#not for profit. not once its in fandom

[sunny-superstar]

dont make me tap the sign

i know it ultimately trails back to the corporations but i just wanna say i think it’s heinous that old heterosexual men are STILL seemingly always in showrunner positions for major television shows, or at least they are always the ones getting their ideas greenlit. and so the most accessible popular media (the narratives we collectively see) are determined by these dudes who do not relate to You. they don’t care about what or who You’d like to see represented onscreen. sometimes this is affected by diversity in the writer’s room, etc., but for the most part everything must be dumbed down to what THEY THINK an average middle-american audience member can tolerate—and it’s insulting to everyone’s intelligence! It’s nearly 2025 and we’re all supposed to accept that certain kinds of stories are not worth telling (on that scale) because why? because it’s potentially alienating to a demographic that already has decades of screen representation to enjoy?

SO let’s talk about how showrunners/networks are well aware of viewership demographics and the profitability of fandom. Take a show like wwdits, where a lot of its notoriety had to do with its general edginess and, importantly, its appeal to LGBTQ audiences: the creators intentionally featured a mlm will-they/won’t-they at the center of their show, to the point that it was arguably the driving force behind continued viewership. It’s the carrot on a stick. “How will we keep profiting off of these queer viewers? Make them hope. Textually suggest the prospect of a fully realized gay romance and then tease these viewers for making ~homoerotic fanart and fanfiction~ like that wasn’t the plan all along!”

Your fanwork, whether it’s drawn or written, is free publicity for the source material. You Need To Know that. Because the corporate bastards Have Known That. that’s why supernatural was on for 15 seasons. Not because the plot itself was worth that much, but because the supporters of the central gay ship MADE it profitable. And baiting them only fans the flames (basically, it drives people crazy. spn still trends on here like once a week, 4 years later). & they want you crazy. they want online engagement. they want it trending on tumblr and twitter. They believe that if they give you what you want (canon gay rep) then the show will instantly lose profitability.

So. That’s what it comes down to. Your dedication means nothing to them but job security... and if you dare to take the bait and hope for the writers to fulfill what they VERY deliberately set up, they’re gonna straight up mock you. In the end, they’re just gonna fumble all of it, because they never cared about You or even the characters and their stories. Why bother if it doesn’t seem profitable anymore, right?

God it’s all so cynical. Keep writing fanfiction. Keep making fanart. Keep engaging in fandom spaces. Do it because YOU have passion. Do it because YOU care about a story or characters that mean something to you. Do it because we, as the folk, as the common people, need to have some way to control these narratives. We need to create our own hope, even if we get belittled for it. It’s all we have to combat the cynicism.

[frodothefair]

The United States of Fanfiction vs. Project 2025

Hello, friends!

I happen to be passionate about free speech, and fandom in particular, and since I've been seeing a number of posts to the tune of "Project 2025 is going to ban (and potentially criminalize) fanfiction," I’ve decided to take a deep dive into the issue over the last 24 hours. I’ve done a decent amount of research between other tasks, and I've asked my spouse – who is more politically aware than I am – to explain an embarrassing number of things to me like I'm five. The following is a result of my efforts, and it pertains to Project 2025 as it may affect freedom of speech as well as fandom.

This is not a diagnostic, or a clairvoyant look. I will get some things wrong, and so will anyone else who attempts to predict the future. But feel free to conversate with me, correct me, and contribute your own takes.

The tl/dr version of this article is as follows:

Project 2025 is an ethos and a "wish list" put out by a conservative think tank. It is not a law, a bill, or any kind of concrete action.

No content will become illegal that isn't already.

The IS a concrete law called KOSA that's been making its way through the federal legislature for the last 2-3 years. It is meant to require for-profit platforms (aka not AO3, but yes Tumblr) to funnel certain "harmful" content away from their users who are minors. If you support free speech and the actual safety of kids online, you should OPPOSE this bill. That is a concrete thing you can do. But again, no content is suddenly being outlawed or banned.

For those who want to know more, without further ado... Brace yourselves, this is going to be long.

Unsurprisingly, there seems to be a decent amount of misinformation on this issue.

I'll say right off the bat -- Project 2025 is a huge problem and it is scary, because it aims to dismantle a lot of the freedoms and government structures we take for granted. 

But here is what Project 2025 ISN'T.

It is NOT a law, and it is NOT a bill. 

Rather, it is a broad, 900-page "wish list" put out by an ultra-conservative think tank called The Heritage Foundation, which has existed since the 80's. A lot of actual conservatives consider it frankly crazy. 

There are a number of staff from Trump's first administration who have joined The Heritage Foundation over the past several years. At least one of those people, Trump has hired back. Outside of that, he has gone back and forth about his views on Project 2025, as he does on most things. 

Now, what are think tanks? They're exactly what they sound like. They think. And they put out really long documents aimed at influencing policymaking. They do not actually make the policies, but they aspire to carve their ideological pathways into the minds of those who do.

Now, how are laws actually made? Laws are proposed in the House of Representatives or the senate. By representatives and senators. They then take a really long time and a lot of back and forth to pass. The president, his cabinet, and various other stakeholders such as think tanks and lobbyists (people with lots of money who make it their business to hassle lawmakers) can influence the legislative process. Then, once laws get passed after much trial and tribulation, they may get challenged in various courts as unconstitutional. Trump in particular can influence the legislative process by appointing judges who will make decisions aligning with his ideology. (Think what he has done to the Supreme Court).

Now, back to Project 2025, the section everyone in fandom seems to be worried about runs as follows:

"Pornography, manifested today in the omnipresent propagation of transgender ideology and sexualization of children, for instance, is not a political Gordian knot inextricably binding up disparate claims about free speech, property rights, sexual liberation, and child welfare. It has no claim to First Amendment protection. Its purveyors are child predators and misogynistic exploiters of women. Their product is as addictive as any illicit drug and as psychologically destructive as any crime. Pornography should be outlawed. The people who produce and distribute it should be imprisoned. Educators and public librarians who purvey it should be classed as registered sex offenders. And telecommunications and technology firms that facilitate its spread should be shuttered."

Take note of the language. Its tone is that of incendiary rhetoric, not law. It tells its readers (which it assumes are Trump loyalists) that the end-goal is a total crackdown on pornography – whatever it decides that is. But these pie-in-the-sky discursive acrobatics simply don’t land. They are a what without any semblance of a how. And while that vagueness is inherently terrifying (because a lack of firm definitions always suits those in power), please do not lose sight of the fact that the Project 2025 lays out Napoleonic plans without any hint at how they will be accomplished. 

Law, and actual legal documents go into excruciating detail as to who, what, when, where, and how will be affected. They make at least some attempt to describe what is and isn’t under a law's jurisdiction. 

While Project 2025 indeed sets an frightening ethos, it does not give a blueprint. What is lost in the terrifying vision it proposes is how hard it would be to implement their ideas on the mass scale they are proposing.

That being said, we absolutely need to be vigilant for any initiatives that align with those views. Because chances are, if we do nothing, the freedoms will erode gradually, similar to a "frog in the pot" phenomenon, where the temperature goes up one degree at a time until the frog is cooked. 

There are concrete things to worry about. And some of them are lost in the blinding Mercury effect that is Project 2025. One of them in particular already has a head start.

I am talking of course about KOSA (the Kids Online Safety Act), which is making its way through the federal legislature and has been... for the last 2-3 years. Many people have identified it as a "Censorship Bill in Disguise" that mandates for-profit websites to "protect" their underage users from certain "harmful" material. 

What does this mean in practice? That is tech companies are aware that a user is a minor (there is some info floating around that this will be done by government ID's, but that's not actually written into the law), then they will be required to funnel certain material away from them. ***Specifically, algorithms and other design elements will not be allowed to suggest certain content to minors, though that content will still be hostable and searchable.***

The obvious problem is that what's "harmful" may be broadly defined, and there is concern that kids will not be able to access information about LBGTQ+, mental health, reproductive rights, etc. 

But again, here's what NOT happening. Unlike the language of Project 2025, nothing is being criminalized for creators. In other words, no, you will not go to jail for writing fanfiction, and fanfiction will not be illegal, no matter what it’s about. Nothing that is of an "adult" nature will actually be illegal that isn't already. The law is a mandate on the tech companies to funnel it away from their underage users. ***Importantly, they are not required to delete or "block" any content -- they just can't suggest it or push it to underage users via algorithms or other "design features." Of course, this is easier said than done, and the tech companies may in fact short-circuit compliance by changing their TOS to avoid hosting certain material to begin with, and they may still delete content, and no, none of this is good or even "not that bad," but this does not translate to an automatic, blanket ban.***

Critically, as the proposed KOSA law is written now, nonprofits like AO3 are exempt. But tumblr is not, tiktok is not, instagram is not. So fandom will be affected, but not universally.

(That is, AO3 is exempt for now. There is a bill in progress called HR 9495 that would allow the government to strip organizations of their nonprofit status without any due process - that's scary too).

But here's the other thing. KOSA has been around since 2022, and it keeps getting blocked and rewritten in Congress. It was endorsed by Joe Biden himself -- way before Trump, before Project 2025, before all of it! In the most recent session of the House of Representatives, it stalled again before the House went on recess for the election. There is a decent amount of opposition to KOSA from the tech lobby (unsurprising) as well as from Republicans themselves, who fear that it will block kids from seeing anti-abortion rhetoric (ironic).

However, the KOSA example gives an idea of how slow the legislative bodies are to get things done. It also highlights the difference between Project 2025's extremist and incendiary language, and what is actually happening and how it happens.

So: what can we do?

The most concrete thing you can do right now is to work to stop KOSA. Part of the reason why it didn’t pass the first two times was because people protested. To this end, you may call your representatives, email them, write to them, protest peacefully if you want to. This bill is actually dangerous, and a wolf in sheep's clothing, because "protect the children" is always an easy sell to someone who's not looking closely. And you can click here to fill out a form opposing it: https://www.stopkosa.com/ 

But there is more!

KEEP CREATING!! We are all fundamentally creative people. Creativity awakens the senses. We will not find victory by being numb and leaving creative energy on the table. So draw. Compose. Hit publish. Hit send. And hit one another up when you’re feeling down, or when you think that your friends might need a good hello. And to my fellow writers, KEEP DYING! KEEP WRITING IT DOWN! (That’s the words of CK Williams, by the way). We are the multitude, and the more we make our voices heard the harder it is for those who would silence us to pretend it will be easy.

I’ll leave you with a few quotes from a famously bizarre French philosopher whose works Mr. Nisilë and I I ran into in college. His name was Gilles Deleuze, and he very much believed that corrupted power only works when the people on the bottom give up by giving way.

“A concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.”

“If you're trapped in the dream of the Other, you're f-cked.”

“Bring something incomprehensible into the world!”

“Writing has nothing to do with meaning. It has to do with land-surveying and cartography, including the mapping of countries yet to come.”

@possiblyreallyme (You wanted to get tagged, I believe?)

[phoenixyfriend]

Feb. 26, 2025 - Status of the Colourpop New Moon Collection argument

Hi! No idea if you're a follower who's been following me and my decision to try to cyberbully a multimillion dollar company into doing the right thing. If you're not, you may be confused! I explain under the cut, including a timeline of actions so far.

If you're not new, then the latest is that they do appear to be deleting some comments on this issue, and possibly shadow-banning.

