#nno anniversary prompts

[starlight-matrix]

Nabari no Ou 15th Anniversary!

@nabaridays wrote up some prompts to celebrate the 15th anniversary of NnO and as it’s my favorite manga series of all time, I had to join the fun!

Unfortunately, I wasn’t aware of the prompts’ existence until we were about four or five days in, so instead of starting in the middle of the prompt list, I wrote all mine up in a Google Doc and decided to do a big masterpost in the day of the anniversary. And here it is! Beware for a lot of reading, this shit’s at 4.1k words.

- Catherine Lynne / catielynnelove.tumblr.com Fan of NnO since 2012 -

DAY 01 (Jun. 3rd) - Favorites

My favorite character has always been Miharu, though I do struggle to choose between him and Yoite. I have always been fascinated by his apathetic nature, the way he uses is as a shield while loving the people in his life so incredibly fiercely. He appears neutral and uncaring, but the moment you look beneath the surface, you recognize that he would give his life for those he loves in a heartbeat - and has shown this on multiple occasions.

I also love his development over the series. His apathetic facade slowly falls out of use after he meets Yoite, and he learns that feeling your emotions is important, that letting the people you love know when you’re happy or sad or pissed the fuck off is important.

In the first few chapters we as readers honestly can’t tell a whole heck of a lot from what we’re shown of Miharu. He’s plain, uninteresting, even to us (unless you’re the kind of person who automatically reads between the lines, but let’s face it, not a lot of people are). But by the end of the series, he’s such a vibrant and expressive character that I marvel at Kamatani’s ability to drastically a character’s personality in a way that feels so gradual and natural.

Another reason Miharu is my favorite character is because I tend to see parts of myself in him, as many people do with the characters they like most. I can understand and relate to his apathy in the beginning of the story. His memory of his parents deaths is so deeply traumatic and that the very fibre of his being (objectively, Shinra) locked the memory, and most of his childhood, away for years to come. Because at that time in his life, the pain of it all would’ve broken him.

(E/N: I now remember that Asahi actually erased Miharu’s memories of that event, but I think a good chunk of this will still make sense, and I’m lazy, so I’m not gonna edit it out. Enjoy.)

Emotions, especially ones he didn’t understand - or couldn’t understand, like his feelings toward his childhood that didn’t quite make sense because of his augmented memories - were simply so overwhelming that Miharu pretty much just went “lol don’t wanna deal with those so yEET now they’re gone” and locked them up in a box to be dealt with at a much, much later date. That speaks to me, as a person who has struggled with depression, and the fact that he finds a way to recover from this is very reassuring.

Overall, Miharu is a very complex and realistic character that undergoes more vivid character development than I’ve seen in almost any western media. I love him very much.

DAY 02 (Jun. 4th) - What got you into Nabari no Ou?

This is actually quite a funny story, so buckle up for a wild ride y’all!

When I was 12 years old (God, this sounds like the setup for an angsty villain backstory), my family had a housemate who liked anime. One day I came to beg for him to let me use his video game console to play Little Big Planet and he happened to be watching the second half of the anime - I distinctly remember the second Alya Academy episode being the first one I ever saw. It was my first anime experience outside of a Studio Ghibli film, and to this day remains close to my heart, even though the anime adaptation itself really… just… well, it sucked.

After I finished watching it with him, I went and found the first half of the series on Netflix (back when Netflix did the whole send-a-DVD-to-your-house thing) and watched the whole thing from episode one. And then very quickly became obsessed. I probably watched the anime four times in two months. I had every single one of the English VAs names memorized. I was dedicated.

Eventually I looked up the manga online, and HOO BOI, this is the point where my Nabari no Ou origin story becomes ridiculously hilarious (and stupid).

When I read the manga, I was disturbed by the idea of Kouichi being a villain-type character, as he had been one of my favorites when I watched the anime. And, at the time I was first reading the manga, the apparent “ending” from my perspective was the scene where Kouichi takes the newly-made hijutsu scroll from a bleeding, dying Thobari.

