#no no some of you make not being in a fandom fun at all because you just jump to the worst

[mikalilys]

Please stop publicly hating on fanfics. PLEASE!! Especially in a comment section of a video that’s about the fic or the fandom, because whether you’re aware of it or not, the author could have a social media account on that platform and see the hate. The hate on something they did for fun, for free. If you want more content then you have to stop hating. these authors aren’t celebrities they don’t have pr teams or people dealing with hate for them, they’re participants in fandom, and they’re real people.

Fanfics are not books, yes some are amazing enough to be, but you do not buy them, they’re provided to you for free. A fanfiction being popular is not like a book you bought sitting on your shelf, you should not feel obligated to read it because you spent money on it. Because you didn’t. it’s free. Fanfics no matter how popular should not be treated and reviewed like books, you do not get to publicly criticise or say “how are people buying this?!” Because they’re not. It’s free. It doesn’t matter if you think it’s overrated, it’s something someone did for fun, and you don’t get to criticise that, especially because it’s public for you to read!! Don’t be mad that something’s overrated, be glad that it was even up in the first place, someone could have easily just left it as a draft and never posted it, but they did. They decided to share this piece of themselves, to the fandom for anyone to read and that is a gift.

Ao3 is an uncensored website for fanfics, you can write about literally anything. And yet I see “no don’t read that fic it’s problematic!!” In a comment section. Fanfiction is not censored, if you want morals and every character being perfect and making the ‘right’ choices, then get off ao3. Also reminder that an author can write characters making decisions that they don’t agree with, for depth of the story. Just because your favourite character, that you see as the pinnacle of righteousness, makes a bad decision or says something mean does not make the story bad or problematic. It also doesn’t make the author agree with that decision. All the time authors of published books write about morally grey characters or villains. But when an ao3 author does it all of a sudden they must have committed the war crimes that they wrote their villain to commit. Do you realise how stupid that sounds?? 😭

Also don’t post vague negative videos about something/someone even if you don’t say who or what it’s about, it leads the comment section to gossip about who they hate and that’s just not cool. And tagging the fandom that they’re in??? 90% of the time they’re going to see that.

Public hate is not cool, if you don’t like someone, talk to you friends about it if you’re craving other peoples validation so badly. You don’t need to post something publicly. And I know hate gets more popular then love in fandom, no matter if it’s headcanons or fics or creators, but that doesn’t make it good. I don’t know why people are so negative all the time, like I don’t care what headcanons you hate, why do you even spend that much time thinking about something you hate?? I want to hear what headcanons you like, I want to know you fav characters, your kins, literally anything.

Sorry this is so long, it just pisses me off to see a fun video about fandom and then I open the comments and it’s filled with hate. This is a fandom, have fun with it!!! Please. 😭

[altschmerzes]

in general if you want to enjoy your ships and romantic interpretations of character dynamics without running into the territory of amatonormativity and casual fandom arophobia i think a good standard approach is if you’re going to refer to the dynamic you see as romantic, there’s just no need to bring the idea of friendship or platonic relationships into it at all! i talk a lot about how people get very habitually and jokingly mean about nonromantic relationships in a way that’s really hurtful and upsetting to me as an aromantic person, and people often get very defensive in response, how it was just a joke, it’s not that deep, it’s just shipping, etc. so my best advice if you want to continue enjoying your ships and jokes and lighthearted fun in fandom without hurting aros and others who value nonromantic relationships, just stick to uplifting what you like, and not bringing up alternatives at all!

comments like “they were so in love here” or “they’re soooo gay for each other” or “this was so romantic” might be annoying to me on the basis of standard affection or care or whatever else, but that’s a me problem and there’s nothing harmful or wrong about it. just don’t bring platonic relationships or friendships into it, because at that point that’s where the shitty behaviour arises, because that’s where the purpose is almost always to put them down in comparison. i.e. “there’s no platonic explanation for this” or “who looks at a friend like that” or “sure they’re juuuust friends [based on some degree of intimacy or care or concern etc]”

you can have fun and enjoy your ships and make lighthearted jokes and posts without being amatonormative and casually arophobic!! it’s perfectly possible and easy. when in doubt you just don’t need to reference nonromantic relationships in your ship posts at all. celebrate what you enjoy! don’t put down what you don’t.

[subeddieweek]

Welcome to Sub Eddie Week 2025!

You will find all event information under the "read more" cut.

There are no official sign-ups for this event. Our interest form can be found here, but it is not required. This event is open for everyone who would like to participate and there's no deadline for deciding to join.

Prompts:

You'll notice that we only have one list of prompts this year instead of two! This is because there is so much overlap and some can be used in both sexual and non-sexual context.

We got a few questions last year asking if prompts on one side can be used for the other, and we decided that one list with many options will help ease any confusion.

Another note about prompts: some are vague for a reason! This is so you can make them work for anything you can think of. For example 'wet' can be used for watersports, cum play, spit, sweat, or anything else you can come up with that involves wetness. Another example would be 'heat' which can mean anything from omegaverse to just being too hot on a summer day.

We want everyone to use their imagination and not feel limited by any of these prompts.

Rules:

The first two rules are in place to keep this event safe. Mods do not feel comfortable moderating an event with sexual underage content, and we do not feel comfortable exposing anyone to untagged works. Please be mindful of your friends in this fandom and tag accordingly.

