#not that arguing with delusions does any good generally speaking (and only harms usually) but ... argh ! frustrating !
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dandyshucks · 11 months ago
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i think it is a little bit funny (not necessarily haha funny but like a "huh. thats something." sort of funny) that the two main F/Os of mine (Guz and Julian) both have abusive parents fnfkdl like ,,, idk i guess like attracts like but ough theres something about that that makes me feel a little bit "this probably says too much about me" dbdkdkl (also the mk system,, and one could make an argument for the celestial robots too tbh with how theyre treated at the company djdksl)
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silvysartfulness · 4 years ago
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cw: pedophilia mentioned. do you know how to deal with getting called a pedo for writing nsfw fanfiction? I'm hurt and I can't tell it to anyone because I'm afraid they'll tell me I'm a pedo.
Oy. Okay. That’s a Big One, as Asks go.
I have no answers - I wish I did! - so I will just think out loud for a bit here.
Unfortunately, a lot of this has to do with what people you interact with, and how you are perceived. Not whether you are perceived as predatory, as one might think, but perceived as someone uncertain and well-meaning enough to be harassable.
First things first, to get it out of the way - a pedophile is a (grown) person who experiences sexual attraction to minors and acts on it in some way - by consuming child pornography or interacting sexually with people who are underage. That’s the definition. That’s what it is. Calling anyone who doesn’t fit those criteria a pedophile waters the term down, making actual, real pedophiles hurting actual real children harder to catch.
A person shipping a pairing with an age-difference is not a pedophile. A person shipping a “problematic” ship in general is not a pedophile. A person shipping characters in a historical or fantasy setting where age of consent is not the same as any modern Western one is not a pedophile.
A person writing outright filthy NSFW-porn of actual underage characters is still not a pedophile*, because no actual real children are being harmed.
Unfortunately, a lot of people - sometimes genuinely well-meaning, sometimes just giving themselves the entitled right to police the behaviour of others - know that the p-word is one of the most efficient weapons at their disposal to shut people up.
Just the threat of being called out as one is enough to silence a lot of people - especially young people starting out as writers, or queer people, or neurodivergent people. People who already know what it’s like to be harassed and threatened, and can’t stand the thought of facing even more of it. So - congratulations, antis, your behaviour is already disproportionately affecting people who are already marginalized, well done!
(Speaking of definitions - instilling a state of fear and using threats to get others to comply is what terrorists do. And fascists. So, there’s that.)
In today’s purity-race online culture, no one is really safe - any single person can be singled out, “called out”, accused, leading to extreme harassment, even doxxing and physical threats. Avoiding it is usually more about luck than any moral standpoint. Often these attacks are less about what the people in question actually do/say/ship, and more about who has decided they just don’t like them, for whatever reason.
But the very sad truth is that if you behave like a victim - timid, well-meaning, trying to get things right, tagging for everything, keeping up with what constitutes “acceptable” vocabulary - you are far more likely to be singled out. Whereas if you give of an air of not caring much, being untouchable, having thick skin - you won’t get attacked in the first place.
Almost, you know, like how actual rapists pick their marks. (If you can’t tell by now, this whole phenomenon does infuriate me beyond words, yes.)
The people who attack others for what they ship, what they write, what they headcanon are cowards and bullies. Reporting fanfic writers to the authorities for pedophilia over fictional content is not only extremely illegal, it also takes resources away from tracking down actual sexual predators. People mobbing and harassing others online to the point of mental breakdowns, self-harm, even suicide over fiction - how anyone can look at themselves after doing that and still think they’re the good guys..? The self-delusion is not only baffling, but vile.
The rise of the antis, the fandom police - that is new. But sometimes new problems call for ancient solutions: Don’t Feed The Troll.
Block and ignore. Do not interact. Don’t apologize for what you ship, or argue your point, or try to explain yourself - it will be perceived as weakness, or even worse, guilt, and those sharks will smell blood in the water.
Block and ignore. Make it not worth it to harass you. Give them nothing. Don’t show your (entirely justified!) hurt, or frustration - talk those out with your close, trusted friends, and try to move on.
These people are bullies, and that’s how they must be approached and dealt with. They prey on those they know they can hurt. 
Fandom spaces are supposed to be where we come to wind down, have fun, unleash our creativity and make like-minded friends! If people are trying to ruin that for you by being judgmental, then - block and ignore, and go on doing what makes you happy.
Because you deserve to be happy.
♥♥♥
* local laws may be different, but as a general rule, the only legal definition is whether actual real children are involved
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imagine-loki · 4 years ago
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Hiding In Plain Sight
TITLE: Hiding in Plain Sight CHAPTER NO./ONE SHOT: Chapter 8 AUTHOR: wolfpawn ORIGINAL IMAGINE:Imagine coming from a line of nobility or royalty and being in an arranged marriage with Loki in an attempt to strengthen your kingdom / alliance with Asgard. You’re not entirely on board with the idea but figured that the best you could do was to get to know your fiancé.You form an agreement with Frigga for you to pose as Loki’s personal servant for a few months so you can get to know who Loki really is – beyond the veil of his responsibility to the Asgardian throne, behind all the masks he wears when facing the public, to really know who Loki is behind closed doors as you slowly fall for each other.How long will you keep up the ruse with the God of Lies? RATING: General Audience
NOTE - I finally got my ass in gear and finished something, thank Loki.
Raven thought over everything she and Frigga discussed. Her earlier worry that Frigga was blinded by motherly bias was very much confirmed. Loki was by no means a tyrant, he did not seem to have an aggressive bone in him. She knew he would never physically harm her. She also suspected that he would not be the kind to constantly say negative things to her and belittle her publicly but she knew too that behind everything, he would be thinking it, and that was an issue.
Frigga had ensured that until her family arrived, she would not be bothered too greatly. She instead spent time learning different aspects of Aesir court that could only be taught on her coming to Asgard, as it included court records that were kept in Asgard’s archives and could not be taken off the realm. It made for interesting reading, there were so many things she would never have even thought existed. Alfheim’s court was run so differently, it was a large learning curve for her, and she liked it. It gave her something to do while waiting that made her feel like she didn’t have to think of Loki all the time. On occasion, he came up in the court records, but they were in the grand scheme of things, where the royal family went and such so it was interesting but not overly informative. There was one situation that seemed to have arisen when Loki seemed to think it humorous to play tricks on his brother and a few of his friends and had been reprimanded in court for that but overall, he seemed to not be much of the situation. The only things of note from outside of the court that occurred but made it into the annals of it was an ambush in Vanaheim that noted his seidr was one of the reasons they made it to safety and when he was able to prove a young man innocent of a crime he would have faced a long sentence for. She read the articles pertaining to both with interest and noticed that Loki had a keen interest in justice and perceived imbalances of such. It was a trait to commend but again, she found herself wondering how to deal with her future with him. Clearly, he saw having to marry her as an injustice against him.
The knock on the door that stole her from her thoughts startled Raven. She walked over and opened it, not expecting anyone as Frigga had already told her that she was to deal with different matters through the day and would see her that evening and her family was not yet due to arrive. When she opened the door, the large burly figure on the other side caused her to frown slightly. “Your highness.” She bowed.
Thor nodded his head in acknowledgement. “Princess. I am sorry to bother you, but may I speak with you briefly?”
Raven moved to the side and closed the door again once he was inside. “Is everything alright?”
“I was going to ask you that. I noticed that Loki’s old maid had returned and that there was no sign of you anywhere. I was worried my morose brother scared you into hiding in some dark corner of Svartalfheim.” Thor meant it as a joke but the manner in which Raven looked awkwardly to the side caused him to worry. “He has not been overly rude, has he?”
“No more than usual, I suppose. He just…” She toyed with her hands.
“I can assure you, I will not run to Loki with whatever you say to me,” Thor promised.
“I could not stand his manner of speaking of me. He decided to actually attempt to learn something of me and Light Elf customs through my guise as an elven maid but that went about as well as a Jotun going to a sun for a holiday. He would not even use my name, he called me “Her” and “She” and “The Princess”. When I told him that it would be wise to use my name, he was uninterested, so I told him I could not stomach his disrespect any longer and left.” She explained.
Thor stood in silence for a short time thinking over what she had said. “Can I just say, that your official meeting as intended is going to be utter madness?” He chuckled.
“I have been hiding here reading, trying not to think about it.”
“How is that fairing?”
“Very badly. From what I am reading, Prince Loki does not take well to being lied to or deceit.”
“That is true, though the irony is utterly startling as he himself often lies and is deceitful, but I digress.”
“Two wrongs do not make a right.”
“No, that is true, but if you go left twice, you end up going right,” Thor argued.
“I am not entirely sure that has much logic to it but it’s not wrong, I suppose.” Raven laughed slightly. Thor smiled at her as a result. “Thank you, I think that is the first laugh I have had all week that is not at the expense of my current situation.”
“It does seem like it was by the look on your face.” Thor nodded. He sighed at the defeated features of the Elvish Princess. “Princess Raven, I know this is not ideal and I know my brother is immense work but I assure you, for as many faults as I can list him having, he is not a bad being and his recent adversity to the Light Elves is not a lifelong dislike, merely a reaction to the impending situation and I believe it is unfair to thrust this upon you, he is just trying to deal with it and I know he will cease his foolishness upon realising that this is not as bad as he seems to think it to be in his head.”
“How will he react when he realises who I am?” She asked. “I am trying to figure out myself how I think he will but I am not sure.”
“What have you thought would be his reaction?”
“Insulted and embarrassed that his mother and I schemed this. Perhaps angered at you too for not revealing the truth to him. Leading to an angry and scorned prince.”
“I would think that to be a fair assessment.” Thor nodded.
“Yet you seem to actually smile at the thought?”
Thor exhaled loudly. “My brother is very proud.” He explained. “Too proud, far too much so. And this will very much hurt his pride, I know that deeply but that is not a bad thing. Pride is not something one should have in great amounts as it is not a good trait. I too suffered this affliction but through Loki mostly, I have been cured of my pride and see now how harmful it actually is to one’s self. Loki has thought himself too much above others for too long, this will crash that delusion down and yes, if I am honest, I am interested to see how that goes. The worst you will endure is scathing comments, glares and such. I, on the other hand, will be subjected to abuse, both physical and verbal.”
“And you’re okay with that?” She asked, noticing the devious smile on his face.
“Yes, I am. It’s nice being the one not feeling fooled for once.”
“It was not about fooling him, it was about getting to know him before being married to him for the rest of my life,” Raven verified.
“Yes, but you fooled him by doing so,” Thor pointed out.
Raven became silent after that, uncertain of what to say. The closer the time came to reveal the situation, the more she regretted ever coming to Asgard before the wedding.
*
Loki eyed Thor with interest as he walked up the hallway of the royal wing. When Thor passed him, he noticed something about his brother that was off. “Where have you just come from?”
“What business is it of yours?”
“You smell of lavender and rosemary. Unless you have accidentally fallen into mother’s bathroom supplies, which, going by the fact you are dry, I sincerely doubt, then you were in the presence of someone who uses such perfuming plants and I am curious as to ascertain who that was.”
“That is entirely none of your concern.” Thor dismissed. “Why would you even care? So long as I am not encroaching on you and your business, what is it to you?”
“Now you have caused my curiosity to alter into intrigue.”
“I would have thought you would have been too busy readying for your impending nuptials to care what I am doing, seeing as you are to be wed so soon.” Loki scowled at the thought. “You know, if I were you, I would have some gratitude. Mother spoke to me about my perspective wives, and none come near the beauty of Princess Raven.”
“Ask Mother to give her to you then,” Loki growled before his brow furrowed. “How in the Norns would you know what she looks like?”
“We met her, years ago, in Vanaheim. Her and her brothers. I recall her being pretty then. According to Mother, she looks even more beautiful now. So, while I need to fret about the appearance of the woman I will have to have by my side, you are being gifted a pleasant one of good looks and mind and are complaining. Honestly, Loki, you state that you have it the least favourable of the two of us, yet on this front, you very much are at an advantage. Your wife will be appealing looking but even more importantly than that, she is well-versed in the role required of her as a princess herself and is genuinely a nice person and before you demand to know how I know this, the answer is simple, her brother Richard and I have spoken substantially of late. He is the second oldest of her brothers, he was at the same camp as us in Vanaheim.” Thor stated. He used the fact it was true that he was in correspondence with Richard because of the elf’s thirst for knowledge of the battles through time so that he could learn from them. In Vanaheim, he had spoken to Thor at length with regards to different battles and the Aesir prince promised that he would send books on different historical effects for the elf prince to better himself in his role as general of Alfheim. Never once had the elf asked for his sister, but Loki did not need to know that.
Loki gave a small disinterested sound. He had known of Thor corresponding with Richard, he was slightly startled that the two other princes were discussing Raven but it was not entirely implausible either. “Lucky me.” His voice dripped with sarcasm. “Sounds like she is perfect for you, you can have her.”
“She is not a fruit bowl, she’s a living being and you need to remember that,” Thor growled. “She comes from a culture where she is not as utilised as she should be but that will not equate to her being vapid and dim.”
“Norns, why is everyone so sure that this princess is so great? Between you and Mother, I am getting so sick of hearing about this. All I need now is Father bothering me about her too.”
“Father has said several times in my presence that this is the alliance we need to secure our ties to the Light Elves. Raven being married to you and the children that will result in such ensure that.”
“Unless one of her four brothers wed elsewhere, of course?”
“Three are marrying Light Elves and one is promised to a Vanir, General Everett’s daughter, Evie, is it? Their alliances are being set in stone via that.” Thor informed him. “He aligned his daughter after it was ensured you and Raven were to be wed. This alliance was integral to everything.”
“Whoopie.”
“Loki, please….just…” Thor sighed, he wanted to tell his brother to be nice to Raven, that she was a genuinely nice person but he knew that when it would be announced that she was actually the being that had been playing his maid and that his mother and the princess had concocted the plan and then, of course, when Loki realised that Thor knew who she was too, there would be a severe issue and he would not be easily calmed. “Try and be reasonable.”
