#no spoilers afaik but if you think this needs a spoiler tag do let me know

[evenmoreacid]

[foxingpeculiar]

Okay, I finished Disco Elysium. (Spoilers)

Had to sit with it for a while. Wasn’t sure how I felt at first, but now I think I’ve kind of got my head around it, or at least I’m starting to.

So, for the record, Ruby shot herself and the Tribunal did not go well. I didn’t save Elizabeth and Kim got shot (although did not die afaik), which means Cuno tagged along for the island and joined the squad. I’m assuming Kim would’ve done, had he been present.

I had to think about The Deserter for a while. Like who is this guy? What does he represent? But I think I understand. He’s an ideologue who couldn’t move on, who couldn’t let go. He’s stuck on his moment of failure. Which is what Harry isn’t. As much as he fucks up (and it’s a lot), he keeps going. So there’s that.

I also like the idea of it being a kind of random event, like not any of the suspects you’ve been investigating. I think that’s related to the Phasmid. Which, I KNEW IT. I knew that cryptozoology stuff was going to come back, that the game wanted me to keep believing. Like, the mystery’s essentially unsolvable from prior information—you have to follow the path, persevere, believe and you come upon something… weirdly beautiful, if probably not what you expected.

The ontological mystery never got solved, exactly. Like, it’s obviously working on a metaphorical level. And it’s alluding to more—all the stuff about power and gaming, the symbolism of Anodic Dance Music and such, I dunno, the fantasy around the edges. Maybe in a second playthrough, I can figure out more.

Cos I know there’s stuff I didn’t see. Whose bedroom was that that I broke into in the apartments? What’s up with the old lady hiding in the lorries who wouldn’t talk to me? What, exactly, is behind the secret doors in the Whirling? Why did Ruby think I worked for LMP? The fuck is with Cindy and Cunoesse? Etc.

(I did finally get in the cargo container, though, and… whoo, that guy. But also there’s the whole “this reality is subjective on a very literal level” thing that’s happening there. There’s so much weirdly interesting shit in here—it’s like batshit absurd but also very well thought-out. That seems to be the crux of the appeal.)

I dunno. I need to chew on this one for a while. It’s a game I look forward to revisiting in like, a year or two, when I’ve forgotten just enough of it to make it spicy. But yeah, it’s doing something big. Like there’s SO much going on, on both a literal plot and metaphorical level… I see why it has the reputation it does.

For now, I’m deciding what to play next. I have about a month until FF16–I’m thinking maybe TLOU2?

[chaoticspacefam]

OC Music Meme

I was tagged for this by @actualanxiousswampwitch ! Thank you & sorry it took so long, didn’t have time to write this out before I left for holiday stuff so here we go! I shall tag: @actualanxiousswampwitch (go on give us another one XD), @a-muirehen​ , @kyber-heart​ , @thedinalixlegacy​ (no pressure as always, I know I’m kinda late now sksjkshskhs!) and anyone else who wants to do this, yes, I promise I mean you!

art is by @ ocellifera on deviantART! :D

Let’s do Aria this time, shall we! Since her playlist is the second-longest, and her and Vano’s ship playlist is the longest, we’ll have the most (probable options! Long post so goin’ under a cut. Additional TW’s for: drugs, alcohol, alcoholism, drug addiction and murder, in case I’ve forgotten to add it to the song-specific sections. If you click past this cut, know that this is what you may find there.

reminds you of them most: It was super hard to pick just three for hers, there were so many others I wanted to include here, but couldn’t, as I wanted to make sure I included songs that covered as much of her over-arching characterisation as I could. Honourable mentions to: Miss Jackson - Panic! At The Disco feat. LOLO, Wilson (Expensive Mistakes) - Fall Out Boy, Beekeeper - Keaton Henson, and Bones Of A Rabbit - Young Heretics, which can all be found (and more) on her Spotify Playlist - catch-all warning for: sex, drugs, violence and murdering of parents applies here, be aware her playlist is very dark, just as dark as Rai’s but with differing subject matter, proceed with caution if you find anything like that triggering!)