Posting guidelines:

Post using #SubEddieWeek, #Sub Eddie Week, or @SubEddieWeek on Twitter or Tumblr, and post AO3 fics to the SubEddieWeek Collection.

If you are posting on AO3, please include the “Sub Eddie Munson” tag so the tag can grow.

No minimum word count.

Late submissions allowed.

This is not a secret event, so feel free to post about your wips for this event and tag us so we can rt!

Also feel free to use this event to finish any wips you’ve already started, so we can cheer you on! Continuations and sequels are also allowed!

More information can be found in our FAQ. If you have any questions, please check here to see if we have already answered it. If we haven't, or if you're unsure about something, please ask! You can DM us or send an ask.

FAQ

AO3 Collection

Disclaimer: We will keep this event as open as possible and we would like to include everyone who participates. However, mods will have final say in all retweets, reblogs, and the AO3 collection for the event. Please try to follow our guidelines, and you will be included if you do. If you have any questions, please feel free to ask on tumblr or DM on twitter.

Lastly, huge thank you to everyone who has expressed interest this year, and everyone who participated in last year’s event. You all make this possible! Without the writers and artists, this would not be happening, so we hope everyone who wants to participate gets to.

Please tag us in all your WIPs for this event so we can cheer everyone on.

Happy 2025, let’s have some fun this year.

[raven-at-the-writing-desk]

TW fandom loves to speculate and theorize about mer and beastmen anatomy like how much they borrow from their animal ancestors. How about Miss Raven? What raven traits does she still have?

[Might be referencing this post?]

wiulwoyefapa THIS IS A TOPIC I THINK ABOUT A LOT, ACTUALLY. I think it's really fun to theorize what animalistic traits our non-human characters might have :DD

Here's just some of the raven stuff that stuck around with our Miss Raven:

(Please note: I do talk about bird and human anatomy in this post! Nothing explicit, but figured I'd warn in case this is an uncomfortable area.)

I think Miss Raven's general personality matches that of a raven; they're intelligent yet playful. She's less communicative and sociable than a raven, but I think she makes up for that in her writing.

Birds cannot taste capsaicin, which is the irritant that often registers as "spiciness" to humans. (It's an evolutionary adaptation that helps birds spread the seeds of chili peppers they eat.) Miss Raven has a high spice tolerance because of this, unlike her uncle (who is sensitive to spice).

Likes shiny things; her eye is easily caught by them regardless of value, size, color, etc. (That's her bird brain talking www) She can't wear much jewelry because she might get distracted by it. Instead she keeps jewelry in a little box and stares at it for fun, amusing herself with the sparkle.

This has been mentioned a few times, but Raven sleeps in a manner that's strange for a human. Instead of lying down, she'll form a "nest" of blankets and pillows and sleeps curled up in it.

Miss Raven is a little clumsy on her feet because the weight in her human body is distributed slightly differently than in her bird body.

She equates clothes to a bird's feathers, and being naked like having all your feathers plucked. (Man, have you SEEN a bird without its feathers? Most pathetic looking dry ass babies ever, I tell you.) Miss Raven tends to cover up her skin because, in her mind, she doesn't want to be seen as a crusty ol' naked bird.

Tends to wear skirts instead of pants because pants feel restrictive to her. She's used to having her legs out and feeling the breeze down there.

Miss Raven mostly wears black because she feels like she's kind of obligated to, as that is the original color of her feathers. More recently though, she has come to terms with the freedom her human form grants her and has been more experimental with her fashion.

Likes cuddling and when people play with her hair. This is because actual ravens cuddle with their entire bodies and preen their partners.

Ravens can eat almost anything, even garbage and carrion. Miss Raven has a strong stomach and an adventurous palate because of this.

She's smaller than the average raven, but she has the same protective instincts of one. If she's upset or trying to come off as intimidating, she'll puff up (her feathers stand up) and get verbally snippy (an actual raven would try to nip you).

Doesn't like people touching her things or being in her space. This is because ravens can be territorial!

Bird mouths are actually dry because their salivary glands are in the back of their mouths. This wouldn't work for a human and the kinds of food they eat, so when Raven first gained a humanoid form, it was weird for her to have a wet mouth and teeth 😂 Words felt so strange to speak too.

Initially nervous around predator animal beastmen and actual predator animals, particularly cats. This includes Lucius, Grim, Chenya, the Octatrio, the Savanaclaw trio, Fellow, Gidel, etc. It's Miss Raven's natural instincts letting her know she has to prioritize her own safety! She usually gets over it once she gets to know the other person a little better.

Distrustful of scarecrows since they're the things put out in fields to keep crows and ravens from eating their crops. Also has weird distrust of farmers because of this.

In terms of mating, ravens are monogamous and devoted to their partners, never straying too far from each other. They often go for romantic flights together and even give each other special treats. Miss Raven has that idea of an idealized romance in her head.

When content, ravens make a soft warbling noise (similar to how a cat might purr). Miss Raven does too, but she does her best to actively repress this sound, since she feels it is embarrassing.

Mid-February to late May is an odd time of year for her, as that's mating season for ravens. That's when she's at her most sentimental/emotionally squishy... She doesn't like being in public because it's so easy to make her cry (and those terrible NRC students would definitely do that) 😔

In early summer/late fall, ravens tend to molt and replace their feathers. Now that she has a humanoid form, Raven doesn't have to worry too much about that but sometimes still scratches excessively at phantom itches that come with molting.

