#not like. whether they're good or you like them
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lackadaisycats · 1 day ago
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Miss Tracy, do u have any advice on researching a specific time period?
(also I know u probably won't see this, but I love your art and you are awesome)
Look for books about the time period, but also books written contemporaneous to the time period, whether fiction or non-fiction. Check used book stores for out of print gems at good prices.
If photography was a technology that existed in the time period you're researching, look for photos of people doing everyday things. Take in the context, the geography, the economic situation. Look at how they're dressed and what their clothes say about them.
Newspaper archives. Sometimes newspapers of the past are free to browse. Sometimes you have to pay for access. Old shopping catalogue collections - if they exist for your time period - are great too.
Documentary films about time periods, or specific events in a given time period can be useful, even if only for a broad overview.
Museum exhibits - helpful whether you're looking for famous paintings or artifacts of past civilizations in a world renowned institution, or trying to dig up something impossibly unique in an oddity denture museum in some forgotten place in the Midwest. If you can't go in person, check online. You can find museums with vintage clothing or household appliance collections from even a few decades ago. Some museums have extensive, searchable online collections too. Take the Metropolitan Museum for instance.
If you can visit historical sites relevant to your area of interest, do it! Do those little guided walking tours. Do the ghost tours even - they're often fairly history-centric with some paranormal folklore for added spice. Sometimes they get you access to places you otherwise can't enter. Check historical societies local to cities or towns of interest.
If you need information about something deeply specific, check the internet for communities that form around that deeply specific topic. I've found tidbits of useful info searching around old forum posts from radio enthusiasts, Model T owners, and people who collect old telephone booths. (Granted, it's getting harder to search for this kind of stuff nowadays.)
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Be careful of AI trash, whether it's generative images, text descriptions, or entire articles. Don't rely much on film or television for accuracy. Some things are more interested in being accurate than others, but there's almost always some artistic license taken. If you're trying to be particularly accurate about something, triple check it for confirmation. Misinformation has had a way of spreading like insidious mildew even before AI started disseminating it with delusory authority.
Lastly, if you don't enjoy doing this kind of historical research like a weird little detective-creature, consider loosening up on the 'historical' aspect of your writing. It's okay to not focus on historicity in your fiction. But if you're going to dive in whole-hog on history, bear in mind it's an ongoing, often time-consuming adventure in information-finding.
(Thank you for the kind words!)
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clockworkspider · 2 days ago
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Setting aside whether I think killing the rich is an effective solution to the fundamental problems with capitalism...
I also wanna point out what someone else did in another post that being "rich" is different from owning capital or controlling the means of production.
Doctors and dentists are rich. They have a degree of power, but at most they own a small business. They do not control the economy.
Movie stars and top musicians are obscenely rich, they too mostly profit off their own image. (At least on the surface... Their investment portfolio is a different matter.)
When you get to heads of large corporations, that's when you get people whose money actually directly translate into power. They control means of production. Their financial decisions affect people's lives. So there, that's the people you should guillotine.
But even UHC CEO still have to answer to investors. One CEO gets shot and the next one immediately reassures investors that nothing will change, don't worry, we'll keep squeezing that profit for you.
So who even control the means of production? Yes, the major corporate C-suits. But also, to a degree, the stock holders.
Ultimately the problem with capitalism isn't even the fact that there's wealth discrepancy. Rich people are not hoarding their gold like Smaug. It's worse. They're reinvesting it into the stock market. Which is a problem because the very money the free market (and thus all good and services which it provides) runs on are from people who need to make sure it generate as much profit as possible, regardless of the longevity of the business they invest in or the consumers it serves.
So how do you turn a profit on healthcare investment? By making sure it's less accessible. How do you turn a profit on manufacturing? By paying your workers the bare minimum.
A lot of it is unfortunately cyclical. A company or union buys their employees or members a pension fund, which is what the workers need to survive after retirement. They buy this pension from an investment firm, whose portfolio managers carefully monitor the most competitive stocks, the one that'd generate the most growth. Companies wanna be those stock. They want the portfolio managers to pick them. They gauge prices and grind their workers into paste to maximize profit.
That being said... High net worth investors are a complete different level than the teachers' pension fund. Still, it's really not as clear cut as how much salary someone makes.
Okay, so, friends. Occasionally I see an American post on here about “guillotine the rich,” and it turns out that “rich” means “anyone making over $50k.”
We need to clear this shit up REAL fast, because otherwise it’s gonna wind up like the French Revolution, where more middle class and poor people were killed for being “class traitors” than actual nobles. (Did you know that France has more nobles today than during the French Revolution? While there were a few showy executions, many nobles did just fine or experienced minor setbacks.)
If someone makes $60,000 a year, they are making about twice as much as a full time worker making minimum wage in California, Arizona, Colorado, Connecticut, DC, Hawaii, Illinois, Maine, Maryland, Massachusetts, New Jersey, New York, Oregon, Rhode Island, or Washington State.
Brian Thompson, the CEO of United HealthCare who was just assassinated in New York City, earned $10 million a year, which means he earned 333 times minimum wage in those states. Basically, he cleared an annual minimum wage salary in just over a day. And that “rich” person making $60k/year that you want to guillotine? He made their salary in a bit over two days of a year.
So he was rich, right?
Well. Tesla is trying to give Elon Musk a pay package of $101 billion. That is 10,100 times what Brian Thompson earned and 3,366,667 times more than a minimum wage worker. (Tesla hasn’t been successful yet because of a complicated lawsuit from a shareholder, but they’ll get there.) If you are a minimum wage worker, Elon Musk makes more every SECOND than you do in a year. And that “rich” person who you want to guillotine? He makes their salary in about 1.6 seconds. Even when he’s sleeping.
Now, remember. The Muskrat also is the head of SpaceX, the Boring Company, X.ai, and X.com, so this is just ONE pay package for him.
What I’m saying is — you have much more in common when it comes to economic grievances with someone earning $60,000 (or even $200,000) than the ultra wealthy that have real power. They are not the people you should expend your energy on.
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starboye · 3 days ago
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starring: alexander "konig" kilgore x male reader
request: just thinking about innocent naive reader getting corrupted and not even noticing a single thing because he just want to be a good friend. . .
warnings: smut + angst, yander!konig, kinda obsessive, handjob
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konig was such a good friend to you, he would never do anything to hurt such a pretty thing like you and plus you were both best friends so nothing was ever kept a secret between you two, so imagine konigs' face when you announce you have a date with some guy.
watching his face crack into a soft smile and telling you how happy he is for you but behind those eyes he was mad as hell, i mean who does this new guy think he is to try and take you from him, and it gets even worse when you come back from the date the next night and tell konig about how you loved it so much with the biggest smile on your face.
as much as he wants to feel happy for you he just cant imagine anyone else stealing him from you so he makes up a lie "i don't know about him y/n" he blankly making you question him "what do you mean" you ask him "i just have a weird feeling about him" he continues looking at you with the most beautiful eyes "well what if you just get to know him" you try to give an idea but konig pipes up with "you know my gut feeling is usually always right"
and he was kinda right i mean there was that one time you had feeling for this one guy and it turned out he was actually arrested for murder, or at least that's what konig told you (he pulled some strings at the police station and got what he wanted) "well then yeah i guess i can stop seeing him" you say and within seconds konigs arms are wrapped around you and he's thanking you for trusting him.
and queue the constant run of you finding a good guy and konig coercing you to stop seeing them because he has a 'gut feeling' and you trust him, but really he just wants you all to himself, making you depend on him more and more as time goes on by telling you if you ever need help with anything to call him and you do, calling him for even the littlest inconvenience.
whether that be helping you fix something or letting you cry on his shoulder when you get layed of from your job (after he pulled a few more strings and made it seem like you were a bad employee) and offering you a room at his place since you were short on money and couldn't pay your bills.
with you moved in now he can be so much closer to you, sneaking through your things at any chance he could and whats this it seems like you need some new clothes since all yours seem to be gone (he used all of them to jerk off and now they're ruined with his cum) so he takes you to the mall, carrying all your bags as you go to every store getting all the things you want, but hm it seems you need some help trying on those pants why doesn't he help you.
"you sure you're okay with that" you ask him "yeah it's what friends are for" he says helping you but on the jeans that hugged your ass so well, it was no surprise he got a boner, it straining so hard in his pants he just needed some release "fuck baby i need your help" he groans "what's wrong konig" you asked and he moved your hand to the aching bulge in his sweatpants "please just this once" he pleaded and after some consideration you agreed, i mean it was just a one time thing between two friends right.
pulling his pants down his thick cock flops out and you immediately work on fixing it for him, his grip tightening on the top of the dressing room door, your hand rubbing back and forth on his achingly hard boner, this was like his dream, he had thought about this exact thing so much, jerked off to the thought and feel of it but the real things is so much better than he hand.
"fucking shit y/n" he muttered before cumming on your hand, thick load messing up your hand as he let out shuddering breaths, and after that it became a regular thing, konig being all needy and asking you to come help him get off since you did it best (in reality you weren't the best at it but don't worry he'll train you soon enough).
and time after time it seemed you liked it more and more to the enjoyment of konig, maybe just a few more times and you'll tell him how you've had feeling for him to right?
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taglist:@mailmango @spermeboy @ghostking4m @gayaristocrat @addictedtomalepits @staarb0y @crispysoup318 @its-ares @gargoylesworld09 @znerac
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wttcsms · 2 days ago
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⋆౨ৎ˚⟡˖࣪ hallmark holiday !!
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ᝰ.ᐟ tis the season to sit by the fireplace and indulge in cheesy, cliche, ever-so-predictable hallmark movies where we know the main couple will always get their happily ever after. alternatively: a scenario post detailing the cliche holiday romance you and your fave would be ♡ྀི ( fem!reader & sfw )
starring keiji akaashi, atsumu miya, shoyo hinata, seishiro nagi, shoei barou, yoichi isagi, jinpachi ego, noel noa, rin itoshi, oliver aiku, kento nanami, naoya zenin, porco galliard, colt grice, levi ackerman
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:¨ ·.· ¨: `· . haikyuu films coming to a theater near you ౨ৎ
⋆⁺₊❅. dedicated to you starring keiji akaashi synopsis keiji akaashi finally gets his dream promotion to the literature department — sort of. see, first he's given what the company calls a "trial run", where they're testing to see how well he'll do. if this book that he edits makes it to the bestseller's list within its first month of publication, he gets the position permanently. fail, and he doesn't just get demoted — he gets fired. this dream of his becomes a nightmare whenever he realizes the author they're assigning to him is you — famous literary critic turned author. well, almost an author. this will be your first book you're ever writing. see, you've got a bit of a reputation. your reviews of novels, whether they'e indie books available only on kindle unlimited or works considered to be modern classics, are nothing short of scathing. rarely is there ever a book that seems to impress you. and while your reviews are valid, a group of scorned writers (who are all beloved by the booktok community, which, in your opinion, invalidates everything they do by default) publicly challenge you: if their writing is so bad, why don't you publish a book and show them how it's done?
exclusive sneak peek! "so you're my editor?" you raise an eyebrow at the man sitting across from you. he's wearing a brown blazer, his hair neatly parted with gel, and he has such a mild-mannered aura about him that you want to groan in agony. of course, the only shmuck who'd be willing to touch your book (book is generous; you barely have half of a first draft) would be some dweeb who's probably been out of work for like, the last year. "yes. i'm keiji akaashi. we spoke over email." he reaches into his workbag, probably to hand you a business card that you'll end up tossing in the cafe's trashcan. "oh. from the tone of your emails, i was expecting someone..." you don't finish your sentence. "someone what?" he asks. "it's nothing." you wave your hand, as if to tell him that the comment was useless anyway. "listen, i'm sure i'm not your ideal client, but we don't have to keep meeting. i'll make your job easy by making sure you never have to edit or touch a single letter on my drafts. just let me handle this my own way, and i'm sure—" "no." you don't normally let people interrupt you, but the shift in his tone makes you pause. you stare at him curiously, only this time, you notice that keiji akaashi doesn't seem so mild-mannered right now. he continues. "i'm not sure where you got the bright idea that you would just write this book on your own, but you don't make a deal with a major publishing house just to go about the project like all the indie authors you criticize in your little column. the minute you signed that contract, you became my responsibility." akaashi looks you in the eyes as he tells you, "so from this point forward, your book is about to become our book. and i only plan on producing bestsellers." you smile at that, leaning forward and matching the intensity of his gaze. "good. because i only plan on writing a bestseller."
