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acid-ixx · 6 months ago

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ch.2: again &. again (platonic! yandere batfam x neglected! gn reader)

directory: preq, chapter one, chapter two, chapter three, chapter four

read until the end for an author's note.

*"XX/XX/XXXX, entry no. 13.

i hate everything. i hate my family. i hate my father, i hate my brothers, i hate my classmates, i hate alfred, i hate this place, i hate my mom, i hate everyone.

why can't i ever get what i wanted? what do i have to do? i tried so hard to be everything for them, but why do i only amount to nothing? it's been a year, or two, i don't know. it hurts trying to remember when was the last time i saw him. saw, not talk, because he never talks to me, bruce never even looks at me. and i hate myself for trying to get him to look at me.

is he disgusted at me? does he see my mother in me? does he hate me that much? i don't know, i don't want to know, it hurts to know. i don't know why i'm trying anymore, i don't know how longer i can last in this hell. i can feel it, the longer i stay here, the more i lose a part of myself. i don't want to be here.

i don't want to pray anymore.

so if there's any god out there watching over me, then i wish for you to burn, to suffer, to go through the same thing i have been experiencing for years— all for putting me in this place. i would've been fine living in the streets with my mother. i would've been alright providing for our small family, i would've known to never get my hopes high, but you took her away from me!—

i hate you."

"master (name), are you awake? dinner is ready."

you had to shut your diary at the sound of the knock and alfred's voice.

"alfr-"

a cough, hoarse and croaky, cuts you out from calling his name. it was accompanied by uncontrollable sniffles, mucus blocking your nose from breathing properly. your room was dark, save for the lamp that lights up your bedside, where you currently were seated on your bed to write another entry, grip on your pen unknowingly harsh. you didn't even have to look at your reflection from your phone laying beside the diary to know that hiding your tears were fruitless.

salty were the crystalline droplets that streaks your face, but bitter were the emotions that had your heart ache.

you hear a sigh from the other room. before he could muster a reply, you beat him to it.

"i'm not eating dinner, alfred," you hate hearing your voice, sounding so obviously scrathy from the hours of wailing. "at least not with them. i don't want to get out at all."

"then may i at least bring them over to you, master (name)?"

his answer was final, you have no choice on retaliating and starving yourself like you did for the past few days. but it wasn't your fault that you had forgotten your body's needs. it wasn't your fault that your mind blanks itself out on the dinner table. it wasn't your fault that bile quickly crawls up your throat at hearing their voices.

you simply lost your appetite seeing them happy without you.

alfred pennyworth would never play favorite.

it was drilled into his head ever since he had sworn to serve the wayne family and its extended members— he is to serve anyone and everyone, regardless if they respect him or they do not; as long as they do not pose any danger within the manor, then he is to attend to them.

you'd think that in his decades of service for the wayne's - with all the contrasting personalities he had to deal with - he would maintain professional standards and tell everybody in the world, "i, of course, do not favor anyone within the family, i live to serve and that is truth." when in fact, he wouldn't hesistate to admit that he does, in actuality, have a favorite.

and no, it wouldn't be the eldest child, dick grayson, as much as he is alfred's pride and joy, nor would it be the youngest, damian wayne, who had been slowly correcting his mistakes. it wouldn't even be the head of the house, master bruce.

it would be you, (name) wayne, the infamous, yet forgetten child of the wayne family.

it wouldn't be a far fetch for alfred to admit that you weren't like the others. in all of the years that he served the wayne's, you were a contrast of the family.

the first few hours that he had picked you up from the police department upon the news of bruce's secret child, he knew you were more than just a child raised by the brutal streets of gotham.

you pose secrets that speak of the underground.

he remembers your seated form on the stiff chair of the interrogation room, pose unnervingly straight, as if you had solidified yourself against the metal seat. your fingers were the only signs that showed life, twiddling with each other as if it's some form of distraction.

you stared at nothing.

not even at the police as your name was called for pick up.

it took merely a signature of confirmation to dictate the future years of your life.

what's left of your belongings were given to alfred. the police officer, a woman with a kind smile then had to walk across the interrogation table to pat your back, gesturing for you to stand up and follow her and alfred on the way outside of the station, where the car was parked.

you hadn't uttered a word nor snapped out of your dreamlike gaze. not even when you were greeted with a thousand clicks of the cameras, the buzzing crowd that drowns the police station, or the hundreds of voices that yell at you to look at them.