Really impressed by skilled flying! This is because male ravens fly to impress females and to find mates. Raven always stares in wonder during Flight class. (Unfortunately, she's not that good at flying in her new form...)

While Raven's bite isn't as strong as Sebek's, she does bite. Birds typically have three kinds of biting: biting to open nuts and berries, biting to defend themselves (which can draw blood), and love bites (which mostly occur in domesticated birds). asbiliafeafia I like to think she gives little affectionate noms...

Insecure about the size of her "breast muscle" (not realizing that humans mostly have fat there). This is because the size of a bird's breast muscle is directly related to their flying ability... and flying's pretty important for her kind. Genuinely believes that the most skilled fliers at NRC must have a certain kind of physique to be as skilled as they are. (Envious of those buff boys/j)

Being a raven, she experiences culture shock when put against the habits and behaviors of others with animal ancestry. For example, aggressive behaviors that are affectionate to a dog or a cat are seen as intimidating threats to her.

Has cute domestic fantasies! That’s because a lot of birds will build nests together and share the responsibilities of parenting. She thinks it would be nice to build a life together with someone like that.

It's not weird for her to eat eggs! Wild ravens do it :>

THERE'S A REALLY SPECIFIC BIRD BRAND OF FLIRTING THAT SOUNDS WEIRD TO HUMANS. Birds in nature are protective of their eggs and typically only entrust their partner to look after them while they do something else, like hunt for food. Because of this, Raven is really flustered by someone asking for eggs in any context. For example, maybe they're eating eggs in the cafeteria and a peer asks her to "pass the eggs".

[i-am-snowils-admiral]

So the dpxdc fandom has been trying to come up with more ways to get Danny into Gotham without relying on the old Bat-adoption trope (though it's a fun trope that I love), which typically either means aging him up or giving him a fake id and making him live alone in Gotham pretending to be aged up, but personally I think we can streamline the process a bit by borrowing liberally from Marsalias' fic Adoption (if you haven't read it, definitely do, it's a really good fic) and sticking Actual Master of Time Clockwork in Gotham as yet another weird rich cryptid.

For those who haven't read that fic, the basic premise is that Clockwork decides to adopt Danny completely legally through both ghost and human methods. He is required to establish a human persona for this, which I find hysterical. He and Danny end up living in an incredibly creepy manor that they both love. We can easily uproot that thing and plop it into Gotham. If we want to be particularly funny about it, we can sandwich Wayne Manor between Clockwork and the Drakes to make them all neighbors.

Now what you do from there is obviously subject to whatever story you're wanting to tell, but there's a couple fun things I want to suggest:

Clockwork doesn't try very hard on his human persona. He still dresses like a time god in a fantasy novel (I'm a little in love with 13thcat's designs so I like to imagine his human form looks a little like this). You have to live, what, 40-50 years in a city to be established? Sure. Why bother aging visibly in this time? That's not necessary! What does he do for work? Uhhhh he's a woodworker who makes clocks. That's why he has millions or even billions of dollars, obviously.

5-year-old Bruce Wayne is OBSESSED with Clockwork (aka Charles Worth). This is baby's first incredibly pure crush. This is your really cool kindergarten teacher that you remain a little in love with well into adulthood, except instead of being nice CW is just really weird and doesn't care about what 5-year-olds are able to discuss. Baby Bruce does that little kid "I'll marry you when I grow up" thing that everyone finds adorable but CW says "there are many timelines where you get married, though never to me. Some options are better than others, but I won't tell you about them" because what else would he say.

When Danny shows up in Gotham decades later as CW's adopted kid Bruce is zeroed in on all the gossip. His interest is based entirely on his childhood obsession though so he uses absolutely zero Batman skills to investigate the situation and therefore finds nothing weird about Danny's background. The batkids find this hilarious because there is Clearly something weird going on with that kid.

Clockwork could easily solve all of the Bats' problems and tell them the answers to all the investigations they're doing but why would he do that???? That's boring. He's vibing in his new house with his cool liminal son why would he be worried about *checks notes* the hundreds of people dying to rogue attacks nearby.

Despite never being genuinely helpful he DOES randomly drop in-universe lore that no one would've figured out otherwise. Usually he does this about six months after it would've been really nice to know.

He doesn't do this out of malice he just doesn't intervene in things normally and if he does, it's only by request. The Bats (besides Batman because he's still oblivious) are too worried about what he might ask for in exchange to make requests though they know he's powerful but they are totally wrong because he's just sitting there baking bread thinking "hm I wonder why Timothy never asked me to help him get Batman back from being lost in the time stream, I could've done that really easily without changing too much. Oh well, whatever makes him happy."

Danny also never makes requests but that's because CW went a bit too hard on teaching him messed up karmic lessons about interfering with time so Danny just assumes it's always a bad idea to ask.

[utilitycaster]

I am curious if you think the campaign wrap up will perhaps address some of the campaign shortcomings or challenges the cast faced in trying to land this campaign narratively, especially in comparison to previous campaigns? Not that they would disparage the whole campaign - but like a little “yeah this didn’t work as well as we wanted at times?” 

It’s odd because I find myself weirdly optimistic about CR as a whole despite this campaign’s possible lackluster ending, so I guess I’m hoping the campaign wrap up acknowledges that this campaign didn’t always play to their strengths in hopes that their next long form venture does more, idk.

