#no one proofread this for me...

[pupkashi]

satoru loves you & he’s tired of being your friend

a/n: loosely inspired by taehyungs song fri(end)s i hope u guys like pls lmk what yall think plsplsplspls

word count - 1,764

masterlist

the only light illuminating your living room was from your tv as it played your favorite comfort movie, one you’d seen countless times before. the familiarity of it had you dozing off on your couch, in and out of sleep as you lost the battle with your heavy eyelids.

there’s a soft knock on your door that has you jumping out of your skin, heart racing loudly in your ears. you pause the movie, wondering if maybe you’d hallucinated it and it truly was time for you to go to bed.

knock, knock, knock

your palms are sweaty, checking your phone before standing up. there’d been no missed texts or calls from anyone you knew, who the fuck knocks on a door at 3:24 in the morning?

you grab the baseball bat by the door, peeking through the peephole and being met with tousled white locks. a color of hair you’d be able to spot a mile away, one you’d grown to care for.

“what are you doing at my door at four in the fucking morning?” you whisper-yelled, setting the bat down and opening the door wider to let the man in. he gives you a small smile, one hand pushing his hair back and out of his face and the other holding his side.

“sorry sweet cheeks, didn’t wanna go home just yet” he mumbles, stepping in and standing by the doorway, waiting for your instruction.

“d’you get hurt? are you bleeding?” the annoyance in your voice is gone, and it makes satoru relax. he gives you a small nod, shrugging his shoulders and trying to play it off.

“nothing that won’t be healed by mornin’” you roll your eyes at him, muttering a small ‘come on’ and walking to the bathroom down the hall. “i miss you y’know” satoru says softly, watching as you searched for the first aid kit under the sink, grabbing the box and making him sit on the toilet lid.

“did you really?” you scoff, not meeting his gaze as you grab a soft rag, running it under warm water. satoru furrows his brows, confused as to why you think he wouldn’t have missed you.

“‘course i did,” he replies, opening his mouth to continue but closing it quickly when you turn to face him.

“can i take your blindfold off” you ask, your hands fiddling with the damp rag before setting it down when he nods ‘yes.’ you find the small knot hiding in his hair, gently undoing it.

the black blindfold loosen instantly, and you’re quick to gently take it off his head, setting it on the counter. his hair flops onto his forehead, falling almost perfectly to frame his face. despite the countless times you’d seen his eyes, your breath still hitched in your throat when you looked into them.

you try not to stare too long, brushing his hair out of his face and cleaning the dried blood on his face. satoru doesn’t take his eyes off you, eyes tracing your every feature. his gaze is one you always faltered under, growing nervous when he’d stare at you for too long.

“what” you ask, a small nervous smile forming on your face. satoru shakes his head, a small upside down smile on his face as you wipe the cut on his cheeks with an alcohol wipe.

“you’re just real pretty” he says, watching as you bite your bottom lip, surely trying to stop the smile fighting its way into your face.

“is you side hurt too?” you motion to where his hand is covering, trying to brush past the compliment he’d given you.

“healed it up a good amount while you were cleaning me up” he shrugs, lifting his shirt and showing you the brand new scar, “I’m not completely helpless.”

“no you’re the strongest” you tease, throwing away the used items and washing your hands. “did you wanna shower? you look like you could use it” satoru pouts at your words.

“don’t have to be so mean about it” you laugh softly, drying your hands before you’re standing in front of him again. you let your hands brush through his hair, exposing his forehead before you press a kiss to the skin.

“sorry angel, you’re the one who woke me up” satoru lets his eyes close softly, heart sinking a bit when you pull away from him.

“I’ve got some clothes you’ve left over so I’ll leave ‘em on the counter” you smile, closing the door behind you and sighing softly.

how’d you get to this point? how’re you stuck between friends and something more?

friends don’t feel the way you do about satoru. friends don’t place feathery kisses on their friends scars. friends don’t act the way you two act.

satoru steps out of the shower, smiling when he realizes his clothes smell like you. his heart leaps when he exits the restroom, finding you still awake and waiting for him on the couch.

“waiting for someone?” his voice makes you jump a bit, shaking you head and watching as he sits next to you. “did you have plans for tomorrow?” he questions, watching as you send a text.

“told them something came up,” you shrug, “figured you need me more.”

the words tugged on satoru’s heartstrings. there was a never night you hadn’t been there when he needed you. you’d been there for him since the day you’d met him, there to comfort him and ease his racing mind. you were there to calm him from panic attacks and frustrations, help him through grief and stress. everything.

you were a great friend.

he hated that word. you weren’t his friend, you were something more. he knew how he felt about you, he had an inkling feeling you felt the same. so what’s stopping him?

satoru shakes the question out of his head, focusing instead on the tv. the end credits are rolling but you’re not looking away, eyes unfocused and your mind elsewhere.

“should we go to sleep?” satoru whispers, a feathery touch to snap you back to reality. you nod with a small smile, the two of you making the familiar walk to your bedroom, satoru turning off any lights and closing the bedroom door behind him before slipping in next to you.

you’d always liked having your head on his chest, you were able to hear his heartbeat this way. the rhythmic pitter-patter never failed to make you smile or help you relax. it also gave away anytime he was nervous.

“your hearts beating real fast” you state, not looking up, instead continuing to draw circles in the palm of his hand. “what are you thinking about?”

there’s too many thoughts in satoru’s head, so many that he can’t begin to process a single one of them. so instead he blurts out what had been on his mind all night.

“i love you.”

you never thought people were telling the truth about time stopping when something like this happened. you’d always figured they romanticized their life a little too much.

but you felt time stop.

your fingers faltered and you felt your breathing hitch in your throat. your stomach erupted in butterflies, face hot and your eyes wide as the three words landed on your ears.

there was a million thoughts in your head, memories flooding in. spring nights around a fire pit, hot summer days at the beach, cool autumn afternoons carving pumpkins and cold winter mornings drinking hot chocolate. and in every one of them you bit back three words while staring at the white haired man.

“you don’t have to say it back” satoru begins, his heart beating even faster than before, “i just- I’ve been think-” you sit up quickly and cut him off, shaking your head and finally looking him in the eyes.

“I love you too,” you smile, letting yourself enjoy the the moment of euphoria the two of you felt upon hearing the other say the three words you’d dreamt of.

there’s only a second of silence before satoru’s blue eyes are looking at your lips, flickering up to meet your eyes momentarily. all it takes is you leaning in ever so slightly.

his hands are cupping your cheeks, crashing his lips against yours, a sense of urgency as his lips move against yours. he tastes like his vanilla lip balm and toothpaste, smiling as the words replay in your head.

“what’s funny?” he mumbles against your lips, laughing softly, not bothering to pull away from your lips. satoru’s cerulean eyes are fluttering open, completely focused on you.

you pull away a couple inches, staring into his eyes, you can see the emotions swimming in his eyes, love and excitement written over his face as he takes in your beauty.

“just happy” you reply, “never thought you’d put the end in friends” satoru pouts comically at your words, shoving his face in your lap and groaning softly.

“‘m sorry” he grumbles, “new to all the relationship stuff” there’s genuine frustration and remorse in his voice, it makes you smile as your run your fingers through his hair, tugging softy.

“‘s okay” you say, “thought technically I’m not yours since you haven’t asked me” he knows you’re poking fun at him, not rushing him into anything.

“don’t worry,” he says, sitting up and adjusting himself to lay down next to you, smiling when you lay your head on his chest, “gonna make you mine as soon as i can.”

the words make your heart flutter again, a sheepish smile on your face as your cheeks and ears burn.

“alright smooth talker let’s get some sleep.”

funny enough satoru feels the weight on his shoulders grow lighter with your body weight pressed against him. he feels a sense of serenity running his fingers up and down your exposed skin.

you can see goosebumps rise where your fingertips touch, smiling softly and holding back a giggle as your fingers ghost over his abs, causing him to shiver.

it’s different from before, more intimate.

satoru wonders why he was so afraid of baring his heart to you in the first place. he can’t find an excuse as he watches the golden ray of sunshine hit your face softly, causing you to stir. he’s still as he watches you immediately nuzzle your face into his side, falling back into a deep sleep in his arms.

it doesn’t take long for him to fall asleep too, a smile on his face when he feels your grip tighten.

lovers, he thinks, it has a nice ring to it.

taglist (send an ask to be added): @chilichopsticks @anime-for-the-sleepless @safaia-47 @nanamikentoseyebags @fushironi @nineooooo @the-mom-friend-dot-com @gojoshooter @beautiful-is-boring @sweetheart-satoru @luna0713hunter @torusmochi @kentocalls @sadmonke

[pomegranatears]

There's something about men getting flustered when you talk to them like you would to a dog. When that animalistic part of them speaks louder and reason vanishes. All they want is the thrill of feeling so good their minds go blank and that spot between their legs is a sinful mess.

And that goes from "Good boy! Who's my good boy?" to commands. "Sit. Lay down," always keeping it simple because in that moment their mind is too fuzzy to comprehend anything that's not tied to their pleasure.

You can't think right now, love. I'll do it for you. Sit there and watch. Stay still while mommy takes care of you. Be quiet. Do you need to be gagged like a pet needs to be muzzled? Leashed and collared so you can behave? We can do all that but eventually you'll learn.

Love the concept of having them like an obedient pet, watching while I play with myself but don't allow them to do anything but stare. Self-control is so important, it only leads to a reward. Brats are fun but when a sub has an "obedience is pleasure" mindset they can get anything from me.

[mikichko]

little bit personal but i’ve gone through lots of weight fluctuations in my life and no matter what size i am, summer is always hard for me.

which is why i cannot stop thinking about being ghost’s partner through summer.

we already know that he’s a man of few words, prefers to observe more than anything. so he really doesn’t miss the meticulous way that you plan out your outfits.

shorts have to be a certain length, shirts have to be at least long enough to hit your hips and sleeves long that are up to mid bicep. hell, he’s even seem you choose to wear pants all summer instead of even attempting shorts. too anxious over how you’ll be perceived to let yourself enjoy a nice warm breeze on your legs.

he asks you once if you’re warm, approaching the conversation the best way he knows how, only to have you laugh and tell him that the pants just hold you better. don’t need to give people a reason to comment on your appearance. he nods and you seem happy that he’s happy with your response.

but he’s not. listen, simon’s not really one to jump to defend someone’s ego from being bruised. god knows the team rags on johnny too often for him to pretend otherwise. but this? nah, this is different.

he’s all too familiar with the way bodies react and absorb the shock and trauma of war. has seen soldiers of all shapes, sizes, identities tank hits like no one’s business. there’s absolutely nothing he despises more than for the untrained, ill informed cretins offering opinions on someone else’s body. specially if it’s ever directed at you.

he’ll never say this though. at least not outloud. though, his actions do speak for themselves.

small pats on your hips as he passes by you. wrapping his arm around your lower belly instead of your waist, you try to swat at him but he just pulls you back into him. insisting that he lays on you when you’re stretched on the couch, dropping kisses on your clothed belly while his hands draw patterns on your plush thighs. if he’s feeling cheeky he’ll sink his teeth into them just to get a little squeal out of you.

even in public he doesn’t ease up. pulls you into his lap in front of your friends, knows you love it despite your protests. lounging out on a patch of grass along the walking trail, he pulls you closer to him and has one of your legs draped over his. massaging the fat there as you chatter about nonsense.

idk simon riley just really loves you and loves the body that keeps you alive and feeds your personality.

[izzystizzys]

When the 212th collaborates with the 501st, chaos is sure to follow in their footsteps. This has been largely true of every engagement since the start of the war, in Cody’s experience. Had he even an ounce more of a rebellious streak, he might question why and whether the success rate is worth the feral instinct for mayhem his battalion and Rex’ awaken in each other - as it is, he simply fills out the after action reports and then screams into his pillow, which is hard as durasteel and doesn’t warrant the name.

Or, on some days, he steps into the training rooms to work off some nervous jitters only for his foot to catch on someone’s armoured shoulder and faceplant straight into what looks like the entirety of both battalions piled together in a massive cuddle pile.

“What”, he manages between gritted teeth, heaving himself up with one hand supported on Crys’ arm and the other planted in places that make Boil jackknife up with a strangled yelp, “the kriff is this?!”

“We’re watching the Corrie Reality Special, sir”, his own voice calls from somewhere across the room. “The 91st is passing by, so we have satellite access to the Coruscant Broadcast network for a few hours, and we couldn’t settle on a specific show -“

“- so we decided to watch them all”, Rex finishes, sheepishly, where he’s fought his way through wiggling piles, hoots and badly imitated monkey lizard noises. The thought that he shares DNA with these degenerates is enough to drive Cody to the brink of a nervous breakdown some days. “Spopcorn?”

Ah. The Corrie Reality Circuit. When Cody first heard of it, he’d thought it was a prank. Then, they were deployed to the middle of bumkriff nowhere on the edges of Midrim space edging on Outer Rim, with a connection so spotty even classified military intel only got through about half the time, and the whole idea got shelved in favour of clankers and keeping his General’s lightsaber in his General’s hand where it belonged.

Now, a gaudy, glittery monstrosity of a logo announcing a Coruscant Rotational special appears on a rigged up screen, which means one of two things: either Fox is pulling the Galaxy’s greatest long con on all of them, or he’s been murdered and replaced with an evil clone (ha!), because there are no circumstances in which he would agree to star on Coruscant Reality TV.

Cody tilts his head consideringly. Rex smiles at him sheepishly. Tilts the spopcorn bowl at him, invitingly.

“Oh, dank farrik, sit your shebs down!”, someone (Fives, probably) yells out, fed-up…ly.

Cody sits his shebs down.

“Good morning and welcome all of Coruscant to the Great Coruscant Rotational Special: Our Boys in Red Edition!”, a bright red Twi’leki man announces on the screen amidst cheerful jizz music and loud hooting from the training room. “My name is Braham Horton, and I will be your exalted host for this fine, fine late night cycle!”

“And now, gentlebeings of the metropolis, I present to you the images that have driven us all to laughter, joy, and even tears at times over these past few weeks - whodathunkit, that the CSF media project would enthrall a whole Galaxy of viewers and cause the largest recorded peaceful civil protest of all time?!”

“The sorry what now”, says Cody, suddenly thinking back to the urgent meeting General Kenobi was currently in with Generals Windu and Yoda - passing by on the Venator in orbit. “Uhm”, says Rex. Braham Horton, unfazed by the commotion he’s causing lightyears away, chatters on.

“- many hours, so we’ve compiled an introductory little best-of for you, exalted viewers! And what better best of to start off on than the hottest entry of the most explosive bombshell into the villa - please give it up for Commander Thorn and how he stole all of our hearts on Love Island!”

A garish, club-tech jingle Cody has so far only heard buzz through the walls of establishments that generally didn’t allow clones thrums through the training room, followed by what can only be described as the sort of noises spiced up banthas might make. Thorn appears on screen, more oiled up and half-naked than Cody remembers, though just as bleach-blond, hair slightly longer than regulation and smile blindingly perfect.

“I’m Commander Thorn, baseline twenty-four years humanoid - during daytime I might be the scourge of Coruscant’s criminal underworld, but at night I don’t mind playing good cop for you!” He punctuates it woth a sleazy wink and fingerblasters that have Rex honest-to-god gagging, and Cody seeing his life flash before his eyes. If Alpha-17 finds out about this…

Suddenly, Thorn’s smile drops in favour of what might almost be called a scowl on even his handsome face, and the music cuts out. “There, got your soundbyte. Can I go back now? I’m supposed to be on shift.” Indistinct, off-screen chatter and a captioned oopsie… appear in a shower of glitter. Thorn’s face does something complicated. “For HOW MANY MONTHS?!”

Cut to a montage of what Cody can only describe as beaches, oil and abs galore, Braham Horton narrates and extremely close-up shot of what Cody tries very hard not to identify as Thorn’s crotch. His own crotch, in a way. Oh no, that’s weird, stop that train of thought immediately-

“Although our favourite bombshell’s entry into the villa wasn’t without its hitches and hurdles-“, emphasized by a zoom-in on Thorn’s form in a speedo huddled away from a partying crowd of softcore-kriffing contestants on a yacht, “- as well as all know, he would soon find his place in the villa - or places, rather!”

Two crying humanoid women appear on screen, with eyeliner smudges down to their knees. A hoot goes through the room. Cody watches with a sense of impeding doom. “You slept with her after I chose to match up with you instead of Chad?! How could you!”

Thorn, still oiled up with both blasters out for the world to see, winces. “I didn’t me-“

A hysterical gasp, a camera swerve. Three more people stand by the doorway, all clutching their chests with wide eyes. A broad, green Twi’leki man raises a finger to point accusingly. “You were sleeping with them too?! I thought I was the only one!”

“Dear Force”, Cody murmurs, unable to look away from the building speeder wreck on screen. Braham Horton laughs good-naturedly at his misery. “Ah, good times! And who could forget the all-out brawl of the following matching night, where a record number of every single other contestant attempted to physically fight the others for the right to match up with Commander Thorn! Including a somehow returned Chad, who nearly won thanks to the element of surprise. I wish we could show the footage, but then we’d have to slap several warnings on it and probably still get taken off the air.”

“I didn’t know Corries kriffed like that!”, someone (Fives, let’s be honest, it was definitely Fives) calls out into the room, receiving snickers and a well-aimed pillow to the throat for his trouble. He goes down with a choking scream.

“Someone who was less impressed by the hot’n bothered beach weather was Commander Thire, who found himself Less than Impressed by his co-contestants inability to keep it in their pants on Too Hot To Handle!”

Thire’s face, identical to Thorn’s in every way except the ones that matter, appears on screen. His black hair is cut in a cropped mohawk, arms folded over a button-up he’s carefully pieced together with… safety pins? Where are the buttons on it?

“These people are pathological and pathetic and I will spend not a second longer on this farce of an attempt at ‘entertainment show’”, says Thire, air-quotes so sharp they could cut stone. His scowl might be permanently etched into his face, Cody can’t tell. “Unlike literally everyone else, I have an actual job to do. Now move.”

A brief pause, in which cheerful jizz music plays over what is obviously a producer begging off-camera, followed by an eyeroll so hard it hurts Cody’s brain to watch. Thire throws his hands into the air in defeat, marching off into the sea behind him still fully clothed.

“When they didn’t find him until the last episode, I’ll admit, I thought he’d died too!”, Braham Horton cuts in cheerfully. “But would you look at his little lonely island lair - now that’s a fulfilled man, and too many coconuts for my taste! We’ve had to blur his hands out as he discovered the cameras just moments before these holos were taken, unfortunately. And, dear viewer, who could forget this exit-interview for the ages!”

A considerably more clothed Thire appears on screen, eyeing a microphone like he’s about to use it to stab out his own eyes. The reporter clears their throat in audible anxiety. “C-commander, how would you describe your reality experience in one word?”

“Demeaning”, says Thire, blandly.

Silence.

“Um, o-okay”, squeaks the reporter.

“Would you like some more words?”, asks a dead-eyed Thire.

“No, um, I think - I think we’re alright.”

“Because I have many words. Mostly for whoever the *bleep* thought this was a *bleep* good idea, and *bleeeeeeee-*”

“We’ve had to censor most of the Commander’s on-screen appearance, dear viewer, for your sensibilities”, says Braham Horton, eternally and painfully cheerful. “And speaking of sensibilities, who could forget Commander Stone honouring his name in several challenges on ‘I’m A Holostar - Get Me Out Of Here!’”

Soulful violin music fills the gym, overlaid with images of a bald vod Cody surmises must be Stone. Stone stares stonily into the void, glass of bright green something raised to his lips and already half-empty.

“Memorably, he downed a pint of acklay urine within seconds-“

Horrified screams are followed by an image of Stone chewing, yet another thousand-klick stare.

“- or when he ate Tauntaun anus -“

Rex doubles over gagging, and Cody slowly puts his handful of Spopcorn back down.

“- of course the ten minute worm-bath challenge cannot go unmentioned -“

“FORCE PLEASE NO!”, screams someone (Echo) tearfully. Commander Stone, buried to the chin in wiggling orange worms, looks less impressed.

“ - and who could forget his encounter with a horde of ginntho spiders and nests of vexis snakes!”

A remote goes sailing past the screen, missing by a mile, as images of Stone with his whole arm stuck in various boxes fly past. Someone is retching. It might be Cody.

“We would show the infamous butchery challenge wherein the Commander found himself drenched in nexu guts and sandworm brains, but once again, this is family friendly programming and we are not allowed. Nevertheless, a win well-deserved. And now, please welcome the one, the only, the awe-inspiring, the unbelievable: Marshall Commander Fox!”

Another Force-awful jingle, big, blocky letters, and Cody chokes on his own spit when Fox’s scowling face appears on screen. He’s thinner, greyer and angrier than the last time they saw eachother in person. Only the last one is really a surprise.

“I am neither naked nor afraid”, says Fox, arms crossed firmly, foot tapping impatiently on the ground. “I am, however, quickly losing my patience. Explain to me again the point of spending my valuable time undressing in the middle of bum-*bleep* nowhere on the Midrim instead of doing my job as the head of planetary security in the middle of a Galaxy-wide war?”

Several beats of silence follow. Fox grows less impressed with each. Cody knows that look well. Usually, it precedes handcuffs and a cold sonic blast to the face.

“Um… you signed a contract?”, says a producer’s voice uncertainly off-screen. Fox barks out a harsh laugh. “I’m legally classified as military property, my signature holds less weight than if I’d had one of the Guard’s massiffs shit on that contract for me.”

