#new to branch gallery

[blacktabbygames]

We're thrilled to announce that Slay the Princess — The Pristine Cut is releasing on PC, Mac, Linux, and consoles on October 24th! Please enjoy this animated trailer ^^

For those of you who aren't aware, The Pristine Cut is a free upgrade to the base game, that among other things:

Expands the game by roughly 35%. This means thousands of new voice lines, over a thousand new illustrations, and 17 tracks of brand new music.

Adds significant glow-ups for The Fury, The Den, and the Apotheosis, each of which has over three times as much stuff to see as they had in the base game.

Introduces three brand new Princesses that branch off of The Damsel, the Prisoner, and the Spectre.

Adds an entirely new ending to the game.

Adds a deep, interactive gallery to help you chart your progress across over 420 unlocks and that brings back your best (and worst) memories with the Princess.

Provides subtitle support for: Simplified Chinese, Traditional Chinese, European Spanish, Latin American Spanish, Brazilian Portuguese, Korean, Japanese, German, Polish, French, Russian, and Italian.

Brings the game to consoles — PS4 + 5, Nintendo Switch, and Xbox! And if you're the sort who collects things, both the PS5 and Nintendo Switch versions are getting a physical release, including a collector's edition!

And for those of you who have been waiting for an EU-friendly version version of the collector's edition that doesn't get hit by a ton of import fees, we're thrilled to finally reveal that we have one! Its contents are a little different from the US version of the CE — it swaps out the statue for a poster — but it should be a much more affordable alternative!

But wait, there's more!

You know how The Pristine Cut is coming out the day after Slay the Princess' one year anniversary? Well... we've also got something for you on 

the one year anniversary itself! Join us, Jonny, Nichole and Brandon for a big ol' livestream on our Twitch channel. Abby will be drawing EACH Princess live (new Pristine Cut princesses excluded), we'll be chatting about what it was like to work on the game, and we'll even be playing through one of the many paths through an expanded Pristine Cut route to give you a little taste of what's to come!

AND THAT'S NOT ALL!

We've also got you covered on the merch front! T-shirts and optical illusion Spectre keychains are now available on Serenity Forge's website, and for all of you Pin-Heads, we even have some extra Pinny Arcade Princess pins from this year's PAX West. Get 'em while they're hot!

And finally, a teaser for what's to come. I think you'll all really like what we've got cooking here >:3

Thank you all so much for your love and support — it's because of all of you that we're able to take big, ambitious swings with our work. If you haven't had the chance yet and you liked Slay the Princess, consider picking up our other Equally Good visual novel, Scarlet Hollow, which will be getting an enormous fifth episode next year!

All the best, Tony and Abby

[the-original-skipps]

|| S𝐮𝐨 H𝐚𝐲𝐚𝐭𝐨 𝐢𝐬 𝐚 G𝐞𝐧𝐭𝐥𝐞𝐦𝐚𝐧. || Depraved!Suo Hayato x CluelessFem!Reader || Wind Breaker ||

▶︎ •၊၊||၊|။||||| 0:13

PLAY!

due to the "yes" winning the poll I have decided to post however, if you said "no" you may scroll past and completely ignore this : i've never written dark content before so this is a first trying to branch out into new things also depraved is a fancy word for yandere perv lol also hes aged up here and he and reader are the same age

CW: 18+ content, dark content, yandereness, sexual content, non-consensual, use of drugs.

18+ only minors do not interact

❥ Suo Hayato is a gentleman that is what his friends and the people around him would and will say. He’s a loyal friend and is always ready to lend a hand when you’re in trouble. Is what he wants you to believe but behind that kind smile lies thoughts and intentions you would have never thought a man like him to have.

❥ You’re such a naive little thing is the thought that often crosses Suo’s mind. Like unsuspecting prey, you have no idea what kind of thoughts a predator like him has for you. Who so easily believes anything he says as you look at him with those innocent doe eyes. You shouldn’t look at him like that, the urge to ruin you only gets stronger.

❥ You would think that Suo barely uses his phone but in fact you just never catch him when he does. His phone's gallery is filled with pictures of you, the pictures you posted online to the unexpecting shots he's taken of you. These pictures help him fuel the daydreams he has of you, especially late at night.

❥ You don't realize but Suo likes to take his eyes all over your body. From your tight blouse where the outline of your bra is present or how your skirt peaks a little to show your supple ass has him running wild with impure thoughts. Are you testing his restraint with how you choose to dress or are you just asking him to do as he pleases with you?

❥ Suo always likes to stand behind you not only does he get a good view, he also gets to take in your scent. He’ll casually compliment on how good you smell, asking for the perfume brand that maybe his mother would like. It’s an innocent question, of course you'd happily answer. However, his true intentions are to buy the exact same shampoo or perfume as you.

❥ Cause he’ll spray that perfume on his pillow and his clothes. It's as if you were just with him. His pillow as he hugs it tight, imagining that it’s you that he hugs you from behind- his hips rutting, his hard erection pressed against your ass. As he licks your ear and whispers, teasing you on how needy you are. Red faced, as you whimper and plead with him to put it in.

“Tell me, how badly you want me.”

“P-Please, Hayato…!”

❥ Just the thought of you whimpering his name with desperation almost has him cumming. As he strokes his cock with the exact same underwear he managed to steal when he was at your place under the guise of bringing some new tea over for you to taste. It was so easy to excuse himself to the bathroom to look into your laundry basket, not to look for the freshly washed ones but the ones you just used.

❥ As mentioned above, Suo likes to come over to your place with some excuse of having new tea or dessert for you to try. It's adorable how you can't deny him. So he takes the opportunity to slip in something that has you yawning, difficult to keep your eyes open. Suo the sweet talker that he is will coax you to take a short nap on the coach.

❥ Once he knows you’re deep asleep, he'll straddle you-but hovering to not put his weight on you. He will get real close to lovingly admiring you as he traces his hand around your vulnerable body. Unbuttoning your shirt, as he presses soft kisses on your neck and chest. Before, the strong urge to mark you takes over. He'll lick the spot he chooses, before pressing his lips-to suck on your skin until a red blotch remains. Suo will do this until your whole neck and chest are covered in his marks. Once you'll wake up you'll find your head on his lap, as he looks at you innocently-stroking your hair like nothing happened.

❥ You're confused, as you find yourself covered in this red - some borderline purple bruises around your neck and chest area, even touching them seems to hurt. Worried you consult your close friend Suo on what to do. Maybe he will offer a solution to your problem. Suo had to bite back a grin as you asked him about these strange wounds that appeared out of nowhere. As a reliable friend that he is of course he has some medication at home that might help. So, he invites you to come over.

❥ Now you sit in front of him shirt unbuttoned as he hungrily observes admires these strange wounds. His strong gaze has you flushing in embarrassment-flinching every time the cold ointment on his fingers traces a mark. Every squeak and whimper awakes a certain darkness in him, that wants to pin you down as you writhe helplessly against him. How effortless would it be for him to just take you now but he doesn't.

❥As he waves goodbye to you from his front door he thinks to himself that you don't have to leave, you're more than welcome to stay here. His parents are barely home anyway, they won’t mind. Suo promises he'll take good care of you but that is all in due time. Maybe one day but right now he's enjoying the hunt.

❥ It's hard to imagine him like this isn’t it? They're nothing more than simple actions of a friend with no hidden intentions. Because Suo Hayato is a gentleman and is your dearest friend, or so that’s what he wants you to believe. 

[justawasteoftime1122]

I thought I'd do one of these cuz I'm bored and don't expect it to get that far

No more limit

A note game!

10 notes- I'll make an aroace bracelet/anklet ⚘

15 notes- I'll redraw a drawing from my old sketchbook ⚘

20 notes- I'll redraw my first digital drawing ⚘

25 notes- I'll clean up my drafts and inbox -

30 notes- I'll make Gender Fluid bracelet/anklet⚘

35 notes- I'll put GF and Aroace beads on my shoe laces -

40 notes- I'll draw a ship from a ship wheel -

45 notes- I'll learn to draw more body shapes +

50 notes- I'll try to fix my sleep schedule +

60 notes- I'll get my friend to stop making trans + jokes (they annoy me now. It's not transphobic just annoying)

69 notes- I'll write a short smut story -

80 notes- I'll get into drawing more horror +

85 notes- I'll branch out and start dressing and asking for more clothes that help me feel masculine and neutral +

90 notes- I'll draw characters based of off the main LGBTQIA flags +

100 notes- I'll start drawing more infectious aus and share more art with my family -

110 notes- I'll ask my parents to get Vocal lessons-

(Edit, adding more)

120 notes- I'll redraw an entire sketchbook +

130 notes- I'll force myself to do more writing (and on my fanfics)

140 notes- I'll start branching out into new series and continue arcane. +

150 notes- I'll work up the courage to tell my friend when I feel masculine +

160 notes- I'll start writing the story about The Lesbian and the Conversion Therapist that fell for her -

Edit 3:

170 notes: I'll animate more +

180 notes: I'll expose my main Spotify playlists

190 notes: I'll finnish more art in my ibis paint gallery

200 notes: I'll draw a something for a random liker (no corn but I'm willing to do gore)

210 notes: I'll practice more drawing on paper and will use my alcohol markers more.

220 notes- I'll draw the cheese burger spider from cloudy with a chance of meatballs

250 notes- I'll animate a gif

270 notes- I'll animate cheese spider

300 notes- I'll animate something small for a random person who liked/likes this post ( I will not animate corn but am willing to attempt gore)

That's all for now

⚘= Done

+ = Started/ In progress

- = Haven't Startes

[xensilverquill]

The woodland amphithere (Amphitheris silva), also known as the fairy dragon or the beech wyrm, is a small draconoid endemic to the temperate broadleaf forests of the Sunken Continent. Vestigial wings aid in thermoregulation and can be freely contracted and expanded. The shapes of these wings have evolved to resemble the leaves of beech, hornbeam, and other marcescent trees that are the favored hunting territories of woodland amphitheres. Fur-like moss growth on its head and tail enable it to supplement its primarily insectivorous diet with photosynthetic energy.

Previous | Next

(Extended species description under readmore.)

The woodland amphithere (Amphitheris silva), also known as the fairy dragon or the beech wyrm, is a small draconoid endemic to the broadleaf forests of the Sunken Continent.

Vestigial wings aid in both gliding and thermoregulation. Each wing can move independently of one another, and their membranes can be freely contracted and expanded (see last image/GIF in gallery). The shapes of these wings have evolved to resemble the leaves of beech, hornbeam, and other marcescent trees that are the favored hunting territories of woodland amphitheres. Whole covens have been observed sunning themselves on tree branches in autumn and winter.

Fur-like moss growth on its head and tail enable it to supplement its primarily insectivorous diet with photosynthetic energy. This adaptation along with their unique wing structure allows them to forego hibernation altogether in more temperate regions.

Two pairs of eyes make these creatures adept hunters. The rostral pair are used to observe shape and color while the caudal pair specialize in tracking the movement of their prey.

Like many extant members of the amphitherid and other draconoid families, the woodland amphithere possesses relays, growths on the head which house complex electroreceptors. Relays in this species have evolved as rigid, antler-like structures. The exact purpose of these relays is unknown, but it is hypothesized that they may be involved in communication between members of a given coven.

Woodland amphitheres are semisocial and congregate in single-generation groups known as a coven or a flight. Covens are typically made up of six to ten individuals, although covens as large as two dozen have been observed. While they do not exhibit the same coordinated hunting prowess of other amphithere species, they are still remarkably sociable and have been observed to groom and to sing to one another.

Eggs are laid in communal nests in small ponds in early spring, and the brood is left to fend for itself by the parent coven shortly after hatching. The fry begin life as tadpole-like creatures with their wings and relays becoming fully developed by midsummer. The brood may linger for up to a year near its birth pond before leaving in search of new hunting territory.

Birds of prey, including eagles, owls, and lesser rocs, are typical predators of woodland amphitheres. Its primary defense is its own coven, which will swarm upon and harass the predator to drive it away. Larger covens have even been known to kill and subsequently feed on their would-be attackers, especially during the nesting season.

---

First entry in what will be a small series of original dragon amigurumi patterns following a general amphithere body plan (basically all wing and no leggies lol).

My personal challenge for each of these is that I cannot directly reference patterns from other creators. This is to (1) force me to figure out how to work up complex shapes and (2) so that I can avoid copyright infringement if I ever decide to sell these patterns a later date. Which was why a good portion of the time for this entry was working out the shapes of the leaves for the wings, haha.

[artsandculture]

The Water-Lily Pond (1899) 🎨 Claude Monet 🏛️ The National Gallery 📍 London, United Kingdom

For Monet, gardens offered a refuge from the modern urban and industrial world, although he and his fellow garden enthusiasts benefited from modern advances in botanical science that were creating new hybrid flowers in a wide choice of shapes and colours that could be produced on an almost industrial scale. He made modest gardens in the homes he rented in Argenteuil and Vetheuil in the 1870s, but from 1883, when he moved to a rented house in Giverny, about 50 miles to the west of Paris, he had more scope to indulge his passion for plants. He became a dedicated gardener with an extensive botanical knowledge, and sought the opinions of leading horticulturalists. As Monet’s career flourished his increasing wealth enabled him to fund what became a grand horticultural enterprise: by the 1890s he was employing as many as eight gardeners.

Monet began by refashioning the garden in front of the house, the so-called ‘Clos Normand’, replacing the existing kitchen garden and orchard with densely planted colourful flower beds that were filled with blooms throughout the seasons. He was able to buy the house in 1890, and three years later he purchased an adjacent plot of land next to the river Epte beyond the railway line at the edge of his property. The plot had a small pond with arrowhead and wild water lilies, which he wanted to turn into a water garden with a larger lily pond ‘both for the pleasure of the eye and for the purpose of having subjects to paint’.

The idea may have occurred to him after he had seen the water garden at the 1899 Exposition Universelle in Paris created by the grower Joseph Bory Latour-Marliac, who bred the first colourful hardy waterlilies. Monet began by requesting permission from the Prefect of the Eure to dig irrigation channels from the Ru – a branch of the Epte – to feed his pond, but the Giverny villagers objected, fearing it would contaminate the water and that the foreign plants would poison their cattle. Monet was furious, but three months later permission came through and he began to enlarge the existing pond, replacing the wild water lilies with Latour-Marliac hybrids available in yellows, pinks, whites and violets.

The pond was enlarged on further occasions – in 1901 and 1904 – tripling the size of the water garden. Together with the flower garden on the other side of the railway track it became the principal preoccupation of the last 26 years of Monet’s life. While the Clos Normand garden was laid out along fairly traditional lines, harking back to the formal French gardens of seventeenth-century Europe, with a central alleyway and geometrically arranged beds, the water garden was more Eastern in inspiration. Its less regimented, more natural design and more muted colours created a quieter, meditative atmosphere. Monet erected a Japanese bridge over the western end of the pond that took its inspiration from the bridges in ukiyo-e Japanese prints. He was a keen collector of these prints and he owned a copy of Hiroshige’s Wisteria at Kameido Tenjin Shrine (1856), one of the many prints that features a curved bridge. In a more general sense, the water garden reflected Monet’s admiration for the Japanese appreciation of nature.

Monet had to wait for his water garden to mature before he could begin to paint it in earnest. As he later recalled: ‘It took me some time to understand my water-lilies. It takes more than a day to get under your skin. And then all at once, I had the revelation – how wonderful my pond was – and reached for my palette. I’ve hardly had any other subject since that moment.’ In total, Monet painted 250 canvases of his water garden. Around 200 of these represent water lilies floating on the surface of the water, while the remainder also show the Japanese bridge, the weeping willow trees and wisteria and the irises, agapanthus and day lilies on its banks. In all these pictures Monet was painting a subject that was already ‘pictorial’ – a landscape that had been carefully composed according to his personal aesthetic. The National Gallery has three further paintings of the water garden :Water-lilies, setting sun; Irises; and Water-lilies.

