#not once in the series has Leo shown a greater horror than the moment he’s out of the pod knowing Raph was left behind

[turtleblogatlast]

Sorry if you've gone over this before but I was curious as to what you'd think it would take for Leo to finally break in front of his brothers?

We’ve actually seen Leo break his persona multiple times throughout the series! And pretty much each and every time has a common theme present: his family being in danger.

[fandompitfalls]

Dumping the whole pot of tea on The Irregulars.

Originally posted: 4/9/2021

Two weeks ago, I offered to write a post for my Scion’s blog on the Irregulars before I had even seen the show.  While I try to follow Paul Thomas Miller’s belief that “All Holmes are good Holmes” (not gonna lie, I fail sometimes, yes Ferrell, I’m looking at you), this show caught my interest because I’m a fan of Gaiman’s A Study in Emerald and I am a horror nerd, so it had me at “rift”. I expected to like it.

What I did not expect was to love it as much as I do and to have so many thoughts about it.  Thoughts, feeling, surprising revelations and low-key frustration about things regarding this show and the fandom.  There was tea that needed to be spilled and I couldn’t do that in a BSI related blog post.  But this is my blog, nobody really reads it anyway so I’m dumping the whole damn tea pot onto the table and we’re doing this.

This is your spoiler warning:  Below be monsters.  You were warned.

If you’re still here then you’re either interested, got sent this as a “look what this bitch wrote”, or you really want to see the tea.  I’ve got words, so many that they’re going to be split out in categories. So sit back, I’m sure I’ll insult everyone by the time I’m finished.

Family

This show is about family.  End stop.  Not the family you’re born into but the family you find.  The Irregulars are a found family.  The first set of Irregulars; Sherlock Holmes, John Watson, and Alice…whatever her last name was. They were close friends and tried to be a family in their own way, until anger, jealousy, resentment got in between that and shattered it leaving everyone left guilt ridden and resentful.  The second set of Irregulars: Bea, Jessie, Spike, Billy and Leo (yes, I’m counting him, he damn well earned his right into this family) are absolutely a found family.  They came together in the workhouse and a bond forged of mutual survival, protection and love was created. A bond that remained firm long after they all escaped and went out on their own. Even in episode six when there is doubt cast along everyone and Leo’s true identity is discovered, feelings are hurt, betrayal is strong and everyone goes their own way for a time, that bond is still there and is plainly shown in episode seven when the group is able to use that familial bond they’ve created and now strengthened to pull Jessie out of the nightmare world that the Linen Man has cast her into. It’s the bond that Jessie uses to convince Bea that sending the mother they both desperately wanted back into the rift was the right thing to do. It’s the bond that keep Leo, Spike and Billy willing to fight against the monsters to the death to protect their home and the victims they’ve rescued, not knowing that Bea and Jessie would close the rift but believing that they would.

Drugs

It was mentioned, even in the trailers and the summary for this series that Sherlock Holmes is drugged.  And yes, in fact for a good majority of the series, Sherlock Holmes is strung out on opium or cocaine.  It’s not the pretty strung out like scruffy hot Benedict Cumberbatch or the effervescent smoothness of Jeremy Brett.  Henry Lloyd-Hughes shows us the dark side of prolonged addiction; head shaven, stumbling around in filthy rags, vomiting over the side of the bed, pissing on the nightstand, wild with withdrawal symptoms. When Bea asks their mutual landlady, Mrs. Hudson about Sherlock, she calls him a drug addict and a bum. In episode four when Bea is in a race with Watson to see who can find Sherlock first, she is assisted in the Opium Den by one of the addicts who tells her “Just because we’re users doesn’t mean we’re bastards. Everyone down here is trying to numb the pain of something, grief, heartbreak, life in general.” The line resonates because while this is happening, the episode is juxtaposition Bea’s trips into the bowels of opium dens looking for an addict with the Palace where Leo is attending a party for the elite.  There he meets Eleanor Morgot who is obviously attracted to his title and position.  Later, on a balcony, she offers him a drug telling him he needs to loosen up.  Leo, high on…a tablet version of opium perhaps, we’re shown his trip in a dream-like quality. A far cry from a bedridden Sherlock on the floor scrambling for the few pieces of what he thinks is opium rather than sugar.  The use of drugs amongst the wealthy doesn’t seem to hold the same distain and disgust as it does in the bowels of London.  Which is an interesting play on society, not only in the time period in the show but even now.  Why is it cool and trendy to see the rich and famous snorting coke off a glass table using dollar bills or popping tablets, yet when Bob in the neighborhood is discovered to be using heroin, he is suddenly the social pariah.  Society’s view of drug use is defined on a scale of wealth and prestige. Sherlock Holmes, caught in the middle of this, his prestige holding at bay much of society’s distain, as seen in episode seven when Gregson doesn’t even blink when Holmes walks in to Scotland Yard wearing a filthy, ripped shirt and a green coat.