“What were you going to say? Or was your brain not able to keep up with your train of thought?” Loki growled.
Thor sighed, no longer feeling the slight twinge of guilt for his brother at being deceived. “I was going to say, be nice to her when she arrives, but I gathered that was too much to ask.” he simply side-stepped his brother. “I hear they are arriving soon.”
Loki said nothing more to his brother as he left, too busy considering what was to come.
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bubonickitten · 3 years ago
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Fic summary: Jon goes back to before the world ended and tries to forge a different path.
Previous chapter: AO3 // tumblr
Full chapter text & content warnings below the cut.
Content warnings for Chapter 29: discussion of Jon’s & Daisy’s restrictive diets & associated physical/mental deterioration (and potential parallels with disordered eating etc.); arguing & relationship disputes (that are not immediately resolved in-chapter); self-harm (burning oneself with a lit cigarette); cigarette smoking; discussion of suicidal ideation; panic & anxiety symptoms; discussions of grief & loss; cyclical mental health issues (post-traumatic anniversary reactions; related self-loathing, internalized victim blaming, & survivor’s guilt; generally speaking, Jon’s relapsing into self-isolating, worse-than-usual headspace, esp towards the end of the chapter); depiction of parental neglect/rejection (Martin's mother). SPOILERS through S5.
There’s also a Hunt-themed statement that contains descriptions of indiscriminate violence & unprovoked warfare against a civilian population. Oh, and a cliffhanger.
Let me know if I missed anything!
_________________
“Statements ends,” Jon says, somewhat breathless as he fumbles to stop the recording.
“You alright?” Daisy asks.
“Fine.” The word is punctuated by a click and a whirr as the recorder resumes spooling.
“Are you, though?”
“Yes.” Scowling, Jon jabs his finger at the stop button – only for it to keep recording.
“It’s the Hunt, isn’t it.” Daisy sighs, rubbing the back of her neck. “Sorry it’s been so prominent for the last few. I’m… not quite scraping the bottom of the barrel yet, but–”
“It’s fine, Daisy.”
“Still, I–”
“I said it’s fine–!” Jon winces at his sharp tone. “I’m sorry, that was… I’m just – on edge, I suppose.”
Which is an understatement, really.
Because it’s September. It’s September, and after September is October, and October is–
Well. These days, he can’t even look at a calendar – can’t even look at the time and date on his phone – without icy dread coursing through his veins.
Sporadic flashbacks have become an everyday occurrence, set off by the smallest of stimuli: a dropped glass shattering on the breakroom floor becomes a window bursting inward into shards; a thunderstorm heralds a fissuring sky, marred by hundreds upon thousands of greedy, unblinking voyeurs; his own voice is a doomsday harbinger, a key crammed into a lock he can’t keep from unbolting. The memories are too immediate, too vivid to feel past-tense.
It’s to be expected. Studies, common knowledge, and anecdotal evidence all point to the impact of anniversaries on mental health. He knows what a textbook post-traumatic stress response looks like. Monster or not, in this particular sense he remains overwhelmingly human. No matter how much he rationalizes it, though, intellectually understanding a psychological phenomenon does little to soften the lived experience of it.
And it does nothing to temper the chilling knowledge – bordering on conviction – that it may happen again.
“Would be worrisome if you weren’t stressed out, considering… you know. Everything.” Daisy leans back in her chair, stretches her legs out in front of her, and rolls her shoulders. “Speaking of the Hunt. Any new developments?”
“I mean… nothing since yesterday? Everything I know, Basira knows.”
“Basira… isn’t keeping me updated,” Daisy says, shifting uncomfortably in her seat.
“Ah,” Jon says, with tact to spare. “I’m sorry, I didn’t realize.”
“It’s fine.”
“Is it?”
Daisy sighs. “She thinks that I think she’s wasting her time.”
“And do you?”
Daisy gives a jerky shrug. “Don’t you?”
“Not… necessarily,” Jon hedges. Truthfully, his answer to that question is as mercurial as his moods these days, shifting from hour to hour, sometimes minute to minute. Daisy gives him an unimpressed look. “I won’t lie and say I’m optimistic, but that doesn’t mean it’s not worth trying.”
“You sound like Martin.”
“Well, he spent ample time drilling it into me,” Jon says with a wry smile. “I don’t have the same capacity for hope as he does, but improbable doesn’t mean impossible. If I’d had it my way, I’d have lain down and died ages ago. I’m only here now because of him.”
“Mental health check,” Daisy says automatically.
“Not thinking of hurting myself,” Jon replies, just as rote. “You don’t have to do that, you know. I’ve told you, I’m physically incapable of killing myself even if I wanted to.”
“That doesn’t stop you brooding.”
“Anyway, I wasn’t referring to anything recent.”
“Weren’t you, though?” At his blank look, Daisy gives an impatient sigh. “It hasn’t even been a year since you woke up, Sims. Up until six months ago, you were wandering an apocalyptic wasteland–”
“…I found myself utterly alone. Facing down a room full of nothing eyes, willing myself to take action. I never did, though–”
“–I wanted to act, to help, to do something, but – my mind had all but seized up, and I felt helpless to do anything but watch as events progressed–”
“–there was nothing I could do to save him – he died – so did any hope I had of – doing good in the world–”
“–there’s a sort of numbness that you adopt after months or years of bombing–”
“–I did spend a lot of time just… slumped in despair – had no reason to think it would help, but I could see no choice but waiting for death–”
“–hoping against hope that – it wouldn’t be forever–”
“Hey!” Daisy’s voice finally breaks through the rush of static. Or perhaps it was the pressure: Jon looks down to see her bony fingers caging his own in a bruising grip.
“Sorry,” he says, catching himself as he starts to list woozily.
“Not to say ‘I told you so,’ but…” Daisy gives his hands another light squeeze. “You sort of just proved my point there.”
“I’m well aware that I’m – traumatized, or whatever–”
“Not ‘or whatever’–”
“–but I’m not a danger to myself, so could we please just move on?” Jon mumbles, averting his eyes. “You wanted a Hunt update.”
Daisy scrutinizes him for a long moment before she allows the conversational pivot to stand.
“Basira said you’ve heard back from that Head Librarian,” she says, “but she blew me off when I started prying.”
“Zhang Xiaoling,” Jon says, his shoulders relaxing. “She was able to confirm some of Jonah’s intel. They do have a statement about a book matching that description in their records, and she agreed to forward a copy once it’s been digitized. They’re further along in their digitization process than we are–”
Daisy snorts. “Probably because they’re actually working on it.”
“That, and they have the benefit of a Head Librarian who actually has a background in archival studies,” Jon says drily. “In any case, they have a large archive, so it’s a work in progress. She’s processed our inquiry, though, and she says she has someone on it. We should hear back by tomorrow at the latest.”
“Huh,” Daisy says. “Sounds…”
“Like a functioning archive?”
“I was going to say ‘streamlined,’ but sure.”
“The wonders of a hiring process that prioritizes job qualifications as opposed to a candidate’s apocalyptic potential.”
“What are the chances their institution is also led by a centuries-old corpse with a god complex?”
“Non-zero, I imagine.”
Daisy wrinkles her nose. “Ugh, don’t say that.”
��If it makes you feel any better, I don’t have evidence one way or the other.”
“It doesn’t. Does she know about…” Daisy waves her hand vaguely. “All of this? The Fears, Rituals… Jonah?”
The question gives Jon pause. He thinks back to his meeting with Xiaoling all those years ago – well, last June, from her perspective.
“Some of it, I think,” he says slowly. “She seemed familiar with some of the Archivist’s abilities. There were parts of my visit that struck me as odd at the time. I didn’t realize until later that she had been speaking both Chinese and English at different points in our conversation.”
Daisy frowns. “She didn’t clue you in?”
“She didn’t, no. But…”
Elias made a good choice, the Librarian’s voice echoes in Jon’s mind. I did offer him someone, but he thought the language might be too much for him.
It does tickle me, Jonah’s voice chimes in, that in this world of would-be occult dynasties and ageless monsters, the Chosen One is simply that – someone I chose.
“I don’t know if she’s aware of Elias’ true identity.” Jon swallows with some difficulty, his mouth suddenly dry. “Or his intentions.”
“So is it really smart to trust her?”
“If she’s in communication with him, there’s nothing she can tell him that he doesn’t already know. We’re just following up on information he gave us. And he’s likely spying on our correspondence whether she’s in contact with him or not. Not much we can do about that.”
“She could have her own ulterior motives,” Daisy says.
“True enough, but… I got the sense that her primary interest is curation. Studying phenomena, building a knowledge base–”
“In service to cosmic evil,” Daisy says pointedly.
“W-well, yes, but – I don’t think she has delusions of godhood herself, and I don’t think Jonah has tempted her with the idea.” Jon huffs to himself. “He wouldn’t want to share his throne.”
“Hm.”
“I’m not saying we trust her or the Research Centre as a whole. I had reservations about their motives then and I still do. It’s not unthinkable that they’re a front for something more sinister in the same way that the Institute is. But… I don’t think there’s any especial danger in utilizing their library.”
“Sims,” Daisy sighs, “your danger meter is broken beyond repair.”
“In my defense,” Jon says, bracing one arm on the desk to leverage himself to his feet, “at this point, everything is just differing degrees of dangerous.”
As the two of them leave the tunnels, Jon’s phone buzzes in his pocket. When he glances at the screen, he sees a text notification from Naomi – in addition to two missed calls. He frowns to himself. The two of them text regularly, but she rarely calls.
“What’s up?” Daisy asks, her brow furrowing in concern.
“Naomi,” Jon says distractedly, already returning the call. Naomi picks up on the first ring.
“Jon?” Naomi’s voice sounds thick and tear-clogged.
A cold weight settles in Jon’s stomach. “What’s wrong?”
“I j-just” – Naomi pauses to clear her throat – “just needed to hear a familiar voice.”
“What happened?” Jon asks – and realizes too late that in his urgency to discover the source of her distress, he’s poured too much of himself into the question.
“Nothing.” What starts out as a self-deprecating little laugh quickly deteriorates into a half-sob. “Nothing new, anyway. It’s always like this, this time of year. Evan and I didn’t have an exact date planned, but we’d talked about an autumn wedding. Thought it would be fitting, since we met in September, you know? Tomorrow is our anniversary, actually. Or – or it would’ve been. A-and then by the time I’ve picked myself back up, the holidays will have crept up on me, and that’s always hard, and – and then before I know it, it’s March, a-and that’s its own kind of anniversary, and it’s just… it’s a lot.”
“Oh, I – Naomi, I’m sorry, I didn’t mean to–”
“It’s fine,” she says with a sniff. “Don’t think I would’ve been able to get it all out, otherwise.”
“S-still, I–”
“It’ll be three years this March. And it still feels like it was yesterday. I spend six months out of the year feeling like I’m still stumbling through that cemetery, and I just…”
This time last year, Jon thinks with a lurch, I was still the monster in her nightmares.
And even now, he still pulls her there whenever they’re both asleep.
“When does that stop?” Naomi laughs again, a desperate, pleading thing. “When does the healing come in?”
“I… I don’t know,” Jon says truthfully. “Anniversaries are… they’re hard enough on their own. It doesn’t help that… well, it’s difficult to heal from something when you’re still living it.”
“What do you mean? Evan’s dead,” Naomi says, her voice breaking on the word. “He’s not coming back. It’s… it’s over.”
“There are still the dreams. The narrative might have changed, but the stage dressing is still the same.” Jon draws his shoulders in, one arm pressed tight to his stomach. “Keeping the memory fresh.”
“It’s not so bad.” Naomi sniffles again. “Better than being alone.”
“‘Alone’ or ‘nightmares’ shouldn’t be your only options.”
“I have my own nightmares, you know,” Naomi counters, sounding slightly annoyed. “When I’m asleep and you’re not. And they’re worse, because in them, I actually am alone. Nothing supernatural about it. It’s just… me.” She sighs. “This time last year – and the year before – I didn’t have anyone. And I just… I didn’t – I don’t want to be alone.”
“You’re not,” Jon says. “Not anymore.”
“I – I know, but I…” Naomi takes a breath. “I was… I was thinking – maybe tomorrow I could come by.”
“I’m sorry,” Jon says gently, “truly I am – but it’s not safe. Especially for you, especially right now. Not with Peter here.”
Naomi is already the equivalent of an unfinished meal to the Lonely. That, together with her association with Jon, is more than enough to mark her as a potential target should Peter take notice of her.
“Feels safer than being alone,” Naomi says. “The Duchess helps – a lot – but I…” She lets out a fond but tearful chuckle. “I can’t expect her to grasp the nuances of… grief, or loneliness, or what have you.”
“How about this,” Jon says. “We tell Georgie what’s going on – as much or as little as you’d like, even if it’s as simple as ‘I don’t want to be alone right now.’ I doubt she’d be opposed to having you over.”
“I wouldn’t want to impose. I mean, I – I’ve not spent much time with her outside of just… spamming the group chat with cat photos. I like her, but she’s your friend. I’m just… a friend of a friend.”
Nestled between the words is a familiar sentiment, unarticulated and nonetheless resounding, echoing all of the earnest conviction it had when first she made such a confession: All my friends had been his friends, and once he was gone it didn’t feel right to see them. I know, I’m sure they wouldn’t have minded, they would have said they were my friends too, but I could never bring myself to try. It felt more comfortable, more familiar, to be alone…
“People can have more than one friend,” Jon says. “I can’t speak for Georgie, but she wouldn’t go out of her way to talk to you if she didn’t like you.”
Indeed, that might be the reason Jon was able to open up to Georgie in the first place. He observed early on that she had no qualms disengaging from people whom she had no interest in getting to know. Whatever Jon might have felt about himself on any given day, the simple fact of the matter was that Georgie would never have let him get so close if she hadn’t seen something redeeming in him.
And she likely wouldn’t be letting him stay close now if she didn’t still see something worth salvaging.