⋆⁺₊❅. make it to christmas starring atsumu miya synopsis break-ups can be tough. coming home for the holidays can be tougher. combine these two situations, and throw in the fact that no one can know about said break-up, and this might be the toughest situation to go through. here's the deal: you and atsumu, who've been together for the past four years, are deemed "most likely to get married". your friends, family, and even strangers on the internet all think you two are the couple that will make them believe in the power of love again. with this type of pressure, neither of you are willing to wreck the holiday spirit by announcing your break-up, and really, mama miya just got a particularly bad diagnosis. the last thing either of you want to do is break her heart some more. so, you both agree to pretend to still be together, all for the sake of "saving christmas", so to speak. but then, mama miya walks in on the two of you in the kitchen at the worst possible moment. atsumu is down on one knee, kneeling in front of you. finally, some good news this season: her baby boy is getting married to the love of his life.
exclusive sneak peak! "atsumu, this whole thing is a mess!" you whisper-shout at him, leaning down and examining the space beneath the floor kitchen cabinets in search of your missing earring. "well, you can't back out now!" he whisper-shouts back, crawling on all fours to help you look for the damn earrings osamu's new girlfriend gifted you. "what would we tell everybody?" "how about the truth?" "we will tell them the truth! right after christmas." "you idiot, your mom has her next appointment the day after christmas! the whole point i agreed to this was so that way we wouldn't crush her with a whole day of bad news!" "you're right." your back is turned to him, but even without looking, you know he's nodding his head. "we should just wait 'til the month's over then." "that's even worse!" now you finally do turn around, crossing your arms against your chest. "i really think this was a bad idea. we need to figure out how to come clean before this whole thing blows up in our faces." he sighs, knowing that you're right. you always are. it's what he loves — loved; he's not quite sure if he's still allowed to use the L-word concerning you — about you. then, he perks up, catching a glint of your missing earring. propping himself up on his good knee, he presents the ring to you earnestly. "oh!" you grin, happy that atsumu found the damn thing. now, osamu's girlfriend will be properly placated. before you can reach for it, three things happen in rapid succession. one: the kitchen door swings open. two: mama miya assesses the situation quickly, and lets out the biggest shriek of excitement heard 'round the world. three: this whole thing definitely just blew up in your faces.
⋆⁺₊❅. v for valentine starring shoyo hinata synopsis you hate valentine's day — after you found out your (former!) boyfriend of three years was cheating on you on this very special holiday, you see what the 14th is all about. commercialized "love": packaged in bright pink packaging and red hearts that get sold to unsuspecting fools. however, as a wedding planner, you still have to love love. it's just hard to whenever the wedding you're planning is set for feb. 14th... and it's to your ex-boyfriend and the girl he cheated on you with. you know it's petty and ridiculous and horribly immature, but you're plotting and scheming ways to ruin their wedding without it being tied directly back to you. the only obstacle in your way, though, is the bride-to-be's annoying cousin who immediately catches onto your plans and seems intent on putting a stop to you.
exclusive sneak peek! "what do you think you're doing?" you jump up, startled at the sudden intrusion. everyone else is supposed to be occupied, oohing and ahhing at bridezilla's reception dress reveal. "nothing." you say, in that tone of voice that makes it very, very obvious to anyone who can hear that you were definitely up to something. "really?" hinata asks. "because it looks like you're trying to convince the dog to tear up my cousin's high heels." busted. (you're too flustered and trying to come up with an excuse as to why there's peanut butter on his cousin's designer heels that you don't notice the way hinata looks like he's trying to hold back his laughter.)
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:¨ ·.· ¨: `· . blue lock films coming to a theater near you ౨ৎ
⋆⁺₊❅. married by christmas starring seishiro nagi synopsis as the only daughter of the mikage business empire, not to mention having an older brother who could care less about the family business, you should be rightfully inheriting a good majority of mikage corp. on the day of your twenty-fifth birthday, you anticipate the metaphorical keys to your family's empire. instead, you receive the worst news of your life: reo's going to lead mikage corp starting on christmas day (a gift that he never asked for), and since you're still unmarried at the decrepit age of twenty-five, your grandparents are demanding you start going on blind dates with the men they've found for you. when you angrily confront your parents, wanting to know why everything will be handed to reo, who doesn't even want this responsibility, the answer is clear: they need a man to be the face of mikage. if you marry someone, even if you're the one pulling the strings from behind, you can still inherit the business by having your husband look like the one in control. your parents know that you don't want to get married, but what they don't know is that you're willing to do anything to get what you've worked so hard for. you didn't spend years abroad to study at the best business school in the world and to build connections all for it to go down the drain. but then you realize that all these men your grandparents found for you won't be willing to just sit back and let you do all the work. they want power of their own. where in the world could you possibly find someone you can trust to be married to in these conditions? and then it dawns on you: your older brother's best friend! from what you remember of him during high school, nagi wants nothing more in life than to just be able to make easy money and relax, left to his own devices. he's never taken advantage of reo, so he'll probably stay loyal to you. and a quick google search reveals that nagi's never even been in a public relationship. he's perfect.
exclusive sneak peek! "you bought me a ring?" you stare at the velvet box resting on your living room table, eyeing it like a bomb that might explode at any minute. "huh? oh yeah, why?" nagi's voice is cracking through the speaker of your phone. you're not sure where he is; you don't really know much about your husband-to-be, you realize. you should get him to email you his daily schedule. you plan on making note of that in your outlook calendar, after this call. "i didn't expect you to get me a ring." you frown. "forward me the invoice for it, and i will make sure to reimburse you. in the future, please refrain from making any purchases related to our relationship unless i clearly allow it and expect it. christmas in front of my family, and public birthday celebrations, for example, are occasions in which i'll allow gift-giving." "you're sayin' my future wife doesn't want gifts?" nagi wants to choke reo. he's the one who said you expected to be spoiled, and all the guys on his team seem to be adamant that buying gifts for your significant other is the way to go. if he knew you were going to start talking business around him, he wouldn't have gone through the hassle of finding a decent jeweler in this city. "this is a business partnership, nagi. not a romantic relationship. in business, you buy gifts only to bribe. are you trying to bribe me right now?" no, he thinks. he was only trying to make you happy.
⋆⁺₊❅. a king for christmas starring shoei barou synopsis serving as king but hated by a small, powerful group of witches, the ruler of the kingdom, shoei barou, is cursed and expelled to another world where his tyranny will not be tolerated. the only way to return back to his world is for him to learn benevolence and empathy. they certainly gave him a challenge; it'll be hard to be kind and empathetic whenever you're magically transported to the twenty-first century without a single clue as to how the world works. luckily, he ends up transported here, unconscious, on the front porch of a tired, overworked, graveyard shift ER nurse. you signed an oath to protect and save all lives, so you can't exactly kick the large man passed out by your front door, now can you?
exclusive sneak peek! "where is your horse?" barou asks you, following you around your house. him being your shadow is odd, considering how he towers over you so much, he's actually casting a shadow onto you. seriously, he's blocking the sunlight peeking through your blinds. "my horse? you think i'm a horse girl?" you whirl around to meet him, nearly bumping into his muscular chest as you do so. he makes a face, not sure what to make of your exclamation. "how will you travel into town?" "like everyone else. with a car." you hold up your key fob, and he immediately snatches it from your hands, staring at the fob curiously. "you travel using this?" he points to it, and you nod. "witch." he says. "what did you just call me?" you stare at him, stunned. "witch." he repeats, still holding onto your key fob. "to travel in a contraption so small... magic is the only reasonable explanation. you must be a witch. why didn't you tell me this sooner? we can use this—this car, and you can take me back to my kingdom at once!" he straightens his back, holding your key fob out of your reach. "witch, i demand you transport me back home." "i should've kicked you when i had the chance." you mutter, wondering how hard this stranger banged his head to forget what a car is.
⋆⁺₊❅. the perfect playbook starring yoichi isagi synopsis bastard munchen is forcing all of its players to dedicate their time during the holiday season to an approved community outreach initiative. isagi sees nothing better than to return to his hometown, and help volunteer to coach the local little league team that's 1) underfunded and 2) currently coached by the only person kind enough to volunteer: you, the fresh-out-of-college brand new, bubbly elementary school teacher. yoichi might not be the biggest believer in team work makes the dream work, but you don't make a bad teammate... not in the slightest.
exclusive sneak peek! "isagi," you frown as you stare at the whiteboard, trying to make sense of all the x's and o's and arrows he's scrawled on them. "you want to train this group of seven to nine year olds... to become strikers?" he nods, pleased that you're finally starting to see his vision. "yes, exactly!" "the recreational elementary-aged youth team... is going to undergo a simulation of what you went through as a high school boy?" "well, it'll be tweaked accordingly. with your guidance, of course! it'll be a more tame version, but i'm sure the results will be the same." when he smiles at you like that, you can't help but want to give in. "and besides, i'm proof that project blue lock is a very beneficial program. look how i turned out!" you think back to when you curiously searched him up on the internet. "top 10 isagi crash-outs on the field" was not the result you were expecting. but he's been nothing but kind and enthusiastic around you and the kids. it's not like he's some egotistical maniac who only cares about soccer, right? "okay." you nod slowly. "project baby blue lock it is, then."
⋆⁺₊❅. cease and assist starring jinpachi ego synopsis former collegiate athlete with a professional career ahead of you, your dreams of becoming the world's best women's soccer player gets crushed the minute you suffer the worst injury possible. now, you spend your time trapped in an office, working for the japan football association, waiting for the decades to pass you by so you can finally retire and die. until the head of the association pulls you to his office and lets you know that you're going to be going undercover; apparently, jinpachi ego is creating a soccer program that's supposedly going to change japanese soccer, and he wants you to report back to him and the jfa so they can anticipate everything ego plans on throwing at them. hired to project blue lock as ego's personal assistant, you spend practically the whole day with him. he's annoying, never listens to your advice, mansplains everything, and refuses to eat anything resembling a vegetable unless you force it down his throat. he's also the only person to match your passion for the sport, and the only one to call you out for not continuing to chase your dreams. the more time you spend by his side, the less and less you want to report to the jfa...
exclusive sneak peek! "sir," you grit your teeth, clutching onto the files in your hand because you know if your hands are unoccupied, you'd be sprinting across the room so you could personally choke jinpachi ego out. "i have an mba from the top business school in this country. i've played soccer since i was a child, and was one of the most decorated d1 players back in college. i know i'm just your assistant, but i can promise you, i am capable of far more than heating up your cup ramen." he doesn't even turn around his chair so he can face you; instead, he's still laser focused on the massive monitor in front of him, his eyes occasionally flickering to the other dozen screens surrounding the room. he doesn't even acknowledge your words. "are you seriously going to ignore me?" you snap, strangling the poor papers in your grasp. "are you done speaking? last time i tried to answer back, you yelled at me for not letting you finish." he still isn't looking at you, but you're certain he sees the nasty scowl that crosses your face. somehow, ego is capable of seeing everything. "forget it. you're impossible." "and you're a failure of a player." he tells you, right before you can storm out. "excuse me?" "you keep talking about how good you were at soccer, yet you never even bothered to pursue it after you got out of physical therapy. good in college doesn't mean anything when it's been so long. that's why i don't listen to you." he turns his chair, finally staring at you. "when you prove to me that you're still as good as you claim you used to be, maybe i'll take your advice. until then, get out of my office until i call you back."
