#not condoning his behavior

[makorragal-312]

At this point, the only way I see this storyline leading to Eddie's queer realization arc is if next episode, he kinda engages in some sort of emotional affair with Kim due to him projecting his unresolved feelings for Shannon on her. But as time goes on, things become clear the Kim is nothing like Shannon and everything turns on its head when Eddie accidentally refers to Kim as "Shannon" and things immediately shut down from there.

Then Kim goes on to ask him what's going on with him and that's when Eddie is forced to admit that she reminded him of his late wife and that seeing her brought back some emotions he hadn't been able to get rid of. That's when she has to tell him that projecting his unresolved love for his wife on someone else isn't happy and that he shouldn't be trying to recreate it on her or anyone else and that each love should be different and not recreated. She ultimately tells Eddie that he needs to work on himself and through his emotions for Shannon and asks him not to see her again.

Eddie ultimately thinks this over and eventually decides that Kim was right and that not only was he projecting Shannon onto her, but he had been more often than not projecting her and their relationship onto his last relationships and trying to recreate the family that they had for the short amount of time Shannon was around. That's when he decides to finally break things off with Marisol and focus on himself, which ultimately leads to his queer awakening either at the ends of the season or the start of Season 8 and the eventual feelings realization for Buck.

[thehavster]

happy gay month to the og problematic fave!!!

[blushweddinggowns]

Part 2

He has no right to be here.

He knows that.

He does.

Eddie watches as people pile into the church, all of them dressed to the nines. It's a Harrington affair through and through, and the sight of all these people that he knows Steve hates makes him feel sicker than he already is.

If he wasn't on the edge of crying he would have laughed at himself, like he had any right to judge anyone here. He's the one who dumped Steve. Perfect, wonderful, lovely Steve who just needed a few more years. He just needed to make sure the kids were safe until they graduated. But Eddie couldn't do it. He needed to leave, and Steve needed to stay.

So he ended it. Just like that. He ended it.

He hasn't seen him for three years. By all appearances, it was a good choice, the best thing he could have done for himself. Because against all fucking odds Eddie Munson ends up as a success. He's a star, a famous musician discovered in a shitty little bar. He somehow managed to actually live the dream he used to fantasize about.

He lives it up. He parties, he drinks, he fucks, he spends his early twenties being young and dumb like he always wanted.

And it's horrible. It's so horrible that it becomes hilarious to him. Because he knows why it's so bad. Of course he knows. But it's better this way, really. Because Steve deserved better than him anyway. He deserved someone he didn't run away, full of flimsy excuses of wanting to be out of the shitty town that made him. When the truth was he was scared. He was terrified about how much he loved him. Because what was he going to do when the day came when Steve realized he could do better?

Eddie wouldn't have been able to surivie it. So he left instead. Like the coward he was. He left so he could be miserable and famous but at least Steve could finally find someone who deserved him.

So it really was all for the best. That's what he tells himself, because if he doesn't he'd go insane wondering about what could have been. He has himself convinced that he made the right choice. Maybe not for himself, but at least for Steve.

He doesn't realize how bullshit all of that was until Dustin lets it slip. They're doing the normal routine. Dustin visits, Eddie spoils the shit out of him, and on the last day he asks about Steve. He always tries to keep it casual. Tries to never let his desperation to know what's happening shine through. But it always does, bad enough that Dustin can't help the pity in his eyes when he tells him.

Steve's getting married.

Eddie wasn't aware just how much words could hurt him until that moment. He'd been called every bad name under the sun, a queer, a freak, a fag, you name it and it's been said. But this is the first time someone else's words make him feel like he's dying.

He wasn't invited to the wedding. Why would he be? But he still found it. Because he's a glutton for self-punishment. He hadn't seen Steve for three fucking years, and he chooses to wait till his wedding day?