“Ouch!”, calls Crys.

“Gettim!”, adds Longshot.

“But… don’t you sign off military documents all the time for the Senate?”, sputters the producer.

Fox smiles with far to many teeth. It’s also a look Cody knows far too well, and even lightyears away it has a shudder going down his spine.

“Really makes you think about the technicalities of that definitely-not-slave-army, doesn’t it?”, he says, dryly.

“Although considerably less naked and afraid than all other contestants, Commander Fox left us with many memorable moments - such as when he saved the entire crew from an angry Acklay!”

Most of the next holovid is blurred out, though Cody can (unfortunately) guess at the why and how. So can most everyone else, judging by the collective groan.

“Down, boy”, says Fox, flatly, to a hissing Acklay twice his size. It rears its fanged head, and a shudder goes through the room. Fox simply crosses his arms and nails the beast with an unimpressed look. “You are making a fool of both of us. Cut it out.”

Chastised, the Acklay blinks at him, slowly lowering itself back down with a confused hiss.

“No kriffing wonder all the Corrie shinies are such hardasses”, mutters Rex, whom Cody is hard pressed to agree with. “I came from a tube and that look gave me daddy issues.”

“Yes, dear viewer, who could forget these heart-warming moments of good, quality television!”, sighs Braham Horton, dreamily. “Not Coruscant anytime soon, that’s for sure! We are now entering the twentieth rotation of the sit-in protest of a petition to allow the Commanders of the Coruscant Guard to compete on Dancing With The Planets, Coruscant Rotational’s epic dance competition!”

“Dear bum-kriffing Force”, whispers Rex, wide-eyed and awe-struck. “Does Fox know about this?!”

Cody, who’s already dialing the kriffer’s comm-code, wipes a singular tear from his eye. “Not a clue, but kriff, am I going to enjoy telling him.”

[girlsdads]

https://www.tumblr.com/girlsdads/762007245755170816

It looks like daniel is peeing

em!!! you put this in my brain and i promptly had a crisis, so of course i had to give Max that same crisis, and somehow this became 1.3k 🫡

cw: (consensual?) voyeurism, romanticized peeing

Practice gets red-flagged early on. Max doesn’t see who is in the barrier as he slowly passes, just knows it isn’t Daniel. He’d been assured of that down his radio almost instantly, though he hadn’t asked. He thinks it must be team protocol to tell him this, that it’s not his teammate in the totaled car. Still, Max flushes bone-deep, feeling too exposed, too obvious. Feeling like they know, everyone must know, his brain turns to goop around Daniel and he never catches himself in time.

He trails Daniel to his driver’s room anyway, knowing how it looks. Daniel grins over his shoulder at Max, starts skipping ahead, makes Max chase him. Warmth blooms in Max’s belly. He may be always following behind Daniel, but Daniel is always looking back.

Daniel shrugs his race suit off his shoulders, lets it hang open around his trim waist. The humidity has stamped dark patches on his white fireproofs where he’s started to sweat through. Max closes the door behind himself and stands there awkwardly, trying to think of something to say that will make Daniel laugh, trying not to make direct eye contact with Daniel���s sweaty armpits, lest he shove Daniel against the wall and stick his nose there.

What happens instead is much, much worse.

Daniel is making a beeline to the bathroom, thumbs hooking into the elastic over his flat pelvis. Max’s vision tunnels, the air in the room seeming to close in around him with a swoosh.

“What are you doing?” He hears himself ask, stupidly.

It’s obvious what Daniel is doing. He’s shimmying his hips side to side as he nears the toilet, wiggling the Nomex down. He’s left the door wide open. He stops and smiles at Max, blinding. “Gotta drain the snake, as they say.”

Who is saying this other than you, Max wants to shoot back, knows he should match Daniel’s cheeky tone, rib him a little then leave the fucking room like a normal person. He hears the wet pop of his own bottom lip dropping open, feels the weight of the words against his larynx, but is struck completely dumb watching Daniel pull out his flushed, soft cock.

Max has of course seen Daniel’s dick before, it would probably be more weird if he hadn’t, like he was purposely trying not to. But the handful of other times have only been glimpses in his periphery, nothing like this. Like this, close range and staring openly because Daniel knows Max is there and still he didn’t close the door, Max can see everything.

The double-stacked waistband of his briefs and fireproofs is tucked up snug under his balls. Max can see where the dark, stubbly hairs are starting to grow back, on his sac and around the base of his cock. Daniel has joked before, about manscaping, but to see the evidence of it like this is dizzying. Max wants to go to his knees and pull each ingrown hair free with his teeth.

Daniel holds himself loosely in his left hand, the ruddiness of his shaft clearly visible through the gaps between knucklebones. The head is peeking out past the circle of his index finger and thumb, fat and flushed a little darker than the rest of him. Even soft, his cock looks heavy and full. Max’s mouth floods with saliva and he sucks it back with his cheeks pinched in, hoping Daniel won’t hear the wet slurp.

His skin feels hot. He’s stuck like an ant under a magnifying glass in the sun, his insides incinerating as he watches an arc of piss flow from the gorgeous tip of Daniel’s cock, noisily splashing into the bowl.

Daniel groans, his chin bobbing down toward his chest like someone cut the string that was holding his head upright. Piss hisses out of him, harder now, like he’s pushing it. It is so loud and the walls are thin—anyone lingering nearby must be able to hear, to know. Max wishes he could put up a forcefield, shelter them both inside where only Max can hear the sounds Daniel’s body makes.

It is all over so quickly. The stream trickles to a stop and then Daniel is shaking off the last little dribbles before he’s tucking himself away. Max feels a pang in his chest like grief—he hadn’t finished mentally cataloguing every angle of this moment, needs the image 3D printed into his brain so he can remember forever. Daniel will probably never speak to him again after this, will certainly not let Max anywhere near his bare cock once he turns and sees—Max is hard.

Daniel is shrugging back into the shoulders of his race suit and Max is standing there tenting his own, mortifyingly obvious. Max braces for whatever awkward joke Daniel will try to make to mask his disgust, as he faces Max finally.

He watches Daniel notice. He watches his eyes go slightly bigger and rounder, watches his jaw tick like he’s going to drop it. His gaze feels like a physical weight. Max’s dick throbs once, twice. There is no way Daniel cannot see.

Daniel says nothing, in the end. He smiles at Max, easy as anything, as if Max isn’t a complete freak of nature with a boner from watching his teammate take a piss. He even claps Max on the shoulder as he passes on his way out the door, doesn’t seem to catch how Max sways, knees wobbly, under his touch.

And then Max is alone in Daniel’s driver’s room. Alone and hard and—fuck, a realization burns through him—Daniel didn’t flush.

Max lurches forward before he can stop himself. His foot catches on some part of the floor and he stumbles, nearly going to his knees right there in front of the toilet.

It should be mostly clear, with how they are supposed to be staying hydrated, but apparently Daniel is not doing a very good job. Max has to steady himself with one hand on the wall as he stares down into the bowl, dazed. The water is tinged an unmistakable yellow. It hits Max viscerally, that Daniel has bodily functions and that he did one of those right in front of Max, was comfortable enough to not care if he saw. It’s unbearably intimate in a way that Max can’t think too hard about or he’ll forget how to drive his car, probably. He thinks, wildly, that he wishes he could live inside Daniel’s body, surrounded by all the microscopic things that make him him. He wants to kiss every single one of Daniel’s cells and thank them for keeping him alive.

Even more wildly—he wants to massage his bladder from the inside, tell it he’s sorry it had to get so full, that Daniel should never have to hold it for too long, that he could always if he cannot wait tell Max to go to his knees, and Max would, anywhere, tip his head back and open up for everything Daniel has to give—

Max rips his layers off, feeling frenzied. Elastic stretches around his thighs as he squats lower, his cock now leaking bare over the bowl full of Daniel’s pee. He had foregone underwear earlier, the crotch of his fireproofs now absolutely soaked through with precome. It will be cold and sticky around his cock and balls when he gets back in the car, he will have to drive again and feel it and he will think about Daniel and his dehydrated piss and the sound he made when he let go—

Max comes, shaking, aiming his cock so that it splatters into the bowl, milky white swirling with yellow. Max and Daniel together, like it should be always.

[quibllyfish]

Can I have Mammon being possessive headcannons plz😊

౨ৎ﹒Mammon x Reader : Possessiveness HCS．𝝑𝝔

﹕You are MAMMON'S human! He's a little possessive when it comes to you- what else would you expect from the avatar of greed??

૮꒰ྀི∩´ ᵕ `∩꒱ྀིა：❝—Whipped this one up in about half an hour! Short and sweet, just a couple of ponderings ꒱ . . ♡

‹𝟹﹕ In my opinion, I think mammon would do a lot of subconsciously possessive things. We see this already when Mammon flippantly calls you 'my human' and whatnot. Often mindlessly, his hands find themselves holding onto you. One rested on your thigh while he's driving or his arm consistently draped over your shoulders as you walk side by side. When other demons ask you a question, he also has a tendency to answer for you (which… can get annoying at times). In his mind, you're practically his, which means he knows everything about you! Why wouldn't he be able to pipe up in your place?

‹𝟹﹕ When you succeed, your success feels almost like an extension of his. If his human gets a good mark on a test, he will be as EQUALLY ecstatic as if he were to have done that well. You answer a question correctly in class?? A giddy smile tugs at his lips- because of course his human would be that smart!!

‹𝟹﹕ A majority of his possessiveness likely finds its origin from the fact that he views you as genuinely his. Maybeee its a bit toxic, as no one wants to be viewed as something thats owned, but these habits of his are oftentimes less harmful as they are irritating. For instance: Mammon is going somewhere. He automatically assumes that you are also coming, as you are his human and therefore need to be brought along. He will most definitely barge into your room whenever he sees fit and announce 'we are going to X/Y/Z' as if it's a statement of undeniable fact.

‹𝟹﹕ He WILL get jealous of almost anything under the sun. Why is Asmo taking you to the mall?? HE can take you to the mall, and he can most DEFINITELY buy you many more things than his brother can. Hell, he'll even go into debt for you! Do you want a car? A house? Asmodeus definitely wouldnt buy you a house. Mammon is either going to the mall with the two of you, or the avatar of lust will have to lock him in a closet and make a mad dash for the door.

[pixiest1cks]

i'd like to think no matter where he's at in his life, dottore likes to ramble as he works.

no matter if he's prime, or the more ill-tempered scholar from the akademiya or even omega build, dottore quietly mumbles as a habit when he's working.

some things he says aloud are just to commit certain details to memory. in the grander scheme of his plans, the details seem small-- but they hold a crucial grip on the entire project. because of this, dottore reasons that the habit holds its merits.

sometimes, he makes sarcastic remarks when something doesn't go well. short, choppy words that mostly go unheard even by those in his general vicinity. when you first worked under him, he had mumbled to himself like usual (it was second nature at that point). what he hadn't expected though, were your responses.

"stupid thing tightly screwed--"

"do you need a wrench, sir?"

before he could respond, you had one held and ready to hand to him. from then on, you would help him out here and there in his more foul moods and dottore would be lying if he said the additional assistance wasn't helpful.

the mad scientist had found an adequate assistant.

work went by smoother, toning down a good portion of his irritation. it's almost as if having someone to support you (even if it was strictly for work purposes) provided more benefits than he had originally thought. of course, he would never admit that. the most he would do is thank you here and there when you proved to be extra useful.

work continues the same for a while. the interactions grow more frequent and so his musings change from your responses. instead of talking to himself, he talks to you. he asks you for your input, for you to pass him whatever he can't reach from his other desk, he asks for you.

that is, until you're gone one day.

dottore doesn't think anything of it. he's worked alone for his whole life, what's a few days without you? but his segments have been more irritable as of late, resulting in lackluster performance as a whole not only from his segments, but his troops. the fatui are fearful of the doctor, but even more so of an irritated one. you'll turn up eventually and everything will be back to normal, he reasons.

but as the days go on, you are still nowhere to be found in the cold, desolate laboratory. he finally pauses in his work to think about where you could be.

something must've happened. something outside of his jurisdiction. it's not like it's his problem. you might've proved a useful assistant to him, but his work holds utmost priority.

yes, work. back to work.

and dottore mumbles as usual, but it's not the same.

by habit, he calls out for you to hand him something--

but you're not there.

dottore is a scholar first and foremost. all it takes to find you is a little bit of research, so he does exactly that. he finds out you've been working somewhere else, somewhere closer to home to better support your family.

well, that's no problem. he'll have his assistant back as soon as possible, no matter the cost. all he needed to know was your whereabouts.

[softpine]

can you please, please relate? i’m not holding up

[transcript]

[pupkashi]

birthmarks

even in his past lives, satoru was always loved

a/n: hi hi !! please enjoy this silly and soft little thing :3 i love the idea of beauty marks being where you were kissed the most in a past like mwehehe

wordcount: 941

masterlist

“oh my god you were killed in your past life on your neck!” gojo gasps, staring at the small mole on the side of your neck, “do i have one somewhere? check my back!”

he’s quick to take his shirt off, looking over his shoulder and into the mirror behind him, eyes wandering over to you, laughing on the bed. his brows furrow as he looks at you, “what’s so funny?”

“you’re thinking about birthmarks, these are where you past lover kissed you the most in your last life,” you clarify, pointing at the small beauty mark, getting up and inspecting his back, “see you have one right here,” you point. there’s a couple littering his back, mainly at the top of his shoulders.

“oh? is that what those are?” his eyes are scanning any visible skin of yours, lighting up when he finds one on the side of your nose, “you have one here!” he smiles, pressing his lips gently against the small dot.

you can’t help the airy giggle leaving your lips, letting him pepper kisses all over you, laughing when he spins you to see if there’s any on your arms.

“there’s a couple on your neck and collarbones” you smile, the two of you now flopped over in bed, the tip of your finger ghosting over the beauty mark on his collarbone. “you’re gonna have so many on your face in your next life,” you comment, watching as his cheeks turn a rosy pink.

“you’re obsessed with kissing my dimples and nose,” he snorts, leaning closer to you and pressing a chaste kiss on your forehead, “I’m sure you’ll have plenty all over from me,” he winks.

“satoru!” you gasp, laughing as he wraps his arms around you, pulling you into his chest easily.

“not my fault I’m in love!” he protests, flipping the two of you so you straddled his hips, fingers intertwined with yours. “that means you loved kissing my shoulders in another life, doesn’t it?”

you can’t fight the smile on your lips as you raise your brows at him, “who said anything about it being me in your past life?” you’re leaning back as he sits up, scooting back so he was against the headboard.

“you really think I’d fall in love with someone else?”

it’s your turn to blush, your eyes avoiding his bright blue ones, ignoring the way his tousled white hair tickles your cheeks.

“cmon sweetheart, you know it’ll always be you,” he mumbles, placing a finger under your chin and gently making your eyes meet his, “in this lifetime, the next and any other.”

the weight of the words hang heavy in the air, only a beat of silence before you’re replying.

there’s no words to describe the feeling you get when you know you’ve found the one. it’s the same feeling as understanding something you’d never understood before, the same feeling as when you win at a claw game, the same as when you’re staring out into nature and you realize how beautiful life is.

it’s like everything seems to click into place.

“it’ll always be you, angel boy,” you whisper, “it’s always you.”

satoru doesn’t care about the high pitched squeal leaving his lips, or how hard he’s giggling as he tackles you with a hug. you tumble over easily, laughing at how utterly insane he sounds right now, cherishing how brightly he’s smiling and how right everything feels.

the sunlight from the window makes him seem unreal, wisps of hair in every which way, as he cracks another terrible joke. you can’t help but burst into fits of laughter, shaking your head and pushing him off the bed.

“i confess that our love transcends lifetimes and this is how you repay me?” he pouts, messy hair and blue eyes looking at you, frowning when you just smile up at him.

“sorry angel boy, you’re right c’mere,” you coo, watching as he smiles widely, quickly nuzzling into your side, practically purring when your fingers run through his hair.

it’s not until later that night after a shower that you catch a glimpse of his butt, “oh my god you have one on your ass!” you gasp, fighting back laughter. he’s confused as he shifts his gaze into the mirror.

“what?” his voice as confused as it is concerned, brows furrowed as he stares at you, letting the towel hit the floor as he reaches for a pair of boxers.

“a birth mark! you have a birth mark on your left cheek!” you laugh, trying your best to catch your breath and hold back tears as you continue laughing.

“how did i die from my ass?!” he cries, laughing alongside with you as he puts on boxers, “talk about a shitty death,” he giggles, smiling when you breathlessly smack his chest, still in a fit of laughter.

satoru holds you closer that night, spending an extra second taking in your features. maybe you’d have shorter or longer hair in the next life, maybe you’d both be bees or trees. he doesn’t know, and truthfully he doesn’t care.

satoru knows he’d always find his way to you, and you’d find your way to him.

maybe in another life he’s but a bee and you a flower. maybe the two of you are stars who burn too brightly next to each other. maybe you’re penguins who find each other even in the crowd of millions. maybe you’re swans who swim into the sunset everyday.

he knows no matter what, he’d love you. and as you instinctively snuggle closer to him in your sleep, he can tell you’d do the same.

taglist (send an ask to be added!): @chilichopsticks @anime-for-the-sleepless @4sat0ruu @safaia-47 @nanamikentoseyebags @fushironi @nineooooo @the-mom-friend-dot-com @gojoshooter @sat6ru @beautiful-is-boring @luna0713hunter @torusmochi

[cherryxblossxms]

🔞 Letting Buggy fuck his frustrations into you~

[nsfw obviously, afab reader, oral (m receiving), some degradation, rough sex, some ass slapping, creampie, followed by fluffy aftercare; a lil devil fruit misuse; 1.6k ahahahaha this....... was intended to be short idk what happened]

He's extremely hesitant when you first bring it up because he knows he's strong, and he never wants to bring anger into the bedroom. He's already anxious when it comes to his relationship with you, he wonders how he ended up with someone like you and if he even deserves you. It's a thought that's on his mind on a near-constant basis, though it improves over time. So the first several times, he adamantly refuses.

He still tends to fall back on old habits and mannerisms and it takes a lot for him to rein himself back in, control it so he's not causing harm to you. He already feels awful when this causes a fight with you that he didn't intend. So even though you're the one bringing this subject up, he's still worried that he'll hurt you somehow, physically or emotionally or maybe even both, and he'd never forgive himself if it caused you to leave.

It takes a while to convince him. But eventually, there's one day where seemingly nothing was going right. Buggy and his crew dealt with a particularly annoying opponent, destroyed a town but didn't get much loot out of it, and none of the crew members could seem to do anything right. At this point, all he wants is to shut himself in his room with you and forget about the world.

And then he remembers your offer.

The second he gets back to the ship, he's dragging you back to his cabin. He doesn't say anything at first, but you can see the gears turning in his head, thinking of what he needs to say. When he finally does speak, it's clearly with much effort over thinly veiled desire and frustration, asking you if you're sure that you want this.

He asks you not once, not twice, but three times. Even as you move forward to kiss his jaw, as you trail your hands over his abdomen and down to cup his growing erection, as he lets you brush your lips over his, he's still asking in between to make absolutely sure you're okay with this, because once you give the okay, he's not letting you go and he's not going easy. And it's clear how much he's struggling not to take you right then and there.

Finally, once he's convinced you understand what you're asking for and established a safe word and a call sign in case things get out of control, it's like the floodgates open. He's ripping your shirt open, buttons flying everywhere. You're on your knees before you know what's happening, face to face with the straining tent in his pants, and Buggy's hand holding the back of your head to keep you close.

He has you undress him, exposing his fuzzy chest and watching as you undo and tug his pants down, and his cock is so eager that it slaps against your jaw, catching you with his dripping precum. It's always intoxicating being on your knees for your captain, but it's even moreso as he directs you on how to touch him, no hands allowed. But you're happy to oblige, teasing him with your tongue along the side of his shaft and along his heavy balls, drawing out a needy groan from his painted lips before he's gripping your hair, indicating his patience is waning quickly. And you're not one to want to anger your captain most days, or deprive him of what he needs. So you happily oblige, finally taking him into your mouth.

He's a struggle to fit in your mouth on a good day, blessed with a thick curved shaft that always manages to make you scream, and it's even harder now that you're doing this hands-free. But as Buggy directs your movements, bobbing your head on his dick, it's intoxicating letting him control your movement. It also doesn't help as you feel a hand suddenly grabbing your rear, having not even noticed he detached one. He temporarily lets go of your head to detach the other hand, using them to tug your pants and underwear down your thighs, before one hand comes back up to continue holding your head.

As you keep sucking him off, it shouldn't be a surprise as his one hand slides between your thighs, lightly brushing against your clit and sliding between your lower lips. What does surprise you both is how wet you are, and Buggy has no shame in pointing it out, commenting on how needy you are, what a slut you are to get off on being used like this. Buggy is no stranger to dirty talk, (it's hard to get him to stop talking about anything truly), but this time it's obvious how affected he is by everything.

He's quickly pumping one, two, three fingers between your legs, making you moan around his shaft as he preps you for the main event. With all the frustration built up in him, it's not long before he's twitching, already ready to cum, especially as he gets to listen to your noises. But he wants to finally take you. He pulls you off of him, dick coated in your spit, and you look fucked out already, making him chuckle. Once he reattaches the hand that was fingering you, he's finally completely removing your bottoms and hoisting you up in his arms, letting your legs wrap around his hips as he presses you to the cabin wall.