So... maybe it's working? Here are the links to the six places where they can be contacted. Pick one and have at it. Use one of my past posts (post one, post two) if you need suggested phrasing.

Email contact form: private, and slow response times, but this is the place where we can make the longest arguments/explanations of the issue and why we care. This is something you do once or twice, and keep polite, then go over to the social medias to grind them down.

Instagram: The one I've been haunting. They post several times a day, but often about specific products that I don't feel give me a segue option.

TikTok: I don't have TikTok but given its presence in the marketing world, I assume they post there as often as they do on Instagram, and with pretty much the same content as their reels. I feel like TikTok is wild enough for me to tell you to give 'em hell.

YouTube: exists, but they haven't used it in nine months, so not really on top of things. That said, if it's your ONLY social media, go for it. Can't hurt.

Facebook: I can't actually access this one so I don't know what's going on there, and the link appears to be broken. If you can find their page, go for it.

X/Twitter: Like Facebook, I can't really access this one (I'm using xcancel to see it in chronological form), but it looks like they're bragging about Chappell Roan approving of their makeup. So uh. If you follow her on any platform, ask her if she approves of the situation (also of the Harry Potter collaboration, which is directing money through merch royalties to JKR's transphobic lobbying, something I'm sure Chappell Roan would also be unhappy with).

EDIT: I put the wrong year up top, this post was made in 2025, not 2024. Hopefully this edit will show on reblogs of the original since it's under the cut. Sorry for the mistake.

The short explanation version: Colourpop is a cosmetics company known for fun colors and cool collaborations. At the start of 2024, they started releasing a collaboration with Twilight.* January of 2025, they dropped a New Moon collection. Given that the Quileute people have not seen a cent of the Twilight money despite the massive role their people and culture played in it, much of the fandom has decided that the best approach to any Twilight merchandise is to send a portion of the profits to the Quileute "Move to Higher Ground" fundraiser, meant to relocate their town away from the danger posed by higher sea levels. Colourpop has made no statements on donating to the fundraiser, and it's a topic I care about enough to try and galvanize people into making it happen.

The long version: here. And here. And here.

* I wasn't paying attention at the time, as I'd last purchased from them in 2020 (the Safiya Nygaard collaboration), and I'd only come back because they were having a massive sale back in early January. The New Moon collection hadn't dropped yet so I didn't see it, and the first Twilight collection was in colors I don't wear much, so I was more focused on being mad at the Harry Potter stuff.

I am not the first person to have expressed frustration about this to Colourpop, and it's not the first problematic collab they've done. However, they are smaller than many make-up companies, so it feels possible to actually move the needle here, which is what I'm hoping to do.

To be very clear: My goal is not to get the makeup pulled from shelves or to get a public apology. My goal is to get money directed to the fundraiser. That is what's important here, not any virtue signalling or grandstanding. If there is no donation, then we want a statement as to why. Those are the demands: donate, or explain why you won't. We focus on this.

Timeline:

I sent my first email on January 19th, posted about it here the same day, and then started commenting on their New Moon Instagram posts on February 3rd.

I sent a second email on February 9th, as the promised "3-5 business days to respond" had come and gone.

I was temporarily blocked from commenting on anything by instagram on suspicions of being a bot due to suspicious activity, lasting a week. During that time, I continued updating tumblr posts with links to instagram posts that I thought posed an opening (being about the New Moon collection, about sales that weren't content-specific, or that had some phrasing that I thought invited response, like 'what do you want to see?').

Feb. 10: In response to one comment where I admittedly baited them by being ambiguous enough for them to think I had a problem with an order instead of my usual comments, they deleted said comment and DMed me directly. I responded, explaining my actual issue, and they left me on read.

On February 14th, they responded to my Feb. 9th email, likely spurred by the DM conversation. I assume the folded whatever case file the Jan. 19th email had opened into that one. The response was very canned, but it was at least some response.

Since then, I tried sending another email through the contact form, and it failed to go through since I already have 'open threads,' which I'm guessing is an automatic filter and not targeted.

I have continued to comment on their Instagram posts, and have also encouraged others to do the same. One of those posts was taken down after a day, but I don't think it had to do with us; rather, they were getting a lot of flack for perceived violations of some kind of health and safety thing (iirc people were arguing over what length of beard required a net).

Today, February 26th, we have confirmation from @rairii that comments on this topic are being deleted. Not all, possibly for plausible deniability of 'see, we're not trying to hide the problem!' while still making it harder for the layperson to see, but at least one of theirs. This tumblr user also appears to have been shadow-blocked in some way, as they are unable to access colourpop's page at all on mobile.

So. That's where we're at now.

Let's hope we're getting a little closer to them making a statement on this issue.

[siriuslyobsessedwithfiction]

Six of Crows did a great job showcasing ordinary people don't care about Grisha. (And Zoya turning into a dragon and the propaganda of new "saints" won't solve centuries of prejudice, lack of education in common folk, and capitalism taking advantage of Grisha.)

Most of the characters in SoC duology have known misfortune and discrimination in their lives. You'd think they show solidarity to Grisha, right? Wrong.

Kaz

Kaz is a businessman. No more, no less. He says so himself. Once again, the fandom is blurring the line between the canon and the fanon persona. Kaz is not a "mother hen" who would do anything for his crows but will grumble about it. If Nina and Matthias crossed him as they originally planned in Six of Crows, he'd notify the druskelle to come catch them without any regrets.

Kaz's defining trait is that he takes everything too personally. Kaz is not some vigilante who protects oppressed minorities. He couldn't give a less of a shit about Grishas' struggles, as he makes clear to Nina on more than one occasion. Kaz had no problem indenturing Grisha and giving them less than favorable terms. The only line he wouldn't cross would be selling their bodies. (His disgust of brothels and their clients, once again, comes from a personal reason of his touch aversion).

Even after everything Nina did for him and his crew, even after she took parem, he was ready to kick her off the job in CK when she protested that they needed to evacuate the Grisha from Ketterdam. The only reason he agreed is because he needed Inej for the job and Inej refused to help him unless he helped Nina.

Inej

The only reason Inej took Nina's side (in standing up to Kaz to evacuate Grisha from Ketterdam to save them in CK) is because she cared about Nina as a friend, not because she was very concerned about Grisha. Inej never directly acknowledges the injustice Grisha face even in her thoughts in her pov even though the Suli and the Grisha are both minorities, are being weirdly fetishized for profit and have not been treated particularly well by Ravkans. Moreover, she refuses to meet the Triumvirate, claiming the Ravkans have not been good to Suli in recent years, even though the Triumvirate has only been formed for two years and its members were ordinary Grisha until then. They were servants, serfs. And even after the civil war, they don't have that kind of political power, they obey the Crown. So, what do they have to do with anything? Why does Inej refuse to meet them? Is she afraid they'll be racist towards her? One of the members and the general of the second army is Suli. Who, btw, is known for her temper and pride and not tolerating disrespect. Shouldn't Inej feel proud that a Suli woman is commanding the second army? If Inej doesn't feel comfortable meeting them even with her friend Nina, is it possible Zoya never really acknowledged her Suli heritage? At least, until KoS duology, that is. In RoW, Inej suddenly remembers Zoya is Suli and tells her they don't abandon one of their own. I'm sorry, but it doesn't make much sense. There are two routes of explanations:

It's the author's mistake. Zoya was never described as Suli in the Shadow and Bone trilogy (maybe even in SoC duology? I'd have to check). She was said to have blue eyes and raven hair and that is that. She is also said to have "perfect nose", which doesn't necessarily mean she had a straight or a small nose, but it feels it's written like that. What gives me that idea? In the trilogy, the Suli aren't exactly written very respectfully, considering the two main "good guys", Alina and Mal, impersonate Suli fortunetellers (which is sacred to the Suli), very poorly imitate their accents and have a laugh about it. Zoya acts like a rich, materialistic brat in the trilogy, calls Mal's commoner mannerisms foreign and enticing and we only find out her father was Suli and she comes from an extremely poor peasant family in KoS. It seems like instead of making her own up to her mistakes and making her grow as a person, the author gave her an excuse in a form of a sad backstory.

Inej is a sixteen year old acrobat, who might not be well aware of political situations and doesn't realize what role do Grisha really have in Ravka. I don't want to diminish her intelligence or make her ignorant, but the author isn't giving me much to work with. It also might be possible that during Nikolai's father's rule, while the Suli were on the Ravkan soil, they were tested for powers and taken to the second army since the draft was mandatory and that's why Inej didn't like them.

Wylan

Wylan is a good person, and he had many, many things to deal with in CK, so I didn't expect him to start drawing a plan on how to make Grishas' life better while hiding in a tomb from his father, but it doesn't take much to spare a sentence to at least acknowledge how messed up their existence was. When they're discussing the Kherguud soldiers, they're only worried about Nina and Jesper, not the grand scheme of things. It's a whole race of people we're talking about. Idk, it just feels weird.

Matthias

Oddly enough, the only person who thinks how certain events will affect Grisha is an ex-druskelle. I cannot write his entire redemption arc here, but he definitely shows more care and concern.

Joost

Honorary mention to the boy who knew how dire the situation was and didn't shy away from it. He couldn't take a girl he liked out on a date because she was an indentured Grisha, knew he couldn't buy out her contract but wasn't planning to give up on her.

Also, he demands to know where Anya is as an authority because she should be working. So, not only the merchants and businesses who own them control them, but the Stadwatch are authorized to find them and drag them over to them if they're not at work.

Do you have to have a crush on a Grisha in order to care whether they live or perish? Grisha are an integral part of almost every profession in Grishaverse, they're written as the primary reason for technological advancements, and yet, the ordinary people never stop to think what their eradication would mean to their world.

As for KoS duology, it's a fever dream. I've read fairytales that make more sense than that. Yes, it's YA, but the author is not acting or writing like it's not supposed to be taken seriously. And once you've established a universe with certain laws, you can't throw it all to the wind, give the readers a half-baked explanation and say it makes perfect sense. The SoB trilogy showed us how Grisha were not accepted even when they fought the Kings' wars for centuries and a Grisha saint destroyed the Fold. The SoC duology told us that the civil war destroyed the second army and Ravka was bankrupt and collapsing. Since the draft wasn't mandatory, no one wanted to go fight and die for a country that has given them nothing. But suddenly, the nation of Fjerda, who has hated and hunted the Grisha for centuries, is swayed by cheap tricks to worship them as saints and Ravka will be fine because Zoya can flap her wings and burn whoever opposes her? Yeah, 'cause that went so well for the Targaryen dynasty.

P.S. I am not calling the author or the characters racist. SoC duology is one of my favorite books ever. But as LB herself wrote in this book: "You can love something and still see its flaws".

[sgiandubh]

Flaunting the narrative

I just came back from a nice dinner & drinks in town, with friends who visit from Athens. Lo and behold, my DMs are on fire again, but my (in)famous Inbox is, as expected, resoundingly quiet. [Later edit: not for long].