You’re Going Down - Sick Puppies :: This one is kinda self-explanatory. I heard it on a Spotify or Youtube shuffle at some point a year or so ago and immediately went “Oh, hey Aria!” so onto her playlist it went XD “Because I'm hyped up out of control If it's a fight, I'm ready to go I wouldn't put my money on the other guy If you know what I know that I know.”  don’t mess with the Tiny Sith, guys, she will put you in the medbay. She’ll do it, she’s done it before ask Vano what happened to the last guy *nods*

Liar - The Arcadian Wild :: This is a relatively “new” song in comparison, which was sent to me by a good rp/writer friend on Discord (who afaik doesn’t have other socials!) that I often discuss plot points etc. with among other things, saying “hey this reminded me of Aria thought you’d like it!”. I listened to it and yep, sure enough, it’s an Aria song. A big part of Aria’s character is that at the start, she really is quite a bad person. She’s nasty, and cantankerous and she really doesn’t care about anybody except for herself (and maybe her dad. A tiny bit.), as things progress, however, while she is still inherently quite rude and selfish, she DOES learn to value other people...provided they are people she cares about, like Vano, and her friends, and so on,  as well as (sometimes, she’s working on it still) taking the blame for her own actions and learning it’s not “weak” or bad to a) admit you care about people, b) make mistakes and c) admit those mistakes and take responsibility for them. "I sense there’s trouble ahead, it’s clear by the signs and warnings. That should tell where all blame is due, So why are they pointing at MY head? [...] I sense deception to come. Honestly, truth and I are never one. 'Cause I am the lying man and I have made you my next victim. I need you to see through my act, to tell me I'm wrong, to take off the mask, or else I'll be left in the lie. And I'll deceive my way straight to demise! Cause I’m not in the right state of mind, I just wish I had strength to admit it. My stubbornness will put up a fight! But I don’t deserve to win it... I’m left in the dark, pondering my mistakes But in the light I swear I will, deny it all...” 

I didn’t mean to post like half the song but woops it’s done so have it anyway lmao

Brutus - The Buttress :: TW: intense violent imagery in the lyrics. This one is very relevant but contains spoilers for upcoming and as of yet unposted/incomplete chapters (as in...like 3 ish chapters time at most) of Creeping Shadows, so I’ll post this quote as “explanation” and let you theorize who it’s about

“My name is Brutus and my name means “heavy” So with a heavy heart I'll guide this dagger into the heart of my Enemy! My whole life you were a teacher and friend to me Please know my actions are not motivated only by envy I too have a destiny! This death will be art! The people will speak of this day from near and afar This event will be history, And I'll be great too! I don't want what you have, I wanna be you!!“

reminds another character of them:

Where’s My Love? - SYML :: (Vano) I think the acoustic version is especially emotional : ))) Vano looked for her for years but couldn’t find her and genuinely thought Aria was dead. You can understand why she was so fucking angry when she found out that was a lie...but at the same time, she just wanted her love to come home :( “Did she run away? Did she run away? I don't know If she ran away, If she ran away, Come back home Just come home“

Mothers - Daughter :: (Myla, her mother) “Love all you need to love before it goes... When your face becomes a stranger’s that I don’t know. You will never remember who I was to you [...] I’m called “mother”, but they’re called “home”.”

Myla raised Aria for the first few years of her life, and really wanted to keep her away from both the Jedi and the Sith but as it became more and more clear that Aria’s Force affinity was as strong as her father’s, the situation rapidly spiralled out of Myla’s control. She tried to hide Aria, but in the end her father Noctis did find them and take Aria to train with the Sith. She didn’t see her daughter again until she was a teenager, suddenly turning up with the task to kill her for treason against the Empire (Myla is not the canon Imp Agent, but follows the general trajectory of the LS!Agent storyline i.e. an agent disillusioned with the Empire who eventually defects to the Republic with the help of the SIS.). Though she’s a Senator on Onderon now, Myla carried a blaster for personal protection and ofc knows how to use it, except...she couldn’t shoot her own daughter and that was all she wrote. I imagine her thought process during her final moments went something like in this song, especially the bit that I highlighted up there.

reminds you of a relationship of theirs, doesn’t have to be romantic, can be paternal, friendly, etc:

Tongues & Teeth - The Crane Wives :: Aria & Vano (Romantic). Aria’s relationship with Vano is incredibly messy and complicated. On one hand, she knows Vano deserves better, but at the same time she doesn’t want her to go anywhere else and it seems like no matter what she does to try and “warn her off” about what a “bad person” she is, Vano keeps coming back anyway. Ergo, this song. "Oh, I will ruin you. I will ruin you. It’s a habit...I can’t help it. I know that you mean so well, but I am not a vessel for your good intent. I will only break your pretty things, I will only wring you dry of everything! But if you’re fine with that, if you’re fine with that [...] You can be mine.”

Colours - Halsey :: Aria & Merak & Ziri (Friendship/Platonic Love) “You’re only happy when your sorry head is filled with dope, I hope you make it to the day you’re 28 years old...”

Aria “coped” (i.e. not very well but she did it) with the guilt of killing her mother and the stress brought on by the night terrors by self-medicating with glitterstims (spice) and alcohol, and this is how Merak in particular remembers her. Though she got clean from spice after they picked up Ziri, she still continued to drink (and still does) quite heavily, though at least it’s easier to manage that habit. Both of them supported her through this the best they could and it’s probably a big reason (other than Merak being Vano’s little brother) that they’re still Aria’s friends to this day, even if she doesn’t actively travel with them anymore.