But it's too late for regret, he's already here. His eyes keep scanning the room, just waiting for him to show up. He probably looks like a creep, dressed in all black and fucking sunglasses, sitting right by the door. He's basically in a fucking disguise, mostly to stop Robin from finding him and kicking his ass.

Speaking of, his eyes widen at the sight of her. She's slipping out of a door to the side, quickly wiping at her eyes before joining the crowd of people. His eyes drift back to the door.

Eddie's on his feet before he knows what he's doing. It's stupid, maybe the stupidest thing he's ever done, but where Robin is, Steve is sure to follow.

And he's right. It leads to a small dressing room. And there he is. Just like that Eddie's in front of the only man he'll ever love. Or at least, behind him. They were alone, and Steve hadn't even noticed him yet, too busy adjusting his hair in the mirror.

He still has time to leave. Besides, he didn't come here to ruin everything. He didn't, really.

But he doesn't turn around. Instead, Eddie locks the door behind him. He takes off his stupid sunglasses and clears his throat to speak, but is immediately rendered speechless when Steve turns to look at him.

He's just as gorgeous as he remembered.

His eyes widened at the sight of him, mouth opening and closing like he can't quite believe what he's seeing. Why would he? Eddie never reached out. He ignored the times that Steve did, always too ashamed of himself to face his own mistakes.

Eddie always expected Steve to lash out when he saw him, if he saw him. Lord knows he deserved it. But he doesn't. He just looks...sad. And those basset hound eyes are almost enough to bring Eddie to tears himself.

"What are you doing here?" Steve asked, voice quiet.

Eddie hadn't actually prepared anything to say. His plan was to watch the love of his life marry someone else than drink himself into a stupor at his hotel. He...he hadn't expected to end up here. But there are a million things he wants to say to him.

I'm here to tell you I'm sorry. I'm sorry I was a coward. I'm sorry I wasn't good enough and I made it your problem. I haven't stopped thinking about you. Ever. There hasn't been a day that goes by when I don't regret leaving. And I thought, maybe, just maybe if I saw you move on with my own eyes I could let you go.

But none of that is what comes out of his mouth.

"Run away with me."

If Steve didn't look shocked to see him before he sure did now, "W-What?"

"Run away with me," He repeats. Because it's what he wants. It's what he needs. It's been three years of hell without him and Eddie can't do it anymore. He can't.

He hates that he's the cause of the tears springing up in Steve's eyes, but he can't take it back. He won't.

Steve looks away, eyes trained on the floor, "You can't do this to me Eddie. You can't."

But he is.

Eddie's made his choice. He was a fool to think he was capable of coming here without trying to steal him away. Of course this is where he'd end up. And he'll say anything to get him back. He doesn't care that he's too late. He doesn't care that this whole thing makes him a bigger piece of shit than he already was.

He'll be underhanded, he'll be dirty, he'll do anything to get Steve to leave with him, he doesn't fucking care. Because Steve Harrington is not going to get married today.

He waltzes right up to him. He grabs his chin and forces him to meet his eyes. He probably looks crazy, he feels crazy, "You don't love her like you love me."

He's never met her. He doesn't need to. The way Steve freezes up is all he needs to know that he's right.

He doesn't deny it, but he deflects, "Why are you doing this? You left me. Did you forget that part? I didn't end it. You did! A-And now what? We're just going to ride off into the sunset together? Like you weren't the one to just cut me out of your life-"

"Yes," Eddie interrupts. He feels calm, eerily so as he speaks, "We're riding off into the sunset together. Even though I don't deserve it. I never deserved you. And I was so fucking scared of when you would realize that. I let it eat away at me. So I left. Before you could do it to me. And I was wrong."

"Stop," Steve tries to step back, but Eddie won't let him. He wraps an arm around his waist and pulls him close.

He can't stop talking, even if he wanted to, "I was so wrong Steve. And I've been miserable ever since. Because I couldn't stop thinking about you. I'll never stop thinking about you. Even if you tell me to go to hell and get hitched I'll just wait for a divorce. Because you are the only one for me. And it took me too long to say that out loud. And I'm sorry. I'm so fucking sorry Stevie."