Mirrors and parallels

Let’s discuss mirrors and parallels together because I’m going to be going back and forth on these.  And we’re starting with the huge one, the Irregulars vs the Irregulars- it’s all fun and games until the monsters become more dangerous and someone goes through a rift. I’m talking about Alice, Sherlock and John mirrored in Leo, Bea and Billy.  My thoughts on John Watson will have their own section so I won’t get into much of them here, but by episode three, I could see where this was going.  Bea, who hadn’t really had any sort of attraction to anyone, finds herself attracted to Leo.  Billy, who has secretly loved Bea as more than an arrant sister for possibly years, suddenly has competition in this well-spoken newcomer and is forced to watch as Bea and Leo grow closer. On the other side, as we learn in episode five, Sherlock and Watson are riding high on their success as consultants to Scotland Yard when Alice arrives, and suddenly Watson has competition for Holmes’ affection and is forced to watch as Sherlock and Alice grow closer. How Billy deals with it throughout the final few episodes and how we see Watson deal with it are in no way mirrored to each other. While resentment and jealousy do grow in these two characters, it is Billy who realizes first that Bea is a person with her own thoughts and feelings, and she’s allowed to like whomever she wants.  Did it hurt him? Hell yes, the clueless idiot took out his frustration with not only trying and failing to make Bea jealous, but getting into fights including with Leo. But hating Bea and hating Leo for something nobody can control is pointless and by the end of the story, Billy chooses his family, willing to sacrifice and standing beside Leo in the end. Watson, on the other hand, doesn’t come to this realization until he experiences the losses and guilt of his choices and sees them played out once again in the next generation.  His frustration and jealousy festered for almost two decades before he was faced with the realization that nothing would have changed and only then, did he begin to let go, both figuratively and literally.

Speaking of Watson and Bea, the parallels between their two characters run true through the first episode- starting with their first meeting and ending at their last. Loyalty, stubbornness, anger, frustration with their lot in life, the anguish of people leaving them, all of it plays out between these two in blinding contrast and none so much as the theme of forbidden love.   The same characteristics that makes Bea such an expansive and intriguing character are also with Watson, just hidden under layers of resentment and guilt. The scene in episode four when Watson comes around the corner and sees Sherlock and Alice kissing and realizes he is never going to have the one thing he truly wants paralleled with the scene in episode eight where Leo tells Bea that he sacrificed his freedom for Billy’s release. He was going back to the palace and marrying someone names Helena.  Bea realizes in that moment that she will never have the one thing she truly wanted. There’s a scene between Watson and Bea when they’re hiding out in a closet in an Opium Den waiting for security to go past them.  He looks at her and says, “ It amuses me to think you can best me, I am better educated, wealthier and stronger than you are, tell me , what ability is it that you think you have that I don’t possess in greater abundance?” And while that may be true; John Watson is a man of means, ex-Army, particular friend of Sherlock Holmes and a doctor, he has forgotten what made him that way in the beginning. Everything he was, everything he is, that is covered under layers of bitterness, he sees either consciously or unconsciously in Bea. This is what highlights the final scene between Bea and Watson, when she breaks down and while it’s not proper to touch, he does so anyway because he understands.  “Everyone leaves me” - “I won’t” Realization and acceptance and shared grief makes this scene extremely powerful.