(honourable mention to Agnes - Glass Animals which also falls under this “category” but I didn’t want this to get too crowded lmao, it is once again a super long post woops) You’re Gonna Go Far, Kid - The Offspring :: Aria & Roan/Darth Noctis (Familial/Familial Love) Listen, he may have taught her very bad emotional habits and turned her into a tiny attack dog, but her father did love & protect her the best way he possibly could. He was very proud of her and always envisioned her taking his place as a Darth one day (and it takes her a longass while, but eventually she does! Congrats dad!). That’s all I’ve got to say about this one 🤷‍♀️ Monster - Willyecho :: Aria & Satele Shan/The Jedi Order (Enemies to Begrudging Respect (eventually) “I can see the truth. No, you don’t have to lie to me. Don’t fill your head with things and think you’re free~ [...] You don’t believe in monsters, do you~?” ”Of course not!” ”Well, I do...” See me change...into something...darker....” My personal favourite from this “round”. It’s not until Ilum that Satele and the Jedi finally realise they have not “converted” Aria as they thought they did, but rather...they’ve had a Sith hiding under their noses, a Sith related to a Dark Councillor well-known for murdering Jedi no less, and that perhaps...the “deaths” she had convinced them were accidental, were in fact, not an accident at all. 😈 Aria, of course, gets her ass thrown in jail for a few years for this lmao When the schtick with the Revanites happens and Theron needs someone who can “negotiate in a civil manner with Sith”, he and his mother agree Aria is the best bet - if it works, the Sith will respond more positively to her than any other Jedi, if they kill her instead then they’re “rid of” her and don’t lose one of their own - when Lana’s point-of-contact happens to be Vano and the pair reunite after another several years apart, Aria refuses to return to the Republic after Yavin IV. By then, she’s developed enough of a begrudging respect for Satele (and vice versa) that the Grand Master lets her go (not that she was willing to try and fight Vano, Ni’kasi, Marr & Lana to try and take Aria prisoner again anyways). They haven’t seen each other since and though Aria is neutral to the Jedi who have joined the Alliance, she doesn’t care for those who are still loyal to the Republic and would rather have nothing to do with them if she can help it.

[thedogsled]

Who Tube (Doctor Who YouTube) is hilariously terrible at the moment. You’ve got new fans being gatekept by old fans and then yelling at the old fans and then the old fans yelling back, people subtweeting each other on their channels “Some YouTubers, they know who they are”, people posting vicious rants as soon as episodes end--lots of really really toxic shit on both sides. Like. It’s hilarious--if you enjoy VERY thinly veiled misogyny on one side and blind adoration for progressiveness at the expense of decent writing on the other. If you listen to these people, it’s not very difficult to see where the canon schism between straight white “geek culture” males and anyone with a so labeled by said people SJW motivation come to blows. They both think the other side is just ignorant, and the constant lashing out is just. Wow. It’s really. Wow.

Saltiness ahead.

It frustrates me a lot, because I feel the show has been really hit and miss this season and the warring on YouTube is just another example of how you just can’t discuss this reasonably. It’s not all bad, but it’s certainly been far from all good. Some of it REALLY works, like for example Ryan’s dyspraxia and the decision to explore Yasmin’s character through her grandmother’s story, but some of it doesn’t. I was particularly dismayed today, spoilers, by James I being played through the lens of modern campness by Alan Cumming this week, turning the former monarch into a queer caricature (I know the guy most from his role in Spy Kids, Fegan Floop, which replays ENDLESSLY on british TV). I feel like a lot of the episodes of this season have been simply the characters thrown into chaos, bad guy is revealed to be an alien, then the Doctor gives a shockingly profound, emotional speech that makes you forget how awful some of the other parts were and you go away with ~feels~ and not much else, because all the endings are pulled out of the writer’s ass anyway. Just. That’s how I personally saltily feel about this show this season, like it’s been platforming for a bunch of different writers saying what they want to say about humanity through the Doctor’s mouth. Like she’s ceased to exist beyond her existence as that mouthpiece, and that in some ways the show has too. (just my opinion. anyway.)