It would seem S's latest interview for yet another one of those glossy magazines one usually spots untouched in any random Main Street dentist's cabinet or real estate office did manage to raise a couple of eyebrows, after all. With very few data publicly available, Flaunt Magazine is the kind of media outlet with four times less Instagram followers than S, so this begs the question to whom the murder interview really profits:

There is very little out there about Flaunt Magazine, indeed. Other than it was founded in September 1998 by three amigos (Alex Barajas, Jim Turner and Long Nguyen), all of whom were also part of the editorial team of the (now defunct?) Detour Magazine, there is virtually nothing else. This does or should ring a bell about the real importance and relevance of this media stunt - not much to add here, either. Other than that, past issues of Flaunt seem to be traded between fans of celebrities who (more or less) regularly grace its pages, in what I do think are paid/in kind op-eds written by people with no clear professional print, in agreement and by prior arrangement with the talent's PR:

Compared to Flaunt, a real lifestyle press behemoth such as Harper's Bazaar (this blogger has subscribed to for many years, ahem) has a quite different audience level and marketing approach:

Six times more Instagram followers and a clearly more friendly pricing policy:

[Sorry, what I managed to find is the UK offer - blame it on their regional settings, I suppose: however, I think the US offer might not be that different].

In other words, I am beginning to suspect more and more Flaunt is that kind of vanity/hybrid press product, where costs and risks are more or less evenly split between the printer/publisher and the client. Therefore, you would be naive to expect anything else than some tightly controlled, neat-o narrative aligned content. Especially considering the targeted audience, which is (of course) the American fandom, albeit with a tinge of 'sophistication' and a totally artificial 'whimsical twist' (California, here I come).

Onwards to the candid bullshittery.

The article opens with a precise timeline reference:

[Source: https://www.bbc.com/news/articles/cy0g2p47xd5o]

Therefore, the interview happened somewhere between 11 and 14 October 2024, just about the time S was overseas and C was spotted having dinner in London with the Rothschilds and no Tracula in sight. And there is another thing that immediately screamed at me from that pixelated page: George Mallory. Which brought me exactly here:

Yes, absolutely. The Golden Goose that never was. That still hurts, judging by the melancholy with which S talks about Everest, not climbing it after all, still planning to visit next December:

Perhaps with Jake Norton, a reputed Scottish American mountaineer (I think you were right on the money, darling - you know who you are, 😘😘❤️), S met and stroke a friendship with since 2023:

The December reference is not innocent at all. It is there to sparkle endless speculation about what S will be doing on Xmas and Hogmanay, too (and with whom, of course - and there you have all the factions dutifully served with an extra side of bullshite to dissect). Fan wars galore, fuming and flaming DMs and inboxes to boot. He/his PR know that and apparently they still need that Idiotenspiel at play for a while. Also, December's got 31 days, something that Stans worldwide seem to suddenly ignore.

Once the proper tone is set and given, the rest flows almost naturally: zero reference to C (1500% expected) and what is a clearly tailored, yet fizzling, bomb:

'I'm really on the precipice': now that is some extraordinary choice of words, isn't it? This and the 'I don't know' are probably the only authentic reactions in the very strange quote I underlined.

'Being on the precipice' is almost always negatively connotated. It logically has nothing to do with the idea of starting a new journey, but it has everything to do with the idea that he is now confronted with the lack of security and comfort and with the potential loss of notoriety the end of OL might bring. Something he very clumsily tries to disguise as 'I feel I'm no longer tied by Outlander', which must also be the counterfactual understatement of the year, really. There is legally and factually no way he wouldn't still be tied by Outlander, irrespective of how tedious that might feel. He still needs the Mommies' hardcore clientele pool, while he is commendably trying to diversify his sales and marketing strategy. These things do not happen in the blink of an eye and he knows it very well. However, he also really needs to portray himself as something else than a one trick pony, in order to remain bankable in Hollywood and elsewhere. Hence the 'I am not tied to OL anymore', I am able to do bigger and better things, and in the long run I would also like to make a springboard, not a dead end out of it.

Finally, there is no way he would be legally untied from OL. Contracts are still contracts. They include clauses and obligations that will be enforced most probably until after the show's last season will be aired. There is very little to zero leeway around it, for the time being. By the time those clauses and obligations will be rendered obsolete, very few of those Anons and Stans and Mommies and Onlies will still be around to even give a flying duck about the whole life situation.

And then, we have the 'maybe I'll start a family'. Despite what all of my Anons are shrieking right now in my inbox, this is not even the first time he hints at it, and I seriously do not understand why the sudden hysterical surge. Anons probably think I am amnesic, or something:

That is a direct quote from Waypoints. He announced nothing. It's been there, in plain sight, for a long time already and if anything, it is consistent with the narrative.

The rest is borderline irrelevant, visually and conceptually incoherent ('nude scenes are difficult and even dangerous to shoot, when dealt with in a non-professional way, but here is a shirtless bucolic pic that will make my Onlies drool and buy collector's issues at extortionate prices'). The overall impression it gave me was of a hastily cobbled and not very clever circumstance paper. Nothing more, nothing less.

There is no amount of wishful thinking that is going to immediately and magically change the current state of play. Reasonable people should expect mild, but constant turbulence ahead, with a sprinkle of cuteness and innuendo just to keep all the fandom's factions engaged and present, which translates to S/C/SC being relevant for potential employers, agents, the press, etc. In a nutshell, absolutely nothing new. You can screech, you won't change an iota of what I know is true and my position is firmer than ever, no matter how ridiculously hard you try to intimidate or harass me. That's all.

[little-one-eyed-monsters]

It's Wednesday, and I'm watching Domundi, GMMTV, and Boss of MeMindY (poor guy) run interference on the shenanigans that unfolded during Songkran via twitter (X).

Aoftion's out here trying to make fans believe that Domundi actors' sexual proclivities are not part of the fanservice they asked them to do (once more, fanservice reeling its ugly, homophobic-adjacent head to bite all of the people who profit from it), even though it's quite obvious that they asked their ships to amp up the flirtations while attending the festivities in pairs. Dudes went a little too far, and now fans are threatening to boycott the upcoming shows because they find the chemistry too "manufactured" and "fake".

GMMTV is in the same boat but heading in the opposite direction. As their ships tend to be less sexually-risque and more branded, fans are now asking why some of their actors went WITHOUT their partners for Songkran, and why most of them were seen heavily drinking and partying with other people instead of their ship SOs. They instead want more fanservice, but in more chaste settings.

And Boss is drifting in his small sailboat, dealing with the wave of fans accusing him of having the AUDACITY to celebrate Songkran with his friends and not his ship partner Noeul (God forbid those two are not entitled to lives of their own), for having videos on the internet of him dancing with someone else at the festival, and for kissing one of his friends (or maybe an SO-- it's his private life my dudes) on the cheek. It got so bad that Noeul's manager had to film and post Boss and Noeul being lovey-dovey after Noeul's set at the festival, just to calm the fandom down.

Meanwhile, Starhunter is out here trying to make their ships buddy up, but people are so used to the shenanigans that very few seem to care, the Change 2561 boys are out here quietly preparing for the release of Pit Babe 2, Idol Factory remains mostly absent from the festivities, Headliner Thailand is keeping their people's social media presence strictly professional (as a new company, it's crucial that they don't attract any unwanted attention), the BOC team celebrated their Songkran's individually, and our fave independent boys are minding their own business (Yin and War promoting skincare and chilling at their houses, Up travelling to China with friends, Poom spending Songkran at his family home, Billkin promoting his new project and PP Krit on vacation). Did I miss anyone? Sound off in the comments if I did.

I say to my like-minded friends that fanservice in the BL industry is leaning towards a more tongue-in-cheek, humurous, and genuine concept in 2025. Actors are doing these flirtations with a deeper sense of self-awareness for what they are, what they're selling, and what boundaries they should set for themselves and their fans. Most of them now play off of the fun and the natural chemistry that comes with deep, comfortable friendships, instead of making fans believe that the ship itself is real, and that the actors are dating. They also eschew the branded pairs now more than ever, knowing that the longevity of their ships will depend only on the reception of the fans, just like any other acting job.

In turn, fans are asked to manage their own expectations about their favorite ships, and to respect the actors' privacies. In an age where entering the LGBT genre is the fastest route to getting any recognition in the Thai entertainment industry, everyone and their sibling is scrambling to star in their own queer show. This means that regardless of their personal lives and preferences, these actors are expected to perform just the right amount of fanservice with their costar. But not too much, as to look fake, and not too little, lest they attract unwanted controversy.

In other words, no matter how fun fanservice looks in 2025, it still remains deeply homophobic. It must be so exhausting, to deal with everyone's expectations of your career.

Moving forward, I hope these actors can be judged in the future for their talent--what they bring to the industry, and to their genres. Not by how sweet they are to their costars, or how many people they've dated.

[P.S. Daou and Offroad were just having the time of their lives out there. Did people care? Maybe. Did Daou or Offroad care? Absolutely NOT 😅)

[olderthannetfic]

People on fandomsecrets are really mad this week about other people reviewing fanfiction on goodreads and I don't want to litigate whether people should or shouldn't use that website in that manner right now, because the thing I'm actually wound up about is:

when someone asks why, they say "BECAUSE FANFIC ISN'T BOOKS!!!1!1!" as though this is supposed to explain everything, and when asked to elaborate they basically just find ways to say "fanfic, by virtue of being fanfic, is not a book, which is a different thing from fanfic, by virtue of books being books which are not fanfic" in more and more words without adding any coherent information.

Fanfic is a type of story. Books is a type of physical object. In the digital age there are now lots of professional ~official~ works of literature which have never once been published in a physical form. The comparison is meaningless to begin with and also doesn't answer the question.

Is this just a way of ignoring the goodreads thing entirely so they can stealth complain about the Wattpad thing where people used to that site call all stories "books"? Is that what's going on here?

--

Sighhh.

I know some people think Goodreads is for Real Books™, but a hell of a lot of what's on there is trashy romance novels. I myself am an author... of indie selfpub m/m mystery novels that are overtly fandom-adjacent in that BL way. Like most people in that space, I'm mainly focused on ebooks. Why are these things not fic? Well, because we sell them for money and we don't call them fic and because we've done a successful find and replace on the character names.

I think people have trouble articulating why fic is not books because they're used to thinking in terms of content, and they know perfectly well that Goodreads is full of content that might as well be from a fic.

But no, I don't think this is an anti-Wattpad thing at all.

What they're trying and failing to articulate is that fic is not a book by virtue of its author not intending it as one.

Fic authors, or at least ones adhering to a certain kind of AO3 culture, mean their work to be a not-for-profit gift for their fandom community. They often have a horror of it escaping containment to reach the eyeballs of outsiders.

Now, frankly, with the multitude of Goodreads users reviewing original omegaverse mpreg romance novels, I'm not sure that the site actually counts as outsiders, but that's how the people going "Fic is not books!" feel. It's a violation to bring fic there just like it's gross when a talk show host digs up some horny fan art to show to actors so they can have a good laugh at fandom's expense.

[stolentrekblr]

Trekblr Community Reaction

I have wanted to compile reactions from the community for a while now, and today I finally made it happen. I have not editorialized anything, doing my best to copy reactions as written. Without further ado:

i love accs like this and the people behind them. the dedication to search for stuff like this and bring it home. sounds absolutely maddening and i salute them. to sift through garbage theft accs… doing the lords work

idk if i should feel honored or not, at least my username is there lol. this is very funny to me. like i dont even use facebook anymore

Omg they erased the last sentence. Lmao. I mean if you’re gonna steal my posts at least include the entire thing. It’s literally the least you could do

chat should we kill them?