Steve weakly tried to push him away, but his heart wasn't in it, "Please stop."

But he can't, "I love you."

Steve's eyes are closed, a futile attempt to keep the tears at bay, but his voice comes out strong, "Eddie, I-I can't do this again. I can't. If you left me again I...I just can't."

Eddie can't help but wipe a few of the tears away for him, "Angel, look at me."

He waits for Steve to open his eyes. He looks so fucking beautiful that it hurts, especially since this may really be the last time he sees him again.

But he has one more trick up his sleeve, "Tell me you're not mine and I'll leave."

"W-what?"

"Tell me you're not mine. Say the words out loud and I'll let you go."

Steve stares at him. He's mad, beyond pissed that Eddie has the audacity to throw that in his face, but he's desperate. It was the last thing he said to him, murmured through the driver's side window of the van, seconds before he drove away.

I'm still yours, even if you don't want me anymore.

Eddie had cried the entire ride there after hearing that. And then a few days after for good measure. And here he is, completely ruthless at what he's willing to pull out, "You're mine Steve. You know you're mine."

It's such a fucked up thing to say, but it's true. But it's not the whole truth, "And I'm yours. I've always been yours. Tell me that's not true and I'll leave."

But Steve can't. He can't do it, just like Eddie had known he wouldn't. But what he hadn't expected was for him to surge up and kiss him.

It feels like he fell in love all over again, just from one simple kiss. Because it felt like magic was real and it decided to take on the form of Steve Harrington's lips. It was everything he had missed. Everything he had dreamed about. Eddie tangled a hand into his hair, helpless to do anything but kiss him back, harder and deeper. He wanted to be burned into Steve's memory for all eternity. He wanted him to always remember the moment that they came back to each other.

Because that's what this is. Eddie's certain, Steve was his, and he would never let him go again.

They only stop when there is a knock at the door, a muffled question asked that they can't hear over the sounds of their own breathing. It's enough to have them pulling away from each other, but they ignore it nonetheless.

Steve searches his face, one last test. Eddie can only guess how he looks right now, probably just as desperate and terribly hopeful as he felt. Whatever he's looking for, he finds it eventually.

Steve sighs, glancing toward the back of the room, "There's a window we can probably fit through. Because I'm sure as hell not going out there."

Now it's Eddie's turn to cry. Despite all of his confidence, the certainty that they were supposed to be together, he hadn't really expected it to work. But here they were, giggling with each other as they scurried out of a first-floor window, making a run for Eddie's car.

Eddie can't help but kiss him again before they get in, muttering against his mouth, "I love you so fucking much Stevie. I'm not going to fuck this up again. You won't regret it, I'll spend the rest of my life making sure you don't."

Steve grinned into the kiss, "You better."

There was still so much to talk about. Too much. And they'll fight and they'll scream and everything will get worse before it gets better. And Eddie's so fucking grateful to get the chance.

And for the first time in three years, he feels alive again.

[tennisarchives]

honestly? i think it’s fucking good he got defaulted. he’s been way too aggressive towards staff and it has to stop. and i hope he (and other players) learn a lesson from this

[mortispoxi]

After taking the time to really sit and process the roller coaster of information that was the recent People Make Games video about the drama surrounding Studio ZA/UM, I wanted to make this post to go over some of my thoughts that I had about the video. If you have not watched the video but are curious what people are saying about it or you have and you want to read someone else’s perspective, then I invite you to read through as I babble incoherently.

Overall, I thought it provided an interesting, in-depth look at the timeline of events leading up to Kurvitz, Rostov, and Hindpere’s dismissals while also giving us a proper inside scoop to the interpersonal relationships of both the former and current Studio ZA/UM employees. However, I do think the video has a couple of problems specifically with the way some of the information is presented on top of the fact that it loses focus partway through from the real issue which is the alleged fraud that took place by the investors to acquire the majority share within the company.