But you can’t talk about this stuff. I find myself reading reviews and watching people who like the show and place no accountability on the show beyond being politically bold, and it drives me nuts. It doesn’t matter what form it comes in, so long as it’s pro-feminist, or it exposes people to history they might not have learned in class, or there’s a dude giving birth for 50% of the airtime. If I want to hear or discuss any challenge to those things, I find myself listening to purely negative reviews instead, and noping out when the person suddenly reveals halfway through that they believe that because men aged 18-40 is a big demographic, it only makes sense that they’re the group that are kowtowed to at every opportunity. Like wtf dudes, sorry you can’t hack that other people exist in the world and you aren’t being catered to 24/7 any more. Fuck off. So it’s no wonder the antis feel Doctor Who lovers are all SJWs and the pos!Who people are convinced that the antis are all racist misogynist fucks. (The showrunners do too afaik, and that isn’t helped at all by Chibnall and Jodie both being SO resistant to negativity that neither of them seem to be soliciting fan feedback that isn’t positive.) Is it hard to ask for objectivity, though? For something that comes down the middle? That isn’t racist and misogynistic, but maybe still cares about how the things we’re looking for in terms of representation are being handed to us? How about, at least, not having to listen to some people who are so entitled that they literally think that Jodie Whitaker shouldn’t have shot out any babies so that she can instead devote her entire life to making TV shows? (Seriously, I listened to one girl who thought that, and you could hear her contempt for people who have kids in every syllable.)

I’ve liked episodes of this season. The Kablam! episode was great, I only had minor complaints with the ep that I handwaved away because I felt like there was actually some dramatic tension. I liked episode 2 because it was idk. A fun adventurous romp and the characters all had flaws. I quite liked Rosa because it had the bones of something better, and that showed through in all the scenes where Rosa’s actress (Vinette Robinson, who was also in the Chibnall episode ‘42′, btw what nepotism how many british actors do you think there are?) interacted with the other characters. 

But they weren’t all perfect, at least to me. Maybe I’m a negative nelly, because everyone seems to be tripping over themselves to scream positivity about the show in their reviews, but I, personally, feel like much of it has fallen flat. When they did finally drop - as they’ve been avoiding for much of this season - the ‘If I was a bloke this wouldn’t have been a problem’ thing, it wasn’t even delivered with a great deal of gravity or purpose. Maybe some people think that was a good thing, I don’t know, but looking at the way sexism was handled in Timeless, for example, and hell, Sliders (which was a trashy 90s show about jumping between alternate realities; or Quantum Leap for that matter, which had Sam jump into the lives of women in the past and experience days in their lifetimes), it’s way past the era of TV to deliver that kind of line like it’s inconsequentially drawing attention to something nobody noticed before, you know? Why is the BBC always 100 years behind, despite playing like it’s the most progressive thing ever? Why do we let it, and say “Sure we’ll take it, that’s enough” instead of also insisting they tell GOOD stories, and not wave their hand and say aliens did it at the end of every episode? I get it’s a time traveling series but the aliens show up and then the doctor waves her magic wand and ~science~ and yes she quoted Arthur C Clarke but she can do that and be powerful and tell powerful stories that aren’t completely...halfhearted, and if you don’t have trumped up stupid bad guys you don’t have to have flimsy solutions for beating them at the end.

We SHOULD be seeing ourselves in the media we’re absorbing. I firmly believe that. I also think, though, that we’re entitled to be respected by that media as well, in that the stories we’re seeing that show US should be good stories. They shouldn’t be concentrating on making as many nods as possible to as many corners of culture as possible that it stops caring about the story it’s telling, because whatever politically correct points it scores will ensure people overlook its flaws. It’s disrespectul, and we shouldn’t allow it, because it means we’re nothing but a commodity, an unquestioning storyblind audience that just doesn’t care so long as our representation needs are getting catered to. That means we’ll keep getting more representation, but a lot of it will be shit, because no matter what we’ll throw up our hands and give it ten out of ten and rigorously defend it no matter what caricatures it throws in front of us.

We should demand better stories alongside our representation. Fandom is so powerful now that we’re being written for, because as a whole we aren’t objective. We engage in mass squeeing, we’re GREAT at giving positive feedback and high ratings like it’s our job to do it even if it’s undeserved (and arguably Who NEEDED that positive feedback this year) and best of all anyone who doesn’t agree can be written off as an angry white dude, or racist, or just ignorant. That’s good for ratings and good for clicks, and networks eat that stuff up because it makes them money. But that isn’t respect, and we shouldn’t be selling ourselves out for a bargain basement price.

That’s my last word on it for now. I’ll probably complain again next week, and I know I KNOW this isn’t a popular pov for people, but I’ve made my bed with that. For those of you who loved it, I’m glad for you. I’m mostly disappointed for myself. And I still think camp James I was fucking terrible but I already know people love him, so what do I know?

P.S. my tags are for my flist so they can blacklist properly, not to force my saltiness down the throats of other Who fans. You don’t have to agree with me. I just needed to vent.