Looking back, I figure the website I was reading it on just didn’t have all the chapters, or perhaps I had happened to start reading while the manga was on hiatus, but at that age I didn’t know of or understand either of those concepts and accepted that sad scene as the end of the manga.

And as such, I wrote the manga off as terrible and ignored it for years.

Flash forward to about 2014, two or three years after writing the manga off as a Fat Mistake, I finally decided to give it another shot. And BY GOD did I cry reading it a second time. Whether it was the two years of maturity, my experiences during those two years, or simply the fact that I read the whole thing that time - I was sobbing in my desk chair over NnO.

It was the most beautiful story I’d ever read. Even now, after five more years of reading beautiful manga, Nabari no Ou remains my absolute favorite, and likely always will.

DAY 03 - What are your favorite scenes?

I’ve always had a soft spot for the Alya Academy arc, even back when all I’d shunned the manga and all I had to go off of was the inaccurate anime adaptation, simply because of how well the character relationships are shown during those sequences (this is one thing the anime did really well in my opinion, actually - Shijima’s verbal reflection on how humans connect to each other and how important those connections are is stunning). Not to mention the displays of how the characters care for one another regardless of what side of the war they’re technically on.

I’ve always loved Subaru as a character, too. I find her motivations to be very realistic and really quite understandable, and I love the little easter eggs in later chapters that imply the Kouga ninja are helping Miharu’s side of the fight even though they’re not visibly involved. The scores from the Alya Academy arc are especially chilling and memorable as well.

Another of my favorites are the chapters following Miharu and Yoite’s escape from the Kairoshuu and their travels afterward. They feel mundane and peaceful, yet blanketed with this layer of grief, like we’re all aware that at any moment their calm could be destroyed and lost forever.  

The scenes about Yoite’s gender were very special to me as a teen still learning about the LGBT spectrum and how different people could be, and the scene of Yoite bandaging Miharu’s aching feet? My heart literally swells every single time I think about it! It was so sweet and loving, my fragile fangirl heart does flips when I read over it.

DAY 04 (Jun. 6th) - Photos & Fashion

I like to think that Miharu keeps every photograph he’s taken and has them stored safely away in a box or chest or drawer. In my experience, people who have lost loved ones tend to treasure photographs, more than someone who hasn’t experienced loss might. A lot of times a photo is all someone has of someone they loved outside of a memory, and contrary to popular belief, if you don’t look at someone - physically or in a photo - for a long time, you do forget how they look.

Miharu has lost many people: his parents, Yoite, Kouichi and Shijima, even Shinra, in a way - so I imagine this observation would be doubly true of him. Especially if he has Yukimi as an example to go by - pretty sure that guy has kept every photograph he’s ever taken in his life!

(As far as fashion goes, I honestly think everyone’s fashion in NnO is horrendous, so...)

DAY 05 (Jun. 7th) - Favorite character design in the series?

Gosh, it’s hard to choose, I love so many of them! Gau is fascinating to me because I figure his hair must be difficult to draw, with all those little curls and cowlicks. Shijima’s too, with the way it frames her face and leaves just a tiny little opening for her eyes to peer out at you through.

But, as with most of these character-specific prompts, my answer will have to be Miharu. The idea that Asahi reshaped his face to look more like her own when she used Shinra to save him is very interesting, and the fact that Kamatani manages to draw Miharu in a way that both clearly shows their resemblance to one another and establishes Miharu as his own character with his own unique features and gestures and ways of carrying himself is incredible.

Miharu’s stance are also very telling to me as a reader: he often stands loosely, almost lazily, as if he really couldn’t care less about where he is and what they’re doing, which rings true for a good chunk of the story. It matches well with his (mostly) fake apathy and kind of makes him seem bland and boring as a character. But as the story progresses, he becomes more open, shows affection more easily. He’s quicker to stand up for his beliefs and the people he loves. All of this shows in the way he carries himself throughout later chapters.

DAY 06 (Jun. 8th) - Favorite location in the series?

The Shimizu estate, without a doubt.