Monet painted three views of the Japanese bridge in 1895, not long after it had been constructed, but then took a break from the subject, only returning to it in 1899. By now the pool was overhung by vegetation and surrounded by plants, but to judge from contemporary photographs it was never as enclosed as Monet painted it, and he exaggerated the feeling of claustrophobia. In December 1900 he exhibited 12 paintings at Durand-Ruel’s gallery in Paris, all of which showed more or less symmetrical views of the Japanese bridge.

In this painting, as in the others in the series, we are looking down onto the surface of the water, where the lily pads float into the distance, meeting the dense foliage on the far bank. Weeping willows are reflected in the pond and clumps of iris border its banks. The perspective seems to shift so that it is hard to find a single focal point; it is as though we are looking up at the bridge but down on the waterlilies. The picture, like the water itself, seems to oscillate between surface and depth. The mainly vertical reflections provide a counterpoint to the horizontal clumps of the lily pads. Different colours, applied with thick brushstrokes, are placed next to each other. This way of painting has more in common with Monet’s early Impressionist works than his more recent paintings of mornings on the Seine, where he had used softer, more blended strokes to convey hazy atmospheric effects.

The Japanese bridge series marked a turning point in Monet’s art. From now on his subjects were painted from an increasingly confined viewpoint, conveying the sense of an enclosed world. In later paintings of the pond, he would dispense with the banks and bridge altogether to focus solely on the water, the reflections and the water lilies. The culmination of Monet’s water lily paintings were the Grandes Dėcorations, 22 enormous canvases each over two metres high and totalling more than 90 metres in length, which he completed months before his death and donated to the French state. These are now on permanent display in two oval rooms in the Musée de l’Orangerie, Paris.

[rubytrait]

🌦️Gloom & Bloom Legacy Challenge🌦️

Last Updated: 29 October.

here’s an occult-free challenge for all realistic gameplay (and rags to riches) lovers!

I've only written 7 gens so far; I will update this post when I write more!

(please mention me when you post your gameplay if you decide to play this challenge!)

General rules:

- you don’t have to strictly follow the rules because this challenge is made so that everyone can have fun.

- you can skip any generation that you don’t feel like playing or don’t have the necessary packs for it!

- Money cheats are not allowed! Unless it’s stated otherwise in the rules of the generation.

- feel free to add siblings/aunts/uncles to your founder so you make your storyline more interesting.

- English isn't my first language so please bear with me!

Here are some amazing builders gallery IDs to add cool buildings to you save file:

loveheartish

Skywalkr21

Gryphi

thatonegreenleaf

kellyhartx

CillasYT

Pugowned

aceroladagamer

BrunaSouzaG

Gen One: A lonely pregnancy

Backstory

You found out that you were pregnant but you’re still in your last year of high school, your boyfriend was not happy with that and decided to breakup with you and you were so scared to tell your parents about it but you knew that eventually you’ll have to.

A week after your 18th birthday and right after your graduation, you decided to finally tell your parents about your pregnancy. But as you’ve predicted before, they didn’t receive the news very well, so you got kicked out but you managed to steal 5000 similions.

you promise your child to always love them and to give them the best life ever.

Aspiration: crystal crafter

Traits: ambitious, family oriented, roll/pick the rest.

Career: Barista/any part job (OPTIONAL).

Child count: at least one.

Goals:

- Start as a young adult with only 5000 similions and move to an abandoned place and make it your new home (you can cheat so you can move to that place).

- Craft jewelry and sell them either with the sales table or open a small jewelry store in your house (live in business mod) to ezarn money to support your child.

- Make necklaces to each of your children and give the necklaces to them when they’re teenagers.

- You may find love again and have more children.

- Achieve level 10 of your aspiration.

- Will you try to contact your parents and/or ex boyfriend again?

- OPTIONAL: complete the crystal collection!

Gen Two: similions for everyone

Backstory

You grew up in a low income household, you witnessed your mom’s struggle since you were a baby and when you grew up you learnt about your mom’s past, you’re so angry for you mother and every sim that’s going through what she went through. You decided that you’re gonna be their voice and help them out.

However, one day you get drunk at a party and go sleep with someone from the opponent political party (you can pretend). But this isn’t the worst part, the worst part is that you’re already in a relationship with someone else.

Aspiration: any.

Traits: hot headed, loyal, roll/pick the rest.

Career: Politician (Charity Organizer branch).

Child count: at least 3.

Goals:

- Move out of your house when you become a young adult.

- Protest every weekend.

- Go out to a party, you get drunk and sleep with someone from the opponent political party and get pregnant.

- Keep visiting your mother every now and then.

- Will you tell your partner about the real parent of the child or will you lie to them and tell them it’s theirs? Bear in mind that this might ruin your career.

- Invite over your mother and siblings to your house every holiday and have dinner together.

- Max the skills required for your career.

- If you tell your partner the truth and they don’t accept to raise the child as their own, you lose your job and start working as a police-person.

- Would you tell the truth to the real parent someday? Will you fall in love with them?

Gen three: Where do I belong to?

Backstory

As you grew up you’ve always felt like you were a mistake, although your parent(s) tried their best to give you all what you needed but it was never enough to fill that hole in your heart. You were a threat to your parent’s career, your other parent wasn’t really close to you as they knew you were not their child (if they chose to stay and keep it a secret). So as a teen you runaway and drop out of school because you couldn’t live as a burden anymore, you take some other teen friends that want to runaway with you as well as your household pet.

Aspiration: as a teen, Live fast. As an adult, Super parent.

Traits: kleptomaniac, unflirty, roll/pick the rest.

Career: none.

Child count: at least 2.

Goals:

- As a teen leave your house and live in an abandoned house with a bunch of other teens and your house pet (if you have any).

- You start with 500 similions.

- As a teen, you earn money mostly by stealing stuff from other people and dumpster diving.

- Dye your hair, get at least one piercing and a tattoo(s).

- As a young adult you refuse to fall in love and have children because you don’t want to repeat the cycle, but that’s until you meet the nerdy, very academically oriented person and fall in love with them.

- Get married to that person and settle down and have kids!

- Always help your kids with their homework and make sure that they do well in school.

Gen Four: The messy scientist

Backstory

You grew up with a very academically oriented parent, getting high grades in school was very important to your parents. You can’t maintain any kind of relationships, so whenever you get a partner it always ends up terribly, it doesn’t bother you that much anyways. However, you’re always surrounded by a lot of friends from high school and university, you go out clubbing and partying with friends and have fun almost every weekend. One day you get a call from your family telling you that one of your siblings has died in an accident, so you decide to adopt their only child.

Aspiration: serial romantic.

Traits: dance machine, non-committal, roll/pick the rest.

Career: scientist.

Child count: only the adopted child.

Goals:

- Move out of your parents’ house when you become a young adult.

- Go to university.

- Have an affair with your roommate’s partner.

- Adopt your sibling’s child after their death.

- You can get into relationships but don’t marry, you can be in multiple relationships at once.

- Always have at least two dogs in your house.

- Max your career.

- Have an affair with your boss (even if they were married).

Gen five: Cozy seaside lifestyle

Backstory

You lost your parents early in life and were adopted by your aunt/uncle/Auncle that had a very chaotic lifestyle. They brought a lot of lovers around and used to go out partying every weekend, you didn’t get enough attention and felt neglected. However, you had a fish as a pet and you were mesmerized by marine life. You’ve always loved playing in water and pools, so you decide to live by the sea when you’re older. Although you have poor communication skills due to you not being raised properly, but you still manage to get through all your struggles.

Aspiration: any.

Traits: genius, roll/pick the rest.

Career: conservationist (Marine Biologist branch)

Child count: more than 2.

Goals:

- As a kid and a teenager always go to water parks and/or pools.

- must live somewhere near the water (doesn’t have to be a beach lot, you can live in any world that has a sea like sulani, tartosa, brindleton bey, etc).

- Max your career.

- Always have a fish as a pet.

- Befriend a dolphin.

- Maintain a strong relationship with your grandparents.

- Befriend your neighbor and eventually fall in love with them.

- Have many children! You were lonely as a child so you want to be surrounded with many family members.

- OPTIONAL: make sweaters and clothes for your kids in your spare time.

Gen six: The crazy ex

Backstory

Although you grew up in a lovely home surrounded by your loving family members, you still managed to turn out to be a little evil. As a kid you’d always prank your siblings and parents and as a teenager you broke so many hearts. But you take it into a whole different level when you become an adult.

Aspiration: villainous valentine. Traits: child of the ocean, evil, roll/pick the rest. Career: business. Child count: 4.

Goals:

Wear any alternative fashion style.

Have many relationships (you can have multiple at once), maintain them for a while then ditch them.

Breakup with at least one of your partners through a phone text.

As a teen, join the drama club.

Decorate your house with a dark aesthetic.

Kill a sim when you’re an adult.

Use the voodoo doll on a sim at least once.

All of your children must be from different partners.

Breakup a couple.

Max your career and aspiration.

Never get married, and give a lot of love and attention to your children.

Go all out whenever it’s Halloween.

Gen seven: The moody painter

Backstory

You’ve always been into the idea of having a soulmate since you were a child, especially after you witnessed your parent’s messy “love” life. You didn’t like that part of them and wished to have a more stable life, so you searched for love your entire life until you meet someone in high school that’d make you want to stay single forever.

Aspiration: soulmate. Traits: gloomy, roll/pick the rest. Career: painter. Child count: 2-3.

Goals:

have a very colorful and unique fashion style.

Dye your hair with a bright color.

Max your creativity skill as a child

As a teen, join the scout club

OPTIONAL: complete the insects collection.

As a teen, get into a toxic relationship with someone and breakup with them later (or have them breakup with you).

Have the “Coffee fanatic” lifestyle.

As an adult, move to the city (doesn’t have to be san myshuno)

Live in an apartment, and DON’T move out.

Max your career.

Get into a love triangle, choose who you want to be with in the end.

Date for a short while then elope with them immediately.

[ginnsbaker]

In Flames I Sleep Soundly (1/2)

Summary: What do you do when you find out that person you trust the most is a liar? Or the Unfaithful AU that I've been wanting to read for a while.

Word Count: 9k+

Warnings: Angst, Smut (18+), Cheating/Adultery, Implied Het Sexual Content

Author’s Note: I was thinking about making a separate tumblr for fics (since I primarily post fanarts), but I’m too scatterbrained two maintain more than one account. I recently saw Unfaithful (2002) again and thought about doing an AU based on that movie. The title of this fic are lyrics from "Wedding Song" by Yeah Yeah Yeahs. No betas. And I won't apologize for how imperfect this monster is. I haven't written in more than a decade, so let's all suck it up.  

AO3 / Part Two / Masterlist

--

Part One

Summer arrives in Westview, New Jersey in a fairly conspicuous manner. Its parks have been repainted with various shades of green, and the oversized trench coats on the streets that its residents are so fond of during the cold months are nowhere to be found.

Despite these observations, Westview remains a sleepy town. At least it is to you, but that's probably because you’ve spent half of your life in Manhattan. You and Wanda moved to New Jersey a few months ago after you were promoted to branch manager. The salary that came with it was enough to pay off your student loans including Wanda's, so it was easy to accept the offer despite the trade-off of having to move to a relatively unknown and rural town.

"It's only temporary," you told Wanda when you broke the news. "My supervisor said that if I can prove myself there, I can come back as a regional manager."

Wanda had assured you that you had her full support. At the time, she was working part-time at a small gallery for up-and-coming artists in the state, and while she needed to start somewhere to realize her dream of becoming an art dealer, she figured it wouldn't derail her career so much if she could learn art trading online.

Everything happened in a blur after that. In two weeks, you were driving to Westview with nothing but two suitcases and your dog, Sparky, on Wanda's lap. You held her hand while she slept throughout the entire trip and you faced the unknown roads that led to your new life.

The house they picked for you and your family exceeded your expectations. Granted, you had to subsidize a percentage of the move-in fee, it was a small price to pay to have so much space. The bathroom alone is larger than the guestroom of your previous two-bedroom apartment in Yorkville. On the first day, Wanda had explored the house with a childlike wonder, while Sparky tried to cover every inch of its ostensibly boundless backyard. That night, with only a blanket laid out on the floor, you made love to Wanda and then some more on the kitchen counter and the bathtub upstairs, inside the master's bedroom.

You've been married to her for five years, but a fresh start gave you two the sexual appetite of newly weds. It didn’t take 48 hours to christen every room in the house.

By now, a routine has been established: you wake up at five in the morning to go out for a run, back at home by six, and then showered and dressed for work before seven. Wanda, on the other hand, would try to get up before you're done with your ceremonies to prepare breakfast. She's not always successful–sometimes waking up long after you've gone to work.

"You want some coffee?" Wanda wakes you out of your stupor. She's still in her nightgown, holding two cups of freshly brewed coffee. Her auburn hair is up in a messy bun and she is, after all these years, a sight to behold.

You look at her and then at your left wrist to check the time on the Rolex she gave you as a wedding gift. You still have a few minutes, but there's an urgent staff meeting that you're a little anxious about.

"And maybe some omelet?" Wanda suggests when you don't answer, already cracking some eggs in a bowl.

"Sorry, babe, got to run." You shake your head apologetically before walking over to her and kissing the back of her head. Wanda merely continues whisking the eggs for a while before commenting, "Until when are you going to have these early meetings?"

"I don't know. Maybe the end of the month?"

"You're the boss. Can't you just call them off? Maybe schedule them during actual office hours?"

You shrug and say nothing, unwilling to engage in an argument so early in the day. Wanda exhales heavily at your lack of reaction, which compels you to reach for her hand and stroke it. Seeing how she’s not pulling away from your touch, you move to hug her from behind.

"I'll try to be home early tonight, okay? I miss you too." You say softly and kiss her cheek.

"I didn't say I miss you." Wanda deadpans, but she's already turning around in your arms for a proper embrace. You kiss her forehead and let her hold you for a few beats. She buries her nose in your neck and inhales deeply. “I told you to stop wearing this perfume. It makes you unbearably enticing.” Wanda admonishes you with a hungry look.

It’s embarrassing how easily your wife can turn you into a bashful teenager with a little flirting.

“Well, maybe you should do something about it.” You playfully taunt her.

“Maybe I will.” Wanda says in a low voice, and she’s close enough for you to notice the total lack of green in her eyes.

As much as you want to rip her silky lingerie and take her right then and there, the fact is you are already going to miss the first few minutes of the meeting–and then maybe a quarter of it if you don’t leave soon.

"I really have to go. But first things first," You grab one of the two cups of joe and Wanda starts giggling when you drink from it in one go. "Best coffee in the world. Maybe you should start a cafe business."

"Idiot." Wanda taps your nose affectionately, before shoving you towards the door.

Later, you arrive home just a few minutes shy of midnight. The house is deathly silent, even your dog could not be bothered greeting you at the door. You go straight to the bedroom, making as little sound as possible, to find Wanda asleep on her side, facing away from you. You get rid of your clothes and climb into bed. You carefully inch towards her and press your front against her back, spooning her. You hear her breath hitch, but before you can start thinking of an apology, you fall fast into a dreamless sleep.

***

It’s two months later and on a lazy Sunday afternoon, when Wanda breaks the news that she’s been offered a temporary position at Westview Institute of Arts and Sciences. You’ve watched your wife gradually grow restless each week, having a difficult time adjusting to life in the suburbs. Wanda interviewing for a job wasn’t as forthcoming as her asking you to move back to the city. Taking the job would mean integrating with the community in a semi-permanent way. So it’s a surprise that Wanda would even consider it.

"Assistant professor?" you ask distractedly, not looking up from the Jonathan Tropper novel on your lap. Wanda’s perched on one of the barstools of the breakfast counter, waiting for her banana bread to be done in the oven. Sparky lays at her feet, also waiting for the banana bread.

"What do you think?" Wanda muses and drums her fingers on the table.

You regard your restless wife for a moment, before closing the book and tapping the spot next to you on the couch. “C’mere.”

Wanda does as she’s told and Sparky follows after her.

"I think it’s a great opportunity and experience to have. But I thought you're getting a lot of projects from Upwork."

