#not that I don't have empathy for what he's going through or that I can't understand his motivations for the actions he takes

[lena-thinks-too-much]

Batdad's Mediocre Parenting

It should be noted that this headcanon is my take on fanon Bruce and has not resemblance to canon Bruce mostly because Bruce's parenting skills are wildly inconsistent in the comics.

So Bruce is kinda of a head over heart kinda guy right? As someone with a dad who approaches emotional problems with pure logic and nothing else, I kinda get it. Genuinely, if I hear "think like an engineer" while I'm going through a crisis one more time I'm going to break something. (I love him though, he's doing his best)

Bruce Wayne who loves his children and isn't great at expressing it. Bruce Wayne who wants to make all their problems go away but isn't particularly cognisant of how they would want to go about that.

Bruce Wayne who appeals to their logical side because that's what he understands best.

I think this is why, when his kids mess up, Bruce has a tendency to stick his foot in his mouth. Emotions muddy the mind and make decisions difficult. Solution? Push the emotions aside and focus on cold hard facts. But his kids are teenagers who aren't as emotionally constipated as he is so they can't actually do that.

So everytime he fires or benches someone, he thinks it's obvious it's out of concern. "You're acting rash and impulsive" or "you disobeyed direct orders" translates to 'I'm afraid you're going to get hurt'. But they don't hear that part.

I think the source for this theory is actually from Tim's run as Robin. I know I said I wasn't going to bring canon into this but it's relevant.

So right before Tim officially quits as Robin because Jack Drake finds out, he was actually indeterminately benched(it was like a couple weeks or so), followed by him quitting. Actually they day Jack forces him to quit Tim had just made up his mind to be Robin again

This was because of a series of events where a villain attacked Steph and breaks her leg, while threatening to kill her and Tim loses his shit and starts whaling on the guy. Then I think the guy disappears or disintegrates or something? I don't really remember but Tim fully believes he just killed a man and it really fucks with him. they find out later that the guy survived but that's irrelevant to the point

because Tim is convinced he just committed murder, he kinda starts losing control in the field. It gets bad enough that Bruce basically tells him to either get his shit together or stay home because he's a liability. Tim gets pissed off at Bruce's cold lack of empathy for his struggle and basically quits on the spot.

The reason I bring this up is because that conversation could have easily been read as Bruce appealing to logic instead of emotion. After all, Tim was the robin most similar to Bruce and Bruce is a logically driven person. Bruce probably relates to time via facts and logic. Bruce tried to put it in terms that he thought Tim would understand: logically pointing out the objective observations of behavior and why they're a problem, when Tim was too emotional to think logically.

so yeah. TLDR: Bruce is a good parent who cares about his kids, he's just really bad at speaking their language

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[sholmeser]

so like it’s 1999 and solid snake is in zanzibar land and gray fox tells you that all he can do is fight. it’s all he has and it’s probably all you’re ever going to have, too, because deep down you know your father is right, you know he is right as you click the lighter and burn the flesh off his skin, you know he is right when he tells you, this will never go away. i am always going to be a part of you. it’s 2005 and solid snake is in shadow moses island, alaska and gray fox tells you that’s good, snake. hit me harder. do it more. that’s good. when you meet meryl you kill the guards, and then snake thinks he loves her, so you kill psycho mantis for her, ocelot tortures you and you withstand it for her, you beat liquid to a pulp for her and while his blood is on your fists he smiles and tells you that you two, you’ll always be the same. gray fox means violence means meryl means violence, so what’s love if not that? what is it if not the feeling of broken bones under your knuckles, if not the smell of your father’s burnt flesh? but she's too young, she doesn’t understand you and she couldn’t if she tried, because she’s eighteen years old and doesn’t know any better and doesn’t understand that after you sleep with her you’re going to get up and let the pillow grow cold, she thinks you’ll tell her everything and when you don’t, because you can’t, she’ll leave you. you kill him with your fists and for her you destroy shadow moses and you hear him say to you again that’s good, snake, that feels good, do it harder. but it isn’t a coincidence that in mgs1 you meet otacon at the same time you meet gray fox. otacon who is so scared of battle he pisses his pants and otacon who cries over a woman who could never love him back and otacon who thinks good people like dogs, kind people like dogs, otacon who passed you a meal, ready-to-eat and a bottle of ketchup across the bars of your cell and when you ask him why the fuck are you here if you cant help me he says to you, i thought you might be hungry. otacon who gives you her handkerchief that was once her mother's and will be hers once again when she dies, when you rest it atop her glazed-over irises, a cycle of love. she was a good person, snake, and so are you. she liked the wolves and you do too. otacon who cries over his baby sister’s little body, who blames himself for being seventeen years old under the touch of the woman who should have been his mother. otacon who when it's 2014 will make you the solid eye and the octocamo suit and the mk. ii to keep you safe and say to you, don't hurt anyone, snake. will say to you: i'll follow you wherever you go, like this. otacon who blubbers like a baby and cries too much and who, when it's 2009 in new york city, you have to say to, go rescue the hostages, because if you don’t he’s going to crumple in on himself, a dying star. this is how you love, you don’t say to him, and how i love, because you showed me how. wrap your arms around his shoulders and hope it’s enough.

[inseparabiles]

There's also the repeat references to their father's cruelty towards them. They did not get an upbringing which would foster care for anyone but each other. I'm looking at this from a perspective that makes this personally stand out to me, but while subtle, there is a very significant narrative with the two of prolonged childhood trauma, which has had them in a survival mode their whole lives.

Then their father is no longer there and for the first time, they're not fearing the consequences of breathing wrong. The only thing they've learned through and through is that they have no one else but each other, and combined with their other damage, this has become to the exclusion of everybody else - a trait you do not want to see in an emperor. Put two of them together, and they'll end up in a self-perpetuating cycle of becoming the worst of themselves, because their sole meaningful audience can always only make them worse.

With Caracalla's illness, he is constantly further pushing Geta out of any potential other path that he had. Most of Geta's rule consists of trying to stop his brother from self-destructing through his uncontrollable behaviour and catering to his desires to keep him stable/satisfied. Despite this, throughout the film, he shows some promise: he asks Caracalla first, for example, when deciding the fate of a gladiator. A surprise to no one, Caracalla tells him he'd like to "see some blood", but this is clearly not the answer that Geta wanted to hear, so he asks Lucille also, under the guise of her being their guest. She tells him to show mercy - and he does.

Later, take this with a grain of salt since I've only seen the movie once (fixing this in a couple hours however so if I'm utterly wrong maybe I'll come back to correct myself here), Geta is the one who hesitates on initially commanding Acacius's death, when the crowd shows such preference for him. Surely - he ends up calling for it with his whole chest when disobeyed, but there is a moment there where he thinks, this is not the right choice to make.

But what Geta is above all other things, is a survivor of childhood abuse who made it his purpose to protect his weaker brother. Shoved into a position of ultimate power, he does not change from this. And Caracalla, at this point, simply is not capable of being more to him than someone he desperately needs to retain his sense of safety and stability in a world which is unpredictable and uncaring toward him. The only person he loves, and trusts to truly love him in return, even if the glimpses to that side of him are slipping from their hands by the day.

While in his role as the emperor and his brother's primary and only caretaker, what Geta ends up doing is look for a father figure. Someone who could advice him in the matters of the realm - but who also cares for him, and would provide safety and stability both for himself and Caracalla. They are VERY young men who never had the experience of being protected, or being kindly guided through their responsibilities. They are surrounded by sycophants and enemies. They latch onto and immediately trust the only person in their circle who, they think, shows them genuine care and concern. Who becomes a true friend. The fact that Geta ultimately asks for Macrinus to be the one to go talk to Caracalla, to calm him down, and then for the second time that night asks him for help helping his brother when things are going very wrong? That takes an insane amount of sincere trust from him - Caracalla is his primary responsibility, but with Macrinus around, he begins to trust that maybe he does not have to be alone with that responsibility, and maybe, for the first time, he can allow himself to think of his empire, too.

They are incredibly naive and desperate for protectors and parents. It's easy to see with Caracalla, whose illness makes his behaviour lapse so often to regression and childlike states. But Geta is by no means any better.

This all, of course, followed by the disclaimer that Geta's still a monster in the making who is seen to clearly enjoy and delight in the suffering of others, and will not hesitate to call for the heads of those who do wrong against him. But he shows that he is capable of second-guessing these instincts. The reason he rarely does is that he has no one who cares about him and who could help him choose another path, and as much as he remains the stronger and more coherent brother, Caracalla is the only person who he can allow himself to fully, unconditionally love, and whom he feels connected with. And Caracalla's judgement will always be "I'd like to see some blood".

They could have been better, though. If they didn't grow up raised by fucking wolves.

From the way Geta and Caracalla reacted to Acacius' and Lucilla's betrayal to their fear of the people's wrath against them, you can really tell how young and inexperienced these two really were.

Yes, they had an almost complete disregard of their subjects needs and, yes, they were heading straight to madness but there is also a tragedy to their stories. They were given great power at a young age, Caracalla's mind was all but gone and Geta showed signs of an unhinged character. They had no one to rely on except each other and seemed eager to have someone that they can trust.

But their madness also makes you wonder, how much of it can also be blamed on their position? These two would probably have different demeanors (and most certainly different fates) if they had never become Emperors which makes you realize how power can truly corrupt and destroy people and even display their true characters.

[fluffyartbl0g]

FUCKED UP BEETLE

PROBLEM

So you're having a totally fine day by all accounts and then it instantly goes to shit just because you pass by a fucked up beetle hidden in the grass. You've seen bugs dead all the time, so what. So what if its torn up wings and cracked shell definitely mean that some random kids fucked it up before it died. So what if your dad was drunk and high all the time and screamed at you and you fucked C over and you fuck everything up. SO WHAT. No amount of therapy or 'healthy coping mechanisms' or 'unpacking of trauma' will ever erase the ultimate truth underneath. You are intrinsically, hopelessly fucked.