It's a struggle not to scream as he immediately pushes in, still causing some stretch even with all the prep. And although his thighs are shaking with the effort, he gives you just enough time to adjust before he's pounding you into the wood. If the ship wasn't already rocking with the sea, you're sure his movements alone would have made the place shake, the sounds of your wetness and skin slapping filling the air. At one point, he adjusts his position so your legs dangle over his forearms, effectively folding you like a lawn chair and allowing him to reach even deeper.

Your first orgasm blindsides you, making you scream and shake in his arms as Buggy keeps fucking you towards overstimulation, his movement barely halted as you suddenly clamp down on him. He slows his pace, but only barely, just enough to tell you how good you are for taking him like this... but that he's not done yet. You can barely register his words before you're on his bed, face down and ass up, thighs trembling from your orgasm and a cooling feeling between your legs as your cunt is exposed and presented.

You can only imagine what a mess it looks like, especially given the pounding he'd just given you, before a hand comes down on your ass, snapping you out of your thoughts and drawing a cry from your lips. Now this is not unusual for Buggy, whose hands are always finding their way to your ass. He loves the plush, the jiggle, and he especially loves the noises you make when he slaps it. But of course, even that's short-lived as he grinds his shaft against you, still hard and aching to cum already, before pushing in once more.

By now, although he hasn't cum yet, Buggy is actually feeling better already. Just having you cum for him, watching your expressions and feeling the way you hold onto him, eased much of his frustration, now mostly replaced by just his usual hunger for you. So he's quick to snap his hips against yours once more, making you moan against the sheets as he sets a brutal pace. Once again, one of his hands separates to keep up occasional slapping, making you tighten around him, before it eventually slides between your legs against to circle your clit.

The sensations are too much, and you're babbling as such before you realize it, but Buggy is quick to promise he's almost done, just a little bit longer, you're doing so good for him and he can't wait to fill you up. By now, his body is pressing down on yours, warm and sweaty and strong, his balls and thighs slapping against you with each thrust, and his detached hand still toying with your sensitive pearl, trying its hardest to make you cum again.

The combination of things finally drives you over the edge, and your orgasm triggers Buggy's this time, making you both moan in tandem as Buggy presses in close, cumming deep inside as your cunt tries to milk him for everything its worth. His moans echo in your ear, hot breath panting against your shoulder as you two struggle for breath. It takes much too long to separate, and the ache between your thighs tells you just how sore you'll be tomorrow. But as Buggy comes into your view, now seeking to check on your wellbeing after fucking your brains out, you can see that it'll be well worth it, his eyes only filled with love and worry now instead of their earlier anger.

Buggy always struggles a bit with aftercare, but he tries his best for you, finding the cleanest rag he can to clean between your legs. Once you're dressed in one of his shirts, he's quickly pulling you into his arms. It's sweet, if overbearing, how he's checking in with you and asking you about a hundred times if you're okay, if he was too rough, if there was anything you didn't like or if he scared you. You might have to interrupt him with a kiss to get him to stop for a moment, but once he's reassured about how you feel, he'll finally relax.

When you first brought up this offer, he was so scared about how it would turn out, afraid to hurt you and afraid to scare you off. But now that it's out of the way and he knows you're okay, he might be more willing to come to you more often with his... troubles.

[crystalflygeo]

The dragon and the sacrificial lamb ft. eroded!Zhongli + gn!reader

cw/tags: rape/non-con, angst, bad ending, yandere-ish zhongli? feral/eroded zhongli, biting, crying, restraints (courtesy of improper use of geo as usual ehe)

notes: Alright this is a special one get ready. There's two "version" of this story bc I couldn't decide which path I liked more. This one is the dark/bad ending. Both stories are exactly the same at the start, changing a few word here and there but then reach a point where they divert completely in reactions/emotions and the underlying feeling of the stories are very different. They can be read independently ofc so by all means feel free to choose which tags you vibe with more or enjoy picking up the differences between both!

Bittersweet ending version here!!

Once upon a time…

A long, long time ago…

The people of Liyue revered their beloved Archon Rex Lapis. Just and kind, he led his nation for millennia, upholding order and contracts, defeating countless enemies, and defending their safe Harbor.

It is said the Lord of Geo took a human as partner, and fell in love deep and pure.

And his partner loved him just as much.

A love that would tragically become a twisted obsession.

It is said the God understood that even he himself was not immune to erosion, and it would one day be his downfall. So, he made sure his people were ready to live on without him. That his adepti were strong enough to subdue him if the day ever came.

As for his lover… well…

-----

Your bare feet crunch along the soft grass as you run and run, panting, gasping for air, almost tripping and letting out a yelp but quickly regaining balance and scurrying faster, past the falling golden ginkgo leaves, past the soft sound of rushing waters.

The golden sunset is gorgeous, dying the sky pink and orange with pastel hues but you simply ignore it, having grown tired of it, sick even. It is fake, an illusion. Just as everything else in this adeptal abode.

Everything except, of course, you and the beast you are currently fleeing from.

It is useless to try to escape, this you know, and your heart clenches painfully as tears prickle at your eyes. You’ve done this before, played this game many many times. But at least for one moment… just one moment…

A roar turns your blood to ice and against all common sense you look over your shoulder to see a massive long dragon twisting in the air and diving straight towards you.

Your legs tremble and fail you as you fall down, the grass is soft but your body aches, tired, burning. You scramble around frantically to stare at the beast again and your eyes widen in panic as it lands right on top of you, majestic and terrifying, caging you with its serpentine body. The golden claws alone are as long as your forearms, digging on the ground at either side of you.

You whimper.

The dragon lowers his head, growling at you, fangs mere inches apart and you squeeze your eyes shut, tears running down your face.

“Why do you run away from me?”

“Leave me alone!” You scream.

“Are you not happy with me? My mate?”

At the words you only sob harder.

Mate.

Oh, how much joy did that word bring you once. And now you can only feel your heart shatter.

You feel a shift in the wind, in the energy, in the light around you, and when you open your eyes, the massive dragon has faded to a more human appearance. He changes back to the form you’re most used to.

Long strands of dark hair tipped amber, striking golden eyes with stunning red lines that highlight their sharpness, a handsome face and a muscular body with arms died black, and lines of gold… lines that run along his cheek and down his neck. Cracks, like a broken glass, like scars, under his eyes and around his chest, ruining the pristine skin and unable to disappear despite his ability to change forms.

The undeniable marks of erosion.

You snap back to attention when he dips down and starts nosing at your neck, his hands pulling at the robe you’re wearing, the only article of clothing you picked up before scurrying away from the mansion. It parts open easily, revealing your naked body to his eyes, littered in past bruises, hickeys and bite marks. Claims from the dragon.

“W-wait. Stop-!” You try to push him back, panicked, desperately pressing your palms against his broad shoulders, but of course he’s immovable as stone.

You kick and trash until he gets irritated and suddenly your arms are immobilized, held above your head and pressed onto the ground by heavy geo cuffs.

“Submit.” He growls.

You squirm a little more until your body sags into the ground, exhausted, panting. There is no use. Instead, you shudder as his hands grope and rub all over your body, rough and callous.

He spreads your legs and slots between them as your breath catches. His palm presses at a spot on your navel possessively, a glittering geo symbol engraved on your skin there, glowing subtly like his horns. You whine.

Then his touch goes lower and teases at your entrance, circling the hole and dipping in just barely.

“Z-Zhongli-!”

Another growl comes out of his throat, deep and guttural. “You dare speak another man’s name in my presence? In my realm? When you belong to me?!”

Your whole body shakes, with rage, with fear. Your heart about to burst. You grit your teeth and glare at the dragon god with as much venom as you can.

“I don’t belong to you!”

He snarls, eyes widening to serpentine slits.

“Insolent. No matter, I’ll fill you up again and show you.”

The eroded God leans down to bite at your neck and you yelp, sharp fangs break your skin and you cry as you feel the warm blood spill. His claws prick at your thighs as he starts unceremoniously humping against you. The ridges on his draconic cock making your hole twitch and you gasp as he presses in, dipping slightly inside your thigh warmth. No need to prepare your body after so many years of coupling. Your hole already soft and molded to him like a worn-out toy.

“No, please… n-no.” Your voice breaks, tears running down your face.

Everything turns blurry, fuzzy, and your head spins.

How had things ended up like this?

You see no love in his eyes, no recognition. And you don’t recognize him either anymore. This creature, this beast… he is not your lover. He is not Zhongli…

And hasn’t been for who knows how long…

Zhongli raises one of your legs and rests it on his shoulder while straddling the other and pushes further in the slick warmth, ignoring the sounds you make. “Too big! I can’t-!” You scream and it just urges him to slam it in. “No- Ahh!” Sheathed all the way to the hilt, Zhongli groans as you clench around him.

He immediately starts thrusting and you feel the world tilt. It’s all too much, the sound of skin slapping against skin, your walls getting battered by his thick member, his animalistic grunts and groans, and the way your body betrays you… a speck of pleasure mixed in with the pain.

It's so cruel.

“Sto- gh! Stop it! Zhongli, please…!” You sob.

Zhongli hisses, muscles taut and flexing as his hips buck into yours, finally finding that spot that has you choking out a moan, your body shivers, forced to surrender and feel everything, a hot coil building on your lower stomach where the mark of geo glows as he continues to take what he wants from your struggling form. He laps at your skin and nuzzles there, almost lovingly. “Mine.”

Your moans start turning sweeter, previously pained sounds turning to vocalizations of carnal lust, your eyes glassy. You try to fight it, conflicted, but the stimulation is too much.

You come with a raw cry through gritted teeth, tears flowing down your cheeks and your own juices coating your skin causing you to feel dirty in more ways than one. Zhongli continues through your overstimulated state, chasing his own pleasure as his thrust become erratic until finally, he stills deep inside and moans long and low, painting your insides white.

You feel him twitch inside you and groan, absolutely exhausted, overwhelmed with emotions, feeling sick, used and abused. He lowers your leg but doesn’t bother pulling out, keeping you there as he nips at your skin, murmuring soft words. “My mate. All pretty and filled up. All mine. Love you.”

You can’t bear to hear those words, spoken in the voice you continue to love after all this time. It shatters your soul, breaking it to pieces like the corroded dragon’s destroyed mind.

Feeling about to pass out, you close your eyes and your head lolls to the side, sniffling against your own forearm as tears continue to fall. “I love… Zhongli. Miss him. I hate you…”

He dissolves the geo shackles into specks of gold and holds your unconscious body in his arms, satisfied with the claims and scent he’s left on you. His tail swishes slowly, pleased with himself as he carries you back to the abode’s mansion.

Home.

Were he’ll keep you safe, bound to him.

Forever and always.

-----

…It is said that his lover is the key to keep the eroded God confined.

Trapped by the possessive dragon in a sealed realm, to keep him ensnared, enchanted and bound to them.

Until they both turn to dust.

[morgana-ren]

On the subject of cheating…. How do you think Astarion would react to a dark urges Tav who doesn’t show any disapproval towards him for infidelity but does try to brutally murder all of his other flings

I can’t reconcile if he would be upset about them having too much agency in this situation and stop it or just into Tav being possessive of him in the way he’s possessive of them

He wakes to the pleasant and unmistakable tang of blood.

It's not uncommon for Astarion to greet the morning steeped in the sweet, saccharine scent of blood. Not at all. In fact, it's most welcome upon first waking, ranking among a deep, rich brandy and defiled silk sheets for his favorites. A metallic bouquet of a lovely, robust breakfast just begging to be supped on, just for him. If you were to ask him, there's truly nothing finer in the world.

An indulgent inhale has him sitting up, slipping a lazy hand through his hair and tongue running over his fangs as his mouth waters. The pit of hunger gnawing at his gut isn't quite so terrible as it used to be when he was but a filthy spawn, but he wouldn't ever deny himself the decadence of breakfast served up to him in bed.

The source of the delectable scent lies flopped over on the opposite side of the mattress, and he glances over with sleepy, hazy eyes to admire the sight. Her long, silky hair splays raggedly over her face, one of her arms limply hanging off the edge in what cannot be a comfortable position. The sheet haphazardly wrapped around her only scantly covers her rear, and by proxy, the sloppy mess he'd made between her thighs a few hours prior.

Clearly, he'd worn her clean out.

He chuckles; he can't help it. He's almost proud of himself-- if it wasn't so commonplace, that is. It's so terribly difficult for these weak and paltry little things to keep up with his kingly stamina, and he cannot begrudge the delicate humans that end up beneath him for losing consciousness.

Still! It's time to wake up, as he's remarkably hungry and he will not go another second without sinking his fangs into her swan-like neck.

"Darling, you sucked me dry and left me ravenous," He reaches for her, tracing a teasing claw up the dotted curve of her spine. "It would be positively unacceptable to leave me in such a state before you go."

She doesn't respond to his sentiment, and so after several seconds of testing his patience, he prods at her upper arm, eventually resorting to jostling her lightly with his hand, pinching her flesh between his clawed fingers--

--and it's only then that he realizes that her skin is ice to the touch, and he cannot feel her chest move with her breath in his palm. While that is entirely normal for him, it's not normal for small human women.

The sharp aroma of blood is far too palpable, even for his palace.

His red eyes truly focus on the girl contorted in his sheets for the first time: Her skin far too pallid, her stench far more enticing than it had been hours ago. His hand goes to brush the hair from her face, and there's a slick, wet feeling between his fingers as he does.

He is hit with the subtle yet bitter scent of freshly dying blood. Something that is usually sequestered only to beings beginning a state of decay. Something that should not be in his bed.

Unsettling, he thinks, but mostly irritating. Dead, hmm? He's almost certain he didn't kill this one on accident. Fairly certain. He callously rolls the woman's dead weight onto her back, frowning as he's met with a scene that he's quite certain he couldn't have done accidentally.

What was her throat is now a gaping maw of blood and bone-shine, scraps of gore clearly ripped out from inside. Her mouth-- or what is barely left of it-- is twisted in an eternal wordless scream, her face eternally contorted in some unseen horror. Her lovely eyes are wide and frozen in terror, unblinking and milky. Upon further inspection of her body, there is a hole where he assumes her still-beating heart had once been, clawed savagely free from her ribs by some brutal, unrelenting force.

He scowls, needling his lower lip with his teeth. It's a shame, he thinks with an exasperated sigh. He's sure was a beauty before all of this.

Another vicious, deadly beauty clearly demands his attention now, and he pushes the dead whore off the bed with an annoyed huff, snatching his long silk robe from the bedpost before affixing it around his body.

"Such a pity," He fastens the tie around his narrow waist, stepping carefully around the bedframe to stand in front of the newly made corpse with a grimace. "You were so vivacious last night, dear girl. But you're making the wrong kind of mess of my sheets, and I cannot abide that."

With a careless tug, he rips the remains of the young woman off his mattress, her mutilated body landing on the floor with an uncomfortable, wet thud. He steps over her, striding towards the door, feeling decidedly irritated. He was planning to spend a lazy afternoon in bed, but it appears something more urgent demands his immediate attention.

"Good morning, my lord--" A servant greets him just outside of his door with a sweeping bow and an expertly balanced tray. Astarion doesn't bother to look at him, instead grabbing a morning glass of wine, taking several deep swigs before finally sneering unpleasantly down at the man.

"Where is my wife?"

Another scraping bow, but Astarion doesn't stay to witness it. Rather, he takes off down the hall in search of someone more important. Someone that, he imagines, was rather busy last night after he fucked-- Hells, what was her name? He doesn't remember. Did he ever know?

"In her garden, sire."

"Right," Astarion carelessly tosses the glass back onto the floor, where it shatters to pieces. "There's a rather putrid corpse on the floor in there. Have it taken care of. I want it spotless before I return."

"Yes, my lord."

He tries to recall as he makes his way through his palace and towards the garden, and ultimately decides he doesn't care.

He finds his lovely wife right where he expects to, taking a leisurely stroll in her strangely fruitful garden. The scent of damp, rich soil permeates the air, mingling with odd, exotic flowers he has brought her and lush, fertile plants that she has coaxed into life with her hands. Blossoming organic life from nothing is not something that he imagined was in the wheelhouse of a favored child of Bhaal-- quite the opposite, really-- and yet, she seems to have nurtured a niche talent for it of late.

It irks him that she's grown somehow cold to his affections. She no longer stares at him with owlish eyes and flushing cheeks and a rapidly beating heart; rather she seems to shrug off even his most endeavored attempts at seduction with an ease that, if he didn't know for a fact that he was the most powerful and attractive man in a country mile, might hurt his pride.

She seems entirely at peace and unbothered, gently cradling a small rose between her fingertips, admiring it as it slowly blooms into a lovely, blood-red bud. The placid expression of someone either entirely unacquainted with the art of murder, or a masterful artist with it, and he knows all too well which one. As he approaches, she doesn't acknowledge him with anything other than a brief turn of her head and flick of her eyes.

"Your garden is looking lovely as always," He saddles up behind her despite her aloof silence, gingerly sliding his arms around her waist and leaning to scent along the side of her neck. "As are you, my sweet girl."

She only hums her acknowledgement, her ever-present sly semi-smile unfaltering as he speaks, still clearly far more taken with her flowers rather than his company and flatteries.

A deadly mistake for everyone other than her.

"Been busy this morning, little love?"

"Oh, only as much as usual," She gives him nothing--no guilt, no anxiety, just the hints of a mischievous, murderous smile-- as she releases the flower from between her fingers, turning instead to continue sauntering through the row. "I try to keep busy."

A quick sniff reveals all he needs to know. He doesn't need to get any closer to the freshly filled hole to smell the rancid stench rising from it. Underneath the sopping wet dirt, mingling with fertilizer and fallen leaves is the unmistakable stench of dead flesh; A muscle steeped in still blood, to be specific. Buried beneath soil alongside the foreign seeds lies what is left of the mangled heart of the woman he'd taken to bed last night, now planted in his wife's garden in some macabre ritual to sustain yet another carnivorous horror she's gotten her hands on and is now coddling into growth.

"I can see that," He croons, eying a fresh mound in the dirt, clearly freshly dug. "Is this one new?"

"Just this morning, dear," She lulls softly, a barely discernible playful edge to her voice. "Newly planted."

Dozens more peculiar vines twist up from the ground in various states of growth in nice, even spaces carefully organized into rows. Under the lively essence of plants and sticky-sweet flowers is the painfully apparent stench of decay and rot; Months and months of the still-lingering scent of blood of all the lovers he'd taken, turning spoiled and foul in putrefaction in her grisly little garden. All of their lives ended preemptively by his wife with the same feral glee that a rabid mongrel must feel upon sinking its fangs into a terrified, defenseless creature.

All for daring to indulge in him.

What a senseless thing. Died so futilely and no doubt miserably at the hands of his wife, alone and panicked only feet from their powerful king, and for what? Finding their way into his bed? How absurd. Who could resist him? Who would dare? He almost pities the funeral procession of poor creatures whose hearts have become fodder for the dirt, no honoring of their lives save his consort's nursery, fed and weaned on their innards. Their final moments belong to his insatiable wife's ruthless bloodlust through no fault of their own, and yet--

--Something about her vicious possessiveness over him smolders in his core, igniting a twisted arousal that coils the length of his spine and constricts like a serpent until he simply cannot stop himself. Deadly, precise, perfect little wife of his, so vicious and yet so precious to him. He swears her bloodlust only serves to stoke the flame, and how he longs to devour her.

(How long has she denied him? How long has she teased and tested him, tantalizing him with memories of burying himself inside of her sweet, tight heat with merciless drive, supping from the delectable blood of her soft body, her voice crying his name like a chant to some dark God until she rips what is left of his soul clean from him to take it into herself. She would yield for no one, a primal and ferocious creature beneath the veneer of illustrious, undead beauty, and yet she would heel to only him, letting him lose himself in her warmth, her fire until he burned--)

He reaches around and whirls her to face him so that she cannot feign indifference under his scrutinizing gaze. She knows better than to fight his manhandling and allows him to spin her towards him, though she refuses to wilt under his sultry glower. Her expression remains entirely passive as his hand reaches up to take her chin between two fingers, squeezing hard enough to have her wincing.

"Another one, darling?"

"You dislike the roses?" She blinks big eyes at him, the perfect picture of innocence. She hasn't been innocent a day in her life, and today certainly isn't a start.

A part of him wishes he could remain angry-- or at least a little indignant-- about the fact that she believes she has some overarching and indisputable claim on him, but deep down, he knows that she's right; she does have a staked claim in his heart in a way no one else ever possibly could. Even as his eyes and body might stray from her, he is forced to admit time and time again that nothing compares to his wrathful little lover. The strays he shepherds into his bed don't fill the gaping hole she leaves within him in her absence, her wretched denial of him. It is only silently that he acknowledges his wayward lust is just his spiteful response to her cruel neglect.

"Don't play the fool for me, my dearest girl, you're a terrible actress. Another concubine. Another corpse in your grim little graveyard. Is calling it a well-tended monument to your jealousy perhaps too romantic?"

"I don't know what you're talking about, my love," She smiles gently, lifting a hand between their chests and up to her face, slipping a finger between her plush lips. He smells the lingering blood on it and yet he cannot take his eyes off her tongue as it curls sensually around the length of her knuckles and how immaculate it might feel on him. He cannot help himself but think just how graciously daddy Bhaal has blessed him with his beautiful daughter; How fiercely alluring it is to watch his undomesticated little monster clean up her homicidal mess.