OMGOD IVE MADE IT!!! this is crazy because i feel like my dad might actually see my star trek posts LMFAO. he's always on there. this is a big moment

I don't have a problem with reposts of my stuff if the watermark/username is included, but I appreciate the spirit of what you're doing

Nice sentiment but i really don't want people on facebook to have a link to my tumblr blog. thank god it's uncredited... been around a while my posts are always being stolen

The person Im thinking of flat out took OC memes from me and passed off my captions as his own. He gave me credit once from what I've seen and then the other times it looks like he made it up himself. I'm all for tossing memes out there and letting them be wild and free, but this guy twists it and uses it to beg for money on his page. He's got the lobes.

Why did they censor my pfp but not my username WHAT

damn. ig im famous now. better start lining up for autographs

People are posting me to Facebook???????

Damn... I'm not even mad about this tbh... someone thought my stupid post was good enough to steal and put on a facebook group 🤣🤣

disgusting

?!?!??!??!??!??!?!!!??!?

You know what I'm ok with Facebook enjoying this one I appreciate it being edited over them

This has never happened to me before

I honestly don’t mind seeing screen shots of my posts showing up elsewhere, it’s inevitable, but the nature of a screenshot shows the source of the post as well as the OP. But this crap is blatant plagiarism. Obviously this person is on tumblr, so I hope they see this. Please do better and have a smidgeon of integrity. Just give credit? It’s really not difficult? Thanks @stolentrekblr for the effort here.

Yooooo this is wild! Glad people like it I guess

This one ALMOST gives credit. But not quite. Could’ve just typed my handle in the post 🤷‍♀️ super easy, barely an inconvenience.

Come on... Just type "credit: *tumblr handle of the OP*" It's so easy not to be a spineless thief.

The watermark 🙄🙄

keep doing your thing op. you're like an archeologist but instead of screaming about how it belongs in a museum you are adamantly making sure people know where these things came from. i can't even fucking imagine the searching you have to do to find these posts. earlier today i couldn't find a post i had seen yesterday. keep it up!

I tracked down a post of mine that you found reposted on the data FB page, and left them a comment. "Hey look, its my post! didn't even crop out my tumblr url lmao. it was much more popular on my blog tho (1,817. notes)" They did not respond. 😒 It only got 344 reactions and 6 comments on the data page though... that page has like 38k followers... at least my posts do well when I post them myself on the Star Trek Shitposting page 🤣

I've made it. I have arrived. I got my 5 second shitpost lifted and put on another social media site, complete with a hazy photo overlay. I have won at Tumblr. I can rest now. I can rest.

Ohh yeah, this guy's a real loser. It's the WATERMARK for me 🙄

The HUBRIS!

ahh wow Ive never had a post escape containment before!! did they at least link back?

I am touched ^-^

plagiarism is the real problem. it gets worse when you see someone profit off the passions of other people in a fandom

well damn. and i'm here looking for employment...

sad to see someone else repost on fb and even watermark it. seriously what is up with the watermark over a screenshot of a tumblr post

Yeah. I think you're doing good work. I think exploitation is so baked into society that some people don't even realize when they are using the free labor of others for their own gain.

[lathalea]

Wild Strawberries

Moodboard by @linasofia 😍

Fandom: The Hobbit Relationships: Thorin x f!OC Warnings: smut, pure smut, so help me Mahal Rating: E (18+)

Summary: Several years after Erebor is reclaimed, Thorin decides to celebrate his beloved wife's birthday... and is very enthusiastic about it. A/N: This story is a birthday gift for @legolasbadass from Linasofia and yours truly. Once again HAPPY BIRTHDAY, LB! 🎉🎁🎈

You can find this fic on AO3.

Khuzdul: Bunnelê - my treasure of treasures

Leaving the northmost spur of the Lonely Mountain behind him, Thorin entered the forest at its foot. The lush, dark emerald sea of pine trees surrounded him; each of them at least as tall as two grown Men—their rapid growth being the result of the magic the elves of the Woodland Realm bestowed upon this land in exchange for goods only Erebor could provide them with. It was a bright summer day and the sun speckled the undergrowth of the forest with gold, as if someone scattered countless coins across it. A small smile curved up Thorin’s lips at the recollection of that very profitable agreement with the Elves and the role his clever wife played in hammering it out a couple of years ago. Anila… Ah, his sweet Anila and her talent of finding useful information in ancient tomes and musty treaties. Then, her cunning negotiation tactics side-blinded the Sylvan negotiator, driving every single clause home. The precedent she found—dating five hundred years ago—was instrumental in cornering the Elves and making them agree to their conditions. There was nothing better than the taste of flawless victory… especially if followed by a private but intense celebration that took place in his marital bed. 

Taking in a deep breath, Thorin allowed himself to close his eyes and feel the tension leave his body. Being the king of a prosperous Dwarvish kingdom was a great privilege, but also a sizable burden; one that could have felt almost unbearable at times—if not for the assistance of his royal consort. Thank Mahal for the ancient tradition that required the king to take a wife. At first, this was to be an arranged marriage but one day spent in Anila’s company when they met for the first time, a year after Erebor was reclaimed, was enough for Thorin to know this would be an union of both hearts and minds.

Today was a special day: his wife’s birthday. Thorin’s most trusted companions and aides were working deep in the mountain, at the shore of the underground lake, preparing the celebrations for the evening: there were hundreds of candles to be lit and put onto minuscule boats that would float on the lake; countless flowers to decorate the caverns; dozens of dishes to be served, music and dances to be planned, and many other surprise attractions to be planned. Thorin’s task was to divert Anila’s attention until it was time for the celebrations—and diverting his lovely wife’s attention happened to be one of his favourite pastimes.

And so he found himself on the forest path, with a full picnic basket in his hand, on his way to Anila’s favourite hideout. From time to time, she would disappear with a thick roll of parchments and a quill and then return hours later with a mysterious smile on her face and ink-stained fingers. Thorin would take her hand into his, place an ardent kiss over her knuckles and ask what she had been up to. The smile on her delicious lips would widen, she would hide that roll of parchments behind her back, rise up on her tiptoes, peck his cheek, and murmur into his ear, “It is a secret of the state, my king.” The sultry tones in her voice would make his blood sing in his veins—that was a clear invitation to flirt, and with Anila, that game two of them played often ended with their clothes scattered all around, and them panting, their bodies entangled, in the most unusual places of the Mountain.

That was his Anila, an incandescent mix of fire and tenderness.

Today, she mysteriously disappeared before he woke, and now he was finally on her trail. He took a few more steps ahead among the brambles, careful not to make any noise, when he saw a familiar silhouette sitting on a blanket. It was Anila; her back was turned towards him, but he would recognize the dress she wore, one of her favourites, and the silky waves of her beautiful hair everywhere, dark as smoky quartz, the braids that adorned it, and the marriage beads with the sigil of his house he offered her over the marriage anvil on the day of their wedding. Her hair was side-swept to the right, uncovering the column of her neck, and Thorin licked his lips at the sight, wanting to press them against that smooth skin and taste it.

Later, he scolded himself. He was on a mission, after all.

After slowly placing the basket on the ground, he soundlessly kneeled inches behind her. Whatever Anila was doing, she was clearly focused, so much so that she did not notice his approach. Only when his hands covered her eyes from behind, she squeaked in surprise.

“Guess who…” Thorin murmured straight into her ear, his voice low and sensual. He was very much aware of the effect his voice had on her and he was determined to make a good use of it today.

“Thorin…! You scared me!” she chuckled, looking anything but frightened. Anila turned her face back towards him, taking his hands into hers and lowering them onto her lap. He still held her in an embrace and did not plan to let her go.

“Have I?” He lifted his eyebrow in amusement, moving his lips closer to hers. “May I remedy it somehow?”

Anila blinked, her eyes glittering with mirth.

“That would depend on the remedy, my king,” she offered.

He brushed his lips oh-so-lightly against hers. They were as soft as he remembered, and she smelled like those blue flowers he never remembered the name of, so sweet and innocent, like the break of a new day. When she held her breath as their lips joined for a few heartbeats, a sign that he had her full attention, Thorin deepened the kiss with as much tenderness as he could muster, his hand delving into her cascading hair, until he felt her body pressing against him in anticipation for more. A large part of him wanted to continue, coaxed by her dizzying closeness and that little sigh she gave, but he needed to follow his plan. It was his wife’s birthday and this day needed to be perfect—just like her.

He moved back slightly, giving her cheek a slight caress with his fingertips and trying to ignore the wave of arousal he felt looking at her slightly swollen lips, like fresh raspberries, her shining eyes, and her heaving bosom. She wore a green dress, one of her favourites, that happened to be one of his favourite garments of hers as well due to a generously revealing neckline. Mahal, this plan of his was more difficult to carry out than he thought. He was supposed to be the one offering distraction, not the other way around.

“I brought the remedy with me, my queen,” he hummed, placing the heavy basket between them and sitting down beside it. It contained the best delicacies the royal kitchens had to offer.

“A lunch?” she peeked under the colourfully embroidered piece of cloth that covered the basket. “It smells lovely.”

“I cannot allow my wife to starve, can I?” Thorin replied, taking in the way she looked at that moment—with a playful smile and golden specks of sun kissing her face, one of them dancing at the tip of her nose. He wondered whether his plan of having a romantic midday meal with his wife would be ruined if he was to kiss that very spot now.

“You are a very attentive husband. Let us eat, then!” Anila decided, putting away a stack of parchments from her lap to the side. Her fingers were stained with ink.

“May I ask what you were working on?” Thorin said, taking out all kinds of food from the basket. Freshly baked bread, three kinds of cheese straight from Dale, white radishes, a jar of honey, hazelnuts and a bottle of good wine from his private cellar.

“You may,” Anila reached for the bread. “But I will not tell you. Not yet, at least. It is not yet finished.”

“So it is as I feared. You are writing a memoir of our scandalous marriage,” Thorin crunched on a radish with gusto.

He adored making her laugh and the way her laughter found its way to her eyes.

“I doubt Erebor is ready for such a read,” she uttered between giggles. “Besides, technically speaking, the events pertaining to our marriage are a state secret and therefore cannot be made public.”

“Perhaps it is for the best. I do not think I would be happy if our whole kingdom would know of my wife’s talents,” he cast her a meaningful glance. “I would rather keep to myself the things you can do with your… ouch!”

A piece of bread hit him right in the middle of his chest as Anila cleared her throat loudly.

“... brilliant mind. I meant your brilliant mind!” Thorin explained, trying to make his words sound as sincere as he could.

“Truly? Is that what you are thinking about at this very moment?” she teased.

“What else? I am still in awe about the way you handled those envoys from Minas Tirith,” Thorin hoped he looked like an embodiment of innocence at the moment.

“Oh? Remind me?” Anila tilted her head and gracefully licked her honey-covered fingers. It made Thorin swallow hard. That vixen. She knew very well what she was doing to him, but he was going to be strong and so he continued this charade.

“That expression of shock on their faces when they understood they would be discussing matters of state with a woman! And the realisation that you completely outwitted them!” Thorin could not help himself but chuckle at the memory.

“Ah yes, I seem to remember something along these lines,” she admitted, lazily taking another bite of bread and looking into his eyes. A drop of honey landed on her shapely bosom, making Thorin lick his lips as it glistened in the sun.