(name) (last name), now formally adopted by bruce wayne, would be (name) wayne. it wouldn't be a shock that your sudden appearance as the child of a scandalous relationship between a prostitute and a billionaire would cause immense reactions. news would be spreading left and right, most of which were negative on your side.

he had to shield you from the crowd of photographers and journalists itching their way to the crowd to get a glance on you.

yet you didn't display any discomfort. you had only sat on the car obediently, fastening your seatbelts robotically and ignoring the lenses that unsettlingly tried to poke through the car windows to take pictures of you.

you were more like batman than you were bruce.

alfred had tried to get you communicate with questions like, "how are you over there, master (name)?" yet you would only mumble unintelligible responses to his questions without any ounce of emotion. he had to look at the rear view mirror to take in your stiff form. again, your eyes were set on nothing, even if they were casted down on the carpeted floorboards of the car.

when he had first met bruce, that child was overflowing with anger and vengeance for his parent's killer, yet you, who refused to explain your mother's disappearance, are devoid of anything.

the silence was defeaning throughout the ride. the only comfort that was provided was the rain that began to patter against the glass windows.

alfred throught you would retain the same behavior the entire day.

yet it was only when you first walked up the steps of the manor did your demeanor change, fingers immediately reaching up to hold the cuffs of his sleeves, pulling it as if you were hesitant to step in.

the first emotion you had shown him was concern, like a switch had flickered you out of your trance. it was the first time in a while that alfred had to do a double take to check if what was happening was real.

"can you... hold my hand?" and it was the first time he had heard you speak, voice unnaturally scratchy from the lack of water. you stared at him with wide, doe eyes that refused to blink, waiting for answers. alfred had to gaze at your entire body to finally notice that you were covered head to toe in sloppy bandages with blood seeping through the grime-filled gauze. your shoes were worn, your clothes were ripped, and other uncovered scars littered your body.

the most conspicuous color on your shirt was crimson red.

yet you do not display pain.

a child, five years of age, had been through more than enough anguish to know how to block their pain out.

you were unlike the rest, truly, you were unwavering of the world's cruelty.

the world does not deserve someone like you.

alfred takes it in himself to always hold your hand after that.

through the mansion doors, inside the kitchen, on your way to school; whenever and wherever, as long as he had time.

even if it were filled with scars and bruises, dirt and grime, he will always hold your hand if it meant guiding you through the darkness of the manor.

you may not consider yourself bruce's child, but you will always be alfred's.

another knock on your door had you snapping out of your trance. time passed by so quickly in the manor. well, it does when you have nothing to do but stare at your diary, draw on your sketchbook or scroll through your phone. yet time would always be the quickest whenever you drown in your own misery.

"come in," you croak out, aware that it would only be alfred who would come by your room. it was long ago since you had given up on awaiting for dick's visits.

a turn of the knob, then the door swings quietly; the hinges creak, you need them oiled sooner. alfred walks in, you notice he holds a tray that contains two cupcakes and a plate of your favorite dish, but you don't notice the small box with a bow hidden skillfully from the back of the tray. from over your seat, you could already smell the aromatic herbs that flutter in the room and see the colorful frosting from both cupcakes; an already lit candle sticking in from one.

the candle at least provides just a split second of light inside your dim room; the moonlight just like your family, absent.

alfred graciously places the tray on your nightstand, on the left of your diary. your room was still too silent.

you could only hear yourself.

"master (name), are you simply going to sit there and stare? or would you rather i spoonfeed you like i had when you had broken your wrist?"

you blink it out again, oblivious to your very own hyperawareness. alfred's still here. you hope that, in the presence of darkness, he wouldn't see just how much of a mess you are. how your hands could barely grip onto anything, hair unwashed, face stained with tears, difficulty breathing through the buildup of mucus, foot tapping up and down erratically— you wished he would pretend to be blind about your suffering for just this once.