“It’s up to you, of course,” he says. “I won’t pressure you. But I think Georgie would be more receptive to friendship than you expect. And I think – I think you’d get along with Melanie, too.” Naomi is silent on the other end of the line. “At the risk of overstepping, I… I know being alone feels like the natural state of things, but it doesn’t have to be. If you want, I can talk to Georgie. Lay the groundwork. I won’t give her any of the details – it’s not my story to tell – I’ll just let her know that you’re feeling alone and could use some companionship.”
“Okay,” Naomi whispers. “Just… let her know she’s not obligated.”
“I will. On the extremely off chance she says no, or if she’s busy tomorrow, I can keep you company remotely. We can spend the whole day holding up the office landline if you want.”
“It’s a Friday.”
“And?”
“It’s a work day?”
“Naomi, my job is wholly comprised of monologuing to any tape recorder that manifests within a six-foot radius and doing my utmost to render my department as counterproductive to both the Institute’s professed and clandestine organizational objectives as humanly or inhumanly possible.” Naomi barks out a startled laugh. “I won’t be fired no matter what I do – which is a shame, seeing as it became my foremost professional development goal somewhere between finding out my boss murdered my predecessor and virtually dying in an explosion at a haunted wax museum. Barring a sudden and unexpected apocalyptic threat – which, admittedly, is unlikely but not unthinkable– I’ve already cleared my non-existent schedule for you.”
“Okay.” Naomi makes a sound somewhere between a sniffle and a chuckle. “Thanks. Really.”
“Any time.”
_________________
The statement is an unnerving, circuitous thing: a firsthand account from an unnamed member of the Drake-Norris expedition in 1589. In many ways, it’s eerily similar to the last statement Jon accessed from Pu Songling’s archives: Second Lieutenant Charles Fleming’s shellshocked, guilt-fueled confession of atrocities committed under orders.
The historical record is rife with accounts of Francis Drake’s cruelty, Jon knows: his role in the transatlantic slave trade, the unprovoked massacres committed in his name, the preemptive strikes that incited further bloodshed. The statement giver speaks in awestruck horror of the bloodlust lurking in the man’s eyes, the vitriolic fervor with which he undertook his campaign to seek out and destroy the remnants of the Spanish fleet – and the depths of his rage when his efforts ended in defeat. Humiliated, he turned his vengeful eye to the Galician estuaries.
The writer tells plainly of his own complicity in the sacking of Vigo, razing the town to the ground and slaughtering its inhabitants with indiscriminate zeal. For four days Drake’s men carried out their rampage, retreating only when reinforcements arrived to stem the tide.
“You may ask yourself,” the Archivist reads on, “how it is that a man born into the reign of Good Queen Bess sits before you today, some four centuries past his due?
“You see, as we left the shores of Galicia that day, I heard from behind us a vicious braying, as if someone had set loose a great host of hounds. They were close – close enough for me to sense their stinking breath hot on the back of my neck. Such a thing was impossible, for we were by that time far from shore, having already rowed half the distance between the beach and the waiting armada. That did not stop me dreading the dogs lunging and tearing into me at any moment.
“I am not ashamed to admit that I let out a whimper.
“As the seconds ticked by and the pack failed to descend upon us, my curiosity grew to outweigh my terror. I turned to look – and was thus ensnared. It was, I realize now, the instant at which I became beholden to the blood. My greatest folly.
“Perhaps I oughtn’t have been so surprised to see no hounds surging toward us atop the waves, but you must understand that the proximity of their snarling was far more convincing than their visual absence. In looking behind us, though, I was able to appreciate the havoc we left in our wake: the great plumes of ash rising from the smoldering rubble, backlit by a flickering orange glow, and wails of despair so profound as to combat the noise of the wind, the waves – even the discordant shrieking of the hounds.
“It was a scene of such devastation as I had never seen before or since. Looking back, I think upon the acrid stench of charred flesh on the breeze with horror and… indescribable remorse. It shames me now to admit that at that time, I had never felt such… rapture.
“That was when a motion caught my eye. Between the distance and the billowing smoke, it should have been impossible to discern such detail, yet there he was: quarry I had left for dead, emerging from the debris and staggering away from the ruins of his… wretched life. As he looked out to behold our retreat, I could see the grief playing on his face, the fury, the fear – but what most set my blood to boiling was the spark of relief I saw in his eyes.
“It awakened something in me – a famished and merciless thing, composed of tooth and claw and a mind beginning and ending and utterly encompassed by the call of the pack. With a roaring in my ears and a single-minded violence supplanting my sensibilities, I deserted the rowboat and swam to shore. A chorus of howls carried me forward, and I let them be my wings, steering me down the swiftest, straightest path to my target.
“I slowed for nothing, and I made certain my prey did not live through the night.
“As you can likely guess, the chase did not end there. Those baying devils who had so called me forth continued to hound my steps, nipping at my heels, spurring me ever onward to the next quarry. Those who once knew me would scarcely have recognized what I became. Whenever I dared look into a mirror, I would see in myself a dogged, seething violence so akin to that which had lived in the eyes of my former commander. A cruelty that once had frightened and repulsed me had become the blood and breath of me.
“For a time I sought to refrain from the chase. The longer I refused the call, the weaker I became. The hounds’ breath on my neck grew hotter; their braying swelled louder. I found myself wasting away: always hungry, never sated. Eventually my faculties began to slip. I would lose myself to such… bestialimpulses, and only the stain of blood on my teeth would return to me my reason. It pains me to confess to you now that it did not take long before I ceased my resistance entirely.
“It was at the turn of the sixteenth century that I happened upon the artefacts now in your possession. Their previous owner was a formidable adversary. I spent nearly a fortnight tracking him before I managed to run him down, and he fought like a tempest before he fell.
“Ordinarily I did not linger after a kill, instinct hastening me ever onward to the next great game. As I turned to leave, though, I was overcome by the sense that the hunt was… unfinished. Troubled, I reached down to check the man’s pulse. I was reassured to find him quite dead, but as I drew back, I noticed the brooch.
“It was a simple thing made of tarnished copper, fashioned into an incomplete ring, the ends of which resembled the heads of dogs. The moment my fingers brushed that ornament, I knew it was meant for me. It went into my pocket with nary a conscious thought.
“The itch of the hunt was still crawling down my spine, though; the frantic snuffling of phantom hounds yet filling the air all around me. I continued to search his person until I found what was calling out to me: a thin volume bound in leather. Curiosity ever my folly, I opened it.
“Up until that point, I had never learned to read nor write Latin with any degree of mastery. Yet I could understand the text within with perfect clarity. The script did not transform to English before my eyes, nor did the book render me proficient in the language. No, I simply… beheld the pages, and the meaning flowed into me.
“The story tells of Herla, legendary king of the Britons, who visits the dwarf king’s realm. Upon leaving, he is gifted a hound and warned not to dismount his horse until the dog leaps down. When Herla and his men return to the human world, they discover that not days but centuries have passed: all those they had known have long since perished, and the Saxons have taken possession of the land. In their distress, some of the men dismount, whereupon they turn to dust. Herla warns the survivors to stay in their saddles, to wait until the dog leaps down.
“‘The dog has not yet alighted,’ the author tells us, ‘and the story says that this King Herla still holds on his mad course with his band in eternal wanderings, without stop or stay.’
“The next several pages are unreadable. The language resembles none I have ever encountered, and I have yet to find a soul who can decipher it. I can however attest its hypnotic qualities. I have spent many hours mired in those words, but I could not for the life of me tell you what I saw there. Others to whom I presented the text found themselves either enthralled or agitated, though none could recall such episodes once lucidity returned to them. I expect you mean to unravel its secrets, but you may do well to let its mystery stand.
“The final passage – a single page, this written in English – tells of Herla’s escape: how, weary and driven to despair, he casts the dog from the saddle and into the River Wye. The instant the hound hits the water, Herla and his band crumble into dust, at last meeting the same fate they spent so many hundreds of years trying to outpace.
“I have had hundreds of years of my own since first reading the tale to digest its message, and that is why I come to you today. Although I have killed several times since these items came into my possession – it should come as no surprise that there are those who covet them – I have not sought out a single hunt since I vanquished the man who yielded me these trinkets. The hounds at my heel have not ceased their clamoring, but so long as the brooch is on my person, they cannot sink their teeth in me. I am always hungry, yes – but I am no longer starving.
“But I am also weary. I have come to understand that even as the hounds can never catch me, they will never leave me. In my four hundred years, I have played the role of both the hunter and the hunted, and have learned that they share the same ultimate plight. Whether I be predator or prey, I am trapped in the throes of an endless pursuit. So long as I should live, my blood shall never quiet.
“And that is the key: so long as I should live. Even now, the fervor in my blood insists that the hunt is eternal, but I know now that one cannot outrun one’s end forever. Much like my constant, howling companions, Death will always be nipping at my heels. In that sense, he is perhaps the ultimate hunter. Just as I have delivered to him so many souls, neither can I escape his judgment. If ever I am to rest, I must bow to his supremacy.
“And so, like Herla, I shall cast the dog away from the saddle. I leave it in your care now, and the book. I should be so lucky to exit this life with the dignity I denied so many others, though I fear I shall be found undeserving of such a swift end. I can only hope that, whatever my comeuppance should be, I shall have the grace to accept it without complaint.”
With a heavy exhale, Jon depresses the stop button on the recorder, then puts his head in his hands, putting pressure on his closed eyes.
“You alright?” Basira asks.
“More than I’d like,” Jon mutters.
“If I thought there was any chance this guy was still alive, I wouldn’t have given you the statement to read.”
“I know. Just…” Jon waves his hand vaguely.
“Unpleasant, yeah.”
And rejuvenating, Jon thinks bitterly. It’s only been a few days since his last statement from Daisy, and already he had begun to feel famished.
“They sent along some supplemental records,” Basira says, rifling through printouts. “The statement is cross-referenced with two objects in their Collections Storage – here.”
The document she slides across the desk contains two catalog listings:
Item No. 9820702-1
Description: Pennanular brooch, copper alloy. Geometric and interlace motifs. Confronted zoomorphic terminals (canine profile). Moderate surface oxidization and patination. Dimensions: 5.5cm x 4.5cm body; 12.5cm pin. Artefact dated ca. 500–700 CE.
Properties: Primary subject (Case No. 9820702) reports mediating effect on the Hunter’s affliction (unverified). Item implicated in subject’s alleged abnormal longevity (unverified). Further study suggests dormancy and/or lack of reactivity to unafflicted subjects (see associated Investigation Log).
Storage: Special Collections – Inorganic Storage, Container Unit No. 982-05. Acid-free board housing, etherfoam packing. Environmental parameters in brief: maintain stable temperature (16-20°C); relative humidity, 32-35%; light levels, <300 lux. Handling protocols as per Acquisitions & Collections Policies and Procedures §3.5.3: Artefact Preservation – Metals – Copper and Copper Alloys.
Access: Upon request. Curator approval required prior to initial visit. Applicants may submit statement of intent to Acquisitions & Collections Department Head Curator for clearance. Terms, procedures, and degree of supervision subject to Curator’s discretion.
Provenance: Surrendered 2nd July, 1982 upon receipt of accompanying statement (Case No. 9820702), subject name unknown. See also Item No. 9820702-2.
Appendices:
· Investigation Log No. 9820702-1;
· Supplemental Documents Nos. 9820702-1.01 through -1.03.
Cross-reference:
· Case No. 9820702;
· Item No. 9820702-2;
· Acquisitions & Collections Catalog §3.6.4: Antiquities – Adornments and Jewelry (Inert).
Item No. 9820702-2
Description: Bound manuscript. Front and back covers unembellished leather (source undetermined) stretched over wood board (source undetermined). Leather cord binding (calf, bovine). Paper and parchment leaves. Ink corrosion and paper degradation present but minimal (fair condition inconsistent with age and media). Dimensions: 8.8cm x 14.0cm x 2.5cm. Artefact dated ca. 1190–1450 CE.
Contents: Eighteen (18) pages total, one-sided.
· Title page (1) iron gall ink on parchment (sheepskin): Gualterius Mappus – De nugis curialium – xi. De Herla rege
· Pages two (2) through four (4) iron gall ink on paper (hemp pulp, linen fiber): Medieval Latin (ca. 12th century) script.
· Pages five (5) through sixteen (16) ink (chemical composition undetermined) on paper (cotton fiber): alphabetic script (unknown roots); refer to Supplemental Document No. 9820702-2.03 for comparative linguistic analysis (inconclusive).
· Page seventeen (17) ink (chemical composition undetermined) on paper (cotton fiber): Middle English (ca. 15th century) script.
· Page eighteen (18) parchment (sheepskin): blank.
Transcripts and translations (where possible) provided in Supplemental Document No. 9820702-2.01*.
Properties: Primary subject (Case No. 9820702) reports total comprehension of Latin portions of the text despite lack of proficiency. Text alleged to diverge from source material (De nugis curialium – Map, Walter, fl. 1200). Both claims verified upon further examination (see associated Investigation Log). Probable association with the Hunter’s affliction.
Storage: Special Collections – Secure Storage. Environmental parameters in brief: maintain temperature at 20-22°C; relative humidity, 32-36%; light levels, ≤50 lux. Housing and handling protocols as per Acquisitions & Collections Policies and Procedures §2.5.5: Document Preservation – Premodern Inks – Iron Gall and §9.2: Special Precautions – Occult and Esoteric Texts.
Access: Restricted.
Provenance: Surrendered 2nd July, 1982 upon receipt of accompanying statement (Case No. 9820702), subject name unknown. See also Item No. 9820702-1.
Appendices:
· Investigation Log No. 9820702-2;
· Supplemental Documents Nos. 9820702-2.01* through -2.07;
· Incident Report No. 9930214.
Cross-reference:
· Case No. 9820702;
· Item No. 9820702-1;
· Acquisitions & Collections Catalog §2.1.1: Archival Media – Occult Books (Active);
· Interdepartmental Bulletin No. 9941002, “The Library of Jurgen Leitner: Lessons Learned.”
*Addendum, 16th February, 1993:Supplemental Document No. 9820702-2.01 reclassified as Restricted Access. Direct all inquiries to Pu Songling Research Library Head Librarian or Acquisitions & Collections Department Head Curator.