“And so you should, bunnelê. You used their greatest weakness against them marvellously. I will never understand why the People of Men underestimate their women so,” he reached out to take her hand and placed a kiss on it. Not over the knuckles, oh no, his lips found the centre of her palm and pressed against her skin. She smelled like flowers in bloom and tasted like honey. Despite the food they ate, his hunger was far from satiated.

“Cultural differences, my love,” Anila replied, cupping his bearded jaw before freeing her hand from his. He closed his eyes, enjoying the feeling of her fingers brushing against his beard. “One of our greatest assets when dealing with Men.”

“Exactly as I said, brilliant mind,” he gave her a playful smirk that coaxed a silvery burst of laughter from Anila.

This atmosphere—and their mutual teasing—reigned throughout the whole meal, accompanied by the twittering of the forest birds and gentle rustling of trees. You are a lucky Dwarf, thought Thorin, enjoying the feeling of content, laying on his side, his body weight resting on his elbow as he admired the sight in front of him. A beautiful day spent with a companion who is not only beautiful but also smart… to the point of putting your willpower to a test with her merciless teasing. And she happens to be your wife. Just look at her, the way the summer breeze plays with her hair, the way she takes a sip of wine, her sensual lips wrapping over the edge of her cup, or the way her fingers seem to dance in the air as she explains something about that newest decree on mining safety. And the way she speaks your name, with so much feeling and softness in her eyes. Is she not perfect? The true queen of your heart?

Thorin would never put these thoughts into words, of course. His wife would surely think him ridiculously mawkish and overly sentimental. The king of the Khazad of the Lonely Mountain should be anything but ridiculous. The best course of action was to keep such maudlin thoughts to himself.

“I think a dessert is in order,” he decided after a few more moments of his reverie.

“A dessert? I feel so full, I do not think I can eat even a bit more,” Anila sighed.

Thorin simply said, “Wild strawberries.”

“What?” she gasped.

He placed a small woven basket in front of her, its contents covered with peppermint leaves.

“How…? This forest is too young for wild strawberries…” she whispered to herself, removing the leaves and seeing small, oblong ruby-red shapes laid out in layers. “They smell delicious. It has to be magic!”

“Try one and see for yourself,” Thorin gave her a triumphant smile. Surprising his wife was something he never had enough of. Perhaps it was also partially because of the enthusiastic way she showed their gratitude, but even a king could be self-indulgent from time to time, he decided.

“A rider from the Woodland Realm brought them at the break of dawn,” he divulged his secret, admiring the way his wife put one of the berries into her mouth. She closed her eyes and hummed approvingly.

“You asked King Thranduil for a handful of the first wild strawberries of the season?” she then asked.

“Aye.”

“And he agreed?”

“Aye.”

“And sent a messenger to you in the middle of the night?”

“As you can see,” he pointed at the berries in front of them.

“Are you truly telling me you had a peaceful conversation with Thranduil during which you agreed on something? Without shouting and cursing each other’s ancestors five generations back? I think I will go with the ‘magic’ explanation,” Anila shook her head, but Thorin noticed the sparks of laughter in her eyes.

“I did not say there was no shouting involved,” he humoured her.

“If you say so,” she chuckled and took another berry. “Mmmm… They are very sweet. Have you tasted them yet?”

Thorin shook his head.

Without a word, she put the berry into his mouth and let him close his lips over her lingering fingers a moment before she retreated them.

“Very sweet indeed,” he admitted, still feeling her caress against his skin. “Just like you.”

Now it was his turn to take a berry and offer it to Anila. Her lips opened a bit and she gently took it between her lips, the tip of her tongue brushing against his fingertips. A wave of heat passed through him, a multitude of thoughts flooded his mind, but not a single one of them was mawkish.

Before he had a chance to react, she put another berry into his mouth and sealed it with hers. A low purr escaped him when their lips met, her kiss even sweeter than the fruit, and he tasted her to his heart’s content. There was tenderness and gentleness in that kiss, but the song of her supple lips dancing against his spoke of fire kindling inside her—and in his mind, Thorin agreed that it was time for another kind of distraction. He covered her cheeks with a myriad of feather-light kisses, whispering words of adoration into her ear as her fingers ran through his hair, caressing his scalp, eliciting a groan of pleasure out of him. He pulled her closer and deepened the kiss, revelling in the way she responded to him, their bodies pressed against each other, their lips on fire. Then his lips traced a smooth trail along the line of her jaw, and found the way to her neck. Each of his kisses aimed at claiming her skin, every single inch of it. She tilted her head back invitingly and he continued his explorations, his lips finding the sensitive spot below her ear, and then adorning that place at the juncture of her neck and shoulder with kisses, precisely the way she liked it. When she rewarded him with a moan, he felt her body tremble in anticipation. Thorin was still hungry, hungry for her, even hungrier than before, and he refused to restrict himself any longer. Not on a day like this. 

He lay her on the blanket, her eyes shining, her cheeks slightly flushed, the round peaks of her breasts rising and falling, her hair scattered around her head, glowing in the sun like a halo or richly veined marble, and he found himself in need of stealing yet another kiss.

“Anila,” he murmured, “you are breathtaking.”

She did not reply—busy with stealing a kiss from him this time and wrapping her arms around his neck—while his hand travelled down until he felt that round, supple softness under his palm and the warmth that seeped through the thin fabric of her gown. He played with the idea of simply ripping her bodice—her whole gown—apart and feasting on her naked body until dusk and beyond… and then wrapping her in his cloak and smuggling her back into the mountain for a long and eventful bath, the birthday celebrations be damned, but this tempting plan had to wait. Instead, he gave her breast a gentle squeeze and proceeded to undo the front of her bodice while his lips slipped down her neck and found the sweet spot on her left breast that tasted like honey.

“The High Council…” Anila gasped as his tongue swirled over her skin and then his lips closed over the spot again. “That meeting tomorrow… They will be scandalized when they see that hickey, my love…”

“We both know they will not say a word about it,” he chuckled. “Just as it happened last month, remember?”

“I forget what a clever strategist you are. Yes, I remember, Master Finulv was speechless, Balin pretended not to notice anything, and you could barely keep awake during that council meeting. That high collar doublet suited you very well, by the way,” she admitted, helping herself to the buttons of his tunic.

“It was my attempt at covering the proof of my wife’s fiery temperament,” he smirked, observing Anila’s nimble fingers at work. “I do not think I was successful. Master Bragi did not dare to lift his gaze from his notes even once.”

His wife’s only response was a chuckle just before she covered his lips with hers.

Among the kisses and caresses generously bestowed upon each other, among their whispers and sighs, they eagerly shed most of their clothes. Thorin gave out a satisfied hum, admiring Anila’s sun-speckled skin, the alluring curves of her body glowing as if imbued with the light of thousands of Ereborean diamonds. He was certain there were words that could describe this vision of ethereal beauty before him, but he could not find any. 

“My king seems to be lost in thoughts,” he heard her say playfully. “Allow me to help you.”

Anila lowered herself in front of him and her hands started roaming his body, releasing him from his trousers. Her kisses burning a bold path on his lower abdomen, and he found himself unable to take his eyes off her; of her nimble fingers wrapping around his already hardened manhood; of her hair like silk between his fingers, of her lovely lips that closed over his tip, of her sultry gaze, of the soft heat he was delving into, of her palm that…

“Anila… Mahal…” His wife knew him so well and she knew exactly what would please him, but today was not about him. “Allow me to take care of you first.”

“I was under the impression that you were in the mood for dessert,” she looked up at him innocently, licking her lips. Vixen. Merciless vixen. And he wanted more of her.

“Oh yes, I do,” he smiled, moving towards her.

“A dessert…” she gave out a chuckle when his lips greedily closed over her nipple, lavishing it with attention. Between the gentle nibbles and soft kisses scattered over her rosy peaks, among her sighs and his praising murmurs, his hands painted devout patterns along her body, in an act of physical worship. Thorin did not wish to stop; he craved to cover all off her body with his kisses, to bedeck it with his caresses, to offer his queen endless ecstasy. He wanted to offer her as much pleasure as he could and revel in her rapture. Soon she was stretched beneath him, pleading for more, her fingers entangled with his hair as his tongue drew spirals around her navel, his lips covered the softness of her lower belly, his hands caressed the roundness of her hips.

When his kisses finally moved to her thighs, and his hot breath skimmed the mound between them, Anila whispered, “Have mercy...”

“What do you wish for, my queen?” He lifted his gaze to her face, her eyes hooded with pleasure, her lips slightly parted, her breathing fast, her fingers playing with her nipple. What a beguiling view it was.

“I want you to please me, Thorin,” she whispered, parting her legs slightly. This was the only invitation he needed.

“Your word is my command,” he replied. Settling himself between her legs, he cupped her bottom, enjoying its round firmness. It fit perfectly in his large hands and he lifted her slightly. Anila moaned in delight when he eagerly buried his mouth between her thighs, his beard brushing against them. She writhed beneath him as he showered her most intimate places with kisses and caresses that brought her the most pleasure. His tongue explored the folds of her womanhood. The taste of her arousal made him even harder than before, made him dizzy with desire for her, but that had to wait. Now he was intent on pleasing her this way and so his lips found the most sensitive point on her body, tenderly tugging on the silky bud, and then started sucking on it. He heard her whimpers, her incoherent mewling spurring him on, and he continued his ministrations, pleasing his queen. 

He gripped her thighs firmly when his tongue sank rhythmically into her, evoking waves of elation, one after another, each of them stronger than the previous one. Thorin recognized the signs all too well, and he drove her further and further, among the heights of pleasure, bringing her closer towards the very peak of ecstasy with every caress. Purring into her flesh, he caressed her swollen nub with his thumb, feeling how she arched against him as waves of pleasure sent tremors of ecstasy through her body, and he relentlessly kept on taking her even higher until her blissful moans and praises echoed through the forest. He stopped only after Anila went completely limp beneath him, one of her hands letting go of the fistful of the blanket. 

Thorin moved up towards her, pressing his lips to her shoulder, and then brushing a stray lock of hair away from her face. Her eyes were shut, her face flushed, her long eyelashes casting small shadows on her cheeks, beads of sweat covering her forehead. His caress caused a small smile to bloom on her lips, but her eyelids remained closed.

“Is my queen pleased?”

“A little bit…” she muttered, smiling still. “But I wouldn’t mind a second… no, that would be a third course.”

“Insatiable woman,” he whispered teasingly, kissing her collarbone. His fingers busied themselves in lining out the shapes of her breasts and unhurriedly following the curves of her ribs. Then his tongue joined in, exploring new, exciting paths on her body, each of them punctuated by her moan. Mahal was a great architect indeed, creating such wonders as this woman beside him. Compared with the elegant lines of her body, he felt like a block of unhewn stone; and yet when she lay so close against him, it felt as if they were made from the same piece of rock. Perhaps the Creator put all of his energy into making Thorin’s life companion perfect and decided it was enough. In fact, she was more than he could ever hope for. Absent-mindedly, he took Anila’s hand into his and placed a tender kiss onto her wrist.

Anila gave out a content sigh and opened her eyes, oblivious to his thoughts.

“Insatiable? It is because you have spoiled me rotten,” she stated. Her hand found its way to the back of his neck, coaxing him closer to her, and when she closed the distance between their lips, he hummed approvingly. A new fire woke in her and there was hunger in her kiss, the same hunger that had been wreaking havoc through his body since the moment he saw her alone in this place. Her hip brushed against his erect member and he let out a low growl-like moan. Patience was not one of his virtues.