"no—" came your sudden reply, "i can- yeah, i can eat by myself."

it's harder to lie to yourself than it is to others.

he looks at you with doubt, it makes you shiver.

despite you wishing for company inside the manor, you could never be used to attention. it would never be normal for someone like you. though, you wish it was. you wish you never hesitated when someone gives you attention.

you hear your mattress creak, there's a dip on your bed. alfred sits beside you, only then did you realize just how quickly you lean into his side, craving for warmth in the solace of your empty room.

everything hurts, it truly does.

you wish you were strong enough to cease the sudden burst of tears when his one hand circles your shoulder and the other holds the cupcake with a candle near your face. and you wish that you weren't so weak in the presence of another, trying to find a semblance of your worth in their attention.

you at least try to stifle your sobs—

"happy birthday, master (name)."

— but you were always weak, yet alfred never seems to mind, patting your back to console you from your wailing.

you blow the fire out with a single promise to yourself, crying a bit more when alfred had given you a gift box, laced with a ribbon of your favorite color.

it was one of the few gifts you would cherish, fondness seeping into the cracks of your heart.

though it wouldn't erase the bitterness that fills your being either way, knowing your family is still downstairs, unaware of the anguish the torment that they have put you through— it's still enough to let you hate alfred a little less.

"alfred?"

it was your meek voice, one that was always drowned out by the sound of the dishes clanking.

"yes, master (name)?" yet alfred could always strain out the sound of anything just to hear your talk. after all, you were a silent kid throughout your childhood.

"—if i move out of this place; would promise you wouldn't forget about me?"

... (name) wayne was full of surpises.

even at the ripe age of seventeen, and in the near fourteen years of raising you, alfred could never predict your words nor your actions.

you had always said things spontaneously, carrying an aura of awkwardness in your tone, reminiscent of someone who had their personal growth (moreover their social life) stunted.

but now, with the way you had said your resolve so confidently, it felt like he was looking at a different version of you; all the more confident and resilient.

except... you were behind him when you had said that - so he wasn't really looking at you - eating the first batch of his cookies whilst he was polishing the dishes with a cloth.

when he had turned around to look at you, though, you were still the socially inept child he knows and love, sitting on the breakfast bar and twirling around the stool as you attempt to not get crumbs everywhere. you were still so young in his eyes.

it's just, the way you had looked at him expectedly like you needed his approval that shocked him. it was always your eyes that had expressed the most emotions, glazing with anticipation for his response.

he knows it when you lie, and right now, you were dead serious in your resolve.

alfred had to relax the crease on his brows before he ages faster than he already is.

"well, master (name)," he continues, turning back to wiping the dishes clean before he could fully face you. "i would fully support you in your... journey, but what warranted you to be suddenly motivated on moving out?"

alfred had finished setting aside the dishes, but he still doesn't look back.

"i mean, i thought i already told you? i have a scholarship for college but it's on the other side of gotham and...

— i kind of don't want to be chauffeured by a limo around the campus everyday, you know? so the next best thing is to get a dorm."

alfred knows it when you lie. and right now, your hesitance tells him everything he needs to know.

you may have proved a point, but that point was an entire lie. with a person name wayne flaunting across a city whilst riding a limousine, you might find yourself into more trouble than anything else.

but he had always been the one to pick you up and drop you off from elementary and halfway through your highschool life— and you never seemed to mind until now.

it doesn't take a genius to know that you had already deviced a full plan of moving out and taken it into action; all you had to do was confront the only man in the manor who had cared about you enough to raise you about your worries.

it wasn't enough to convince him to let you go, though, especially not right after an incident that had occured prior to you highschool life. if he allows you to gain independence in gotham, he wouldn't know how long you would last.

but when he looks back at you again, he couldn't bring it in himself to oppose to your whims. you need a new environment; one that provides you a way to gain independence and, most preferably, social skills. staying cooped up in a manor with barely anybody talking to you does more harm than good.

and being ignored by your own family for almost fourteen years wouldn't be a great way to celebrate your already nearing eighteenth birthday.

alfred doesn't want to admit it, but if he keeps you here any longer, you would never grow up. one person could only do so much.

he whips out a sigh, looking at you with resignation in his eyes. but you know it in yourself that he swears his life on the promise.

"master (name)," he walks over to you, eyes darting at the cookie crumbs that litter around your mouth making a note to scold you on your manner later. he sits directly in front of you, hand patting your head as you merely stare at him expectedly.