It started as all things do: With a seed. A bladed joke bloomed into irritation and resentment. His endless libido and her cresting bloodlust come to blows over priorities. The only woman who dared to gainsay him, her lovely little hands covered in blood and the power of Bhaal coursing through her veins keeping her too wild to be truly tamed by his vampiric blessing. His appetite for domination was insatiable, as was hers.

A child of Bhaal would not be tamed-- even by him.

He craved obedience and reticence-- he craved raw reverence and worship. To be viewed with wide eyes and admiration and blind devotion from some poor, pitiful creature too weak and foolish to resist him; To be seen as a God before a miserable little mortal; For his subject to offer willingly for a chance to taste of his splendor.

It is the only thing his beloved would never give him: acknowledgement of his superiority; submitting before him, allowing him to enforce his will upon her willingly. She is a fanged and clawed creature, wild by nature, and she would not purr her praises chained at his feet. She commands respect-- even from him.

She could never play the fool for him, encouraging him to believe that she was helpless against him, or weak, or pitiful, or foolish. It would insult her pride and her lineage. She is a force of nature in her own right, and he could never truly own her without her consent-- consent she has withheld.

And so, he would tell you that he simply retaliated.

She never spared him a sour word when he teased the waters about bringing other people into their marital bed. She only smiled that damn smile of hers and told him that he can do as he wishes as the king. Hells, she hardly seemed to notice when he first took some pathetic creature into their sheets for some harmless fun. The reaction he yearned for from her, some measly sign of her devotion to him, she wickedly denied him, seemingly knowing full well the impact it had upon him.

It drove him to madness, a spiraling misery fueled by his pride. He refused to beg for her, and she would refuse to kneel before him. He came to believe that truly she did not crave him with the same veracity that he longed for her. He no longer sought her out, and she did not come seeking. Surely, if she loved him, she would show some sign, some indication of caring that his fingers caressed a pale pastiche of her rather than where they desperately longed to be: Tracing her lovely mouth, coaxing her clever tongue, circled around her neck, between her warm thighs--

--And then corpses began popping up like flowers, and his beloved suddenly took up gardening.

She grinds his patience to a fine powder, and something about that gets his fires burning hotter than it ought to. Her insouciant dismissal of him, the absurdly casual slaughter of insignificant sex partners and then having the audacity to seem almost bored of his presence. She clearly cares enough to rip the bleeding hearts out of his inconsequential conquests, and yet, here she stands, utterly unfazed by him, having the audacity to feign indifference.

"If you're jealous, my love, you only need say so," He hushes to her, batting her cheek softly as he forces her to look up at him. "You needn't kill everyone who finds their way into my bed. I would cease if you simply said the words."

"Jealous?" Her brow furrows, head cocking, her lips jutting into a little pout. "I don't know what you mean."

What he asks is simple, so dreadfully simple. So easy, so, so easy--

Acquiesce to me.

And yet, she dares to deny him even as there is blood on her hands from strangling and wringing his full attention from his lover's corpses.

The wall of the greenhouse he built for her isn't particularly comfortable, but he couldn't care less as he shoves her against it, bullying his body against hers with brutal force, slamming her head against the glass with a lightning-fast palm encircling her throat.

"Why do you insist on being such an obstinate little brat?"

She opens her mouth to reply, and he squeezes tighter in response, choking the air from her little neck and stoppering the words on her tongue. There is a flash of something in her eyes once they open again, but he isn't entirely certain which sin it's indicative of: wrath or lust, or some degenerate mix of both.

It had to be her.

"I don't know what you mean, my lord," She croaks as he allows it, her hand clasped on his wrist as he clenches the rounds of her neck. He swears he sees her lip twitch in the ghost of a smirk even as he suffocates her. He holds all the power over life and death over her, and yet she is insufferably calm.

"I warned you not to play stupid, darling. You know very well what I mean." He growls against her ear, frustration and arousal building to impossible levels. Of all the women in Toril, it had to be her-- it had to be--

"Admit it," He hisses, sharp fang nipping at her ear. "Just admit it, and ask-- beg me, and I'll stop."

He feels the chuckle bubble in her throat even as he cannot hear it through the pressure he applies to her windpipe. "Beg what, my lord?" Her eyes narrow, her amusement apparent even as she has a practiced expression of apathy, whispering back to him with a strained voice still somehow full of unmitigated audacity. "Do you think I suffer?"

His lip curls downwards, and he realizes that he has no leverage here other than her violent jealousy, which she will happily unleash upon his unfortunate bedfellows rather than swallow her pride and cling to him as she should. She has no qualms with murder, and he might as well hand-deliver her victims. It has become an inevitable truth that whoever finds themselves romping beneath the sheets with their king won't be leaving alive because the queen would rather die than admit she cares that he spends his affections elsewhere.

"You can't hold out forever," He knees her legs apart and wedges himself between them, grinding his lust into the clothed heat of her core. "You will beg for me. You will acquiesce. You know your place is at my side."

He pushes forward again, lips brushing against her cheek, his warm breath on her neck sending shivers spiraling down her spine. The way she rhythmically gyrates her hips deliberately against where he wants her most has his hands flexing, kneading deeper into her flesh. His nails dig into her deceptively soft skin, sliding one hand up her body to grope gratuitously at her curves before crawling up to thread his pale fingers through her hair. With the silky strands weaved between his knuckles, he yanks, exposing her throat to the mercy of his razor-sharp fangs like a wolf perched over carrion. He'd die before admitting the overwhelming, frantic need she inspires within him, but he swears if he doesn't have her now, he will perish.

She exhales ragged and husky, squirming against him in apparent need, but still manages to stand her ground. "I am at your side, my lord. Your front, to be more specific."

"On your knees, on your back, whatever I demand. Give in to me. Heed my command, my love," He releases his fingers from her neck, both his arms snaking behind her to scoop her ass in his palms and hike her up against his waist, bidding her wordlessly to lock her legs around him. She does it instinctively, throwing her arms around his neck, tugging playfully at his silver hair as she does. He keeps her up with easy purchase against the wall, keeping her prisoner between a wiry cage of eager limbs and foggy glass panes. "Submit to me of your own free will. Kneel to me, your husband and king, and submit to me fully."

His voice is low and husky as he exhales against the shell of her ear, doing his best to swallow down the desire to rip her pretty dress to shreds with his bare hands and ravage her on the filthy ground of her greenhouse.

"All you need do is say the words," He mutters, barely audible even to her, the scent of her driving him to the precipice of insanity. "Say you belong to me, body and soul. Submit to me, girl, and I'll never have need of another."

He feels the derisive chuckle in her throat reverberate against his own mouth and pulls away to observe. Her eyes are glassy and low as they meet his, moist lips parted in a little 'o', trying so hard not to do that hateful little smile of hers. His hand tightens in her hair, jerking his hips ruthlessly against her once again. So close now, he can feel it, he's going to destroy her, ruin her, tear her to pieces only to put her back together and do it again--

She dares to deny him, dares to have the raw audacity to mock him-- he's going to hurt her so badly, sink his fangs into her neck and drain her fucking dry, force himself inside of her until she has to beg him through hiccupping sobs to stop, unable to fend him off in his full power. He will show her who is the master--

"No."

She cranes her head forward just a little and gives him a mockingly gentle peck on the mouth. It's deceptively gentle and cruel in its intention, entirely meant to taunt him. In his shock at her gall, he is stalled, almost paralyzed and entirely unresponsive and numb to the tidal wave of rage and lust that collides in a nuclear cocktail deep in his gut. It's but a brief moment before he regains control over his senses, and when he does--

"Maybe," She flicks her tongue out, licking a small, red stripe up his cupid's bow. "But not yours-- and you can try, my love."

He releases his grip on her hair only to grab her cheeks, digging his fingers into her jaw so hard that he can feel her gums scrape against the ivory ridges of her fangs. Her wince of pain doesn't escape him, fueling the inferno inside of him as he snarls, baring teeth down on her as a predator might.

"You dare to play games with me? You are a miserable, stubborn little whore and I'd see you put back in your proper place!"

It's more animalistic growl than spoken sentence, and even as he squeezes her face, he can see the twitches of a smile on her crumpled mouth. He can smell the blood on her tongue, the utter defiance in her expression, and despite his frenzy of anger, he throbs between her thighs.

--and yet it's him on the cusp of inescapable frenzy, the taste of her now blasting away the dull, gray months and the now; this one fiery moment where she is wholly his, reminding him of the untamable bonfire of desire she stokes within. His beloved consort, his wife, until death take them both or not at all--

It should drive him into a blind, red rage, but it just makes him harder, pulsing against her insistently, his body demanding entrance to what is rightfully his--

"You will always belong to me."

He crushes his mouth to hers so hard it pains the both of them, more devouring gnashes and fierce, hungry greed for her than passionate kiss. His fangs break the skin of her lip, his tongue thrusting between her teeth, determined to taste every inch she offers up to him. She mewls weakly into his mouth, trying to break the kiss to breathe, but he won't allow it; she only breathes by his will and he'd see her reminded of that--

A battle he will win.

"Mine-- only mine--"

He pants it sloppily into her open mouth, still desperately trying to swallow her essence into himself. She manages to tug away from his unhinged fervor, though only briefly, just to heave and whoop air into her lungs, desperate to catch her breath before she speaks:

"Not if you're not only mine."

It's a fool's facade, this game they play. Around and around and around once more, each demanding prostration of the other only to burn themselves on their own encompassing greed for the other. A toxic whirlwind of emerald-green jealousy and blood-red rage, enveloped entirely by hazy, punch-drunk lust. Two titans locked in a battle for dominance, chasing the vulnerability of the other one.

He hard-swallows, using every ounce of strained willpower he has in his willowy body to retreat away from her, casting his savage need into an abyssal pit inside of him and sealing it before it swallows him. instead. Slowly, he manages to peel away, slowly setting her feet back on the ground, doing his best to compose himself despite the very blatantly obvious signs of arousal and his apparent state of both mental and physical dishevelment.

"I won't humor you forever, darling," He purrs, giving her one last squeeze before stepping back away from her, distancing himself from her control over his body that he loathes. "I always get what I want. You should know that."

She blinks up at him again, her lips puffy and skin smeared with swatches of blood that he has to bite his tongue to keep from tasting. "Not this time."

His lips quirk in a condescending grin at her adorable little show of defiance, resituating himself within his linen pants without shame. "We'll see, my dear."

With that, he abandons the 'conversation,' turning to walk out of the greenhouse, only sparing one last glance at her garden of flesh-- and then once back at her. It breaks his willpower in a way he is miserable to admit, but his need for her overwhelms his pride.

One last snarl in her direction, and he turns to stalk out, itching to backhand the smugness from her pretty face. If he does, he knows well enough that he will not be able to walk away from her. He will take her here and now in a maelstrom of blood, violence, and ruthless sex, and he will lose this little game of control, and he cannot have that.

Still, that doesn't mean she is allowed to believe she has any choice in the matter.

"It's been long enough. I am expecting you in my bed tonight. Do not make me come searching for you. You won't like what happens if I must seek you out."

She seems surprised and almost pleased with his minor acquiescence. It comes in the form of a demand, but she knows full well that it's the best she's going to get. She offers him a sweet smile, smoothing her skirts back down her legs from where he'd hiked them up around her still-quaking legs. He can still smell her, the wet between her thighs, the rich, royal blood flowing through her veins, her body that sings to him a siren song luring him to his fall. If he doesn't break something in soon, he is going to combust--

"We'll see."

He traipses back into the palace, body shuddering and shivering in its effort to control the raging hormones. He is ravenous, needing to drain someone dry and be drained dry-- and soon. Another well-trained servant greets in the halls, cautiously approaching upon seeing his dour expression, bowing from some distance away in case his master decides to lash out.

"My lord--"

"A concubine. Now. Sent directly to my chambers. We are not to be disturbed, no matter what you hear. Do not keep me waiting."

[etrangeres]

The Curious Case of Kaitou Kid

We love alliteration in this household.

To start with an anecdote, I went to the main Animate store in Ikebukuro some 2-3 weeks after M27 began showing in theaters. I had two reasons to be there: hopefully grab some copies of the Magic Kaito Treasured Editions, and grab what movie-related merch I could. The former I managed, but the latter was a lot harder. Despite them devoting nearly an entire wall on the right side of the first floor to Detective Conan merch, every single piece of non-blind box Kaitou Kid merch had been snatched up already. This trend of Kid’s merch being sold out seemed to continue for at least a couple weeks afterward, at least in and around Tokyo.

This demonstrates something I think we all already know: Kaitou Kid is a crazy popular Detective Conan character.

…Detective Conan character? Yes, but… No. But definitely yes. But… yes?

Kaitou Kid - real name Kaito Kuroba - is such a funny character if you think about him for more than a few seconds. So I chose to think about him for a few, uh. Days.

When I say he’s funny to think about, I don’t necessarily mean in terms of who he is as a character - which is admittedly also fun, because I think Gosho Aoyama is the king of gap moe - but more in terms of his placement in the greater DCMK canon. I mean, the fact that we have the “DCMK” acronym at all signifies the importance of tying these two series together. Even though they technically take place in different worlds. You know. Technically.

So I want to (mostly) chronologically go through Kid’s history in Detective Conan, how it relates to his origin as Kaito Kuroba in Magic Kaito, and amuse myself with the strange relationship he (and his source manga) has with the juggernaut that is Detective Conan.

Before we jump into this, some basic notes:

-I don’t mean for this to come across like some academic thesis. Nor did I actually think this would hit nearly 17k words. I’m just Like This.

-Any translations you see here are done by me, from the source Japanese.

-There will be concrete mentions of events from M27. They are comparatively trivial in terms of the mystery the film offers, but there will be spoilers for certain major parts of the plot as they relate to Magic Kaito elements. This will be clearly demarcated, should you wish to avoid those spoilers.

The MK to DC Pipeline

So I don’t know how many people actually need this information, but for completion’s sake:

Magic Kaito is Gosho Aoyama’s debut serialization (important distinction), and it began in June 1987. Though roughly the first two volumes’ worth of chapters were published at a fairly consistent monthly rate, it grew more and more irregular after that due to the popularity of both Yaiba and (more importantly for our discussion) Detective Conan. Due to it still technically being an ongoing series, it is currently Weekly Shonen Sunday’s longest running manga. This just so happens to be followed by Detective Conan, and they lead this particular ranking by a fairly wide margin.

The manga as it currently exists came out of the one-shot “Nonchalant Lupin,” which he submitted to Shonen Magazine’s manga contest after his editor told him to “draw the story you most want to draw” (Treasured Ed. V5). The one-shot won an honorable mention. His comment in Treasured Ed V1 also mentions that he “all but became a mangaka because I wanted to write about a high school kaitou,” so he’s clearly attached to the concept. He’s also clearly attached to Magic Kaito itself; a number of excerpts from the Gosho Aoyama 30th Anniversary Book, for example, talk about how a greedy part of him immediately thought of Kaitou Kid on the silver screen when he heard about the first movie being greenlit, or how he thinks Detective Conan will one day end but Magic Kaito may not because that’s what he really wants to be writing.

Back to our timeline: the Kindaichi Case Files were gaining steam in the early 1990s, and Weekly Shonen Sunday wanted its own version of the boom. Gosho himself was approached by the editorial team at Sunday to do a mystery series, and he accepted, not thinking it would last very long - not only because he wasn’t all that interested in the idea, but because he didn’t think there would be enough material to last more than three months.

It has lasted 30 years.

I say all this not to indulge in the depressing truth that Magic Kaito only has just shy of 40 chapters, but to specifically highlight the synergy Magic Kaito has with Detective Conan - despite the existence of magic in the former - due to their shared inspiration of Arsene Lupin. Things like Sherlock Holmes and Kogoro Akechi are pretty obvious inspirations for Detective Conan that I don’t need to go into in much depth, but the idea of a “high school kaitou” still very much bleeds into aspects of Conan’s character. Many of the things Kaito is either capable of naturally or has to deal with due to the inherent nature of his position are things that are also reflected in Shinichi.

Feats of physicality (Comes naturally to Kaito due to genetics and practice; enhanced for Conan via Agasa’s inventions)

Master of disguise (A practiced skill with makeup and voice changing for Kaito; use of a voice changer and aid from people in his life to deal with disguises)

Secret identity (a flipped perspective version: Kaito has a straightforward secret identity, while Shinichi has to keep his survival a secret)

The “bumbling police” (A good kaitou story will have a morally upstanding but kinda dumb detective that demonstrates the sheer skill of the kaitou in question while putting a contrast to their morals. Nakamori is this to Kaito; though not a one-to-one, characters like Megure or Kogoro serve similar roles to Shinichi to demonstrate his skills as a detective.)

“Why are you like this????” (Admittedly the most Vibes of the list, but there’s a level of gray morality. We root for the main character while knowing that what they’re doing is at times questionable. Kaito goes without saying, but Shinichi is more likely to engage in suspicious behavior like breaking into cars, bugging people’s houses, or even stealing evidence after becoming Conan.)

Motive (The most interesting - and sometimes the funniest - overlap is the fact that they’re both after a shifty organization. It’s a bit surface level at first, but there’s a suspicious level of overlap between not Shinichi and Kaito, but Shinichi and Toichi.)

All of this is to say that pushing DC and MK into DCMK is almost comically easy once you adjust for tone (and, uh. remove Akako, I guess) because Shinichi is BUILT from the kaitou framework and tweaked into a detective. So it’s no wonder Gosho decided to throw in a Kaitou Kid cameo that turned into the character asserting himself as a recurring sub character, as opposed to a quirky crossover character.

Even if he’s still both. And also a secret third thing.

The Last Wizard of the Black Star

So, there’s not much to mention about Magic Kaito’s early run. All chapters in the pre-DC era are stand-alone stories, with the plot starting and concluding within the span of a single chapter. It was a bit of an “anything goes” era, with the genre fluctuating all over the place and a lot of things we consider “standard” in any given Kaitou Kid story not yet being fully codified. Many of these weirder chapters have their own charm if you allow the gag manga energy to take you for a ride, but if gag manga isn’t your thing then it feels like these chapters are where Kaito himself is at his most…incongruous with the character that would eventually show up in Detective Conan. (Let it be known for the record that I personally find these early chapters SO silly and would kill for an animated adaptation of Clockwork Heart, the truly bonkers third chapter.)

The biggest “what do you MEAN that wasn’t there from the start?!” is by far Blue Birthday, which is the chapter of Magic Kaito that was published immediately before Detective Conan began serialization. It took about half of the currently released chapters to introduce Pandora, a now fundamental concept that is likely to be included in ANY one-paragraph summary of Magic Kaito’s plot. It isn’t the only thing, of course; though Kaito’s card gun debuts in the very first chapter, his hang glider doesn’t show up until Chapter 10.

The other major thing worth pointing out in the pre-Black Star era is the general pacing and fundamental makeup of the stories themselves. Very few case-only (or heist-only, as it were) characters show up in these chapters. When they do show up, they tend to be pretty flat, are often ridiculous, and are there to facilitate the hijinks of the day (the gun-crazy detective, the weird robot inventor, the irresponsible prime minister).

This changes with Green Dream, and it’s an immediate change. Detective Conan has been in serialization for over half a year by this point, and already its formula is bleeding into Magic Kaito. There are multiple new characters per heist, and multiple pages with two to three times more text than before are dedicated to setting up a fundamental conflict. Kaito is also more likely to take a stance in this fundamental conflict and use his talents and status as Kaitou Kid to lead it to a conclusion. Behind all of that, though, Kaito himself is still the cheeky little agent of chaos we all know and love throughout these chapters. (As an aside, the Kid mark used on his advanced notices debuted in this chapter!)

The big watershed moment is very obviously Black Star - the Detective Conan version, in this case. In both this and the Magic Lovers case (despite his very little screen time in the latter), readers of Detective Conan are introduced to a FAR more serious version of the Magic Kaito character. This is largely because what we’re seeing in Black Star specifically is a 100% outsider's perspective. Though we’ll very shortly find out this is not Shinichi’s first meeting with Kid chronologically, it is the first time he not only hears his name, but also has any real interactions with him. Kaito wears the mask of his father in his performance as Kid, and you could very much argue his guard is WAY up around probably the weirdest child he’s ever met. So in a story from Conan’s perspective, we have no way of seeing behind that mask.

Personally, I always put a bit of an asterisk next to DC’s Black Star. This is the case that feels the most like a “crossover” than any other Kid case after this, and of course it would. It’s the very first one! It’s the Kaito and Aoko cameos that really bring this vibe for me personally; great care is taken in Detective Conan not to pull much of anything from Kaito Kuroba’s personal life except in a few stand-out cases, and those  almost never involve anyone in our core cast directly. And I don’t even mean in the “he’s only ever shown in his Kid costume” way, because there are plenty of times where he shows up not wearing that. They key for me is that Kaito is always “at work” as a disguised Kaitou Kid as opposed to as Kaito Kuroba - the hat, the darker clothes, the low-effort disguises as police or staff. That kinda thing. But the appearance of Kaito and Aoko in their casual wear or school uniforms here really makes this case stand out in a way that later cases simply don’t joke about.