A big problem that I had with the video was the way in which Kurvitz behavior and final statement are disproportionately framed in the narrative. Now I am not about to go on a lengthy rant to dismiss everything Robert Kurvitz did to his friends during his time at the studio. In fact, the thing that I really liked about this video was how Chris Bratt, the writer and interviewer, holds no punches when it comes to the accusations of misconduct we heard from current Studio ZA/UM employees against him. Instead, I think it needs to be addressed that Bratt left out background context, whether intentionally or unintentionally I do not want to speculate, that could potentially explain what happened to everyone leading up to the expulsions to make Kurvitz appear far worse than how he might’ve been. I fully believe every word Argo Tuulik, Kaspar Tamsula, and Petteri Sulonen has said about working under Kurvitz and his inner circle so by piecing together all their statements to create a timeline of events the investors start to look far less innocent than how they portray themselves to be in the video.

It’s abundantly clear that Kurvitz was notoriously hard to work with. However, what’s also clear was the tremendous amount of stress everyone was under while also still being in the throes of burnout after working on the game nonstop for months. I think the investors (Kender, Haavel, and Kompus) purposefully set the team up for failure by creating impossible deadlines without informing the writers, approving Kurvitz and his inner circle to take time off while disallowing the others from taking theirs, and attempting to restructure the company in preparation to franchise Disco Elysium against Kurvitz wishes and thus he felt scared enough to push for his role to be de facto creative leader anywhere he could. What seems to be three full years of forcing everyone to crunch, miscommunicating when important deadlines were, setting impossible work standards to meet, and readying themselves to snatch more power within the company may have helped sow the seeds of animosity the writers began growing towards one another.

All of this is nothing new for those of us who have been keeping an eye on the drama from the start. We were told long in advance by the likes of Martin Luiga, who although left the project early on has been friends and worked alongside him for the better part of two decades, that Kurvitz possesses less than stellar leadership skills and that there was no merit in what the investors would end up accusing him of doing to warrant his dismissal. That confirmation was given long before the release of the PMG video and cements the idea in my mind that perhaps Kurvitz erratic behavior that was described by the current Studio ZA/UM employees was not the cause but rather a symptom of a much larger problem happening around him (i.e. a toxic work environment brought on by the investors using manipulation tactics to further stress and cause resentment amongst the collective). Yes, Kurvitz was at times uncooperative and dismissive towards his fellow employees, but this aspect of his character and the situation was played up to be a far greater problem in the PMG video than what the context suggests. I’m also inclined to believe this interpretation because Argo Tuulik, despite having legitimate, unresolved issues with his friend, does still regard Kurvitz very highly and even believes that he should still have artistic access to Elysium.  

When you think about it from this perspective, it makes perfect sense as to why Kurvitz was acting erratically around his fellow coworkers who eventually lashed out at him. On top of Kurvitz’s subpar leadership skills, he clearly was rapidly losing control of the situation which caused a great amount of stress for everybody involved as he scrambled in every which way to hold onto his position within the studio. It does not surprise me when it’s admitted by Sulonen that Kurvitz was thinking of taking the source code to potentially start over with a newly founded company since the situation was rapidly deteriorating and everyone was getting more and more frustrated with him and his inner circle. The impossible working conditions they found themselves in was a pressure cooker for the animosity and resentment building within the disillusioned group. Clearly the investors made their workers run themselves ragged in order to divide everyone and make it easier for them to take advantage of Kurvitz’s now frequent outbursts to finally push him out of their way.