You try not to sound too partial to the idea of her working in the university. However, if you’re being totally honest, it would essentially solve the problem of your wife’s mild existential crisis– and your guilt of probably causing it.

"It’s just a side-hustle,” Wanda argues. “Besides, they’re going to need me only three times a week and they offered me a full-time pay.”

“Sounds too perfect to be true.”

Wanda shakes her head. “I don’t think so. It’s not unheard of that there’s a huge demand for educators in small-town institutions.”

“So you’ll take it?”

Wanda nods with a smile and then says, “Only if you’ll drive me in the morning.”

“Of course, baby.” You say almost instantly and give her a quick peck on the lips. It doesn’t even matter that Wanda has her own car since she hates driving with a passion.

"Professor Maximoff." Her potential designation rolls off your tongue coolly. You’ve never really pictured Wanda in academe before, and now you can’t get rid of the image of her in a perfectly tailored suit.

The corners of Wanda’s mouth quirk up in a dreamy smile. "Kinda has a ring to it, huh?"

"A very sexy ring to it, professor."

Wanda giggles as you go ahead and think of ways to sneak into one of her classes some time in the near future.

"I'd tell you I've gotten a job at Baskin' Robbins and you'd say I look hot in their uniform." she points out.

"I bet you're hotter with all your clothes off."

Suddenly, the oven dings and Sparky starts barking at Wanda.

“And you’ve got a one-track mind,” she mutters with an undercurrent of mirth, before getting up to return to her baking. “Ten points from Hufflepuff!”

You burst into a fit of laughter. “Can’t blame me for having a hot wife. Also, I’m a Gryffindor you vexing Slytherin!”

Wanda can be the biggest dork at times, and it only makes you fall for her a little harder in these moments.

She sticks her tongue out at you. “Dream on, Badger Queen.”

***

It’s some kind of Hollywood domestic bliss.

You still wake up at five to go out for a run, but now Wanda’s your running buddy and you’re always trying to catch up with her pace.

“I can’t believe this gives you more energy than coffee.” she said the first time she laced up and she finished her run a minute faster than you. You thought it’s ludicrous that Wanda was a natural athlete on top of her good looks, but you figured it was an organic truth given that her brother played professional soccer for a couple of years before he got into the business side of sports.

Most days, you’d let Wanda clean up first while you cook breakfast. On one occasion that you joined her in the shower, Wanda turned up so late in class some of the students were already preparing to leave.

“That can’t happen again.” Wanda told you.

“Whatever you say, babe.”

You’d been married to her long enough to know that Wanda often broke her own rules. Historically, you’d watch her do so with satisfaction just because it’s usually an unspoken challenge between married people. And maybe because it reminded you that she’s human. Imperfect as much as you were.

“Just be careful, Y/N,” your best friend, Natasha, told you a month into dating Wanda Maximoff. “Mistakes and disappointments are inevitable. Hell, even I will let you down at some point in the future.”

“You have. Many times.” you said jokingly.

“Is that right? Look, all I’m saying is it’s also not fair to Wanda if you put her on such a high pedestal.”

Natasha was right. However, it wasn’t like you could change who you were and how you loved. The night you met Wanda at freshman orientation, you knew she was the one. You loved her through college as her closest friend as much as you did when she began to see you in a new light thereafter.

And even now, as you stare at her sneaking a nap on the drive to her workplace, nothing has changed. It’s a cherished moment, no matter how mundane.

Your hopeless crush on Wanda never really went away.

You feel very lucky that she feels the same way.

***

You’re about ten feet from the door of your house when you hear scratches from behind it, followed by Sparky’s incessant barking. Quickly, you fish out your keys from your backpack and open the door.

Sparky jumps at you as soon as the door swings open, and then starts licking at your pants.

“What’s up?” you say, scratching behind his ears until he calms down.

You look around the empty living room and notice for the first time that Wanda’s not home.

You send a text to her asking where she is. Sparky is making whiny noises, while pushing his empty bowl towards you with his tiny paw.

“Sorry, bud. Let’s get you your dinner.” You say, picking up the bowl and bringing it to where you store his food. You open the cupboard to find a mostly empty bag of Merrick. Sparky patiently waits for you, wagging his tail. Wanda was supposed to get some groceries this afternoon.

You check your phone and find no new messages.

“Looks like you’re coming with me for a quick run to the grocery store.” You tell Sparky with a sigh.

Sparky tilts his head at you in confusion. You send another text to Wanda telling her you went out and ask if she’s already eaten, before heading out to your car once again.  

You don’t hear back from Wanda long after you’ve had dinner by yourself and it’s almost midnight. Your anxiety levels are at an all-time high, and you’re about to call the cops when you hear her car approaching the garage.

You’re waiting by the door, so at the very second she slips inside the house, you hoist her into a desperate embrace like a mad woman.

“Where were you?” You exclaim as you pull away and clasp her shoulder blades hard. “I’ve been worried sick and you went dark on me.”

Wanda winces at you, gently prying your fingers from her. “My phone died and I forgot to bring my charger. I was writing the final exam that I have to turn in by tomorrow, and got carried away. I’m so sorry.”

“Don’t do that again. You couldn’t have borrowed someone’s cell or call from the school?”

“Like I said, I was working,” Wanda rolls her eyes, just a tad snidely. “It’s Westview. What’s the worst that could happen to me? Please let it go, I’m so fucking exhausted.”

It’s not that you’ve never heard your wife curse before, but you can’t help but flinch given the context at which she’s said it.

“Fine,” You clench your jaw, stepping out of her way. “We’ll talk about this in the morning.”

“Sure.” Wanda says stoically.

You don't talk about it in the morning. Or at all.

***

The forecast is you’re not going to hit this quarter’s targets. You’ll be two to three percent short, and everyone is telling you there’s not enough time to pull off a new campaign and drum up enough business to meet the numbers.

Your stubborn nature beseeches you to try anyway. It is, of course, at the cost of being stuck in front of your laptop in the dead of night.

Wanda approaches you to see if you need anything before she goes to bed without you. You smile at the sweet gesture but shake your head no.

“I’m good,” you say.

“Are you sure? I’ve got us fresh tea bags.”

“Positive.”

“Okay, good night.” she offers you a faint smile and starts to leave the room.

“Wands?” you utter abruptly.

She pauses and leans against the door frame. “Yeah?”

“Do you love me?”

“Of course, I love you,” Wanda drags her feet back to you. “What a silly question.”

“I guess I’m just feeling silly. We’ve been working hard, and when we’re together,” You let out a mirthless laugh. “We’re still working.”

Wanda nods solemnly but doesn’t speak. You can’t see her eyes with just a lamp lit on your desk and you're oddly grateful for that.

“I just miss you.”

“Me too.”

“Okay, uhm,” you fidget, suddenly feeling self-conscious. “Good night.”

“Good night.”

***

You wake up to wet kisses all over your face, only to be sorely disappointed to find out it's just Sparky, while Wanda looks at you softly as she waits for you to shake off the residues of sleep.

“Baby, I need a favor.” Wanda says.

"Good morning to you too." You reply good-naturedly.

Wanda ducks her head sheepishly. "Sorry, I've been waiting for you to wake up. I've said ‘good morning’ in my head, like, a hundred times." she tells you.

You silently brush a lock of hair from her face, before scooting closer to her and pressing a small kiss on her forehead.

"How can I be of service, m'lady?" you ask.

Wanda gets to it immediately. “There’s this painting I need from where I used to work. I need to bring it tomorrow, but I can’t take the day off. There’s no substitute because, well, I’m supposedly the substitute.”

“Sure, I’ll drop by there after work.”

Wanda makes a bashful noise of disapproval. “They’re only open until three-thirty.”

It’s a bad time to be missing work these days, but Wanda rarely asks for your help with anything. She’d sooner ask a stranger than her partner. There's one ex-boyfriend of hers you actually got to talk to in the past long before you and Wanda happened. The conversation was short, with mostly him talking–or rather ranting about how Wanda never made him feel needed. He went as far as claiming that she emasculated him in many ways. You never agreed with his insinuations of it being Wanda's flaw, and that it contributed to the downfall of their relationship. You like that Wanda is not a damsel in distress and that she carries herself with an air of confidence that only a truly independent woman can exude.

Although it does feel good to be needed sometimes.

“I’ll take care of it.” You assure her.

“Thank you,” Wanda says, and then proceeds to give you a tight but fleeting hug. "Alright, I'm gonna go get ready."  

You plop back on the bed with a huff. You haven't gone out on a proper date with Wanda for months, and you don't know how much longer you can survive this routine of late nights and rush hours. Maybe a vacation isn't too improbable by the end of August. Wanda's always wanted to visit Maui and, but you've kept deferring it until next year. A year has turned into two, three, and you don't realize it until just now that she's stopped mentioning it to you.

You make a mental note to search for discount flights later. Or maybe you can start with something more feasible like, say, lunch?

"Wands?"

The noise of the running shower drowns out your call, so you lumber from the bed and towards the bathroom.

Your mouth goes dry at the view of Wanda's soaked body, nostrils flaring at her stupid rule of no sex before work.

Wanda turns around and your eyes drop lower.

"Jesus, Y/N!" she gasps, then lets out a breathy laugh.

"Sorry," you lie, smirking at her nakedness. "Should we go out for lunch later?"

"I'd love to," Wanda says. "But I've got a lunch meeting with the dean."

"I see." you say and linger by the door. The crestfallen look on your face doesn't go unnoticed by your wife.

"We can have dinner," Wanda proposes tentatively. "Maybe drive to the city for some steaks and a dive bar after?"

Your eyes light up at her suggestion, heart brimming with repose.

"I'll pick you up at seven," you say. "It's a date."

Wanda throws a wink in your direction before turning back around to lather herself with your favorite soap.

-

Finding a parking space in Soho is almost next to impossible. You've only been living out of Manhattan for a couple of months, but it already feels like the population has doubled since. You're thinking about just leaving the car somewhere near the island and using the subway, when a woman enters your view and you step on the break as fast as you could. There's a loud screeching sound to be heard before the woman is rushing to your door with every intent to pulverize you on the spot.

As soon as you roll your window half-way through, a string of profanities welcome your ears like a gunshot. What you don't count on is hearing them from a spectacularly familiar voice.

"You almost got me killed you fucking asshole –"

You tilt your head towards your assailant. There's no mistaking that pair of green eyes.

“Yelena?"

Natasha's younger sister stares at you wide-eyed before her face breaks into the brightest smile.

"Y/N?"

"I almost didn't recognize you. I'm glad you still remember my name." you say. The last time you saw each other was right before Yelena went to an English university that you’ve forgotten the name of(it rhymes with ‘weed’) and you were a freshman in college. Yelena was a brunette then; she used to wear thick-rimmed glasses and her hair was always up in a low ponytail. The Yelena in front of you has blonde hair, a nose-piercing, and a cherry blossom tattoo on her chest that trails down and disappears into the collar of her blouse.

"How could I forget the only friend of my sister who was ever nice to me?" she quips with a toothy grin.

You blush at the fond memory of tutoring Yelena and treating her often to street shawarma.

"That's not true. Bruce was friendly with you as well."

"That's because he was dating my sister and wanted to get on my good side. What are you doing here anyway?"

"Looking for somewhere to park. Do you happen to know any in the area?"

"I've got one if you want. It's just down the street, second corner to your right."

"You're renting a parking space in Manhattan? I'm absolutely impressed."

“Oh, no!” she exclaims. Then adds, "It's my roommate, Kate's. She's loaded."

"Are you sure it's okay?"

Yelena nods and you thank her as she lets herself in your car.

The parking turns out to be too narrow, and so Yelena has to get out before you slot your car in the spot securely. Afterwards, she asks you where you’re off to, and you tell her that you’re picking up a painting for your wife. You ask her to come with you when she expresses an interest in the gallery.

You reacquaint yourselves with each other on the long walk to Wanda’s previous workplace. The conversation is, for lack of a better term, enjoyable. Yelena has always been an easy person to talk to–a remarkable contrast to Wanda who is often a challenge.

“When did you come home?” you ask suddenly after a while of talking about your work and recent settlement at Westview.

“Two years ago.”

You’re taken aback by her answer, feeling a bit hurt as you process the new information. Yelena’s been here all this time. Why didn’t she try to contact you?

“My cell didn’t ring either, you know.” Yelena tells you as if she can read your mind.

“Nat didn’t mention anything. I assumed you were still in London.”

“Leeds. The British are right about us not knowing any other city in the UK.” Yelena chuckles. “I told Nat to keep her mouth shut about my affairs.”

Before you could reply, Wanda’s ex-colleague, Agatha, comes out with the painting in hand. Yelena saunters off to observe the artworks on display.

“Thank you, Ms. Harkness.” you say, accepting the piece that was about the size of Mona Lisa.

“Welcome, dear. Whoever bought this must be made with money.”

The painting is wrapped in manila paper and it makes you curious who it is for. It must be someone who held a high position at Wanda’s university.

You excuse yourself with a polite nod, unaware of the look of suspicion she directs at Yelena, as your companion trails behind you on the way outside.

“Someone’s got a crush on you.” Yelena bumps your shoulder with hers.

“Wanda seems to think so too. Though I bet she’s just a nice old lady.”

Yelena laughs and slaps your arm this time. “Dude, she’s not old, old !”

“Someone’s got a crush,” you tease her back. Then, as if on cue, a reckless motorist speeds through a puddle, causing a wave of wastewater to splash all over your shirt.

“Shit,” you hiss, frowning at the ruined fabric of your white button-down. Yelena takes out her handkerchief and proceeds to wipe the specks of grease from your neck and face.

“Come on, we have a washer in the apartment.”

-

"Sorry I couldn't come to your wedding."

The hot coffee you just sipped refuses to come down your throat.

Yelena snickers at the dumb look on your face and says, "I'm just messing with you."

Your veins pulse in your temple as you force yourself to swallow. Yelena’s having a field day with you, poking fun at you on every opportunity.

"I'm so sorry for not extending an invite. It happened pretty quick. It was just your sister and Clint, and then Wanda's brother, Pietro. Our reception was at a pub in Brooklyn, and just getting absolutely shitfaced." you rush out, toying with the sleeves of Yelena’s sweater you borrowed. It’s cozy despite the hot weather. And undeniably smells like her.

"I know, Nat told me. Hey, I'm not offended. Besides, getting a wedding invitation from you would've been weird because,” Yelena pauses, and then sadly says, “We haven't connected in a long time."

"Yeah," you agree with a rueful smile. You haven't spoken to or thought about Yelena since you met Wanda.

“What’s she like?”

“Wanda? She’s…” It dawns on you that it’s not easy to translate your regular daydreams of her into a description you’d share with someone else.

“Exquisite,” you say, after going over various adjectives in your head. “And driven and smart. A glass half-empty to my glass half-full.”  

“I’m happy for you,” Yelena mutters over her glass of Merlot.

“And Kate? How did you meet her?”

“We’re just friends.”

“Who are living together,” you point out.

“Best friends then.” Yelena says, unperturbed.

You smirk. “If you say so.”

“I’ve dated around, but I never really found someone who could replace–” Yelena bites her lower lip to stop herself.

Except, she didn’t have to because you know.

You’re both quiet for a while, before you break the silence with, “Anyway, thanks for the parking and saving my shirt.”

"You did take my virginity. That's something I can never repay you for."

You’re too shocked to react–she is too, at her brazenness–that for a while you just stare at her with your mouth agape.

Placing the coffee mug on the table, you get up on shaky feet.

“Sorry, that was a bad joke. I–”

“You know what, I should go."

"Oh," Yelena gets on her feet as well. "But your shirt?” she asks weakly.  

"I'll just continue drying it at home. And then," you look down at the sweater you borrowed from her. "I'll mail this to you."

"Don't worry about that, I haven't worn that in ages."

"I promise to return it."

"Okay."

"Alright, so," Not quite knowing how to say good-bye, you jerk your thumb towards the door. "I'm gonna head out now."  

Yelena closes the distance to give you a hug, which she keeps short when you go rigid at the proximity of her body and yours.