"i have raised you for almost fourteen years, it's like you are my very own child. i would never forget you." he takes your hands in his. "but you have to also promise me to stay safe out there, master (name). call me once you're there."

alfred would find a way to get you to come back eventually, even if it meant utilizing your family's neglect, which was primarily the reason why you had moved out on the first place.

he just hopes you wouldn't connect the dots and pin the blame on him once you're back and safe in the manor.

and now, it had only been months since you had gotten away from the manor. he was proud of your development, of your choice and overall, you, but he wouldn't lie and say he doesn't miss you.

he misses hearing your voice directly, the line on the phone being too blotchy to properly hear you. he misses it when he would sit on your bed as your only audience whilst he watches you paint on your canvases, drawling on and on about highschool's latest drama. he misses it when you would always be the first to taste his dishes, face lighting up whenever the food was seasoned up; now he has to constantly remind you to eat a nutritious diet, even offering to send you money whenever you mention you were short on it.

in the good of your heart, you would always decline, even going as far to deny him of any liberty to track you down and bring you a meal himself.

alfred misses you.

does he regret allowing you your freedom? not really, no. but he knows it in himself that a greedy part of him prefers it if you were would visit the manor occasionally during your vacations, at least to bond with him. but you simply chose not to, even going as far to legally change your name once you had become eighteen so you wouldn't be associated with your father's last name.

but that wouldn't erase the past you had tried to meticulously cover.

(name) wayne may have been a name forcefully deleted off of the face of the internet, but that doesn't mean it doesn't have its conspiracies of its own. nobody knows who you are beyond the blurry, unsolicited pictures of you. it may have been a photograph of your back, or articles published in unknown websites and buried at the far end about a kid leaving a police station and entering through the fancy gates of the wayne manor.

and most importantly, you are a product of a one-night-stand.

but they don't know who the mother is, don't know your age, or where you come from, and what business bruce has with the woman to guarantee your adoption at the instance she had disappeared without warning.

your existence was a mystery most would like to solve. after all, it was your picture that was plastered all over the newspapers and articles, it was your name that journalists whisper and it was a silhouette of your face that the underground knows by heart. every known information about you was shared discretely yet efficiently like some sort of virus.

you were a target for interest, a large sum of money if they will. and alfred had taken it in his hands to make sure there would never be a repeat of what had happened before.

it was a clumsy mistake, one that cost you your memories, and one he swears on his life he'll never make again.

the first course of action he needs to arrange, which may seem difficult for most; he needs to confront bruce.

after all, your freedom is your doom.

the wayne manor, in all its glory, could only be described as this palace overflowing his its abundant history and fame.

it was a castle that houses a boy who had lost his parents and became gotham's very own vigilante who stalks through the night to lessen the very evil that devours its citizens. it was the training grounds where the robins, sidekicks dressed in colorful attire, opposite to batman, were raised to be worthy enough to stand by the dark knight's side. but most importantly, it was a home for troubled children who were in their journey of their very own personal struggles.

yet even in its exterior splendour, it would always be innately overcome with loneliness.

for someone like bruce wayne, he embraces this desolation just as he embraces his alter-ego, batman, who wears a suit of black and dons an aura that demanded fear.

even if he carries the persona of 'brucie wayne' a ditsy, playboy who enjoys galas and sleeping with women every other night, he prefers solitude over the sea of interviewers who throng around him like he was a piece of meat.

it would be the only time he could focus on his countless of stacked paperworks to sign and his plans to ransack another criminal's master plan.

before winter could cover gotham in its sheet of pure, white coldness, rain would always terrorize the skies. he finds this the perfect atmosphere; dark grey clouds prevent the sun from peaking through, droplets of rain would pelt against the vast windows that surrounds his study, and there was enough background noise to block out any sounds that would pass through the door.

bruce wayne was focused on his work, and that meant disturbance wasn't allowed inside the manor. thankfully, it was a quiet, uneventful afternoon today.

in fact, it was all too abnormally quiet.

his scarred hands work through signing papers effiently and effortlessly, practiced fingers signing papers after he would meticulously scan over the paragraphs of texts that scale from business deals to partnerships to buying a piece of land. then later, once the moon rises, he would have to patrol with damian and disrupt another drug trade that had been recently dealing with children on the alleys of gotham.

that means he has to sign or reject at least half of the papers before evening falls through, so he could have alfred send them over through the post office tomorrow morning.

he was at least a quarter way through his work, though, when his flow was disrupted by a courteous knock by the mahogany doors.

he didn't have to look up or ask who it was, knowing it was alfred, his butler.