“So?” Basira prods. “What do you make of it?”
“Well, assuming the statement is a reliable account, it seems…”
“Promising, right?” Basira says, her eagerness tinted with relief. “If we can–”
She stops abruptly as the tape recorder on the table clicks back on.
“I think that’s our cue to move this conversation elsewhere,” Jon says.
Not that it will stop the tape recorders from listening in, but he has no desire to make Jonah’s surveillance any easier for him.
_________________
It takes some hemming and hawing, but Jon manages to convince Basira that this really ought to be a group discussion. As she recaps the statement and shares her own remarks, Jon keeps a close eye on the other two people in the room. Martin is listening attentively, leaning forward slightly but otherwise at ease. Daisy, though… she’s all corded muscles and jittery legs, taut and precarious on the edge of her seat.
All the while, Basira appears impervious to the storm brewing in Daisy’s eyes, even as Martin catches on and begins chewing on the inside of his cheek, darting nervous glances between the two of them. By the time Basira finishes her overview, the tension in the air is palpable, nearly electric.
For several seconds, no one speaks.
“So,” Martin says, his voice a bit pitchy. He clears his throat before continuing. “Magical, Fear-resistant brooch, huh?”
“It wouldn’t be unheard of,” Jon says. “Remember what I told you about Mikaele Salesa?”
“The apocalypse-proof bubble? Yeah.”
“That camera of his didn’t just protect him from the Eye, it hid him from the Powers in general.”
“What was the catch?” Daisy asks pointedly. “Got to be a catch.”
“Does there?” Martin asks. His hesitant smile falls at Daisy’s blank stare, and he tilts his head back with a sigh. “Yeah, alright.”
“It’s… not entirely benign, no,” Jon says. “In Salesa’s statement, he called it a ‘battery’–”
“–charging itself on all the quiet worries that come from living in hiding, and then when the sanctuary collapses, all that fear flows out at once. No doubt, if my oasis breaks before I die, the Eye will get quite the feast from me, but in this new world–”
“That’s enough of that, I think,” Martin says, resting a hand on Jon’s arm.
Jon bites his tongue, shuts his eyes, and takes a deep breath in, only daring to speak once the tingling on his lips subsides. “Sorry.”
“Nothing to apologize for.” Martin offers him a reassuring smile. “Just didn’t want you getting bogged down.”
“That’s one term for it,” Jon says, not quite under his breath. It’s true enough, though. Sometimes it feels like the Archive is pressed up against the door, watching for the tiniest crack, waiting for any opportunity to surge through and drag him under. Lately, Martin has grown uncannily adept at sensing when to interrupt these lapses before they spiral out of control – likely because they’ve been growing more frequent.
“That’s what I thought,” Daisy says. Puzzled at the apparent non-sequitur, Jon glances at her, but she isn’t looking at him. All of her attention is focused on Basira. “This thing is probably the same. It’s not some… some harmless miracle solution. If we mess around with it, it’s bound to blow up in our faces sooner or later.”
“I’m… not sure about that, actually,” Jon says. “The brooch didn’t free the Hunter, it just made it so he couldn’t be caught. I think that’s what it was feeding on – the Hunter’s gradual awareness that he was no different from the hunted, that sensation of being perpetually stalked from the shadows by a greater predator. It spent centuries charging itself on that fear, and it culminated in the realization that he would never escape it. He would always be waiting for the axe to fall, and Hunt was happy to keep him as perpetual prey. If he wanted the chase to end, he had to give up the artefact – and once it was no longer keeping him in stasis, he had a choice to make.”
“Go back to hunting, or let it catch him.” Daisy breathes a humorless laugh. “The Hunt, or the End.”
“But it would keep you alive,” Basira says. “It would buy us time to find a way to free you for real.”
“What about the Leitner?” Martin asks. “That’s what Jonah sent us after in the first place.”
“Turns out it’s not actually from Leitner’s library,” Jon says. “No bookplate, and it seems the statement giver had it in his possession since the 1500s. It’s… difficult to tell from the statement whether it had any significant effect on him. He called it ‘hypnotic,’ but he was already a Hunter by the time he found it. I imagine it might have different effects on someone not already under the Hunt’s influence.”
“He sort of alluded to that.” Basira takes a moment to peruse the statement, running her finger along the page until she finds the relevant line. “Here – they ‘found themselves either enthralled or agitated.’ A bit obscure, but… he says it like it’s an afterthought. If it outright turned anyone into a Hunter, he probably would’ve said so.”
“That doesn’t mean it isn’t dangerous,” Daisy says.
“I never said it wasn’t,” Basira replies coolly. “The record references a transcript, so I assume they had someone read it at some point. And it also mentions an incident report.”
“What was the incident?” Martin asks.
“Don’t know,” Basira says. “They didn’t provide any of the supplemental documentation, just the catalogue listing and the statement itself. But they acquired the book in ‘82 and didn’t make the transcript restricted until ‘93, so… either it was dormant when they first studied it and became active later, or they didn’t study it closely enough to activate its effects, or it doesn’t affect everyone the same way, or – or maybe their workplace safety guidelines just changed and they decided not to risk studying it anymore.”
“Jonah did say something about its effects varying depending on how much of it a person reads, right?” Martin asks. “Though who knows where he got that from.”
“There might be some truth to that,” Basira says. “The catalogue entry does describe what’s on the title page, so I’m assuming that part at least is safe. I’m most curious about the untranslated chunk in the middle.”
And I’m a universal translator, Jon thinks, fidgeting with the drawstring of his hoodie. Basira’s eyes flick to him, as if reading his mind.
“I… suppose I could–”
“No,” Martin and Daisy say simultaneously.
Jon scowls. “You didn’t even let me finish the–”
“You threw yourself into the Buried – twice – to save me,” Daisy says severely. “You can’t keep sacrificing yourself at every opportunity.”
“I wouldn’t be–”
“What, re-traumatizing yourself by reading a Leitner?” Jon shuts his mouth, pressing his lips tightly together. “It’s not worth it, Sims.”
“Daisy,” Basira begins, but Daisy cuts her off.
“No. I’m not having him throw himself to the wolves just because you’re curious.”
Basira flinches, hurt momentarily crossing her face before her expression goes stony.
“You really think that’s what this is about?” she says, her voice shaking. “Knowledge for knowledge’s sake? Me being curious?”
“You can’t tell me you’re not,” Daisy says, and then her expression softens. “And I love that about you, I do – you’re brilliant, Basira – and driven, and passionate, and…” She sighs. “But sometimes… sometimes you need to let things go.”
Out of the corner of his eye, Jon notices Martin cross and uncross his legs, his lower lip captured between his teeth. When Jon catches his eye, Martin jerks his chin minutely at Basira and Daisy, a grimace on his face. All Jon can offer is a helpless, equally awkward shrug. Near as he can tell, Basira and Daisy seem to have momentarily forgotten that they have an audience, and judging from their locked eyes and thunderous expressions, he doubts either of them would appreciate a reminder right this second.
“Let you go, you mean,” Basira says tersely. “When you say ‘it’s not worth it,’ what you really mean is that you’re not worth it.”
“Well, I’m not.”
The cavalier tone is the last straw, it seems.
“Why won’t you just let me help you?” Basira slams her hand down on the rickety table, straining its wobbly legs. “You’re just so ready to–” She lets out a frustrated groan. “You never used to give up this easily.”
“Maybe should’ve done,” Daisy says flatly. “Might’ve lowered my body count.”
“Giving up Hunting doesn’t have to mean giving up on living,” Basira says. “I might have finally found an alternative, and you won’t even consider–”
“I’m not doing anything that’s going to hurt someone, and that includes exposing Jon to a fucking Leitner.”
“I’m right here, you know,” Jon mutters testily, the friction finally getting the better of his nerves. “Don’t I get a say?”
“No, you don’t,” Daisy says, rounding on him. Now that all of her brimming agitation is funneled in his direction, he regrets saying anything at all. “Because lately, whenever I ask you if you want to hurt yourself, the best you can give me is ‘it doesn’t matter because I can’t die anyway.’”
“Jon?” Martin says urgently, his eyebrows drawing together.
“Th-that’s not what I–”
“You’re not thinking rationally,” Daisy speaks over Jon’s stammering. “You’re thinking like a condemned man with a rope around his neck and something to prove, and I’m not going to be the noose you use to hang yourself with.”
“Will you listen to yourself?” Basira says heatedly. “You get on my case about double standards–”
“That’s enough!” Martin bursts out. “This isn’t helping. Daisy’s right, Jon. You’re not going anywhere near that book – I don’t want to hear it,” he adds before Jon can retort. “Not now, anyway. We’ll talk later. But Basira’s right, too,” Martin says, turning his attention to Daisy. “You can’t make amends by dying, and you can’t do better going forward if you’re not alive to try.”
“Who says I deserve a chance?” Daisy says.
“Whatever you think you ‘deserve’” – Martin gives Jon a meaningful glance as he says it – “you’ve got a chance, and people who want to help you through it, and you ought to consider that before you assume you’d do more good dead than alive.” He exhales a sharp breath. “Anyway, forget the Leitner, and forget what Jonah said about it. The brooch seems like the more promising option here.”
“I agree,” Jon says, cowed. “Between the book and the brooch, the statement giver credited the latter with keeping the Hunt at bay. And perhaps my bias is showing, but truthfully I – I’m not inclined to see those books as anything but tragedies waiting to happen.”
“What’s the difference?” Daisy says flatly. “It took a decade for something bad enough to happen for them to make the Leitner’s transcript restricted. The brooch could be just as much of a time bomb. Just because it doesn’t have any ‘incidents’ connected with it now doesn’t mean it never will.”
She isn’t wrong. Looking back, Jon had found it infuriating that Leitner would continue meddling with the books even after he witnessed the horror they wrought, all while claiming to have learned from his hubris. Just because this particular artefact isn’t a book doesn’t make it any less ominous.
And yet…
“I think it’s already shown its more sinister side,” Jon says slowly.
“You think,” Daisy scoffs.
“It doesn’t give a Hunter strength, it makes them perpetual prey. It… won’t be pleasant for you, I’m sure,” Jon admits, “but Basira’s right – it could keep you alive while we search for a better solution.”
“There might not be a better solution,” Daisy says stubbornly.
“Which is what I said before you browbeat me into taking statements from you,” Jon counters.
“I didn’t browbeat–” Jon raises his eyebrows. Daisy gives a flustered groan. “It’s just – it’s different, okay?”
Much as Jon wants to disagree, he knows better than to argue. They’d only end up talking in circles.
“I think it’s an avenue worth pursuing,” he says. “Given the alternatives.”
“Please, Daisy,” Basira says. “Just… consider it, at least.”
The for me remains unspoken, but Jon can hear it loud and clear. As can Daisy, it seems – the defiant set to her jaw falters for a moment before she tenses again.
“Fine,” she says grudgingly. “But if it starts to go south–”
“If it manifests any new properties, we’ll prioritize containing it over interacting with it,” Jon says.
“You promise?” Daisy asks, but she looks at Basira when she says it. It takes a moment, but Basira does nod.
“Do you think Pu Songling will let us have it?” Martin asks. “Seems like their protocols are…”
“Rigorous?” Jon supplies.
“You’d almost think they were running an academic institution or something,” Basira says drily.
“Yeah, but treating the artefacts like museum pieces, it’s… it’s weird, isn’t it?” Martin says. “It’s not as if they’re fragile, right? They’re held together by… nightmare alchemy, or whatever.”
“I suppose it’s to be expected,” Jon says. “I know the Librarian has a degree in information science. And I recall her telling me that the Curator is an historian with a background in museology. But you’re right – it would be nice if Leitners were as delicate as the average old manuscript.”
“At least they’re flammable,” Daisy mutters.
“We spoke with the Head Curator,” Basira says. “She’s willing to work out a trade.”
“A trade?” Martin asks.
“Knowledge for knowledge,” Jon says. “An artefact for an artefact. I get the impression that the Librarian and the Curator are both very… collections-oriented. True to their titles, I suppose.”
“Hold up,” Daisy says. “‘The Librarian,’ ‘the Curator’ – are those just job titles, or are they, like… Beholding Avatar titles?” Jon blinks at her, perplexed. “I mean – the way you keep saying them, it’s sort of like…”
“What, ‘Archivist’?” Jon gnaws on his thumbnail as he pauses to consider. “I… don’t know, actually. I wasn’t really doing it consciously? It just…” He shrugs helplessly. “It felt right.”
“Is it coming from the Eye, then?”
“I have no idea, Basira.” Jon leans forward, props his elbows on his knees, and digs the heels of his palms into his eyes. “I wouldn’t be surprised.”
“Hm.”
“In any case…” Jon exhales slowly, forcing himself to sit up straight again. “They seem to take the research and curation aspects of their roles to heart. They aren’t reckless with their pursuits, they take ample precautions, but the scholars at Pu Songling do study the items that come into their possession. And from what I understand, the Curator takes avid interest in adding to their collection. Same as the Archivist’s role is to record stories. To what extent her efforts are driven by her connection to the Eye versus her own innate curiosity, I couldn’t tell you, no more than I can make that distinction in myself.”
“Sort of a chicken-or-egg situation, then,” Daisy says.
“From an evolutionary perspective, the egg came first,” Jon says automatically. “Amniotic eggs have been around for over three hundred million years. Birds originated in the Jurassic, true galliforms didn’t evolve until at least the Late Cretaceous, phasianids don’t appear in the fossil record until about thirty million years ago, and chickens as we know them were only domesticated about eight thousand years ago–”
“Oh my god,” Daisy groans, putting her head in her hands.
“What?” Jon says, heat rising in his cheeks as Martin muffles a snicker beneath his hand. “I’m not wrong.”
“Pu Songling’s Collections Department is larger than our Artefact Storage,” Basira interjects, “but the, uh… Curator has a shortlist of artefacts she’s been on the lookout for. I checked our records and found a match. A ring – probably belongs to the Vast, based on the reports surrounding it. Looks like the Institute purchased it from Salesa in 2014, shortly before his disappearance. The Curator considers it an ‘equitable exchange,’ but she still wants to assess the ring in person before making the trade.”