"Bye, Y/N."

***

Wanda cancels dinner at the last minute. You’re surprisingly amenable and just text her when she’ll be home. You decide to cook for Wanda and try to convince yourself it’s not because you just need to keep busy and not think about what happened earlier with Yelena.

***

It’s Wanda’s day-off and she’s overslept. You watch your wife sleep soundly on her stomach, without a care in the world. Like this, the years fall away from her face and she looks like the girl you strongly want to protect for the rest of your days. Your eyes scan the room, until they fall onto the chair beside the bed. Hanging over it is a newly-bought lingerie with its tags still attached to it.

“Can you stop being a morning person just for today?”

You avert your gaze from the piece of clothing upon hearing Wanda’s voice still thick with sleep.

“Hi,” you greet your wife, twisting your wedding ring on your finger.

“Hi.” Wanda greets back, peeking at you from the comforter.

“I made breakfast, who’d you like to join me?”

“Sure, just give me a minute.”

You think about telling her you’ll wait until she’s ready and you can go together, but there’s an air of unfamiliarity and awkwardness hanging over your head–even worse is you don’t know where these feelings are coming from.

You don’t mean to count but it takes Wanda roughly twenty minutes to meet you at the breakfast table. It’s easy to force down your irritation when she looks immaculate and very put together.

Together, you eat in silence. You try to make conversation but in the end, Wanda’s responses are clipped and unfocused, so you just concentrate on finishing your oatmeal.

"You and I had a pretty crazy schedule recently, so I thought I'd take the day off and do something together." you say after waiting for Wanda to finish her meal.

"That's great, baby," Wanda smiles at you, before getting up to take the dishes to the sink.

Sneaking up behind her, you gently place your hands on the curve of her waist, and your lips just beside her left ear. For a while, you massage the flesh beneath your palms, feeling firm muscles instead of softness you're used to. Wanda's body has transformed right under your nose, and while you appreciate her more toned figure, you hope she's not being too restrictive with her diet.

"Leave them, baby. I'll do the dishes later..." You press an open-mouthed kiss to the skin just beneath her lobe. "...after I do you."

She squirms in your embrace, and you interpret it as a sign that she's getting turned on from your advances.

"Y/N–" Wanda doesn't get to finish her sentence as you twist her around and gently capture her lips. While she kisses you back with her hand coming up to wrap around your neck, she doesn't make a move to deepen it, seemingly satisfied with lazy pecks that end sooner than you'd like.

"Can I take you back to bed?" You inhale her scent soundly as you nose the length of her stupidly perfect jawline.

"I actually have to uhm–the laundry won't take care of itself." Wanda reasons, but doesn't really pull away from your hold. You take this opportunity to slide your hands up her back, beneath her shirt, and you can feel her goosebumps from your eager ministrations. Only now, being this close to her, have you realized how much you missed your wife.

Ignoring her excuses to thwart your affections, your fingers find the hook of her bra with ease. You snap it free and hastily move to grab both of her breasts, squeezing them tightly. "God, the things they do to me." You groan. She gasps at that, and by now, she should be pushing her chest towards you for more, but she remains slack as ever, like an obedient ragdoll under your whims.

Something's not right, you thought to yourself. You pull back just enough to check, and what you find has you swiftly stepping back to give her some space.

The expression alone on your wife's face could send you to jail.

"Shit, are you alright?" You rasp, overwhelmed with self-disgust at the thought of causing Wanda the slightest discomfort. Were you just about to take advantage of your wife without her consent?

Wanda looks at you with regret that you couldn't quite understand.

"D-Did I hurt you?" You dread the possible answer, tears pooling at the corners of your eyes.

Wanda quickly closes the distance between the two of you and envelops you into a hug.

"Oh, baby, no you didn't. I'm so sorry I made you think that." She coos, rubbing your back in soothing circles. You sigh against her shoulder, carefully keeping your hold on her hips loose.

"I just missed you so bad these past few weeks, and I thought you wanted to… it's okay if you don’t. I'm sorry."

It breaks Wanda's heart that you're taking the blame for this. She feels annoyed and guilty at the same time, at how apologetic and sensitive you are to her feelings, as if they matter more than yours do.

"It's not your fault. There's just so much to do and I can't get in the mood until I tick off everything on my to-do list."

"I know. I’m sorry."

"Stop apologizing," Wanda chastises and it comes out harsher than she intended. "You're perfect. I'm sorry. I miss you too. So bad."

"I love you." You tell her, burying your face into her hair to seek more of the lavender scent of her shampoo. It used to frighten you how much the little details about Wanda affects you in big ways. But that fear has turned into comfort, and you've grown to trust her enough to be happily vulnerable around her.

It doesn't worry you at all when she says she loves you back after a long, mysterious pause.

***

Wanda starts driving herself to work and attributes it to her inconsistent hours at the university for the rest of the term. Sparky’s in the dog daycare now more frequently than he is at home.

***

Wanda has gone up to take a shower before bedtime.

You just finished scrubbing the kitchen clean after having dinner together, and you're buzzing with the prospect of getting laid tonight. Your tactic to get your wife to sleep with you is to offer her a massage after witnessing firsthand how hard she's been working lately. In a way, you also want to show your appreciation for everything she still continues to do in the household. And although she accidentally burned the lasagna, she outdone herself with the roasted chicken.

It still amazes you to this day that you’re married to Wanda Maximoff.

Making as little sound as possible, you climb the stairs and towards the bathroom. You can hear the sound of water hitting the floor, and you can't help but imagine Wanda's naked body, lathered in soap, her brunette hair sticking to her clavicle. Your mouth waters at the prospect of taking her, pressing her against the wall and reminding her what you've both been missing for weeks. And just like that, your earlier tactic is out the window.

With practiced ease, you wrap your hand around the doorknob and twist it as gently as you can.

But something unexpected happens.

Wanda's locked the door. "That's odd." You mumble to yourself.

You decide to knock instead. "Baby?" You call out.

No reply comes for several seconds, and as you were going to leave, thinking she didn't hear you, Wanda's breathless response echoes through, "I'll just be a minute! Did you need something?"

"Hey! Uh, no. I was just going to–" You suddenly feel like an idiot wanting to sneak in for some surprise sex. "Never mind. You locked the door?"

"Oh, did I?"

"Yeah! It's fine, I'll just use the toilet downstairs."

She doesn't say anything else to that and you awkwardly turn on your heel to actually use the toilet downstairs.

***

You google ‘ how busy are part-time assistant professors’ on the second straight-week Wanda’s been going home later than The Late Night Show with Jimmy Fallon.

***

Your best friend finally comes around and visits you in Westview. Although you wish it weren't on pitiful circumstances that warranted her special skills of exposing people and their secrets. Even to this second, you're still unsure if you really want her help. You can't even be sure of your own sanity. The only thing you know is that you feel more like yourself now that Natasha's here with you. You've made new friends in your new neighborhood and at work, been invited to weekend barbeques and the local cycling community. But the sense of being alone has never been this strong as when you were living in the city, barely keeping any sort of acquaintanceship and let alone a meaningful friendship.

“You know I don’t do this anymore.” Natasha claims with a huff. "And typically, consultation alone will cost you a grand."

“And I never thought I’d ever ask you to do this.” You shake your head apologetically as you help her deposit her luggage in the trunk of your old Mercedes Coupe.

“I still think you’re just overreacting.” Natasha says as she settles in the passenger seat. It's what you want to hear, but instead of pacifying you, they urge you more to dig for the truth of it all.

"Weren't you always telling me in college that Wanda's too boy-crazy to really be with me?"

Natasha rolls her eyes. "Yup. But then she married you, and I lost ten bucks to a wager with Clint."

"You wagered on the most important event of my life?" It's the first time you're hearing that two of your closest friends gambled on your critical life choices. You're not exactly surprised per se, but it makes you curious about what made them choose which side of the coin.

"Well, no," she answers nonchalantly. "We wagered on almost everything. Like who would you lose your virginity to: Carol or Maria. Two beautiful women who had been throwing themselves at you for a whole semester."

"Who won that bet then?"

"Nobody. Remember when we bought you drinks after you finally slept with Wanda? That's where all the stakes went. We both lost."

"So after my marriage, what else did you put your money on?"

Natasha smiles. "None. That was the last of it. It's not right to give odds beyond a happy ever-after."

If she notices your deathly grip on the steering wheel, she doesn't comment on it.

***

Wanda's serving you the cold-shoulder for not giving her a heads-up about Natasha. You try to ask her why it's such a big deal, and she begins ranting about dinner portions and the “chaos” in the living room: some skewed pillows and a bundle of her students' reaction papers on the center table. Natasha is outside, waiting, so you try to help Wanda straighten the room but she merely dismisses you and asks you to drive for take-out.

"If it's too much trouble for you, we'll just get dinner somewhere." you say.

Wanda narrows her eyes at you murderously, as if you've just made things much worse.

"Fine," Wanda says with finality as she walks up the stairs. "Give my regards to Nat."

And then she's gone, but not before slamming the door of the guest bedroom shut.

You're absolutely fuming when you go back to the car and Natasha peers at you questioningly from the passenger’s seat.

"You in the mood for pizza?" you ask instead of explaining why you can’t still invite her in.

Natasha scrunches her nose in disgust. "Pizza in New Jersey? No, thanks. How about Chinese?"

"Sure." you nod in agreement, having already lost your appetite anyway. You toss the car keys at her. "You drive."

-

You're laying on your back, staring at the ceiling. Wanda hasn't uttered a single word to you ever since you got home from dinner with Natasha.

"She used to spend the night every week at our apartment." you whisper in the darkness.

"What?" Wanda mumbles and shifts onto her back as well with an arm draped over her eyes.

"Natasha," You clarify. "So it didn't cross my mind to inform you that she's visiting. It's just how it's always been."

Beside you, Wanda is mute as a statue. She does this sometimes–tune you out. Wanda claims it's her way of circumventing her anger and saying something she might regret.

For all you know, she could be telling the truth. But to you, it just feels like you're being punished.  

"Wands?" you try. She rolls to her side with her back to you.

You're in hell every time you fight with Wanda. Returning to normal is not an option unless you fix it. You wonder if it's the same for her, or if it's something as trivial as running out of toilet paper or an expired carton of milk left in the fridge.

"Baby?" you try again. It seems like it's all you ever do these days. "Please?"

You hear Wanda release a ragged sigh.

"We're fine, Y/N. Let's just go to sleep."

You nod to yourself and finally let go of the tears you've been holding back. Subsequently, Wanda's cold hand reaches for yours and locks your fingers together. It makes you cry harder, but you can't let her know.

***

Natasha is still radio silent a week after you’ve asked her to spy on your wife.

It's not like her to be slow with the results. You take the lack of news as good news.

***

You wake up in the middle of the night to find Wanda's side of the bed empty.

"Wanda?"

"Hey, baby."

You rub the sleepiness off your eyes at the sight of Wanda’s puffy eyes.

“Are you crying?"

Wanda chuckles, shaking her head. "Sorry, I was watching this movie. You know how I get."

You grin at that. "My big crybaby." You sit beside her on the couch and she snuggles to you.

For a while you stay that way, your fingers playing with her hair, and Wanda, palming your cheek affectionately. It brings you back to years before, when she was merely a close friend who would lay her head on your shoulder while she cried about some guy who didn’t deserve her. Like this, Wanda seems so small and vulnerable. You’ve come to realize a long time ago that whatever she’s done, or is to do, you will always feel the need to protect her at all cost. That was the last strip of armor you had given up when you decided to love her until the end.

Then all of a sudden, you see a flash of brown and you end up on your back as Wanda straddles your hips, her eyes darker than you've ever seen them.

"Take off your shorts." She commands in a rush, her own hips already starting a rhythm. You do as she says, but you only manage to move down your shorts and underwear past your ass, when you feel a finger swipe at your wet slit.

"Fuck. Patience, baby." you moan, feeling yourself get slicker.

"Don't have any," Wanda rasps and she sucks the very same finger into her mouth before taking over your undergarments and sliding them all the way down to your ankles. You've barely kicked them off before she spreads your legs and doesn't waste any time tracing your intimacy with her tongue. Her patience comes back eventually, but you're about to lose yours when she doesn't do anything else other than softly brush the tip of her tongue from your tight hole to the underside of your clit. She does this over and over and over, until your legs begin to tremble from being spread out like an eagle for what seems like an eternity.

You clench your core and try to come just from what she's doing, but it's not enough.

"Please, I need more." You manage a whisper although you're unsure if Wanda heard you.

"I've missed you so much, Y/N." You feel her say against your pussy. "I've missed making you feel good. Missed feeling this way with you..."

What way? You want to ask, but your brain is too muddled with lust to care.

You could only grunt in reply, before Wanda is pulling away in order to arrange your position on the sofa. You've almost forgotten how physically strong she is, and it turns you on so much, you nearly peak. Wanda grabs both of your ankles and pushes them back, until they're on either side of your head, near your ears. Heat spreads across your face and down to your neck for being exposed like this. Wanda takes a moment to appreciate the mess she's made between your legs, her teeth digging at her lower lip. You can't bring yourself to watch her watch you, and you stare at the same spot before you feel her lift your chin to kiss you in the most delicate way.

"I love you." She murmurs against your lips. Every fiber of your being is ablaze as you take in the smallest details of this moment: your taste that you two shared in a kiss, the mingling scent of your arousal and hers, the endearing sweat on Wanda's brow that's making her more desirable than any lingerie could ever. You'd never admit it to Wanda, but sex was something you only learned to want and need when you fell in love with her.

You smile up at her. "I love you. More than you could ever know."

Her face crumples in an aching manner, but before you can register what that means, Wanda has crawled back to the source of your pleasure and takes your clit in between her lips. She starts sucking at it gently, while her hands work their way to your buttocks and then spread your ass cheeks. In this way, both of your holes are exposed to the air, sending a chill down your spine and threatening to make you come any time soon.

A finger experimentally prods at your other entrance, making you whimper as your slick continues to brim in your cunt hole.

"Wands, gonna cum," you moan as you hold onto the edge of the sofa for dear life. Wanda ignores your warning and continues rubbing at your crimp hole, while her tongue quickens its laps against your clit. It doesn't take a few more seconds before you're bursting, and Wanda plunges her tongue into your pussy at precisely the second you start to come so you don't clench around nothing.

Soon enough, the tremors subside and Wanda wipes her mouth before she gives you a searing kiss.

You're still catching your breath when Wanda lays her head on your chest so innocently, as if she hasn't just given you the best orgasm of your life. You wait a few more seconds for your heart rate to go back to normal, and once they do, it’s only then that you notice that Wanda's still in her pajamas, fully clothed.

That needs to be rectified. Immediately.

Without a word, you get up with Wanda still on top of you. You make her wrap her arms tighter around your shoulders as you bring yourself into a standing position while she clings to you like a koala. Wanda laughs at your attempt to hold her up steadily, simultaneously impressed that you actually can.

"I've been going to the gym whenever my lovely wife's stuck at professoring ." You snicker at your own terrible wordplay, as you plant your feet firmly on the floor.

You miss the shadow of guilt that passes over her fleetingly. "I can see that," she says, biting her lip as she feels your straining biceps. You grin up at her, before carrying her upstairs as steadily as you can while she distracts you with kittenish nibs at your earlobe.

Once in the bedroom, you lay Wanda gently on the bed, your movements slow and delicate as if one wrong move could ruin everything. You start to undo the buttons of her silky top, holding her gaze with a look of adoration typically reserved to deities. It's only fitting because Wanda Maximoff is your religion.

"Wait, can you–" she glances at the night table to your right, and you understand right away what she wants. You quickly retrieve the flesh-colored strap-on at the bottom most drawer. And as you start putting on the harness, Wanda leans forward to capture a dusky nipple, effectively sidetracking you from the task at hand.

"Baby, just a sec..." You chuckle at her apparent neediness. Between the two of you, it's Wanda that's been more in-touch and expressive with her carnal needs. More exciting. More daring. More adventurous. She's always been more in everything, and you sometimes wonder if she's weary of leading the wallflower to the dancefloor all these years.