"master bruce, i have your tea ready, along with news to bare," bruce could hear the tone of urgency and a tinge of sullenness in alfred's voice. it was rare for alfred to be emotionally distressed, as he was typically the most composed out of everyone in the family.

"come on in, alfred," bruce's vocal chords were gruff, raspy whenever he's too engrossed in whatever he was doing.

but he was piqued at the news alfred was eager to share, the butler expertly turning the knob and entering with a tray that holds a hot serving of tea.

bruce stopped signing the papers, putting down his pen as he watches alfred, composed as always, place the tray down on his desk, not a single clank that was produced from the metal sheets. he watches as alfred reflexively pours him a cup of tea.

it was only after that action that the two share eye contact, alfred stationing himself to the right of bruce's desk.

if he wasn't a detective, he wouldn't have noticed the furrow of alfred's brows, which was uncharacteristic of the composed butler.

he reckons he should address the elephant in the room.

"what is it that you want to tell me, alfred?" bruce swivels his chair to face alfred, fingers tapping the mahogany desk rhythmically.

"master bruce, i figured you should have known this for quite a long time ago, but your third child had moved out on their own and now lives at the opposite side of gotham. right now, they may have been struggling to make ends meet."

huh?

"what do you mean, alfred? you're aware that tim is currently living in the manor—"

"no, master, i am talking about your third, not fourth child; master (name)."

... (name)?

ah, his... other child.

alfred looks at his seated form, expecting the befuddled reaction from bruce.

it doesn't take long for bruce to recover from his thoughts, eyebrows furrowed the same way as alfred as he leans against his chair.

"and what of (name)? why was i not updated about them?"

alfred had to stifle a groan as he then glares at bruce with what he could suppose was exasperation.

"i had already told you about their leave months ago, master bruce. you had simply waved me off whenever the topic is of master (name)." the butler's glare hardened, reminiscent of the times where bruce was scolded as a child. and like a child, he doesn't know what he had done wrong.

"i feel it is time for you to take it into your hands to deal with master (name)'s situation right now. i do not have access to their location and just like you, they are stubborn and refuse to accept any financial aid that comes to them in any form—"

to make matters worse, alfred had the gall to stop midway into his explanation, sighing and blinking unnervingly which catches more than bruce's attention.

"they would rather not admit it, but if they were to fail to pay for this month's rent of their apartment, they would get evicted from their very own living space."

at pretty much the last sentence, bruce's gaze hardened. not at alfred, no, but at the thought of you; his... forgotten child. if it was money that you need, why had you not ask for any allowance in the first place? bruce would admit that, well, it had been too long since he had last seen your face, nor even... remember it—

but you were still a child of his and he wouldn't deny you of an allowance if it meant persuing your... highschool or college dreams...?

shit, what grade are you in?

why didn't he know you moved out in the first place? wait—

"alfred, how long has it been since they had last moved out?"

"roughly six or seven months ago, master."

"ah, but having a place of your own as a minor would be prohibited by law."

"master bruce, they're eighteen. they're old enough to live in their own apartment."

eighteen years old...? how long had it been since he had last seen or heard of you? if what alfred had said was true, that the butler had attempted to reach out to him about you, then why had he not remember in the first place? you were a quiet kid, sure, but for someone like bruce, people would always not be overlooked.

it wasn't in him to easily forget, but he hates how he couldn't muster up a single memory of your face— not even your hair color nor your eyes. did you even... exist in his eyes? there was not a single memory of you that he could come up in his head.

his child was eighteen now, how could he not have known in the first place? how could he not recollect a single birthday of yours? or any celebration or gala that had you in it?

alfred's sigh snapped him out of his trance once more.

bruce looked up, seeing resignation upon alfred's face. he simply stood there, posture straight as always, but bruce couldn't wash away the shame that cages his heart when there was not a single image of you that pops up in his mind— alfred's disappointment merely worsened

the tea in his desk had long since gone untouched, but bruce couldn't bring it in himself to drink a single drop of it, even if his lips were dried and his throat was begging for even a single droplet of water.

he denies himself of any relief.