The secluded area, the forest in every direction, the house itself - it’s all so beautiful to me. Ot gives me the feeling of rural Japan and more traditional Japanese living. Even after the house has burned away and all that’s left is a field full of Spider Lilies, there’s a kind of sober beauty lying over the place, made even more intense when Shirogamon stands watch over it.

DAY 07 (Jun. 9th) - Positive Influences

The thing that I preach about the most when I talk about NnO to others is the fact that the series has no absolutes. There is no true right or wrong, no clear villains nothing that actually puts our heroes above anyone else. Which, in a way, means that are really are no heroes in the story at all, which is a very rare and interesting way to tell a story.

The entire series deal with a greyscale in morality. There’s no bad vs. good or moral vs. immoral, just your own goals and people whose goals don’t match yours. Opinions and ambitions differ vastly even between people on the same side of the fight - Thobari and Raimei want to seal the Shinrabanshou, Kouichi wants to use it to defeat his immortality, Miharu even changes side on a few occasions - yet they all work together together to achieve their own very different ends.

Even those who can be coded as villain on the surface have something motivating them to do what they do, and more often than not, those motivations are understandable to the reader and actually have you sympathizing with the character. Hattori wanted to rid the world of the need for war. Subaru wanted to save the person she loved most in the world. Yamase wanted to win his family back (I think? It’s been a while).

Even Katarou and Kannuki, two characters who have practically nothing to redeem them, at least have motivations that are pretty damn realistic. Kannuki wanted to capitalize on Kouga’s Forbidden Art and use it to grow Alya Academy’s profit and power through the surface world. A Lot of people are like this in real life, and while you may not sympathize with him over it, it is a motivation that is true of our own world as well as the one in this story.

An Katarou, as far as I understand, is obsessed with Shinra herself, rather than the hijutsu and the power it holds. He manipulated hundreds of people and hundreds of situations to suit his own needs, then literally got himself killed - just to see her one last time. And… yeah, I don’t think anyone really sympathized with him, but hey, I can see what pushed him to do what he did.

To me, Katarou is symbolic of someone with an addiction - their mind is so clouded by a need for some specific thing that all other human aspects of that person just fall away, and they’ll do whatever it takes to get what they want.

I also appreciate how the characters handle their differences throughout the story. Their honesty with each other, the way they support each other even when they’re all heading in opposite direction. The Alya Academy arc (I really love this arc okay) especially shows this, in how the ninja from Banten and Kairoshuu - two very opposing factions - fight together against the Kouga without hesitation, despite the fact that in most other situations, they’d be fighting each other.

It’s a wonderful thing to promote: that even though people might have different opinions or goals, it doesn’t mean they have to hate each other.

DAY 08 (Jun. 10th) - Favorite Extra?

I am IN LOVE with the little between-chapter 4koma pieces, especially the ones from the Alya Academy arc (God, I’ve talked so much about this arc). Subaru fantasizing about Miharu being her little brother and making her birthday cake? Adorable. Miharu and Yoite getting stuck behind a bookshelf and terrifying an opponent by asking for help out? Hilarious.

I love that Kamatani put those in, both as a peek into happier aspects of the world he created, and as a way to add a bit of sun in between the much darker, much sadder chapters.

DAY 09 (Jun. 11th) - Headcanons

I’m not much of a headcanon person, to be honest, and especially not with this series. It feels off to me, to try and add to something that’s already so perfect. However, I do agree with a couple of headcanons I’ve seen - particularly the ones theorizing that Yukimi is aro-ace. It makes a lot of sense to me in how his character is portrayed when nearly every other character in the series has a romantic match, and as an ace person myself, more representation is always welcome.

DAY 10 (Jun. 12th) - Alternate Universe

I once started (and quickly abandoned out of shame) a very cringey, very out-of-character fanfic, in which the Nabari world didn’t exist and all the characters meet through natural means in the surface world. Other than that, however, I’ve not put much thought into Nabari no Ou AUs.