⋆⁺₊❅. the only exception starring noel noa synopsis at thirty-three years old with not a single serious romantic relationship for the past decade or so, and with society basically treating any single woman in her thirties like a cow put out to pasture, you have come to terms with the fact that you'll be a spinster. it's fine. you have a successful career in a male-dominated field, you're still as beautiful as ever, and it's not like romantic love is going to fill the void. you have a supportive family and even more supportive friends; you don't need anything else. at thirty-five years old, with a successful soccer career and a body still performing at peak physical fitness, noel noa is considered to be one of the most eligible bachelors in the world. the public considers him to be at his prime, even. and yet, he seems to want nothing to do with romance. he plays his sport, he does a damn good job of it, and then he goes back to his isolated home in the french countryside to spend his days and nights entirely and utterly alone. for two people content to spend the rest of their lives without a partner, the minute you walk into his life as the new assistant coach for bastard munchen, you both slowly start to realize that maybe, you both could just try being alone together.
exclusive sneak peek! he doesn’t pay you any attention whenever you enter the locker room; after all, this isn’t the first time one of his teammates’ girlfriends walked in here unannounced. he can only hope that your heated rant and accusations of cheating don’t take a long time because practice starts in ten minutes, and noel noa is known to be particularly anal when it comes to sticking to a strict schedule. “hey!” igor says, being the only one bold enough to block you from taking another step further in the locker room. “you can’t be in here, even if you are dating or related to one of the players.”  “well, that’s certainly a respectable rule, but it doesn’t apply to me.”  “i'm the vice captain of this team.” he replies, letting his title to do the rest of the talking. right now, in this room, he’s the authority, second only to noel. noel, who's too busy stretching his legs to really concern himself with something as silly as a female intruder in the men's locker room. the altercation between you two is nothing more than white noise to him. “oh? that’s nice.” you hum, before adjusting the lanyard around your neck so that the little ID card, the one that’s used to allow people entrance into the gym during practice, is showing. it must be brand new because it shines underneath the fluorescents of the locker room. “i’m your new assistant coach.”  well, you’ve certainly got noel's attention now.
⋆⁺₊❅. all in starring rin itoshi synopsis even with worldwide fame, rin itoshi still prefers to be left alone. deemed the "prodigal recluse" by the media, no one knows what he gets up to during the offseason. the truth is, rin returns back to his hometown and spends his free time training by himself in the frozen field he used to train in during middle school. he's never been found out here, and that's how he likes it. until you, an ambitious sports journalist visiting your parents during the holidays, gets lost and stumbles upon him playing soccer by himself. you're convinced that this is fate. no one else in your field has ever gotten this close to him, especially outside an official game, and you're begging him for an exclusive interview. you're persistent and annoying, and rin finally agrees, with one catch: you have to score against him on a one-on-one soccer match. (he just doesn't anticipate how persistent and annoying you can be. when you set your mind on a goal, you're going all in.)
exclusive sneak peek! "you have to admit, it's pretty impressive i even kept up this long." you're panting, the palms of your hands digging into your knees as you hunch over, struggling to catch your breath. the icy air makes every exhale visible. rin looks like he hasn't even broken a sweat. "a child could've kept up for even longer." he says, the soccer ball resting underneath his right foot. "if you're this tired already, you might as well just head home and go enjoy your vacation with your family." the and leave me alone goes without saying. "why? intimidated by my shocking athletic abilities already?" you think you've finally got your breathing situation figured out, and you straighten up. "i'm going to get that interview, itoshi." "if you say so." he shoves his hands in his pockets, his own breath visible in the icy air. "i'm ready for our rematch." you tighten your ponytail, giving rin such a fixed, determined stare that it surprises him. you really are serious about this, aren't you? "and don't think about going easy on me." the corners of his mouth nearly turn upwards. he matches your gaze, preparing to shoot the ball. "i never will."
⋆⁺₊❅. meet your match starring oliver aiku synopsis tired of cleaning up his messes and struggling to reform his playboy image, oliver aiku's publicist has to break out the business card locked away in her "in case of emergency" glass case. she's calling in the calvary — you, the celebrity world's most respected matchmaker. every celebrity couple you've set up has either dated for years (and more to come) or even got their happily ever afters by saying i do at the altar. you've got a one hundred percent success rate. you're making the perfect matches left and right. hinge who? when your publicist bestie calls you, begging to help her most troublesome client finally find love and quit playing around, you already know who she's referring to. oliver aiku. he's hellbent on ruining your perfect run, and you're hellbent on finding him the love of his life so he can finally settle down and stop causing your best friend to spend her whole paycheck on migraine medicine. in his hyper-competitive field, he's never quite met someone as obnoxiously stubborn as you — nor has he ever had as much fun playing games with anyone else. it looks like the two of you have finally met your respective match.
exclusive sneak peek! "what the hell is the matter with you?" you glare at him from across the table, but oliver doesn't seem the least bit ashamed. you're not shocked; you don't think he has the capacity for shame. "what are you talking about?" he tries to sound innocent, but it doesn't work. look at him — there's nothing innocent about the man sitting across from you. "i'm talking about you bringing another woman to the date i set up for you!" you hiss, trying to remain calm and not draw attention to the two of you. he takes a long sip of his coffee, dragging out the silence as you wait for his explanation as to why he wants to make things as difficult as possible. "i was just testing her." oliver is smiling. you want to punch him in his stupid face and see if he'll still be grinning at you. probably. he's annoying like that. "during a situation like that, you can tell if the girl's gonna be a struggle to deal with depending on her reaction." "you know what my reaction would be if you did that to me?" you lean forward, and he meets you halfway, also leaning in closer. he's still smiling. you hate his stupid smile. "oh? what would your reaction be?" "nothing. you'd never even get the chance to pull that shit on me. as if i'd ever be dumb enough to go on a date with the likes of you." you lean back in your seat, opening up your phone and furiously marking off girls from your list. the list gets smaller after every one of his failed dates. oliver sits back, too, watching the way your brows furrow as you stare at your screen, not even giving him the time of day. he never stops smiling; finds it hard not to smile when he's in your presence.
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:¨ ·.· ¨: `· . jujutsu kaisen films coming to a theater near you ౨ৎ
⋆⁺₊❅. the roadtrippers starring kento nanami synopsis you're traveling solo for the first time ever after your fiancé breaks things off with you to date his 19 year old neighbor. kento nanami's a single father/investment banker trying to make it back home in time for his daughter's birthday. you're both trying to travel across the country, but when a massive snowstorm delays the same flight you two were going to take home, you decide to team up and just travel together to try to make it your respective destinations on time. from weirdos on the train, flat tires on scarily cheap rental cars, and posing as a married couple at a strict, christian-owned bed&breakfast, you go from strangers traveling cross-country together to being connected together in ways neither of you have ever connected with your previous partners before.
exclusive sneak peek! "whoa, you're doing this like it's nothing." you stare in awe as nanami rolls up the sleeves to his button-down, exposing his strong forearms as he turns the wrench, loosening the lug nuts of the flat tire of the rental car. "that's because it is nothing." he tells you, glancing up at you. you're wrapped up in his blazer, but the chill of the outside air still bites at you. "you should go back inside the car and wait for me. i'll be done in a second." "it wouldn't be fair." you explain to him. "you've been doing all the work this entire trip. braving the elements with you for a few minutes is the least i can do." "you don't have to do anything." he looks up at you, his stare bringing heat back into your body. "you don't owe me. i really don't mind helping you. if you really want to do me a favor, then go back inside the car and stay warm."
⋆⁺₊❅. snowed in starring naoya zenin synopsis you've never had great luck, but with your good attitude, you don't let life get you down. good karma finally comes your way when you win an all-expenses paid trip at a luxury ski lodge. this is where your good luck ends. apparently, the ski lodge accidentally double-booked the cabin: you're supposed to be staying there... and so is the rudest, most arrogant and condescending lawyer you've ever met. naoya zenin booked this place to get away from the city and work in peace, away from the incessant nagging of his family and employees. instead, he's met with even more inconveniences, the biggest one being you, some teacher from a small town he's never heard of and couldn't care less about. before either of you can head back to the main lodge to complain, a snowstorm comes rolling in, effectively leaving the two of you snowed in together for the time being. no cell service, no internet, and no one but each other. fantastic.
exclusive sneak peek! "where are you going?" he asks, eyeing your towel and pajamas in your hand. "to go shower?" you point to the bathroom door. after claiming he wants nothing to do with you, and then setting a ground rule that you can't speak to him unless he allows it, you figured he'd just leave you to your own devices. "unless i need permission from you to do that, too." "i checked the water tank. there's barely anything, and even less hot water." "and this is my problem because...?" "i need to shower, too. i know women have a tendency to take hour-long hot showers, but that isn't going to work here." somehow, you find it hard to believe any woman would want to be close enough to naoya to where he can track their shower-time. "fine. i'll take a lukewarm shower for fifty-five minutes then." you reach for the bathroom door handle. "will that satisfy you?" he's up in a flash, his body so close to your own. you've got nowhere to go but to back up against the closed door, trying to get some space between the two of you. "you don't want to know what'll satisfy me."
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:¨ ·.· ¨: `· . attack on titan films coming to a theater near you ౨ৎ
⋆⁺₊❅. falling onto you starring porco galliard synopsis when you’re forced to return to your hometown to take care of your grandmother after her hip surgery, you’re roped into volunteering for the town’s fire department charity event. paired with the constant scowling firefighter who rescued you from a tree back when you two were kids and classmates, you’re tasked with organizing the firefighter calendar auction. between awkward photo shoots, bickering over decorations, and trying to outbid a local rival for the best auction spot, you start to see that maybe porco galliard isn't all scowls and shambles arrogance — after all, he's there to catch you every time you fall.
exclusive sneak peek! "no." "it's for charity, galliard." you toss him the santa hat, not the least bit shocked that he manages to catch it without batting an eye. "you're like, morally obligated to do this. unless you want to ruin christmas. that's fine by me, too." "i won't be ruining christmas. you're just a pervert." you gasp. "i'm not the one who came up with these positions!" "you're still going to buy the calendar." he points out. "yeah, for charity! not to actually look at it!" "you sure about that? because you seem pretty damn persistent that i should take off my shirt and let you take pictures of me in nothing but suspenders, my work pants, and this ridiculous hat." "that's the most stereotypical firefighter photoshoot for a sexy christmas calendar!" he pauses. "you callin' me sexy?"
⋆⁺₊❅. the one starring colt grice synopsis colt grice has the worst luck known to man. when it comes to pay-it-forward chains, he always gets stuck in front of a minivan for a family of nine. naturally, the only people who crash into his car are the ones with no insurance. he felt bad for a coworker during a work potluck, stomached some of their disgusting food, only to end up getting food poisoning from it. the only thing colt ever seems to have good luck with is relationships... specifically, his good luck seems to transfer over to the girl he's currently dating. see, the thing is, every time colt gets dumped, his exes always end up finding the love of their lives. all his exes are happily married or in long-term relationships, with all of them finding their soulmates right after breaking up with him. he thinks no one else in the world has luck as terrible as his, but then he meets you. after a conversation exchange during a long line, you reveal that it seems like every ex you have has found their soulmate directly after breaking up with you! which is when you two hatch a plan: in order to help each other find "the one", you both agree to date each other for a period of time and then dump each other, all in the hopes of finally meeting your soulmate.
exclusive sneak peek! "your soulmate is super lucky, by the way." "what makes you say that?" colt turns to his side so he can look at you. you're still laying on your back, gazing up at the stars above. "just... i can't imagine why anyone would want to break up with you. you're honestly the best boyfriend i've ever had." colt's heart jumps at your words. he's glad it's so dark outside; otherwise, you might see the blush creeping on his cheeks. you continue on. "i'm going to be really sad when we have to breakup." he knows it's not in the agreement, but he can't help it. he thinks, then let's not. instead, he swallows hard and makes a half-hearted joke. "don't worry. you'll meet your soulmate soon, all thanks to me." you laugh, but you don't tell him how you're really hoping that he's the one for you.