-3 Volition: Fucked in the head

SOLUTION

You're going to wake up the next morning totally fine again. In fact, Harry's probably going to put some extra effort into making breakfast nice to cheer you up--which will actually kind of annoy you, but in a way that makes you feel all fuzzy and warm. Sure, you still get stuck in your head sometimes about sad shit, but you're dealing with it better and better, and the days where you actually feel like someone are beginning to far outnumber the days you don't. For now, you hug him a little bit tighter. You're safe now.

-1 Composure: Permanently a little bit fucked

+2 Volition: You're going to be okay

_

transcript under read more

VARIOUS CANDY WRAPPERS SPLAYED OUT ON THE TABLE: The label reads 'BLUE DREAM'. Unlike what its colour may suggest, it is not flavoured a blueberry or bubblegum, but vanilla.

[A red orb appears above Harry's head]

SHIVERS [Impossible: Success] - The air has been shifted ever so slightly. He's trying to breathe correctly, but blurs of thought keep flickering through his mind. This continued for the entire thirteen minute trek home.

PERCEPTION [Medium: Success] - A loud thunk rattles across the room as Cuno closes the door, he looks out of breath

EMPATHY [Easy: Success] - He's barely holding it together

CUNO - He looks up at you with a yelp, "Fuckin hell! Wasn't the pig supposed to be out investigating some shit?"

SUGGESTION [Medium: Success] - He didn't want you seeing him like this, answer his question, he'll leave if you ask him about it first.

1. "Did something happen?"

2. "You look like you ran a damn marathon kid, what's up?"

3. "I had to quickly come back to snag some important evidence for the case" (point to various candy wrappers)

CUNO - He scrunches his brow "That mean you're getting your ass outta Cuno's face soon?"

DRAMA [Easy: Fail] - Wow. He didn't even ask about the wrappers!

EMPATHY [Difficult: Success] - He doesn't want to be alone

1. "Did something happen?"

PERCEPTION [Difficult: Fail] - Cuno's hands tremble as he mumbles out a whisper of words you can't make out

1. Cuno?

[Harry reaches out to comfort him, but Cuno sees this and snaps at him]

CUNO - "NOTHING FUCKING HAPPENED ALRIGHT? THINGS HAVE BEEN FUUUCKIN PEACHY TODAY"

"CUNO GOT A FUCKIN A ON HIS ESSAY, ABSOLUTELY WENT DOWN ON A DELICIOUS FUCKIN KEBAB YA HEAR?

CUNO - He pauses. "Nothin fuckin happened today. It's all me. Cuno's the one thats all fucked up"

He starts choking up by the end of that,

(a yellow orb is seen above Harry's head as he looks at cuno breaking down [it's reaction speed])

Harry hugs him

CUNO - "Fuck"

KUUNO - He hugs back tightly

[evilminji]

Okay but? We of the DPxDC? Are COMPLETELY Sleeping on DPXBNHA?

And not even for the Main Plot Shenanigans!

Just?? It has ALL of DC's super powers? But MORE OF THEM. And like 80% of the population has um! Danny can?? Finally achieve his DREAM of being???

JUST SOME DUDE™!

Yeah, he's in Japan. That's a bit of a learning curve. And YEAH, there was a cataclysmic war like a few centuries back that sorta... fucked everybody up. No one wants to talk about it. There may be mass graves and Never Forget memorials. But?

On the SURFACE!

This place seems utopian!

No ghost hunters! Advanced technology! Robust social services*!

Wait... what was that asterisk? What do you mean "corrupt shadowy government organizations"? What do you MEAN "Immortal Supervillians"? NO SPACE PROGRAM!?!? AaaaaAAAAAAAAAAH?!?!? I'M IN HELL!!! This is ACTUALLY THE BAD PLACE, THIS IS HELL, OH GOD NOOOOOOO-!!!!!!

Cause see?

There are SO MANY REASONS he'd end up there?

Think about it! Wish that he lived somewhere his weird biology wouldn't exclude him from becoming an astronaut? In Quirks having Bnha Japan EVERYBODY has weird biology! Y'ain't special! You could TOTALLY be an astronaut!..... if we HAD those! We do not. Shut down that program during the Quirk Wars and never really started it again. (And somewhere, Desiree LAUGHS)

Or MAYBE? Things are getting a little hot on the ground? Bit TOO spicy. The Family Fenton and Friends have fallen back, behind the barely holding shields. Not even the Mansons considerable political maneuvering could stop the inevitably of human fear and blind unthinking hatred. Money can't buy everything, in the end. There is only ONE(1) way out.

Through the Zone.

Plan: Strangers In A Strange World is a go.

They're all Limnal enough to fake it. Sam with her plants. Tucker with his technology and persuasion. Jazz with her limited empathy. Their parents with their... well, weirdness. And with a touch of ghostly assisted meddling? Well, they've always BEEN there! Haven't they?

And that's not to MENTION the random 4 year olds with no control! JUST coming into their powers! With all those big emotions in tiny bodies? Startling events and tantrums? Villian attacks? What could THEY possibly hope to do to control or guide that fresh new power? It does what it does and the rest of us are just along for the ride!

If Danny happens to be minding his business and gets accidentally kidnapped by a VERY distraught 4 year old? Well, that's hardly the KIDS fault, now is it? They're FOUR! That is basically a toddler! Tiny child! They are upset, confused, and didn't mean to do ANYTHING. He's a hero. And Heros don't blame little kids from accidents, no matter HOW stressed it makes them.

No, the curse like a sailor INSIDE their head. Like an ADULT.

Just? Imagine~☆

The slow transition from *starry eyed shoujo sparkles* "This is SO COOL~!" to "huh, that's... kinda weird. And Sus. Weird Sus. Maybe nothing... oh! A distraction!" To "okay, this KEEPS happening, that was shady. You all saw that right? You realize that's not NORMAL, right? That that's fucked up? Not cool?" To "oh god, oh God, OH GOD! I'm in HELL! This is actually HELL! I'm trapped in HELL!!! WHAT THE FUC-"

Like? This kid LOVES space. LOVES the stars. And this is one of the few Superhero Cannon that SPECIFICALLY MENTIONS that IN CANNON? Thanks to Quirks? As in Superpowers? That VERY THING got fuckin SCRAPPED. Gutted. Consigned to be a relic of the past so they could all focus on punching each other Real Good.

He would weep BLOOD. Chew the WALLS. The LEVEL of unhinged this child would unleash? Not as Danny Phantom... but as DANNY J. FENTON? Beautiful. Vaguely psychotic. Definitely doing the Fenton Name proud. God, the NOISE HE WOULD MAKE would be inhuman and yet somehow? Come entirely from his human half.

They👏 Would👏 Hear👏 BOSS👏 MUSIC👏

I don't even know if he'd CARE about the main characters. They'd be tangential at best. The man would be in a one man war with I-Island over their lack of space program and hoarding of scientific progress. Probably living out of an abandoned building or forgotten subway station. Just? The MOST bedraggled, feral genius to ever haunt Japan.

As opposed to the REFINED feral genius. Who is Nedzu.

I bet Danny stands outside his school at one AM waving his scientific papers at a camera and YELLS. Like a deranged lunatic. Mismatched slippers and a "haven't slept in a week" crazed glint in his eyes.

He's Nedzu's new best friend. They GET each other.

And, yes, Nedzu COULD let him in... but it's faster to just let him yell and read the papers through the camera. Who CARES if they both seem insane! Let's shout about advanced physics and engineering at 1 am! Over the speakers!!! Oh? You need to physically SHOW me the notes? Well I COULD unlock the gates... OR just wait for you to finish scrambling up the walls like a feral Racoon, to then throw yourself OVER them.

Either, Or.

I'm just SAYING! We are SLEEPING on this! There is so, SO much fun to be had! Danny breaks rules and minds! His outrage over injustice and the complete lack of SPACE! His protection instincts going BUCK FUCKIN WILD. The INDESCRIBABLE hate boner he would have for Mr. "Lemme just rip parts of your soul out so I can collect your powers like pokemon cards" AfO.

There? Is SO MUCH, guys. SO MUCH!

@hdgnj @the-witchhunter @babbling-babull @hypewinter @nerdpoe @lolottes @dcxdpdabbles @mutable-manifestation

[uzurakis]

"i just don't understaaaand," you slurred, hiccuping between the words. "why wasn't i, hic, enouuugh?"

the night was a haze of tears and drunken laughter as you vented your frustrations and heartbreak to suguru, ever the supportive best friend, stayed by your side. he listened intently whilst you nursed the sting of your recent breakup with a bottle of whiskey.

suguru sighed, purple eyes filled with empathy and eyebrows furrowed in remorse. "you’re enough and it's his loss, honestly. he didn't deserve you."

you took another swig of the whiskey, feeling the burn slide down your throat. suguru watched with concern as you took another, another, and another other until he gently took the bottle from your hand.

"hey, enough. that’s enough," he said softly, placing the bottle out of your reach. "you've had too much already."

you pouted, leaning against him heavily. "i can, hic, handle it! just one more drink, pleeaaase . .” granting him your doe eyes, believing that this appeal would make him yield. “suuuguuruuuu . . .”

"don’t ‘suguruu’ me," your best friend replied firmly. "nope. i'm cutting you off."

your eyes narrowed in engaging determination as you tried to reach past him for the bottle. he placed it further away on the table, just out of your grasp. you leaned forward, stretching your arm as far as you could, your fingertips just brushing the bottle's neck.