Everything that I’ve said above can easily be discerned from the context clues found in the interviews from the current and former ZA/UM members. Which if you think about it is an unfortunate statement because Bratt does not seem to register the complaints of mismanagement by the hands of the investors from either side and instead only points the spotlight at Kurvitz’s past transgressions. What I am describing is one of the major issues I have with the PMG video. The video talking about the ongoing legal battle to determine if corporate fraud took place seemed to disproportionately focus on the problems Kurvitz and his inner circle had with other team members and not issuing a public apology to his former colleagues. Now that doesn’t sound all too bad on paper, right? If Kurvitz apologized, it could help begin the healing process and make for a good closer for the video. Well, that’s where the problem comes into play because Kurvitz response to Bratt’s request for comment regarding what Tuulik, Tamsalu, and Sulonen said about his poor conduct should not come as a surprise to anyone who had been paying attention. In the video, Bratt hails the email Kurvitz sent back to him as arrogant and dismissive which he then uses to accuse him of not standing with his fellow workers in solidarity and not taking accountability for his actions. However, right at the start of his interview, Kurvitz informs Bratt that at the behest of his lawyers he does not want the full interview to be published as they are worried Studio ZA/UM might take something he said as an admission of guilt and use it against him in a court of law. Therefore, when asked to comment about what his former colleagues said about him, he fires back an email that basically says that he wants the focus to be on the thing that really matters, the lawsuits and the shady activities of the investors. Bratt, clearly not liking his response, decided to attack his statement even though had Kurvitz given PMG what they wanted he could potentially be incriminating himself. Whether he denies or fully understands that his actions hurt others, the way he responded is 100% justified and did not deserve the level of vitriol he got from both Bratt and the public. It seems like a double standard that Ilmar Kompus can deny answering a question by claiming he cannot comment due to the ongoing lawsuit during his interview but when Kurvitz does it for the exact same reasons he is attacked. Again, Kurvitz is fully responsible to rectify the hurt he caused others but legally he’s in the clear and Bratt seemed to purposely neglect that aspect of the ongoing narrative.

Now, I’m not about to pull a whole reddit conspiracy in my write up. I do believe Chris Bratt, who directed this video, went into this with the very best of intentions to tell the full story with an emphasis on the workers who were affected by the situation. However, the problems that I’ve listed above make me worry what will be the takeaway from someone who is only a casual observer of the ZA/UM situation. Personally, I have been following this from the beginning so I’ve had a lot of time to develop my own insight into things but that’s usually not the case for most people. What I’m concerned about is whether Bratt may have unintentionally furthered the investors narrative by pushing people’s focus away from themselves and onto Kurvitz who has largely had the support of fans and outside viewers up until this point. Studio ZA/UM as it stands is desperate for a leg up in the PR battle it’s had with Kurvitz since October 1st, 2022. They lost so much support once the announcement was made that Kurvitz and his inner circle had been terminated, and lost even more upon the release of collage mode, that it makes logical sense that they want more people to be on their side so when the time comes for the studio to announce another game their reviews and sales numbers won’t immediately be tanked by angry fans. So, the fact that this video seemingly only held its focus on the misgivings of Kurvitz closing statement and personality instead of what is actually being fought over, alleged corporate fraud and theft of IP, may have unwittingly handed the investors that distraction that they have been looking for. Since the release of this video, I’ve seen an unfortunate mix of people arguing over the ethics of the situation, those switching sides to now support the studio, and outright calling for Kurvitz to lose the right to access his life’s work. This is not the outcome me and many other like minded fans want to see from this mess. At the end of the day, Elysium is Robert Kurvitz’s life work, and he deserves a chance to legally regain those rights even if he is a prideful and arrogant person. His personality should not dictate whether he is allowed to prove in a court of law that the investors took something that isn’t theirs. Bratt’s well-meaning but deeply misguided efforts to report on the ZA/UM situation may have done more harm than good. I consider this to be the biggest flaw of the video and the reason why the contents ultimately did not sit right with me despite the accuracy and importance of the reporting.  