⋆⁺₊❅. girls just wanna have fun! starring levi ackerman synopsis you're the prime minister's daughter wanting to get the proper college experience during your very last year of university. he's your marginally older, no-nonsense, militant bodyguard. you're determined to check things off your college girl bucket list (skip lecture, eat questionable dining hall food, go to a frat party), and he's determined to keep you safe.
exclusive sneak peek! you’ve been meticulously planning this all week. the perfect outfit is tucked under your oversized hoodie, and you’ve even plotted out the quietest route to avoid any of the creaky floorboards in your family’s massive home. all that’s left is to slip past levi, who seems to have an annoying sixth sense for every bad decision you attempt to make. sliding your shoes on, you tiptoe toward the front door, holding your breath as you slowly twist the handle. almost there. just a few more seconds, and— “you have exactly five seconds to explain what the hell you’re doing.” the deep, authoritative voice freezes you in place. slowly, you turn to find levi standing in the shadows, his arms crossed, one eyebrow raised in disapproval. the flat line of his mouth isn't forming a frown or a scowl, but the disappointment is evident. “levi,” you start innocently, trying to cover your tracks. “i was just—” “if you're just going to lie, don't bother saying anything.” he interrupts, stepping into the light. his eyes flick to your shoes and back to your guilty expression. “where are you really going?” you sigh, crossing your arms defensively. “it’s just a party, okay? everyone’s going, and i’m not some teenager who needs her parent's permission to go out at night.” “you might not need your father's permission,” he says, his voice low and deliberate, “but you do need my protection. and if you think i'm letting you sneak off to some frat house full of drunk idiots without so much as telling me, then you’re dumber than i thought.” you glare at him, your frustration bubbling over. “you’re not my dad! i can take care of myself.” he leans against the doorframe, unflinching. “if you could take care of yourself, you wouldn’t have tried sneaking out like a common criminal." “ugh,” you groan, childishly stomping your foot. “why do you always have to ruin everything?” “why do you always have to make my job harder?” he counters, his tone sharp but his eyes softening just slightly. for a moment, the two of you just stare at each other. then levi exhales, rubbing his temples as if you’ve given him the worst headache of his life. “here’s the deal,” he finally says. “you stay home tonight, and i’ll consider letting you go to the next party — with me shadowing you the whole time.” your jaw drops. “you can’t be serious.” “correct. i never plan on letting you go to one of those idiotic parties.” he says. “now go change out of that ridiculous outfit you're wearing under your sweatshirt, and get some sleep. you've got class at eight.”
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chemicalarospec · 2 days ago
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Scary Christmas
okay scary christmas. i wanna get on this early because I'll be disappointed if Scary Christmas happens but it's just Christmas But Make It Children's Horror Game and/or The Nightmare Before Christmas. Warning: I'm literally making up all of this as I go along.
I respect the scary but as a scaredy-cat, I would rather not go full horror. Oh yeah, and I forgot to mention, we're throwing the Christmas part out the door. Vintage goth might be a good starting place for the aesthetic? Blood accents encouraged. Potential Scary Christmas colors:
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idk i'm not an artist...
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I'm imaging making old-web style "happy scary christmas" glitter graphics...
Scary Christmas iconography: spiderwebs are a good place to start. But more cobweb-y than spider-y. A line with a moon on top and a sun on the bottom, to represent the respective seasons of the Northern and Southern Hemispheres. The painting The Scream. Snowflakes? (Sorry Southern Hemisphere) My first concept art looks too much like Halloween.
Scary Christmas concept art:
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Scary Christmas greetings: "Happy Scary Christmas!" "We're almost through January!" "May you face February unafraid." just "Face February unafraid!" in the cadence of an NPC. "Boo!"
Scary Christmas activities:
watching horror movies (with friends)
but if, like me, you are afraid of horror movies, then watching comedic kid's Halloween movies (The Nightmare Before Christmas included! I just want this to be MORE than that) or black and white films, particularly Alfred Hitchcock films, are encouraged substitutes.
gather around and sing SCARY songs or recite SCARY chants
or the Dune litany against fear
set a goal of doing something that makes you scared.
almost all holidays have traditional food so uh... okay apparently January is National Soup Month?? idk for which nation but soup it is. tumblr users love soup.
if there is no soup, there still should be a main dish in a bowl.
Scary Christmas goals are often (sorry my brain thinks it'd be really fun to write this like it's real but I don't want to confuse people) to live more authentically. Traditional Scary Christmas stories remind the listener that as scary as opening up as your true self is, the joy it brings is worth it. (transition. Scary Christmas is pro-trans.)
The meaning of Scary Christmas: Scary Christmas is a holiday that recognizes how scary life is. It is a day to acknowledge fear so we don't let it control the rest of our year. Celebrants are encouraged to share their seemingly-silly fears and realize they're not alone in them.
Scary Christmas recognizes that facing our fears helps us grow. On Scary Christmas, everyone is encouraged to take one step out of their comfort zone, whether it's trying a scary new food, watching a scary movie, or talking to a person (scary) -- but no one is forced to, because the Scary Christmas ideology also acknowledges that growth best happens under support.
Scary Christmas celebrates uniqueness and deviance. Catchphrase: stay scary, not scared!
Looking forward to celebrating Scary Christmas with you all on January 25th!
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faeriekit · 13 hours ago
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Since you're asking specifically about your own scenario...
1) Presumably, if you have adderall prescribed to you, it's for a reason. Likely, that reason should also give you accommodations in regards to assignment submission deadlines. Use your disability office accommodations to back you up. You could probably skip most of this if you, specifically, emailed your professor with your accommodations paperwork backing you up, and begged for your life.
2) If you know you need those two hours or the rest of the night to submit an essay of even cheeseball length and it's due at midnight... it is my non-professional opinion that you should submit something. When reached out to, you can promise to bring a paper copy in the morning, but that pads you out a little time if you know you need it.
3) More generally, 40 minutes is pretty reasonable for churning out something terrifically bad with sources, depending on whether or not you'd been passively working on gathering them beforehand; depending on your wpm, a short essay response might be actually decent, and if there isn't a word requirement, you can do a pretty horrible job and still hit about half your rubric if you put something down. It depends on how practiced you are, what subject you're meant to write about, and whether you looked for good sources ahead of time or not. This may not apply to you, but it has been time tested by desperate students over and over again.
No one is saying that a 40 minute essay would be good or that you'd get a full grade. It might be the size of your medium length tumblr post. What they're saying is that no matter how terrible or poorly conceived your forty minute essay was, your terrible partial grade is still going to be better than an LLM sourced paper, which at best might be graded just as badly as your terrible essay, and at worst will get your academic career put into question forever, which would impact you wherever you go from then on out.
Edit: also, strangers, your professors are not angry gods. Most of them respond pretty okay to desperate begging, especially if you've been largely consistent with turning in your assignments previously.
chatgpt is the coward's way out. if you have a paper due in 40 minutes you should be chugging six energy drinks, blasting frantic circus music so loud you shatter an eardrum, and typing the most dogshit essay mankind has ever seen with your own carpel tunnel laden hands
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andr33yy · 1 day ago
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Smut is good, but yk what's better? First kisses.
So hear me out - Cherik first kiss hc.
Obviously it happen during their roadtrip. After sucsesfully recruiting Angel, they get back to their hotel a little tipsy, so they decide to let loose completely with another bottle of champagne. After all, it's deserved.
Hours pass, the sparkly liquid flows and they soon find themselves pleasently loosened. Erik's alchocol tolerance is worse than university-party-animal Charles's, so he finds it easier to talk about himself. A sad story here, a funny memory there and they've come to the topic of relationships.
When Charles asks him about his first kiss, Erik admits he's never kissed anyone and doesn't know how to do it(bc his life has been a constant fight or flight mode).
"I can teach you." Xavier says without a second thought in his dizzy brain. Erik was enormously attractive and as alchocol erased his shyness, Charles decided to shoot his shot. If he'll get declined, he can just blame it on alchocol in the morning or claim to not remember anything at all.
Erik felt dumbfounded for a while, but soon decided "fuck it, why not?" They're both in good spirits, they both have a decent amount of alchocol in their systhems and he feels the safest with Charles anyways.
At first it feels awkward as they're sitting infront of each other. Charles can tell Erik's nervous. "Don't think about it too much. Just go with the flow." Xavier incourages. Next thing he feels is a quick peck on the corner of his lips, "Like this?"
"Almost. Let me lead at first and then repeat after me." he says, hiding trembeling exitement behind drunk boldness. He gently cups his friends jaw with one hand, bringing him closer. Just as mere inches seperate the two men, Charles lidded gaze meets other's eyes, reading pure adoration. His sea-blues fall at the sight of Erik's lips one last time before he closes both - his eyes and the distance between them.
The kiss is soft, gentle and exciting. It tastes like bitter-sweet champagne. Neither are rushing anywhere, hoping to stay like this longer. As telepath slowly moves along, his hand travels to Eriks nape, deepening the kiss. Neither can tell whether only few seconds or a lifetime passes before Charles slowly draws back, noticing Erik slightly chase after the crimson lips.
The pupils are blown, breaths are heavy and eyes are lidded. "Now your turn." Xavier says with his classic, cheesy smile and only few seconds later, the soft lips find each other again.
The next morning they find themselves sleeping next to each other, halfway dressed and with an empty bottle of champagne on the ground. As the memories seep back into Charles mind, he turns to his friend apologetically and begins to ramble "Erik, I'm sorry. You probably think foolish of me-"
"No, quite the opposite." Lehnsherr replies in half asleep state, "All that teaching and I still feel in need of practice. Mind showing me how it's done again?~"
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clueless-fan-critic · 3 days ago
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Why Helluva Boss Surpasses Hazbin Hotel In the Best Way Possible
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The Helluva Boss Christmas episode dropped and I caught up with Season 2. I love this show so much for so many reasons. But that doesn't diminish Hazbin Hotel in any way at all. In fact, because of the show, it gives us a much deeper appreciation for what Helluva Boss is doing. I mean Hazbin Hotel was cool on Prime, but I want to talk about why Helluva Boss is the "Shrek 2" of the R-Rated animated musical series by a YouTube Animator. And that's a weird mouthful.
Getting Better with No Reward
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Helluva Boss makes pretty clear that the "evil" demons of Hell are basically regular people with problems. Whether a majority of demons are born in Hell or damned souls, it's clear that they grow up from children to teens to adults. They have jobs, families, homes, and all the mundane things in our lives. And do in fact die. Possibly? That part is vague in whether they just get erased from existence or reincarnate Chainsaw Man style. But with those in mind, what would exactly be the point of being a "good" or "bad" person?
Throughout the series, many of the demons have some moral code, ethics, empathy, or rationale that sets them apart from the more chaotic and stereotypical demons. What I saw with a lot of characters is they willingly try and change for the better, all without Charlie Morningstar or the promise of Heaven, but redemption. This is especially in the case of Blitzø with a silent O.
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Blitzø is one of the more unhinged characters you would see as a demon: immoral, selfish, hedonistic, all those demony things. But we, the audience, get to see his life, his failures, and his pain and how it shaped him. While it doesn't excuse his actions, it does make us understand. Once realizing these feelings, Blitzø tries to confront the consequences of his actions, with some trial and failure. Reconciling with his twin sister Barby: failed. Apologizing to his exes: failed. Talking with Fizzoralli: okay but still some scars, literal and figurative.
In fact, both Blitzø and Charlie share one major quality: attempting to change the status quo of Hell. But Blitzø wants to be seen more than a lackey to other higher demons while Charlie wants to prove people can change for the better. While Charlie's reason is more rooted in selflessness and hope, Blitzø's feels more human and genuine. From what I could see from the show so far, Hell is getting a whole lot bigger in what it can offer.
What's The Big Difference?
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Helluva Boss is a more grounded and relatable show than the epic musical of Hazbin Hotel. The show allows for a lot of worldbuilding moments with the different rings of Hell along with their functions and associated demons. We're introduced to imps at the bottom of the demon hierarchy, demon royalty through Stolas and the Goetia royals, and six of the Seven Deadly Sins.