"come onnnn, suguruuu," your whining didn’t stop, every sentence was slurred and pleading. "justt one, one more sip. i swear!”

he shook his head, "you're going to regret this in the morning."

ignoring his warning, you leaned further, almost losing your balance as you reached for the bottle again. your body pressed against his as you stretched, your fingers just barely touching the bottle's edge before it slipped further out of reach.

when your fingers lightly grazed his hand while reaching for the bottle, he felt a flutter of nerves ripple through him. the casual touch of your skin against his sent a warmth spreading through his chest, making his heart beat just a little faster. he tried to act normal, keeping his breaths steady and his expressions neutral, but the truth was, he relished those moments more than he would ever admit, even if it was merely your skin grazing his. oh, how much he was longing for every piece of you. the proximity was intoxicating, and every time you leaned in closer, the guy found it harder to keep his emotions in check.

were you supposed to feel this way for your own best friend?

geto suguru forever questioned himself.

"suguruu, pleasee," you begged for the nth time this minute. he gulped, his resolve wavering slightly. but when you tried again, practically climbing over him in your attempt to grab the bottle, he gently but firmly pulled you back.

"okay, that's enough," he said, voice a little more stern. "you're going to hurt yourself."

you huffed in frustration, slumping back against the couch. "hmph, fine," you muttered, crossing your arms over your chest.

suguru watched you for a moment, his eyes softening. he hated seeing you like this, no, he hated feeling like this. it’s miserable, his heart ached to comfort you, to hold you close and tell you everything would be okay, but he knew that his own emotions were a mess of longing and guilt. the more he tried to push his feelings aside, the stronger they seemed to become.

suguru felt trapped, his heart caught between wanting to be there for you as a friend and struggling with the intense feeling he felt for you. with a resigned sigh, he picked up the bottle and took a long drink himself, grimacing as the alcohol burned down his throat. it was still half full, but he drank it all in one go.

"there," he said, wiping his mouth, slightly grinning. "now you can't have any more."

“noooo!” you panicked, a little too loudly, and playfully grabbing his shoulders back and forth. "that was, hic, still mineee!”

he chuckled, the alcohol already making his head swim. "hmm that's what friends are for."

a comfortable silence settled between you two. now the room was spinning slightly from the alcohol, and the world felt a little softer, a little more forgiving. you looked up at suguru, noticing how close his face was to yours. his eyes were dark and filled with something you couldn't quite place.

just then, suguru leaned in, his lips brushing against yours in a tentative kiss. he could swear it was the alcohol, it wasn’t him. you froze for a moment, your mind clouded by the booze, and then you kissed him back. the world seemed to blur around you as the kiss deepened, both of you lost in the moment.

suguru’s lips were unexpectedly warm and soft against yours, and the moment they touched, the world seemed to fade away. the sorrow of your breakup, the weight of your heartache, all vanished in an instant. your ex was a distant memory, a shadow that no longer held any power over you. instead, all you could think about was suguru; way he had always been there for you, the way he had listened and comforted you without expecting anything in return. his touch, his presence, felt like where you should have been all along.

this time, you realized, with a sudden clarity, that suguru was the one who had always stayed by your side. it was him who cared for you, who truly understood you in a way no one else ever had.

his hand cupped your face tenderly, his thumb brushing away the last remnants of your tears. suddenly you felt sober again, under no influence besides the whole situation. in that instant, everything seemed to make sense. the pieces of your shattered heart were slowly mending, guided by the warmth of suguru’s affection. as you pulled back slightly to catch your breath, you looked into his eyes and saw a reflection of your own emotions; love, longing, and a deep, abiding connection that had always been there, just waiting to be discovered.

“suguru . .” you whispered.

“i’ve always been here,” he said quietly, his breath mingling with yours. “and i always will be.”

“so please, look at me this one time.”

n. tagging @sugulani cz i promised ya <3 (ITS NOT STONER SUGURU BUT SURPRISEE! i will write dat anotha time 🙂‍↕️)

@uzurakis

[avelera]

One of your posts mentioned something about viktor not truly acknowledging Jayce's workload when it came to him being a Councillor. Could you please elaborate on that?

Sure. I mean, maybe if I went back through and did an exhaustive rewatch, I'd find something to contradict the point, but as far as I can recall, the closest Viktor ever comes to saying that Jayce might be overworked is when he calls his time going over the shipping manifests for the Hexgates a waste of time because they should be working on innovations to help people in need (ie, Viktor obfuscating once again that he is dying and wants Jayce's urgent help but framing it in such a way that it sounds like a long-term societal problem instead of a short term personal one, so it goes right over Jayce's head).

And look, let me preface this by saying Viktor is actively dying at this point. He's sick, and in pain, and terrified, and he feels abandoned by the most important person in his life. I'm not saying it was wrong of him to not acknowledge Jayce's workload, or bad, or in any way not understandable. Jayce is an adult too and Viktor was definitely suffering more at that point than him.

But on one of many rewatches, I did note that when Jayce says, "Sorry, I have a lot on my plate lately." it is objectively true. And Viktor doesn't even acknowledge it. Being a full time councilor and promoting Hextech and working in the lab and trying to help Viktor and dealing with a civic crisis that could lead to outright civil war, etc etc everything else happening in S1, it's no wonder Jayce is snippy and on edge at the bridge, the guy should be on the edge of collapse quite frankly.

And Viktor doesn't care. He thinks Jayce's time on the Council is a waste of time, so he doesn't acknowledge the burden of it. That includes not acknowledging the fact that the Hexcore would have been destroyed and Viktor's one hope for a cure gone with it if not for Jayce's power and influence now. Jayce only became a Councilor to advance their research and help Viktor, but Viktor doesn't once acknowledge this and seems actively angry and jealous about it.

By the way, this isn't a case of one of them is right and the other is wrong, it's just a case of two very human people being human. It's very well written. But Viktor's lack of empathy for the challenges Jayce is facing means he's also not seeing how much of what Jayce is doing is for his benefit, how many burdens Jayce is taking on for Viktor's sake.

Viktor's emotional arc at the end of S1 includes a lot of feelings of abandonment by Jayce which are objectively not true. If he acknowledged Jayce's workload, he might also come to the realization that he's not abandoned, that Jayce is entirely focused on him just in different arenas. Maybe it would give Viktor the impetus to say "Hey, I don't want your help as a Councilor, I want your help in the lab because I'm scared and alone and dying and I'm about to make some very rash decisions because of all those feelings." Instead of just sucking it up and going it alone, which eventually leads to Sky's death and Viktor's collapse into utter hopelessness and resignation towards his own death.

And by the way, this isn't conjecture that Viktor is bad at seeing how much people around him care for him. Sky is another example of this. Viktor is so focused on extending his own life that, to paraphrase Heimerdinger in 2.07, he's not using the time he has to be with the ones he loves.

Later he will weep and rage at how he completely missed out on knowing Sky as a person, he completely missed out on knowing she cares for him. He'll craft an entire specter of her to keep him company as a result of this guilt in S2, because he can't live with the guilt of the fact he objectively missed out on spending time with the real woman when she was alive. And that is another version of what he's doing to Jayce in S1, by not seeing that Jayce isn't ignoring him, he's desperately trying to help in every way he can and the workload is burying him.

[brittlebutch]

Thinking about this again. Even #62 is easy enough to explain without needing to lean into machiavellian levels of convoluted manipulations to explain Tim's actions.

Like, if I had a place that had been a safe haven for me since I was a child where I could go to calm down and collect myself after really bad episodes and then some moron who'd been harassing me into going out to deeply traumatic locations from my childhood and who also had been stalking me through my personal life for months and posting all that footage online -- not just information about where I live and go to the doctor but also more traumatic things that happened to me that I can't even remember happening -- and also who had just doxxed me not even a month ago then followed me out there with his camera on so that he could film me "acting crazy" again and then post that footage publicly for his followers to continue to gawk at I would also probably attempt to throttle him. I think the key to unlocking Tim's character is to understand that Jay sucks.

a lot of people seem to use Entry #61 as 'proof' for the crux of the "Brian didn't care about Tim, he was Taking Advantage of Tim's conditions and Forcing him to work as part of totheark" thing, but honestly when you think about it there's no possible way Brian could have possibly orchestrated that series of events, like you almost have to interpret that as a baffling group of coincidences

[extinctlesspains]

Oh my god thank you for writing for Axel, if you're willing please can we have more of him :).

𝐷𝑜𝑛'𝑡 𝑐𝑟𝑦: 𝐴𝑥𝑒𝑙 𝐾𝑜𝑣𝑎𝑐𝑒𝑣𝑖𝑐

𝐵𝑦 𝑒𝑥𝑡𝑖𝑛𝑐𝑡𝑙𝑒𝑠𝑠𝑝𝑎𝑖𝑛𝑠

»»——⍟——««

»»——⍟——««

𝑃𝑎𝑖𝑟𝑖𝑛𝑔: 𝐴𝑥𝑒𝑙 𝐾𝑜𝑣𝑎𝑐𝑒𝑣𝑖𝑐 𝑥 𝑓𝑒𝑚! 𝑅𝑒𝑎𝑑𝑒𝑟 (established relationship!)