"Hurry." Wanda whines, her teeth nipping hard enough to play the line between pain and pleasure.

As soon as the harness is secured around your hips, you push Wanda back onto the mattress. You hook one of her creamy thighs over your shoulder, holding it firmly while your other hand aligns the tip of the toy to her slit. Pressing a languid kiss to her knee, you start moving your hips to brush your cock along the length of her drenched sex. Wanda moans lowly and unabashedly, and you feel yourself getting wet again.

"Fuck, baby, inside..." Wanda mewls, her hands traveling downwards to massage her own clit. You grunt in protest and seize her hand, interlacing your fingers together to prevent her from touching herself. Increasing the rhythm of your hips but still not entering her, you give her a warning, “ I make you cum.” It’s not like you to engage in any sort of powerplay in the bedroom, and yet you couldn’t help but let out some of the resentment that has built over the last few weeks through the sex you’re having with her now.

Besides, Wanda seems to love it. You look down just in time to see her wetness trickle down to the sheets. You groan loudly from the visual and roughly position her to lie sideways. You keep the thigh over your shoulder secured, while you straddle the other one. Moisture begins to form at the back of your neck, muscles straining to hold this position. Wanda’s face reddens as you stare at her weeping cunt, before her eyes roll to the back of her head as you unceremoniously enter her in one, powerful thrust.

“Fuck!” Wanda cries through gritted teeth, her French-manicured nails digging painfully between your knuckles. Unlacing your bruised fingers from her, you then wrap them around her throat. You’ve never done anything like this in bed before, and you watch in twisted satisfaction as Wanda’s lust-filled eyes widen in shock and slight panic. The way you're grinding into her is viciously savage, callously chasing your own high. Wanda tips her head back as far as she could, her chin pointing to the heavens as she experiences an other-worldly kind of pleasure.  Your thighs grow slicker from your shared arousal, the stench from it filling your nostrils. Her hips try to match your tempo and an animalistic sound rips from your throat as your movements become more and more frantic.

"Shit, baby, I think I'm gonna–"

"No." You lightly squeeze around her neck.

"Please," Wanda sobs in frustration, staving off her impending release. You pay no heed to her request as you slow down your motion to keep her on the edge.

"Say it again." You demand.

"W-what?"

"Say you love me."

"L-love you..." The length of your spine curves as you bend forwards, pushing Wanda's thigh back in the process and opening her up even further.

Wanda whimpers at the new angle you're fucking her with wild abandon. "Jesus, Y/N. I can't-"

"One more time. Say it." You plead against her mouth, increasing the speed of your thrusts again, but this time you’re determined to finish her off.

With a sharp cry, Wanda clenches around your cock and comes, screaming those three fated words that are simultaneously your salvation and your undoing. You try to prolong her orgasm, alternately pausing and then jogging your hips, studiously watching her facial reactions and loving the subtle twitch of muscle in her jaw. A couple of tears run down her cheeks, and you lick them gently from her face. Letting go of her delicate neck, you run a free hand across her back, gathering beads of sweat along the way. Without pulling out of her, you drop her thigh on your shoulder with great care, before pressing your lower body down so that your pelvis is snug against hers. Wanda grabs your face with both hands and pulls you down for a searing kiss.

You release her lower lip with a wet pop and then like an eager puppy, starts peppering her face with featherlight kisses, making Wanda laugh and squirm in your arms. "You're cute," You tell her. "And so damn hot. How is that possible?"

Wanda blushes, overwhelmed by the ferocity in your words and in your eyes. She starts jogging her hips as your kisses become more insistent, but then an idea hits you. Embarrassingly, you've never done this with Wanda before, but this time feels as good as any to finally try it. Wanda shivers as you unsheathe your cock from her pussy, leaving a thread of wetness across her inner thighs. Afterwards, you remove the harness and place the drenched toy somewhere on the floor. Wanda pulls you back on top of her, a sleepy and satisfied grin on her face. She's prepared to call it a night when she feels your hand wandering back to the still feverish spot between her legs.

"What are you doing?" She asks coyly.

Instead of replying, you merely continue to trail south until your fingers find her slippery nub. Wanda gasps, back arching and eager for more. "Lie on your stomach and stick your ass up in the air for me." You whisper in her ear, and she obeys without a second thought. Abandoning her clit for a second, you crawl towards the foot of the bed, until your nose is a trifling inch from your wife's firm buttocks.

"Are you ready?" You husk, planting your chin at the base of her spine.

Wanda is almost convulsing in anticipation, and barely manages a nod. Heart beating wildly in your chest, you spread Wanda's cheeks with your thumb to reveal her puckered entrance. When Wanda finally understands what you’re about to do, her head whips over to look at you, but she doesn’t quite meet your eyes.

“Y/N?” Her voice is muffled by the pillow, small and unsure. You massage the back of her thighs to calm her down.

“I want to if you do.” You tell her sincerely. Wanda appreciates your touches staying in safe zones, making her feel safe and secured.

“It’s just… it’s been hours ago since I showered, it's dirty and I don't want to gross you out-”

“That’ll never happen,” You promise. “Whenever you were snotty from crying over your exes, all I could think about then was kissing you. I'd never not want you, Wanda.”

“Okay.” Wanda murmurs softly, shifting back closer to you. “I’m ready.”

“Good girl.”

You place a pillow beneath her stomach so she can comfortably prop herself up. Wanda’s breathing picks up when you part her cheeks again. This time, there’s no hesitation or wasted second as you lick a stripe from the entrance of her cunt to the rim of her backdoor.

“Да, да, детка!” Wanda yelps in her native language, impossibly turning you on even more. You could count on one hand the few occasions you’d been able to reduce her to a Sokovian mess, making her feel so good she forgets her English. Wanda's flavor there is different, more pungent and oh-so delectable.

"детка, I need-"

Wanda doesn't get to finish her sentence. Knowing exactly what she needs, you plunge your middle and ring fingers inside her wet heat. You feel her anus contract against your tongue, and you take it as a cue to enter her with it. Wanda thrashes violently on the bed and tries to move away from the intense pleasure that's bordering on pain. Eventually, you find the perfect cadence of plunging your tongue into her tight crevice every time you withdraw your finger from her pussy and vice-versa. Wanda, on the other hand, finds herself wantonly humping the pillow, practically grazing her tumescent nub.

All of it lasts a few more seconds before you feel Wanda's imminent little death. You stop moving your fingers to allow her to take over her own release, until finally, Wanda collapses on her stomach. You lick your fingers clean before wiping your mouth with the back of your hand. You pull the blankets up to cover both of your aching bodies, before settling beside your wife. Wanda automatically lays her head on your breast and throws an arm over your stomach. You kiss her sweaty forehead, and right before you are about to close your eyes, something wet hits your flushed skin.

"Wanda, hey," You search her face, your eyebrows creasing in worry. "Are you alright?"

She smiles through her tears, nodding. “I am now.”

Your own eyes glisten, a wave of relief passing over you. Right now, with the way Wanda's looking at you, it's like you're finally waking up from a long, terrible dream.

***

When Natasha finally calls, you’ve practically forgotten about hiring her to investigate Wanda.

You’ve had a perfect week with your wife. Things weren’t just back to normal, they were even better not only in the sexual aspect of things (though insatiable doesn’t even begin to describe Wanda nowadays), but you’ve been talking and doing things together more than ever.

“Hey, Y/N,” Natasha’s rough voice comes through.

“New phone, who’s this?” You try to joke.

“Hilarious, Y/N,” you hear her try to lighten up her tone, but for someone who used to work for the secret service, she’s terrible at hiding her emotions from you. “Listen, I’ve been meaning to call you since early this week. I just didn’t have the time…”

You’ve known Natasha longer than anyone in your life who’s not your parents. Wanda’s the love of your life, but Natasha’s your person. You understand each other beyond words and actions.

“Nat, what’s going on?” you ask.

“I saw them, Y/N. T-Two days after you asked me to… they went for a movie at a worn-down theater 3 miles from the university. I waited for them to leave and when they did–” Natasha hesitates to tell you how she’s seen them together. “I can’t tell if there’s–if she’s… I can just show you the photos.”

You don’t say anything for almost a minute, and Natasha waits for you quietly.

And then, “Is that all?”

Natasha draws in a long breath. “No.”

You pinch the bridge of your nose, feeling a headache coming. And then, like a man on trial waiting for their verdict, you nod to yourself and square your shoulders.

“Alright. Tell me everything.”

[mostlysignssomeportents]

The (open) web is good, actually

I'll be at the Studio City branch of the LA Public Library tonight (Monday, November 13) at 1830hPT to launch my new novel, The Lost Cause. There'll be a reading, a talk, a surprise guest (!!) and a signing, with books on sale. Tell your friends! Come on down!

The great irony of the platformization of the internet is that platforms are intermediaries, and the original promise of the internet that got so many of us excited about it was disintermediation – getting rid of the middlemen that act as gatekeepers between community members, creators and audiences, buyers and sellers, etc.

The platformized internet is ripe for rent seeking: where the platform captures an ever-larger share of the value generated by its users, making the service worst for both, while lock-in stops people from looking elsewhere. Every sector of the modern economy is less competitive, thanks to monopolistic tactics like mergers and acquisitions and predatory pricing. But with tech, the options for making things worse are infinitely divisible, thanks to the flexibility of digital systems, which means that product managers can keep subdividing the Jenga blocks they pulling out of the services we rely on. Combine platforms with monopolies with digital flexibility and you get enshittification:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

An enshittified, platformized internet is bad for lots of reasons – it concentrates decisions about who may speak and what may be said into just a few hands; it creates a rich-get-richer dynamic that creates a new oligarchy, with all the corruption and instability that comes with elite capture; it makes life materially worse for workers, users, and communities.

But there are many other ways in which the enshitternet is worse than the old good internet. Today, I want to talk about how the enshitternet affects openness and all that entails. An open internet is one whose workings are transparent (think of "open source"), but it's also an internet founded on access – the ability to know what has gone before, to recall what has been said, and to revisit the context in which it was said.

At last week's Museum Computer Network conference, Aaron Straup Cope gave a talk on museums and technology called "Wishful Thinking – A critical discussion of 'extended reality' technologies in the cultural heritage sector" that beautifully addressed these questions of recall and revisiting:

https://www.aaronland.info/weblog/2023/11/11/therapy/#wishful

Cope is a museums technologist who's worked on lots of critical digital projects over the years, and in this talk, he addresses himself to the difference between the excitement of the galleries, libraries, archives and museums (GLAM) sector over the possibilities of the web, and why he doesn't feel the same excitement over the metaverse, and its various guises – XR, VR, MR and AR.

The biggest reason to be excited about the web was – and is – the openness of disintermediation. The internet was inspired by the end-to-end principle, the idea that the network's first duty was to transmit data from willing senders to willing receivers, as efficiently and reliably as possible. That principle made it possible for whole swathes of people to connect with one another. As Cope writes, openness "was not, and has never been, a guarantee of a receptive audience or even any audience at all." But because it was "easy and cheap enough to put something on the web," you could "leave it there long enough for others to find it."

That dynamic nurtured an environment where people could have "time to warm up to ideas." This is in sharp contrast to the social media world, where "[anything] not immediately successful or viral … was a waste of time and effort… not worth doing." The social media bias towards a river of content that can't be easily reversed is one in which the only ideas that get to spread are those the algorithm boosts.

This is an important way to understand the role of algorithms in the context of the spread of ideas – that without recall or revisiting, we just don't see stuff, including stuff that might challenge our thinking and change our minds. This is a much more materialistic and grounded way to talk about algorithms and ideas than the idea that Big Data and AI make algorithms so persuasive that they can control our minds:

https://pluralistic.net/2023/11/06/attention-rents/#consumer-welfare-queens

As bad as this is in the social media context, it's even worse in the context of apps, which can't be linked into, bookmarked, or archived. All of this made apps an ominous sign right from the beginning:

https://memex.craphound.com/2010/04/01/why-i-wont-buy-an-ipad-and-think-you-shouldnt-either/

Apps interact with law in precisely the way that web-pages don't. "An app is just a web-page wrapped in enough IP to make it a crime to defend yourself against corporate predation":

https://pluralistic.net/2023/08/27/an-audacious-plan-to-halt-the-internets-enshittification-and-throw-it-into-reverse/

Apps are "closed" in every sense. You can't see what's on an app without installing the app and "agreeing" to its terms of service. You can't reverse-engineer an app (to add a privacy blocker, or to change how it presents information) without risking criminal and civil liability. You can't bookmark anything the app won't let you bookmark, and you can't preserve anything the app won't let you preserve.

Despite being built on the same underlying open frameworks – HTTP, HTML, etc – as the web, apps have the opposite technological viewpoint to the web. Apps' technopolitics are at war with the web's technopolitics. The web is built around recall – the ability to see things, go back to things, save things. The web has the technopolitics of a museum:

https://www.aaronland.info/weblog/2014/09/11/brand/#dconstruct

By comparison, apps have the politics of a product, and most often, that product is a rent-seeking, lock-in-hunting product that wants to take you hostage by holding something you love hostage – your data, perhaps, or your friends:

https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs

When Anil Dash described "The Web We Lost" in 2012, he was describing a web with the technopolitics of a museum:

where tagging was combined with permissive licenses to make it easy for people to find and reuse each others' stuff;

where it was easy to find out who linked to you in realtime even though most of us were posting to our own sites, which they controlled;

where a link from one site to another meant one person found another person's contribution worthy;

where privacy-invasive bids to capture the web were greeted with outright hostility;

where every service that helped you post things that mattered to you was expected to make it easy for you take that data back if you changed services;

where inlining or referencing material from someone else's site meant following a technical standard, not inking a business-development deal;

https://www.anildash.com/2012/12/13/the_web_we_lost/

Ten years later, Dash's "broken tech/content culture cycle" described the web we live on now:

https://www.anildash.com/2022/02/09/the-stupid-tech-content-culture-cycle/

found your platform by promising to facilitate your users' growth;

order your technologists and designers to prioritize growth above all other factors and fire anyone who doesn't deliver;

grow without regard to the norms of your platform's users;

plaster over the growth-driven influx of abusive and vile material by assigning it to your "most marginalized, least resourced team";

deliver a half-assed moderation scheme that drives good users off the service and leaves no one behind but griefers, edgelords and trolls;

steadfastly refuse to contemplate why the marginalized users who made your platform attractive before being chased away have all left;

flail about in a panic over illegal content, do deals with large media brands, seize control over your most popular users' output;

"surface great content" by algorithmically promoting things that look like whatever's successful, guaranteeing that nothing new will take hold;

overpay your top performers for exclusivity deals, utterly neglect any pipeline for nurturing new performers;

abuse your creators the same ways that big media companies have for decades, but insist that it's different because you're a tech company;

ignore workers who warn that your product is a danger to society, dismiss them as "millennials" (defined as "anyone born after 1970 or who has a student loan")

when your platform is (inevitably) implicated in a murder, have a "town hall" overseen by a crisis communications firm;

pay the creator who inspired the murder to go exclusive on your platform;

dismiss the murder and fascist rhetoric as "growing pains";

when truly ghastly stuff happens on your platform, give your Trust and Safety team a 5% budget increase;

chase growth based on "emotionally engaging content" without specifying whether the emotions should be positive;

respond to ex-employees' call-outs with transient feelings of guilt followed by dismissals of "cancel culture":

fund your platforms' most toxic users and call it "free speech";

whenever anyone disagrees with any of your decisions, dismiss them as being "anti-free speech";

start increasing how much your platform takes out of your creators' paychecks;

force out internal dissenters, dismiss external critics as being in conspiracy with your corporate rivals;

once regulation becomes inevitable, form a cartel with the other large firms in your sector and insist that the problem is a "bad algorithm";

"claim full victim status," and quit your job, complaining about the toll that running a big platform took on your mental wellbeing.

https://pluralistic.net/2022/02/18/broken-records/#dashes

The web wasn't inevitable – indeed, it was wildly improbable. Tim Berners Lee's decision to make a new platform that was patent-free, open and transparent was a complete opposite approach to the strategy of the media companies of the day. They were building walled gardens and silos – the dialup equivalent to apps – organized as "branded communities." The way I experienced it, the web succeeded because it was so antithetical to the dominant vision for the future of the internet that the big companies couldn't even be bothered to try to kill it until it was too late.