I don't know if it will but. that's precisely the tenor any question I send will have: I don't think the fundamental concept is the issue - hell, I don't even think killing the gods is actually a problem if you appropriately set up a scenario where killing the gods has a motivation other than "mortals were mean to me in their name" [thing that happens irl all the time in a world with zero proof of divinity, in my religiously observant ideologically agnostic and skeptical opinion] or "I have issues with my parents I never worked towards so I've projected this onto The Ultimate Parents instead of like. being fucking normal." But it needed a lot more scaffolding at the VERY least in the prep for this campaign, and actually, to be blunt, if you want to make this a balanced issue you needed to seed this concept through prior campaigns in a meaningful way. There's a reason pretty much everyone who defends this campaign as Extremely Good, Actually is either doing some form of wildly revisionist history of the fandom and the past campaigns that's demonstrably false if you were like. there; or else they started with C3 and decided they were an expert despite being of below-average literacy and deeply below average personality and have to resort to such miserable efforts as "arguing that canon isn't real" and "posting an out of context Le Guin quote over and over in the hopes we won't notice they're actually 511 mice in a trenchcoat who can't actually read". So yeah I hope Matt is like this was an ambitious project and I'd have done many things differently.

I do wonder what's next for CR, because as I mentioned, it feels like the cast is stronger in shorter form; that even the other longform shows are moving to shorter form right now; and that WBN and C3 kind of show the limits/failings of longform. I hope they do another longform campaign at some point in the future, but it might make sense to take an extended break and play in the space for a while. They only took about 4 months between campaigns for the past two and maybe it would be good to take longer and focus on Daggerheart, Candela, and EXU for much of the year and if they do longform wait 8-10 months, especially with the comparatively extensive touring schedule this year.

I also hasten to add, and I mentioned this briefly in talking about CRPGs, but I think there's a Third Campaign Dip that's not inevitable (NADDPod didn't really have it; TAZ switches systems enough that it's not an issue) but definitely hit here, that doesn't apply to a fourth one. Like, for CRPGs (girl who's played Veilguard twice and gotten through the first day of Disco Elysium voice) it feels like the first run is following what seems most fun to you and then the second is playing around with other choices that maybe aren't as appealing just to see what happens, and then for the third and future runs you kind of know the full lay of the land and what you'll like while still allowing for a range of choices. For class-based TTRPGs, the first is the self-insert/thing that's fairly comfortable and easy/character you've dreamed of; the second is what you do now that you know how this works; and then the third can be...an overextension, shall we say. I think after that you figure out, again, the bounds of your comfort zone, how much you can stretch it, and what you don't like, you're in a much more consistent footing.

[lemotmo]

People are once again going off about Ryan being homophobic. Even when Buddie gets together, I know this unfounded claim will continue 🙄

Yeah, I have seen a couple of people posting about it and the discourse around it. It seems to be mostly contained over on Twitter though. Or I have really curated my Tumblr well, because I haven't seen anything like it yet. I'm not sure which one it is.

It's a laughable accusation really when you think of it. Ryan is the one who coined the Buddie name for the ship. How many times does he have to say in an interview that he wouldn't mind the story going into the Buddie direction? How many times does he have to say that it's important to support your loved ones when they come out to you, like Eddie supported Buck when he came out? The man talked about reading Buddie fanfiction and watching Buddie edits for crying out loud. He even reposted some Buddie stuff on his Instagram.

Anyway, I have accepted that some people will never give up making the guy into some kind of villian. Mind you, he isn't a saint, but neither are any of the other actors. They're all just people, like us. We've all made some dumb mistakes in life we wish we hadn't. But that's all a part of the journey of life.

Obviously I don't know the guy. None of us do. What we know about him is all very superficial stuff, but that's okay. I like Ryan and I'd love to get the chance to chat with him one day, but I admit that I'm mostly here for Eddie Diaz and what he has going on in his life. So I'm mainly invested in Ryan's bts or 911 interviews. I'm not as invested in anything he does outside of 911.

Look, it comes down to this: if people can't look past other people's mistakes after they have done everything in their power to apologize and show them they are trying to do better? If they can't move on after they have clearly been forgiven by the people that actually know them and love them best in life? Then that's on them.

So I don't care anymore. I just block the instigators that spread nonsense like that and move on. There is nothing to be gained by engaging these people. They already have their mind made up and nothing I or anyone can say will change their opinion of Ryan. I refuse to add fuel to the discourse. It only makes the discourse more widespread and problematic.

So let's all agree to do just that: ignore, block and move on. It will make everyone's fandom experience a lot more fun, I can guarantee you that.

I'm pretty sure that is exactly what Ryan does as well by the way. Him and Oliver are very similar in that regard. They just do what makes them happy, don't share too much about themselves and live their lives, ignoring all the social media shit. Combine that with a job they both seem to love? Yeah--

Good for them.

[sheigarche]

girl shut up

I'm going to assume this is about Life is Strange because that's what I've been talking about the most in the last 2 months and I don't think any of my other fandoms would be bother by my posts.

So here are some hot take ideas for LIS posts I've never made because I thought it might upset some fans, but maybe I shouldn't be so quiet about it after all.

Pricefield vs DE

It seems like everything in Double Exposure was deliberately written to justify Chloe breaking up with Max.

Chloe showed that she was paranoid that Max may be using her powers to manipulate the relationship to make it work and that's exactly what Max did to Amanda and got call out for it in the end.