𝐺𝑒𝑛𝑟𝑒: 𝑓𝑙𝑢𝑓𝑓 𝑤𝑖𝑡ℎ ℎ𝑖𝑛𝑡𝑠 𝑜𝑓 𝑎𝑛𝑔𝑠𝑡

𝑆𝑢𝑚𝑚𝑎𝑟𝑦: 𝐵𝑒𝑖𝑛𝑔 𝑡ℎ𝑒 𝑓𝑒𝑚𝑎𝑙𝑒 𝑐𝑎𝑝𝑡𝑎𝑖𝑛 𝑜𝑓 𝑎 𝑠𝑡𝑟𝑜𝑛𝑔 𝑘𝑎𝑟𝑎𝑡𝑒 𝑡𝑒𝑎𝑚 𝑖𝑠 ℎ𝑎𝑟𝑑. 𝑃𝑒𝑜𝑝𝑙𝑒 𝑐𝑜𝑛𝑠𝑡𝑎𝑛𝑡𝑙𝑦 𝑡𝑒𝑙𝑙 𝑦𝑜𝑢 𝑡ℎ𝑎𝑡 𝑦𝑜𝑢 𝑎𝑟𝑒𝑛'𝑡 𝑔𝑜𝑜𝑑 𝑒𝑛𝑜𝑢𝑔ℎ 𝑎𝑛𝑑 𝑡𝑒𝑎𝑟 𝑦𝑜𝑢 𝑑𝑜𝑤𝑛. 𝑊ℎ𝑒𝑛 𝐴𝑥𝑒𝑙 𝑟𝑒𝑎𝑙𝑖𝑧𝑒𝑠 𝑡ℎ𝑒 𝑖𝑚𝑝𝑎𝑐𝑡 𝑖𝑡 ℎ𝑎𝑠 𝑜𝑛 𝑦𝑜𝑢, ℎ𝑒'𝑠 𝑞𝑢𝑖𝑐𝑘 𝑡𝑜 𝑟𝑒𝑎𝑐𝑡 𝑎𝑛𝑑 𝑐𝑜𝑚𝑓𝑜𝑟𝑡 𝑦𝑜𝑢.

𝑊𝑎𝑟𝑛𝑖𝑛𝑔𝑠: 𝑐𝑢𝑟𝑠𝑖𝑛𝑔, 𝑐𝑟𝑦𝑖𝑛𝑔, 𝑢𝑠𝑒 𝑜𝑓 𝑌/𝑛, 𝑟𝑒𝑎𝑑𝑒𝑟 𝑓𝑎𝑐𝑒𝑠 𝑠𝑒𝑥𝑖𝑠𝑚, 𝑝𝑒𝑡 𝑛𝑎𝑚𝑒𝑠.

◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆◇◆

"I don't get it. Why did the Sekai Taikai allow females to be captains. They don't even work hard." A nearby boy in the hotel lobby said while having a conversation with his friend. "They probably just flash their boobs to their sensei to get the spot." His friend shrugged.

Disgust overwhelmed you, along with insecurity. You scoffed and pushed past the childish boys, walking to your team, the Iron Dragons. Axel noticed your anger and raised a brow. "Are you okay love?" Not bothering to face him, you responded. "Yeah, just some foolish guys." He nodded with a soft smile and grabbed your hand to ease your nerves.

"Get it together Y/n. You can't be losing to these other dojos." Sensei wolf sternly stated with his arms crossed over each other. "I apologize, sensei." You bowed. Axel looked at you with empathy. He always noticed how Sensei Wolf was hard on you. Yes, he was harsh on him but he was far worse with you.

He remembered the days when you came to his house, crying because Sensei Wolf had beaten the living daylight out of you.

"Go get ready for training." Sensei wolf grunted and motioned for you to move. Axel, who was getting ready to change out to train with you, was stopped. "Not you Axel, Y/n." You reluctantly let go of Axel's hand and sighed, walking away to your hotel room. "Why just her? Can't I train too?!" Axel responded, losing his cool. "She needs it more than you do." Wolf glared at his student.

"If I recall correctly, Y/n's a better fighter than I am. So I should be training, not her. Give her a break!" Axel yelled at his trainer. His anger was raising through the roof, and everyone in the hotel lobby had turned to see what the commotion was. "Kovacevic!" Wolf screamed back. "I will not be having this! Go to you designated room at once! You're lucky I'm not training you right now!" Scoffing, Axel walked away and towards the elevator to go to his room.

Except, he didn't go to his room, he went to yours. Knock, Knock. "Y/n?" He talked through the wooden door. You sniffled and quickly wiped your tears away from your watery eyes. The door opened with a soft creak and your eyes met with Axel's worried ones.

"Oh love..." He softly said, cupping your face when he noticed your puffy and tear stained cheeks. "I'm fine." Your voice shaky when you responded to his worried tone. "You're not and that's okay. You should be upset." Tears spilled from your eyes as you sat on the soft white hotel bed.

"You don't understand." Axel grabbed your hand and made a spot for himself by your side. "Then explain it to me, hm?" He hummed and caressed your hair. Sighing, you cleared your throat to explain. "No matter how hard I work, I will always be overshadowed by men. I can work until the brink of death but there will be a man who says I didn't work hard enough."

"Everyone in our dojo knows that I'm the best student but Sensei Wolf refuses to acknowledge that and says your the best student." You continued. "I have to work twice as hard if I have to beat a man. It's as if men are scared and insecure that I can do something they can." You frowned and looked up at Axel.

"Baby, I have no idea how you're feeling right now. But I will tell you that you need to walk out of this tournament, scaring every boy, not man, because no man would be afraid of a woman winning. I need you walking out of this tournament with your head held high and showing how you are the best." He smiled, kissing your head.

"I will be right here to support you..." He whispered in you ear.

"Always."

[theereina]

Big Mama Pt. 10 | You're Supposed To Know

Pairing: Terry Richmond x Plus Size Fem Black!OC

Wordcount: +2K

Warnings: MDNI (18+) mature content, such as cursing, no smut (alluding to sexual situations), heavily dialogue-centered, angst, verbal argument

Synopsis: When an argument between Terry and Havana sends them into a spiral, love is the last thing on their minds. Terry’s inability to see the situation through Havana’s POV becomes the single catalyst for a bomb that's ready to self-destruct.

Now, Terry must come to terms with the fact that this may be the end, and it’s all his fault. In a moment of desperation, Terry returns home and seeks advice from his parents. His parents give him raw and unfiltered guidance that shakes Terry to his core.

“Will Terry’s indiscretions ruin everything he and ‘Vana have built, and is forgiveness even an option?”

Big Mama Pt. 1 => 🦋

Big Mama Pt. 2 => 🦋

Big Mama Pt. 3 => 🦋

Big Mama Pt. 4 => 🦋

Big Mama Pt. 5 => 🦋

Big Mama Pt. 6 => 🦋

Big Mama Pt. 7 => 🦋

Big Mama Pt. 8 => 🦋

Big Mama Pt. 9 => 🦋

*Masterlist: 🔥🔥🔥

“’Vana, don't you walk away from me!” Terry yelled behind me as I stormed out of the bedroom.

“No, fuck this! I'm going home! You’re acting like I'm the problem!” I yelled back. I continued to walk into the living room without slowing my pace.

I was on fire. My mind was going 100 miles a minute, and nothing was going to calm me down. I didn't want to talk anymore. Terry's lack of understanding could only be tolerated for so long. He was letting his pride get in the way.

“Come here!” Terry said, grabbing my arm.

“Let me fuckin' go! I'm not doin' this anymore. I'm sick of explainin’ myself!” I yelled as I snatched my arm from Terry.

“Aight, ‘Vana. Calm yo’ ass down. We've been at this all day, and I'm tired. What the hell are you still mad for?” he asked, tilting his head to the side.

What was I still mad for? Terry couldn't be this dumb or naïve.

“What am I still mad for? What kinda dumbass question is that? You don't see what you did wrong?” I asked, stepping closer to him.

“Watch it! You gettin’ beside yourself, mama. Keep it civil,” Terry said, eyeing me. His chest rose and fell rapidly.

Anger was the only emotion present in the room as hues of red dominated our auras. Red was all we had the capacity to see at this point. Our eyes veiled in our pursuit of blood. Lacking empathy and compassion in every word we spewed out of spite. There were no white flags in our future.

We were no longer seeking a resolution, instead, we were now struggling to declare a winner. Who was right? Who was wrong? Who did this? Who did that?

Ears were no longer listening as we were too focused on responding. Quick, sharp tongues leave no room for gentleness. Battling it out like two wordsmiths who hate each other, finding value in inflicting pain with the same lips we used to express the deepest depths of love.

Unknowingly, we both wanted it to stop, but that meant someone had to lose. Unfortunately, I was stubborn, and so was he. Neither set of lips yielded long enough for a reprieve. This was nothing more than a senseless act of immaturity. Both of us were unaware of just how fierce and passionate the other could be when we felt unheard or misunderstood.

“Civil? Keep it civil?! You can't be that dumb, Terry? You don't see nothin' wrong with what you did… Better yet, what you didn't do?” I asked, poking him in the chest.

“Don't do that!” Terry said as he lightly grabbed my hand. “Just stop it, ‘Vana! Use your fuckin' words and talk!” he said, putting my hand by my side.

“Don't fuckin' touch me! You obviously don't care! I've talked all damn day. I've used my words. I've cried. I've… I've… I'm done!” I said, turning on my heels.

“What did I just say?! Stop walkin’ away and talk!” he yelled again.

My movements stopped. I was beyond exhausted. We had repeated the same conversation over and over. Each time getting an even worse result. This fight would not end tonight or maybe ever.

With a heavy heart, I decided for both of us.

At this moment, I would rather walk away than continue to fight. Even if I felt like I was right, we were too far gone. There was probably no coming back from this. Trust was gone. Communication was broken. Feelings were hurt. Lines were crossed. Too much was said, and too much was left uncertain. My heart was damaged. Maybe, I wasn't built for this.

“I'm not repeating myself again! If you think you're right, fine. Fuck it. I don't care anymore. There's nothing more for me to say when you're supposed to know…. Hell… How don't you know?” I said, opening the front door.