Anila found his hand and placed it over her breasts.

“Make love to me, Thorin,” the words were simple, but the timbre of her voice brought a much deeper meaning with them. And the desire in her eyes met with tenderness in her gaze.

“My queen,” he murmured, offering her an affectionate kiss, the softness of her lips giving him a promise he was eager to see fulfilled.

His kisses were careful, measured, and yet thorough, each of them aiming at telling her things he was unable to say with words. One of his hands caressed her body, eliciting sweet little sighs from her, until it found the secret trail that led his fingers to the treasure she hid between her legs. The moans that filled his ears in response to his feather-light caresses sounded like music.

“Is this to your liking, my queen?” he asked while his fingers explored her boldly, dancing in circles around all her sensitive spots and enticing even more moans from her. This, combined with feeling how aroused she still was, caused his manhood to throb even more in anticipation. He took a deep breath, trying to control himself.

“You know it is very much to my liking,” she admitted, bestowing a smile upon him. “But I need more.”

Thorin could not stop himself any longer. Taking his manhood in his hand, he growled with arousal, feeling her wetness against him. Anila tilted her hips, offering herself to him and he cast her a satisfied look, devouring her with his gaze. It was not long before he pressed his tip to the heat of her core. An unhurried thrust of his hips brought him home, his torments rewarded at last. He lowered himself over her and repeated the movement, studying her face as she bit her teeth into her lower lip.

“Yes, Thorin, more,” she whispered, taking deep breaths. 

As he covered her body with his, Anila seemed so small under him, almost fragile, and yet she was perfect. He knew he needed to be gentle with her at first, and he did that gladly, anticipating the bliss that awaited them both. He could feel how snug she was around him, how an occasional tremble of pleasure came from deep within her as he carefully moved another inch forward.

As her body accommodated to his hardness, he gave another slow thrust, filling her completely. Her breath hitched and she welcomed him with a small cry of pleasure.

“My lovely, lovely Anila,” Thorin whispered, unmoving, his lips brushing against her forehead, his thumb running across her cheek. He knew his size was a challenge for her, but every single time she took him in with passionate eagerness that multiplied his arousal. “We fit so well together, do we not?”

“We do,” her melodic, dreamy voice reached him, her breath wafting against his sensitive earlobe. “I don’t think I will be able to let you go.”

With these teasing words, she wrapped her legs around him, lifting her hips slightly. That made him burrow himself even deeper into the dewy paradise of her womanhood.

“Then don’t,” he rasped out. “We can stay like this for as long as you like. Only say a word, my queen.”

“Then take all the time in the world with me,” she decided.

And so he did. With his movements slow and measured, his eyes remained on her face, revelling in the growing signs of ecstasy he noticed. Anila, his wife, his queen, deserved all he could give her—and more. Her first (or rather third) peak of ecstasy came soon, just after he changed the pace, murmuring seductive promises into her ear. Her lengthy moan rang out in the air as her body trembled with ecstasy. It took all of his resolve not to follow her over the edge at that very moment, but Thorin denied himself that pleasure. He was not finished with her, there was more he wanted to give. He paused, cradling her face in his hands, placing a tender kiss on her burning hot lips, waiting for her to recover, but Anila’s affectionate gaze once again rested on him as she asked for more.

Soon he found himself finding the perfect rhythm, sinking inside her for what seemed forever. As he drowned in Anila’s eyes, their moans intertwined, celebrating the union of their bodies. They were drifting away together on the sea of their shared passion. Every thrust was a promise of endless joy Thorin would offer her, every caress was imbued with his adoration, echoed by his whispers until they came together as one. She clung to him, responding to his every move, her nails sinking in his back, driving him forward, demanding more, and he gave it to her in a series of rapid thrusts, the waves of their bliss growing higher to finally wash over them in pure rapture.

***

“Happy birthday, sweet Anila,” he murmured as he rolled on his back, his arm wrapped around her, but she only hummed something incoherent in response and cuddled up closer to him under the clear blue sky above.

They remained in a sweet, languid embrace for an eternity—or perhaps minutes—Anila’s head resting on Thorin’s chest, her arm limp across his stomach, her hair scattered across his body, his nose full of her flowery scent. Their breaths evened out and the only sounds around them came from the birds in the trees and he found himself drifting off to sleep.

“Thorin…” Anila breathed into his skin after a longer while. 

“Hmmm?” He opened one eye reluctantly.

“You are as wild as these berries,” she pointed towards the forgotten fruits, now scattered among the grass.

“Am I?” He hummed into her hair.

“I think I will have to personally thank King Thranduil for your fervour,” she replied with a smirk.

“Don’t you dare, wife… unless you’d like to be spanked,” Thorin protested.

She chuckled and he felt her hand travelling down his abdomen, “Is that a promise, my king?”

“Insatiable woman,” he managed to say before her lips stopped him from talking for a very long time. For perhaps all the time in the world.

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[amymbona]

unfortunately people moved on :( you should get into newer stuff, it's just as fun <3 and in no time josh's new stuff will come out

Respectfully, I think that's bullshit. Why should I move on from something that's currently not in its prime? Movies exist for people to enjoy them long term, not just make some fun and profit over a few months and then completely erase them from their minds.

I'm a fan of the Harry Potter, above all, a series that has been finished but keeps living because people enjoy it, because people wanna be a part of the universe and keep the whole thing going. As of now, I hardly think about it, but once autumn comes, you bet I will be posting about how much I wanna fuck Tom Riddle.

Every March or so, I get a little nostalgic episode where I continue my maladaptive daydreaming - ish fanfiction about The 100, again, a series that ended four years ago. But I enjoy it, deeply and fully, and feel like there are still new things to discover or think about.

And the exact same thing applies to Challengers. It's a movie that came out four months ago and has freaking Zendaya as the main star. It's not gonna disappear and be completely forgotten until Christmas. On twitter, the fandom is very much alive, people keep tweeting, posting edits on tiktok, making fan arts... Just because some people on tumblr feel uninspired or have less time (mind you that school is starting for many people around the world), I won't force myself to stop enjoying something.

I'm not here for the likes (even though I'd love nothing more to be famous because I'm a performer at heart), but I'm here to talk about my hobbies and things I enjoy - and currently, Challengers are on the top of my mind. I'm here to meet people who enjoy that as well so we can keep in touch and share our thoughts and fantasies. And it doesn't matter if it's just one person, my number of followers or the whole ass fandom.

[thelediz]

Fandom should be fun

Something I’ve noticed in the last couple of years, but has been weirdly nagging at me in the last… six months? Has been the marked difference between people who participate in fandom for fun and those who do it for profit.

And how much more successful the profit-driven people are in fandom.

For fairly obvious reasons.

But it’s interesting and I have to think about it out loud or it’s going to eat at my brain.

Now, when I say profit, I don’t necessarily mean ‘for money’, or at the very least any intention to make a living out of it, though there are certainly people who do. They’re not a new phenomenon, either – originally I think it was only common among musicians, but visual artists and even writers that produce for commission have been around since the original Star Trek days. Hell, Dante’s Inferno exists for a reason. But when I mean ‘for profit’ I think I mean the people who produce content in order to earn something, be it money, likes, comments, what have you.

And don’t get me wrong, as a fanficcer, I love comments. It 100% fuels motivation to know that people are engaging with your content.

But as a fandom lurker, it feels disingenuous of me to want them. And with the way fandom has shifted lately, I’ve found myself thinking about why. What is it about a comment that fuels me?

Because I’m not chasing down kudos or comments or bookmarks. It makes me happy to know that people are reading and sharing my stuff, and I’ll admit I do get some badly needed endorphins every time I see someone paying it attention. But I’m not one of those people who will write generic stories and slap different character names on there to fit the fandom I’m in that day.

I write because the content I’m engaging with is tickling something in my brain and I want to think about it more.

And it’s fun, of course, but… yeah.

I write to engage with the original content.

That’s why some fics go unfinished or never get off the ground, because once I start engaging with them, I realise the thought has run its course and… I’m done. It stops being fun.

Honestly, and I’m giving away secrets here, that’s why I hated writing Return so much, and I still don’t like it. Occasionally I go back, because I get a comment or see a bookmark saying it meant something to a reader, and I think “…ugh, I should rewrite that bit to make it a bit more in character” or I can acknowledge that it was actually a half-decent storyline. But I do not like that story.

I started writing it hoping to kickstart something in me that didn’t happen. In the XYZ and Alola period of Pokemon, it was such a beautiful, positive force, about hard work and triumph and believing in yourself. I was chasing that. I wanted to talk about how hard that had to be for Ash. I wanted to point out what a beautiful story it is that Ash kept going despite never winning for so long.

But I should have put the fic down. The original content just wasn’t there anymore. I was still using Pokemon Go, but it sure as heck wasn’t for the storyline. And the anime lost me so early on in Journeys. I should have put the fic down and walked away, but I was addicted to the dopamine fandom provided me. I hated writing that story and I’m just grateful that it ended up meaning something to someone because otherwise it should be wiped from the internet as something I never should have done.

Compare and contrast F’d Up Three Ways, which I had almost entirely written before I started posting it. I adore that fic. I had so much fun writing it. Even when I started posting, I got barely any engagement and I didn’t care. There were bits and pieces in there that were me feeding off fandom, but most of it was just me devouring the original content and then thinking “and then what?” which is exactly what fandom should be, and it felt so good.

It’s the only thing I’ve done for that fandom, it’s all I’m ever going to do for that fandom, but it was what I wanted it to be.

So why do comments motivate me? Why, now that comments are so rare, do I constantly check my Ao3 to see if someone’s put a bookmark with a note? Why do I give a damn if people read my stuff?

Because I too am looking for engagement.

I want to know my stuff is making people think, or feel. It made me think and feel, so… am I alone in that?

When I was writing Dropped Shield, I was mostly writing that for myself. It was already mostly written when it was posted. But the comments were amazing and made me hungry for more fandom. People digging into the characters, the plot, the professional behaviour…! (It is such a weird fic, I cannot believe how many people like it, but I love it even more for that) Reading people’s comments on that fic made me feel so full.

And I think that’s what’s made me start thinking about it, because there’s those kind of comments, and then there’s the lovely heart-filled comments that are so sweet, and make me smile, but don’t fuel any kind of motivation.

I love getting them. They made me happy. If you’re someone who does that, do not stop making those comments, they are wonderful.

But they aren’t going to drive me to think more about the content and therefore will not encourage me to produce more.

Which brings me back to the difference between the kinds of people who create for profit and those who create for… whatever it is I and people like me are creating for.

This post was originally spurred by @notherpuppet (who does wonderful Hazbin Hotel art and comics and I hope doesn’t mind me referencing her – please tell me if you’d rather I don’t tag you and I’ll take this bit out) who is SO popular and so gets a lot of people wanting to make content of her content. And those people often get money out of that. And while notherpuppet didn’t mind that, when those people start promising paid content based on her currently non-existent future content, that’s… much less okay.

Because notherpuppet doesn’t draw for profit. She draws for love and fun. And so the moment it stops being fun, she absolutely should put down her tablet and walk away.

People just assuming she will continue until people are no longer interested makes me super uncomfortable. She's not doing this to get paid, she is under no obligation to produce, why would you assume she will?