“And we still have to talk to Sonja,” Jon adds. “On the one hand, she likely wouldn’t object to being rid of an artefact, but on the other hand… I imagine she won’t be keen on letting it out into the world.”
“I think it would be a harder sell if you were just going to swap it out for another artefact – something unfamiliar that they’d have to develop all new protocols for,” Martin says. “But yeah, even if you won’t be making the brooch her problem, she’ll probably still want to know what we want with it. And I can see her pressing the Curator on why she wants the ring when she gets here.”
“The Curator won’t be coming here,” Basira says evenly, casting a surreptitious glance at Daisy to gauge her reaction. “Says she’s too busy to travel.”
“So you have to haul the ring up to her,” Daisy says.
“I mean” – Basira breathes an uneasy laugh – “it’s a ring. Not much hauling involved–”
“Oh, don’t start–”
“–and there are precautions I can take. Looks like Artefact Storage has relatively thorough documentation for this one.”
“‘Relatively’?” Daisy repeats, unimpressed. “You were just complaining about how sparse their records are. ‘Relatively’ isn’t saying much.”
“Well, it’s better than nothing.” Basira rubs at her face. “I have to do this. Just… trust me.”
“You know I do–”
“Then let me have your back,” Basira says, practically pleading. “Let me help you.”
“Fine,” Daisy mutters, her posture going slack. “Do what you want.”
It’s not exactly a resounding endorsement, but it’s as good as they’re likely to get.
_________________
Despite Daisy’s lack of enthusiasm, Basira immediately throws herself into making arrangements. The Curator at Pu Songling is more than accommodating, seemingly as eager as Basira to make the trade. The real challenge is the Head of Artefact Storage.
It takes over a week of cajoling, lengthy justifications, and a concerted, collaborative effort from Basira, Jon, and Martin before Sonja finally, albeit reluctantly, agrees to discuss the matter with the Curator. Over the following days, Basira and Jon facilitate negotiations between the two: mediating a fair amount of (professional, but nevertheless pointed) verbal sparring early on, and later arbitrating the terms and conditions of the trade.
“You’d think that in the course of dealing with literal supernatural evil on a daily basis,” Basira gripes at one point, “bureaucracy wouldn’t be the biggest priority.”
“I’ve found that the bureaucratic process gives me ample time to make assessments,” Sonja says, unruffled. “Red tape has a way of bringing out the worst in people. Sometimes that’s a procrastinating student who woke up this morning, realized their deadline is next week, and ‘needs access to our materials, like, yesterday,’” she says, complete with finger quotes and a mocking tone. “And sometimes it’s some shady rich snob who’s been consistently cagey about his motives, and eventually he starts to go from impatient and entitled to desperate and frustrated, and that’s when the red flags start popping up crimson. After a while, you learn to distinguish the mundane sort of desperation from the more sinister sort.”
“Huh,” Jon says, smiling to himself. He knew Sonja was clever, but he never knew she was so calculating. It seems Jonah made the same mistake with Sonja as he did with Gertrude – overestimating a person’s curiosity and malleability, underestimating their prudence and pragmatism, and then promoting them to a position where they were free to act in a decidedly un-Beholding-like manner.
Once Sonja is sufficiently assured that the Curator has no intentions of utilizing the artefact or allowing it to venture beyond the secure confines of Pu Songling’s Collections Storage, the process starts to go a bit more smoothly. As expected, Sonja is amenable to the prospect of having one less piece of malignant costume jewelry, as she puts it, provided the Archival staff take full responsibility – both for the ring once Basira signs it out and for the artefact they receive in exchange.
“The ring has a compulsion effect,” Sonja tells them. “Makes people want to put it on – and once it’s on your finger, it’s not coming off until you hit the ground. Luckily it’s not a particularly active artefact, at least not compared to some of the other things we have here. I wouldn’t call it safe, obviously, but” – she raps her knuckles on the wooden beads of the bracelet on her opposite wrist – “it’s never breached containment.”
The how and why become abundantly clear upon seeing the closed ring box, so caked in earth and grime that it’s impossible to make out the color or material underneath.
“Buried, I take it,” Basira murmurs, giving Jon a sidelong glance.
“Yeah.” Jon grimaces at the phantom taste of soil on his tongue. “An artefact to contain an artefact.”
“Looks like the Curator is getting a twofer,” Basira says.
“Fine by me,” Sonja says with a nonchalant shrug. “That’s the box it came in, actually. Don’t know why it works, but it does, and that’s all I care about. So long as you keep it closed, the worst you’ll get is vertigo. As far as we’ve observed, anyway. There’s always a chance that an artefact has more secrets than it lets on at first glance. Assuming you know everything there is to know is a good way to end up in a casket.”
“We’re well aware,” Jon says. “Believe me.”
“Seriously, though – if this goes tits up, I don’t want to hear it,” Sonja says sternly, all but wagging a finger. “And if you call up here a few months from now to tell me that you’ve got a rogue artefact wreaking havoc in the Archives, and I’ve got to put my people at risk to contain it, I will unleash unholy hell.”
The funny thing is, Jon believes her.
_________________
Despite the progress they’re making on obtaining the Hunter’s brooch, dissent continues to simmer within the group – particularly where Daisy is concerned. As the escalating tension in the Archives becomes ever more tangible, Martin begins to feel claustrophobic under the weight of all the things left unspoken.
Daisy is consistently ill-tempered: bellicose in one moment and taciturn in the next, frequently seeking out solitude whenever her agitation gets the best of her. Martin suspects that her volatile mood has as much to do with her deteriorating condition as it does to do with her lingering aversion to the rest of the group’s efforts. Although she and Basira haven’t had another row – so far as Martin is aware, anyway – there’s been an undeniable friction between them. On the worst days, Basira keeps to herself, burying her head in her research while Daisy slinks off to some dark corner of the Archives to brood until Jon comes to drag her away from her thoughts.
Not that Jon is much better. He’s been sullen lately, growing more withdrawn, sleeping less and jumping at shadows even more than usual. Martin often catches him in a trance, staring vacantly into space and droning horrors under his breath. More and more he lapses into statement clips mid-sentence, regardless of how recently he’s had a statement. Sometimes, all it takes is a momentary slip for Jon to lose his footing and devolve into a frenzied litany of back-to-back, fragmentary horror stories. On a few recent occasions he’s lost his voice entirely, though luckily it’s only been for an hour or two at a time.
(So far, Jon says morosely after each episode.)
Most unsettling, though, is the chronic faraway look in his eye, like he’s seeing something else. Like he’s somewhere else, lost across an unbridgeable divide.
Martin is well-acquainted with the sensation of feeling alone in the presence of others. That doesn’t make it any less distressing. It’s not that Jon intends to be distant. He might not even be aware of it; would likely be mortified if he knew just how much that detachment stirred Martin’s longstanding fears of isolation and abandonment. Jon’s still affectionate, after all. Although he seems reluctant to actively seek out comfort these days, he’s still prompt to take an outstretched hand, to lean into a kind touch, to accept a proffered embrace. Still makes a concerted effort to muster, however feebly, a soft smile whenever Martin enters a room. Still attempts to be present and attentive and open.
But sometimes it feels like Jon is out of reach, separated from the rest of the world, watching it pass him by through layers of frosted glass. Martin knows the feeling. What he doesn’t know is how to fix it.
Before long, Basira is set to leave for Beijing, an artefact of the Vast nestled away in her luggage amidst assurances to Sonja that, yes, under no circumstances will Basira attempt to take it on a plane or into the open ocean because, no, Basira does not have a death wish, thank you very much.
Martin half-expects another quarrel to break out on the eve of Basira’s departure, but Daisy is oddly subdued. Perhaps she just doesn’t want to part ways with angry words and unresolved arguments, or perhaps she’s simply come to accept the rest of the group’s decision to move forward with the plan. Considering the dark circles under her eyes, though, it’s just as likely that she’s simply too fatigued to start a fight.
A few days later, Martin descends the ladder into the tunnels to find Jon standing at his makeshift desk, staring down at the map unfurled across its surface – the product of the group’s ongoing efforts to survey the sprawling tunnel system of the former Millbank Prison. The blueprint-in-progress is an equally sprawling thing: sheets of mismatched paper layered one atop the next and taped together, its irregular borders comprised of haphazard angles and dog-eared edges.
The hand-drawn map on its surface is chaotic, reflecting the penmanship of four different authors. Jon’s contributions might be the messiest – the burn scar contracture on his dominant hand renders his lines shaky at best, and his handwriting has always been a tad chickenscratch. Daisy’s isn’t much better. Conversely, Basira’s additions are the neatest, her strokes as steady as the persona she tries to project to the world. Martin’s are passable, if only because, unlike Jon or Daisy, he actually has the patience to use rulers and book edges to trace straight paths.
To be fair, it would probably look a mess no matter how painstaking they were in constructing it. The tunnels are as labyrinthine as expected: a vast network of arterial corridors with offshoots along their lengths, branching into three- or four-way forks, most of which lead to dead ends. Occasionally, they find a path that loops back around and connects other parts of the maze, creating a series of meandering, convoluted closed circuits. It’s difficult to tell just by looking, but they are (Martin hopes) making progress. At the rate they’re going, they have to be on track to find the Panopticon before the winter solstice.
In any case, as Martin approaches the desk, he sees that familiar vacant look on Jon’s face, as if he isn’t actually seeing what’s in front of him. The effect is underscored by the cigarette burning away in his hand, hanging limp and forgotten at his side. Martin clears his throat lightly, in deference to Jon’s hair-trigger startle reflex. He doesn’t count the fact that Jon doesn’t jump at all as a success. If anything, it’s cause for concern.
“Jon?” Martin tries. There’s a slight delay before Jon glances over, giving Martin no acknowledgment aside from a sluggish blink before lowering his head again.
“I, uh…” Martin offers a weak smile, attempting to keep his tone light. He gestures at the cigarette. “I thought you quit?”
Jon shrugs, refusing to meet Martin’s eyes. “Not like it’ll kill me.”
“Might catch up with you later, though,” Martin says, scratching at his neck. “You know, once we find a way out of here.”
“There is no ‘out’ for me,” Jon says mulishly.
“You don’t know that. Or Know it.” Jon’s only reaction is to press his lips tightly together, like he’s biting back a retort. “Look, I’m not trying to nag you, I just wor– Jon!” Martin yelps as he watches Jon put his cigarette out on the back of his hand.
Martin lunges forward, grabbing Jon’s hand and yanking it close to inspect the damage. It’s the same hand that Jude shook, already textured and pitted with webs of hypertrophic scarring. Somehow, Jon managed to plant this newest burn on a patch of previously-undamaged skin, sandwiched between two bands of knotted tissue.
The contours of her fingers, Martin recognizes with a queasy lurch – followed by another when he thinks to wonder whether Jon sought out that scrap of healthy skin on purpose just now.
Jon barely reacts, staring into space with wide eyes and dilated pupils. Martin looks down again to see the circular singe mark already knitting itself back together, leaving only a small, shiny patch of discoloration ringed with a dusting of ash. In all likelihood, even that will be gone by morning.
If only all wounds would heal so easily.
“What the hell were you thinking?” Martin hisses, fighting to keep his voice even. He brushes a soothing thumb over the spot, as if to apologize to the abused skin on Jon’s behalf.
Jogged out of his reverie by Martin’s sharp tone, Jon stares daggers at him, his mouth open as if to unleash a scathing reprimand, the set of his jaw so reminiscent of those early days in the Archives. An instant later, though, he withers, cringing away and fixing his eyes on the floor.
“I wasn’t,” he mumbles, at least having the decency to sound contrite. “Wasn’t really paying attention.”
It’s not the first time Martin’s witnessed a self-inflicted injury. When pressed, Jon always claims that it’s not a deliberate, planned form of self-punishment, but rather a reflex reaction that kicks in when he starts feeling adrift in time. Somewhere along the line, it seems, he convinced himself that physical pain is as good a shortcut as any – a sort of panic button to bring him back to the present when he needs grounding.
Whatever his intentions, though, and no matter what rationalizations Jon wants to dole out, it’s not a healthy coping mechanism. And it’s difficult for Martin to believe that self-punishment doesn’t factor at all, considering Jon’s obsessive guilt spirals and his blasé attitude towards being hurt.
“‘S already healed,” Jon says with a spiritless shrug. He drops the snuffed-out remainder of his cigarette on the floor and unnecessarily grinds it under his heel.
“That’s not the point.” Martin doesn’t realize how tightly he’s grasping Jon’s hand until Jon winces. Although Martin relaxes his grip somewhat, he doesn’t let go. “It doesn’t matter how quickly your body heals, or that you’ve had worse, or whatever other justifications you want to make. You’re still getting hurt. That’s not okay, and – and if it were me in your shoes, you’d be telling me the same thing.”
“I’m sorry.” Jon’s hair falls to cover his face as he ducks his head.
It’s fine, Martin almost says – except it’s not, is it?
“Come on,” he says instead, guiding Jon to sit in the nearest chair before taking a seat next to him. Where before Jon was all stiff limbs and rigid spine, now he looks like he’s given up the ghost, drooping like a wilting flower.
Though he allows Martin to keep hold of his hand, Jon doesn’t return the pressure. And Jon’s skin is freezing – no doubt partly due to the damp chill of the tunnels, and partly because he has, by his own admission, always had shit circulation. Combined with his limp fingers and loose grip, though, the overall effect is far too reminiscent of those months spent keeping vigil over Jon’s hospital bed, his hand nothing but cold, dead weight in Martin’s.
It took too long for Martin to admit that he had been foolish to hope that Jon was still in there somewhere, aware of Martin’s presence, fighting to regain consciousness. The whole time, Martin was just keeping his own company. Jon wasn’t just unreachable – he wasn’t there at all.
(Martin had been wrong about that in the end. He doesn’t know that he’ll ever forgive himself for not being there when Jon woke up.)