She also expressed how Max is unable to let go of the past and is haunt by it. So most of the game we see Max (and the player) holding on to it and struggling to move on until the very end. Some fans still can't do it and doesn't want Max to do it, but that's exactly why Chloe left.

Many people didn't realize it, but Max was struggling to establish herself as a real photographer in the years she was with Chloe, but quick became famous and recognized in the years after they broke up.

To me that's the game trying to sell the idea that they are better off without each other.

Chaseprice

Victoria and Chloe's posts in DE don't show anything explicitly romantic, it could just be friendship, but the intention to make it look like something more is pretty clear to me.

The writers chose sentences like "can you handle it, Chase?" and "I'll buy you a beer" on purpose and know exactly what the players will think of it.

Besides Victoria shows a desire in going from wherever she lives to see Chloe, and then Chloe makes plans to do a little detour to go see Victoria. Whatever this relationship is, they're making it work long distance with effort on both sides. Mutual interest.

I wouldn't be surprised if in the sequel we see one post or two subtly hinting that they're actually together. A picture on Crosstalk, maybe a comment from someone else on their posts.

Hell, I can even imagine an art gallery event of some sort where Max is invited and can bring her chosen love interest and Victoria is there with Chloe as her date... And that's how the devs manage to have a natural last conversation between Max and Chloe in person to give closure to their relationship.

And I kind of expect Victoria to come to them at some point, a little jealous or just proud of her girlfriend.

Langfield

Some people keep saying that Max wouldn't be interested in Vinh... But that's wrong.

The reality is that it was the first game's choices and Max's journey is what makes them fit together so well.

Yes, okay, maybe 18-year-old Max wouldn't like this emotionally dry 28-year-old Vinh. Maybe 18-year-old Max would have liked way more to know the enthusiastic drama student 18-year-old Vinh, who dreamed of being an actor.

Now this 28-year-old Max, full of traumas and complexes knows enough about life to see through 28-year-old Vinh's walls and realize that he is not dry, but afloat and barely keeping himself together. That's why she can really connect with him, as a friend or more.

It was the traumas and secrets that made her interesting to Vinh, just like his traumas and regrets are what make Max interested in him.

They fit together because they share some similar emotional experiences and they know how the other might be feeling in certain situations. And when they are together, they can laugh about it, have fun and be themselves, even if just for a moment.

Amberprice

Honestly I left this fandom years ago without shipping Pricefield or Amberprice, because of some reservations about Chloe's character. But now I'm back because of DE and I decided to finish Before the Storm... I can't get Rachel out of my head!

Seriously, what's this magic in their scenes and why can't I stop watching them on loop?

I always thought I had a crush on Max, but I actually have a crush on Rachel Amber of all characters. Maybe I am Chloe Price all along 😂

You know a ship is good when it changes your perception of the characters.

[not-poignant]

Stupid question, but I remembered seeing you mention having monthly minimum wordcounts on one of your previous posts and I wanted to ask if you're a professional writer? Because at first I was like "that sounds so stressful"* and then I realized that it makes a lot more sense if you're doing it for a living.

*Also acknowledging that people are different from each other and what is stressful for one person might be productive and useful for another.

I am a professional writer!

My original serials are my job, basically, and they're supported by generous folks at Patreon and Ream. That, in turn, allows me to do this in a more professional and focused way, vs. say just as a hobbyist who doesn't update for 9 months at a time. It also lets me share my works for free, in a fandom friendly manner, which lets me keep doing something I love in a way I love to do it, but in a way which is like...I guess more reliable than you'd necessarily be if you were only doing it for fun.

I can instead pledge high fidelity/loyalty to my main serials through thick and thin (hence my wild author's notes), which means folks following WIPs get to know they'll be finished, and I get to enjoy doing this for a living! It's hard, but it's a good hard. Except for taxes.

As for my monthly minimum, that actually started as a way to break out of the very ableist 'you should write every day' (as a professional writer) which is literally impossible for me and my chronic illnesses. I sometimes have big chunks of time where I can't write, sometimes weeks! And where it would be unhealthy for me to make myself.

(More about my writing process beneath the Read More!)

Alongside that, I have quite severe dyscalculia (think dyslexia but with numbers and directions and left and right lol) so I can't keep a 'running wordcount' because the numbers confuse me too much. Luckily, because my writing life is defined by chapters completed (and not novels), I count the wordcount of every finished chapter only. Unfinished chapters don't count! My growing wordcount per month grows only when that draft is finished (my drafts are clean, so chapters only tend to grow or shrink by about 100-150 words per edit, so give or take it all evens out).

It's not how any other author I know does it, but it works so well for me that I've been doing it for nearly a decade now.

I started the monthly minimum (which currently is 25k words per month) because I tend towards being a workaholic, and so my therapist and I established a minimum not as an unreachable goal that's hard to meet, but as an easy goal that's generally effortless for me to reach in good months, and average months, and even many bad ones. After I hit 25k words per month, if I crash, feel burnt out, feel awful, or life gets Life-y in a bad way, I have permission to stop writing. I can just stop. Everything else is gravy. (Though secretly I always want to hit 30-35k but shhh).

When I hit 50k words, I also have to stop immediately and take a mandatory 3-5 day break from writing even if I want to keep writing. Because I don't know it yet, but I'm probably exhausted on at least some level, lol.

