#not ashes though

[ashoss]

this idea wont leave my brain please help me !! YIPPEE HADES BATKIDS !!!

without the bg and text under the cut :))

asdhj probably gonna post like,, two at a time because thats ,, a lot,,,, of drawing ,,,,,,, so heres tim and jason! i think i got the hang of it more with jason lol

ALSO ALSO!!!

thank you to those who helped me with the titles for the batkids!! they were all really good :D (all on insta lol)

timothy: the tenured - thomson_at

[smolmilkling]

Singularity

[seamayweed]

What would you have me do, Mother?

HOUSE OF THE DRAGON — 2.04 “The Red Dragon and the Gold” // Maia Baia, Mother

[emry-stars-art]

@neilimfinejosten said coffee shop au last month so you’ll never guess what I’ve been thinking about

A few thoughts under the cut!

Andrew works at a coffee shop in a college town, so far with all the foxes except Aaron, and Neil’s been far away on the run. I’ve been putting Robin in this one and I bet Seth hangs around the shop for Allison. Aaron will pick up a shift or two but mostly he’s focusing on school.

Anyway one day in a cold winter a new guy comes into the shop looking to warm up, and Andrew just happens to be working the register (rare). It’s hard to tell with the mask, but this guy doesn’t seem to be much older than him or the team, and Andrew can catch glances of bandages and band-aids under his clothes.

He becomes a regular through winter, but none of the baristas can decide on his name because he gives a different one every time he comes in.

[raccoonscity]

Make Me Choose: Favorite Town in RDR2 → Saint Denis (asked by @hereticstations)

[malama-art]

congratulations !!!

[cosmic-seer]

Taking this concept and put a spin on it.

[gorvamp]

quick mspaint ashe from class today :] unsure what Exactly i wanna do with her design long-term but this is a nice starting point at least

[randomtheidiot]

Hate it when Big Media takes blorbo-able scrappy young main characters and turns them into generic paragon mascots with no distinct character flaws aside from “cares too much” because they’re marketable to children and children are supposedly too dumb for nuance.

I got the 69th like so that you fucks can’t brag about it in the comments.

[nimbus-bugs]

“Just know that I lost my daughter once, and I will not lose her again. So if I do, I will go on a warpath the likes of which no man, woman, or huevo has ever seen. Do you understand that?”

Mariana blinks in surprise, then leans back more and takes his hands off of Charlie. He finds, strangely, that he misses the warmth. “Yo entiendo.”

Burn You to Ash - Chapter 3 by @widowofshor

[roadkill-creatures]

So why don’t you love me back?

[ashoss]

hiya! i forgor if you still do requests but uh if it’s not too much trouble could do you like the batfam watching bruce just sit in a chair in front of the jason memorial for like hours in end

tbh this prompt has been sitting rent free in my head ever since i saw it

[myhandisfatemywordislaw]

After a while all the Mechanisms forget who they were before. For many of them, all they have left are their songs, and none of them can remember how much is truth and how much is simply a story.

Tim only has the vaguest hints of memories of what it felt like to spend time with Bertie, a gentle hand brushing his hair from his face, a flutter inside his chest, but he can't even remember what Bertie looked like anymore.

Jonny can't remember what his father was like any more, though he is certain he killed him. While he remembers pulling the trigger in a flash of devastated rage, he can't remember where the bullet ended up. Did Jack ever exist? Or was he a representation of multiple people, or was the killing of Jack simply an expression of the themes of the story? Or maybe he can't face the truth of what really happened. Jonny claims One Eyed Jacks tells us how he got his mechanical heart but it doesn't, not really. Maybe there never was anyone else in the room with him and he shot himself, right through the heart, in a fit of maddened guilt and grief.

Brian will never ever forget the endless black and the terrible cold seeping deep into his bones, though he has long since forgotten what his own face used to look like.

Ashes knows their song must be dramatised since the song claims that their skin burned, but only their lungs were mechanised, so they must have died simply of smoke inhalation. They can also no longer remember if they really were a level-headed detective as they were in the song, or if they simply died in an arson attack gone wrong, and destroyed their whole world, along with everyone they ever cared about, over a mistake.

Raphaella has no song to hang onto, no story to tell, and her past is long since forgotten. Though the stench of the city feels far too familiar, and she flinches when the name Icarus is spoken, though she could not tell you why.

[gingermintpepper]

So, one of the most interesting things that's come from my recent exercises in writing the Olympians as young deities is all of the very fun and somewhat painful conversations that come from the young deities acquiring and consequently settling into their domains.

Apollo and Artemis especially have been really fascinating under the microscope. They start off identically, with extremely similar interests and similar domains over the hunt and wilderness. They spend their days under the stars and foraging for fruit and dancing and singing in the fields, two rustic god-children exploring and learning together. Then Apollo goes off on his own to slay Python.

Now, a lot of things change when Apollo kills Python. That is the act which transforms the bow from a tool of survival and sport to an instrument of murder, bloodshed and ultimately war. It is Apollo's first act of wrath which separates him from Artemis - both spiritually because she has not yet shed blood herself as a goddess and physically because it leads to his exile. Most importantly however, the slaying of Python is the act that grants Apollo his knowledge.

If violence is what first separates Apollo from Artemis then it is knowledge which keeps them apart.

This can refer to a lot of things; that Artemis continued to be at home with the wild beasts of the forests and mountains while Apollo grew to prefer the domesticated sheep and cattle, that Artemis continued to avoid mortals while Apollo grew to know their ways and endeavoured to teach them more. The point that has been the most interesting to me however has been Artemis, who remains free of slaughter, and thus remains pure and Apollo, who becomes acutely and entirely too aware of it, and thus must be constantly purified.

Apollo's infatuation with medicine specifically is the place where this becomes most apparent. When he leaves for his exile to travel as a mortal, without nectar or ambrosia, without power, Apollo is without the privileges of the divine for the very first time. He sweats, he smells, he grows weary when he travels, he grows hungry and thirsty. He experiences fatigue and nausea, the fever of sickness, the chill of infection, the delirium of poison. The blood Apollo shed does not only make him impure spiritually, it strips him of the purity of his birth and station. Likewise, medicine is not a divine practice. What use do the unkillable immortals have for something as finicky as medicine when they have nectar and ambrosia? Apollo however, knows of the pains of the flesh and the suffering of the mortal coil. He pursues medicine in all its horrors and difficulties because of the knowledge he gained with blood.

Artemis then, cannot understand the medical Apollo. When her brother returns possessed by this spectre of ill-gained knowledge, she does not recognise him. Who is this boy who scores the deer and studies the shape of their intestines before he cooks them? What good is there in rescuing a chick with a broken wing? The Apollo-of-the-Wild in her memories would have done the correct thing and left the thing for dead - let the forest take what is its due. Who is this Apollo whose hands are always stained to the wrist in the blood and gore of the living? What is his fascination with the mechanics of mortal bodies? Artemis does not know and Apollo does not tell her.

That has, by far, been my favourite effect of the whole Python watershed moment to explore recently.

[raccoonscity]

Make Me Choose: Favorite RE Villain → Albert Wesker (asked by @hereticstations)

[finncakes]

so glad about this reveal from yesterday's 4-sided dive