#nobrashfestivity

[mirellabruno]

Edouard Vuillard Young Girl Seated, 1891

[boselliart]

[the-haiku-bot]

If you are into

this sort of thing, you won’t see

things you’ve seen before

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

Cops vs. Poets

[rpfisfine]

blogs solely dedicated to posting beautiful images should shut the fuck up abt their dumbfuck opinions on voting or not voting you’re a blog solely dedicated to posting beautiful images act like it bitch

[songstarliner]

Yuho Tanaka, Butterfly patterns, Meiji era

[mamotretos]

nobrashfestivity Unknown, Kokiyo, Ageisha of Shin bashi District 1883-1897

[kvothes]

@nobrashfestivity Bring back a dozen of their finest unicorns

@steveyockey Also buzzing in for unicorns

they drove a hard bargain but i have returned victorious with these two

[eucanthos]

Yoko Ono (JP, Tokyo, February 18, 1933)

Apple, November 1966, debuted at her exhibition titled Unfinished Paintings and Objects, London’s Indica gallery

thnx nobrashfestivity

https://madelinex.com/2017/01/07/apple/

[missedmilemarkers]

hey, @itscolossal @riverwindphotography @nobrashfestivity @moody-nature @heavenly-garden @expressions-of-nature @breathings @kwistowee @turnnoffyourmind @freddieardley @lsleofskye @emirkocturk @caracasshots @offdutyplaces @franz_bauch_foto

What does everyone think of these pictures?

[kannabelestranged]

Committing (for the minute at least) to the idea of quilting a 15th century dado panel I came across on @nobrashfestivity 's blog.

So far I have begun drafting the pattern on Rhino and so far I have learnt to park my hubris at the door and that no, I do not know better than an artisan from the 15th century. When I gleefully called out to @nightsand142 that I thought I could fix what I saw as an awkward repeat in the pattern what I didn't know was that to get to that point I had completely broken the overarching rhythm of the repetition. Something that I only realised after many more hours fiddling and dissatisfaction.

The pattern when I thought I was fixing it . . .

A main issue being that I couldn't find a way to make a section of the pattern sit nicely on a rectangle.

And then, if I follow the reference properly . . . . .

It is BEAUTIFUL. The way that the repeats come together and create rhythms and shapes and lines of interest that I couldn't see even in the source image . . . GORGEOUS. Truly the greatest path to understanding and respecting a piece of art is imitation. There is so much movement to it.

I am in love. Which is good, because the next job is to figure out how small I think I can make the pieces without driving myself completely insane.

[mirellabruno]

Joe Brainard, Pansies, 1968.

Watercolor and collage on paper, 28 x 22 inches.

[howloopyisthat]

From a gifset on nobrashfestivity

[micromontage]

NOBRASHFESTIVITIES BLOCKED ME... okay well i accept. the second art blog now

[rpfisfine]

good morning i slept horribly bc I was cold the whole night bc turns out my grandma doesn’t turn the heating on to save money and i woke up to find out that moron nobrashfestivity found my post complaining abt their annoying voting opinions and now there’s like a hundred morons calling me a “coward” for not voting in the us elections even though I live in the czech republic and can’t vote in the us elections no matter what i do

[songstarliner]

Vegetables, 1866

[mamotretos]

nobrashfestivity   Tadanori Yokoo Japan Relief for Cambodia 1993 Gift of the designer Offset lithograph h. 33 x w. 23 1/4" (h. 83.8 x w. 59 cm) Museum of Modern Art (New York, N.Y.)