Companies have been trying to correct that mistake ever since. After three or four attempts to replace the web with various garbage systems all called "MSN," Microsoft moved on to trying to lock the internet inside a proprietary browser. Years later, Facebook had far more success in an attempt to kill HTML with React. And of course, apps have gobbled up so much of the old, good internet.

Which brings us to Cope's views on museums and the metaverse. There's nothing intrinsically proprietary about virtual worlds and all their permutations. VRML is a quarter of a century old – just five years younger than Snow Crash:

https://en.wikipedia.org/wiki/VRML

But the current enthusiasm for virtual worlds isn't merely a function of the interesting, cool and fun experiences you can have in them. Rather, it's a bid to kill off whatever is left of the old, good web and put everything inside a walled garden. Facebook's metaverse "is more of the same but with a technical footprint so expensive and so demanding that it all but ensures it will only be within the means of a very few companies to operate."

Facebook's VR headsets have forward-facing cameras, turning every users into a walking surveillance camera. Facebook put those cameras there for "pass through" – so they can paint the screens inside the headset with the scene around you – but "who here believes that Facebook doesn't have other motives for enabling an always-on camera capturing the world around you?"

Apple's VisionPro VR headset is "a near-perfect surveillance device," and "the only thing to save this device is the trust that Apple has marketed its brand on over the last few years." Cope notes that "a brand promise is about as fleeting a guarantee as you can get." I'll go further: Apple is already a surveillance company:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

The technopolitics of the metaverse are the opposite of the technopolitics of the museum – even moreso than apps. Museums that shift their scarce technology budgets to virtual worlds stand a good chance of making something no one wants to use, and that's the best case scenario. The worst case is that museums make a successful project inside a walled garden, one where recall is subject to corporate whim, and help lure their patrons away from the recall-friendly internet to the captured, intermediated metaverse.

It's true that the early web benefited from a lot of hype, just as the metaverse is enjoying today. But the similarity ends there: the metaverse is designed for enclosure, the web for openness. Recall is a historical force for "the right to assembly… access to basic literacy… a public library." The web was "an unexpected gift with the ability to change the order of things; a gift that merits being protected, preserved and promoted both internally and externally." Museums were right to jump on the web bandwagon, because of its technopolitics. The metaverse, with its very different technopolitics, is hostile to the very idea of museums.

In joining forces with metaverse companies, museums strike a Faustian bargain, "because we believe that these places are where our audiences have gone."

The GLAM sector is devoted to access, to recall, and to revisiting. Unlike the self-style free speech warriors whom Dash calls out for self-serving neglect of their communities, the GLAM sector is about preservation and access, the true heart of free expression. When a handful of giant companies organize all our discourse, the ability to be heard is contingent on pleasing the ever-shifting tastes of the algorithm. This is the problem with the idea that "freedom of speech isn't freedom of reach" – if a platform won't let people who want to hear from you see what you have to say, they are indeed compromising freedom of speech:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

Likewise, "censorship" is not limited to "things that governments do." As Ada Palmer so wonderfully describes it in her brilliant "Why We Censor: from the Inquisition to the Internet" speech, censorship is like arsenic, with trace elements of it all around us:

https://www.youtube.com/watch?v=uMMJb3AxA0s

A community's decision to ban certain offensive conduct or words on pain of expulsion or sanction is censorship – but not to the same degree that, say, a government ban on expressing certain points of view is. However, there are many kinds of private censorship that rise to the same level as state censorship in their impact on public discourse (think of Moms For Liberty and their book-bannings).

It's not a coincidence that Palmer – a historian – would have views on censorship and free speech that intersect with Cope, a museum worker. One of the most brilliant moments in Palmer's speech is where she describes how censorship under the Inquistion was not state censorship – the Inquisition was a multinational, nongovernmental body that was often in conflict with state power.

Not all intermediaries are bad for speech or access. The "disintermediation" that excited early web boosters was about escaping from otherwise inescapable middlemen – the people who figured out how to control and charge for the things we did with one another.

When I was a kid, I loved the writing of Crad Kilodney, a short story writer who sold his own self-published books on Toronto street-corners while wearing a sign that said "VERY FAMOUS CANADIAN AUTHOR, BUY MY BOOKS" (he also had a sign that read, simply, "MARGARET ATWOOD"). Kilodney was a force of nature, who wrote, edited, typeset, printed, bound, and sold his own books:

https://www.theglobeandmail.com/arts/books/article-late-street-poet-and-publishing-scourge-crad-kilodney-left-behind-a/

But there are plenty of writers out there that I want to hear from who lack the skill or the will to do all of that. Editors, publishers, distributors, booksellers – all the intermediaries who sit between a writer and their readers – are not bad. They're good, actually. The problem isn't intermediation – it's capture.

For generations, hucksters have conned would-be writers by telling them that publishing won't buy their books because "the gatekeepers" lack the discernment to publish "quality" work. Friends of mine in publishing laughed at the idea that they would deliberately sideline a book they could figure out how to sell – that's just not how it worked.

But today, monopolized film studios are literally annihilating beloved, high-priced, commercially viable works because they are worth slightly more as tax writeoffs than they are as movies:

https://deadline.com/2023/11/coyote-vs-acme-shelved-warner-bros-discovery-writeoff-david-zaslav-1235598676/

There's four giant studios and five giant publishers. Maybe "five" is the magic number and publishing isn't concentrated enough to drop whole novels down the memory hole for a tax deduction, but even so, publishing is trying like hell to shrink to four:

https://pluralistic.net/2022/11/07/random-penguins/#if-you-wanted-to-get-there-i-wouldnt-start-from-here

Even as the entertainment sector is working to both literally and figuratively destroy our libraries, the cultural heritage sector is grappling with preserving these libraries, with shrinking budgets and increased legal threats:

https://blog.archive.org/2023/03/25/the-fight-continues/

I keep meeting artists of all description who have been conditioned to be suspicious of anything with the word "open" in its name. One colleague has repeatedly told me that fighting for the "open internet" is a self-defeating rhetorical move that will scare off artists who hear "open" and think "Big Tech ripoff."

But "openness" is a necessary precondition for preservation and access, which are the necessary preconditions for recall and revisiting. Here on the last, melting fragment of the open internet, as tech- and entertainment-barons are seizing control over our attention and charging rent on our ability to talk and think together, openness is our best hope of a new, good internet. T

he cultural heritage sector wants to save our creative works. The entertainment and tech industry want to delete them and take a tax writeoff.

As a working artist, I know which side I'm on.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/13/this-is-for-everyone/#revisiting

Image: Diego Delso (modified) https://commons.wikimedia.org/wiki/File:Museo_Mimara,_Zagreb,_Croacia,_2014-04-20,_DD_01.JPG

CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

[upstairsdownstairsandinbetween]

Antoine Samuel Predock, FAIA (June 24, 1936 – March 2, 2024)

Mr Predock was an American architect based in Albuquerque, New Mexico. He was the principal of Antoine Predock Architect PC, the studio he founded in 1967.

Mr Predock first gained national attention with the La Luz community in Albuquerque, New Mexico. The first national design competition he won was held by the Nelson Fine Arts Center at Arizona State University.

Mr Predock's work includes the Turtle Creek House, built in 1993 for bird enthusiasts along a prehistoric trail in Texas, the Tang Teaching Museum and Art Gallery at Skidmore College, and a new ballpark for the San Diego Padres, the Petco Park. He also worked on international sites such as the National Palace Museum Southern Branch in Southern Taiwan and the Canadian Museum for Human Rights in Winnipeg, Manitoba.

Canadian Museum for Human Rights, Winnipeg, Manitoba.

[thelastairsimblr]

Family Pack #3

I’m happy to share some sims with you all today! In this post, you’ll find 10 households (40 sims total), each with their own stories and biographies. All of these sims have additional Everyday outfits, skills, bonus traits, Likes and Dislikes, sexual orientations, pronouns, family dynamics, and Lifestyles. You can find them all on the gallery under my Origin ID: TheLastAirSimmer or in the tray files linked under the cut! As always, feel free to tag me if you end up using them.

Guillroy-Jeong

Some families don’t survive a divorce. That wasn’t the case for the Guillory’s; in fact, it only brought Aston and Déon closer. Déon had never considered that the fisherman was experiencing a midlife crisis until he married Willow, a joyful artist half his age. Things were tense initially, but seeing how happy she made Aston was enough to diffuse the tension until Uriel arrived. Déon wants to support this new dynamic, but a needy toddler in the mix might force them to branch out of their bubble.

Carbone

For better or worse, Greta has always been one to stand by her choices. She’s had a song in her heart from a young age, but put her dreams of being a pianist to the side once Albie was born. She works as a teacher to support her family, but hopes one day to play again. However, it would be good enough to see Albie fulfill his own dreams of becoming a professional dancer, temperamental though he may be. Like her mother and brother, Beatrice too is unapologetically developing musical aspirations.

Duggal

When Bikram and Mia wed, they agreed their careers would come first before starting a family. Their first pregnancy surprised them, but Bikram pivoted to adjust to the new circumstances. Mia, however, was eager to get back to work after the birth. As a doctor, she provided enough for Bikram to cut back at the restaurant and care for Parker. There was a cost, though; today, Parker resents Mia. Wanting to avoid repeating that mistake, Mia is keen on loving her boys, the nerdy Antwan and wary Levi.

Salamé

Being raised by Adeline had a profoundly different effect on her kids. Dasia, the eldest, often butted heads with the stubborn matriarch and found comfort in her high school sweetheart Imman. Baqil, the obvious favorite, stayed on the set path and wants to make her proud (coffee is his best friend when it comes to staying on top of his classes). Having married and had kids too young, Dasia and Imman reluctantly moved in and Adeline has since been keen on taking control of the girls’ rearing.

Lavigne-Jarrah

Falling for an artist was not at all what Rahim had planned. As an engineer, he values structure and practicality, but Gabrielle offers him a new lens to see the world through. This interior designer also takes note from her husband and has adopted his attention to detail in her own work. Their daughter Francesca has her moms’ creative spirit and shows promise (even if she focuses more on boys in her class than her painting skills) and Xavier is more interested in gaming than being book smart.

Newkirk

Landon had made many futile attempts to woo his high school crush Johanna, but it wasn’t until he sang a song for her on his guitar that she noticed him. They remain together today, accepting of the others’ quirks. Johanna can often fly off the handle, but Landon is always there to ease her mind. They try to do their part to save the world and instill ecofriendly values in their kids; lessons that young Averie has taken in good spirits. The unpredictable Reagan, however, is a different story.

Tillman

Not long ago, Siobhan was living her dream; traveling and performing music with her friends. But creative differences led to a massive falling out and the band split up. Now directionless, she moved in with her older sister Bianca, who was happy to reconnect after years apart (and maybe get some help with her two boys) but Siobhan may as well be a third child. Desmond and Cale love having their aunt around though, and it’s nice at times to get a reprieve so Bianca can focus on her meditation.

Oertel

A woman of science with a lot of love to give, Sandra knew early on that she wanted to have a child and give them the warm upbringing that she never had. Despite not having a partner, she decided to undergo in-vitro fertilization. She certainly did a good job of instilling Jonas with a high level of confidence (almost to a point of arrogance) and even as a grown man, he has Sandra wrapped around his finger. He doesn’t take his studies seriously, but has a passion for all things outdoors.

Kwame-Zhang

Lily and Daphanie were ready to take on San Myshuno and on their way to becoming a power couple. Or so Lily thought, until Daphanie changed course. After adopting the girls, Daphanie drove a hard bargain on moving to a quieter part of town. She was able to adjust as a fashion designer, sending off submissions from the comfort of her home. Lily however finds herself commuting to the city, unwilling to forfeit her spot as an up-and-coming food critic, despite missing quality time with her family.

Silva-Ortiz

Gustavo takes his values seriously and expects others to do the same. Quite a negotiator, his wife Flavia is able to use her husbands’ political network to pass her green initiatives around town. Though cohesive as a pair, they differed in their parenting styles; Flavia always trusted her sons’ judgement while Gustavo often quarreled with their eldest Robbie, who only wants to party. Averse to conflict, Paolo does as he’s told, even forgoing his own wants to throw himself fully into his studies.

[optionalwarninglabels]

Bookbinding: Corrie Red by musicmillenia

Finished my first quatro! Corrie Red by musicmillennia (@wreathedinscales) is an excellent fic for anyone who enjoys Clone Wars and Lovecraftian horror. I had a really fun time designing the cover on this one - trees and blood play a heavy role to the plot so I found a branch pattern I could cut up that also looked similar to veins. I discovered by accident a while back that if you don't let leather dye sit for 24+ hours before sealing, it will bleed into the sealant and give you a rust-like look. This time I tried to do it on purpose and it turned out pretty much exactly like I wanted! Could have bled a bit more, but I'm happy with the results.

Some folks have made some amazing fanart for this series, so I made sure to incorporate it when possible. What I couldn't match to scenes is in a gallery section.

Fonts used in this project include:

FStein (title and chapter headings)

Minion Pro (body)

R'lyehian (linebreaks - yes, it spells Corrie Red because I wasn't feeling inventive)

Courier New (medical logs later on in the story)

This was also a great project learning how printers translate different colors of black and white and what they do with that when printing. If anyone knows how to convince my printer it didn't need to give a very gentle highlight to the quotes at the beginning of each chapter, I would love to hear about it.

A big thank you to musicmillennia/@wreathedinscales for writing such a fantastic story! This series has been so fun to follow and see what it inspires.

[brokehorrorfan]

Demolition Man will be released on 4K Ultra HD and Blu-ray on December 17 via Arrow Video. Laurie Greasley designed a new cover for the 1993 sci-fi action film; the original artwork is on the reverse side.

Marco Brambilla directs from a script by Daniel Waters, Robert Reneau, and Peter M. Lenkov. Sylvester Stallone, Wesley Snipes, Sandra Bullock, and Nigel Hawthorne star.

The film has been newly restored in 4K from the original 35mm camera negative, approved by Brambilla, with Dolby Vision. Both the the domestic "Taco Bell" and international "Pizza Hut" versions are included via seamless branching.

Special features and limited edition contents are listed below, where you can also see more of the packaging.

Special features:

Audio commentary by director Marco Brambilla and screenwriter Daniel Waters (new)

Audio commentary by film historian Mike White of the Projection Booth podcast (new)

Audio commentary by Marco Brambilla and producer Joel Silver

Interview with production designer David L. Snyder (new)

Interview with stunt coordinator Charles Percini (new)

Interview with special make-up effects artist Chris Biggs (new)

Interview with body effects set coordinator Jeff Farley(new)

Somewhere Over the Rambo - Visual essay by film scholar Josh Nelson (new)

Theatrical trailer

Image gallery

Also included:

60-page book featuring new writing by film critics Clem Bastow, William Bibbiani, Priscilla Page, and Martyn Pedler

Double-sided fold-out poster with original and new art by Laurie Greasley

6 art cards

Three Seashells and Edgar Friendly Graffiti stickers

In 2032, arch criminal Simon Phoenix (Wesley Snipes) awakens from a 35-year deep freeze in CryoPrison to find a world where crime is almost non-existent – a serene utopia ripe for the taking. With the police no longer equipped to deal with his 90s-style brutality, they revive ‘Demolition Man’ Sgt. John Spartan (Sylvester Stallone), the no-holds-barred police officer unjustly sentenced to CryoPrison who originally took Phoenix down. Old-school cop against old-school criminal, settling their scores on the streets of San Angeles? The future won’t know what’s hit it.

Pre-order Demolition Man.

[raven-at-the-writing-desk]

I've been dreaming of the Hunter of Love.

Every decision made or not made branches off and creates new realities. There are a countless number of those realities.

Worlds of infinite choices—he will glimpse them all.

