#no no you're literally. on. fire

[mnictasbcl]

Anxious android boyfriend with a critical need for reassurance but thinks he's playing it cool

Vs partner who can see his red led and the smoke

[thevioletcaptain]

i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.

it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.

it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)

it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.

[froggieetmblr]

rushes to make gerard fanart bc i can't resist it even though i am studying

[demaparbat-hp]

Want to know what I believe? It's right here

Dig a little deeper and it's crystal clear

.

(WIP)

[schwirrymartz]

During my FMAB rewatch I noticed that Mustang's flames take the form of a dragon in the final battle. And we know that he has (full?) control over his flames, so it was his conscious decision to make a giant dragon no one really saw because everyone was too busy hiding. Show-off.

[romanticatheartt]

Feyre:

Aelin:

Bryce:

Feyre is the Mother's strongest soldier lol

But also I feel like she's pretty chill about it too because she's that sure of him:

ps: I know this is before everything but Rhysand is the one who's way too possessive lol so I think this is still Feyre

[burst-of-iridescent]

not to beat the "sokka's misogyny" disk horse even further into the ground, but while i agree with the take that sokka being sexist logically doesn't make sense, i would go further to say that the water tribes themselves being sexist is both illogical and thematically contradictory.

the flaws of each nation in atla have always been linked to their element, and specifically what those elements represent. fire is the element of power; power, left unchecked, leads to imperialism and authoritarianism. earth is the element of substance and stability; stability, prioritized too highly, creates and justifies the rigid class system and rampant corruption of ba sing se. air is the element of freedom; freedom, taken too far, becomes irresponsibility and abandonment.

meanwhile, water is the element of change... therefore the water tribes cling to antiquated ideas about gender roles instead of adapting with the times (especially when the times involve a fucking war going on).

not only is this unrealistic, it also breaks the thematic pattern of the nations' flaws being virtues taken to extremes, and how this dovetails into the show's overall message about the importance of balance. if we're keeping with the pattern of virtue and vice being two sides of the same coin, then the flaw of the water tribes has to be related to change. and here is where some of the (badly executed) ideas in the comics and legend of korra could have come into play: change, left uncontrolled, can lead to progress... but at the cost of tradition and spirituality.

(imagine a nwt cut off from the world and forced to rely solely on itself, ingenuity and creativity flourishing out of sheer, desperate need. imagine a nwt where waterbending is nothing more than a tool, used to build and defend and maintain a fortress always at risk, its spiritual origins slowly lost to time. imagine a nwt more military than community, whose architecture and technology far exceed anything the world has ever seen, who look down upon their less advanced sister tribe, and see no need for the avatar - after all, where was he when they had no one but themselves for the last 100 years?

when warned that the fire nation is coming, they show no fear; they have held strong on their own for the last century, bolstered by their weapons and wits, and will continue to do so. you need the spirits, aang implores, and is met with derision, for there is no place for spirits in a society always chasing more, greater, better. the spirits have not helped us before, avatar. why would they now? we are all we need.

when the moon spirit falls, unprotected and forgotten in an abandoned, rundown spirit oasis - so do they.)

not only would this fit better thematically, it would also ensure that the nwt's flaw plays a role in its own downfall. where the fire nation's warmongering resulted in the poverty and suffering of its own people, and the earth kingdom's corruption led - at least in part - to the fall of ba sing se, the misogyny of the water tribes is never shown to negatively impact them in any way. the north isn't defeated by the fire nation because they relegated half the population to healing. the south doesn't suffer raids or lose their waterbenders because they (supposedly) didn't let women fight. this lack of narrative punishment means that - outside of a few girlboss moments for katara - the sexism of the nwt isn't significant to the overall story whatsoever.

furthermore, while the ba sing se arc last almosts half a season, and the fire nation's actions drive the entire show, this supposed systemic oppression of women shows up for one episode in the first season before disappearing entirely. pakku is reminded of his lost love, magically turns into a feminist, and somehow the entire tribe follows suit? no one else protests, not even the other students or the chief?

and yet, though there are still no female waterbenders other than katara, or agency for kanna in her relationship, or any indication that women stopped being forcibly betrothed - the entire issue is simply swept under the rug and never brought up ever again in the show. i understand this was a children's cartoon made in 2005, and that even having female characters openly speak about and challenge misogyny was a radical feat for the time and genre, but the reality of patriarchy is that it's structural, sustained and immensely difficult to resist - if the show was going to depict that resistance, it should have done so with greater depth and nuance, as it did for many of the other difficult topics it tackled.

ultimately, handwaving misogyny away like it never existed is far more disrespectful to katara's character, her fight against injustice, and the girls who saw themselves in her, than simply toning it down or removing it could ever be.