That’s all putting aside the people in the early days of fandom getting sued by creators for copyright infringement. I never saw it happening myself, but when I started in fandom, people put disclaimers on their work reminding everyone it was not for profit for damn good reason.

So anyway. Coming back to the point.

It’s increasingly rare these days to get comments. This is a known thing. Many discussions have been had about it. And fandom as a whole is changing too. What people are posting is changing. How people respond to them is changing.

I’ve gotten comments from people pointing out they wouldn’t normally read my stuff because it’s too long, but they got a recommendation from someone else and so gave it a shot.

Which… okay, fair. But some of them say that about things that are like 6,000 words and that’s… that's not a long fic for me. I used to spit out that kind of content daily when I was in high school and could devote the brain power.

But when I started in fandom, drabbles were super common. Flashfic was a thing. Because we were all posting on blogs and forums and the formatting just wasn’t there.

And now a lot of fandom is video and audio that takes thirty seconds or less to consume. Longer to create, but... the similarities are there.

At the time, no one expected great feedback on drabbles or flashfics – they were just for the fun of creating. But the short-form content you see these days is very much chasing likes and comments and responses.

I don’t know where I’m going with all this, but… man. If I was still a fandom academic, that… there’s something in that, isn’t it? Something interesting.

Anyway. TL;DR, I repeat, and will always repeat: fandom should be fun. It makes me sad when it isn’t fun.

Please try and have fun.

[de-fanzine-cpr-pale]

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[leakinghate]

Hi! I’m falling back down the vld rabbit hole and am once again consoling myself with how the series could/should/was meant to wrap up its various character and plot arcs and come to a satisfying and well written ending with all of tpl’s metas that i found really enlightening back in the day. So first of all, thanks for all the time and energy you guys put into everything you’ve collected/organized/posted!

Second, do you know if any of felixazrael’s metas are still available anywhere? With the blog deactivated, tumblr has kicked all the links on the old posts.

Third, do you have any thoughts on how unavailable vld seems to be now? Amazon doesn’t even have s7 and 8 available for purchase.

Thanks and have a fantastic day! 🌼

Hello hello! :D Welcome back to the VLD rabbit hole! You are so sweet! I shared your lovely compliments with my teammates, and we are so pleased to hear from you! I also occasionally re-read the old metas; there are a few things I'd change about them if I was to revisit them today, but on the whole I think they stand the test of time pretty well, and I'm proud of all the hard work and love we put into them. I keep meaning to write a retrospective of sorts to reflect on the things that have and have not changed since then, but I can never quite seem to find the words for articulating all the feelings that'd be necessarily wrapped up in all that. Felix is a difficult topic. They voluntarily withdrew from the community and asked that all copies of their work be pulled down and disposed of. Out of respect for them and our friendship we complied with their request, even as we as a whole are staunchly against deleting fandom history. It's a complicated and frustrating situation, but they have the right to decide what happens with their work. I'm sorry, I believe all of Felix's metas are lost now. As for your third question... OH BOY do I have thoughts! :D I have many thoughts about the availability (or lack thereof) of VLD. So, as of this writing, the first two DVDs (covering Season 1-2 [production season 1], and 3-6 [production season 2], respectively) are out of print and difficult to come by. Seasons 7 and 8 [production season 3] were never released at all for purchase. I believe there are still several places you can purchase digital copies of the first 6 seasons, but again, seasons 7 and 8 were never released. There could be several reasons for some of this - the DVDs were of low-quality and never sold particularly well (why would you buy a low-res version of a show you could watch on Netflix in HD?) so it's not too implausible to imagine that 7 and 8 were simply never printed because the expense of printing was more than the expected profit. That's plausible, that's reasonable. What's much less so is the unavailability of the episodes for digital download. Making something available for purchase digitally is so inexpensive, by comparison to DVDs, that it's basically free. And with the size of VLD's fandom (even today), you'd surely get enough sales to cover the already negligible costs. So it's not a money issue. And it's not a demand issue. What have we got left? The way I see it, there's two main options here, and they both boil down to: something regarding seasons 7 and 8 being edited is interfering with making those seasons available for purchase.

Option 1: It's something legal.

The rights for Voltron have always been a tricky thing. It's owned by the private company WEP (World Events Productions) which leases out different pieces of the rights to other companies so that they can make the shows and the merchandise based on the brand. I, and my team, fully believe that Bob Koplar, the CEO of WEP, is the man responsible for ordering the edits to Seasons 7 and Season 8. The "why" of the matter is still speculative, but it's pretty clear that he's responsible. (I can get into the details if asked, but we'll be here all day if I do it now, lol) So Koplar holds the rights to the brand, but DreamWorks, which made VLD, holds the rights to the individual show. If there's a legal conflict between the companies, say, over which version of the show can be released... then that could be why we're not seeing those episodes. Option 2: It's spite. Following on the last option, with Bob Koplar having levered his control over the Voltron Trademarks to force DreamWorks to make edits to their show, it's very possible one or the other is preventing the release of the episodes in an effort to screw with the other.

From Koplar's side of things, he's small and petty enough to rip an entire completed show - millions of dollars in investment in animation alone - to pieces for reasons that seem to amount to him disliking the story direction. He'd absolutely hold up the release of the episodes if there was something about them he still didn't like - and there's plenty still there for him to hate! (*cough* like the caricature literally named after him in the Season 7 episode "The Feud" *cough)

From DreamWorks' perspective, they had an entire completed show - millions of dollars in animation, remember! - ripped to pieces by a power-tripping, petty, little man. Which they then had to shell out additional funds to pay to reconstruct. The resulting product, which they were contractually obligated to release to Netflix, was then rejected wholesale by the fanbase, completely destroying any possibility of a franchise for one of the biggest hit shows they'd seen in years. We're looking at tens of millions of dollars down the drain. Would a company like DreamWorks turn around and screw over Koplar in turn for what he did? Yeah, I think they might. All in all, I can't say why they're not available... but I do know that back, immediately after Season 8 aired, WEP's storefront (Voltron Store) and social media accounts were claiming that the final DVD would be out by "the fall", which, given the timeframe, was presumably fall 2019. So at some point there was a plan to make those episodes available, at least on WEP's part. This, however, was likely before it was revealed to Bob that the episode "The Feud" was mocking him specifically. I can't say whether those episodes will ever get an official release, but I can say that if they do, it's going to dig up this whole entire mess all over again. And I'm pretty sure that neither party involved wants that. WEP has their new movie in production, and DW probably see the entire show as something they'd like to forget. Releasing those episodes will bring them both nothing but bad PR.

Thank you so much for your message! I enjoyed receiving it, and I had great fun writing out this answer! I'm always happy to talk Voltron, Voltron theories, Voltron related media. Have a lovely day!

[mr-nauseam]

for my dear @sadalmostlesbian. before I begin as usual this is based on my interpretation of the text, people are free to disagree but here we go:

Dolittle and Snow: the fear of social decline (plus why Bad Ending took that route).

So trying to explain my ideas there are these books that I like that being very very summarized are basically about two guys who were rich, had a lot of money and lose it because they are irresponsible fucking spendthrifts, now, both of them could get a job to have honest lives now that they have lost their money, for example they could move from where they live which is an exclusive area to the countryside to make their small salaries more profitable. We the readers know well that they are capable because one of them once did it but usually that is not the route these two take, they do something more "logical" like becoming professional thieves in order to have the abundant income they lost back quickly and steadily, now they are immoral but their reputation and privilege and status remains intact, they can go to the exclusive clubs, be invited to private parties, and hang out with important people. although obviously they have to be careful that people are not discovered the lies and cheats with what they have maintained their lifestyle because then they could really lose everything. for real this time.

well this situation that I have described very superficial always I have believed describes better, much better what the snow family live than other takes I see around of them being really forced into poverty.

during the war, I don't really doubt that there were moments like that (I emphasize moments because a lifetime of poverty is something they never knew, as nell said, they are different traumas, they don't necessarily invalidate each other but they start from very different places), and I believe in the obstacles that Coriolanus mentions his family lived through, because they definitely happened and affected them, but I don't think that at least consciously they are concerned about starving and having a poor quality of life, their ultimate goal to lie and pretend for years is to maintain the privilege they have, the position they hold in the world.

I think it is natural to some extent (clearly someone priviligued wouldn't want descend, not want be treat like they treat others, is also all what they know) however for that reason I disagree with ideas like "if casca had given coriolanus a prize he would not have become a dictator," because something I already said in some other post: what is dangerous and striking in coriolanus is that he is desperate enough to do whatever it takes to have comfort and privilege, he does not want a simple and easy life that allows him personal happiness even if it lacks ambition and power, because what in reality wants is that power, that privilege and superiority over others.

the snow does not miss the simple life of a middle class family, they misses the simple life of billionaires (group that has made its fortune thanks to the exploitation of others, that its why I have always found so great the connection of the Snow falling at the same time as D13, because it could not be clearer the district most exploited by them disappears and with it all their power). this is something I have said endlessly but this is where the Dolittle's come in because they are the ones who confirm from my perspective this point: the biggest fear of the snow is social descent (lost power), they fear the path that the Dolittle family actively chose.

I don't usually offer any sympathy to coriolanus, but I have to say that it's sad, absolutely miserable the upbringing that he and tigris were given because sometimes I see certain people in the fandom talk as if coriolanus had no clothes, nothing within his reach, and it's like no, he has clothes, he had shirts that he could wear to the reaping, he just didn't have shirts that projected an image of power, he didn't have clothes that conveyed "I have great socioeconomic power," and that's why he was losing his mind. It is insinuated that Tigris may have broken up with a long time partner to prevent the Snows' charade from being discovered, as they are making sacrifices and an insane effort not to fall socially. it is absolute miserable. (on why snow's grandmother is my greatest enemy of all the snow, maybe after crassus and yet the horrible old bag that I would like to hang a lot with my own hands, is the product of a system bigger than herself, not to point particularly to a character as the cause of all evil in Panem obviously but anyway there was a responsibility on her hands, she chose to be negligent and force in two small children racism and bigotry to explain what happened, in a monumental exercise of refusing self responsibility for the disaster of the war -she and her class-, and later with coriolanus the worm, I call him like that because he decided to preserve and even consciously expand exploitation, opression and deshumanization after be closer to it, it was ok as long as it happened to someone other than him, he says it a million times. snow family is so nasty, they don't believe in changing the system because they benefit from it, I get seriously mad when people try to say they are poor victims of a "misunfortunate" tragedy that they could be better in other circunstances, since their normal circunstances would still be product of the pain of others.) Now back with the shirt, that's if my memory serves me correctly, the first mention of the Dolittle family is that they are who lent Tigris the iron to make Coriolanus' shirt look presentable, and I think that's the first gesture that gives them away and distinguishes them. One thing that Coriolanus' paranoia seems to say is that if the other families find out, they're somehow going to bring them down, right?, there's a risk of humiliation, and there's no room to believe that a sense of community and support could prevail if snow circumstances of not having as much money as before were revealed, yet the Dolittles lend them the iron. The Dolittles tell us that the case of the Snows is not unique, they are not the only ones who at the moment when the district they have exploded has fallen, they have lost their profits, their money and have been pushed into a situation of pretense and pride, however the Dolittles take a couple of actions that coriolanus judges harshly.