Detective Conan shows us Kaito at work. It’s why he comes across as so difficult to grasp and almost intimidating in these earliest of appearances. Those vibes obviously continue into The Last Wizard of the Century, the third theatrical release and Kaitou Kid’s very first movie appearance! His grand total screen time is only a fraction of the movie’s full run, but the vibes have a heavy overlap with that first conversation Conan has with Kid on the roof in Black Star. Though there are debates regarding the movie’s canonicity, this also marks the point in at LEAST movie continuity where Kaito figures out Conan’s identity, so there’s that precedent set. (Put a pin in that, by the way.) This also marks the first time Kid disguises himself as Shinichi.

What’s more amusing to me is that Magic Kaito’s Black Star seems to have been published to coincide with the movie’s release. Magic Kaito’s very first chapter after Kaitou Kid’s appearance in Detective Conan brings Shinichi Kudo to Magic Kaito. This is his only appearance in Magic Kaito to date, whether it be as Shinichi or as Conan. Gosho mentioned in his note on the Yaiba vs Kaito chapter that he really likes crossovers (same hat), so I have to think that the limited run of Magic Kaito is likely why we don’t see more DC characters in MK. Though in a Q&A he did toy with the idea of Conan showing up in Magic Kaito one day, so…

All that said, every time I think of MK’s Black Star my brain shoots off in two directions. The first and easier to articulate direction involves Akako’s presence, but we will get to that in the next section. The second direction is the very existence of this chapter at all.

As I mentioned above, this is the first new heist for MK after Kid showed up in DC. It is also the first multi-chapter heist, which indicates even more influence is bleeding over. It was also published alongside the movie, probably as part of a promotional stunt. Something about it feels like a doubling down of sorts on the stapling of these two series together. Kid showing up in Detective Conan is a fun reference; Shinichi showing up in Magic Kaito instead of the more recognizable Conan feels like a statement of shared worlds, largely because of how it makes you think about the timeline. The Akako issue aside, it really feels like he wanted these worlds to collide. If you have your own Lupin analogue AND your own Sherlock analogue, why wouldn’t you want to pit them against each other?

Add More Staples!

It’s at this point that updates to Magic Kaito get… particularly sparse. But there are a couple of things I find personally interesting about these few years despite that.

We start off with a back-to-back bang. The Twilight Mansion case introduces Hakuba into Detective Conan. Which would be fascinating by itself, but this was also Hakuba’s first appearance in EITHER DC or MK in TEN YEARS if you don’t count his one-panel cameo in MK’s Black Star. The framing of his introduction in Detective Conan is interesting, because the paneling and composition very clearly tell the reader that the character that’s about to be introduced is either 1) important, or 2) already known. In Hakuba’s case it’s clearly the latter, but this would make very little sense to someone that isn’t as aware of his place in Magic Kaito. 

Enter The Gathering of the Great Detectives, the animated adaptation of the Twilight Mansion case that was turned into a two hour special and opened with MK’s Black Star. There are ways in which it’s an odd choice, given Hakuba barely appears in Black Star at all. But I think Hakuba’s status as yet another Magic Kaito character being introduced into the narrative provided an opportunity for them to adapt a Magic Kaito heist for TV broadcast, and the chapters featuring Shinichi were the easy choice. The Yaiba vs Kaitou Kid vs Conan OVA had come out shortly before this, so it’s technically not the first time a Magic Kaito chapter had been adapted. But that was more of an altered gaiden OVA compared to this, and this TV adaptation seemed to hit you over the head even harder that there was merit to delving into Magic Kaito if you were a fan of Detective Conan.

But now we finally get to talk about Akako. Oh, Akako. Bane of the DCMK world. Sole reason we must argue that they take place in parallel worlds despite how ridiculous that sounds.

In the manga, Akako gives Kaito her premonition about the Demon of Light coming after the White Sinner. This is also in the episode, if memory serves. But in the episode as aired on TV, Akako features very little after that… because they fully cut the scene of her attempting to use magic at the base of the clock tower. Magic does not exist in Detective Conan, after all. It was eventually put into the episode another ten years later on the bonus DVD that came with certain versions of the Treasured Edition of Magic Kaito Volume 4.

More broadly, Akako is clearly a sticking point for the combining of these two “worlds” into one. Gosho himself takes the easy way out by ignoring Akako’s existence entirely in the Detective Conan canon, just as the TMS adaptation of Black Star did. He’s often brought up the concept of the two taking place in parallel worlds where the only major difference is the presence of magic in one and its lack in the other, as in his comment on Akako’s intro in Treasured Ed. V1: “In truth, the biggest bottleneck when it came to introducing Kaitou Kid into Detective Conan was the inheritor of Red Magic herself! So please just accept the two series as parallel worlds (lol).” He’s much more straightforward in his comment for Sun Halo in Volume 5: “You really gotta have Akako use Red Magic! (Please just assume Akako does not exist in the Conan world…lol)”

Despite this insistence she doesn’t exist, Sky Walk features an almost blink and you’ll miss it reference to her. Nakamori brings up the idea of Kid’s assistant being in play, to which Conan shows surprise at him having an assistant at all. Nakamori replies that there are multiple reports, some of an “old man” and others mentioning a “young woman.” The old man is obviously Jii, but the young woman is very likely meant to be a reference to the stunt Akako pulls in Akako’s Delivery Service, a very early Magic Kaito chapter.

As you’ll notice, Akako is still very much a practitioner of sorcery as of something as recent as Sun Halo, so it’s not as though Gosho has simply opted to phase her or her magic out of Magic Kaito. But considering there are MULTIPLE DC cases that deal with debunking the supernatural, her presence would most certainly complicate things. That being said, Magic Kaito’s world and plot do not seem to hinge on magic in an intrinsic manner (unless Pandora is literally a magic gem, as opposed to the tale of the gem being a metaphor for something), so I personally don’t see too much of an issue with magic being very rare, even in Detective Conan’s setting.

To keep with Magic Kaito for a little while longer, Golden Eye was the single heist released during this period. As far as its significance is concerned, I actually think Gosho said it best in his comment in the Treasured Edition: “Magic Kaito may be a thief story, but it’s also a magic story, so it was incredible to finally be able to mention the actual legend Harry Houdini. Even so, there’s an awful lot of deduction going on, so in this story you can also really feel how it’s been corrupted by Conan (lol).” It was a thought I had about Golden Eye even before reading his comment, so I’m a bit amused to find he actually called it out to be honest.

The following Detective Conan cases - Sky Walk, Three Instruments, and Four Masterpieces - and the movie Magician of the Silver Sky are all more along the lines of Black Star in terms of Conan and Kid’s relationship, but with an extra added pinch of “coming together for a common cause” in the movie. Sky Walk specifically also introduced Jirokichi to the mix, and he becomes the only Detective Conan character whose purpose in the narrative is tied exclusively to Kid. It’s in this way we begin to create a Detective Conan-exclusive environment for Kaitou Kid, which in turn establishes him more and more as simply “a Detective Conan recurring character” as opposed to the main character of another story that’s here for crossover shenanigans.

There’s a Pandora’s Box reference in Three Instruments that makes me want to pull my hair out because don’t say Pandora that word is important, and Four Masterpieces is a lot more “murder mystery involving Kid.” They happen very rarely in Detective Conan, but they happen basically NEVER in Magic Kaito (Dark Knight doesn’t count), so this lowkey feels like another way we’re shoving Kaitou Kid into the rules of Detective Conan.

In Magician of the Silver Sky, Conan expresses a level of shock when “Shinichi” passes the pinch test. This then marks the first time (in movie continuity, at least) that Conan is aware that Kid naturally resembles him.

But the funniest thing about this series of cases (and the movie) for me is the cracks in Kid’s mask, whether that be for Conan himself or for the reader. The final confrontation in Sky Walk ends on an almost comical note with Kaito being blasted off again via gasoline fire, and there’s a stinger at the end of Four Masterpieces showing a pathetic Kaito after Conan has just shot a mecha-powered soccer ball directly at his stomach. And that’s not even getting into the movie, whose entire first act drops us into a tense confrontation with a very suave Kaitou Kid before rewinding back to when he put on the least convincing act ever as a disguised Shinichi Kudo.

Have I mentioned he contains multitudes yet? King of gap moe. 

But we aren’t truly there yet. He’s a little silly for sure, but there are still times where the mask is on about as tight as it can be in Conan’s presence.

The last two stories mentioned here - Detective Koshien and the movie The Private Eyes’ Requiem - are actually a lot less about Kid and a lot more about Hakuba. So let’s talk about the cosplay detective for a little while.

Hakuba is interesting to me, for a couple different reasons. One is the cadence of his appearances in Magic Kaito. He is introduced late into the pre-Blue Birthday run and is in a total of three chapters. Those three chapters speedrun his discovery of Kid’s identity… and then he’s gone until his first Detective Conan appearance. Golden Eye is his return to Magic Kaito in a short but fairly significant scene that fills out the contours of his relationship with Kaito with regards to that identity, at which point he is in all but one case thereafter.

The other reason is that he seems to slip through the cracks of “significant Kaitou Kid relationships” unless you consider yourself a Magic Kaito fan. But I think this is largely due to the line in the sand we shall not cross: Kaito Kuroba’s personal life is off-limits in Detective Conan. As a result, Hakuba is framed far more often as a detective in his own right that just so happens to have some manner of connection to Kaitou Kid in his few Detective Conan appearances.

This connection is made fairly obvious in Twilight Mansion by both having him introduce Kid’s presence in the case, and having him and Conan highlighted as the two people that are after him at the end of that case. But his next appearance, Detective Koshien, only implies a connection in passing and chooses instead to focus on contrasting him with Heiji in preparation for the movie. In an interesting move, the plot developments of the case actually give Hakuba an excuse to avoid wearing a school uniform like the other students because he ultimately settles into the “foreign detective guest” role. There are, as a result, zero indications that he and Kaitou Kid’s civilian identity are actually classmates - or that he attends a Japanese school at all.

As for the movie itself, Hakuba was Kid in disguise the entire time, so there’s very little we can discuss when it comes to Hakuba himself. But after Kid’s frankly poor performance as Shinichi in M8, his performance as Hakuba in M10 is almost uncanny levels of spot-on (which admittedly turns into a very funny contrast with his Hakuba disguise in Green Dragon).

All in all, this selection of chapters, episodes, and movies pulled more of Magic Kaito into Detective Conan (when those details weren’t flying in the face of it), while Kid himself began to more closely resemble the Kid of Magic Kaito in the small moments. In Magic Kaito, meanwhile, we’re starting to see far more obvious influence from Detective Conan in the writing and pacing of its heists.

But the gates have not yet been thrown wide to truly allow the silly in.

Throw Wide The Gates That We May Sillie

The collection of chapters that start this portion of the list are, in a word, fascinating from a Magic Kaito perspective. 

We start with Shinichi’s Childhood Adventure, which does a couple of notable things. First, it confirms that Toichi was the magician that taught Yukiko how to use disguise makeup for her acting career. It was implied to be him in a very “if you know, you know” fashion in the Golden Apple case over 200 chapters prior, but this makes it inarguably clear. The extension of this confirmation is that Toichi also taught Vermouth the art of disguise, which is a particularly interesting connection to think about. As obvious as it sounds to say, this chapter is also the start of confirming that many things we know of Magic Kaito’s plot and backstory remain consistent in Detective Conan as well. The case ensures you don’t need prior Magic Kaito knowledge to pick up on Toichi being the first Kaitou Kid. That he meets Yukiko with Kaito in tow also means (unless my memory is failing me) that this is the first and only time Kaito’s name is spoken within the Detective Conan manga. It also confirms that the author that named Kid was, in fact, Yusaku.

The big part of this case that people tend to bring up in the wake of the M27 reveal is the “I’m your younger brother” conversation from Toichi to a young Shinichi. Now, 2006 is earlier than what meager sources I’ve managed to find that seem to indicate he had the familial relationship in the back of his mind, so I’m personally not sure how much stock I place in this conversation as any form of foreshadowing. What the entire case does seem to indicate regardless, though, is that Toichi and Yusaku are aware of each other on more than a surface level. At the very least, we’re meant to take away a passing of the baton, from father to son, in their relationship as friendly rivals. It has, apparently, always run in the family.

All in all, this case is a far more intentional mixing of Magic Kaito with Detective Conan because it deals with past events. It says “these things were always here, intermingling” and concretely refutes the idea that the modern Kaitou Kid was the first point of contact, retroactively entrenching the character even more into the world of Detective Conan.

We switch back to Magic Kaito for a heist with Dark Knight, which Gosho acknowledges in his Treasured Edition comment is “another story with a strong mystery feel, and a dark conclusion that isn’t very Magic Kaito-esque.” This also happens to be the first Magic Kaito case to feature Superintendent Chaki, a Detective Conan character and Nakamori’s boss as introduced in Black Star.

The following series of four Detective Conan cases all look at slightly different aspects of Kid that haven’t really made themselves known in DC yet. First is Purple Nail, a personal favorite and the case that arguably leans the most into the idea of a magic show. The focus on having an audience and the employing (and challenging) of Thurston’s magic principles give it a slightly different vibe to other cases. In relation to Thurston, Kid actually opts to approach Conan ahead of the heist to personally challenge him. In the manga, it’s the first clear look at Jii in Detective Conan. But the thing that stands out to me is the sheer level of emotional expression on display from Kid. It’s not in a small moment at the end of a case anymore, but in various moments throughout. You see his panic when Conan shows up above the building, or his sense of satisfaction when running through the crowd in the middle of his trick. All of it combined makes it feel much more like, by this point, Conan and Kid are engaged in a game.

After that is Iron Tanuki, an amusing oddball of a case. That Jirokichi used a fake notice to send a secret message to Kid pleading for help is interesting enough, given it displays a level of begrudging trust the former has in the latter. But more amusing is Conan’s choice to facilitate this upon realizing the truth of the situation, as well as his choice to stay behind and ask Kid if there was anything he could do to help to open the titular safe. If Purple Nail was their first real game, then Iron Tanuki is the first time they really came together in anything resembling a cooperative stance.

Kirin’s Horn seems like an outlier at first - and it sort of is, since Kid thought a little shock and awe was in order - but the case also demonstrates a level of familiarity. Conan remains flat on the ground because he knows how Kid works, and knows figuring out why he’s chosen to knock him out this time is the key to the case. There’s also a level of gag to this case via Kid’s choice to disguise as Genta, and the stinger of Conan getting the last laugh via something as silly as a paper taped to his back.

The fourth case, Ryoma’s Gunbelt, is where the real fun starts. Despite the rather nonstandard premise of Kid opting to return stolen goods, the general flow of the case is fairly standard for a Kid case in Detective Conan. The standout of this case, in my opinion, is the final conversation between Conan and Kid. They speak of their respective mothers in a conversation that reveals key details about each other, and do so surprisingly candidly. There’s an argument to be made that Kid knew of Conan’s identity by this point; regardless of that argument, that Conan spoke of his mother with such identifying details once again indicates a level of trust. Kaito implying Phantom Lady is his mom, while not particularly identifying, returns that trust. And that’s not even getting into the fact that a Kid case in Detective Conan is introducing a pretty important fact about Kaito’s mom.

Skipping ahead a bit, what makes this case notable is not the case itself, but rather its pair: Phantom Lady, a Magic Kaito heist published a year later that serves as an immediate prequel to Ryoma’s Gunbelt. This is the first time since Black Star that Magic Kaito picks up on a Detective Conan case in any capacity, and arguably the first time at all it does so with such a direct connection. The mentions of the Black Star served as a vague framing story for the clock tower heist, but Phantom Lady ends with a shot of the three treasures that assumes you know exactly where things go from here.

All of these cases do much more to peel away the mysterious veneer from Kaitou Kid, and give him a more candid and open relationship with Conan.

But the big thing of this stretch, and a turning point as a whole for Kaitou Kid in the franchise in my opinion, is The Lost Ship in the Sky. Now this? THIS is a Sillie Movie. Kid is playing around with goats, smirking like a fool with Conan before jumping out of a helicopter, and making the most inappropriate sounds when Conan’s hand wanders a little too far. He and Conan are actively seeking each other’s help and indulging in silly banter, even as Kaito makes a fool of himself with Ran. Speaking of Ran, this is the movie where she first fully realizes that Kid naturally resembles Shinichi. And as a cherry on top, we also get a shot of Kaito Kuroba himself.

And I think it’s worth considering what aired the very same day the movie came out: Secret Birth of Kaitou Kid, the first episode of TMS’s adaptation of Magic Kaito.  After years of teasing the door open on who Kaitou Kid is behind the mask, TMS adapted the first chapter of Magic Kaito and aired it in the Detective Conan TV time slot. It, too, is an incredibly silly episode of an incredibly silly first chapter of an incredibly silly gag manga. THIS IS KAITO KUROBA, Detective Conan said. OBSERVE HOW SILLIE HE IS.

Testing the Waters

TMS eventually made 12 of these episodes. Based on the air dates, I can only assume Secret Birth of Kaitou Kid was meant to be a one-off, or at the very least it was a testing of the waters. Whatever the case, the remaining episodes got greenlit and were aired over 2011-2012. The most interesting change to the second half of these episodes is the addition of new plot points related to Magic Kaito’s organization, chiefly the new member Spider. They were introduced alongside Hakuba, who I imagine they wished to give a larger role in the episodes he did show up in. Another major takeaway from the TMS adaptation is their decision to animate Akako’s Delivery Service in The Witch, The Detective, and The Phantom Thief, albeit edited and extended to deal with the new anime-only plot points. In terms of Akako’s feelings for Kaito and Hakuba’s discovery of his identity, it’s a fairly significant chapter. Despite that, this is the only animated adaptation. I have some… complicated feelings regarding this, but now is not the time. 

As for the manga, we have a major arc in Mystery Train. This is not, in all technicality, a Kid case. If anything, his presence is pure coincidence, given he was only there to stake out the train ahead of the actual heist. Though this is a purebred Detective Conan plot, with the Black Organization’s involvement, Kid winds up a key part of their plan to convince the Organization that Sherry is well and truly dead.

Though his appearance in this case would be referenced in the future, this would be the first and last time Kid was directly involved in a major Detective Conan plot beat. This chapter was released before I had an active interest in Detective Conan, so much of what I’ve seen are second- or third-hand accounts from Japanese fans who went through the arc’s release. In short, reception was very mixed to Kid being such a major part in the resolution of this conflict. While there are those who enjoy his inclusion, either because they’re fans of Kid or because they accept the manner in which he was dragged into the plot halfway through, there are also those who consider him a “cheat” character who taints the worldview of Detective Conan by his presence alone. Gosho himself has also mentioned that he won’t be involving Kid in Black Organization plots anymore, either, due to the backlash.

My personal view on Kid’s involvement in Mystery Train is that the arc felt very much like a capital-E Event, so I bought it. There was a clear amount of luck involved in his presence there, so I could see how some may think the entire thing contrived, but it’s that coincidence that sells it for me. It’s Conan needing to fly by the seat of his pants to ensure Haibara makes it out alive, and further impresses upon us that they were half a step away from potentially fatal consequences. Nevertheless, this seems to be a case of an attempt to integrate Kid into the greater Detective Conan narrative that ultimately failed, so he returns to being largely divorced from the overall plot.

Despite this, though, there appear to be multiple chapters after this that focus on systematically introducing Kid to members of the extended cast. This starts with Blush Mermaid, Sera’s first presence at a Kid heist. What’s also unique about this chapter is the small but significant scene at the end that actually does continue the overall main plot - in this case, Sera’s misgivings over the death of Akai. Though Kid will not be overly involved in the main plot from here on out, his chapters do start featuring B Plots that touch on said main narrative. It’s… a half victory, of sorts, in terms of integration.

The other major takeaway from this case is a continuation of Conan and Kid apparently keeping a score of sorts. Due to Kid’s assistance during Mystery Train and the lack of a real theft, Conan lets Kid go. We’re in real “friendly rival” hours now.

Twin Bets pits Kid against Kyogoku, a frankly long overdue confrontation considering he’s Sonoko’s boyfriend. There’s a half-argument to be had that this also involves Kid in a major B Plot for the series as a whole, since this is a romance plot with a major recurring character. There’s also a level of intrinsic amusement in a Kid vs Kyogoku confrontation, since it comes down to (to quote my girlfriend) “guy who is literally from another manga but feels like he belongs here vs guy who somehow belongs here but definitely should be in another manga.”

Twin Bets also serves as the very first time Kid looks at the gem of the day under the moonlight in a Detective Conan chapter. It's the first case post-TMS Magic Kaito where it's applicable for him to do so; he's a bit busy with other things in Mystery Train, and he calls out Blush Mermaid for being a fake. This trend would continue in every case afterward where the plot wasn't otherwise preventing him from doing so (like the murder in Azure Throne).

Normally, this particular stretch of chapters would include quite a few more due to how many of them follow this “Kid, meet [Character]” format. But some of you may have noticed that, despite all the ample opportunities I’ve had to speak of it, I’ve avoided mentioning a certain number…

1412

Thousands of words earlier in this retrospective, I mentioned that Detective Conan’s Black Star felt the most like a crossover chapter. What I didn’t mention at the time, however, was that it also feels like one of the most fundamentally necessary Kid cases in Detective Conan. Not because it’s Kid’s first appearance, but because it introduces a piece of information about Kaitou Kid that eventually becomes baked into his identity despite the fact that it was introduced outside of his source series.

1412, the Interpol criminal code assigned to the internationally renowned phantom thief that was subsequently transformed after an author misread a journalist’s hasty scrawl as “KID.”

It feels like no small coincidence that the A1 adaptation of Magic Kaito added “1412” to the end of its title not just to differentiate this adaptation from TMS’s Magic Kaito specials, but to also indicate that this version of Magic Kaito would be the marriage of its namesake manga and Detective Conan.