It seems the Seven Deadly Sins hold the most authority compared to the Overlords. It might be that the Overlords are more rich people like CEOs, industrialists, and entertainers while the Sins are like government officials, both holding power and influence but in different areas of life.
Whenever Hell is used in a show, it's represented in a myriad of ways ranging from classic burning pits to existential or nihilistic despair. It does make it clear that Hell is more a dark reflection of life on Earth, but more dirty, vibrant, and chaotic nonetheless. Even the Earth depicted in the show isn't really different aside from the whole demonic powers and magic stuff.
What Makes it More Interesting than its Predecessor?
Helluva Boss uses episodes as vehicles for their characters. Basically, getting to know who we're watching, why they're important, how they are as people, and so on. It doesn't have an overarching story that builds to a final battle. They're just chilling with exploring characters and their impact to others and the present stories in different episodes. Although there are interconnecting plots and stories, the show is mostly episodic.
Its strongest element include the characters, its main cast, supporting, and even one-off jokes, they all leave impressions on anyone who sees them. Millie is given more exploration in later episodes with why she always put up with Blitzø and believes in their business despite his total incompetence and hangups. You think Millie is just this bubbly tank, but shows a much more vulnerable side who wants to be seen more than her "intended role."
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Stolas is another character is breaks the mold of his role. With disastrous results for everyone he cares for. Stolas is the love interest of Blitzø who aids IMP with his magic. He slowly breaks out from being a prince into someone else he hasn't found yet. We see his royal comfort implode in the Sinsmas finale, he loses his status, power, and even his daughter because of a perceived fantasy or escape that would free him. But, like a lot of caged birds, he doesn't fare so well in the real world. Now left with truly nothing but the very person he made his "sacrifice" for. Even uncertain of that as well.
But, the songs from both shows are incredible!!!!
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My favorites include Loser, Baby performed by veteran Keith David and newcomer Blake Roman and U 2 Me performed in "Apology Tour" by Bryce Pinkham. Both those songs really connect with me while conveying character moments. The songs in Helluva Boss develop and explore character like a musical would use them for those big "Declaration of Something" anthem. Defying Gravity, We Don't Talk About Bruno, even Cell Block Tango, all are songs that explore one's mindset, opinions, and personal struggles.
Why Should I Watch...?
The Characters, the plots, the songs, the animation, so much F^$King things to admire and love that I can't... I just... 😣 😩 ... I don't know.
Just Watch It and See for Yourself!!!
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xxgoldie · 2 days ago
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Congratulations for your 100 followers!
May I request for harumasa or lighter (zzz)? As for the alphabets, it's B, G, J, S, and X!
good afternoon, morning or night^^
-Miyi
i think i originally planned to do this one w harumasa but i feel bad locking these reqs up too long (don't even mention the non-event reqs i have, they will get done i swear) n i've not been able to play zzz much recently bc of christmas so i'm still building confidence on writing for that yellow twink (/aff)
main event page - event masterlist
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B: Body - what's their favourite body part of yours? Lighter really loves your hands. Absolutely one to compare hand sizes - especially if yours are a lot smaller than his, but it's really just an excuse to feel your soft hands against his calloused ones and get a good look at them. In fact, he loves any excuse to stare at them, like if you paint your nails or wear rings a lot - if you text him that you got a drink or something, he'll ask to see because he knows the photo will include your hand holding it. He also loves holding hands, he has so many sappy thoughts about your fingers interlock with his like puzzle pieces. Likes if you trace his scars or draw little patterns onto his skin with your finger, just finds the dance of your fingertips against his skin really soothing and intimate.
G: Gifts - do they give a lot of gifts? how do they feel about receiving gifts from you? Every time he runs errands in the city, Lighter will pick you up random things he think you'd like, whether it's your favourite snacks or a silly-looking plushie. While he won't necessarily get you a bunch of thought-out gifts without occasion, there are always little treats and trinkets waiting for you - you're just in the back of his mind basically non-stop, and he drops them into his basket without thinking twice. Sometimes, if he ends up getting you a bunch of things at once, he'll give them to you over a few days, just so he can see the smile on your face when he gives them to you again. With recieving gifts from you, he's a bit awkward about it but he treasures everything you give him. Especially if it's something heartfelt or expensive, he doesn't really know what to say to thank you but he appreciates it immensely. And if you return his treatment of regular small gifts, he keeps them all in one place, a small box in his drawer that to most people would just look like a bunch of random items, but is essentially a shrine to you.
J: Jealousy - do they get jealous easily? what are they like when they're jealous? Already done, see it here xx
S: Show-off - do they like to show off to their s/o? Honestly, he's more of a show off before you're dating, when he's crushing. Will never admit it but he has a desperate need for you to think he's cool. Tries to be extra suave and intimidating (to others, not to you), and gets extra flashy in fights when he knows you're watching. Once you're dating, though, his showing off basically becomes a way to tease you. You like his arms? The jacket's off and he's randomly flexing his muscles to watch you stare. Find his voice hot? He's playing it up and talking into your ear so you hang off his every word. Anything you find attractive, whether you tell him or he notices himself, he's showing it off - partially because it adds a bit of pride in that trait, but mainly because he loves to see your reactions to it.
X: X-Ray - how easily can they read their partner? how easy are they to read? Already done, see it here xx
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gingersnapwolves · 1 day ago
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coming back to this post to address some questions I've gotten on it!
The above: if you qualify for Medicare, just get regular Medicare. If anyone asks if you'd like a Medicare advantage or Medicare replacement plan, the answer is no. If you don't qualify for Medicare, this post isn't really for you, but you can shop for healthcare through the Affordable Care Act (for now) and there are navigators who can help you pick a plan.
Second: what about Medicare supplement plans? In general, these are good and helpful, but be aware that they ONLY cover what Medicare covers. They're good for paying your deductible and coinsurance, but they don't pick up the tab for non-Medicare-covered services. And they can find excuses not to, just like any commercial plan (but overall I find them better about it than Medicare advantage plans).
Third: oh no, I have an advantage plan/managed care plan for Medicaid and they didn't give me a choice! Yeah, unfortunately, Medicaid and Medicare are very different animals. Medicare is a federal program, whereas Medicaid is run at the state level. Many states have "managed care plans" to provide Medicaid that function the same way (that is, Medicaid gives them a certain amount of money and says use this to take care of the patient) but unlike Medicare, you often don't have a choice as to whether or not you'll get one. The state can require it (the state I currently do billing in does).
Fourth: what do I do if I have one? Unfortunately, it's a lot harder to get off a Medicare Advantage plan than to get on one. I believe you can switch during open enrollment, or if you have a "qualifying life event" but I don't actually know a lot about that.
Fifth: sometimes Medicare Advantage will cover things that Medicare won't, like dental/hearing/vision. This is true. As above, Medicare is not perfect. So if you have a lot of needs in those areas, it may be worth looking into a Medicare Advantage plan, but that's pretty much the only circumstance I would say that.
Last: what are your qualifications to give such advice? I've worked many years in medical billing, including years at a company that did billing for multiple physicians/practices/facilities all over the country, so I'm passingly familiar with many disciplines AND many states in the USA. That being said, I encourage you to do research and explore your options and don't take the word of one post on tumblr.
Happy to answer any other questions!
You know what since I’ve got a ton of new followers because my post on puberty blockers took off and people apparently want to see me rant, I’m gonna get up on my soapbox for a PSA for tumblr’s aging userbase.
Do not! Get! A Medicare Advantage plan!
Tell your parents not to get one. Tell your aunts and uncles not to get one. Tell your friends not to get one.
Why is that, you might say? Kouri, what is a Medicare Advantage plan, you might say?
tl;dr Medicare is the government healthcare plan for Americans of a certain age or with certain disabilities. It is owned, administered, and operated by the government. You are entitled, if you wish, to outsource your Medicare and have your policy run by a commercial group, such as United HealthCare, Cigna, Aetna, et cetera.
Here’s how it works: For everyone who signs up for, say, a plan that rhymes with Figna Medicare Advantage, Medicare gives Figna a certain amount of money and says ‘use this to take care of this patient’.
You can see where this is going, right? Figna says ‘sure boss! *wink nudge*’ and then shoves as much of that money into their own pockets as possible, and they do that by finding excuses to NOT pay for your medical care.
Medicare Advantage plans are pushed and marketed heavily. They’ll call you. They’ll set up stands in your PCP office to try to encourage you to buy in. They will say things like ‘with Medicare, you have to pay a 20% coinsurance, but with us you only have a 10% coinsurance’ and completely neglect to tell you that having a smaller coinsurance only matters if they approve the fucking care that you need, which often they won’t (while Medicare would have) and if your doctors are willing to accept it, which often they don’t (while they do accept Medicare).
Is Medicare perfect? Absolutely not! I've got my share of bones to pick with them. But simply put:
Medicare is government administered. It is a service. It costs the government money, which is why the GOP is always trying to cut funding to it. Medicare Advantage is corporately administered. It is supposed to make money. Which gives them incentives to deny your care and fuck you over that Medicare simply does not have.
Do not. Get. A Medicare Advantage Plan.
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notebooks-and-laptops · 10 hours ago
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We all know that the real reason you hate Veilguard is that non-white people have agency and power in the story, unlike your precious BG3 fetishizing racism. Imagine you giving a shit about the fact that Karlach's story is incomplete because Sven Vincke believes that oppressed minorities deserve racist abuse.
Okay so obviously this ask wasn't sent in good faith (and bizzare considering Karlach, Lae'zel and Wyll are my favs in Bg3 and I've been outspoken about disappointment in their treatment by Larian compared to Astarion but I digress). But it has prompted an interesting thought because....
What agency do characters (any, but especially our non-white as anon has pointed out) have in Veilguard? I think of any RPG (maybe even any videogame?) the Veilguard companions have the LEAST agency I've seen.
All RPGs involve an element of helping to decide your companions fate; will Merrill smash the mirror or keep it? Will Isabela come back? Will Alistair become a warden, a king or a drunk? Will Leliana let ruthlessness or compassion rule her? And how you play does effect this; often there are important choices at certain moments.
I think these decisions in general work better when they're slowly built up over a number of choices (e.g. Leliana in DAI, who will be divine) or come from approval/disproval (Merrill smashing the mirror if she feels she has nobody on side vs. keeping it if she feels she has you at her back). This is because in these situations the characters are not just asking what to do to the player they are influenced by numerous situations and circumstances and that effects the decisions they make.
But veilguard...well. the approval system doesn't exist. None of the companions can hate or dislike Rook, they can only like you to various degrees of intensity. So that doesn't effect anything. They have no agency over their relationships and whether or not they like someone. And there is a total of one choice which I would say truly affects the game long term (maybe you can argue two if you say a meaningful decision with long reaching consequences can happen an hour before the game ends) and even making that choice won't really sour Lucanis or Neve against you fully.
I've mentioned a few times that veilguard companions have no line in the sand; they're very maluable to just...whatever Rook tells them. None of them have strong opinions about magic, religion, race, culture, society. Is that agency? Is it agency to water down a character so they have no stance on anything? Can a companion HAVE agency if they don't have any real negative opinions ever? If they never truly get to be influenced by the world to make decisions for themselves?
Each companion has a choice of two endings and Rook makes them for the companion in question. DA has done this kind of decision before (Bull comes to mind) but they've never followed such a formulaic system in which everyone looks to Rook at one moment and decides the fate of their lives (and in Bellaras case their people) from one decision the player makes. The companions don't push back against Rook for making a choice they dislike or regret letting Rook make for them. When you chose to kill Avelines husband for her she is pissy at you YEARS later for making that decision for her in the moment. In veilgurd there is just. Nothing. They lack any real agency in the narrative at all that can last beyond the scene they're in.