I walked out the door, half expecting Terry to stop me. When he didn't follow me, it only reinforced my decision.

After all of that, I was forfeiting this battle.

I conceded. He won.

“Son, tell me what happened?” Rochelle, Terry's mother asked earnestly. She leaned over and kissed Terry's head, hoping to comfort him.

One thing Ms. Rochelle didn't play about was her baby boy Terry. She had yet to meet Havana, so this was a bit of a problem, considering her baby had shown up teary-eyed and distraught over a girl she had never met.

“She found out about what happened between me and Taylor. I was gonna tell her at first, but then I didn't see the need to. It ended right there. It ain't like I kept communicatin’ with her,” Terry said, leaning back in his seat on the couch.

“What you mean by that? What happened wit’ you and Taylor? Mae Ann told me Taylor said she saw you a few days ago. Is that it, or is there more to this story?” Rochelle said, rubbing Terry's back.

“I mean… yes and no,” Terry shrugged.

“Son, spit it out,” she said, rolling her eyes. She could see straight through Terry. He was trying his hardest to repress his feelings, but Rochelle knew Terry was at war inside his head. What she didn't know was that Terry’s internal monologue was growing more chaotic by the second.

“I met up with Taylor after she texted me. She asked me to go with her to Eli’s grave. I mean, we were together when he died. So, I felt like maybe she just needed a friend. So I went—,” Terry said.

“Terrence Richmond! I'm starting to see why this woman was pissed off. You met up with your ex, and didn't think to tell her that? Even if nothing happened, that leaves way too much up for interpretation. Use your brain, baby!” Rochelle said, crossing her arms.

“Well, I didn't want her to get mad at me or get the wrong idea,” Terry said, sinking into the couch.

“And how did that work out, huh?” she said, leaning up to grab Terry's face and forcing him to look at her. “Look at me,” she continued.

“I just thought it would be best if she didn't know. I know ‘Vana. She woulda tried to kill Taylor. Hell, she'd probably woulda tried to kill me, too!” Terry exclaimed. Pausing to gather his thoughts, Terry tried to figure out the best way to tell his mother the rest of the story. “To be honest, Mama, that ain't even the worst part. Taylor kissed me, and… uh… tried to… uh… touch… y’know,” Terry said, nodding towards his groin.

“Unh unh! Terrence, did you at least stop the girl?” she asked loudly. The more her son talked the more she understood Havana’s sentiment. She would wring his father's neck if he didn't tell her about something like this.

“Yes, of course I did. We were in my truck which made it worse. I pushed her off and held her back as best I could, but I was driving. Plus, she kept tryin', so I dropped her off at Julie's. I promise, Mama. Nothing happened. I just honestly didn't know what to do after that,” Terry said, letting his face fall into his hands.

“Nothing happened, my ass! So, you mean to tell me that you let this girl kiss and touch all over you, then expected your girlfriend to be okay with it? Wait a damn minute… I thought you said you didn't tell her,” Rochelle said, knitting her eyebrows together.

“I didn't… She did,” Terry mumbled under his breath.

“Who did? Who is she? What are y—. Terrence! I know damn well you didn't let Talyor tell her first. Come on, honey. This ain't right, and you know it. You should've known this wasn't gonna end well,” she said, popping Terry upside his head.

“Rochelle!” Terry’s father, Franklin, yelled as he entered the room.

“Go ‘head. Tell your father about the mess you done got yourself into. Franky, you gotta hear this,” Rochelle said, shifting in her seat.

Franklin sat in his recliner, facing Terry. “Boy! Talk! Ain't no sense in hangin’ ya' head,” he said, leaning up to get Terry's attention.

Terry sat in silence for a moment. He started the story over, telling it from beginning to end. The more he talked, the more he realized how disappointed his parents looked and the worse he felt. It was becoming more evident to him that he fucked up. Havana had every right to be mad.

“Chelle, can you give us a minute? I think this might be one of those conversations, baby,” Franklin said, rising from the recliner.

“Alright. Please, talk some sense into this boy,” Rochelle said, standing.

Franklin approached Terry's mother kissing her on the cheek. Rochelle left the room and left the two men alone. Franklin knew that this was a conversation that needed a Father's touch. His mother could only understand to a certain extent.

“Son, listen. Before I even start speaking, do you even know what you did wrong?” he asked as he sat back in his recliner.

“Yes. I just… I just didn't think it was that serious. I never wanted to hurt ‘Vana. I love her too much. I thought I was protecting her,” Terry said, looking at his father.

Franklin stared at his son. The look on Terry's face was all too familiar. This was the face of a man who knew he messed up but didn't know if he could fix his mistake. He knew his son well enough to see that whoever this girl was she had Terry's heart— all of it.

“That’s a start. At least, you know you were wrong. Listen to me, son. When it comes to women…., or better yet, when it comes to love, omission is lyin’. It doesn't matter what your intentions were. You let another woman tell your woman something she didn't know about. What makes it worse is that Taylor ain't some random woman, she’s a woman you gotta past wit’. That’s gonna immediately throw some doubt in there no matter how much she trusts you. I can only imagine how Taylor spun that story. So, of course, her initial thoughts are gonna be all over the place. She’s gonna question why you weren't the one to tell her, and if nothing happened, why'd you hide it? You left too much unanswered, son. Then, you let another woman answer for you,” Franklin said. He could see the wheels turning in Terry’s head.

“I know, Dad. It’s just that I don't even think she wants to see me, let alone talk. ‘Vana was more than pissed. She looked hurt. I shoulda followed her. I shouldn't have let her leave. She was right there—,” Terry said, sniffling.

“Son, what I'm about to say is gonna hit you like a shot of whiskey with no chaser. Stop thinking like a man and think like a lover. Don't you dare call that woman tryin' to talk over no phone. Go find her, and let her know how you feel. Meet her wherever she's at, pour yo’ heart, hit yo’ knees. Do whateva you need to get yo’ woman. But before you go over there, you gotta come to terms with something. She don't have to listen, and she for damn sure don't have to forgive ya’. All you can do is let her know how you feel. Hell, show her how you feel. You want that girl bad enough; you won't give a damn about how you look in that moment. Look at me, Terrence! When you get done, her heart should be full, and yours should be empty. Do you understand me?!”

A/N: Remember, I'm open to critiques. I am a little 🤏🏽 sensitive about my writing. Please, don't be too harsh.🥺 Feel free to bring my attention to any typos. Divider by ME (theereina). Also, this work is not to be plagiarized or reposted (on any site other than here on Tumblr). I do NOT give consent for any form of republishing or rewriting.

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[sunsetsover]

the more this show goes on the more i just genuinely don't get how people hate kant, or at the very least have no empathy for him and his situation.

kant is a man literally built of sacrifice. in so many ways he sacrificed his own life for babe's. over and over and over again. his grief for babe's. his education for babe's. his happiness for babe's safety and security. his social life in order to stay at home taking care of babe. relationships with partners who didn't take any interest in babe, or didn't want the baggage of a man with a dependent. whatever dreams or aspirations he had for himself fell to the wayside, at least temporarily, in favour of supporting babe.

he sacrificed his own freedom every time he stepped out of their house to go and steal a car - something that he so clearly isn't proud of at all - just so babe can get the education he deserves. the fact that he wasn't caught doesn't matter, he went to altar every single time, willing to be caught and slaughtered like a lamb if it meant babe was good.

and then he was finally caught, and he sacrificed himself in brand new ways just so he could stay out of prison. never mind the fact that kant might not have even gone to prison if it was his first offence and he played the system right, and even if he did it wouldn't have been for long. but that wasn't a chance he could ever take, because who would look after babe if he was gone, even for a few months? who would pay for school and make sure he ate? and so he stayed willingly under christ's thumb for god only knows how many years, playing whatever new versions of big brother he had to be, ingratiating himself with drug dealers and thieves and whatever other kinds of dangerous people christ wanted him to, getting himself onto all these people's bad side knowing it would only take one to figure him out and turn on him and put him in hospital, or worse. but that was a sacrifice he willingly made the moment he pulled his grieving baby brother into his arms and said 'i'll take care of him'.

and here it is, the ultimate sacrifice: christ tells kant to jump into the lion's den, promising that if he makes it out alive, he can have his freedom back. and what choice does kant have? if he doesn't they'll be back to square one after he worked so fucking hard for his and babe's stability. and babe's old enough now that kant can start having a life again, and kant's business is doing well, and things are finally good for them, but now this. and if he doesn't do this it will have all been for nothing. so he does it. essentially puts his life up as collateral once again the moment he walks through the door of heart burger and tries to seduce an assassin, knowing it could be taken from him in an instant if he missteps.

except it doesn't go as he planned, because bison is beautiful and bison is bright, and he's sweet and he's dangerous and kant can't help but fall for him, no matter how he tries to dig his heels in and think about the end goal: his freedom, his brother's safety. he says as much to style - style says bison has you wrapped around his finger and kant says i know. that's why i'm trying to end things quickly. and in that moment bison becomes yet another sacrifice kant makes for babe. or at least he's trying so hard to make him one. because what kant wants, he cannot have. not when there's babe to think about.

but it's so unfair. and it's so sad. like yes we all know it's unfair for bison and it'll be such a betrayal, but what about kant? what about his heart in all of this? what about him giggling at his phone screen like a teenager texting bison, only for the grin to fall the moment he remembers who he is and what he must do? what about him acknowledging that he's working so hard to hold bison at arms length but he's failing and that's why he needs this over asap? what about him having to be on all the fucking time, spewing out lie after lie after lie, and what that does that him? what about him being so fucking scared every time a gun is shoved in his face that he's fucked up in a way he can't talk himself out of and that babe will be left all alone in the world?