But something I would LOVE to see is a crossover between NnO and Shimanami Tasogare, as the two stores canonically take place in the same location - NnO being in Banten, a fictional town  based on the real town of Onomichi, and Shimanami Tasogare being confirmed to take place in plain old Onomichi itself. It’s been a while since I’ve read Shimanami Tasogare, but I remember the leader/owner of the little house the cast gathers in as giving me a distinctly Nabari-world vibe, and I think it would be interesting to see the NnO characters react to a community like the one presented in Shimanami Tasogare.

(And also perhaps have some romantic relationships and sexualities proven canon. Perhaps.)

DAY 11 (Jun. 13th) - Favorite song from the OST?

It’s a firm tie between the opening theme and the second ending theme. I have every song in the OST memorized after years of hearing them day in and day out, but those two themes always give me this tingling nostalgic feeling, like rereading a book from your childhood or finding a toy as an adult that you’d thought was lost forever. The animation and symbolism in those themes are also very telling of the series and the character’s connections to each other (a bit obviously, at times), and the lyrics are special to me in a way I can’t describe. They’re precious to me, and  to me experience of NnO as a whole, considering I started with the anime first (a bad idea).

DAY 12 (Jun. 14th) - Are there any songs that make you think of NnO?

“Neopolitan Dreams” by Lisa Mitchell ( X ) ( X )

I once watched a cute Raimei/Kouichi AMV set to this song listened to the lyrics, I understood how the author had put them together. I very much feel like the lyrics echo Raimei’s thoughts on how Kouichi starts to act in later chapters, becoming more and more distant until he almost appears to be an antagonist rather than one of the perceived heroes. The song also makes me think of Raimei’s stubbornness and pride, her unwillingness to accept option besides her own conclusions until she’s had the full story and nothing less.

I can never get their faces out of my head while listening to this song, which I guess means the song reminds me more of Raimei and Kouichi than NnO in general, but it still counts, right?

DAY 13 (Jun. 15th) - Food

I’ve never really thought too hard on it, but now that I am, it’s actually very interesting to note how different characters use food - the Rokujo Okonomiyaki shop, in particular - to their advantage.

Thobari uses his (implied, before the start of the overall plot) regular visits to try and get Miharu to believe him about the Shinrabanshou and the Nabari world. Thobari uses the close proximity to explain his motives to Miharu, who physically cannot leave the situation, lest the food burn to a damn crisp (and I figure Naoko wouldn’t be pleased if that happened every time Thobari came in). He also very clearly uses this to keep tabs on Miharu when outside of a school setting where Miharu has no choice to be in Thobari’s sight, and later, as a way to either catch up on what’s going on in the Nabari world or - as in several cases - simply demand answers from Miharu.

Raimei uses the shop as a way to get closer to Miharu. She charms her way into getting free food (and sometimes, free lodging as well) and I assume her thinking is probably something on the lines of “Free Food + Spend Time With Miharu = Information on Where Raikou Might Be.” Of course, this likely isn’t her motive in later chapters, because, well, character development.

Food is also an important bonding thing for Yoite and Yukimi. In a lot of the scenes where we see Yoite and Yukimi in their home, they’re eating together, and I always took it as a display of their familial relationship - cooking dinner for Yoite the way a dutiful older sibling would for their younger sibling - thoughI doubt either of them would admit they’re like brothers. The significance of lemonade should also be noted for this topic - I could go on for ages about it.

(But I won’t unless people ask me to, because this piece is long enough already!)

I don’t have much memory of this scene being as big a deal in the manga as it was in the anime - but I also haven’t seen either in a while, so I could be wrong - but the birthday cake scene from the latter half of the anime left an impact on me even back when I’d only seen the anime, and it was the first thing that came to mind when I saw the prompt was “food.” Gau’s pride in the cake he made and his determination to get any kind of praise out of Yoite is very touching, especially when you take into account that Yoite literally saved Gau’s life, and that Gau knows this, as well.