I didn't hit 50k at all last year and there is at least one therapist who would be really proud of me about that even though I feel kind of guilty about it, lol.

Here's an example of my tracking:

You can see the chapters I've written, which dates I've written them. They're colour coded, so I can see at a glance if I'm writing enough of a story or not. And then on the far right is an addition of every month's wordcount.

April was so low because I took an intentional writing holiday (which I'll be doing again ideally in March this year). December was so low because December sucks.

And then I erase it all at the end of the year and start again. The blank whiteboard is actually very motivating to write that first chapter because I always feel like I haven't done anything until then.

This whiteboard is two feet away from where I write quite literally, and is never moved etc. so I have a yearly tracker basically that's extremely visible (super helpful to my ADHD brain, because if I put this in a spreadsheet I'll stop updating it after 3 weeks and then forget it exists). The colour coding gives me dopamine, so does adding chapters.

Also acknowledging that people are different from each other and what is stressful for one person might be productive and useful for another.

This is true! This is actually the least stressful way of doing things for me.

That being said, anon, it's still super stressful. Being a serial writer is one of the most stressful things you do, because you have constant and never-ending deadlines for years. Novelists can kind of escape this, in a way, because they can't release novels as often as I release chapters. But I have to be mentally switched on at least 8 times a month, re: putting work out there, making sure it's at least semi-polished, making sure I let everyone know, and tracking responses because obviously, unlike a novel, if you lose interest you can't just "skip ahead" you simply lose your readers. A lot of novelists couldn't live or work this way, a) because they couldn't write a hooky serial and b) because many realise that having to update all the time is really exhausting actually. There's a kind of social labour to updating a serial, and getting it Right every single time. One of my greatest fears that I have nightmares about

Serial writing is the most stressful kind of writing I've ever done (and I've done a few different kinds), I just happen to like the adrenaline rush of this kind of writing, and I happen to work well under a controlled level of stress! I know that, because I've been doing this for over 10 years, refining it, figuring out how to make it healthier (it was really unhealthy at first), getting better at it, figuring out my weak points (some of them are still weak points) etc. I actually think I'm pretty good at it now!

I'm also getting better at not thinking my entire career is over if I take 2 weeks off.

I went from being entirely dependent on a Disability Pension, and like, sometimes having to skip meals and doctor's appointments and even medication due to money issues (the Disability Pension is ironically not enough if you have mental health issues because our subsidised healthcare doesn't cover mental health adequately and Australia has no food stamps system), to being able to live a bit more freely and support my chronic health stuff a bit more because of writing this way!

For the first time ever through these stories I was able to afford a psychiatrist, and a few other things I really desperately have needed since I was a teenager. So being able to write like this, even when it's really hard and I'm really tired, feels still like a miracle to me. I've never been well or healthy enough to work a full-time job with typical 9-5 hours, and always kind of was stuck imagining a life where I'm just...never knowing how to afford certain things, to being in a position where I'm fairly confident I can get my meds every month, or pay for my dog's pet food, etc. It's really nice.

But yeah honestly serial writing is the most stressful form of serial writing there is as soon as you lock it in as a professional job where you must meet nearly 10 deadlines every month and you happen to have pretty intense ADHD so deadlines make you scream a little.

Sometimes what is extremely stressful and sometimes even distressing for someone is also extremely productive and rewarding for them too. We probably wouldn't have a lot of emergency surgeons if that were the bar for how we decide what we do!

[valyrfia]

People don't hate ferrarihive (thearchercore) because she vanishes what haha. they hate her ass because her posts are cringe as fuck and make Charles look like an idiot that everything he achieves is ONLY because of Max or only has to do with Max. Or she treats him like this fictional dude that only manages to do things because and for Max only and it's I fear common sense some lecfosi are gonna find that awkward and not, that cool? maybe. which like you said, they're free to block and move on. But you know, twitter is the place for haterism so if it gets negative opinions, well there's freedom on that too. Im not saying she deserves the hate but she can't possibly act shocked or confused about why the hate is coming. Like do you guys read yourselves? Almost 90% things posted make Charles look like an idiot which is not that deep since you're not exactly in charge of the pr and image of the guy (thank god for that). But you know, that will get fans with some sort of need to defend him, because that's almost the point of being a fan, defend and support, you know?

You asked me if I was reading my own posts, well I have to say, are you listening to yourself? Not only do you think the place to discuss this is in askboxes of two people who consider her a close friend, but what has she does to offend you? Exactly?

As far as I can see, all she does is make silly little edits that she has loads of fun making (for FREE mind you), and posts it on the internet. She's not at all like her two evil triplets @tsarinablogs and I who actively engage in discourse, she's literally just having fun with her fandom space by ONLY posting on two sites and then curating her community beyond belief here because (not to doxx her but) she's an extremely intelligent, extremely hardworking, and extremely employed woman with a job and a full adult life and THIS is her hobby to relax and have fun! Are you REALLY going to bitch and moan about it because....other people happen to like this content that she's making? Which is ultimately a tiny fraction of the F1 related content churned out daily? And is produced for her own enjoyment and anyone else's happiness is an unexpected bonus? It's reductive, it's pointless, and I'm actually going to fully point my finger at you and say it's mean. J'accuse.