How does a moment last forever? How can a story never die?

Rook dances through the darkness, unburdened and dauntless. Not a single step produces a sound—though if it had, the sound would no doubt be absorbed into the abyss. He glides effortlessly, a swan upon still water.

There is no road for his feet to follow, only a plane of darkness. Heels strike it, eliciting a clear clack-clack-clack, as if the floor is marble.

The walls—if they can be called that; there's nothing solid when he sticks his arms out to test the environment—are laden with full-body mirrors. They're mounted up upon nothing, floating in place, their reflective faces clean, clear, and free of cracks.

He is drawn to them, tugged along as if compelled by the red string of fate.

In each, he is presented with a novelty.

Familiar places and people, refracted and twisted into something new. Something beautiful.

An ethereal art gallery for his own amusement.

He turns his head, taps fingers along the frames of each realm in turn.

A Night Raven College with as many as fourteen dorms. A Night Raven College set upon a stage, scripts in the hands of every student. A Night Raven College of young women, not young men.

Jade with his hair styled up in a mohawk, a plethora of piercings studding his face. Kalim with a monkey upon his shoulder, sharing a platter of fruit. Young Epel in a pair of glasses, mouthing the lines to a play. Idia, smaller than even his younger brother, in an oversized sweater, playing on a mobile gaming console.

Rook imagines a great tree, its roots ever-growing, expanding deep, deep, deep into the soil and continuing still. Endless choices, endless possibilities.

C'est la vie—such is life.

He stops.

His hand now hovers over the glass casing of a tragedy.

Rook stares at a version of himself, collapsed beside a bottle of apple juice. Its caustic contents ooze out onto the ground, bubbling as it eats away at the floor.

The common man would be repulsed. Chilled to the bone. Frightened.

But Rook Hunt is not the common man.

"Comme c'est magnifique," he marvels. “Willingly consuming poison, wishing so desperately to believe that his queen was free of sin… Here lies a foolish dreamer in the aftermath, still having faith in his dear friend's integrity.”

Rook lingers, drinking in the details of the morbid work of art.

He does not move, does not breathe. Ignoring the bottle, it is as though he had been laid into a peaceful sleep. Lips arranged in a soft smile, long lashes cast over his cheeks.

A beautiful queen weeps for him, tears colored black as the night. His clothes are tattered, his crown tarnished. He is a flower of evil, stripped of his petals.

The next mirror, the mirror after—all horrific ends, varying shades of gruesome. Visions twisting, distorting.

A king dressed in roses slaying their victims, peasants who dares to defy their rule. A hyena dissolving into sand. Students trapped in constrictive tentacles, stripped of their talents.

Mindless drones lumbering around a seized castle. A reality dyed in ink, ruled by blue flames and Phantoms. And… a tangle of briar knitting over the world.

To him, they are just as lovely as the rest.

Heartbreaking, but lovely.

As that thought strikes him, the area ahead brightens. He spots color dotting the darkness.

They start as scribbles, clumsy trails of crayon left by a child's hand. Further along, the crayon gains dimension, turning into yarn threads. Eventually, they weave together to form a coherent path marked by cobblestones made of newspaper clippings.

It leads to a thicket unlike any he has ever seen.

Every glade of grass, every leaf and stem, is painted in a glistening coat of silver. The flowers are crystal, the fruit, plump jewels. The sky, a watercolor masterpiece of brilliant blues, white clouds dabbled on with an artist's sponge.

A tower rises in the distance, fine and thin like a needle. Its pointed roof pierces the heavens, and there is but one solitary window embedded in the structure.

Rook gasps, and a thousand or more reflected Rooks gasp too.

The leaves tinkle, a melody of wind chimes and bells. He feels as though they are beckoning to him, drawing him deeper and deeper into the forest.

His feet have a mind of their own; they start moving, as if bewitched by the majesty of the enchanted wood, by the mystery of the tower. Beads of dew upon the grass are left untouched as he swiftly passes.

A call reaches out from a place far, far away. It's not quite speech, but vocalizations resembling speech--someone grasping for the right words, the right feeling.

There is a haunting hollowness to the siren song. A longing so immense it makes tears spring to his eyes.

It must be seeking its other half, Rook realizes. A harmony for its melody, to form a duet.

But the longer he tries to focus on the sound, the more he tries to parse out its parts, the more confused he becomes. The voice is contradictory: familiar and yet unfamiliar, happy and yet sad.

His pace quickens, as does his heartbeat. It's an anomaly for him, for whom calmness comes easily.

I must go to them, he thinks, unsure of why. I must.

Is there a yet-to-be-discovered wonder on the other side? His queen, whom he has sworn his undying loyalty to, in danger? Is it from the strange tower? A stranger requesting his aid?

Curiosity thrums through him.

Hurry.

The tower seems to drift farther and farther away with each step. The voice, fainter.

Hurry...!!

Rook runs.

The building accelerates. The trees expand as if to fill in the space where the tower had fled.

Wildlife carved of glass watch, some racing with him. A deerling on limber, elegant legs, a rabbit bouncing as high as it can. Even the fish skip atop the river that runs concurrent with the forest trail, and a flock of birds soar upon their crystalline wings.

They trill, they coo, they sing.

His run becomes a sprint, and the sprint becomes a gallop. The call to adventure, loud and clear in his ears.

He is one with nature, and nature is one with him.

I must see for myself what lies at the ends of this world--and beyond it.

His spirit brims, burning with determination.

Chasing something he doesn’t know the true nature, the true face, of. For that... is the thrill of the hunt.

[annaraebananawriter]

Day 1 - Stars

Hello all! I come bearing a new fic for a new ship week. This one (created by @starsanspolyweek) (which is also me) is for the Star Sans Poly ship! It's so fun to explore how much they mean to one another, and I thought about doing a ship week for them a few years back, but only got the courage and motivation to start it last year. So sorry about not posting anything for that one--I honestly just didn't get anything written. But this year I have!

I will try and update daily, though today is the only full day I have pre-written. The others are mostly a handful of words, or a blank page. We'll see how it goes.

Without a further ado, happy reading!!

Fandom: Undertale, but specifically UTMV

Characters: Dream (Who belongs to Joku), Blue  (Who belongs to P0pcornPr1nce) and Ink (Who belongs to Comyet)

Pairings: Star Sans Poly/Pre-Star Sans Poly

Warnings: None, actually, now that I think about it. Let me know!

Summary: "Dream is not mortal. His brother, Nightmare, is also not mortal. They are both gods. An incident in the past involving both of them forced the hand of the other gods to create a new rule: Mortals and Gods are not to interact, let one infect the other with knowledge they should not possess.

This rule becomes a problem when Dream becomes infatuated with two mortals, Ink and Blue."

Word Count: 4420

***

I went to the Garden of Love,

And saw what I never had seen:

***

The tree was always Dream’s favorite place to watch the stars. Nothing beat climbing up to the furthest branch, using skills built upon centuries of practice to get up with the ease and grace as a nimble forest animal would naturally have, using the same skills to balance there on a branch that would’ve cracked had he been anyone else.

Being so high up got him so close to the sky, so close he could almost feel the twinkling lights kissing him. He could spend hours there, crouched in the tree, staring up at the wonder most didn’t think twice of.

Correction: he has spent hours there. He often got so lost in the beauty of things that he forgot to return home, and so his brother would be forced to come and retrieve him. Though he’s often said to Nightmare to just let him be, and though his brother often agrees to do so, forever annoyed at having to leave their house for any reason, he is often going back on his word, there at the base of the tree to call him home before sunrise without fail, every night.

Tonight, it’s still early enough that he knows he has time to watch. He settles in, leaning against the trunk, eyes searching the sky for anything and nothing at the same time. If he were an artist, his fingers would itch with a drawing. If he were a writer, it would be a story or poem instead. He is neither, however, so instead all he does is look.

That is enough to content him.

Mostly.

He does sometimes wish he were more creative. Sure, he can sketch something and have it end up half-resembling the original idea, and he can string together a short story with a simple theme, but they both end up crude and childish. That’s not a bad thing overall, it just leaves him unsatisfied, forever envious of those who can do them.

It’s funny, really, that in all the centuries he’s been alive, he has never mastered the art of art. So many other things he can do with his eyes closed. Never art. The closest thing to it is baking, maybe gardening, both things he can do well enough. Healing might be considered an art in itself, but it’s not paint and words and colours and metaphors. It’s not something people will look at for years with awe, not something people will hang up on their walls or in galleries. It’s simply a skill to help others, as is his duty and job—the only thing he is ever frustrated by.

He doesn’t hate doing his job. No, he does enjoy helping people. It makes him smile when he can dry a child’s tears with some warm magic on the knee, or when he grants a miracle to a family who now needn’t worry about the cost of a funeral for someone so young. In fact, he prides himself on doing good, spreading laughter across the world. He loves the stories told of him, the kind way they portray him in artwork, and he’s flattered by the statues of him in temples. It’s all something he enjoys.

That doesn’t mean he can’t find it uncomfortable at times.

One of the very first things people decided about him was that he was never selfish. He was always working in favor of others, always, no matter the demand or price. As the people have sway over how the universe works, he is bound to this fact. He can never act for himself, not without it also benefiting others. In the beginning, he hadn’t minded this, naïve to there being a different way to live, but when he found out he was the exception to the general rule, he couldn’t help but find it unfair.

Yes, he is not mortal. That shouldn’t mean he cannot be as free as them.

He should not have to bend to their whim, pick up after their messes, make every tiny wish come true. He should not have to heal all their scraps, paper cuts to broken bones, and he should not have to drug them to feel happiness, his aura meant to be something soothing and helpful in a crisis, not something to get addicted to.

Through the years, he’s grown so irritated that the common belief about him is that he enjoys being seen as a slave. It is simply not true at all. He enjoys helping people, yes, but he does not enjoy how it is half of what people see when they look at him. He is so much more than that. He is the sun and the stars and the light of your home, the lightness in your chest. He is the pleasant morning breeze against your flushed skin as you close your eyes and bask in it. He is the relationship you have with your closest friends and family, the way they know you better than yourself, that unspoken trust that they will be there to hold you when you fall.

He is so much more than a helper.

Dream is a God.

Yet, the laws of the universe dictate that he never speak about his wants, for that would be ‘—blasphemy for suggesting that we have free will like the mortals. We do not. We serve Fate, and Fate tells us to serve the mortals, to act the part they want us to play.’

Nightmare is a stickler for the rules. He never used to be. He was once as dissatisfied with the role mortals gave him while he had not been able to see what he meant, too wrapped up in the glitz of attention. Time has seen that their roles flipped over. Now, Nightmare insists he remember the laws, remember the role he plays, the one both of them play. What happened all those years ago changed him so much…

Ah, but he rambles. As he always does when watching the stars.

It’s time to clear his mind, lean his head back against the bark and fall into his trance. Crickets are abound on the grassy floor of the hill below, providing a symphony as he follows his own instructions, stretching his leg out along the branch. On a whim, he plucks an apple out of the air, biting into it, letting the juice fill his mouth.

It makes him sigh, this simple act of savoring what he eats, especially since it’s not needed. It is something he wanted, and so it was something he did.

A small rebellion, if you wish to call it that.

Closing his eyes, he took another bite.

He should eat more often. It’s a pleasant experience, and the taste is amazing. This apple was just one of the many edible things out there, too. Perhaps he should try an orange next, or maybe one of those sweets he’s heard about. Something to consider the next time he comes to the tree to watch the stars, that’s for sure.

When he opens his eyes again to look at the sky, he finds himself looking at a face instead. Freezing like a deer caught in the hunter’s gaze, Dream looks at the face in front of him, eyes wide.

It belongs a skeleton monster, that much is obvious, and it’s eyelights do a curious thing he’s never seen before. They change. Shapes and colours, they change as the monster blinks, making him fascinated. He’s never met a monster whose eyes change colours. It’s intriguing to watch, and he wants to ask this monster how his eyes work. Does he pick the colours and shapes? Or do they just happen? Does he know his eyes change, or will the news surprise him?

And then he remembers the new law, instilled after Nightmare’s incident: Mortals and Gods are not to interact, let one infect the other with knowledge they should not possess.

Remembering it, and realizing this would count as a violation of the law, makes his eyes widen even further, something in his stomach churning uncomfortably. He starts to panic, thinking of the repercussions of this act is found out, how it will affect Nightmare, since the universe is much more willing to blame any fault of his onto his brother.

The apple slips from his hand as his grip loosens.

The mortal catches the apple before it falls too far to salvage. “Hello!” The mortal says, grinning. His eyes change again, distracting Dream from his panic for a few moments. There’s an ink splotch on his cheek. Is he aware of it? “What brings you all the way up here?”

“Um…” Dream says, and then his panic returns, engulfing his line of thought. Automatically, he tugs at his magic, giving it the order to teleport him out of this interaction before he gives away more than he should.

Unfortunately, he does think of a destination along with the order, so he blinks and finds himself falling, having only teleported below where he was sitting, in a space without any branches to catch himself with. The beginning of a scream escapes him before he manages to wrench his mouth shut. It’ll do no good to draw even more attention to himself, not now. The best he can do is keep quiet and begin to teleport again.

Before he can give the order, he is caught, his hand instinctively clenching the fabric of a shirt. Blinking once, then twice, he breathes heavily as it sinks in that if he was caught that means…he looks up at the face of another mortal, another skeleton monster at that, who is looking down at him with concern, checking that he is alright.

Then, his face changes, jaw clenching, and the mortal looks up at the tree. “Ink! You were supposed to ask him why he was up there, not scare him into falling!” The mortal shouts up at the other one.

Ink, Dream thinks. How fitting, considering the splotch of the substance on his cheek.

The mortal who caught him does not have the changing eyelights of his companion, but that does not mean they are any less fascinating. They are blue, a bright blue that almost seems to glow, contrasted by the darkness that surrounds them. It’s a trick, he knows that—and really, the only eyelights that can glow are his own, a tell that he is not as mortal as everyone else—but it still makes his heart skip a beat.

Sounds of leaves being shaken come from above their heads, and they watch the other mortal—Ink—hop down. At first, the height he jumps from makes Dream panic, a feeling echoed from the mortal whose arms he was still in. Or maybe that feeling came first and he was the one that echoed it. Emotions were vague, that way. Landing perfectly fine, though with a bit of a stumble, Ink does not feel regret for making them worry, instead just laughs at them.

“I didn’t mean to, honest!” Ink says, grinning first at his companion, then looking down at Dream, blinking. His eyes change again: two question marks, different colours. “I gotta say, it’s weird that you got down here so quickly. I mean, I know you fell, but still. I didn’t hear any branches break or anything. The only leaves on the ground are from me.”

He’s observant. How terrible. Not only will he have to scramble for an excuse to leave as soon as possible, praying that he makes it home before anyone can get suspicious, he will have to find a way to avoid these questions.

The companion answers before he finds any words. “Don’t be silly, Ink, he just fell. That’s it. There’s nothing different about him.” He says the words pointedly, as if referring to something only the two of them understand. What were they talking about?

No, no, don’t ponder that!

Just go home.

Except he’s still in the mortal’s arms, and now he’s been in them so long, it feels too awkward to ask him to set him on his feet. That is the only reason he hasn’t moved, he tells himself, and nothing to do with the fact that it’s comfy here.

Ink scoffs, throwing Dream’s apple in the air and catching it. He takes a bite out of the other side, opposite from where his marks were. For whatever reason, the fact that this mortal is eating his food makes his cheeks burn. “You don’t know that. I’m telling you, there’s something off about him! Something…magical.”

His companion—he really must discover his name—shakes his head. He feels exasperated. Obviously, they have had many conversations like this. “Magic doesn’t exist.”

Unable to stop himself in time, Dream flinches. To proclaim that magic does not exist in front of a God, a being comprised of and birthed from the rawest form of magic, knowing you were in the presence of one or not…well, that hurts. It’s like someone denying a piece of you exists, no matter how much proof is written down, how many times you explain it to scholars and historians. It’s like they shake their head, telling you that you are the uneducated one, and referring you to a handful of resources that provide all the reasons as to why, exactly, you’re wrong about yourself.