[governmentmandatedryujinstan420]

I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO

[peppermintquartz]

Given my own family denying my bisexuality and some of my oldest friends breaking off the friendships over me coming out, I would also be deeply hurt by someone dragging me back into a closet without my permission. To be rejected or forcibly hidden by someone I care about is incredibly painful.

Which is what Evan basically did when he said that they would be picking up hot chicks after the meal. And yet Tommy didn't correct him, he was just a little snarky about it.

You wanna stay in there, fine. Don't pull me back in when I've fought so hard to come out. I wouldn't be in the mood to continue a date either.

What if he sees someone else he knows? Would he drag Tommy back into the closet again, every time? Better to cut it short while they were still friendly than to let Buck think this was an acceptable way to treat Tommy.

Buck wasn't ready. Tommy saw that, and he was protecting his own peace, which is entirely fair, and I don't see why anyone should give Tommy shit for it.

[divine-motion]

i'm the only motherfucker who understands armored core 6 fully and completely actually

[moralesmilesanhour]

Miles 42 has an art account that's scarily well-curated with almost all of his sketches scanned that no one he knows is allowed to follow

Miles 1610 hasn't let anyone other than Uncle Aaron see his sketchbook since he was 5

[essektheylyss]

I know I joked about DVDs but in all seriousness, I'm really glad that there's an option for watching VODs that isn't on Twitch and YouTube. It's been mentioned a few times today, but both of the interfaces of these platforms have been increasingly enshittified. I simply do not use YouTube anymore because of how horrid the interface is. I caught up on campaign 2 entirely on YouTube (and sometimes via podcast) in 2019 with no issues, but it is straight up maddening trying to use it now, and I don't know that I would have made it through the campaign if I was trying to catch up today.

I absolutely understand being tired of additional streaming services and I am absolutely in the same boat, but I also don't know how many people really recognize how gutted media distribution has become in the last ten years in the name of convenience. We all kind of realize it, but it's hard to grasp just how extensive it is. We can talk about independent business choices separately, and we should, but when the only platforms on which you have the option to distribute your work are at best frustrating to use and at worst hostile to human life, when monetization services can censor anyone they please with little explanation and have been cracking down on any content they arbitrarily deem inappropriate, when it is not clear that centralized conglomerate social media sites will continue to exist in the next year let alone decade, it is genuinely crucial for independent creators to start building alternative avenues of distribution that they control now.

[izzy140105]

"Jons a Targaryean"

SWEETIE YOUR NIGHT NIGHT DREAMS AREN'T CANON JUST CUS YOU PHOTOSHOPPED JON INTO TARG ARMOUR ONCE. IF WERE JUST PRETENDING OUR FANFICTIONS ARE CANON THEN JON IS TOO BUSY RAILING ME EVERY NIGHT TO EVEN CARE ABOUT HIS SHIT ASS BIOLOGICAL FATHER.

Every time I see Jon edited to look like a Targ - my eye twitches...

[n4rval]

consider: mad genius who's also a very kind and lonely old man

actually adores children and connects with them better than most people because they are both openly candid, creative and curious

struggles with the asexual conundrum of wanting a spouse and offspring but ultimately Sucking So Much Ass at building intimacy with another person he skipped that part altogether and mad scienced his way into a family

[demaparbat-hp]

Zuko looked up and locked eyes with his cousin, who was struck speechless. Then, ever so slowly, Lu Ten's lips twitched upwards. And then he smiled. And then he beamed. And then he nodded proudly once, just once, and vanished.

Lu Ten comes back in For the Spirits Chapter VII: Take Me South, only to leave Zuko with more questions than answers. Just how much is he truly aware of? When will he return? What is Zuko going to do now?

(What will the South bring?)

[laesas]

I don't know how much more explicit the message of "THIS IS GROOMING" could have been without Be On Cloud superimposing it in all-caps text over every one of Non and his teacher's scenes. People interpreting that as "cheating" are cracked in the fucking head.