This I think is particularly aggregious with Bellara and Taash; Bellaras agency in the narrative is completely bulldozed by the fact that Rook is allowed to decide whether or not she keeps the archive spirit; something with deep significance to the Dalish/her culture. There's an excellent post about how this is akin to book burning even if DA didn't mean for it to be. You can just tell her to get rid of it and she does! No regrets! Because her culture is never truly at the forefront of her storyline it's viewed as something tangential to who she is; something she can easily discard if you tell her to. Is that agency? She doesn't get mad at you for any particular decision, is that agency?
And then Taash...God Taash deserved so much better. They're living a story about lack of binaries and yet every single choice is about forcing them in one. Taash says they're happy being multicultural at the beginning of the story and you slowly but surely strip that from them and you're FORCED to do so. Is that agency for them? Is that what you think giving characters agency Is? Is that not one of the more racist/insensitive options Bioware has EVER placed before a player.
Davrin spends the narrative learning there is more to him than having to die at the end of a hard fight; he becomes a father, and allows his love of Assan to guide him in the sense that Assan acts as a mirror; just as the griffins can be reframed as protectors of Arlathan rather than just wardens doomed to die so can Davrin...but then they decided that Davrin should be up as the choice of who dies and not only that but they made that decision because they thought players would find it hard to chose between ASSAN and Harding not Davrin and Harding. Which. Is gross. I do think Davrins storyline is handled the best out of everyone which is why he's my favourite, but the ending just adds a bad taste to my mouth.
Neve, Dorian, Mae and the Black Divine are happy to leave their countries future political situation to a complete outsider no questions or disagreements mentioned. Is that uhhh. Is that agency?
Even Solas is stripped of any agency in this narrative; Mythal made him do it! If she says he can stop he will! What? Where did THAT come from? How uninteresting does that make Solas?
As for if the Veilguard companions have power or are in positions of power....I guess? Maybe? Neve can be the leader of a smuggler gang (don't think too hard about what they might smuggle in the slave capital of the world) which is a position of power. Or an...inspiration? Which gives her very little concrete steps towards actually helping docktown. Lucanis can lead the crows I guess? That's powerful...altho he doesn't seem to want the position or be able to refuse it or even complain about it. We have no idea or clue what happens to Harding, Davrin, Taash after the game but hey maybe that's because they could all be dead.
The characters ARE powerful ill give you that. We have some immensely powerful mages in our party and I LOVE every scene where Neve throws up a sheild or places herself as a shield to protect her friends. I wish we'd got to see more of Bellaras science and tinkering smarts but what we get is GREAT. But having a powerful character isn't the same as a character having agency in their story or being able to effect meaningful change.
So yeah. I mean. Obviously bad faith anon straw manning me because I dared to have an opinion about a game they happen to like (and liking the game is fine! I like parts of the game! I think the characters deserved better but hey ho). But I think it's interesting to think about agency and power in this narrative because....I don't think anyone actually gets much of it. Certainly not in comparison to previous DA characters like Blackwall, Leliana, Viv, Zevran, Fenris, Anders, Merrill, Isabela etc.
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momotonescreaming · 4 hours ago
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Stripping Back the Coats
Rating: T | WC: 5.2k | Evan Buckley/Tommy Kinard Tommy & Chim Friendship, Post Break-Up, Hurt Comfort
[read on AO3]
Apropos of nothing, or what looked like it at first glance, Tommy broke the silence. Shattered the stagnation in the air that swamped his living room. The movie he and Chim were watching had finished, the room falling into quiet.
Hand loosely cradling a bottle of craft beer — some fancy brew he'd been talking up that was as nice tasting as it was expensive. Not that Chim was just going to admit that, at least not right away — he'd let Tommy sit with it first. Tommy, who was perched on the edge of his comfortably large couch like he was unsure he was allowed to be there. One move and the string holding him together would be pulled taut, and he'd spring off the couch to standing. He looked like he wasn't sure whether he wanted to collapse or stand at attention.
Instead he hovered in this weird middle ground of tight posture, perched on the edge of his couch. Like he was afraid he'd shatter with one wrong move, like glass spun too thin.
Chim thinks he's not as put together as he likes to seem — especially now, with the break up hanging over his shoulders.
"Did he ever tell you about our first date?" Tommy asks, brows gently furrowed, the words falling out of his mouth and onto the floor. Chim just hums, he's listening, acknowledging the rhetorical question. Even now, his words feel carefully chosen, strung together in the gossamer shield that seems to hold Tommy together. He. Not Evan, not even Buck. Chim wonders if it's because he knew he'd stutter over which to call him.
It'd feel weird hearing the name Buck come out of his mouth. Hell, it feels weird when he calls him Chimney. There's something comforting about being Howie to him. Buck must feel much the same, Chim imagines, getting to be Evan to him. There's just something special about how Tommy says names. Like they're special, like it's an honour just to get the privilege to say it. Maybe Chim's reading too far into it.
He takes a sip of Tommy's craft beer, his own bottle cradled in his hand, and it goes down smooth. He turns to look at Tommy, at his friend, and tries to leave his face blank and carefully earnest. As much as he likes to joke and kid and tease, he knows when it's not the time for it, and Tommy is barely holding himself together. If he looks close enough, he's sure he can see the cracks. That spindly thread holding him in place.
"Dinner and a movie." Tommy continues, and his voice sounds almost carefully flat. Each word finding it's place on his tongue. Chim tilts his head to look at him as he speaks. "We went to Miceli's — this nice Italian place, Old Hollywood, y'know? — ate, got a pitcher and talked."
He huffs out a laugh, more an exhale of air than anything, smiles at the memory. Chim smiles with him. Whatever he's thinking, there's something genuine there. Can see it etched in the lines of his face, in the lines gathering in the corner of his eyes, the curve and tilt of his mouth.
He looks more himself than he has all evening. More like the Tommy that Chim met flying a helicopter through a hurricane, and the Tommy he re-befriended after. Snarky, and cool, and lighter than he ever was at the 118. Even after Chim saved his life. Even after Gerrard left. He seemed like almost an entirely different person. More open.
Turns out there's still a long way to go.
"Beer wasn't even that good," Tommy jokes, turning to Chim with an almost conspiratorial smile.
"Saved the good stuff for me, huh?" Chim teases, placing a hand on his chest. "I'm flattered."
"You should be, I got these on special order." Tommy teases back, gesturing to his beer bottle with his own. "Not sure they're even making them anymore — it was a limited edition batch, y'know?"
Chim lets him talk through the very clear tangent, the very clear distraction Tommy is letting himself go down. Talk about the craft beer he's passionate about, that he was saving. Neither of them bring up the very real possibility that Tommy was saving it for date night with Buck.
He takes a sip of the limited edition beer, and watches something flicker over Tommy's face. The smile fades, the teasing smirk, and he looks down at the floor. At the rug beneath their feet.
"But yeah. The beer wasn't great but I really liked talking with him. He was earnest, interesting, cute. There was something about him that really drew me in, y'know?" Tommy smiles again, another sad thing, that same flickering over his expression. A glimpse of the new Tommy, happier Tommy — before he's gone again. "But, uh, it really didn't seem like he had processed what it meant to date another man?"
Tommy dims, his voice quieting, Chim only hearing him by virtue of Tommy wanting him to hear. Tilting his head towards him. The silence around them roars, the softness of his voice easing through it.
"He still hasn't." He says, voice walking the line between that careful flatness from before and an undercurrent of sheer sadness. There's something raw about it, something real, even moreso than the Tommy he was after he left the 118. This is deep-seated stuff, this sadness.
Chim knew that Tommy liked Buck, he's not stupid, but it sort of hits him in the moment just how much. It may have just started with thinking the other man was cute, earnest, interesting, but there was no doubt about it that it had settled into something real about it for Tommy.
And now it sort of sounds like Buck wasn't. Chim doesn't quite know what to think, not with what he's seen of Buck — he's tasted his baking, saw him drowning in oversized hoodies and staring at his phone on shift.
Maybe he didn't show all that to Tommy? He doesn't know what to say, how to say it, so he doesn't. And fuck it's hard, keeping what he knows of Buck in, but he does. Takes another sip of beer. He wants to know what Tommy thinks.
"Eddie walked in the restaurant with his girlfriend — Marisol, I think? — and spotted us immediately." Tommy continues, voice still low and sad, but he looks at Chim with questioning brows as he mentions Marisol. To which Chim just nods. Must not have met her much then, he thinks. "Buck panicked."
Tommy pulls a face as he says it, Chim following suit, his face screwing up as he hears the name Buck fall out of Tommy's mouth. He's right, it sounds weird. It feels wrong. Not allowed. Like something wonderful and special has been taken back. Pulled away.
He lets the feeling sit weird and awkward in his gut, Tommy rescinding his right to call him Evan, and focuses on the words.
Buck panicked.
A joke is sitting on the tip of Chim's tongue, a snarky comment, something teasing. Guess he really bucked it up. He'd say it to ease the mood if he didn't think it would upset Tommy. Turning his name into something bad. Even though Chim doesn't mean it maliciously — that's his brother-in-law, after all.
"He'd only just told me that it was his first date with a guy — I was ready to play it off as just new friends grabbing a beer — I wasn't going to out him before he was ready. I'm not that sort of guy—"
"Hey." Chim interrupts. Tommy seems like he needs it. To be shaken out of it, his voice speeding up, just slightly, looking up at Chim with wide eyes. All these tells, all these signs, are so small and easily missed. If Chim wasn't looking he had a feeling it would fly right past him. "I know you're not. Buck knows you're not."
Tommy takes a deep breath. Shaky on the exhale. He looks like he needed to hear it, there's a small easing of the tension in his shoulders. But he wasn't going to ask for it. There's a lot more to Tommy then he wants it to seem on the outside. His befriending him, his move to Harbour, his coming out — all first steps in opening up. But maybe he hadn't taken any more.
So if telling Tommy he was a good dude, helped, then Chim would remind him. He was, of course. He saw the start of his journey first hand. He remembers that first hug in the locker room. Love actually, monster trucks, craft beer. He saw Tommy's evolution, of sorts. He saw how happy he made Buck, how happy he seemed in return.
"But…" Tommy continues, steadying his breath, getting himself under control.
"But Buck put his foot in it."
"Yeah," Tommy says with a shaky laugh, an exhale of air. He doesn't think it's funny. "He told Eddie we were going to go out and pick up hot chicks."
"Shit." Chim winces, hissing air through his teeth and cringing backwards. "On your first date?"
Tommy hums in affirmation. Lets out another small, humourless laugh. Face almost impassive, as if he's processing as he speaks. Rolling everything that happened through his mind like he's thumbing at a marble, running thought by thought like a string of rosary beads. Chim wonders if it's helping.
"I cut the date short." Tommy says simply, an almost wistful sadness to his words. Eyes faraway, thinking about what was and what could have been. "Left him outside the restaurant instead of taking him to the movie."
"Nothing wrong with that." Chim says carefully, turning to Tommy. Nudging his side with his elbow. Wiggles his eyebrows, plays it up. "Sounds like he deserved it."
"Maybe a little." Tommy admits with a weak smile. He sighs, stale breath falling out of his mouth, dropping the smile. Scuffing his socked feet against the rug. "I don't want to be too hard on him."
"I won't tell him if you won't," Chim jokes, tipping his beer bottle towards the other man, before drawing it to his mouth and taking a sip.
Tommy lets out a weak snort.
"Buck invited me back to Miceli's for our six month anniversary," Tommy continues on an exhale of air, and it seems like the battle is leaving him. Not that there was much to begin with. Tension seeping out of his shoulders and dripping onto the floor, easing into something sad. Something resigned. "Didn't tell me it was for our anniversary when he invited me, but we both knew what it was. Maybe we should have talked about it more."
"You can't get caught up in what-ifs, Tommy," Chim adds simply. He knows it's not that easy, stopping going down the spiral of what if things were different, what if you changed things, what if you did xyz. Before he met Maddie, with Tatiana — there were a lot of what-ifs. Hell, there might have been even more once he started dating Maddie. "I've been there, and it's never any good. Even for the little things. You'll just drive yourself crazy."