Just as a quick reminder for those who aren’t entirely up to speed or want a refresher, the reason why Kurvitz and Studio ZA/UM are fighting over the IP rights in the first place started when Kurvitz was promised by the investors that if he signed over the rights to Elysium and his book he would eventually be able to buy back a portion of the shares to the company and upon release of the sequel buy back even more. At no point was anyone supposed to possess a majority percent of the shares in the company to remain equitable amongst all participants. So, Kurvitz signed this contract under the assumption that the investors would hold up their end of the bargain while in the short term he would get the funding needed to complete the rest of the game. Unfortunately, when Margus Linnamäe left his position within the company, Ilmar Kompus agreed to buy him out of his share allegedly using the money intended to produce the sequel thus acquiring the majority share which tipped the balance of power. Now, the IP rights are currently held by the company YESSIRNOSIR Ltd. which no one holds shares of but is still owned and controlled by sources within Studio ZA/UM. The lawsuit itself is Kurvitz claiming that the way Kompus bought into the majority share of the company was done illegally and should he be able to prove in a court of law that fraud took place it would immediately delegitimize and invalidate Kompus’s control which would then give Kurvitz and Rostov a chance to reclaim power along with all the subsidiaries of the company which includes YESSIRNOSIR Ltd.

From the way I saw it, it certainly felt like Bratt went out of his way to put blame on the deteriorating work environment and splintering of a two-decade old artist collective squarely on Robert Kurvitz shoulders. If I were to speculate, I think in his anger after not receiving the conclusion he had been hoping for from his interviewee, Bratt refused to acknowledge the very real fact that his hands are legally tied with the things that he can publicly talk about which had the unintentional consequence of villainizing Kurvitz. Bratt is still correct in his assessment that Kurvitz is arrogant and people were hurt by his actions but whether intentional or not misrepresenting how much Kurvitz and his inner circle was responsible for the strife while neglecting to even acknowledge the amount of meddling the investors were doing behind the scenes only detracts from his argument and puts into question who he’s really representing in his video.

[reclaimedbythesea]

Abigail Fandom, please stop trying to redeem Frank. He's a piece of shit who pointed a gun at a 12-year-old girl (even if he didn't know she was a vampire).

Edit: He was also going to punch her after she stabbed him in the hand with a pencil.

Edit #2: ON TOP OF THAT... he was going to turn Joey into a puppet and make her kill her son.

[gayofthefae]

Picturing Noah Schnapp receiving the scripts and the Duffers being like "so we'll get an intimacy coordinator in her bc you guys are going to be kissing but Noah 👀 you can't tell anyone" and he goes home and immediate gets on Livestream.

Like ik he memes and shit but what has him thinking about it again all of a sudden 🤨. Literally all I'm hearing is we're getting Byler content from episode 1.

[mxtxfanatic]

You know what I find frustrating with Shen Jiu fans sometimes ? Just because he had reasons and maybe didn't do other things he was accused of, it feels like that either justify his behavior towards Binghe and/meant it wasn't that bad when he was so abusive ?

Shen Yuan discovers that he had reasons and a tragic backstory and never once does he try to justify his abuse, he is very much "cool backstory still hurting a child who did nothing wrong" and he has so much of this that he makes the choice for Binghe and assumes he wouldn't forgive him either for that and the abyss (when it's not his choice to make).

I wouldn’t mind people discussing the complexity of Shen Jiu if it did not come paired with the need to absolve him of his shitty personality. Shen Jiu is a serial abuser who did 100% of the things he was accused of with only some of those things having a secret intent that others didn’t know about. He does go to brothels but people just didn’t know why, he is antagonistic and physically violent towards Liu Qingge because of an imagined slight, and he has abused multiple children outside of Luo Binghe out of jealousy, so much so that many left the sect before Luo Binghe became the newest target. People trying to excuse his worst behavior because a few of his lesser actions had not-bad motivations is nonsensical, since the reason why people won’t side with him to begin with is because of his toxic personality.