"twitter is the place for haterism" no it's the place for awful insane groupthink which gains traction because it's the kind of content which keeps you on that screen selling your precious time and energy to advertisers and El*n M*sk. Also, I'm going to be blunt, love Charles, that's my driver and my blorbo and Forza Ferrari and he is the second coming and all the rest, but that multi-millionaire rich white man with extremely questionable morals does not need you defending his honour and integrity past "his driving on track is hot" and "he said what he said about the opposing team". THAT is defending and supporting as a fan. It is NOT choosing to bitch about people just doing their own thing for their own enjoyment on the internet! Please, I say this with all the care I can muster, touch some grass.

[angst-and-fajitas]

Sorry if ur not doing request anymore but can you please write something for Maddie and caspian and their son I beg of you. There’s no fanfiction in this fandom 🥺 and ur writing is so good

I should probably make it clear real quick that I don't do writing requests, BUT anon you are in LUCK, because I will gladly use this as an opportunity to PLUG MY LONGFIC WIP!!

May I introduce you to...."The Miracle of Backups"!!!

It has exactly what you're asking for: lots of Maddie and Caspian and Dave!! Lots of Maddspian, Kim-Keyes family fluff, and...some crushing angst too. Because that's how I roll 💖

Here's the summary:

"Unbeknownst to Caspian, Maddie makes a backup of his upload just before his fight with Holstrom. After he dies in the battle, she resurrects him. This does not solve their problems." "A chronicling of twenty years of love and loss shared by one small, damaged family amid a changing world."

So basically, this is a canon-divergence plot where nothing changes aside from the fact that Caspian gets resurrected from backup immediately following the end of episode 6. This immediately sparks another massive existential crisis for our boy, but ultimately means that he gets to live through that whole 20 years he would've otherwise missed. The fic will follow the entire 20 years of this AU, and will probably be around 45 chapters long. I have the whole thing outlined!

Features: digital first dates! the utter chaos of surprise teen pregnancy! A more focused and thorough exploration of human-UI politics! Maddie and Caspian being loving parents!! No one going to therapy even though they really need it! (eventually) Maddspian Marriage! Cool aunt Justine!

Anyways, I'm being silly here, but I'm intending this to be a very serious fic, and my approach to it is staunchly to keep it grounded in Pantheon's themes and Ken Liu's ideas, and in how the characters would realistically handle such a situation, with all the messiness that entails. Lots of love, lots of loss, and lots of messy relationships. It's pretty important that people be aware that this is not a fix-it fic at all.

Anyways again! Dave himself doesn't show up for several chapters, but what I have here for YOU, anon, who is so very kind, is an excerpt from a chapter in the middle of the fic, at around the 10 year mark.

Context: Maddie and her engineering team have just completed the first full version of the upload androids we see in s2 ep7 and 8. Now that they have to beta test it, Caspian is, inevitably, her first choice for this. The Kim family heads to the Logorythms HQ to go see Caspian in the flesh for the first time in 10 years.

Final disclaimer: things will be edited as I start posting the story (SOON...), and the final version may end up different from this one! this is just a fun sneak peak :)

[fellshish]

genuinely, how do you write for yourself fully?

while i write for myself and post what i want etc. i always get suck on feeling kinda sad afterwards cause i barely get any interactions on tumblr, which i suppose isn’t that bad, but the 50/60 hits on ao3 and only like 5 kudos make me sad. i truly don’t think my writing is awful, like it’s a work in progress especially since english isn’t my native language, but i just always find myself a bit discouraged.

i feel you, anon. it’s rough out there. and it feels so random. like sure i have worked hard on developing my writing the past few years and on kind of building an audience, but i recognise there was also a whole lot of luck involved and i still remember what it was like to receive very little kudos and feeling sad and discouraged. (i will say the feelings of self doubt etc might never fully leave, but that’s a different matter altogether).

i’ll say this: ‘write for yourself’ as a slogan is an empty one if you fully think about it. the only person who truly writes for themself is the one who never publishes (and even they might entertain some kafka fantasies of being discovered after death). the core of ‘write for yourself’ however holds some truth: if you get joy from the act of writing more than the act of receiving positive feedback, you are invincible. if you write what you want to read, and you can look back on your progress? that’s a reason to be proud of yourself, no matter how much engagement you got. you created something out of nothing, you put something out in the world that nobody had put out there before. amazing, right?

but this is fandom. it’s all about engaging, and i don’t mean that in an annoying content creatory way but as a way of human connection. a part of the joy of sharing your art, for free, is making that connection. getting that comment, that kind tumblr reblog. it’s not shameful to admit you like compliments. every fanfic author has a praise kink.

both are true: we write for ourselves and for others. we live in a society etc

now that that’s out of the way, here are my thoughts on getting more readers, more comments, more kudos, and more reblogs — which i think is the core issue of your ask.

to start quite generally: there’s been a decline in reblogging fanworks - including fics - on tumblr, and i think we bear a collective responsibility here to make this a reblogging website again.

and of course your ao3 statistics depend on how big your fandom (still) is. on how good you tag your works, too, because that’s how a lot of readers find fics. on how good a summary you write, on how popular certain tropes or pairings are that you’re into, if you use a sufficient amount of paragraphs for easier reading etc.

also, you say your native language isn’t english? neither is mine. i found it helpful to work with beta readers, some of whom have now become close friends. they improved my english and the content of my fics, and we boost each other’s works. win-win.

i’ll give you the advice i was given a few fandoms ago: engage, too. by leaving comments on other writers’ works, you can build friendships and might get them to click your ao3 name too. by joining discords and reading the fics of the writers there, or by reading a tumblrina’s fic and reblogging it with kind tags, or by signing up for a bang, by writing holiday themed fics if that inspires you, or a fic inspired by an artwork, … basically, by engaging in fandom and making friends and having fun, but also: leaving comments will sometimes mean getting comments in return, too.

to be clear i’m not saying ‘engage with other fans to get comments’. no. engage to experience the absolute joy of fandom, and more kudos / comments / reblogs etc might become a fun side effect.