what about kant having this beautiful boy in his bed, who's kissing him in places he's never been kissed before and telling him that he loves his fuck ups, and that he won't come over because doesn't want to be a bad influence on babe, and that him stealing cars was not only not a shameful thing, but an admirable thing to do for someone you love? this beautiful boy who notices his brother is hurting and follows him to defend him from the people that hurt him without question? this beautiful boy who has asked for nothing but the truth, the one thing kant can never give him? this beautiful boy that kant is falling for, and he knows he is, and he knows he can't, because that's not allowed, because bison isn't his, he doesn't get to keep him. he's just another sacrifice in a long line of sacrifices kant has made for love, and yet this one... this one has claws. this one will leave scars that he'll get to keep longer than he will ever get to keep bison.

kant has been living with an asterisk next to his name from the moment his parents died. from then on, at every opportunity kant sacrificed who he might've been for who babe still could be. he sacrificed kant the person for kant the big brother, and whatever that included. kant the protector. kant the provider. kant the thief, the scammer, the informant. kant the manipulator. never just kant, not anymore.

but then there's bison. beautiful, observant bison who always seems to be asking who are you whenever he looks at kant. and kant doesn't know what to tell him, he really doesn't, bc whatever mask he tries to put on, whatever facade he tries to hide behind, bison just sees right through him. and although kant does everything possible to avoid telling him anything, bison always seems to get his answers anyway, even when kant doesn't say a word. like bison is collecting every splintered version of kant and putting them together to make a whole person again. just kant. no asterisk.

and kant doesn't know what to do, because bison is beautiful and he's in his bed and he has kant wrapped around his finger despite his best efforts. and yet he knows it's only of time before he has to peel himself away and never look back. let bison sit in the prison cell that was always supposed to be kant's. and despite how he might try to convince himself otherwise, he knows the guilt will eat him alive. he knows he'll feel the place where he tore them apart just as acutely as bison will. he'll have to splinter apart into a thousand versions of himself all over again. kant with an asterisk. and he'll have no one to blame but himself.

and isn't that just so fucking unfair?

[thejakeformerlyknownasprince]

one thing that I love about your eleutherophobia fics (among many many things) is that, despite being free of a Yeerk haunting his mind, Tom has now unwittingly replaced that with a reader listening to every thought and memory that he cares to share with us through the first person point of view. He’d be mortified if he ever broke the fourth wall ;)

thanks for your lovely writing and blog! definitely part of what’s keeping me going in these very weird times

Thank you! And yeah, I think a lot about the unique narration style in Animorphs, because I'm trying to imitate it. There's always an awareness that the characters are telling a story — the books open with the narrator going "I can't tell you my last name", and Marco especially will use imperatives like "don't tell anyone I said that." Clearly you is the reader, and each of the kids is meant to be aware that the reader is there.

There are some fascinating hints (handwaving Jake's line in #53) about who each narrator considers their audience. The Chronicles all state outright that each is an account of oneself (X) consciously crafted for one particular audience: Elfangor's talking to Tobias, Aldrea and Dak to Seerow Jr., Visser One to the Council (and Eva), and Toomin to Rachel. Ax says that he's narrating for his fellow andalites, so that they can better understand Earth (#8). Jake implies he's narrating for his great-grandkids: "I'll need to buy a footlocker" (#31). Tobias at one point implies he's talking to his imagined therapist (#23), but I also think you could argue that he's talking to the Ellimist (#13) or his dad (#33).

The others are a little trickier. Cassie seems to have Jake's same educational bent, but I'd argue she's trying to teach about the biology rather than the ethics of the war. Marco is probably talking to a kid his own age who thinks they're reading a sci fi novel. He's defensive ("call me Mr. Ruthless" as he feels empathy for baby seals), he's misdirecting ("now you know how I got a blowhole" instead of clarifying his role in the war), and he's desperate to impress ("I'm slightly not tall"). But he also references the reader "vegging out" and "watching TV." Rachel? I'd argue Rachel is talking to her own adult self. She doesn't care what others think of her, but she cares a lot about living with herself. She's trying to define who she is and who she wants to be, more than anyone else on the team.

[secretlovezz]

Kiss Me

Daryl Dixon x reader

Summary: while you and Daryl are out on a run feelings are disruptively revealed

Warnings: killing of walkers (duh), Daryl is implied to be older than reader, kissing (of course), just fluff, let me know if I've missed anything

Word count: 1299 (Think that's the most I've ever written on here lol)

Not Proofread

"Watch it."

Daryl's arm swings up lazily with his pointer finger aiming in a direction to the left of you where a walker slowly makes its way closer, stumbling and tripping over the dead plant life and its decaying limbs. You meet it halfway and its milky eyes meet yours, for a split second you let yourself wonder what kind of life this creature- no this woman- lived before the world went to shit, you take notice of the wedding ring on the ring finger of her left hand before her groans and growling got louder; your knife sinks its way into the shambling and rotting skull of the corpse and the body drops to the ground.

Up ahead a few feet Daryl watches you, your movements, your eyes and lips, your hands, he watches it all and he notices that look the one of sadness and empathy.

Before he and his group came to Alexandria you had yet to truly experience the outside world; the unrealistic safety of walls had kept you naive and unprepared for the dangers of the dead.

Though you are no longer naive to the world you still have your moments, moments where Daryl would remind you albeit a little harshly that there was nothing you could do to help these things- these "people".

When you catch up with him you smile in an attempt to convince him that you weren't thinking about what he knew you were. His brow raises at you and your eyes roll dramatically in return. You hit his arm playfully and smile again, somehow this one is brighter than the one before, "Let's keep going Dar' this food isn't gonna find itself ya' know." The corner of his mouth quirks up into a small smirk when you look away from him to continue walking he can't look away even as he makes his way back to you and you seem to have no idea the effect you have on him.

《----------♡

The two of you come across what seems like a small town with few houses and stores, a town that's probably already been raided for its supplies but Alexandra's desperation for food and medicine prompts you and Daryl to double-check- just in case.

Your eyes wander around admiring the once nice country houses as you walk down one of the streets-you forget the name of it already- and once again let your mind float away to life before. Would you have lived in a house like this if you got the chance, to live a married life with children running around if it was possible? Would the man you'd have married be a man like Daryl?

Your cheeks heat just at the thought of a domestic life with him. Is he the type of man to kiss your forehead when the two of you wake up together in bed as the sun shines through the bedroom window? You wonder if he would be the type to kiss and tickle the kids to make them laugh. Would he want a life like that or would he laugh at the idea?

You don't realize it but your legs have stopped moving, you stare at one of the houses wishing and reminiscing on what could have been but can no longer be.

Daryl watched you again but this time in confusion, this is the first time he hasn't known what you were thinking.

"What is it? Seen somethin'?" He asked walking back over to where you were to peer into the windows of the house.

Your head whips over to him eyes widening and cheeks heating even hotter in embarrassment.

Your fingers hastily move to fidget with the straps of your backpack, "I- uh- we should... let's just keep going." You keep your head down in shame at your thoughts though they weren't lewd as you make your way past him. He wants so badly to grab your arm- to have his skin gently against yours in concern as you speedily go by but he restrains himself fingers twitching against his crossbow and he clears his throat to continue after you.

《----------♡

After thoroughly searching through a hand full of buildings that included, gas stations, houses, supermarkets, and pharmacies neither of your bags were full having over found a few bottles of not too important medicines and a couple of tools.

When the two of you found a house, and cleared it of threats, to hunker down in for the night after a day of disappointments you settled in the living room upset and tired- understandably so. Worrying about the ignominy you'd feel returning home with practically nothing you let out a sigh from deep within your chest and moved your hands so the the palm of them would dig roughly into the sockets of your eyes.

Daryl let out a similar deep sigh as he settled closely next to you. His head falls back and his eyes drift to you letting a gaze so intense that you could feel it fall onto you.

You look back at him and try to let a grin form on your face but its tight lipped and almost fatigued.

The older man lets his eyes travel your face for what feels like the millionth time basking in your unreal beauty and like always their destination is your lips, though cracked they looked soft. He realizes he's ogling too late but still tries to fixates his stare back to your eyes before you notice.

You'd noticed though.

You debate asking him about it no longer worried about the lack of supplies you guys hadn't found but about whether or not you had imagined Daryl Dixon staring at your lips with a yearning you'd only seen in movies before the dead rose.

"Do you-um-" Talking about something as simple as feeling was more complex than they made it seem in movies though and you'd already stuttered over yourself an embarrassing amount of times today.

You leaned your face a little closer to his and his breath hitched. "Do you... like me? Like- do you want to kiss...me?" This was humiliating, you felt like a teenager, like you were fifteen and talking to your crush. Well, you were talking to your crush but you weren't fifteen anymore.

Daryl softly nodded letting out a gruff hum of agreement and you almost melted at the sound.

He leaned in a little closer just close enough so the tip of his nose could just barely brush against yours, "Do ya' want me to kiss ya'?"

"Please." You whispered.

His lips quirk upwards for a split second, "Please what?"

Your lips brush against his desperately, "Kiss me."

Daryl surges forward to capture your lips with his, you let out a sound on impact. The kiss is needy and filled with a want you both had been holding in for what feels like forever. Daryl's hands find your hips and grips them tightly using the strength he's built over the years to move you into his lap. You straddle him and shift you hands to rake through his hair before clasping them to the side of his head.

When you finally part for air you let your forehead rest against his, both of you panting heavily while staring into each others eyes. The smile on your face is wide and you giggle at the flushness on his cheeks- you did that to him.

The man you sit on top of doesn't know why your laughing, "Wha'?"

Relocating your head to press into the crook of his neck your smile widens and the fingers on one of your hands tangle and play with his hair, "Nothin' just... happy."

