#nino castelnuovo

[innocentscemetery]

Nino Castelnuovo in Psychout For Murder (1969)

[moviesbabe]

The Umbrellas of Cherbourg (1964) dir. Jacques Demy

[escapismthroughfilm]

#201

[haveyouseenthismovie-poll]

[aloneandforsakenbyfateandbyman]

Camille 2000 (1969)

[frenchnewwaves]

Merry Christmas!

Les Parapluies de Cherbourg (The Umbrellas of Cherbourg) dir. Jacques Demy

[falsenote]

Un amour de pluie (1974)

[gatabella]

Catherine Deneuve and Nino Castelnuovo, Cannes, 1964

[giallofever2]

Il prato macchiato di rosso

Director/Regista: Riccardo Ghione

Release Date Italy March 2, 1973

Also Known As (AKA)

Canada

The Bloodstained Lawn(English)

Italy

Il prato macchiato di rosso

Soviet Union

Окрова��ленная лужайка(Russian)

United Kingdom

The Bloodstained Lawn

World-wide

The Bloodstained Lawn(English, literal English title)

World-wide

Red Stained Lawn(English, alternative transliteration)

[camyfilms]

THE ENGLISH PATIENT 1996

Betrayals in war are childlike compared with our betrayals during peace. New lovers are nervous and tender, but smash everything, for the heart is an organ of fire.

[gatutor]

Nino Castelnuovo-Geraldine Chaplin "Iremos a la ciudad" (Andremo in cittá) 1966, de Nelo Risi.

[luckypluckychair]

Les Parapluies de Cherbourg / The Umbrellas of Cherbourg | 1964

Director: Jacques Demy

Production designer: Bernard Evein

[ludmilachaibemachado]

Claudia Cardinale Catherine Spak and Nino Castelnuovo in a scene of the movie ‘Diary of a Telephone Operator’. Italy, 1969🍁🍁🍁

Via @isabelfutre on Instagram🍁

[filmpalette]

Les parapluies de Cherbourg (1964) dir. Jacques Demy

[letterboxd-loggd]

The 5-Man Army (Un esercito di cinque uomini) (1969) Italo Zingarelli and Don Taylor

November 10th 2024

[aloneandforsakenbyfateandbyman]

Massacre Time (1966), dir. Lucio Fulci

"The beating or torture of the hero is the most common element of the [spaghetti western] genre’s liminal narrative, reappearing in Leone’s For A Few Dollars More, and The Good, The Bad, And The Ugly as well numerous other films... In Massacre Time (Fulci 1966) the whipping of the main character Tom Corbett is particularly elaborated on in a long, brutal scene... This liminal narrative is charged with Catholic overtones. It is surprising that this aspect of the genre has not received much comment by the few scholars that have analyzed it, though Frayling (1998a) does briefly describe it in his biography of Sergio Leone. Repeated in literally hundreds of films, this narrative is exaggerated at times to ridiculous proportions, heightened intensities, and often vicious brutality. Something is at stake here. These films symbolized and dramatized a central concern to a socially, culturally, and geographically displaced audience. What should be the relationship between the masculine individual, collective action, consumerism, and family?" - BEATEN, SHOT, CRUCIFIED: THE LIMINAL HERO OF THE CARNIVALESQUE WESTERN ALLA’ITALIANA