In this regard and more, Magic Kaito 1412 modernizes aspects of the original story.

Technology, for example, was updated to reflect what a high school student like Kaito would be doing. Instead of reading the news in the papers, he’s scrolling through news sites on his phone. This is the most common kind of update that you see across adaptations of all stripes, so it’s the less interesting change.

The anime also modernizes with regards to itself, looking inward to find out what people associate with Kid in the modern day and adjusting the story - and the order that story is told - to account for that. This is expressed in ways both large and small. Blue Birthday, for example, is pushed way up to episode 2 of 1412 to introduce Pandora to the audience as soon as possible. Given Blue Birthday is also an Aoko-centric episode, it’s equally fitting that she gets the second episode. Jii’s significance is heightened by reworking the scrapped chapter Hustler vs Magician, a chapter that also coincidentally focused on an aspect of Jii’s past, into episode 3. This focus on major characters continues into episodes 4-6, which introduce Hakuba (chapter 15), Akako (chapter 6), and Shinichi (chapter 23), in that order.

There are also minor changes, likely made for pacing or simply content reasons. One small but frankly fairly significant change involves Kaito’s card gun. He’s shown using it in the first chapter of the manga, which also means he’s using it in the first episode of TMS’s adaptation. Since it eventually comes to be a signature weapon for Kaitou Kid, 1412 prevents Kaito from using it while in his civilian identity (like when he’s panicking about the fish with Aoko). Due to moving Blue Birthday up to episode 2, heists that originally weren’t really bothered with holding the target up to the moon include scenes of Kaito doing just that. Jii is suspiciously absent for most chapters until Black Star, so 1412 inserts him into animated adaptations of older heists, such as helping Kaito prepare the fireworks for Blue Birthday or providing an anime-original explanation of magic vs sorcery. There are similar one-offs with other characters as well, like a short scene of Hakuba being inserted into Akako’s introductory episode.

As a proper series in its own right, as opposed to a series of animated specials, 1412 also had to decide on a unified tone. Though TMS’s adaptation fluctuates wildly, 1412’s tone is a bit more even across the board. It’s comedic and dips its toes in gag vibes without taking it to absurd levels. While TMS’s adaptation of the first episode includes an entire apparatus outside the classroom window in episode 1, Kaito simply jumps out the window and makes it to the ground after running around the classroom in 1412. Though it also pulls away from some of the more atmospheric moments of TMS’s adaptation, it pulls back far more from the gag energy.

As a result of the above two points, many chapters are shuffled around or cut entirely. Chapters like Clockwork Heart, Japan’s Most Irresponsible Prime Minister, or I Am The Master are a level of absurdity that doesn’t fit with modern Magic Kaito’s energy, so they were completely cut. The Police Are Everywhere (chapter 2) was pushed back and adapted as The Princess and the Thief’s Improv (episode 15), because the emotional core of Nakamori potentially getting removed from the police force simply doesn’t work that early in the story outside the gag context. Akako’s Delivery Service was also unfortunately cut… Whether it be because of Akako’s appearance as Kid and the subsequent punchline or because of the technology Hakuba used to ascertain Kid’s identity, they apparently determined it was either too outside the tone or too difficult to adapt. Hakuba’s call in Golden Eye truly comes out of nowhere as a result, though, and that’s one fewer episode for a character that already had a bit of a spotty appearance record early in the manga’s run.

When the anime was announced, there were 30 chapters out. Seven of these were ultimately not animated, and many of the two chapter cases could be easily adapted into a single episode. They needed more material to fill out the remaining episodes, so they did this in two main ways.

The first is by reaching into some key Detective Conan cases. Black Star is a bonafide Magic Kaito case, but shifting it and Shinichi’s appearance in this adaptation to episode six - right after a series of core cast introductions - is actually very telling. 1412 was not only concerned with adapting the manga for modern sensibilities, but also with adapting Detective Conan for a Magic Kaito audience and further strengthening the connection between the two. This “adaptation” resulted in anime-original retellings of Ryoma’s Gunbelt, Sky Walk, and Purple Nail from Kaito’s point of view. Personally, I wouldn’t be surprised if this was a decision early on in the anime’s development, and if it was their existence that necessitated the tone of 1412 be evened out via not adapting the more “out there” chapters of the source manga.

The second thing they did to fill the run time was for Gosho to write an entirely new heist to function as a finale for the anime. This was Midnight Crow, the first heist to really touch on the driving plot of Magic Kaito (outside of Snake showing up to be ineffective) since Blue Birthday. Gosho’s comment on this case in the Treasured Edition is… a lot.

After a standalone anime adaptation was greenlit, the topic of what we should do for the final episode came up at our first meeting, so I said “Why don’t I write the ‘Black Kaitou Kid’ story I have saved as a trump card in Sunday and use that in the final episode?” Thus I wrote Midnight Crow! I’ll never forget how surprised the members of staff looked when I bluntly told them that Toichi is actually still alive (lol). (…) Though Chikage made Kaito work as Kid in Phantom Lady, she tried to get him to quit in Midnight Crow because of everything that happened in Las Vegas… But that’s a story for another time (lol).

The story itself has plenty of hints that Kaitou Corbeau is a Toichi-Chikage tag-team, but actually seeing him spell it out so casually sure is something.

Speaking of spelling things out, though, I also want to take an aside to touch on the Magic Kaito 1412 novelizations. Six volumes were published roughly concurrently with the anime’s run, and though there isn’t anything drastically different from what we already know from either Magic Kaito or Detective Conan, sometimes the narration can be quite enlightening. For the purposes of this, though, I specifically want to touch on that pin from earlier.

In the movie continuity, there is very clearly a moment where Kaito figures out Conan’s identity in The Last Wizard of the Century. There is no concrete equivalent to this in either Detective Conan or Magic Kaito, and 1412 doesn’t really expand on this either. I mentioned the possibility that Ryoma’s Gunbelt would have given Kaito ammo to figure out who Conan might be, but it’s not the most compelling argument. I’ve heard tell that Gosho once implied Kaito may have simply come to this conclusion on his own outside of the movie continuity, and I’ve personally always taken this stance given he seems to recognize Conan as a “high school detective” in Fairy’s Lips - and simply DOES know, no arguments, by Azure Throne.

Taking novelizations like these as fully canon is always a bit of a risk, but there’s a very interesting expansion on this particular issue in Volume 3, during the Ryoma’s Gunbelt adaptation. After Kaito runs into Conan while under disguise at the museum, the novels go into a brief explanation of how Kaitou Kid came to be known as such (aka the 1412 thing), followed by a flashback to Kid and Conan’s first meeting in DC’s Black Star. The narration then turns to what happened after the fact. This is fairly long, but as far as I’m aware these novels aren’t available in English, legally or otherwise. As such…

***

Kaito investigated the child that was on the roof of the Beika hotel - the young boy who called himself a detective, and with whom Kaito fought during the Black Star incident.

His name was Conan Edogawa.

He was a distant relative of Hiroshi Agasa, inventor and scientist, and was currently freeloading at the house of Kogoro Mouri, the famous detective “The Sleeping Kogoro.”

…And that was all he really figured out about him.

Conan Edogawa was full of mysteries.

But there was one thing that bothered Kaito.

Kogoro Mouri had a high school daughter named Ran. And Ran Mouri was the childhood friend of Shinichi Kudo.

That Shinichi Kudo.

The very high school detective that cornered Kaito during the clock tower heist.

Before his run-in with Conan, Kaito had looked into the young man that had aided the Metropolitan Police Department.

At a certain point after that clock tower incident, he had apparently gone missing.

He was not officially registered as missing, nor did it become a massive incident. But he stopped attending Teitan High School and disappeared from his home. He was apparently gone because he was busy chasing after some case a client had requested of him, but…

The elementary schooler Conan Edogawa appeared before both Ran Mouri and Kaitou Kid as if taking his place.

Shinichi Kudo, and Conan Edogawa.

Due to their mysterious nature, the two detectives continued to fascinate Kaito.

By the way…

The certain young novelist who had given Kaitou Kid his name was currently a world-renowned mystery writer.

His name was Yusaku Kudo.

Shinichi Kudo’s father.

Then there’s his mother, Yukiko Kudo, who was an essayist. She was a former actress, and once studied under the magician Toichi Kuroba to prepare for a role. Kaito had even once met her alongside his father in his childhood.

A strange turn of fate connected the Kudo and Kuroba families across multiple generations.

Did Kaito realize…?

Did he know that Conan Edogawa was actually Shinichi Kudo, who turned into a child after being forced to take a strange medicine?!

-

Professor Agasa was aware that Conan Edogawa was actually Shinichi Kudo… and it was likely only a select few others knew this. Not even Ran Mouri, his childhood friend, knew.

If Shinichi Kudo was keeping his identity a secret… then the reason he became a child must be pretty dangerous. Something that involved crime and the underworld. Just knowing the truth could put your life in danger.

It was only obvious that Kaito kept his identity as Kaitou Kid hidden.

But Shinichi Kudo must be living an even more troublesome life.

***

The narration of these novels knocks on the fourth wall fairly often, explaining that middle bit of this particular excerpt. It never confirms for sure whether or not Kaito managed to connect the dots, but the aforementioned questionable canonicity of novelizations like this means that was probably the safe choice. That there’s extra information here at all about Kaito looking into both Shinichi AND Conan is a pleasant surprise, as far as I’m concerned. But it’s also a bit frustrating that we don’t yet have even a hint of how this occurred in the manga when we now have two potential sources of that knowledge in the movies and these novels.

Which you opt to take as the more likely canon is probably up to personal interpretation, but I think I’m personally a bit more willing to go with a version of the novel’s events. I prefer to include the movies as a level of canon unless they outright contradict the manga (like M10 does, tragically), but the novel’s versions of events is probably the safer option.

But it’s the inclusion of extra scenes like these that further connects Magic Kaito - especially this particular iteration - to Detective Conan. They are holding hands so tightly now.

This all eventually culminates in Sunflowers of Inferno. Though M14 is the more obvious turning point with regards to Kid’s general behavior and personality in Detective Conan movies, Sunflowers of Inferno is a slightly more interesting turning point: all three movies after 1412 airs involve aspects of Magic Kaito, whether it be in its story or in its theming.

For this movie, it’s a very obvious example of the former. I think the plot of M19 is… strictly okay, but Kid’s motivation throughout being related to Jii is something I really enjoyed about the film. You know, assuming you don’t think too hard about Jii’s age as it relates to the timing of the flashbacks. Outside of that, Kid’s behavior in the movie almost looks as though it’s walking back from M14, but that’s only because Kid is playing the villain for most of it. Once that facade is dealt with he’s fully cooperative with Conan, to the point that the latter trusts the former with Ran’s safety. The opening scene with Kaito in his dark heist garb is also a nice bonus.

All in all, I think 1412 airing actually has the biggest effect on the movies. I’m not sure if that was intentional - movies 23 and 27 have the same director, so it could just be that her artistic vision includes MK in it - but for Sunflowers of Inferno it was almost certainly intentional as a show of fireworks after the ending of the anime. As for the manga, 1412 airing actually seems to have had very little influence on the Detective Conan chapters featuring him. Though Kid is a lot more likely to resemble the version of the character from Magic Kaito now, the manga seems a bit more concerned with introducing him to the new guard.

Meet The Fam

The Detective Conan cases in this section continue the general trend from after Mystery Train of either 1) introducing Kid to a significant sub character, or 2) running parallel to a B Plot that is concerned with the main narrative.

Luna Memoria does a couple of interesting things. First, this is the first time Conan explicitly asks Kid about investigating the jewel of the heist, since he knows Kid is on the search for a “special jewel.” Kaito is very candid in his response, telling Conan he ran into the deceased owner as the readers get a small flashback to Kaito Kuroba reverse pickpocketing the necklace. It’s an interesting conversation to have in the first Kid case since 1412 aired, especially since this aspect of Kid’s MO hasn’t really been discussed in any concrete way in DC before this point.

The second thing it does is have a small but nonetheless amusing B Plot with Okiya. While taking pictures of potential targets for his disguise, Kaito inadvertently gets a picture of Okiya’s voice changer. So Okiya joins Conan in confronting Kid in the bathroom and Very Nicely requests they get that picture back. Kaito has an “oh shit” moment, gets the heck outta dodge, and the chapter ends on a comical note when Kid can’t escape because Nakamori refuses to stop looking for him.

The next DC chapter, Fairy’s Lips, does a little bit of 1 and a little bit of 2. Surprisingly enough, Heiji has not had a significant confrontation with Kid in the manga before, and now Kid is getting himself involved in his and Kazuha’s romance plot. This chapter is retroactively significant because it’s the key jumping-off point for Heiji and Kid’s relationship in M27. But it’s also surprisingly significant for the MAIN main plot of Detective Conan by bringing in Koumei as a secondary detective that’s working to capture Kid… because he’s in Tokyo to receive a mysterious envelope addressed to him. The truth of the envelope’s contents is an Extremely Big Deal, and though by this point in the manga I was fully aware that plot developments would often happen in otherwise standalone cases now, I was personally not ready for that in a Kid case. So there’s that.

Between these two cases is the Magic Kaito heist Sun Halo, which puts a focus on Aoko for the first time in a while. It’s also very minorly a Magic Kaito version of a suspicion arc - the first one since Kaitou Kid’s Busy Day Off - though it ends with a return to the status quo. This chapter, as mentioned way earlier, also features some magic shenanigans from Akako in a more concrete way than we’d seen in a while. There’s some stuff about these chapters that are more disturbing the longer you think about them (what do you Mean Kaito just carries some blood neutralizing spray around with him so people can’t figure out his identity based on his blood), and the general tone is a lot more somber because Kaito is suffering from both pain and blood loss. It feels like an extension of Midnight Crow’s tone, in that regard.

After these three chapters is our next Kid movie, Fist of Blue Sapphire. This movie features a romance subplot between Sonoko and Kyogoku, and thus brings Kid back into it via certain aspects of the movie plot. As a post-1412 movie, the major feature of this movie is not the plot, but the thematic underpinnings of said plot.

Many post-Blue Birthday Magic Kaito heists tend to overlap aspects of Kaito’s situation with that of the characters introduced in the heist. The feature character of Red Tear is a woman who has grown to hate magic after the untimely death of her parents. The titular Dark Knight lives a double life as a notorious criminal for his son’s sake, and Kaito works to make sure his son never finds out about that double life. The thief in Golden Eye is attempting to salvage her father’s legacy. If they aren’t straight parallels, then they present what-if scenarios or twists on what Kaito is going through.

Fist of Blue Sapphire pulls something similar with Rishi, one of the movie-original characters. He’s torn up enough by his father’s death that he chooses to dirty his hands in order to get his revenge. After Midnight Crow, where Toichi himself wants to ensure that revenge is not Kaito’s only driving force, this presents a what-if scenario - an alternate path that Kaito might have chosen, had his admiration for his father not won out over his grief at his death. It’s interesting to see this particular thematic through line in a Detective Conan movie because it’s never been shown in a Detective Conan manga case before, and it’s one of the reasons I’m particularly fond of Chika Nagaoka’s Kid movies.

Another major aspect of this movie is how the sheer amount of screen presence Kid has gives the movie ample time to show what more involved cooperation between Kid and Conan looks like. The second Kid is framed for the crime, he chooses to go to Conan; if Kid looks to be in genuine danger, Conan begrudgingly comes to his aid. They spend time talking over the aspects of the case, and work seamlessly together during the climax. It’s by far the most actively cooperative they’ve been before or since, but it doesn’t come out of nowhere (and the spirit doesn’t quite go away, either). The clearest indication of this change in relationship is the line spoken by Kaito after he’s dealt with his wounds on the roof: “A magician makes you believe he holds something within his clenched fist, and a detective guesses correctly what they hold before it’s ever revealed.” It’s a stark contrast to probably his most famous line from Black Star about phantom thieves being artists and detectives being no more than critics.

Fist of Blue Sapphire happens to be one of those movies that I personally have any concrete info about via things like guidebooks. I don’t want to bloat this more than it already is, so there’s only two things I read that I want to share. 

The first is Kappei Yamaguchi’s seeming reaction to the script during recording, specifically in regards to his laugh. Normally, Kid in Detective Conan has had a sort of booming, open laugh, but twice during the recording for Fist of Blue Sapphire he opted to go for a version of the laugh as written out in Magic Kaito - an “ahaha” vs a “kekeke” kinda difference. He talks about this in the Kaitou Kid Secret Archives, but an online article on the movie from Movie Walker expands on this from Nagaoka’s point of view:

This time, we have a lot of aspects from “Magic Kaito” and Kaitou Kid’s true face in this movie. The moment I thought “This is just Kaito” was during ADR, when Yamguchi Kappei-san laughed like ‘hihi!’ Kappei-san said to me “I did it even though I thought it’d be struck out.” (lol) I could tell in those words that he met this movie with his own interpretation. I was impressed. We have a very cool Kid as a result.

It’s also in the Secret Archives interview that we get the ���His speed may be at 100, but he has zero combat ability at all” comment from Gosho to Nagaoka, which is… extremely funny.

The other major thing from the Secret Archives interview (and elsewhere) is an anecdote about a certain regret. Nagaoka herself seems to be a big fan of Magic Kaito, but after M23 was released to theaters, Gosho lamented that he should have had Kid allude to Aoko. This was brought up again in a more recent Animage article: “Actually, back during Fist of Blue Sapphire, Aoyama-sensei had told me something akin to ‘We should have had Kid say “I have a better sapphire (Aoko) already” when he returns the blue sapphire,’ and I responded ‘You’re going to tell me that now, Sensei?!”

This is all to say that, despite the lack of any obvious elements akin to Jii in M19, they were clearly thinking of Magic Kaito while making M23.

The subsequent DC chapters continue the “Kid, meet [Character]” trend with Amuro (and Kazami) in Queen’s Bang. He’s a fairly active part of the process, not the least of which because Kid belittled his card trick skills as they were lining up to enter the museum. Though this chapter doesn’t have a relevant B Plot, it is the first reference to Kid’s presence in Mystery Train since Blush Mermaid - and a pretty significant one at that, since Amuro was the one that actually had to deal with “Sherry.”

Siren Splash’s main character introduction is actually Azusa, which feels a bit like a follow up on the minor role she had in Queen’s Bang. This case has a couple of fun things that sort of cover the entire spectrum of ways in which a Kid case could be fun for our purposes. The least significant of these is Kid’s skates, which (if memory serves) haven’t been seen since chapter 10 of Magic Kaito. Gosho mentions wanting to use them again in his Treasured Edition comment on that case, so it’s a lot of fun to finally see them show up again.

Going up to slightly more significant, there’s a Very Ominous Comment from Kanenori about his left eye, which serves as foreshadowing to information we find out about him about a volume later. And then we have the end of the case, which is a little difficult to talk about because we don’t have any elucidating information yet. Regardless, I’ve always been amused that, despite Conan being the talk of the various police departments, he’s largely avoided being in the news… except where Kid is involved. It seems that’s finally coming to a head with the older gentleman that is none too pleased about the news story covering Conan’s victory. We don’t know what role this man has yet, but if this has ties to the main plot, then this is a very amusing way in which Kid has affected the main plot.

There’s not much else of note to say about this series of chapters, because it’s largely continuing the trends of the era that led to 1412’s release and codifying a less mysterious Kid, and an (at times) more cooperative Conan. But it’s also a comparatively sparse number of chapters; in the over seven years since 1412, Kid had only featured in four chapters here. You probably wouldn’t expect any major developments from a precedent like that, right?

…Right?

Erasing the Line in the Sand

We have now entered the modern era - specifically, the immediate lead-up to M27. Recency means some of these things are going to be a little bit harder to extrapolate on, largely because we have no idea if this is the start of something new, or perhaps just an outlier in the general trend. Regardless, some of this stuff fully makes my brain spin. Never mind brainworms - I have brain bees, and they will not stop buzzing.

We start with the most-recent Kid case in Detective Conan as of this writing, Azure Throne. This particular case is significant for multiple reasons, besides just being a good time. First, it’s Hakuba’s first appearance in Detective Conan since Detective Koshien, which means it’s been a whole seventeen years. Help. It’s arguably also the closest it comes to a proper Hakuba vs Kid case in Detective Conan, since Twilight Mansion is a little too busy with other aspects of its plot to spend much (if any) time on Hakuba’s relationship with Kid. Hakuba is also just a little insane, given his plan was to airlift the entire observation deck and sink it into a pool to trap Kid… There’s some minor Magic Kaito gag energy in that idea, and Hakuba’s never done things by halves.

Next, we have yet another reference to Kid’s presence in Mystery Train. Queen’s bang was only a couple years ago, and in Conan Publishing Time that’s no time at all considering Mystery Train was back in 2012. It’s interesting to get two references to that particular case so close together. 

And speaking of references, my third point of interest for this case is that it straight up references Golden Eye. There’s even an illustration of Cartier, the security company manager that Nakamori is thinking about when he responds to Jirokichi’s comment. Magic Kaito has certainly referenced Detective Conan before, and 1412 itself pulls heists whole-sale from it to fill out its runtime. But this is the first time it’s gone the other way around.

It’s also, somehow, the very first time Kid has assumed the Shinichi Kudo disguise in the manga. And even more surprisingly, it’s done so at Conan’s request. Sure, Kid was the one begging Conan to free him of suspicion for the murder that just happened, but “disguise yourself as me and make sure Ran doesn’t find out” was the condition Conan put forward for his cooperation.