Daryl's smile is one that your sure you'll remember in every life time.

[kaiser1ns]

LOOK HERE ᶻ 𝗓 𐰁 .ᐟ MICHAEL KAISER X FEM!READER .ᐟ at first, i was only curious as i started to show interest in you. even if you ignore me you'll fall for me for a minute. we look good together, a day without you is a one-act play of tragedy.

GO TO THE EVENT MASTERLIST

Is it a tragedy, comedy, or romance? Or everything at once? Because Michael Kaiser never looked for another lead role in his world, he was destined to be number one and to reveal the impossible things in life, and meeting you wasn’t just a coincidence—it was what he wanted. You are a flower, a rather unique and beautiful blooming flower that seems to close and shows its stings, but he’d already figured out your pretty charms.

A guy like him has talent for going to you, a guy like him is perfect for you, so stop playing hard to get and just give him a chance. Despite him not liking receiving gifts, he would buy you a rose garden, a mansion, or front-row concert tickets…just please give him a chance. You're his ideal type, let's get married because you are already featured in his daily life, always on his mind even if he doesn’t want you to be but that seems rather impossible. 

“Look here, don't run away,” you now regret inviting him to your birthday party. You only did it out of solidary, empathy and to have the good image, that you are a good person who doesn’t hold grudges against anyone, except him. Oh, he is making your blood boil. But you can't deny that it's kind of...pleasant. It wasn't awkward, not at all, but there was something left unsaid, and it was from you. How much longer are you going to lie to yourself that you don't have feelings for him?

His blue eyes held both arrogance and warmth. You want to look away, but his gaze pins you there, leaving you defenseless.

“You’re a thief, I’m the police,” he repeats, clearly enjoying himself. “Pay for your crime.” His tone is teasing, but the intensity in his eyes tells a different story, something you already know even if you tried to deny it. Scoffing and rolling your eyes, pretending you’re unaffected, though your heart’s racing. “I haven’t stolen anything,” you insist, trying to sound resentful. “And it’s my birthday, Kaiser. You could at least pretend to be nice.”

But he only grins wider, not fooled by your attempt to bring back your thorns so he could sting himself, again. “Oh, you did, and you know it. Right…” He places his tattooed hand on his chest, where his heart would be, that same maddeningly cocky look on his face. “Right here.”

Oh, he’s not serious—he can’t be. "You're impossible, you know that?” you muttered, crossing your arms, still not breaking eye contact. But your cheeks flushed, trying to control your reaction. Of all days—your special day, of all times—he was here, getting under your skin. "Mmm, impossible to resist, you mean," But even as you deny it, you’re painfully aware of how close he’s standing, of how intensely he’s watching you. 

“Oh, stop looking at me like that,” you huffed, annoyed, though your pulse quickened. “Like what?” he asked innocently, knowing full well what he was doing, his gaze flicking from your eyes to your lips.

"Like…" You were trying your best not to fumble anything and to find the right words, but when he looked at you like that it was so hard to concentrate to think of something to say. “Like you’re actually serious. You’re just playing with me, aren’t you?”

Kaiser tilted his head, as he ran a hand through his hair and sighed. “You think I’m playing? Just because I’m not as obvious about it?” He paused, his gaze more intense than before. "I’m not joking, you know. You think I go to everyone’s birthday party and play the villain to impress them?"

“Impress me? Do you think this is… impressive?” you reply, smirking despite yourself and his expression matches it—genuine, thoughtful. You couldn't believe that The German Priodgy would have a weakness and it would be you.

“I’m here because I wanted to be,” he says simply, almost like it surprises him too. “You’re here in my head, and I didn’t invite you, you know?” He gives a small laugh, and you know he’s serious despite his usual way of expressing himself.

You realize he’s waiting for a reply. He looks at you daring you to deny what he suspects, what maybe he already knows.  But saying it out loud feels impossible, terrifying even. The walls you’ve carefully built against him are thinning, but you’ve held onto them for so long that letting them down now feels like giving him too much, like admitting he’d won something he wasn’t supposed to.

For a moment, the noise of the party fades into the background. There’s only you and him, standing too close, hearts beating in sync, and a thousand unsaid things lingering in the air between you. But maybe some things don’t need to be said—at least, not yet, because soon, you'll want him and finally look his way.

©2024 kaiser1ns nineteenth birthday party.

[lis-likes-fics]

The Sound of His Voice

Pairings: Spencer Reid x agent!Reader Word Count: 3k words Warnings: Descriptions of crime scenes/vague gore, mentions of death and murder, standard Criminal Minds stuff, fluff otherwise... A/N: I started watching CM a while ago and now I can't stop so enjoy this. There will be more, I dunno when. (Should I be working on my months-in-progress-wips? Yes, I absolutely should. Am I? Mostly. I'm trying my best)

Morgan rubs his temple, digging his fingers into the side of his forehead as he shakes his head. Tapping his pen on the desk, he tosses down his file. “But here's what I don't get,” he says, drawing the attention of the rest of the team. “If the unsub thinks of his victims as prey, even going as far as to torture the victim, why go through all the trouble of tucking them into bed?”

Hotch looks back at the picture in his own hands, where he had been analyzing the scene for the hundredth time in search of something he missed the first hundred. He shrugs, “Tucking them in can usually indicate signs of remorse.”

JJ motions to the pictures. “Yeah, but look at this guy. Does this look remorseful to you?”

You lift a shoulder, leaning back in your seat and crossing your arms. “Could be a second unsub.”

You are a relatively new addition to the team. It was your fifth case with them, but they already treated you like part of the team, like family. It was easy to sink into the ebb and flow of everything, especially when they trust your skills and instincts and let you know when you're doing something wrong so you know not to do it again.

But this case was difficult. Your unsub had a strange profile: an organized, white male, with surgical experience and the MO reminiscent of a cat. He kills men and women alike, and the only connection between his victims have been their smaller statures.

The age range itself was too wide, though there was a slight reoccurrence of ages between 25 and 35. But it was still too wide, either way, not enough to work with.

He ties up and tortures them before finally ending their lives with strangulation. He uses his bare hands to get the job done, which makes him a sexual sadist. As if that wasn't enough, he carves out the victim’s heart after death and takes it as a trophy.

He shows plenty of psychopathic characteristics, but he also fits the profile of a sociopath, so it's hard to make anything stick. His MO suggests a lack of empathy and guilt, but the bed-tucking… You always lose him with the bed-tucking…

Morgan shakes his head a little, humming. “But we already ruled out multiple unsubs,” he says. You nod gently. “Besides, if this guy is mimicking the hunting habits of a cat, he would hunt alone, wouldn't he?”

Reid’s head perks up. He points a pen in Morgan's direction as he shakes his head. “Actually, no.” He licks his lips, and he's grabbed your attention like a siren to a sailor. “It's a very common misconception that cats are loners, but it's untrue. Cats prefer the companionship of others just as much as a human being would.”

You lean toward him a bit across the table, watching him as he speaks, his hands moving to illustrate his words as he does. “People often think, because of their aloof nature, that they like to be left alone or actually despise the presence of other people, including their owners or other cats—which is why people believe them to be low maintenance creatures. But they are just as social as, say, a dog. Actually, it's interesting, big cats like lions, or sometimes even cheetahs, hunt in packs to take down larger prey. Domestic cats–”

“Reid,” Morgan interrupts, making a cutting motion with his hand to his neck.

Your eyes turn back to Spencer, who seems to retreat in on himself a bit as he gives an apologetic smile and a small nod. “Sorry,” he says, pulling his lips in a wide smile.

You set a hand on the table, shaking your head. “No, keep going. That was interesting.”

Spencer looks at you with these eyes that seem to shine. Your heart feels fonder, warmer, at the sight of him.

“We really don't have time to go through all of this,” Hotch says, his tone final.

“I mean,” you continue. Since joining the team, you've grown a certain affinity toward Spencer and his genius mind. Every time he's gone on his tangents, you've become enchanted by the words coming out of his mouth like he's put some sort of spell over you. You lift a shoulder, gesturing toward him. “If this guy is basing his MO off the hunting patterns of cats, we should…know everything we need to know about them, right?”

Hotch looks at you, his face hard and unreadable. You're unsure if he's considering your proposal or just trying to intimidate you. But then he sighs, his crossed arms loosening a little as he turns to Spencer.

“Reid?”

Spencer looks between you and Hotch, relenting hesitantly as he starts off slow. “Well…I was going to say domestic cats are solitary hunters but sociable creatures.” He picks up his normal speed once more, “They can be very affectionate, especially toward their owners and other cats within their households. They're also one of the only types of cats who play with their prey before killing them, which could be a reason this unsub tortures his victims so extensively in his murders.”

“Wait…” Prentiss says, catching all of your attentions. “You said ‘affectionate toward their owners’.”

“Yeah,” Spencer nods.

She waves her hands gently, “How do cats show affection for their owners?”

Spencer shrugs, “Um, bunting, purring, some scratch, sometimes they leave offerings, like dead rodents, around the house–”

“Right there!” Prentiss exclaims. “They leave offerings.”

You sit up, “The hearts.”

Hotch’s dark brows furrow. “You're saying this unsub is taking the hearts as an offering to someone else?”

Spencer thinks over that, nodding. “It's possible.”

JJ sighs. “But that still doesn't explain why we wouldn't have identified a second unsub earlier.”

Spencer holds out a hand, pointing with his pen. “Actually, it could. You see, cats also have the tendency to mimic the people they hold affection for. We might not have noticed a second MO because the submissive unsub may be mimicking the dominant one.”

“Or learning from him,” Morgan says.

“Learning?” Hotch asks.