Martin bites his lip as he formulates a response. He’s learned over the years that when Jon is like this, it’s best to strike a careful balance between docility and defiance. Push too hard too fast, and Jon will dig his heels in; approach him too tentatively, and he’s liable to interpret concern as pity; force him to talk about his feelings, and he’ll bolt; smother him with tenderness, and he’ll balk.
Granted, Jon has become much more receptive to tenderness over the years. Most of the time, anyway. When his skewed self-worth and convictions about what he does and doesn’t deserve don’t get in the way.
“At the risk of being a nag–”
“You’re not a nag,” Jon says softly.
“When’s the last time you had a statement?”
“A few days ago.” The response is too quick, too automatic.
“A few days ago,” Martin repeats, allowing a bit of disbelief to seep into his voice.
Jon nods stiffly. “Monday, I think.”
“Today is Tuesday.”
“I–” Jon cuts off his own retort, turning to blink owlishly at Martin. “Is it?”
“Yeah,” Martin says, his heart sinking. Jon must be losing time again. “So you had a statement yesterday?”
“No, I – I don’t…” Jon squints up at the ceiling, wracking his brain. “I don’t think so? It’s – I think I would recall if it had been shorter than one day.”
“So, last Monday?”
“I don’t – I don’t know,” Jon says, growing testy. “I suppose. Must’ve been.”
“Are you hungry?”
“I’m always hungry.” The admission is devoid of all the simmering agitation that had been there only moments before. Now, he just sounds tired.
“Well… I think you might be due for one.” Although Martin had been striving for gentle suggestion, there’s a harsh edge to the words. Rather than get Jon’s hackles up again, though, he seems to crumple under what he doubtless reads as an accusation.
“You’re right,” he says hoarsely. “And I’m sorry. I know lately I’ve been…”
“Tetchy,” Martin offers, just as Jon says, “a bit of a prick.”
“Your words, not mine,” Martin says with a tentative grin. Jon returns his own feeble half-smile, but it quickly falters.
“I’ve almost exhausted Daisy’s catalogue,” he confesses. “Only a handful left now. I’ve got to make them last until the solstice.”
An apprehensive chill runs down Martin’s spine at that. “And then what?”
“I haven’t thought that far ahead.”
There’s virtually no chance that Jon, prone to rumination as he is, hasn’t been dwelling on it.
“Basira said she has a few statements, right?” Martin asks. “Which… if you already have a statement about an encounter, can you still get nourishment from other statements about it, so long as it’s coming from someone else’s point of view?”
“Probably.” Jon shrugs one shoulder. “The factual details of the encounter are less important than the subject’s emotional response. Different perspective, different story, different lived experience of fear.”
“Then… you have my statement about the Flesh attack, but there’s still Basira’s. And – and maybe Melanie–”
“I’m not taking another statement from Melanie,” Jon says tersely. “She’s been tethered to me for too long without say, and I’m not dragging her back in.”
“But if it’s consensual–”
“It won’t be, because I don’t consent.”
“If the alternative is literally starving–”
“I’ll find another alternative. Or I won’t. But I’m not asking Melanie for a statement.” Jon keeps his head bowed, but he looks up at Martin through his lashes. “The first time she quit, I was worried that she might show up in my nightmares again, but she didn’t. I don’t know if her severance from the Eye will keepher out of my nightmares if she gives me a new statement, and… I can’t risk it. I can’t do that to her. Even if the nightmares weren’t an issue… I’m not going to ask her to relive yet another traumatic experience for my benefit–”
“–I shall choose to die rather than take part in such an unholy meal–”
Jon claps a hand over his mouth, a panicked look in his eye.
“…nor shall I take my own life, whatever extremity my suffering may reach,” he tacks on, too much of an afterthought for comfort.
“Which means we need to plan for the future,” Martin says, forcing calm into his voice despite the way his heart picks up its pace.
“But it can’t involve Melanie,” Jon says – gentler than before, but still firm.
“No, you’re – you’re right,” Martin relents. “It wouldn’t be fair to her. But we could still ask Basira.”
Jon makes a noncommittal noise, his expression rapidly going pinched and closed off again.
“Lately,” Martin says, licking his lips nervously, “lately it feels like you’ve been shutting everyone out again. It isn’t healthy–”
“Healthy?” Jon’s glare could burn a hole in the floor. “I don’t need to be healthy, I just need to be whatever it wants.”
Once, Martin might have been daunted by Jon’s scathing tone. By now, he knows that Jon is all bluster – and that the brunt of it is turned inward, against his own self.
“Please, Jon. Tell me what’s going on. You’re worrying me.”
Those, apparently, are the magic words, because Jon finally capitulates.
“It’s October,” he tells the floor.
“It… is October, yeah.” Bewildered, Martin waits for elaboration. When a minute passes with no response forthcoming, he prompts, “Is that… bad…?”
“Historically, yes, it has been,” Jon says with a tired, frayed-sounding chuckle.
“I… Jon, I need you to help me out here,” Martin says helplessly. “I can’t read your mind.”
“October is when it happens, Martin.” Jon glances at Martin once, quickly, before returning his gaze to the ground. He’s twisting one hand around the opposite wrist now, fingers curled tightly enough to blanch his knuckles. “The eighteenth. When everything goes wrong.”
“You mean…”
Jon’s sharp inhale becomes a choked exhale, which in turn abruptly cuts off as the Archive takes its cue.
“…what settled over me wasn’t dread; there wasn’t enough uncertainty for that. It was doom. I was certain that some sort of disaster was on the horizon–”
“–something bad. Something unspeakable. And I would have helped make it happen–”
“–the fear never really went away. I’ve heard that being exposed to the source of your terror over and over again can help break its power over you, numb you to it, but in my experience it just teaches you to hide from it. Sometimes that might mean hiding in a quiet corner of your mind, but–”
“–soon enough, I could no longer fool myself–”
“–the calm I had been getting accustomed to had been torn away completely, and where it had been was just this horrible, ice-cold terror–”
“–that – we can’t escape the ruins of our own future–”
“–a future where – humanity was violently and utterly supplanted, and wiped out by a new category of being–”
“–there are terrible things coming – things that, if we knew them, would leave us weak and trembling, with shuddering terror at the knowledge that they are coming for all of us–”
“–I think in my heart, I have been waiting for this moment. For the final axe to fall–”
“–we create the world in a lot of ways. I suppose it shouldn’t be surprising that, when we’re not being careful, we can change it–”
There’s a breathless pause before Jon continues, in a nearly inaudible whisper: “What could I have chosen to change? Would a different path have been possible?”
“It is,” Martin says firmly, “and we’re on it. What happened last time won’t happen again. We won’t let it.”
Jon doesn’t acknowledge the reassurance.
“I should’ve known,” he says with a quiet ferocity, in his own voice this time. “It was too peaceful. I should’ve known it wasn’t going to last. And – and on some level I did know – I knew it wasn’t over – but I just… I didn’t want to be the one to shatter the illusion, I suppose.” His expression goes taut. “Didn’t much matter what I wanted, in the end. But I still should’ve seen it coming. Can’t let my guard down again.”
“How could you have known?” Martin doesn’t intend for it to come out as exasperated. He tries to reel it back, to gentle his tone. “You’ve said yourself that you can’t predict the future–”
“No, but I knew Jonah had plans for me. And I knew nothing good could come of feeding the Eye, but I kept on anyway.”
“It’s not like you were doing it for fun, Jon! You needed it to survive, and Jonah took advantage of that. Or…” No – that makes it sound purely opportunistic, doesn’t it? In reality, it was all part of Jonah’s long game from the start. “He made you dependent on statements specifically becausehe wanted to take advantage of that.”
“I made choices,” Jon says tonelessly. “I can’t absolve myself of responsibility just because Jonah was nudging me in a particular direction.”
“You were manipulated,” Martin insists, “and I’m not having you apologize for surviving it. For not starving to death.”
“You don’t understand,” Jon says, growing more distressed, reaching up with both hands and tangling his fingers in his hair. “When that box of statements finally arrived, I… I couldn’t shoo you away fast enough. I was hungry, yes, but I wasn’t starving yet. I could’ve waited longer, but I just… I wanted one–”
“–should have fought harder against the temptation – but my curiosity was too strong–”
“You shouldn’t have to wait until you’re literally on death’s doorstep before you fulfill a basic need,” Martin interrupts.
“I should when that ‘basic need’ entails serving the Beholding,” Jon says heatedly. “And I – I should’ve known better – should’ve known not to jump headlong into the first statement that caught my eye. I’d known for a while that the Beholding leads me away from statements it doesn’t want me to know. It logically follows that it would lead me towards statements that would strengthen it. If I’d had any sense, I would’ve been suspicious of anything in that box that called out to me. It didn’t… it didn’t feel any different, but I – I suppose that somewhere along the line I just got used to… to wandering down whatever path I was led. I didn’t think, I never stop to think–”
“If anything, Jon, you overthink. You’re overthinking right now.”
Martin has known for a long time now that Jon will latch onto the smallest details, allow his thoughts to branch into an impossible number of routes and tangents, tie together loose threads in countless permutations in the interest of considering all possible conclusions, no matter how outlandish. He will apply Occam's razor in one moment before tossing it into the bin, only to fish it out again: lather, rinse, repeat. His mind is a noisy, cluttered conspiracy corkboard, and he’ll hang himself with red string if given half a chance, just to feel like he’s in control of something.
“It’s easy to look back and criticize your past self,” Martin says, “but he didn’t know what you do. If we knew the outcome to every action, maybe we wouldn’t make mistakes, but we’re only human–”
“Not all of us.”
“–so we just have to do the best with what we have in the moment,” Martin continues, paying no heed to Jon’s grumbled comment. No good will come of guiding him down that rabbit trail right now. Anyway, Martin has a more pressing concern–
“Why didn’t you tell me about any of this sooner?” he blurts out, immediately wincing at his lack of tact. “That came out wrong–”
“Why didn’t I tell you how quick I was to chase you out of the house and sink my teeth into a statement the moment temptation presented itself?” Jon scoffs. “Because I’m ashamed. Why else?”
“No, not–” Martin scrubs a hand over his face. It’s a struggle, sometimes, not to grab Jon by the shoulders and shake him until all of that stubborn self-loathing falls away. “About the fact that you’ve got a – a post-traumatic anniversary event coming up, I mean. You haven’t been well, and I thought I understood why – thought it was just… all of it, in general. But here I come to find you’ve been agonizing over the upcoming date of the single worse day of your life–”
“One of the worst,” Jon says quietly.
“What?”
“I didn’t lose you until much later.”
Martin’s breath catches in his throat at that, a sharp pang shooting through his chest.
“Well… you’ve got me now,” he says meekly. “So – so you don’t have to suffer in silence, is what I’m saying. What happened to you – no, what was done to you – it was horrible, and it wasn’t your fault. I know you don’t believe that, but it’s the truth.”
“Either I’ve always been caught up in someone else’s web, passively having things happen to me with no control over my life–”
“–the Mother got exactly the result she no doubt wanted, one that would lead to a fear – so acute that I could later have that horror focused and refined into a silk-spun apotheosis–”
Jon bites down on one knuckle, eyes shut tight as he waits for the compulsion to subside.
“Or,” he says after a minute, “or I do have control, and I can change the outcome, which makes me culpable. I don’t know which prospect I hate more. Which probably says some unflattering things about me.”
“It’s not that simple–”
“It is,” Jon says viciously. “If there is another path, then I should’ve found it last time!” He closes his eyes, pinches the bridge of his nose, and takes a steadying breath. When he speaks again, he’s no longer bordering on shouting, but there’s a quaver in his voice, a fragility that Martin finds more disconcerting than any flash of anger. “The way I see it, there are two options. One, what happened in my future was inevitable and nothing I could’ve done would’ve changed it – which certainly doesn’t bode well for this timeline. Or, the outcome can be changed, in which case my choices matter, and had I just made better choices, maybe I could have prevented all of this from ever happening in the first place.”
“You’re not being fair,” Martin says, his hands clenching into fists – but Jon isn’t listening.
“Doesn’t make much difference, I suppose. The consequences are the same either way–”
“–billions of – people making their way through life who had no idea what was right above their heads–”
“–would-be occult dynasties and ageless monsters–”
“–minds so strange and colossal that we would never know they were minds at all–”
“–idiots who destroyed themselves chasing a secret that wasn’t worth knowing–”
“–there, caught up in a series of events that I didn’t understand but that terrified me – I did the stupidest thing I’ve ever done–”
“–running was pointless. To try to escape from my task would only serve to fulfill another. I finally understood what I needed to do–”
“–I don’t know if you have ever drowned, but it’s the most painful thing I have ever experienced–”
“–I do not suppose I need to dwell on the pain, but please know that I would sooner die than endure it again–”
“Would you?” Martin says abruptly. Jon won’t look at him. “Jon, I need to know if you’re feeling like hurting yourself.”
“What would it matter if I was?” Jon still won’t look at him. “I’m categorically incapable of hurting myself in any way that matters.”
Martin blinks in disbelief. “Okay, that’s blatantly untrue.”
Jon has been a glaring portrait of self-neglect for as long as Martin has known him. That simple lack of consideration for himself, together with compounding survivor’s guilt, was the perfect stepping stone to active self-endangerment. Now that Jon’s convinced himself he’s invulnerable to a normal human death, he’s all the more careless with himself.
“I don’t want to die,” Jon whispers. “That’s the problem.”
“What—?”
“Before, I was unknowingly putting the entire world at risk by – by waking up after the Unknowing, by crawling out of the Buried, by escaping the Hunters, by continuing to read statements like it was – like it was something routine, as unremarkable as – as taking tea. Now, though – now I know better. I know what Jonah is planning, I saw what I’m capable of, and still I… I don’t want to die.”
“Well… good,” Martin says. “You should want to live–”
“It doesn’t much matter what I want–”
“–I never wanted to weigh up the value of a life, to set it on the scales against my own, but that’s a choice that I am forced into–”
“–doesn’t get to die for that – gets to live, trapped and helpless, and entombed forever – powerless–”
“–a lynchpin for this new ritual – a record of fear–”
Shit, Martin thinks the instant he recognizes the statement. It’s the worst of them all, virtually guaranteed to send Jon spiraling.