The Kairoshuu - particularly Yukimi, Raikou, Gau, and Kazuho - are all shown bonding on more than one occasion at Kazuho and her husband’s sushi shop, and there is significance to those occasions in the rather heavy conversations they have during those visits. And there’s also the time Miharu cooked okonomiyaki for all the main Kairoshuu member after he’d first joined their clan - similar to how a recently hired employee would bring cookies for their new boss.

Food has a lot of significance in Nabari no Ou, no matter where you look.

DAY 14 (Jun. 16th) - Favorite village, and thoughts on the Forbidden Arts?

As far as morals and motivations go, I would have to choose Banten, as their (or at least Thobari’s) main opinion is that the Shinrabanshou shouldn’t be used because it throws off the balance of the universe. I definitely understand this opinion, because a lot of things can go wrong if the wrong kind of person is making wishes to Shinra and having them granted.

Although, I think that if anyone were to use the ability in a way that leaves the balance of the world intact, it would be Miharu, and this is even shown in the series itself. He doesn’t have the kind of greed or anger that would taint a person’s motivations when making their wishes, he just wants to do what is best for others- especially Yoite. Yoite is important to him, and therefore Yoite’s wish is also important to Miharu. And, as we see in later chapters, Miharu puts granting Yoite’s wish above even his own happiness. I feel I would make a similar decision were I in his shoes.

(For aesthetic, though, I’d choose Fuuma. Their village is hidden and surrounded by forest and in that lovely traditional Japanese style, and their uniforms are great. If Saraba were Chief I’d join.)

DAY 15 (Jun. 17th) - Favorite minor/supporting character

Gau! Definitely Gau! Gosh I love him so much. He’s optimistic and tries his best to look for the best in situations and in people, and his smile is so freaking sunshiney, I bet he lights up rooms with it. He’s awkward and quirky and I can relate so hard. But he’s also strong? He stands up to other ninja even though he really doesn’t have the physical ability to defend himself or others. He puts his life in danger to tell Raimei the truth about her family immediately after swearing silence to Raikou, his boss, who could 100% kill him if he found out Gau had broken his promise. And I bet you Gau would’ve told Raikou about him telling Raimei as soon as he’d gone home, if the bullshit at the Shimizu property hadn’t gone down the way it did.

And speaking of that scene- he throws himself in front of Raikou’s katana to save the life of a girl he hadn’t known for more than a day, who had threatened to kill him, who was seeking to kill the person he treasured most in the world. Who does that?! Gau apparently. He literally gives his life for just the possibility that Raikou and Raimei can make up and be happy siblings again. He gives his life so that the person he loves can maybe reconcile with someone else they loved.

He makes a conscious effort to include Yoite in conversations in which he would otherwise be largely ignored, and while I doubt Yoite would care either way, it’s the thought that counts, right? And, at least in the anime (it’s been a while since I read the manga) he puts his life on the line to help Yoite and Miharu even though, as I said before, he can’t really defend himself all that well.

Basically, I’m in love with Gau and want him to be happy. Sweet baby!

DAY 16 (Jun. 18th) - Free Day

I don’t really have anything else to say but I’m posting all of these today (I was late for the original posting by like four days so I figured I’d write them all out and post them together) so I’ll count this as my day 16 entry! Thank you so much if you’ve read this far, I know it was probably daunting to look at this long as fucking post but I’m glad you took the time to read my personal reflection on NnO! This manga means a lot to me and it’s nice to discover other people who love it as much as I do (I’ve literally met two people in my entire life who’ve read it without me suggesting it).

Keep the love going y’all, I hope to see you again! And feel free to hit me up if you’d like to talk about NnO, I’d love to connect with other fans! Seeya owo

[nabaridays]

Hey! I just wanted to say thank you for creating this blog and prompts to celebrate NNO 15th anniversary!! this manga is so close to my heart and I can’t wait to participate and see all the creators’ work this upcoming week!! It means so much!! Thank you! I hope you have an amazing day! 💛

same to you!! nabari is very dear to me too so it makes me really happy to see so many other people who’re also excited to celebrate the manga! I’m really looking forward to the next couple weeks as well :DD