"i figure i should leave you in your own, master bruce, to at least compose yourself before nightfall. please do take your child into consideration, though, enough time has passed since you have last seen them." alfred states, as if it was a matter of fact. and it was, bruce should've known about your leave, as your father and as the man who took you in, he should've.

so before the butler could even take a step, bruce hastily stands up from his seat, pen long since discarded on his desk and a quarter of the papers are now messily stacked upon each other, but bruce pays them no mind.

"take me to (name)'s room right now, i need to see things for myself."

if bruce couldn't even remember a single instance of you, then maybe a trip to your room would be enough for him to remember.

but if that doesn't work then... bruce would a find a way, he always would.

and as your father, he needs to at least support you, even financial no matter your stubbornness? even if the shame he feels right now is so immensely disturbing, and the migraine is quickly finding its way into his head— he needs to know more about you, his actual third child.

bruce wayne needs to see your face just once.

reblogs and interactions are encouraged and appreciated.

a/n: 5k+ words. no beta, we die like jason todd with a crowbar. my least favorite part of writing the chapter is literally starting it. i had at least 5 drafts all lined up and it took me an hour in the bed to think about how should i start it. i literally hope you guys enjoy the chapter hehe, and start to yk, notice the patterns and the parallels between your perspective and bruce's perspective bec ur literally his child, u guys share some habits even if u never once talked to him lmao. the most emotionally draining scene was writing the birthday scene, i had to take breaks from typing it out hehe. bruce's descent to yandere-ism isn't as quick as dick's but it would be worst in the next chapter.

also, i hope you guys are able to notice the bad habits that the reader eventually collects because it's important for the next chapters. it would be better if anyone of u could... point them out in my asks or comments, i love rambling about it yk, and a lot of you are absolutely brilliant in making theories that are absolutely right. anyways, i hope u enjoy this chapter because this was one hell of a ride for me and i appreciate all the reblogs and comments despite me not replying to a lot of yall but u guys truly are my motivation so thank u lots :(((<33!

taglist: @lilyalone, @secretomelettetroops, @earlqurl, @simpingfor-wakasa, @amber-content, @ruiroku, @okaybutfullhomo, @trasshy-artist, @obsessedwithromance, @jjsmeowthie, @fairy-lenaa, @maicenitas, @ilovvmyhusband, @6uuyuuhgy, @plsfckmedxddy, @lavender-moony, @sweetheart-era, @chemicalsandghosts, @darling006, @starringyau, @rosecentury, @jaythes1mp, @pi1nkl0ver, @i-thirsty-boi, @sharks-r-cool-l, @silverklaus, @samanthathanes, @traumaramacenter, @maddimoon, @anxrq, @thedarknesslord, @h0rr0r-10ver-69, @lazy-idate, @googeecat44, @simpingfor-wakasa, @zvghfgn, @0patito0 (if i had forgotten to put any of u in a taglist please forgive me, it's hard to keep track !!)

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huginsmemory · 3 months ago

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Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships.

The Ideology of Exceptionalism

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional.

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given.

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people.

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism.

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously;

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised.

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life?

And then it's better than that.

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all.

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself.

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it.

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill?

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'.

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone.

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows.

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism.

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back.

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

#gravity falls #ford pines #stanford pines #bill cipher #stanley pines #stan pines #hugin rambles #hugin rambles gf #journal 3 #the book of bill #thisisnotawebsitedotcom #billford #fordsquared #gravity falls analysis #gravity falls meta #book of bill #tbob #christ its so long whyyyy #also oh nooo i wanna do another thing but SPECIFICALLY on trust. gravity falls is ultimately about strength in community and hnnnghhhhh #that makes me wanna cry #also i had so many thoughts. also on the denial part of exceptionalism??? oh baby Bill fucking LISTS it in his book #like sir. please #anyways i love media analysis and im totally normal about all these characters #also like Fiddleford is. like. yikes man.#anyways uhm. does dropping a 6k essay post make me sexy? please say yes (i HIGHLY doubt it #sheesh who's got time to read all this... psssspsspspp theres PHOTOS that TOTALLY dont have more reading in rhem nawwww #i totally dont know what ur talking about mhmmm #if youre like is this about gifted kids- yes. yeah. i just didnt name it. its also about wider things but. yeah #also. unofficial title? Gravity Falls and Gifted Kid Issues an analysis #oh boy sure hope my post about gifted kid issues is a hit on the gifted kid issues site

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