“–both in mind as you walk the shuddering record of each statement, and in body as the Powers each leave their mark upon you – a living chronicle of terror – a conduit for the coming of this – nightmare kingdom–”
“Okay, okay, stay with me–”
“–the Chosen one is simply that: someone I chose. It’s not in your blood, or your soul, or your destiny. It’s just in your own, rotten luck–”
“Jon, can you hear me? Jon–”
“–I’ll admit, my options were somewhat limited, but my god, when you came to me already marked by the Web, I knew it had to be you. I even held out some small hope you had been sent by the Spider as some sort of implicit blessing on the whole project, and, do you know what, I think it was–”
Martin reaches over, taking both of Jon’s hands in his own and squeezing tightly. The pressure seems to do the trick: lucidity sparks in Jon’s eyes and he takes a deep, ragged breath, as if coming up for air.
“There you are. Are you okay?” Martin rubs both thumbs over the backs of Jon’s hands in rhythmic, soothing motions. “Hey, it’s–”
“I don’t want your kindness!” Jon snaps, jerking backwards and snatching his hands out from Martin’s grip.
Both of them lapse into a stunned silence. As mortification dawns on Jon’s face, Martin can feel the color rising in his cheeks. It only takes a few seconds for the blood rushing in his ears to be drowned out by another voice.
Martin can remember with cutting clarity the days prior to his mother’s departure to the nursing home. She had been in (somewhat) rare form, her already-short fuse dwindled down to nothing, sniping at him around the clock, full of caustic observations and spiteful accusations.
I don’t want your help, she had sneered as she entered the cab, swatting his hand away.
It was one of the last things she ever said to him.
“Well, tough,” Martin bites out, “because you deserve it, and you never should’ve had to go without it, and you’re not going to change my mind about that, so you may as well stop trying!”
“Martin, I – I – I’m sorry, I didn’t mean–”
He saw, Martin realizes all at once, his skin crawling with humiliation.
“I’m going to go make some tea,” Martin says, rising to his feet.
Jon reaches out a hand. “Martin–”
“I just need a breather, okay?” Martin says, a pleading note to his voice. His lungs are constricting, his chest is tightening, there’s a lump in his throat, and he really doesn’t want to have a panic attack in the tunnels – or in front of Jon. “I’m not – I’m not angry, okay, I just need some air.”
Jon opens his mouth, then immediately closes it, clutches his hands to his chest, and gives a tiny nod that Martin just barely glimpses before turning to flee.
_________________
“Stop crying,” Jon hisses at himself, furiously scrubbing at his face as the tears slide down his cheeks. “Stop it.”
He plasters the heels of his hands over his closed eyelids. It does nothing to stem the flow, only brings to mind images of pressing himself bodily against a door to hold it closed, only for the crack to continue widening, millimeter after millimeter, the flood on the other side trickling through the gap, rivulets swelling into rivers, frigid eddies biting at his ankles, a whitewater undertow threatening to drag him below the waves–
“Enjoying our own company, are we?”
Once, Jon might have been humiliated to be caught mid-breakdown, raw-voiced and puffy-eyed, especially by Peter Lukas of all people. Several lifetimes spent in thrall to cosmic horrors have a way of putting things in perspective.
“What do you want?” Jon says with as much ire as he can muster.
Peter hums to himself, starting a slow, back-and-forth pace in front of Jon. “It occurred to me that I’ve been derelict in my duties as far as the Archives are concerned–”
“That’s just now occurring to you?”
“–and, as such, I thought it was high time that I met the infamous Head Archivist of the Magnus Institute.”
“Well,” Jon scoffs, gesturing at himself, “you’ve met him.”
“I must admit, I was expecting something a bit more… hm.” Peter taps a finger against his lips. “Formidable.”
“Sorry to disappoint.” The scathing sarcasm is rendered pitiful by an ill-timed, involuntary sniffle. Jon can’t bring himself to care.
“The state you’re in, you hardly seem fit to work.” A pause. “Have you ever considered taking some time off?”
“A six-months hospital stay has a way of eating up your PTO, oddly enough. I’m told that payroll already has already had to make special exceptions for my ‘unprecedented’ circumstances.” Jon chuckles to himself. “On multiple occasions. Did you know the Institute considers a kidnapping in the line of duty to be an ‘unexcused absence?’”
“I think you’ll find that Elias and I have different management styles,” Peter says mildly. “I’m open to making allowances – particularly since your department can function so smoothly in your absence. Your assistants have proven themselves to be quite capable of working independently – and seeing as your approach to supervision borders on fraternization, I imagine they would be more productive without excess drama to distract them.”
“I’ll take that into consideration,” Jon says acerbically.
“No need.” Jon squints at him, and Peter stare him down. “It’s not a request, Archivist. It’s an order.”
There was a time, not long ago, that sneaking up on the Archivist would have been difficult. Only Helen had consistently managed to ambush him, and that was because she didn’t waste time sneaking – she manifested and launched the jump scare in the same instant, giving him no chance to See her approach. Readjusting to a binocular point of view had been a process, but rarely does he find himself yearning for the panoramic field of vision that had been foisted upon him during the apocalypse.
Occasionally, though, there are moments when 360° sight would come in handy. Too late, Jon realizes this is one of those moments.
By the time he notices the tendrils of encroaching fog, they’re already curling around from behind him, pooling at his feet, ghosting across the back of his neck, affixing themselves around his wrists.
“It’s alright,” Peter says placidly, almost soothingly. “You can let go now.”
Jon shivers as his heart pumps ice through his veins, fingers and toes going numb as he struggles for breath.
No. No, no, no, no, no–
“I am not Lonely anymore,” Jon gasps out through chattering teeth.
“No,” Peter says with an air of nonchalance. Then he smiles, sharp and cold and cruel and the only detail Jon can still discern through the fog. “But you will be.”
___
End Notes:
Daisy: hey siri, google what to do if i suspect my bff has been possessed by the ghost of a fussy paleornithologist Jon: why are you booing me????? i’m right
Pretty sure this is the longest chapter yet? Probably bc of the statement. I could’ve split it into two, but, uh. I like that cliffhanger where it is. >:3c (Sorry for that, btw.)
Quite a bit of Archive-speak this chapter. Citations as follows: Section 1: 122/124/011/007/047/155. The Xiaoling quote is from MAG 105; the Jonah quote is ofc from 160; the Naomi quote is from 013. Section 3: 181. Section 5: 058 x2; 144/130/086/143/121/149/134/144/143/069; 147; 017; 147; 057/160/106/111/067/121/129/098; 155/128/160; 160 x3. Section 6: 170, of course.
I’m taking wild liberties with Pu Songling Research Centre’s whole deal. I’m conceptualizing their spookier departments as being like… actually academia-oriented, instead of “local Victorian corpse with illusions of godhood throws a bunch of traumatized nerds with no relevant archival experience into a basement, what happens next will shock you”. Xiaoling is out here like “our digitization is still a work in progress, I’m sure you know how it is” and Jon Sims is like “digitization who? i don’t know her”. (Listen, he tried once. Tape recorder was haunted, he got kidnapped a bunch, there were worms and things, he died (he got better), his boss used him as a battering ram to open a door to Fearpocalypse Hell – it was a lot.)
Likewise, we didn’t get much info about Sonja in canon, so I’m having fun envisioning her as a certified Force To Be Reckoned With (and a bit of a Mama Bear wrt her assistants). Most of the Institute is leery of the Archives (& especially Jon) but Sonja’s seen a lot of shit and Jon Sims doesn’t even rank on her list of Top Spooky Scary Things.
re: the statement – it’s not clear in-text, but I want to clarify that I’m not conceptualizing Francis Drake as being influenced by the Hunt. Fictionalizing aspects of history is tricky, and I’d feel personally uncomfortable chalking up Drake’s real life atrocities to supernatural influence, even in fiction. In the case of this particular fictional member of his crew, he was (like Drake’s real-life crew) complicit in following Drake’s orders for entirely mundane reasons and was only marked by the Hunt at the point in his statement where he first recounts hearing the Hunt chasing after him.
At some point in writing this chapter, I had 137 tabs open in my browser for Research Purposes and like 20 of those were bc my dumb ass seriously considered writing that statement in Elizabethan English before going “what are you DOING, actually.” If I’d tried, it would have come off as inauthentic at best, if not ridiculous, bc I’m unfamiliar with English linguistic trends of the 1500s, and I’d basically be badly mimicking Shakespearean English, which isn’t necessarily indicative of how everyone spoke at the time, and I don’t know what colloquial speech would look like for this particular unnamed character I trotted out as exposition fodder, and it was probably unnecessary to formulate a whole-ass personal history for him for the sake of Historical Realism for a single section of a single chapter of a fanfic, and… In the end, I decided that this pseudo-immortal rando can tell his life story in modernized English, as a treat (to me) (and also to those of you who don’t think of slogging through bastardized Elizabethan prose as a fun endeavor).
Speaking of research – shoutout to this dissertation that had an English translation of the Herla story in Walter Map’s De nugis curialium, and if you want to read the whole story, you can find it on pages 16-18 of that paper. I feel it’s important for you all to know that IMMEDIATELY after Map dramatically proclaims, “the dog has not yet alighted, and the story says that this King Herla still holds on his mad course with his band in eternal wanderings, without stop or stay,” he goes on to say in the next breath “buuuut some people say they all jumped into the River Wye and died, so ymmv. ¯\_ (ツ)_/¯ anyways, can I interest you in more Fucked Up If True tales?” (Herla throwing the dog into the river wasn’t in the original story though. I made that part up.)
Thank you so much for reading! <3
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xseedgames · 8 years ago
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Akiba’s Beat - Localization Blog #2 - The Delusionscapes
With the release of AKIBA'S BEAT for PS4 and Vita alike less than a week away (or just over a week away, if you’re in Europe), we thought it might be nice to take a closer look at the game's "Delusionscapes" -- the dungeons created within the Tokyo district of Akihabara that make up roughly one half of the game's playtime. Some fans have been unclear as to what these are and how they work, so we figured we’d show you some of the original concept art from several choice Delusionscapes, along with providing thorough descriptions of how each one -- and the delusion that spawned it -- fit into the game's setting and overall story.
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Audio Delusionscape
For a brief moment in time, Akihabara was an audiophile’s dream, with stereo equipment plentiful and knowledgeable staffers on every corner. But when’s the last time you saw someone excitedly buying a several thousand-dollar boffo stereo setup with amp, subwoofer, big honking speakers, etc.? I’m willing to bet it wasn’t anytime since the turn of the millennium, and Akihabara – its finger ever on the pulse of current technological trends – reflects that, with the audio niche being all but gone from the Akiba streets of today.
One of the central themes of AKIBA’S BEAT, however, is that sometimes, people simply cannot accept change… and in the Akiba depicted here, those who have a strong affinity for the way things used to be can actually change reality to make it that way again.
One music hipster dude, who runs one of the few surviving audio specialty stores in Akihabara, did exactly that, and created this Delusionscape full of the most amazing audio equipment you've ever seen (with perfect acoustics, no doubt!). And where did he create it? Why, at the heart of Akiba, of course: Akihabara Station, where all those heading to or from the district inevitably must go. From the outside, it just looks like the station's got a larger-than-life sound system attached to it, but on the inside, it's a maze of graphic equalizers and top-of-the-line gear.
The key part of this delusion, however, is the effect it has on the people of Akihabara, unconsciously causing Akiba residents and tourists alike to have a strange desire to go out and buy new audio equipment…
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Idol Delusionscape
Cuteness, pinkness, and bunnies rule the day here, as the site of a simple concert fronted by up-and-coming idol singer Riyu Momose turns into an absolute idol paradise. Throngs of adoring (and rather creepy) fans flock to the site, guided to it like a beacon in the night, leaving our heroes with a bit of a conundrum: who among this crowd of hundreds -- nay, thousands -- could be the "deluser" responsible for dreaming up such a venue?
On the inside, the Idol Delusionscape shares its outer appearance, but dials it all up to eleven with neon color-changing lights and whimsical designs around every corner. One can only imagine the Grand Phantasm (read: boss) that awaits at the end of such a high-energy labyrinth!
The Idol Delusionscape is when the story of AKIBA'S BEAT really starts to kick into gear, presenting players with a large list of suspects as to who might be responsible for its creation, and forcing them to do some true sleuthing in order to find the answer. Is it the jovial yet overbearing Chunk Widebody? The scrawny, sweaty, and devious Twiggy Slims? Or perhaps it's the shy, awkward Megane Taro, who seems -- by all accounts -- to recognize that something isn't quite right about all of this...
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Maid Delusionscape
As with the Audio Delusionscape, this one represents a period in Akiba's history that's only just now starting to come to a close: the maid boom. Maid cafes are a staple of Akiba culture, allowing reclusive "otaku" (read: nerds) not only to eat lovingly prepared food full of hearts and flowers and frills, but to have cute girls in maid outfits waiting on them hand and foot the whole time, calling them "master" and doing everything in their power to cheer them up with song and dance routines, magic shows, games... whatever it takes!
Maid cafes are still abundant in Akihabara today, with locations like Maidreamin and Granvania serving as landmarks to travelers in the district, and girls in full maid outfits still handing out sale flyers to passers-by on a daily basis. However, if you went back in time only a few years -- roughly to the period when AKIBA'S TRIP: Undead & Undressed was released -- you'd find maid culture to be more of a dominant force than it is today. In other words, it's still going strong... but it's noticeably waning, losing ground to idol culture and other otaku whims.
This is where the Maid Delusionscape comes in. From the outside, it appears as a beacon of maid symbology (frilly lace, rice omelettes with ketchup hearts drawn on them, etc.) at the site of an in-universe branch of the "Maidiators" cafe -- and this carries through to the inside as well (albeit with more imagery of bars and chains, suggesting the “deluser” responsible for this delusion might feel a bit trapped). But it's the effect the maid delusion has on Akiba that's most noticeable, essentially restoring the maid boom in full... and then some. As long as the Maid Delusionscape exists, maids will be more popular in Akihabara than ever, surpassing their peak numbers from the early-to-mid 2010s. And if that happens... well, it doesn't sound all that bad, does it? But one could argue that it'll cause the district to be thrown out of balance, losing its propensity for change. And without that, Akiba just isn't Akiba anymore!