Morgan glances around, “Well, if we're sticking so close to this cat thing, older cats often nurture the young and teach them to hunt.” He shrugs, “We could be looking at…brothers? Older and younger?”

“Or lovers,” JJ suggests. She points to a picture, the image of a chest carefully carved open to reveal a missing heart. “If the hearts are offerings, it could be a Valentine.”

“And the bed-tucking?” you ask.

Hotch picks up the picture of one of the victims, “safely” and securely tucked into bed…put to sleep. “Well, if the hearts are offerings for a lover, this unsub is sentimental. He could feel some type of sympathy or guilt for the victim and want to ‘put them to sleep’ after the torture.” He studies the image, a flash of unease behind his eyes that you know all too well. He sets it down.

“Okay, so how do we find them?” Prentiss asks, clicking her pen before setting it down to begin a definitive course of action.

Spencer points to yet another picture. “Look at these injuries. These incisions are surgical,” he clarifies. “So the dominant is a doctor or a—a veterinarian, which can be implied through his intimate knowledge of cats’ behaviors.”

“And the submissive might work under him as a nurse or an assistant,” you continue, adding on to his clever insight. He glances over at you, smiling almost giddily at your understanding.

Hotch turns to Morgan. “Do you think that's enough to work with?”

Morgan thinks for a moment, his shrug melding into a nod as he turns back to Hotch. “To fit in with the rest of the profile,” he hums, “I'd say so.”

“Okay.” Hotch nods firmly. “We'll present the profile ASAP. Morgan, get Garcia to search for any vets in the area with any records of assault charges.” He says this all while taking long strides toward the door, his red tie bouncing slightly with his movements.

Prentiss follows him with her gaze as he exits. “You think the unsub is aggressive?”

He turns briefly. “Look at the bruising on the neck. The torture alone is an indicator of anger and frustration, but the way the victim was strangled suggests force. Much more than necessary just to crush a windpipe. He's an organized killer with a lot of rage. If he moves more along the lines of a sociopath, our best guess is he's had some kind of trouble with the law at some point in his life,” he concludes. Glancing aside, he speaks again, a little more firmly. “Morgan.”

“On it,” he says, his phone already ready to contact Garcia on speed dial.

“And Reid,” Hotch says, focusing his hard stare on the younger agent.

He stiffens, straightening his back and awaiting his response. “Yes?”

There's a pause as Hotch examines him silently. With a single nod, he says, “Good work.”

He glances at you. A nod.

You nod back.

Hotch leaves in a hurry, and your gaze immediately and instinctively flicks to Spencer. He smiles at you, turning away as though he was shyly hiding that same smile.

~

There were two unsubs: a surgical veterinarian and his nurse. You caught them just in time, just as that knife was gleaming in the golden light of the lamps swinging above the three bodies down in the basement of the submissive unsub’s house.

And now you soared 40,000 feet above the ground with another killer put away for good.

Everyone's in their own spirit, placing you across the aisle from JJ and Spencer in their own booths, a crochet set in your lap as you continue one of your projects. Emily's eyes linger on JJ, watching the crease of her brow as she studies case files.

“What are you thinking about?” she asks, setting her book to the side to shift her attention. Derek darts his eyes up from his own book, lifting his brow as he does it.

JJ looks up, breathing in and lifting her shoulder in a half shrug. “I don't know about you,” she says, “but I know that if I got an actual human heart on Valentine's Day, me and my alleged partner would have some serious issues.”

Snorts and chuckles lift from multiple places among the seats, heads shaking and attentions shifting back to their own activities.

But as soon as you hear the first lilt of Spencer's voice, like clockwork, you're a fish on a hook.

“Actually,” he begins, “if we were set back thousands of years, that would not be a very unusual occurrence.” He licks his lips quickly, “You see, Valentine's Day’s origins actually go back to a festival called Lupercal, or Lupercalia. The festival was in itself a very violent and sexually charged affair that lasted roughly three days—from the 13th to the 15th—set in Rome. Its traditions were carried out in two separate locations, firstly–”

“Alright,” JJ rises to her feet, her eyes wide in annoyance as she closes her case file in a large announcement to Spencer. “I'm getting coffee. Do you want anything?”

Spencer purses his lips, that same wide, apologetic grin covering his face as he leans back in his seat and shakes his head. “Uh, no. All good here.”

She nods, turning to walk away, “Great.”

You watch JJ leave, your eyes fall back upon Spencer, who's pulling his book back into his palms to turn his focus back on the pages. His eyes flit over the words at lightning speed, absorbing the information and moving to the next.

Taking your crochet set in your hands, you stand and plop down in JJ’s old spot. Spencer's eyes darts up to you, glancing between you and his book as you set your stuff down and readjust your yarn.

Beginning again, you nod toward him. “You were saying?”

Spencer, his eyes wide and confused and his lips parted in wonder and his cheeks a little pink, stares at you. After remembering he had to respond, he sputters in an attempt to.

“Uh, it's-it's really not that…interesting,” he mumbles, trailing off at the end as he sets his book down, his fingertips pressing against the edge of the desk between the both of you.

“Well,” you look up at him, setting your elbow on the table and tucking your first underneath your chin, “I was very interested.”

His Adam's apple bobs when he swallows. His lips form the word before it comes out of his mouth. “You were?”

You nod, “Mhm.”

Looking at him for a moment—just looking at him for a moment—you take in the pretty sight of his bewildered expression, fascination and confusion and excitement crossing his face in a flurry of emotion.

You move your elbow from the table and pick up your hook, nodding toward him before training your eyes on your work again as you await his words. “Firstly?” you prompt.

Scrambling to organize his thoughts, Spencer nods. As the words form in his brain, he smiles as he thrusts himself into another rant, speaking a little softer so as not to aggravate the rest of the team.

“Well, firstly, the uh— The-the first location was in a cave called Lupercus—named after the Roman fertility god that the celebration was dedicated to—and the second is a public meeting place called the Comitium.”

You tilt your head toward him, smiling a little. “Like the word ‘committee’.”

“Exactly like the word ‘committee’,” he beams.

Your attention, as hard as you tried to split it, becomes entirely caught up in Spencer as you forget about your project and focus your gaze entirely on him. You set your arms on the table separating you and watch as he speaks, your smile definitely too love-sick to be a hint anymore. He seems to lean in closer.

“So how did Lupercalia become Valentine's Day?” you wonder aloud.

“Well,” he starts, prompting a larger grin from you, “in the late 5th century A.D., Pope Gelasius I eliminated it and declared February 14th a day to celebrate the martyrdom of Saint Valentine instead—although it's highly unlikely he intended the day to commemorate love and passion as it is celebrated now. In fact, some modern biblical scholars warn Christians not to celebrate Valentine's Day at all, due to its Pagan roots and rituals.”

You hum, your eyes taking glances at the stretch of his skin over his fingers and the way they move when he speaks.

“Do you celebrate Valentine's Day?” you ask gently, speaking slowly.

His hands fall back down to his lap, and he shakes his head as he straightens his posture a bit. “Well…I don't usually have anyone to celebrate it with, so… No, not really.”

Feeling the shyness slipping into your veins, you set your hands on the table and let your fingers slowly inch toward him, staring at them inside of his eyes. You don't want to see the rejection if it lives there, in his eyes.

You speak slowly, emphasizing every syllable. “Would you like to have someone to celebrate it with?”

He swallows thickly, letting one hand lift onto the table, still close to him but building up courage to maybe meet you in the middle. “Like…” he clears his throat quietly. “Like you?”

You offer a right smile, finally flicking your eyes up to meet his and feeling giddy at the light blush on his cheeks, the nervous wideness of his gaze. “I promise no actual hearts.”

You watch him, and again…his eyes, his Adam's apple, his cheeks, his lips. “Uh…yeah,” he stutters. “Yeah, sure. I'll be your…your Valentine.”

You smile, a wide smile that splits your face in two. Spencer's own grin follows suit. Looking past you, he catches the eyes of Derek, who smirks and offers a cheesy thumbs up, proud of him for securing you as he did.

His gaze falls back to you when you begin to speak, your voice just as song-ish to him as his is to you. You're both equally as infatuated as the other. “You know,” you trail off slowly, “supposedly, Saint Valentine might be so commonly associated with our day of love because there are rumors that he used to perform secret weddings against the wishes of the authorities in the third century.”

He nods slowly, his brows furrowed slightly. “Yes, that's right…” Licking his bottom lip, he speaks again. “You already knew all that stuff about Lupercalia, didn't you?”

You smile, your face squished a bit as you raise your hands and close your thumb and forefinger close together. “Maybe a little,” you whisper. But then you shrug and just keep looking at him. “But I like listening to you talk.”

Spencer suddenly doesn't think you're real, but he isn't about to question it if you aren't. There's someone who enjoys his tangents. He isn't going to jeopardize that.

“Oh,” is all he says.

With your crocheting long forgotten, you lean forward on the table and give him every ounce of attention in your mind. With a fond smile on your lips and a twinkle in your eye, you rest your chin on your folded hands. “You should tell me about…” you pause, thinking, before you smile curls even more, “bees.”

His brows lift as he nods. “Okay, well,” he starts, “did you know the first civilization to practice widespread, organized beekeeping was the Ancient Egyptians, who began beekeeping around 2,500 BCE?”

Your brows lift in fascination. You shake your head, “No, I didn't.”

His smile grows. “Well…”

For the remainder of the flight, Spencer talks and talks and talks, his voice quiet and meant solely for you as he talks about whatever you want: bees and wine and marbles and Halloween. He keeps smiling at you, as you keep smiling at him. Somewhere along the way, he officially asks you on a date, and you both get off the jet together to get a cup of coffee.

You love the way he talks.

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