A great example of just how much Shen Jiu made his own bed is the Water Prison arc. Shen Jiu gets thrown into the water prison with no defenders (yqy defends him but not his actions) because with how maliciously he treated people, no one doubted that he would act maliciously in any situation. Shen Yuan, in the same situation accused of the same crimes, gets defended almost to the point of violence breaking out, making it so that he had to willingly relinquish himself to avoid a fight, because with how kindly he acted towards everyone, no one could believe that he’d either 1) kill an entire household or 2) do so without a good reason. Neither man chooses to justify their actions or deny the accusations in the face of the scrutiny, but one is immediately condemned while the other is given the benefit of the doubt. What a massive difference.

[ask-grian]

would you rather fix someone or make them worse

Hm.

Depends.

[justafriendofxanders]

*breathlessly* i think a lot of xander's Stuff stems from a desire for dependability and stability and growing up in a volatile home situation where that wasn't guaranteed which is why he constantly seeks out validation from his peers and like, the CONCEPT of what it means to be Cool or Likable and later a Good Breadwinner/Husband because he doesn't have any other models of what it means to Be Okay (whether it's in role models or a personal philosophy) or the confidence (or frankly, especially in the earlier seasons, the emotional intelligence) to trust that he's enough as he is. and i think part of the fucking tragedy of why he ends up pulling the ultimate flaker move of bailing on his own wedding is BECAUSE he takes commitment seriously and he's all too aware of how people can fail in the promises they make to each other, himself included, and he doesn't trust himself to NOT hurt his loved ones.

but i ALSO do think he rushed into marriage because he felt like it was the right thing to do, rather than because it felt right to him, if that makes sense. i think this is related to the meta about the willow/xander arc, which is to say that when you are insecure and it seems like things are falling apart, and you derive a sense of security from your relationships with the people in your life, it makes sense to double-down on those relationships and try to lock them down, for lack of a better word. because what else are you going to do, trust YOURSELF?

and it's this insane cycle where if you're judging xander as a real person you would or wouldn't want to be friends with (as opposed to a fictional rubiks cube i guess), then it's very easy to pick up on his flaws and the ways in which he can be annoying or hurtful or act (apparently) without consideration for other people's feelings. which is like, fine, whatever, consume media however you want. i'm just personally fascinated by (read: tearing my hair out about) the rubiks cube of how xander most often appears selfish and self-centered when he is most insecure and craving some kind of external reassurance. like sometimes i feel like i'm watching this man run around in a rodent shock maze of his own creation.

[btsbs]

.

[valewritessss]

Anyone who’s out of high school or in college, do teenage boys eventually get nicer? They make me not want to go to school.

[the-kestrels-feather]

The Usher Family, by whether I think they are a Girlboss or Girlfailure

Girlboss: Vic, Madeline, Pym, Verna (she's not an Usher but she is, indeed, a Girlboss)

Girlfailure: Camile, Froderick, Tammy, Perry, Leo, Roderick

Girl-did-not-deserve-what-they-got: Lenore, Julius, Morrie, Allie, Juno

[official-english-major]

Listen, as much as I love the Jim Carrey grinch, I think any grinch film that gives him a tragic backstory to explain his hatred of Christmas misses how absolutely funny the book was for having him be a certified hater just for the heck of it. He was a straight-up menace, villain, and scoundrel and there didn't need to be any rhyme or reason to it

Dr Seuss really just said "maybe his heart is too small? Idk tho. Anyway watch him gaslight this child and commit animal abuse"

[painfully-unoriginal]

I have a legal question but idk who to ask so I'm posing it to the general public:

Its illegal to clock out and continue working right? If something like that were to be reported, would the employer or the employees get in trouble for it?

[jovenshires]

hey girl, im not sure if you're aware of this, but noah is actively im defense of israel :// he had lied a lot of tweets a couple of weeks ago defending them and has since removed a lot of them, but hasnt spoken up in support of palestine yet :(( i just wanted you to know so you don't find yourself supporting someone with harmful views ://

i did not know that. thanks for informing me!