He watches the other man sigh, dropping his head again. Cradling his beer bottle in the palm of his hands. Thumbing gently at the label, picking at a loose corner wet from the moisture of the cool bottle. "Yeah, Maybe."
Tommy takes a deep breath, sips his beer, and continues. Still thumbing at the label of his bottle. "A lot like that first time, it was going good until the end."
"Maybe Miceli's is cursed?" Chim teases, smirk quirking up the corner of his mouth. "Like his cowboy."
He hears Tommy snort, as he looks out over his living room. He's been barely looking at him as they talk, but Chim doesn't mind. It's easier, he knows, when no one is looking at you. When you can't see their reactions, their emotions, what they think.
As nice as Tommy's living room is — very cozy, very homey, with rugs and throw blankets and plush furniture — he draws his eye to Tommy himself. Watches his face, his posture, the way he holds himself. Watches for the things he shows, but doesn't say.
"Some lady came up to our table mid-dinner. Blonde, very Hollywood-pretty." Tommy's voice drops as he speak. Low, but not quiet. The words falling out of his mouth as his eyes drift somewhere far away. "Skipped like three tables in order to get to us. Asked Buck to take a photo of her and her friends."
"Flirting." Chim comments.
"Very obviously. Didn't seem to care that we were in the middle of dinner." He sighs, his face almost sagging under the weight of the emotion in his words. "He's hot, I kind of can't blame her."
"Except you can." Chim notes, eyes scanning Tommy's face, watches the upset twitch of the muscles in his jaw. "Or you can blame Buck?"
"I don't know." Tommy admits, and he can see he's telling the truth. "Buck was flustered, looked at me, but when he went to take their photo he automatically went to use his phone and she asked if he was trying to get her number."
He purses his lips together as he speaks, as if he's trying to stop them from turning down into a frown. His brows furrowing. "Buck didn't get her number — obviously — took their photo and went to sit back down with me. But."
"It hurt anyway?" Chim assesses, shifting subtly so he's closer to Tommy on the couch. He looks like he needs it. Someone near. He hopes he's helping just by listening.
"So much." Tommy says on a shudder. "I didn't quite realise I was waiting for him to debuff her, to tell her he was on a date with his boyfriend — until he didn't. I didn't want to say anything, ruin the mood, make it all about me."
"Hey," Chim comments, voice warm and comforting. He places a hand on Tommy's back, hoping it's a comforting presence, a comforting weight on the man's broad frame. "It wouldn't have been making it all about you. Especially not what happened last time you were there."
"It felt like a step backwards. Like, he could tell his family he has a boyfriend, but he's still ashamed to be seen with a man in public." Tommy sighs, a sad almost pitiful thing. Leaning into the weight of Chim's hand on his back. "Especially around a pretty woman."
Oh Buck.
Chim just purses his lips, and gently rubs Tommy's back. Hand moving in gentle circles. He doesn't know what to say to that. He's had his own struggles in love, in work, but he's never felt like the people he's been with have been ashamed to be seen with him. Even Tatiana. She started dating a Chim that didn't exist, sure, but they went on dates in public. And people knew it.
There's no way Buck meant for that to be the way his actions were portrayed, the man is head over heels for his boyfriend — but he can see how it came across that way. He can see the way it was the crack that helped grow the rift between them.
He just hums, and lets him continue.
"I had a hard time coming out. Worked hard to finally be authentically myself. Upended my whole life to do it." Tommy admits, his voice wavering. Wet, and thick. Emotions pushing at the words, at each syllable, begging to be let out. "I can't be shoved back in the closet. Be some dirty little secret. Not again. I can't."
Wrapping an arm around Tommy's broad frame, the expanse of muscle, Chim rests his beer bottle on the table next to him and turns his attention towards the other man. The other man who really seems like he needs it right now.
Tommy never really talked about his experience coming out, and Chim didn't ask. It didn't feel like it was his place to do so. They became friends over their time at the 118, and they caught up for beers a couple times after Tommy had moved to the 217. And he had cottoned on that Tommy came out — but he didn't ask for specifics. He worked with Gerrard, he knew Tommy was in the army, he could guess what it was like.
It hurt knowing that Buck put him right back there. It hurt even more knowing he didn't do it on purpose. And from what he'd heard of the breakup from Maddie — there was some reversal there, with what Tommy said before he walked out.
But that wasn't helpful now.
Today was about Tommy. About letting him talk, process. And Chim was there to help. It's not like there was anyone else. Tommy kept people at arms length and the only other people close enough were going to be with Buck. Eddie, Maddie, Hen. So Chim went to Tommy's, and he doesn't regret it.
"When he asked me for a second chance, after that disastrous first date," Tommy started, Chim huffing out a small laugh. An exhale of air out his nose at the way Tommy said disastrous. And after hearing what happened, he kind of can't blame him. "He said sorry, of course. And then he told me he wasn't sure what he was ready for. But he was ready for something and he wanted it with me."
Tommy smiles sadly, and Chim smiles along with him. It sounds almost romantic. That rom-com shit that Tommy not-so secretly loves. Sweetness and romance and earnest declarations. No wonder he fell for Buck. The smile drops from Tommy's face just as soon as it had appeared. "I should have listened when he said he wasn't sure what he was ready for."
"What do you mean?" Chim prompts, more curious about what Tommy's going to say than anything else. He can guess, of course. Turns out that he wasn't ready for something with me after all.
"He asked me to move in, did he tell you that?" Tommy questions, turning to Chim with brows furrowed. Gesturing with his beer bottle as he talks. "Brought up marriage and everything."
That, Chim did know, and not from Maddie. Buck had brought it up at the station, talking to everyone in the kitchen, and Chim had to bite his lip to hold back the snark sitting on his tongue. Into your loft, Buck? You rent, and Tommy owns his house. He had excused himself to go sort inventory. With how distraught Buck seemed, that also wasn't the time. Even though Chim was right. And it sounds like Tommy thinks so too. He hums that he's listening.
"And I just — what if we did move in, what then?" Tommy continues, voice strained. Chim can feel his chest start to rise and fall faster underneath his hand. "What if we did move in and Buck realised that what he was ready for wasn't me? What if he wanted more? What if it's me holding him back from really looking at his sexuality, from being able to comfortably call someone his boyfriend in public?"
"And you panicked." Chim states.
"And I panicked." Tommy confirms, breath stuttering as he exhales. Clenching his hands, steadying himself, as he takes another shaky breath. "I couldn't handle it. The idea that he finally figures himself out and doesn't want me anymore. That I'm not enough. He said he admired me, that I was confident and comfortable, and was one of the brave queer people who came before him. And I felt like a fraud."
"I've been there." Chim admits, the words falling out of his mouth before he can really process them. He turns to look at Tommy, pulling a face as he continues. Tommy watches him speak with searching eyes, his gaze roaming his face. Tommy's shared so much, much more than it seems he has in a really long time — the least Chim can do is reveal some things of his own. " The feeling like a fraud thing, I mean. Years ago, I was dating this girl — Tatiana, I don't think you met her before you left the 118?" he continues with furrowed brows. Tommy just shrugs. "But that's beside the point."
Shaking his head, as if to shake off the words. Tommy doesn't say anything, and for a moment Chim wishes he still had that beer in his hands. Something to fidget with, that's not the shirt on Tommy's back.
"We were together for far longer than we should have been. I was always complaining to the others how bored she always was, how hard it was to impress her. Hot though." Tommy snorts at that, and it feels like a win. A little reprieve from all the heavy shit they've been sifting through. "So I started exaggerating the truth, shall we say."
"Is that what we're calling it now?" Tommy jokes, turning towards him in return, smirking faintly. Chim notices he doesn't pull away from his hand resting on his back. So he doesn't move, and continues talking.
"I wasn't lying!" Chim laughs. "Everything I said really happened! It just wasn't me who did it." He pulls a face, and tilts his head, conceding his own point. "And dialled up to 11. But it wasn't a lie! Technically. Maybe."
"Okay so you were lying."
"Yeah." Chim sighs. "Probably. I took things others did on call, went back to my apartment, and told her wild tales about what daring stunts I had done. Saving children and animals. Doing The Maneuver. I had to go home and pretend everyday."
And that gets Tommy listening, the smile fading into something earnest, attentive. He's hanging on Chim's every word now. It feels a little weird, oddly raw — telling Tommy these things. Most people he'd be comfortable knowing were there watching that relationship unfold. He's never had to tell anyone before.
"But I was so desperate for a family, a connection, something," Chim says, trying not to focus on Tommy's eyes drilling holes in the side of his head. "That I was willing to lie to my girlfriend to do it. Let her manipulate me, shape me, blind me to what was going on." He lets out a shaky breath, but powers through. For Tommy. "It blew up in my face of course."
"How so?"
"I proposed to her, she said no, told me she cheated on her ex-fiance, and then I got rebar through the skull."
"Jesus fucking Christ, Howie," Tommy exclaims, words falling out on the exhale.
"Not I'm not saying that that's going to happen to you,"Chim jokes, sliding his hand across Tommy's back and gesturing at him. He slides his voice into something more serious. "Or even that's what you and Evan were doing, just that I get it. It's hard."
"Yeah," Tommy shudders. "I spent so much of my life pretending, half the time not even knowing that it's what I was doing, that I don't know if I know how to stop anymore."
"And you think Buck saw a version of you that wasn't there?"
"Fuck, maybe?" Tommy says, brow furrowed unsure. He turns to look at Chim, a little distraught, pulling a face, before he turns away again. Stares back into the deep black of his TV Screen. "Probably. Which is probably my own fucking fault, not talking to him. But it's not like he asked either?"
"Do you think you wanted to be asked?" Chim prompts, guessing the answer is going to be another maybe. Or at least — that's what Tommy is going to tell him the answer is. He has a feeling the answer is secretly, obviously, yes. Tommy Kinard wants to be known, craves it so desperately, but is terrified of it in equal measure.
"If he did ask," Tommy starts, voice flat again, mouth down turned as he speaks. "It would have shattered the pedestal it felt like he put me on. And I don't know if that's worse."
Chim hums that he's listening again.
"He said he admired me, and Howie, you knew me way back then — there's nothing to admire."
Now that is just a blatant lie. There is something to admire about overcoming what Tommy overcame, about getting out and coming out. But he really doesn't think Tommy wants to hear it. He wouldn't believe it. He didn't believe it when Buck said it — the person he's most likely to believe.
Chim's not Buck, and he's only heard bits and pieces about his thought process, what he was going through on his side of things — but there's no way Buck meant that maliciously either. He knows about Buck being thrown for a loop, about talking to Maddie and Josh and something about Glee? But he knows for sure that the core of Buck's admiration for Tommy is love.
He loves him, and is proud of him. The man he was and the man he's become. His big beautiful boyfriend who's come so far and settled into himself.
It just sounds like Tommy's shit runs a lot deeper than anyone knew. Maybe even Tommy himself. He's learning so much about Tommy, here on his couch, the two of them spilling their guts. It's kind of nice, getting to know him more, this absent sort of friend he's know for over a decade.
He just wishes it wasn't like this.
"I'm not comfortable. I'm not confident. Not about this." Tommy says, shaking his head, and Chim wraps his arm back around his friend. "I'm not some paragon of gay rights. Gay pride. Someone who paved the way for those who came after, like he said when he brought up marriage. Fuck."
He shudders out another shaky breath, and Chim wishes he knew what to say. What joke to crack to make it all better. But he doesn't, so he listens. Just stays there for his friend. It feels like a long time since anyone has been there for Tommy. Not until Buck, at least.
"Did you know I've never been to pride?" Tommy asks, and Chim swears he can see his bottom lip wobble as he says that. Just ever so slightly. Until Tommy ducks his head, bowing it in a facsimile of prayer. Eyes shut, lashes shadowing his cheeks, that wobble to his bottom lip. "It always just made me feel like I didn't deserve to be there. Like I don't count. So I don't go."