Finally, let’s talk about John Watson

I’m going to be honest, I made it through the first six episodes with plans to make buttons that said, ‘John Watson is a petty jealous bitch’, because damn. And before anyone comes at me with the idea that I don’t understand and of course John had the right to be upset or worse yet, heteronormativity (although, honestly, the lack of Alice hate is either shocking or I’m not in the right places), let me say that yes, I understand, but watching Billy take a angry visible step back from Bea and Leo juxtaposed with John attempting to open a rift so he can keep Sherlock in town and then making the obvious choice to ignore Sherlock’s plea for help when it came to saving Alice.  A choice that he had to make again with Alice’s daughter Jessie.  Watching John in the first six episodes all the signs are there, the old married couple, where John is shouting out the window at an escaping Sherlock that he doesn’t even want to see him again to the vicious way he comes after Bea when she discovers who he truly is.  Hell, we as the viewers don’t even see Sherlock and John in the same scenes together outside of the flashback until episode seven. This is how we see John Watson because up until then, this is how Bea sees John Watson. They’re told by Mycroft Holmes, the Linen Man, hell even by Sherlock Holmes through his story that John Watson is the wart on this story, he is the danger, he is the reason this is happening again.

Episode seven though, is where Royce Pierreson shines as John Watson. Because episode seven and eight takes a man that is universally hated by everyone in the series and flips it to a man who is trapped by society, rules, honor, duty, and his own self-loathing who tried to keep things as they were only managing to ruin things completely.  He turns from a cruel example of classism to a sympathetic character, a man who’s trying to do things right, who wants to fix what he did.  By episode eight, I was not only love John Watson as a character, but I was sympathetic to his situation.  His attempts at denial and rationalization in episode seven that finally culminated in the first time he ever spoke the words aloud “I love him” was just…damn, rip my heart out Royce and stomp on it because you’ve got me. From that moment on, all thoughts of buttons were gone from my head and I was, possibly for the first time, firmly in the John Watson Appreciation Society.  Royce never says a word during the scene when Alice returns and Sherlock is overcome with emotions, but you can just see in his eyes the dagger slowly piercing his heart and how he is silent, allowing the sisters and Sherlock to have their moment with Alice.  Even when Jessie begins to close the rift and Alice returns to Purgatory, he remains still, finally moving when Sherlock looks at him and utters those first self-aware words he might have spoken the entire series “You’ve been a better friend to me than I deserved John”.  And when he is once again faced with saving the man he loves or a woman that Sherlock loves, he finally lets go, making the choice to help Bea save Jessie and letting Sherlock step into the rift to be with Alice.  It’s a painful scene and it’s what makes the final scene mentioned earlier between he and Bea even more powerful.  She looked at him as asks, “How do you stop loving someone?” and his reply with “You don’t.” Just. Heart wrenching.

I have never shipped Johnlock in any of the series, but congratulations Royce Pierreson, you’ve got me shipping Johnlock.  Not only Johnlock but canon Johnlock.  It might be unrequited (maybe, there was a hint of subtext and there’s always Season two) but it’s canon.

Which leads me to the important question and one in which I will dump out the remainder of my tea: I checked Twitter and social media the weekend The Irregulars came out. I never heard a peep about this.  There is a show out there, with Holmes and Watson, that is set in Victorian London (monsters and cross-dimensional rifts notwithstanding) where the showrunner has explicitly given canon Johnlock and I haven’t heard a peep about it?  Why is that?  I have my theories, but I really hope they aren’t true because it just gives credence to long held theories. I’m hoping that I’m just maybe not in the right groups, but my social media feed is vast enough that something would have eked through but all I hear are crickets.

It seems my teapot is empty.  Anyway, let me hear your thoughts. Preferably here.  Like I said, I’m not a popular blog so I’ll be surprised if this one picks up traction. But hey, come and talk.

You have different theories?  Wonder why I didn’t speak on something that you saw? Find yourself personally insulted by something I wrote? Want to celebrate my list of favorite John Watsons going up to five?  Let’s brew a fresh pot of tea and discuss it.