This connects to the fifth and sixth points that I’m concerned with. The fifth point is Ran herself; she has a comment toward the end about how she can’t forgive Kid for “disguising as Shinichi every single time.” Which is, you know. Kinda weird, if all we’re considering is manga continuity. This is his very first time assuming this disguise in the manga! So in Gosho’s mind, at least, the movies aren’t not canon. Considering more recent movies are more likely to require “homework” to fully enjoy them, I wouldn’t be surprised if they were more carefully written to slot into canon more easily than early movies were.

The sixth and most hilarious point is a single aside in a conversation Kid and Conan have.

Actually, why do you look so similar to me?

Why would I know?! Maybe we have a shared ancestor or something. (To be honest… I’m not even changing my voice much, either…)

Now, the addition of that voice comment makes the whole thing sound like a gag - they do have the same seiyuu, after all - but their similarity has always been a bit of a gag… In the movies. Thinking back on it, I’m not sure it’s ever really been brought up in the manga, so this is a joke that feels almost necessary after Conan requested Kid to disguise himself as “Shinichi,” which Kid managed to do despite being not at all prepared for it.

And, you know. It’s also foreshadowing now. Not by much, considering the movie was only a few months out, but still.

tl;dr: There’s a lot going on in Azure Throne. It is probably the densest of the Kid cases in terms of its relationship to itself and its relationship to Magic Kaito. As a result of that, there’s something about this case that feels like the purest mix of Magic Kaito and Detective Conan. It also feels pretty clearly written with the movie in mind, considering it not only had the aforementioned foreshadowing, but also brought in ideas from previous movies into the manga to create synergy between them.

After that we have Green Dragon, a Magic Kaito heist that ran through M27’s theater release. Meeting Aoko’s mother is certainly a standout of this particular heist, but what I personally find more interesting is the tone. It eschews the steady creep of drama into the narrative by pulling back to something more comedic, and in some ways feels a little like a return to form. Kaito’s fear of fish is brought up again for the first time in ages, and Midoriko gets a whole host of muscle men to corner Kid.

The chapter also opens with a reference to the crimes (as Midoriko would prosecute them) Kid committed in Queen’s Bang. In terms of time, it’s been over ten years since the last MK heist referenced DC in any meaningful way. But in terms of heist count, Phantom Lady was only three heists ago.

It is at this point I must discuss the movie, The Million-dollar Pentagram. As the movie is not yet out on Blu-ray as of this writing and the international offerings were a bit spotty (especially outside of Asia), I want to give another spoiler warning for the information I’m about to go into. I mentioned earlier that later movies require a bit of “homework” for full enjoyment, and M27 is no exception. It has also turned into one of the more common complaints I see from casual DC movie enjoyers, at least on the Japanese side of things - because yes, there is a whole audience of people whose only exposure to the franchise is the yearly movie. While the most easily recognizable pieces of “homework” for this particular movie are clearly cases like Fairy’s Lips or even M21 for familiarity with Momiji and Heiji’s attempts to confess to Kazuha, it is also very much arguable that the second major pillar of this movie requires a working knowledge of Magic Kaito. Like, not just knowing who Kaitou Kid is, but knowing who Kaito Kuroba is.

Which means I’m going to be talking about a lot of this movie in concrete detail. The main thrust of the movie is, to put it very simply, a treasure hunt. What I discuss will give you very few clues as to how or why that mystery is solved, but it will end up touching on key events, motives, and emotional beats. If you’d rather keep yourself unspoiled so as to enjoy those aspects as well, please skip to my discussion on FILE.0. You can find that by scrolling to below the second horizontal line, or doing a Ctrl+F search on “FILE.0.” That being said, there will also be more concrete references to the post-credits scene everyone knows about by this point in the final section of this retrospective as well.

——

There’s a lot I want to discuss with regards to M27, but it’s frankly hard to conceive of how I’d go about it. Going through the movie chronologically would take far too long, so I think I largely just want to list up a few interesting elements and then dive into what significance I think those elements hold. For the curious, I saw this movie twice in theaters: once about a week after premier, and again when they were running English subtitles at certain locations.

Let’s start at the beginning, with the most amusing thing this movie did before it was even released: the lack of a pre-screening. Movies like these usually have a seiyuu event of some kind attached to an early screening of the movie that fans can attend via lottery a little while before the official release, but they used the framing device of Kid “stealing the pre-screening” to avoid holding one at all. This isn’t strictly related to anything I’ll discuss further, but it is amusing to think that they believed the information presented in this movie was important and significant enough that they didn’t want to risk people talking ahead of the official release. And, you know, it WAS, but we’re not getting into that just yet.

Also somewhat minorly was the cover of an-an being Shinichi and Kaito, as opposed to Conan and Kid or even Shinichi and Kid. There’s also been a handful of DC merch that includes both Kaito and Kid in the lineup, and I don’t think stuff like this has happened since 1412 aired. It’s clear in hindsight they were focusing on his civilian identity because of his motive in the film and the reveal in the stinger.

As for the movie itself, I want to start REALLY basic, and actually talk about the score of the movie. The Million-dollar Pentagram is the first Kid film since Yugo Kanno took over from Katsuo Ohno for the movie soundtracks. This normally wouldn’t matter too much, except for the fact that Kaitou Kid has utilized a variation on the same two themes since The Last Wizard of the Century. There was apparently quite a bit of back and forth as to how to handle this aspect of the soundtrack, but in the end they went with a completely new theme: The Grand Circus (華麗なるサーカス). If you’re reading this and somehow haven’t heard it before, I highly recommend you give it a listen. It serves as his calling card throughout the movie and is a much more playful tune. I can’t help thinking about Toichi’s conversation with Kaito in Hustler vs Magician about how the pierrot is the most important member of the circus (yet another reason I’m glad this chapter got salvaged in the 1412 adaptation). I definitely don’t dislike his old themes, but I do enjoy that the vibe of this one expresses a side of Kid in Detective Conan that has seen more screen time lately, but has until now had no musical motif to express it.

Another amusing part of this soundtrack is a certain melody, only a couple bars long, that repeats throughout the entire score. This melody just so happens to play during the final major reveal of the movie: that Toichi had been disguised as Yoshihisa Kawasoe the entire time. Kawasoe is a local detective that is in and out of the movie for almost its entire runtime. Toichi was, in essence, with us the entire time. Just like this melody was, weaved in and out of the soundtrack. It’s a nice touch. Kanno mentions in the Toho Cinemas guidebook that there’s very little impact to a melody introduced in the final moments, and that he wanted to inspire a sense of deja vu alongside surprise by accompanying that final reveal alongside a melody that had played the entire time. It’s kinda neat.

As for Kid’s behavior in this movie, it’s informed entirely by his desire to discover why his dad apparently went after this “potentially world-destroying” treasure, found it, and then left it alone. There’s an overlap between this and his motive in M19, considering both are more personal in nature, but M27’s motive is also far more fundamental to Magic Kaito. Kid is mentioned multiple times to have an assistant of some kind in Detective Conan chapters, but the only mention of his dad is that 1) he exists, and 2) he was the previous Kid. He’s not at all connected to Kid’s search for Pandora or his reason to be the second Kid in the first place, so bringing his dad into things as a motive feels more poignant if you know Kaito’s always been chasing him. Which is to say, it relies a bit more on knowing Kaito’s personal story from Magic Kaito.

The plot leans into this “if you know, you know” vibe by having Kaito only ever indirectly refer to his dad. When he explains why he’s searching for these swords to Conan and Heiji, he only refers to “a certain thief.” In a moment of respite, he only just barely gets to say the first sounds of “dad” before he’s interrupted by one of our culprits. It’s not said in any capacity until the very end of the movie, when the treasure is found alongside Toichi’s glove and a notice from Kid the first: “Wake not a sleeping lion.”

Going back to Heiji and Conan, he’s not openly cooperative with them until they save him from near death. It’s at that point they share info and Kid ropes them into solving this puzzle because it’s what they do best. The rest of their cooperation in the movie usually takes the shape of a “2+1” format. Conan and Heiji are obviously working together while Kid comes in and out via a number of disguises. There’s a comedy to his disguises in this film, since they’re almost too easy to see through. It’s likely in part so Heiji and Conan can be aware of his presence, since they’re technically working together. Minami Takayama also picks up on this in her movie pamphlet interview, adding that he “seems more open and honest this time, probably because that’s just how badly he wants to solve this mystery” and that it feels more like “Kaito Kuroba and Shinichi Kudo have taken a step closer” as opposed to it just being Kid and Conan this time around. Kappei Yamaguchi in the same set of interviews says he’s “basically Kaito” with Conan, even if he still mostly behaves as Kid with Heiji.

To summarize, Kid’s behavior in this movie is far more open due to the goal being tied to his dad, and with Conan specifically the mask is basically off. Add this to the comedic touch of his disguises throughout, and you’ve got some good Magic Kaito vibes despite his reduced screen time compared to M23.

But that only lays the foundation for those vibes. There are plenty of other reasons why it feels more Magic Kaito-y, given key aspects of this movie bring in more aspects of Kaito’s civilian life - and certain emotional beats rely on your knowledge of that.

To start with a more minor beat that wraps up things mentioned above: Toichi’s glove. Kaito takes it with him after discovering the treasure, and there’s a short scene while he’s flying through the sky (after a more significant moment we’ll discuss later) that sees him looking at the glove with a frankly mixed expression. The novelization of the movie mentions him smiling happily as he soars through the sky, but that is not the expression we actually see in the movie. He has Thoughts about finding his dad’s glove there, but the audience is left to guess what they may be. It’s a hole that’s nearly impossible to fill without knowing Kaito’s backstory (and, arguably, without knowing about Midnight Crow).

And we’ll get to Midnight Crow’s significance, just you wait.

The second beat I want to talk about is Nakamori. First (and more minorly) is his engagement in some true gag Magic Kaito energy. A short scene with a disguised Kaito at a hotel alongside Conan and Heiji ends with Nakamori up against the window, looking in with multiple police officers behind him, as he realizes he’s found Kid. Kid then runs, and Nakamori and his officers run across the screen as Conan and Heiji continue their conversation. Real goofy hours.

But the actual most important story beat with Nakamori is him getting shot by one of our antagonists. He’a shot while on duty and escorting another principle character, and the framing of the movie puts us in Kid’s shoes as he discovers a gun aimed at the both of them just a little too late. This decision carries with it a couple of interesting tidbits, whether they be for our purposes or for how it seemed to affect the people that worked on it.

I want to do the latter first, since the snowballing is less extreme. Yamaguchi has talked about this scene a number of times, whether it be in interviews or during seiyuu events. As a voice actor, he was surprised at his own performance as Kid yells out Nakamori’s name. It was desperate and loud in a way he’d never been before, but it still felt natural to him; he thought it was indicative of just how important Nakamori is to Kaito, and that this was less Detective Conan’s Kid and more Magic Kaito’s Kaito Kuroba.

Related to this is a comment he made at a stage event that in his heart, he’d wanted to say “ojisan” instead of “Inspector Nakamori.” But he felt that it would be too difficult to display their relationship that way, so he went with the latter. There’s a lot of character interpretation you can do with regards to what Kaito chose to say in the moment, but I also can’t deny the possibility that it simply comes down to the “Kaito and Nakamori” dynamic not appearing in Detective Conan at all. Well, at least in part.

The other major ramification of this narrative decision is actually Aoko’s appearance in the movie. Nagaoka recounts in multiple interviews, such as in Febri or Animage, that she originally felt the tension in the movie was a little too slow-going, so she suggested someone get shot. The original plan suggested shooting Nishimura, the Hokkaido police detective, but Gosho said Kid wouldn’t save him if that was the case. It was here Nagaoka suggested Nakamori, to which Gosho agreed. He then added, though, that if he was in the hospital, then Aoko would likely show up.

Thus we have Aoko’s first theatrical appearance, and her first appearance in Detective Conan at all since Black Star. Her appearance in this movie grounds Kid’s emotional narrative in Magic Kaito; it implies the existence of Kaito Kuroba in ways Hakuba or Nakamori never could, because her significance rests entirely in his civilian identity. There are scenes dedicated to Kaito watching over her in disguise as she waits for her father to wake up, only leaving once she seems to be okay. He’s on the phone with her in one of the last scenes in the movie, and his smile when he ends the call is the softest it’s ever been in Detective Conan.

That’s not all, though. In a cute example of the movie affecting the manga, Gosho told Nagaoka later on that a gesture Aoko performs - a two-handed clap to the face that helps her psych herself up - was brought back into Magic Kaito for his April serialization. We see Midoriko do the very same gesture when she wakes up after her quick nap, as it turns out.

There’s something else I want to mention about Aoko, but that fits better elsewhere. So before we talk about the elephant in the room, I want to mention the theme of the movie. Both Nagaoka and Takahiro Okura, the script writer, have described the movie as dealing with “parent-child relationships” and “inheritance.” All of the antagonists follow after their forefathers in some way, but it’s an idea most obviously expressed by Hijiri Fukushiro, the main movie-original character. The complicated feelings he has about following in his father’s footsteps, and the things he does as a result, can all too easily be compared to Kaito’s own struggles. As I mentioned earlier, Nagaoka does something similar with M23, but it’s even more powerful here because Kaito is just as determined to chase after his dad as the many other characters in the narrative are to deal with the legacies their forefathers left them.

So. 

Elephant in the room. 

The ship-breaking shot heard round the world.

Shinichi Kudo and Kaito Kuroba are cousins, and their fathers are twins.

I want to just trace this thread throughout the movie, in as brief a form as possible.

It starts with the very first confrontation between Kid and Heiji. When Heiji gets the upper hand and knocks Kid’s monocle off, cutting through the brim of his hat in the process, the moon peeks through the clouds and gives Heiji a clear view of Kid’s face. He’s immediately shocked to discover he resembles Shinichi.

Heiji has a couple of moments following that clearly illustrates he’s ruminating on this. When he first sees Conan, he crouches down and takes Conan’s face by the chin, examining him. When Kid and Conan banter on the train, Heiji sits behind them, a confused but thoughtful look on his face.

Shortly after the above, Heiji confronts Conan: “Do you have any siblings?” He brings up the physical and vocal resemblance Kid has to Shinichi, but Conan brushes it off. “It’s a coincidental resemblance. It happened by chance.” Heiji drops the subject, but there’s an argument to be had that the way Conan says that last line sure is suspicious.

The movie follows the main plot until Aoko’s introduction. In one scene with her, Heiji, and Conan, she watches the latter two talk with interest. She crouches to the ground and stares at Conan, telling him that she’s reminded of her childhood friend’s younger years when she sees him. This is the first time their resemblance has ever been phrased as “You look like Kid/Kaito,” as opposed to the more common reverse. Nagaoka remarks in an interview that Aoko’s presence in this movie presented the perfect chance to further thread the foreshadowing of their resemblance throughout the film, and personally I rather enjoy that one aspect of this foreshadowing comes from the Magic Kaito angle.

Post-credits. Yukiko is surprised to discover Yusaku has an older twin brother. Yusaku is a little…cagey, in my opinion. He expresses mild surprise he hasn’t mentioned it before, says they keep in regular contact despite not seeing each other in over 20 years, mentions he receives gifts every once in a while (including the extremely plot-relevant missing sword) and hints to Yukiko that she’s likely met him before. As she continues to guess who it might be, Yusaku attempts to change the subject to his new book; he wants her opinions on it. This is when he receives a text praising his most recent novel, signed by “TK,” and Yusaku smiles. The scene cuts to a skyline view and Kawasoe standing atop a tower of some kind. He looks at his phone: “Thank you, Nii-san! YK.” He laughs, and the disguise comes off, revealing a smiling Kaitou Corbeau.

Now, I mentioned Midnight Crow earlier, so I want to recover that pin now. Midnight Crow is a Magic Kaito case. It is the case that very strongly implies Toichi’s survival. Absolutely none of this is brought up in Detective Conan in any capacity whatsoever. Not even a REFERENCE to a “Kaitou Kid in black.” I’ve seen multiple stories, whether they be about themselves or about others they went with or saw in the theater, about people that were simply confused as to why THIS was the stinger in this film. I even have a personal anecdote myself, given I dragged my roommate with me to the movie and what surface knowledge she had did not do anything to help her understand what the heck was going on in the post-credits scene.

Within the film, in the vacuum of this one movie, the connection between Kawasoe and “the guy that wears a monocle like Kid who seems vaguely threatening” is actually really well foreshadowed! It’s even BETTER foreshadowed if you know Magic Kaito, because the relationship between Hijiri and his dad has parallels to Kaito and his dad. Because Kaito’s first disguise in the movie and Toichi’s disguise throughout used the exact same method: taking advantage of someone’s vacation, and thus their absence. Because you know this man is Kaito’s dad, the thief who found this treasure before and chose not to steal it, and is now taking advantage of Kawasoe’s klutzy nature to give Heiji and Conan information so they can find and protect it.

As far as Kaito and Shinichi’s resemblance is concerned, it was always used as a joke in previous films. Considering how long this running joke went, I imagine that made their blood relationship that much harder to accept. It was clear they were doing something different with it from the very start of this movie, though, when Heiji’s reaction to the resemblance isn’t played for laughs and it just kept coming up.

This also doesn’t necessarily come out of nowhere. The earliest piece of info that I can personally confirm is from a six-page interview with Gosho in a 2011 issue of Hayakawa Mystery Magazine celebrating the release of M15. After the interviewer implies that the similarity between Kid and Shinichi may be due to Kid being written first as a protagonist (further implying it’s a stylistic “protagonist” thing), Gosho replied, “Their resemblance is not just because of the order they were written in, but because there’s a secret backstory. There’s no way someone that looks so similar exists, you know? (lol) As for why, look forward to it, I suppose.” In the No. 22-23 2024 issue of Shonen Sunday, Gosho also has a little cheeky comment saying he’s relieved he was finally able to talk about Kid’s secret…

The other comment complicating the timing of when Gosho would have first considered this is a comment from Yamaguchi during a later screening of M27 alongside the seiyuu. According to fan reports, he mentioned being told that Kid had a “secret backstory” when he was given the offer to voice him. Combined with the fact that Gosho had apparently specifically chosen Yamaguchi despite the latter already being onboard as Shinichi, and Gosho choosing to go with a Kid cameo in DC in the first place because he wanted to introduce a regular rival… Maybe the idea of them being related existed well before that 2011 interview.

You might be able to tell, given how much I have written about M27 alone, that I think it’s a very interesting movie from a Magic Kaito perspective. It borrows from it the most by far, and I have to agree with the Febri interviewer when they said this movie has the biggest crossover between the worlds of Magic Kaito and Detective Conan by far. Because aspects of the theme, Kid’s motivations, and the entire post-credits scene are frankly lost on you if you’ve never bothered to read Magic Kaito. It’s a very funny thing for the “yearly event movie” to do, if I’m being honest, but this movie relies on the strengthening ties the two stories have made over the years. It sure did break box office records, though, so it seemingly worked out for them.

My only question at this point is whether further media, manga or movie, will pick up on the movie’s main revelation.

——

Since merch releases and promotion for M28 are ramping up, I wasn’t expecting much out of the Magic Kaito or Kaitou Kid mines for a while. Imagine my surprise, then, when FILE.0 was finally released as part of the special rerelease of Volume 1. At a mere four pages, one could barely call it an extra chapter; if it could be called anything at all, it’s more like an omake of sorts. Here we have Shinichi taking a trip to Tropical Land to plan out his date with Ran - and with Fate, of course.

It’s honestly pretty cute, the way he’s likely taking way too many notes on what he could do there. But what ends up happening is Shinichi stumbles upon a scene from Magic Kaito (Kaitou Kid’s Busy Day Off, to be exact), right as Kaito says his embarrassing line about ice cream being as sweet as it is cold. Shinichi is taken aback at how cringe this guy’s being, but he likes the idea of ending his date here by the fountain, so he takes notes regardless.

Did we really just put Shinichi in a scene from Magic Kaito for a rerelease of Detective Conan’s inaugural volume? With Kaito and Aoko, right there? It feels so small and so silly, but I still can’t get it out of my brain. The last time Kaito and Aoko showed up just as normal people in front of our main cast in any capacity was in Black Star, and I’ve already mentioned that this appearance makes the chapter feel even more like a crossover. But now, after everything that’s happened, they show up again. Maybe the line in the sand is still there, but I think it’s moved.

Final Thoughts & Hot Takes

The very nature of Kid originally being from another older series means I have no idea where we actually go from here with all of this. I have no major expectations at all for when or how or IF Shinichi and Kaito being related will be brought into the manga in any capacity, largely because there’s very little precedent for it. You have things like Ran already knowing Momiji in the manga even though they only ever had a “first meeting” in M21, or James Black knowing about Akai’s survival first being confirmed in M18, but stuff like that that’s a pretty rare occurrence. Even so, Takayama and Yamaguchi discuss the idea themselves in an Animage interview. She mentions that the movies seem more connected to the manga nowadays, while he muses at the idea of Fairy’s Lip leading into M27, which may very well then lead back into the manga.

Regardless, I don’t think anyone would argue if you said Magic Kaito felt more integrated into Detective Conan now than it did 20+ years ago, when Kid was first appearing in the manga and movies.

So to cap everything off, I think some Hot Takes are in order.