As such, the Maid Delusionscape chapter is the first time the game’s characters really start to ask: is it right to destroy someone's delusion, even when it doesn't seem to be doing any harm? Should delusions be condemned simply for "defacing reality"? Or should they, under certain circumstances, perhaps be embraced?
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“Chuuni” Delusionscape
There are numerous Japanese terms that come up so regularly in the anime fandom, they've basically become adopted into the worldwide "anime lexicon" at this point. "Baka," for example, is a word most anime fans know means "idiot," and "tsundere" is a word most anime fans know refers to someone who's mean and abrasive on the outside to cover up her (usually her) inner emotionality.
One that doesn't come up as often, however, but is absolutely key to understanding the story of AKIBA'S BEAT (and is thus left untranslated, but clearly outlined to players during the course of the game, even in the original Japanese), is "chuuni." Literally "junior high sophomore," it's an abbreviated version of the larger slang term "chuunibyou," or roughly "eighth-grade sickness." This somewhat derogatory term refers to people who are obsessed with the types of "edgy" things typically associated with fiction targeted toward eighth-graders: large unwieldy swords, characters with mysterious pasts, pretentiously poetic dialogue that obscures the meaning of crucial passages, heroic acts of self-sacrifice, focusing one's power "over 9000," etc.
This Delusionscape, then, is fairly low-key and personal compared to a lot of the others in the game. Its effects on the district are minimal, but those who dare to enter it are met with a unique brand of opposition in the form of a dark-cloaked man with a large axe who speaks in riddles. The key to passing by him is solving his riddles, and the key to that is finding the source of the delusion -- the person who dreamed up this den of tired anime stereotypes in the first place. But can that be done before the power of the Chuuni Delusionscape collapses in on itself like a neutron star?! Find out next time... on AKIBA'S BEAT!
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Electronics Delusionscape
This is one of the more surprising Delusionscapes in the game, I think. When you hear “electronics,” you probably aren’t picturing quite what you get here – verdant green grass and moss, with a general feeling of nature encroaching upon everything around you. How does this relate to electronics? Well, if you look a bit closer, you'll see: mixed in with all the foliage (indeed, almost camouflaged by it) are air-conditioning units, fans, microwaves, washing machines, refrigerators, and all manner of other home appliances (you don’t actually have to look THAT close in the concept art image, but in-game, these appliances are a bit fewer in number and more well-hidden). These aren't the electronics that first spring to mind when most of us hear the word, but make no mistake: these are the electronics that made Akihabara what it is today. And here, they're shown as being forgotten... abandoned... left out for so long that they're overgrown with moss and vines, likely never to function again.
This is the delusion of someone who controls a vast empire of home appliances, but either regrets that he’s still living in Akihabara’s past, or is afraid his goods will be rendered obsolete by newer, more advanced inventions. It’s the delusion of an insecure store owner – the hidden underbelly of a “home appliance boom” that's happening on the outside, with people suddenly snatching up home appliances in droves like never before... when in reality, one rarely goes to Akihabara for home appliances these days. The meaning of “electronics” – indeed, of “Electric Town” in general – has changed into a completely different beast over the last few decades. And there are clearly some who would prefer not to change with it, and will fight tooth and nail to keep things the way they once were.
Represented in one of the more emotional chapters of AKIBA'S BEAT, the events surrounding the Electronics Delusionscape hit pretty hard, and may be some of the more memorable and intense moments found in the entire game.
They are also, sadly, very easy to spoil, so I shall speak no more on the subject!
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In fact, to talk about any of the other Delusionscapes at this point would be virtually impossible without spoiling crucial story scenes, so suffice it to say we've only just scratched the surface here -- there are many, many more in this game, each with their own story to tell!
If you could make any delusion into reality, what would your delusion be? Where would it be located, and what effect would it have on your town/city/village/trailer park/biodome? What would the inside of its Delusionscape look like, and what “Grand Phantasm” -- representative of the core concept from deep within your soul that spawned this delusion in the first place -- would await at the end of it?
We’ve been asking ourselves that very same question here at the XSEED offices, and if you’re lucky, maybe we’ll share a few of our answers with you in a future blog. Because let me tell you, we're all delusers, baby (though please don't kill us!).
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In the meantime, you can join Asahi & co. on their delusion-filled journey May 16th in North America or May 19th in PAL regions, on PS4 or Vita, both versions containing dual voice and dual text (so you can play with any combination you’d like of Japanese or English voice-acting or text). And in fact, although we previously stated that players would have to download the Japanese voices as free DLC for the Vita version, it turns out we were able to include them as part of the base game after all, so all users on both PS4 and Vita will have all voice and text options in all English-speaking regions, right from the start.
Are you ready to be deluded?
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loveandlighthunter · 7 years ago
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Essays In Love by Alain de Botton
 What is so frightening is the extent to which we may idealize others when we have such trouble tolerating ourselves -- because we have such trouble...
 Every fall into love involves the triumph of hope over self-knowledge. We fall in love hoping we won't find in another what we know is in ourselves, all the cowardice, weakness, laziness, dishonesty, compromise, and stupidity.
 Faced with ambiguous signals, what better explanation than shyness: the beloved desires, but is too shy to say so. The seducer who wishes to call his victim shy will never be disappointed.
 My sense of inferiority bred a need to take on a personality that was not my own, a seducing self that would respond to every demand and suggestion made by my exalted companion.
Silence was damning. A silence with an unattractive person implies they are the boring one. A silence with an attractive one immediately renders it certain you are the tedious party.
Behind such clumsy questions (with every one I asked, I seemed to get further from knowing her) rested an impatient to get to the most direct question of all, 'Who are you?' -- and hence 'Who should I be?'
Few things are as antithetical to sex as thought. Sex is instinctive, unreflexive and spontaneous, while thought is careful, uninvolved, and judgemental. To think during sex is to violate a fundamental law of intercourse. But did I have a choice?
I wasn't thinking anything cruel while I ran my hands and lips across Chloe's body, it was simply that Chloe would probably have been disturbed by news that I was thinking at all. Because thought implies judgement, and because we are all paranoid enough to take judgement to be negative, it is constitutionally suspect in the bedroom. Hence the sighing that drowns the sounds of lovers' thought, sighing that confirms: I am too passionate to be thinking. I kiss, and therfore I do not think -- such is the official myth under which lovemaking takes place, the bedroom a unique space in which partners tacitly agree not to remind one another of the awe-inspiring wonder of their nudity.
Unrequited love may be painful, but it is safely painful, because it does not involve inflicting damage on anyone but oneself, a private pain that is bitter-sweet as it is self-induced. But as soon as love is reciprocated, one must be prepared to give up the passivity of simply being hurt to take on the responsibility of perpetrating hurt oneself.
Theorists of love have tended to be rightly suspicious of fusion, their scepticism stemming from the sense that it is easier to impute similarity than investigate difference. We base out fall into love upon insufficient material, and supplement our ignorance with desire.
Only after we have undertaken a thorough exchange of opinions on parenting, politics, art, science, and appropriate snacks for the kitchen should two people ever decide they are ready to love each other. In the mature account of love, it is only when we truly know our partners that love deserves the chance to grow.
I'm no expert on love, but I'll tell you something. In the end, I've found that it doesn't really matter who you marry. If you like them in the beginning, you probably won't like them in the end. And if you start of hating them, there's always the chance you'll end up thinking they're all right.
I felt a primitive nostalgia for familiar surroundings, recognizing the disruption that every relationship entails -- a whole new person to learn about, to suggest myself to, to acclimatize myself to. It was perhaps a moment of fear at the thought of all the differences I would find in Chloe, all the times she would be one thing, and I another, when our world views would be incapable of alignment.
But if the terms have been linked, it is always in an implausible marriage, for it seems it is impossible to talk of love and letting live, and if we are left to live, we are not usually loved.
The only freedom which deserves the name is that of pursuing our own good, in our own way, so long as we do not attempt to deprive others of theirs, or impede their efforts to obtain it . . . the only purpose for which power can be rightfully exercised over any member of a civilized society against his will is to prevent harm to others. His own good, either physical or moral, is not sufficient warrant. * * On Liberty, John Stuart Mill (Cambridge University Press, 1989)
With an inability to laugh comes an inability to acknowledge the contradictions inherent in every society and relationship, the multiplicity and clash of desires [...]
Does beauty give birth to love or does love give birth to beauty?
Every one of our lovers offers different solutions to the problem of beauty, and yet succeeds in redefining our notions of attractiveness in a way that is as original and as idiosyncratic as the landscape of their face.
The most interesting faces generally oscillate between charm and crookedness. There is a tyranny about perfection, a certain tedium even, something that asserts itself with all the dogmatism of a scientific formula. The more tempting kind of beauty has only a few angles from which it may be seen, and then not in all lights at all times. It flirts dangerously with ugliness, it takes risks with itself, it does not side comfortably with mathematical rules of proportion, it draws its appeals from precisely those details that also lend themselves to ugliness. As Proust once said, classically beautiful women should be left to men without imagination.
Was my sense of being in love not just the result of living in a particular cultural epoch? Was it not society, rather than any authentic urge, that was motivating me to pride myself on romantic love?
Because only the body is open to the eye, the hope of the infatuated lover is that the soul is faithful to its casing, that the body owns an appropriate soul, that what the skin represents turns out to be what it is. I did not love Chloe for her body, I loved her body for the promise of who she was. It was a most inspiring promise.
Delusions are not harmful in themselves, they only hurt when one is alone in believing in them, when one cannot create an environment in which they can be sustained. So long as both Chloe and I could preserve the yolk of love intact, what did it matter quite what the truth was?
Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone there who can understand what we are saying, in essence, we are not wholly alive until we are loved.
Without love, we lost the ability to possess a proper identity, within love, there is a constant confirmation of our selves. It is no wonder that the concept of a God who can see us has been central to many religions: to be seen is to be assured that we exist, all the better if one is dealing with God (or partner) who loves us.
It was a reminder that the labelling of others is usually a silent process. Most people do not openly force us into roles, they merely suggest that we adopt them through their reactions to us, and hence surreptiously prevent us from moving beyond whatever mould they have assigned us.
However happy we may be with our partner, out love for them necessarily hinders us from pursuing alternatives. Why should this constrain us if we love them? Why should we feel this as a loss unless our love for them has already begun to wane? Because in resolving our need to love, we do not always succeed in resolving our need to long.
Because happiness is so terrifying and anxiety-inducing to accept, somewhat unconsciously, Chloe and I had always tended to locate hedonia either in memory or in anticipation. Though the pursuit of happiness was our avowed goal, it was accompanied by an implicit belief that it would be realized somewhere in the very distant future [...]
Why did we live this way? Perhaps because to enjoy ourselves in the present would have meant engaging ourselves in an imperfect or dangerously ephemeral reality, rather than hiding behind a comfortable belief in an afterlife.
Most of the time, the present is too flawed to remind us that the disease of living in the present imperfect tense is within us, and nothing to do with the world outside.
The strength of the accusation we made, their sheer implausibility, showed that we argued not because we hate one another, but because we loved one another too much -- or, to risk confusing things, because we hated loving one another to the extent we did. Our accusations were loaded with a complicated subtext, I hate you, because I love you. It amounted to a fundamental protest, I hate having no choice but to risk loving you like this.
It is easiest to accept happiness when it is brought about through things that one can control, that one has achieved after much effort and reason.
At the height of love, there appeared a temptation to end the relationship prematurely, so that either Chloe or I could play at being executioner, rather than see the other partner, or habit, or familiarity end things.
The desire is that I be loved even if I lose everything: leaving nothing but 'me', this mysterious 'me' taken to be the self at its weakest, most vulnerable point. Do you love me enough that I may be weak with you?Everyone loves strength, but Do you love me for my weakness? That is the real test. Do you love me stripped of everything that might be lost, for only the things I will have for ever?
What have I done to deserve love? asks the humble lover; I can have done nothing. What have I done to be denied love? protests the betrayed one, arrogantly claiming possession of a gift that is never one's due. To both questions, the one who hands out love can only reply: Because you are you -- an answer that leaves the beloved dangeously and unpredictably strung between grandiosity and depression.
Certain things are said not because they will be heard, but because it is important to speak.
You must love me, says the romantic terrorist, I will force you to love me by sulking you or making you feel jealous, but then comes the paradox, for if love is returned, it is at once considered tainted, and the romantic terrorist must complain, If I have only forced you to love me, then I cannot accept this love, for it was not spontaneously given. Romantic terrorism is a demand that negates itself in the process of its resolution, it brings the terrorist up against an uncomfortable reality -- that love's death cannot be arrested.
 What use was it to live if it was without love and without being heard? What was freedom if it meant the freedom to be abandoned?
The arrogance of wanting to be loved had emerged only now it was unreciprocated -- I was left alone with my desire, defenceless, beyond the law, shockingly crude in my demands: Love me! And for what reason? I had only the usual paltry, insufficient excuse: Because I love you . . .
What curse did I labour under? Nothing other than an inability to enjoy happy relationships, possibly the greatest misfortune known to man in modern society.
Only by my death could I assert the importance and immortality of my love, only through self-destruction could I remind a world grown weary of tragedy that love was a deadly serious matter.
It was not a question of being or not being. My answer to Hamlet was to be and not to be.
The physical world refused to let me forget. Life is crueller than art, for the latter usually assures that the physical surroundings reflect characters' mental states.
My identity had for so long been forged around 'us' that to return to the 'I' involved an almost complete reinvention of myself.
We start trying to be wise when we realize that we are not born knowing how to live, but that life is a skill that has to be acquired, like riding a bicycle or playing the piano.
We are all more intelligent than we are capable, and awareness of the insanity of love has never saved anyone from the disease.
Though love might never be painless and was certainly not wise, neither could it be forgotten. It was as inevitable as it was unreasonable -- and its unreason was unfortunately no argument against it.
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