[booksbabybooks]

S1 rewatch thoughts:

- seriously fun start to a show, and also it's really nice to see how the team goes from slightly disparate individuals to the fire fam of later seasons and get to witness all those moments of bonding

- baby Buck!! He looks so young!! And so small!! I'm half convinced they came up with the name Buck because he looks like a gangly fawn

- the show is definitely better once we get Eddie and Maddie in the mix, but I did enjoy seeing Buck's relationship with the team, Bobby and (especially) Athena evolve - it was a lot of fun watching Athena slowly defrost

- I don't really get people who say Buck was a dick at the start: he was irresponsible and impulsive and he *definitely* deserved to get fired when he did, but he was big hearted and sweet from the go and didn't mistreat women, he was just slutty with women who were happy to be slutty back and there's nothing wrong with that (obvs not the stealing the fire truck bit!)

- Athena / Hen bestieism ! Get you a best friend who'll come uncuff you (or not!) from your hook up

- TV shows are *way* too OK with therapists banging their patients and presenting it as either OK or a mild indiscretion. That woman should be struck off!

- I am glad we got to see the pain Bobby and Athena went through to before they got together, but I missed Bathena

- I miss the themed episodes and the voiceovers

- I still can't believe we got the "hearing people's thoughts" Valentine dinner and I would pay cash money to have a Buffy style episode where that happens again

- Buck is a big ole ginge and I don't know why the fandom is in denial about this (don't @ me)

- the make up department's commitment to being haphazard about which tattoos to cover up from one scene to another was present from the off and I salute that

- what happened to Bobby's golden arm? I don't recall it ever being mentioned again?

- S1 Abby is completely inconsistent with what the show did to the character after Connie Britton left and S1 Abby deserves no hate (s2 onwards, yeah, she was terrible for ghosting Buck but that definitely felt like plot convenience rather than character based)

- love Hen's style and swagger from the start and like that she's presented as someone pretty comfortable in who she is from the off - because in Hen Begins you see how hard she worked to get there - even though she obviously makes some serious mistakes re: Eva (though she doesn't wear glasses for the first few episodes because this show is many things but consistent it is not). Her "is this who I am?" In episode 10 felt a little unconvincing though

- Father Brian is well within his rights to hate these guys, between Bobby asserting murder here and Eddie's later "I lost my son... He caught me with his dead wife" ridiculousness later

- I really love this bonkers show

[tubbytarchia]

I swear to god 99% of people watching WL forgot who won SL. Put some respect on his name

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[etoilesombre]

You know what? People shouldn't feel bad about liking things in fandom, or creating things that make them happy. I'm absolutely vagueposting, but this really isn't about one post, it's about a tone I've noticed popping up again lately from multiple people (including people I follow and generally respect!)

-"They absolutely cannot fuck! So crazy people would think about that and be into it, it would break canon! "

-"Mod AU doesn't work, they're Serious Characters they aren't gonna run a coffee shop its OOC! "

-"Actually, fun fluffy fic about them at all during a certain era doesn't work!"

I get it. I agree with a fair part of it. People post all kinds of asinine shit that I hate actually. But you know where I bitch about it? Privately in group chat.

Let people fucking have fun. I get the sense that many people come to this fandom specifically because it's Serious and Challenging and you want to Do Serious Analysis. I think a lot of folks around these parts either are in school and not having a good time about it, or wish that they had gone into better academia that doesn't really exist, and they're getting that need met here. And that's great! For real!

But you know what else is fine? People who either don't have that need, or are getting it met in other parts of their lives, and come here for stress relief and a fun free hobby.

Of course they can't fuck for real! It's not in the text, they simply don't. But the tension is obviously written in, and playing with possibilities can be fun! Also if you can't see how it could happen and still not fix shit, that's a skill issue. Fic authors aren't stupid, we don't fail to understand canon, but not everything has to be everything all the time. Sometimes you want to do all the work and try to match the level of writing in the show, and sometimes you want to have something nice and easy. The show is REALLY well written and what it needs to be, the point of transformative works is playing with what it's NOT. Some people cope with fluff, or good ending everybody lives AUs, and it might be so totally valid to look down on that, but maybe being publicly correct might be less important than being kind?

Actually, the main thing I want to say is that if YOU reading this are a person who wants to write a cute coffeeshop AU, or be horny on main about your boys kissing, it's actually fine!! At least, it historically has been fine. This is a really small fandom now and not that many people are actively creating, please don't be discouraged by this stuff, because the people who criticize on tumblr are actually not the majority. The REASON they criticize is that, if you go to AO3 and sort by kudos, much of it is this super sweet OOC stuff! It looks like that's most of what there is, because a lot of readers in the wild who watch the show and look up fic like it!

Anyway. Let people have fun, it doesn't cost you anything, and not every thought needs to be public. It actually does discourage people.