The cousin reveal isn’t actually all that bad. I’ve admittedly been on this particular train for a decade, so this was like every national holiday and then some rolled into one. I definitely have some questions about things like Shinichi’s Childhood Adventure or Yukiko’s relationship with Toichi, but for me personally none of them really snap this reveal in two. Nor do I think it dampens the way they were brought together as detective and thief, especially since I think you could reasonably argue that Toichi and Yusaku maintained their distance not only due to the divorce, but because of Toichi’s new profession. “Over 20 years ago” puts them at probably no more than a couple years before Toichi became Kid, when he was likely traveling for his magic show, as opposed to the young age they apparently were when their parents divorced. It’s also made fairly clear in DC that Yusaku knew who Kid’s civilian identity was… or at the very least, that’s how I read that interaction. If they intentionally kept their halves of the family from meeting, then it’s pretty incredible Shinichi and Kaito met at all. If the manga touches on them being related in any capacity - and again, I have no clue how likely that actually is - then it’s not going to suddenly supersede the relationship they have now. It’ll just add to it, assuming they chose to entertain it at all, and that complexity could be fun. This is all admittedly personal, of course; my shipping preference leans very heavily into “weird platonic relationships,” so that informs this particular take by quite a wide margin.

1412 is the ideal way to consume Magic Kaito. I don’t know how much I even like this hot take, but I can’t help thinking it’s true regardless. It more closely resembles Detective Conan in tone and vibes than it resembles its own source manga in a couple of key ways, so I do actually think this - over either the manga or the TMS adaptation - is the way they want people new to Magic Kaito to consume it, especially if they’re coming in from Detective Conan. That Gosho created a new finale for it, and did so by pulling out the “Toichi is actually alive” card, is also fairly telling. And if people like it enough and want more, the manga is still plenty available.

Magic Kaito has become a Detective Conan spin-off. I think I also hate this take, but I also believe it to be true in any way that functionally matters. We must respect that Magic Kaito came first - that Kaito and Aoko and Hakuba came first - but Kid’s modern popularity can be almost entirely attributed to Detective Conan. And honestly, I have to wonder if it’s still running, albeit irregularly, because of that. Phantom Lady jumps off of Ryoma’s Gunbelt, Green Dragon references Queen’s Bang and takes a quirk from the movie for both Aoko and Midoriko. The tone does a clear shift after DC begins serialization as well, and goes even further into mystery solving after Kid makes his first appearance in DC. If you didn’t know any better, you might think it was similar to something like Zero’s Tea Time: a spin-off for a crazy popular character. It’s not, and it never actually will be, because Magic Kaito came first. But I think it sort of has become one.

The line in the sand is not bad, until it is. I don’t actually mind the parallel worlds argument, largely because I can understand what kind of slippery slope Akako is for the logic-driven Detective Conan. There’s also a part of me that doesn’t really mind Kid plots being largely stand-alone, with little to no involvement with the main plot. I could even also buy the two shady organizations actually being different, if and when we ever get information about MK’s organization. But after coming this far, and developing Conan and Kid’s relationship to the level that you have, I think not delving into who Kid is when he takes off the costume becomes the more contrived option. Gosho’s said before that solving the DC plot will not simultaneously solve the MK plot due to those organizations being different; I don’t think that means Kid should be verboten from Black Organization plots entirely. I don’t think it means Kid shouldn’t maybe suffer a consequence or two for being so open and casual with Conan, or that we can’t have a running side plot involving him. But then you run into the problem of Magic Kaito being its own series, and if you erase the line in the sand - if you let Kaito Kuroba be in Detective Conan - what do you do with Magic Kaito? The two worlds have overlapped so heavily with M27 that I almost wonder if we’re at a breaking point. Maybe this is the real Pandora’s box.

Kaitou Kid is a Detective Conan character, but Kaito Kuroba might not be… yet. I think DC has claimed Kid for its own. Especially the performance of Kid as displayed by the man behind the mask. But that mask has been chipping away, and Kaito himself is usually the one speaking to Conan at this point in both the manga and the movies. Even so, to so many people, that’s still just Kaitou Kid. I’ve seen disappointment expressed at that suave gentleman thief from the Black Star and M3 era being nowhere in sight in modern times, and it’s because it was always an act. You can’t keep up that act when you choose to trust someone, and they trust you back. You just… start becoming yourself. But he’s not truly himself in DC yet, despite the few scant appearances of Kaito himself we’ve received. For some reason, Kaito Kuroba still feels like a crossover character, and his appearance some special event, compared to Kaitou Kid. FILE.0 was a surprise in this regard, but in relation to the above, I have to wonder: Should Kaito himself ever feel as entrenched in DC as Kid is?

Kaito Kuroba - who many and more know as Kaitou Kid - is such a funny character if you think about him for more than a few seconds. His popularity in the Detective Conan vacuum is more than warranted, given his back and forth with Conan, but I really do want to believe that it’s the duality of his appearances in Magic Kaito and Detective Conan that contributes to this popularity. If M27 and some of the recent trends in both DC and MK are anything to go by, maybe I’m not so far off the mark.

We’ll likely get more stuff to enjoy in the meantime, but I’m currently looking ahead to Magic Kaito’s 40th anniversary in 2027 and hoping we get another movie… Or maybe another major manga arc. If you’ve managed to read all of this, you have my deepest gratitude! I hope this adventure was as enlightening for you to read as it was for me to write.

[updownlately]

in your embrace (this crowded room doesn’t matter)

| leah williamson x reader

~~~

“You tired yet?” The soft murmur of words against your ear had you relaxing, the familiar voice automatically putting you at ease. 

Closing your eyes at the feel of her breath on your ear, you hummed in thought, processing the question as music filtered in from the speakers near you. 

Continuing to sway gently in the dim light, you tightened your grasp around Leah’s neck and pulled back ever so slightly, your eyes meeting blue ones.

“Not quite yet. Are you?” 

“I don’t think I can ever be tired while being in your arms…” 

Smiling shyly, you shook your head. “Half past midnight and your flirting just doesn’t stop huh?”, you questioned. 

The cheeky shrug and teasing smile you received in response had you quietly laughing, you tucking yourself back into the crook of the blonde’s neck, letting her guide you as the song changed. 

You both had spent the day celebrating love, having been invited to an old teammate’s wedding.

Partying hard through the better part of the evening and night, on the dance floor with friends and teammates, Leah had whisked you away a short while ago, just as the slow songs had once again come on, more than glad to finally get some time alone with you after the hectic day. 

The pair of you had ended up tucked near the back, lost in your own world as song after song had played, tons of other couples rotating on and off the dance floor as you two stuck around.

“I can’t believe we managed to make it on time…”

The quiet statement had Leah groaning in playful annoyance, her grip on your waist tightening.

“Not my fault you’re a distraction!”

“Me? I was ready on time…hair and makeup both done long before Uber had arrived. And if I recall correctly, it wasn’t me putting on lipstick and blush in the car, love.” 

Your hushed jest had the blonde hanging her head back, your pace slowing as she chuckled quietly at the memory. 

“At least the music was decent this time.”

Biting back a smile, you followed Leah’s movement without thinking, mind occupied recalling the morning before the wedding ceremony. 

Though the pair of you had woken up on time- a miracle if you were asked, considering it was a Saturday off- you had somehow managed to spend a tad bit (read: over an hour) too long in bed, more content with lazily cuddling as the time ticked by, you both blissfully unaware until your warning alarm had rung.

It had been a scramble to get ready in time for the wedding, the both of you running around the apartment grabbing all that you needed, you claiming the main ensuite and ushering Leah and her suit to the guest one so that you could both be ready to go.

Even with your strategic separation, the blonde had ended up over in your shared bedroom, eventually roped into zipping you up and helping you with your jewelry. 

Somehow, helping you out had turned into a small make out session, and well, if Leah had to fight the bumps on the road as she sang along to the radio whilst sorting out the final touches on her make up as the result of the time lost, you definitely weren’t the one complaining, more than content with your finished look and the presence of the blonde beside you. 

Snapping out of your thoughts as you heard the familiar strumming of your favourite James Arthur song play, you pulled back to smile at Leah, the blonde returning the sentiment as she tugged you ever so closer, your faces mere inches apart.

Matching grins on your faces, you matched your steps with Leah, softly waltzing under the dimmer lights in the back, satisfied with the knowledge that you would likely not be bothered, more than happy to be consumed in your own world, in your love. 

“…I’m so in love with you…and I hope you know…,” Leah sang lowly, just loud enough for you to hear. 

Finishing her line, you smile grew as you continued the song. “…darling, your love is more than worth its weight in gold…” 

“…we've come so far, my dear…look how we've grown…and I wanna stay with you until we're grey and old…just say you won't let go…”

Voice dropping as you let the midfielder finish the stanza, you shook your head in amazement, blush coating your cheeks as your thought of how lucky you were. 

Head tilting as the soft hue reflected perfectly off of Leah’s eyes, you took a second to admire the darker colour that they appeared to be, as well as the rest of your girlfriend.

“You look absolutely incredible in this dim light- the way it’s perfectly highlighting your jawline and cheekbones, you’re gorgeous. And it’s somehow making your eyes nearly look this ethereal navy colour. Never thought they could get prettier but here we are…” You let your voice trail off, the quiet murmur over the music disappearing as you traced over the facial features of the one you loved, noting the rosy hue that covered her cheeks at your compliment. 

Rubbing your thumb comfortingly on the nape of Leah’s neck, you watched her wordlessly accept your compliment, her eyes not meeting your gaze telling you that Leah appreciated your comment. Picking up your pace once again and tightening your hold around her shoulders, you brought yourselves closer, picking up the pace to match the new song that played, an Ed Sheeran one this time. 

Taking a second to break out of your bubble as the song faded out, you took a look around the hall, realizing you were the only couple left on the dance floor, even the straggling drunk folks having sat down or headed out. 

Glancing up at your watch, eyes widening as you saw the time had nearly hit half past one, you slowed down your pace, looking around once more only to notice even the DJ wasn’t at their station, likely a playlist the source of the music playing. 

Bringing Leah’s attention to the station as you stopped dancing, you cast the blonde a look of disbelief before bursting out into laughter. 

“Leah, I can’t believe we’ve stayed out here that long…everyone else’s nearly gone!”

And as Leah’s head swivelled around in search for your friends, well aware that the newly-wed couple had headed out a little while ago, you held back your laughter, amazed at how the time flew by as you both had spent the nearly two hours dancing together, lost in each other’s embrace, completely blind to everyone else’s presence (or lack thereof) in the room. 

Turning back to you with a shocked look on her face, the blonde just barely managed to sputter out her next words. “We surely couldn’t have been dancing for that long, right?”

“Leah, I really think we ‘J-Lo’d’ this and very much have ‘danced the night away’,” you responded, giggling at your horrible joke. 

Shaking her head amusedly at the lame line, the blonde grabbed your hand, leading you towards your table. 

“I wish we could’ve danced a bit longer…forever even…” 

Wrapping your arm around Leah’s waist, you brought your joined hands up to your lips, placing a kiss on the back of her hand before stopping her in her tracks and nudging her to look at you, your voice just loud enough for you two to hear.

“How about this...at our wedding, you and I’ll make sure to dance until both our feet ache, okay?” 

Looking up into eyes shining with unspoken love, you let yourself be pulled into Leah’s embrace, sinking happily into the emotion-filled kiss being placed on your lips- the unsaid agreement clear.

Basking in the pure adoration, you held on tightly to Leah, grip only loosening as Leah pulled back, her wiping the slightly smudged lipstick gently off your face. Blonde head nodding vigorously, her response was enthusiastic. 

“I think I’d love that.”

Balancing on your tiptoes, you placed a final chaste kiss on the blonde’s lips as if to agree to the final decision before grabbing her hand and continuing your trek to your table.

Looking back as you walked ahead, you shot the blonde a wink and a sly smile, quickly grabbing Leah’s coat before speaking.

“Great! Then all that’s left is for you to propose!”

And as you left a wonderfully perplexed Leah at the table, you slowly began walking backwards to the parked car, a proud smile on your face as you faced the Englishwoman, a lovesick grin of disbelief shining from her.

You absolutely couldn’t wait to marry her. 

[catscidr]

i. note — i was feeling a certain typa way because i kept coming across fics where the reader was described as busty so i wrote this in like two hours to make myself feel better lmao sue me…. ii. includes — dottore, afab!reader. no pronouns used, only descriptions of boobs/looking womanly (?) iii. cw — fluff, hurt/comfort, crack-ish bc this is a little silly, dottore is trying his best (maaaybe ooc), a little suggestive but nothing happens, talks of sex and oral, casual touching. MDNI. tldr reader is self conscious about their body and dottore tries to make them feel better lol iv. wc — 1,8k

It’s not often that you get to lay in bed with your lover; he’s always busy running around his lab, either fixing others’ mistakes or scrapping his own work to start over what he has spent so much time on. Dating the infamous Il Dottore was a challenge not many were strong enough for, but you made it work.

You would spend time with him in Haeresys by helping him with some tasks (even if they were small, and didn’t really need to be done in the first place). Handing him different tools when he’d wordlessly ask for them while neck deep in the guts of a Ruin Guard, carefully organizing old reports and documents in his desk that would never see the light of day anytime soon, and bringing him a healthy meal to eat while he worked (though you would do that yourself, because Archon forbid he actually eats on his own accord).

So, given how sparse your time together is, of course you would make it count. Of course you would use that time wisely, go out for an evening to a nice restaurant, maybe even cuddle up on the couch to binge an entire season of a show you had been meaning to watch for ages but couldn't bring yourself to because you wanted to watch it with him.

You wouldn’t dare spend your evening together in bed, wallowing in your own self-pity while he sits up, reading a book you can’t even stomach the contents of.

...Except that’s exactly what you’re doing.

You can't really help it, though. You know how he is; diligent and hardworking, a man of his craft. You know he doesn’t have the time to entertain you and your silly questions and hypotheticals, you know he’s not too fond of sweet touches and words of affection. You know this isn’t your typical relationship, but you don’t mind because you get to be with him— and you wouldn’t have it any other way.

Save for when you sulk and feel so incredibly insecure and inadequate for a man such as himself.

Humans have needs. You are human, and you have needs. Dottore is a human (to some extent, though still technically human), so he, naturally, also has needs.

The issue lies in the enormous, metaphorical physical gap between you and your lover. Naturally, Dottore is essentially married to his craft, so getting any sort of action is usually out of the question. You can get a peck or two out of him, one in the morning and one at night (if you’re even awake to feel his scarred lips gently pressing into your cheek), but that’s where the list of physical affection ends.

You’ve talked about your desires and boundaries alike when you first (officially) started going out. The discussion didn’t leave out anything sexual in nature either; though the conversation was mostly led by you, while he simply nodded and pitched in with a word or two every so often.

It’s not to say you’ve never been physical with one another. But recently it’s been happening less and less, and you’ve been finding yourself in this position a lot more often; curled into yourself, lost in your own thoughts as you picked out every little detail about you that you were certain weren’t up to his standards. 

It’s only when you feel him shift next to you that you’re brought back to your shared bedroom, away from the rainy clouds stuffing your mind. 

Dottore shuts the book in his lap, keeping his right hand’s thumb wedged between the pages. He peers down at you with a curious expression, silently analyzing your suspicious silence. 

“You’re quieter than usual,” he comments, tone as flat as it could be. You crane your neck back to look up at him, the duvet covering most of your face as you wrack your brain for something to say. 

After a second of opening and closing your mouth, you finally say something. “’M just tired,” you murmur quietly, nuzzling deeper into the blankets to sell your point. He hums in response, placing his book on the nightstand next to his side of the bed and crosses his arms in front of him, brow quirked up in disapproval. Piercing red eyes stare down at you, making you hold back a shudder. Archons, you’d never get tired of seeing him without that ornate mask of his.

“It’s quite abnormal for you, of all people, to be silent when presented with the opportunity to have a conversation with me, uninterrupted” Dottore states, watching as you tense in your little cocoon. After a beat you emerge from your safety, chin just barely peeking out of the edge of the duvet. 

“...I had a long day.” You avoid looking at him, a pout gracing your lips. He huffs in response and runs a hand through his loose hair. “Long day you say?” Dottore keeps his composure intact, remembering the moments you’ve whined to him throughout the day about how completely and utterly bored you felt. 

“Mm. Long day, right,” he brings one hand down to hold onto the duvet and pulls it down, making you reach for the blanket to cover yourself up; though your efforts are in vain. “What’s on your mind.” 

The way he spoke to you sent shivers down your spine, shuddering at the way he spoke in a way he would when making a statement. 

“Nuhh... nothing. Nothing at all, I don’t know what you’re talking about.” You shift in the bed to cover yourself, even if it’s entirely unnecessary. The tee shirt you wore covered you plenty, but without the duvet you just felt so... exposed. Especially with how well Dottore could read your body language; it’s like you didn’t even need to say anything (because you didn’t). 

His gaze on you never relents as he scrutinizes your appearance; your furrowed brows, your hair sprawled across the pillow- still damp from your shower- and the way your lip trembles almost imperceptibly as you hold back the urge to talk about what’s been bothering you. He hates having to metaphorically twist your arm to get you to open up, but if that’s what he needed to do to keep you sane, he’d do it over and over again. 

Dottore scoots his body down to lay in the bed properly and turns to his side to face you, icy hair cascading down his neck as he pulls you in towards him with a hand on your waist. You squeak, tilting your head back so as to not invade his personal space. 

“What’s on your mind?” he asks, softer than before but still with a demanding tone. You shrink, avoiding looking into his eyes. 

“Nothi-” 

“I’m not in the mood for games.” He says your name quietly, thinly veiled with an unspoken warning. 

With a huff you bite the inside of your cheeks, and finally relent. You speak quietly and without even an ounce of confidence, earning a sharp sigh from your lover. 

“I can’t hear you when you mumble like th-” 

“I’m flat!” you practically shout. 

Dottore blinks back the whiplash that hit him in the face, stern expression fading into one of complete and utter perplexion. You don’t elaborate, staying quiet as a deep flush takes over your cheeks. 

“You’re... what?” 

He stares at you owlishly, for once at a loss for words. You nod, sitting up to properly articulate your feelings now that the cat was out of the bag. 

“My boobs are small! I have no ass! I’m... I look like a door!” You gesture at your chest, expression looking entirely distraught as you vent your feelings out to your lover. Your shoulders droop down unceremoniously, lips jutting out in a pout as you stare at the wall to avoid crossing Dottore’s gaze. The sound of the wind howling outside of your bedroom window morphs into what almost sounds like a laugh, as if mother nature herself was cackling at your expense.

“I feel bad when people see you with me. I can’t... I have such a bad gag reflex I can’t even take a third of your dick in my m-” 

He cuts you off by placing a hand on your shoulder, frown etched deep onto his face. If you looked closely you’d see red dusting the tips of his ears, contrasting against his hair. 

“You’re self-conscious because you have... small breasts and a... sensitive uvula?” Dottore says, his tone completely void of the confidence he usually carried. Fingers comb through your hair, light and gentle, as he thinks of what he can even say in response to your confession. 

You sniffle, looking down at yourself. The shirt you wore did little to help your smaller cup size— and as you frown at yourself, you bring a hand up and place it over one breast. “See, even my hand can cover them easily. My body doesn’t have even a little bit of curves.” 

Although at a loss, Dottore recovers from the absurdity of the situation in record time. He shifts your body so you’re now facing him, and very casually slips his hands underneath your shirt to cup your breasts. He speaks before you can, cutting off the slurry of complaints you had ready. 

“Have I ever complained about them?” he asks solemnly, forcing you to look at him. “As far as I’m aware I never have. Why bother being concerned over something so trivial?” 

His hands squeeze them gently, making you squeak in response. The more seconds pass, the more ashamed and flustered you feel for even bringing this up. As if a man of his caliber would even care for something like this, how stupid do you have to be to think of him as someone that only cared for looks?

“Well, no, but-” another squeeze cuts off your train of thoughts,” -b-but the rest...! Men like women with a fuller figure, I can’t even give you a titjob!” 

The words that flew out of your mouth made his head spin, from both irritation and embarrassment simultaneously. He inhales and exhales slowly, dragging his palms down to your ribs, then your waist, until they settle atop your hips. 

“I’ve never asked for anything of the sort,” he sighs, observing the changes in your face carefully. 

“Yeah, but-” 

“No ‘but’s. Your body is fine. It does not matter how it looks like from the outside; your organs are working properly, and you do not have any abnormalities forming anywhere inside or outside of it. How your figure looks holds little importance to me.” 

His words sink in, and you feel your invisible dog ears droop to rest flat on top of your head as you glance down at your lap, shame ringing in your ears. Dottore’s grasp tightens around your hips, demanding for your attention to be on him once again, refusing to let you sulk as long as he could help it.

“Although, putting functionality aside, do I need to remind you exactly what I think of your body? Shall I remind you how you make me feel whenever I see you parading around my office? How my body reacts to you?”

Your lips threaten to quirk up into a sheepish smile, but your shame still ate you up from the inside, keeping you from reacting. Your lover hums and flashes you a wolfish grin, leaning in towards your neck to nibble at your ear, teasing the flushed skin. 

“We do have the rest of the night to ourselves, don’t we? Want to find out just how much your body affects me, my love?”

[mathysphere]

do YOU want to cross-stitch like it's 1992? through the magic of emulation, now you can!

I found a copy of Cross Stitch Master (Commodore Amiga pattern program) in a giant ROM dump on the Internet Archive, and got it working! and honestly it kinda rules