" oh andrew

★it only took andrew admitting he had a crush for neil to be all sentimental and shit, and that disarmed andrew too

★they are like some kind of animal that while you think they are fighting, they are actually mating, that's exactly what nora meant with feral

★half of last book is neil mooning over andrew jfc

★nicky made neil smile while distracting him from riko im gonna throw myself off a cliff

★i can't quite believe neil goes through a detailed monologue about andrews memory the man is impressed and borderline turned on about every talent on his crushe's shelf

★i literally can't follow and will never understand the quarrel/promise/agreement between aaron and andrew what a bunch of pretentious idiots

★every time neil's phone buzzes all i fear is the fucking countdown

★i thought "i want to see you lose control" was a collective fever dream i can't believe it's written on the books

★if i was nicky i already have told andrew to stop his freaky pretentious shit towards me

★neil to the upperclassman: ha ha fellas is it gay to unthinkingly call andrew in the middle of a anxiety breakdown

★"you gave me a key and called it home" is as soft as heartbreaking i want to jump off a cliff

★"i won't be like them, i wont let you let me be" is actually pushing me off that cliff andrews feelings are a fucking storm

★neil was kidnapped and tortured the day of my bday and that's not a coincidence

★neil's talent to twist the truth in order to convince andrew of anything is outstanding

★excuse me they have no right to be this soft i hate them

★they miss so many opportunities to be funny about the whole "protection" thing

★did he really had a mental breakdown over where to fucking sit on the bus lmao

★"don't come crying to me when someone breaks your face" is the second most awful piece of foreshadowing

★lets be honest for a second andrew should be a fucking writer because all those things he says? edgy myspace pretentious poetry

★im sorry but i don't care about literally anything except neil smiling onto andrew's neck bye

★andrew ghosted a kiss across neil's hip im dead for real

★abby kissed neil's forehead farewell after cleaning all his injuries i have no words he's recieving all the affection he deserves

★cant believe you don't see aaron is fucking worried neil is taking advantage of andrew

★i mean yeah ok don't talk love but neil is sad that nicky thinks it was only hate sex, and he immediately acknowledged it meant more than that to him bc his demi btw wtf does hate sex mean i can't believe you hate someone so much you wanna suck his dick

★they all went horseback riding when will i have a group of friends like that

★"who's humanising who in that relationship" i know right nicky

★kevin locking himself to have a panic attack is the most relatable thing

★the car encounter with ichirou holds the same tension as a mr robot scene

★the proposal of playing olympics and being unstoppable feels like marriage or smth

★neil is literally having his hot girl summer

★i adore neil's overflow of emotions after swallowing everything for so many years. represented, thanks.

★andrew terrorising katelyn who the fuck does he think he is what an annoying asshole

★"did you know i've never been skiing" is the most epic line

★i cheer to the sole mention of laila

★alvares can deck me right now and i would say thank you

★"war is profitable" aaron knows what's up

★sometimes i want to slap them is2g

★that scene at eden's where they are all discussing how roland found out and aaron ends up being the only straight one lmao boy it's your punishment for being so homophobic

★the whole "deadliest piece on the board" spech is 100 times better when you consider kevin was wasted and overly exaggerating every word and gesture

★can you imagine those few fans supporting kevin's new tattoo screaming YAAAAASSSSS QUEEEEEEEEEN while snapping fingers i'm cackling

★matt in court body slamming into anyone that's been a problem to the foxes: VIBE CHECK MOTHERFUCKER

★neil kissed andrew in castle fucking evermore the audacity i adore him