For example, I think the eldest son? of said family that is a gamemaker, nothing more and nothing less! coriolanus explains that being a gamemaker is not something prestigious at that time, they earn a small salary, which we can obviously infer goes to the guy family, and coriolanus makes fun of him, he does not seem to have much respect from someone who decides to work in a job of that kind (a degrading work below their class, as a family living in the Corso.) This is also a recurring theme in Tbosas: one of coriolanus' biggest fears is the idea of having a job for less than his level, the boy "I am the best that humanity has to offer" certainly does not consider at any time to have taken many actions that some in the fandom have pointed out as having a job while studying to relief his circumstances, because it is almost certain that if he had been able to get a job it would not have been a worthy one for a snow like him! Part of his desperation with entering university is the tacit promise that with higher education he will be able to aspire to jobs that allow him to earn a lot of money, and sorry for sound like a stuck recorder but I would like to emphasize that although I can see why certain fans can identify to a certain extent with a character as terrible as him because of these feelings, it is important not to forget, coriolanus does not start from scratch, nor does it aspire to stability of normal regular life person, he want back the billionaire life without the hard work. He wants it back so much that as I said it doesn't matter that he what he has to lose to get it (we could talk about his conscience in this case, his morality and ethics) something that on the contrary the Dolittle family apparently does not seem to be willing to do, since the Dolittles before resorting to unethical actions such as those that coriolanus will do throughout tbosas (for example cheating in the games so that Lucy Gray wins and the that one takes the prize!) They prefer to do the social descent, when taxes threaten the Snow family, we have two striking reactions, coriolanus says that the logical plan is to go to see strabo plinth to blackmail him for money, not even to ask for money, to blackmail him, using the rescue of Sejanus from the arena as the excuse, in the end he desists from that, he does not do it but that was his plan and intention. 

The Dolittles on the other hand have made the hard decision to sell their apartment in Corso, they are also fake, since they say that they will move to another place by their own choice but the truth is obvious, they can’t afford the taxes. What sets off all the alarms in our pathetic blonde, and that's why he does the shit he does in the book. It was literal coriolanus tries to prevent snow from falling from the top, and he considers that if snow not lands on top it would be worth push his grandmother off a balcony to be nice and avoid her suffering and I would dare to say coriolanus would have jumped after his grandmother if it had been the case, I know because that is something we see in the text. 

The last mention of the Dolittles is that when coriolanus has fallen from the top, tigris informs him that she has put the Snows' apartment up for sale, she has moved (herself and the grandmother) with Pluribus Bell and those who have helped her in this task were the Dolittle family, since they got already the experience of put their departament for sale. 5 minutes later coriolanus is contemplating suicide. 

It is absurd, a true tragicomedy, ridiculous although I understand what it means for Coriolanus, as the value he places to define himself with respect to the privilege of his family, how he only has an identity based on who he dominates, in whom he has power over him,  I was laughing had to admit but of pure desbelief, if theres a tragedy on him, its this, the fact all of who he is, its reduced to this. Existing without power, it's not a life worth living in his opinion, I think this reinforces well with the ending, but that's what I consider so striking about the Dolittle family, because let's see, coriolanus ends up more or less in a similar place to remus dolittle, he also works as a gamemaker, but the difference is that coriolanus and the sacrifice of any will to believe the system had to change, in any suspicion of believing something is wrong with the way Panem works, in its morality, ethics that have been buried underground, somehow it has really come out on top, more than the Dolittles who did not. 

Because he is a gamemaker but surely remus does not have the guidance, nor the personal support of Volumnia Gaul, Remus Dolittle for the decisions of his family will never be someone, he will never be president but Coriolanus Snow will, now that hes perfectly integrated in the system. 

[sgiandubh]

Lallybroch: copyright vs. trademark

An excellent question was asked by our friend @rosfrank in the comments thread to 'The door faces North' post and given the cosmic amount of uninformed bullshit being ventilated for almost ten years in this fandom, I think it's time to answer it once and for all:

Whenever we are informally talking about 'owning the rights to something', I think it's very important to bear in mind a fundamental distinction between two different categories of ownership rights: copyright and trademark.

The copyright is the most familiar one to many of you. It is what you usually find on those annoying and apparently useless first or last pages of all the printed or digital editions on this planet. Something like this:

In the US, copyright issues are regulated by the Copyright Act of 1976, as included in Title 17 of the US Code. The US public authority competent for registering and managing copyright is, as predictable, the US Copyright Office.

Perhaps the most seminal US Supreme Court decision, as far as copyright is concerned, is the 1991 Feist Publications, Inc., v. Rural Telephone Service Co. In it, the Court ruled that mere compilations of information or facts (such as, for example, telephone books) are not protected by copyright, according to US law. In other words, the ancient legal concept of 'sweat of the brow' (which simply means the amount of work required to gather and compile those facts/information) is not enough to qualify a work for copyright protection, if no creative effort is added to enhance its content. This is why I have always considered absolutely ridiculous Marple's efforts to watermark public information screenshots: it is useless (to the extent that it legally protects her from nothing) and, as her timelines, a mere compilation of facts (legally ditto). A similar approach is preferred by the UK and also by many Roman law legal systems, such as the French one - just making things clearer, here, by the way.

See how 'Erself is roughly doing, right now, in this department:

But I am rambling. In my view, Lallybroch, as a pivotal concept used in Diana Gabaldon's books, is protected by the copyright granted to each and every of her books mentioning it, according to the Roman law principle 'accessorium sequitur principale' (the accessory follows the principal). So it will remain protected for at least 70 years since the last of her books mentioning it would have been published under copyright. Unless she chooses to separately protect the entire finished cycle as a whole, once Book Ten (fingers crossed) is published, preferably during our foreseeable lifetimes.

That being said, that goes only for one copyright category: (published) text - you cannot copyright that secret diary in your drawer, LOL. This is why, the current US Copyright Office records concerning Lallybroch look like this:

Sony Pictures Television Inc owns the copyright to the fictional name Lallybroch in the motion pictures category, as it is the title of the Episode 12, in Season 1 - DG has been handsomely compensated for this, no worries. And someone I have no idea about owns the rights to an original musical score she has written and titled Lallybroch in the music category, since October 2013.

Onwards to the trademark. This is something different and this is all about making your name/concept/idea profitable. It is all about branding it, putting it on a product and selling it under that brand. It includes all the graphic elements and the logo of the brand (accessorium...) - in short, its visual identity to the consumers. In the US, trademark issues are regulated by the 1946 Lanham Act and the public competent authority is the good old US Patent and Trade Office (USPTO).

Right now, the situation for the Lallybroch trademark is as follows:

So, we see three different trademarks: two of them, owned by Diana Gabaldon, are classified as 'dead' (cancelled and/or abandoned) and the third, Lallybroch Spirits, owned by S's Great Glen Company is pending approval - he will not be able to label any booze bottle Lallybroch Drink Me before permission is granted by the USPTO.

Let's unpack:

Both Lallybroch trademarks formerly owned by Diana Gabaldon were filed at the USPTO on February 21, 2000 and granted on December 12, 2000. The first was aimed at producing 'tartan fabrics for the manufacturer of clothing' and it was abandoned in December 2003:

The reason is that the owner did not file in any Statement of Use after the trademark was granted. She had three years to do so, and since she chose not to do anything about it, the trademark was deemed abandoned (Stacy K. Smith is the attorney hired by Herself, btw). That means she specifically implied not to intend using it in the future. As such, she may claim NO rights on a now free to use mark:

The second trademark was aimed at producing 'clothing, namely, t-shirts, dresses and headwear' and also 'jewelry, namely, rings, pins and necklaces'- to cut the story short: OL merchandise - and it was cancelled on March 1st, 2013:

The reason is that the owner did not file the Section 8 declaration (of continuous use for five years) within the allowed legal timeframe (6 months after the fifth anniversary of the trademark granting renewal). Her trademark federal rights are now deemed canceled (but not her state law and/or common law rights!) and if she wants to ever use that name again, she would have to start the whole process over, bearing in mind the trademark could have been granted to someone else, in the meanwhile (not her case).

And for anyone who might ask, 'Erself does not own any other trademarks whatsoever:

The other (Doll Lab - LOL for ages) Diana Gabaldon is a pharmacist from Albuquerque, NM. Chill. 🤣🤣🤣

The owner of the copyright to the fictional toponym Lallybroch, as far as published text is concerned, is Diana Galabdon.

The owner of the copyright to the fictional toponym Lallybroch, as far as motion pictures are concerned, is Sony Pictures Television Inc.

The owner of the copyright to the fictional toponym Lallybroch, as a personal work of music, is Mrs. Kelly Ruth Davis, of Pennsylvania, USA.

The owner of the Lallybroch Spirits trademark will be Sam Roland Heughan, when that trademark is granted by the USPTO.

I hope this answers your question, @rosfrank. Thank you for asking.

[oh-no-its-bird]

Um. Um. Michael Shelly after Hellen fucking eats him.

And so he's like basically crammed back into a poor imitation of his once human body. The he who once was and the thing he became merging into the poor imitation of a discombobulated man who is no longer human but no longer not human.

And now. Now u drop him in uhh. Naruto. Ninjas.

That's it that's the post.

Idk I just really like Miachel (both as the distortion and the stuff I've seen of him as who he once as as Michael Shelly, he's so cute) I wanna see him fuck around and find out with ninjas. I love my stupid crack crossovers !!!

Let him swing wildly between being semi coherent, passably human and somewhat close to the man he once was— and the distortion now stuck in a body that must follow the rules of physics, unable to reach for the power it once has, throwing a fucking fit because it hurts to be so solid, so one dimensional, so real

Let him wander around in an odd daze, let him sometimes register as human to things that might sense that sort of thing (seals/yokai/bijuu) and sometimes register as something Other.

Let his body be in a constant state of flux as it seems to try to swing back and forth between man and thing, while still being heavily limited by the fact that it is no longer what it one was— and that the spiral does not exist in this world at all.

Anyways: let Michael investigate the Uzumaki and the ruins of Uzushigakure in the hopes that the spiral has left its mark there

The Fears don't seem to exist in this world, or at least if they do, they exist in such a way that Michael can't fucking find them

But if the spiral, or any entity similar to it exists, surely it would be in an island that once belonged to a people named for it...?

Play with yokai existing (though they have been fading in recent years, with the dissapearence of the bijuu, and some no longer believe in them or treat them with the reverence they expect) and Michael very effectively being one in a way.

He still has some power left over from being the distortion, just nowhere near what he once had, and heavily altered by the rules of this new dimension

Thinking that he can get some more power back via feeding off of fear (much harder now that he no longer has access to his corridors. And also bc he can be killed. So.) And also like, being worshipped/honored as a spirit. He's gotta convince some people to build a shrine for him

Oh my god Michael Shelly accidentally becoming god of spirals, pass it on. That'd be so fun

Idk how he'd actually interact w canon or where he'd land tbh, I'm just having fun thinking ab him in general. His fall from power,,,

I love him sm

When he's more human he's a lot nicer than when he's leaning into the Distortion, so I can see him helping someone out just bc. But also like. The distortion is literally the embodiment of "fucking with people for fun and profit but mostly just fun" so when hes less Michael and more Distortion I can absoloutley see him causing problems literally just to cause them

But yeah idk where I'd really take it plotwise. Michael my beloved,,

I need to go read tma fics actually I miss the fandom