Chim squeezes his side, draws him in like Tommy isn't bigger than him. Like he can tuck him underneath his arm completely, curled up like a sad roly poly of a man. There's nothing he can say to this. He'd go with Tommy to L.A. pride in a heartbeat, bring the whole 118 if it would make him feel better. But he really doesn't know if it would. Like a dehydrated man drowning in the depths of the ocean, it feels a little like throwing him to the sharks.
"I've always wanted to. Go to pride, that is." Tommy whispers. He clears his throat and looks at Howie. "He admired me because I'm one of brave queer men who paved the way to gay marriage, and I can't even go to pride without feeling like a fake."
He's never seen Tommy this open, this exposed, like ever. Even after years of friendship.It kind of hurts to see, pulls at his heartstrings hurts, seeing just how broken and vulnerable he is. Chim doesn't know what to say. What can he say about pride, without sounding fake himself. Like a well-meaning ally extending himself too much.
He knows about learning about your own culture, about exploring that part of yourself, he just doesn't know if now is the time to say it.
"I'm scared, Howie." Tommy admits quietly, sadly. "I'm scared that Buck is going to finally start learning about the queer community, about our depressing history, about what being a queer man means to him — and he'll realise that I have no part in that."
"So you broke your own heart before he could break yours." Tommy nods at Chim's words. He carefully doesn't mention that he broke Buck's as well. He wonders if a part of Tommy knew that would be a side effect. But that maybe the breakup would give him room to figure himself out, label his sexuality, and then he's ready to move on. Be a happy queer man, without the queer elder who opened the doors and stepped away. Who lived through the shit so he could live in the sun.
Howie can't say for sure, only guess, and he doubts either of them are going to tell him.
Neither of them are moving on.
Chim can't even be too mad at the guy for breaking Buck's heart. His own brother-in-law. He's clearly miserable himself, and his words just make him think of Maddie.
"Maddie left, you know?" Chim says, hand rubbing in gentle circles on Tommy's back. He looks across the living room, past the TV, and out the window into Tommy's backyard. Now it's his turn to take a deep breath. "She thought she was doing the right thing, and I don't dispute that — that she thought she was doing what was right for Jee, and for herself, and for us."
He takes another deep, shuddering breath, and looks back at Tommy with a wry look on his face. "But it sucked."
Tommy drops his head, curving his body towards the floor. Hiding his expression, his misty eyes, but from the flash Chim could see — he looks almost ashamed. Which wasn't Chim's intention, to make Tommy feel bad. He just wanted to lay it all out, share his perspective, share Buck's perspective.
"If she needed time, if she needed to slow down, hell — if she needed space — I just wish I could've been there to give it to her." Chim says, still careful to not reveal too much about his time separated from Maddie. Her journey. It was hers to tell, but he thinks the perspective could help Tommy.
Maddie was a runner, the person who leaves — and maybe Tommy is too. Maddie is Buck's sister, first and foremost — But Chim thinks it'd be good for them to talk to one another. She gets it. Just like he gets Buck, the person left behind. He hopes he's helping, telling Tommy this. Voicing his perspective.
"You chased after her?" Tommy asks, looking up at Chim, almost as if he's stating a fact, not voicing a question. They both know what the entirety of chased after implies.
"Of course." Chim replies, nodding. "I love her."
Tommy's eyes start to water again — not that they ever stopped — and Chim sees the light reflect through watery tears before Tommy bows his head again. Doesn't let him look, hides the way his face contorts as tears start to fall. His voice is thick and wet as he speaks.
"I love him, you know?" Tommy says, sounding all choked up, and Chim's heart clenches at the sound. He wraps his arm around his friend, and tugs gently, pulling him towards his side. "I didn't think it'd hurt this much."
Chim doesn't say anything, just holds Tommy as he starts to cry.
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nadas-dirthalen · 5 hours ago
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just want to say again that bioware did an amazing job with the inquisitor's missives. it's impossible to nail the voice of every single inquisitor that has ever existed in the last 10 years, but if you go over the actual events described in the missives, they are perfect.
they fit just as well for celene being kept as empress, gaspard ruling alone, or briala using gaspard to rule. they impact the divine no matter who you chose as divine because val royeaux falls to the same anti-emperor/empress rebels. ferelden/orlais tensions are kept high throughout, with the inquisitor acting (again!) as the sole peacekeeper between them.
oh, and the dwarves? orzammar is mentioned throughout, has its own storyline, and survives the final blight. the avvar? good news! the chasind/avvar are recruited as the inquisition's allies, and negotiate a temporary peace with ferelden, and are responsible for most of the inquisition's resources/food in the late game!
the entire series of missives is filled with constant callbacks to da:o, and even goes out of its way to say that the events of da:o are why the blight is shaped like it is in the south. the blight left behind seeds of itself, which makes sense, because all along, the blight has been the evanuris' weapon controlled through their archdemons, and elgar'nan/ghilan'nain would know that june's recent death was due to the hero of ferelden. the evanuris are family (however you decide to interpret that) despite their disagreements; of course both remaining evanuris are spiteful enough to re-enact origins just to hurt the people of thedas that much more.
i constantly see posts saying the inquisitor has no role, no purpose, in veilguard.
to me, they're wrong.
the inquisitor's role is holding all of southern thedas together as solas' failed ritual threatens to tear it all apart. everything they worked for, together. everything they did, everything they feared losing once, together. whether you headcanon that as an incredibly angry and upset inquisitor seeing the last of the good parts of solas' efforts destroyed, or you romanced solas and your inquisitor is fighting to preserve what remains of their relationship with solas while rook works on freeing him... the inquisitor is doing something, and on just as grand of a scale as rook.
and there is no one else who could do it but them. the only person that both orlais and ferelden will listen to equally is the inquisitor.
they are not going through da:tv to free solas. that has to be done by someone that solas doesn't expect, doesn't know (and no, he does not expect/know rook; they continually surprise him in ways not even the inquisitor surprised him).
the inquisitor is holding the world together so that there is anything at all left in the south to rebuild, and the instant they have a free moment, they charge into minrathous as the very last (and perhaps most vital) piece of rook's entire plan. something rook kept carefully concealed the entire time.
you know.
the pawn who was subtly moved all the way across the board, despite the fact that solas was looking for it the whole time.
that isn't rook being stupid, or mindless. that is rook, morrigan, and the inquisitor being incredibly smart.
don't believe me? still want to cry "but the art book" about it? go look for the page where it says that trying to reason with solas too early led to the game ending prematurely, with rook dead.
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ariatwang · 17 hours ago
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Hi, @radfemquestioner. I'm a radfem and although I think a lot of your ideas are flawed, I do admire the creation of your blog. I like seeing attempts at genuine dialogue (at least I hope that's what this is).
I would like you to take a look at this post. I think it's a really dead-on metaphor for the situation we're discussing and it's helped a lot of people understand what OP and I are talking about.
At the most basic level, I think we agree. One demographic of people (men, in this case) are not inherently evil. I, too, think all souls are born kind. But, just like how my voice is similar to my mother's because she is the one who taught me to sing and I grew up surrounded by her music, we inherit the things that come from the generations before us. We did not choose to. We cannot control whether or not we do any more than I can control the fact that I have my grandpa's nose. This goes for inheritance of societal patterns as much as it goes for physical traits. That's what a lot of radfems are talking about when we refer to "male/female socialization".
So men and boys, from the moment they are born, inherit what has been the global truth for thousands of years: we live in a system of very deeply ingrained patriarchy and oppression of women. The whole time they are growing up, their entire lives, this is being ingrained into them every single second. No matter how good or pure they want to be, no matter how much their parents try to teach them better, regardless of any other factors, they can't avoid it because it is everywhere. (If the post I linked at the beginning was helpful, you can think of this as how men get the gun put in their hand.)
The point of OP's post was that men, if they want to try to lower the arm holding the metaphorical patriarchy-gun despite not being able to set it down, need to be very very aware that they have the gun in their hand in the first place. So, without the gun metaphor, they need to actively understand that men as a demographic are unavoidably made into oppressors of women because of the environment that they're immersed in from the day they're born if they ever actually want to make an attempt to be better.
Please feel free to respectfully ask other questions, or ask for clarification about anything I've said here if something isn't making sense. (Or start a discussion about anything else.) I appreciate your curiosity.
Normalise letting men know that they are the majority of rapists, murderers, and violent criminals. Quit claiming “humans are so evil” when it’s just one specific demographic.
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sillydegu · 2 days ago
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Is there anything rats can't eat? Like, aside from actual toxin/poison or whatever. Just a silly question from a NYC resident who has seen city rats eating everything you can possibly imagine lol. Sometimes I worry about them!
Not a silly question at all! The good news is that rats are smart about trying new foods - they'll take a bite, wait to see how it affects them, then decide whether to eat more. This is because they're not capable of vomiting, so they don't want to eat anything that's going to make them sick. They do trust their humans though, and are less likely to be wary of new foods the longer they've known the person feeding them.
- Some foods should be avoided because they pose a choking risk, such as peanut butter or soft cheese.
- Any cheese with mold should be avoided entirely.
- Male rats aren't allowed citrus fruits (oranges, lemons, etc) because they contain d-limonene and can cause cancer.
- They shouldn't eat things that are high in sugar or fat, I'd also be wary of preservatives.
- Green bananas shouldn't be fed, but yellow are fine.
- Sweet potato or beans need to be cooked first, and eggs should be cooked to the point of a hard boiled yolk.
- Stones or seeds from fruit shouldn't be fed due to the cyanide content.
- They shouldn't have carbonated drinks as they can't burp.
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tobiasdrake · 3 days ago
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For what it's worth, even the Japanese fandom appears to be utterly sick of modern DB making Goku look bad in comparison to folks like Vegeta, be it in child-rearing and/or martial arts. Apparently, that recent Daima ep where Goku admits to Panzy that he didn't play much of a role in his kids' lives REALLY lit a fire in the belly of that side of the fandom.
As far as child-rearing goes, the trick of it is that the fandom gets too bogged down in trying to prove that their favorite character is a good dad.
They're convinced that one of these guys - Goku, Piccolo, Vegeta - is a Gold Star Did-Nothing-Wrong Father of the Year. And the arguments come down to bickering over which one it is, because fans don't like it when their fave isn't perfect.
But what it comes down to is that Goku's parenting kinda sucks. He leaves a lot to be desired. By his own admission, he didn't do much of the parenting, and that's not an inaccurate statement.
Like. We can go back and forth about whether Goku was right to stay dead, whether he was right to stay on Yardrat, whose fault it was that he had to go train at Kaio's, etc. etc. We can argue 'til we're blue in the face about how important it was that he be doing these things.
But it doesn't change the fact that what he wasn't doing for most of his children's lives was "being a present and active father, every single day of their lives." Whether you think his absences were justified or not, the facts of the matter are that Goku was not there for about half of Gohan's childhood and all of Goten's existence up until a short time before Daima began.
He was, often by choice, an absentee father.
And Vegeta is worse. Emotionally and physically abusive. Bitterly resentful of his family and outright accusing them of making him soft. By his own admission, he has never hugged Trunks and unlike Goku, he was physically present to do it. The one time he rectifies this, it's a trick to get Trunks to lower his guard so Vegeta can punch him out.
Goku is, without question, the better father.
But neither of them rise to the level of "good dad".
Piccolo, meanwhile, only actually parented Gohan for one year and we do not want to measure his character on that. Gohan's childish innocence taming the heart of the beast is probably the most iconic story of Dragon Ball. But if we're talking "good parenting", we're not gonna find it in Piccolo's beast period.
Mr. Satan is a womanizer who withdrew from his daughter and left her to fend for herself, so he's out.
The recent Super Hero movie established Gohan's family dynamic as him being a workaholic who neglects his daughter, so that's not great. Relatively tame, compared to some of the others on the list, but not great.
...I think Krillin's winning best dad right now, by default. Simply because being out of focus means we've never had a chance to learn anything bad about his parenting.
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