Ink sees this flinch. “Ah, but he flinched when you said that! Why would he flinch unless you wounded him personally?” Grinning in triumph, he walks closer, standing in front of them with his hands on his hips. There is a small bit of apple stuck on the corner of his mouth. “Perhaps it’s time to ask the man himself. What say you, Magician? How do you explain traveling such a distance in such a short time?”

As the mortals wait for an answer, Dream swallows.

The only way to get out of this is to lie, which goes against everything that he is; God of Honesty and all that. Which is different from truth, yes, but it still holds the same restrictions. He cannot lie here, not fully. But there are many ways to lie and perhaps he can use that to his advantage by taking a page out of Nightmare’s book: avoidance and omission.

Yes, this will work. Or else he risks all of them being in trouble.

“Uh…” Dream says, swallowing again as he draws on his courage to raise his eyes to meet Ink’s. The changing eyelights are trained on him with unwavering attention. Clearing his throat, Dream tilts his head, pushing a curious expression to fall over his face. “Your eyelights change, did you know that? I’ve never met someone like that before.”

It’s a very clear avoidance, much like seeing someone you don’t want to talk to, making eye contact with them even, and deliberately turning and walking right back where you came from. Ink doesn’t call him out on it, though, instead just hums. “I see, I see. You want to keep your secrets. I guess I can respect that. A magician never tells, correct?”

“They’re very pretty to watch,” Dream continues as if he hadn’t replied.

Ink stares at him some more before shrugging. “Alright, Magician, keep your secrets. Maybe you’ll tell me your trick one day.” Now that his topic seems to be finished, he smiles, putting on a show of blinking and unveiling the brand-new eyelights. “Thank you! They are my second-best trait, if I do say so myself.”

Dream blinks. “Second-best?”

“Yes,” Ink laughs, eyes scrunching up. New eyelights appear. “They’re fine, but I’m used to them by now. It doesn’t excite me as much as it seems to excite you.” Sending him a wink, he reaches into his satchel, which is sat on the ground on a blanket he had been too preoccupied to notice before now. There are other things scattered on the blanket, a few snacks, and a telescope aimed up at the sky.

Finding what he’s looking for, Ink holds a notebook in front of him. “But these are much more interesting. I say this with modesty, of course. I would never proclaim myself one of the greatest artists of my generation.” With a hand on his heart, and a grin on his face to say how he really feels, he offers the notebook to Dream, who reaches out to accept the notebook but falters, remembering he is still in the arms of the other mortal.

Isn’t he tired yet? His arms must be aching by now. He is not a light God, certainly would not come across as a light mortal. But the mortal doesn’t appear to really notice him in his arms, content to stand as long as needed. Still, even knowing he wouldn’t mind holding him for a while yet, it feels like he’s being mean by taking a notebook to look through, lounging in the arms like it was his idea. Certainly, if he does this, he would come across as selfish, and as already established, this is something he cannot do.

But how to explain such things to a mortal…?

Ink seems to notice his dilemma, and he smirks at his companion. “Are you going to hold him all night, Blue, or are you going to allow him to stand on his own two feet again? I’m sure you’ve had plenty of time to make sure he was uninjured.”

His companion—Blue, Dream thinks to himself. How appropriate, with eyelights the essence of the word itself—jumps as if just remembering he is, in fact, holding someone in his arms.

“Oh, I am so sorry! I didn’t think to—I didn’t mean to—I’m so sorry.” He doesn’t seem to know how to explain himself, stuttering and starting over as he sets Dream on his feet. When he looks back at him, Blue is blushing, flushed from his neck up, the colour just as bright as his eyelights as it glows. Ink is laughing in front of them, not even trying to hide it.

Dream smiles, laughs a little himself, patting him on the shoulder. “If it helps any, your arms are quite comfortable.”

Blue’s blush deepens. “Thanks.”

Taking the notebook from Ink, he first runs his fingers over the cool sensation of the leather cover. He’s unable to tell what colour it is exactly, too much of the pigment sucked into the darkness that surrounds them—which reminds him of another problem. “It’s too dark to see your art.”

Ink looks up at him as he plops himself down onto the blanket. He’s still eating Dream’s apple. “Ah, right. Forgot it was night.” Laughing at himself, he shrugs. “I guess you’ll just have to borrow it and wait till morning to look at it.”

Blue frowns at Ink, having walked around Dream and is fiddling with the telescope. “You’re giving it away? You never give your sketchbook away.”

With those words, Dream’s hand stills, fingers hovering in the air, a hair width away from the cover. Never? What made him so special, then?

It seems that’s Blue’s question as well, the one not spoken aloud. Ink shrugs again, answering both of them at the same time. “I’m not giving it away forever. It’s not like he’s just going to keep it.” Pausing, he looks at Dream, appearing for the first time this night nervous. “Are you?”

Dream shakes his head. “Of course not! I understand how important your art is to you artists. I would never steal it from you.”

“Right.” Gesturing at Dream, Ink continues talking to Blue, “See? I’m not giving it away. I’m letting someone borrow it.”

“Yes, but you never do that either.”

“There’s a first for everything.”

Silence rings in the air as both companions fall silent. He cannot help but feel that an unspoken conversation was just had with those few words, a conversation he is not even somewhat aware of. Like Ink said—a first for everything. What did they talk about? Was it about him? Must’ve been. Was he really that important to them?

Oh no, he didn’t interrupt anything, did he? Is he ruining something by lingering here? Well, he is, but is he ruining something for the mortals, too?

It’s best he leaves, quickly now, before—

“Are you going to sit down, Magician?”

Blinking out of his worries, Dream clutches the book to his chest. “Pardon?”

Ink tilts his head back, looking at him upside down. “Are you going to sit down, join us? I promise you; we don’t bite.” Another pause. “Not unless we have to.”

Blue smacks his arm. “Ink!”

Ink laughs, the sound beautiful, filling the quiet as if it was always meant to be there. “What? Just telling the truth. You really have nothing to be afraid of, I swear it. We’re out here to test run Blue’s telescope, that’s all—he built it himself, you see.”

Mouth opening in surprise, Dream draws closer, inspecting the telescope. It’s true. It’s made out of a mixture of wood and metal. If he reaches a hand out to touch the barrel, he runs the risk of getting a blister. Despite this, it is pretty, the rough wood a nice texture, the cool metal that frames the edges, that makes up the legs and the viewing port a nice difference, a good compliment. He cannot see too many details—again, too dark—but he can tell that a lot of work was put into it.

Shifting his gaze, he finds Blue’s gaze. “It’s amazing. How did you build it?”

Shrugging, gaze dropping back to his fiddling, Blue mumbles. “It’s nothing special, really…just wanted to make something to look closer at the stars…”

Beside him, Ink groans. “Don’t be silly, Blue.” Scooting over, he leans against Dream’s back, his breath warming the side of his skull as he whispers into where his ear would be if he was based on a human. “I keep telling him not to be so modest. It never sticks.” Getting louder, he leans forward even more, pointing at Blue and his telescope. “You built it to prove to your classmates that you didn’t get into school by chance. You built it because you knew you could. You built it with your heart, with determination—that’s how you built it.”

It seems Blue is unused to so many compliments in a row, the flush creeping back in, but Dream can tell that this is a proud flush, not an embarrassed one. “Bit more to it than that, but I suppose…and I can tell that I need to change the glass—I don’t think this was the correct cut. I need to change other things a bit, too, as it’s not zooming in as much as I want it to…” The longer he speaks, the more confident he gets, the more relaxed. He is in his comfort zone now, talking about his telescope, about the intricacies of it.

As he rambles, Dream glances over his shoulder to Ink, finding him looking at Blue with a smile far gentler than his grins were. This one, he can tell, is only used for moments like this, looking at someone he loves. Oh, how much he loves Blue…the emotion is like flying up into the sky, being among all the stars, all the lights, and closing your eyes and letting yourself fall, the euphoria in letting go.

It makes Dream’s essence pulse in tandem, like a heart skipping a beat.

However, in doing this, it reminds him of how different he is to these mortals. Why he puts them all in danger the longer he stays.

If Nightmare were to catch him like this…it would not be worse than the others, but it would mean being on lockdown. He would not be able to go anywhere without his brother breathing down his back, watching his every move, through his own eye or one of his familiars’. His brother is paranoid, afraid of what the others have done. If he sees this, he will worry that the others have as well, that the same thing that happened to him will happen to Dream…

He should leave. He should leave, right now.

But…

Tuning out of the conversation, Dream looks down at the book in his hands, runs his fingers over the leather, feeling an indentation where Ink has carved his name.

Ink has given him his sketchbook, obviously a weighted responsibility with the way they were talking earlier. Then there’s Blue and his telescope, which he built from the ground up with his own two hands, and the way lying in his arms was so comforting—he wants to know everything about them both. Why build things? Why draw things? Why create things?

These two mortals are the first ones he’s spoken to in a long, long time. Since before Nightmare’s incident and the law was fashioned. He wants to know how things have changed from last time, how much progress they’ve made as a society—he has heard of an Industrial Revolution, would like to know about it from the eye of mortals, maybe even see the changes it had made for himself. He longs for it, an ache in his bones that he cannot ignore any longer, has so many questions and two people able to answer these questions sitting so close to him.

It's dangerous to stay…but it would be terrible to leave.

The mortals deemed him selfless, to never act for himself. They might have had good intentions at first, but they quickly grew greedy with their order and wishes, and the gift turned into a curse, a prison. He has spent so long behind these bars, watching mortals grow close with one another, watched the others dictate the laws of the universe like they were the only deciding factor of it. He has watched mortals revolt tyranny all on their own, watched them write into their laws time after time some version of free will, that everyone has the right to be who they are, all of themselves, without judgement, without prohibition.

Perhaps the same can be true of a God…

Perhaps the same can be true of him.

There is a first for everything, and so Dream decides to try and be selfish, sitting down on the blanket to stay in the mortals’ company for a little while longer.

[aquagirl1978]

Your Body Is My Canvas - Vincent van Gogh x Reader (Ikemen Vampire)

A/N: Happy Birthday Vincent!

Pairing: Vincent x Reader

Prompt: Reader wants a tattoo, but Vincent has thoughts

Word Count: 477

Tags: fluff with the slightest hint of spice at the end

“Stay still,” Vincent said softly, his long fingers wrapping around your wrist, his grip firm as he held you in place.

“It tickles.”

“Sorry,” Vincent apologized. His bright blue eyes, clear as the sky above, flicked up momentarily to meet yours, his attention immediately returning to his work. “I’m almost done.” 

His touch was ever so gentle as he brushed the last pink petal onto your skin, completing his work.

“There,” he said, letting your wrist go free, your skin already missing his touch. Looking down at your forearm, you found a delicate branch of cherry blossoms now decorating your skin. 

“I think this one might be my favorite.”

“You say that everytime.”

“But this time it’s true. I love it so much, I’d like to make it permanent….”

“No,” Vincent replied simply.

You looked at him confused. A few times, you had broached the idea of getting a tattoo of one of his pieces, but for one reason or another, nothing ever came to fruition. Someway, somehow, Vincent always skirted the idea and quickly changed the subject. 

“Why?” you implored, admiring the artwork adorning your arm. “I can’t imagine a better way to show my love and appreciation of your art.”

“And mar your skin?” He traced an outline of the branches on your arm, the ghost of his touch sending sweet tingles throughout your body. He tilted your chin with his thumb, lifting your gaze to meet his. “You are my muse, and your body is my canvas. Every inch of your body is precious to me. While I appreciate your desire to make this permanent, that would take away space for future art.”

He took your hand in his; bringing your joined hands to his lips, he brushed a soft kiss across your knuckles. His blue eyes burned with an intense passion; the way he looked at you stirred a heat below your belly.

“I can always get a new canvas, I can’t get a new you.” 

Heat rose to your cheeks at his words. Vincent had a way of making you feel things, forcing you to see yourself in a completely different light. Maybe it was the artist in him, how he saw the world in a different way than most, that he was able to do this.

With your free hand, you cupped his cheek and brought your face to meet his. “Okay,” you whispered, your lips melting into his in a sweet kiss. 

“That and…” Vincent nipped at your lower lip, pleasure rippling through your body in gentle waves as his hand moved to caress your curves. “I don’t want anyone else to touch your body the way I do.”

Cradling your head, he gently guided your body to lie in the grass, hands still linked as you spent the remainder of the afternoon joined together under the cherry blossom tree.

Tagging: @redheadkittys @chaosangel767 @ikehoe @kpop-and-otome @lucyw260 @queengiuliettafirstlady @kisara-16 @lordsisterxotome @umi-adxhira @crypticbibliophile @tele86 @nightfoxqueen @wendolrea @randonauticrap @judejazza @maries-gallery @xbalayage @xenokiryu @nightghoul381 @alydra @ranhanabi777 @silver-dahlia @fang-and-feather @lunaaka

[quitealotofsodapop]

Awh! Baby Yuebei loving dinos is everything to me!

Now I wanna see her family take her the dinosaur exhibit at a museum or science center or something. The science center near me has a whole exhibit for all things dinosaur related including fun interactive learning activities for little ones like fossil ecivission in rubber sand and life-size dinosaur animatronics in fake habitats we can walk through. I can't remember the rest rn, my favorite exhibit is the astronomy room! It's so dark in there, whole different vibe from all the others. But the whole building is like a science playground, the cubs(stoplight trio included, tho Redson is probably too much of a know-it-all to let himself enjoy it) would get a kick out of it. I can already imagine which exhibits some of them would enjoy.

-💜

yes! since Yuebei Xing as a character is tied to skulls and bones, I figured it would be cute that she'd have an interest in beings mostly know through their bones.

I know some larger museums have big sand pits to emulate excavations, like the one in New York. The zoo-aquarium in my granddads town has one of those walkable habitats too! The water/fake swamp was actually an aquarium for brackish water fish!

Now I'm loving the idea of Wukong letting the cubs go on a Museum Day to Megapolis, and ofc little kids love Natural History cus thats where the dinosaurs are! Tang pouts and wants to come along too - until Pigsy points out that he's a grown man that can pay his own ticket.

Wukong gets MK and Mei (and Redson since he's been pretty much adopted into the squad) to help bring the kids around to all the exhibits. When Wukong gets too tired to run around (especially cus of his condition), the Stoplight trio take over cub-wrangling duty while Wukong chills at the museum's cafe. Mei and MK treat it like a super-dangerous mission and try their best to engage in what's caught the cubs attentions. MK noticeably blanks in fear when he sees a model of Carboniferous bugs. Redson is a bit of smarty pants, but he's interested in the provided literature/the more obscure creatures on display. Tang is barely any help with babysitting since he gets as easily distracted as the cubs! XD

Yuebei is having the time of her life. Can't keep still for a moment - there's so many things to see and touch! And if there's an excavation pit - she's jumping straight in like a fox. No regards for her nice clothes, she's covered in sand and clay within seconds. Just absolutely feral over these bones.

Mei, pointing to a model: "Do you know what that is Yuebei?" Yuebei, holding a plush dino: "Ty-ranno-saur-us rex!" Mei: "Omg you're so good at this! What about that one?" Yuebei: "Pterro-dact-ill!" Mei: "Yup! Pterodactyl! It's a pretty cool dinosaur huh?" Yuebei, suddenly very serious: "Not dinosaur." Mei: "Huh?" Yuebei: "Not dinosaur." Red Son, reading a museum pamphlet: "She's correct. Pterosaurs are a different branch of archosaur separate from Dinosauria. It's like comparing snakes to lizards." Mei: "Omg! You're so smart, baby girl!" Yuebei: "Thank." (*smug "I know" face*)

If Macaque is around post S3, he helps out with wrangling the kids, but he'd quickly get over-stimulated by all the sights and sounds - so MK would take over for him so dear bama/baba can sit down with Wukong and de-stress. Wukong and Macaque might just wander off into the quiet art gallery if it's nearby (usually is in my experience) and poke fun at the historic art.

The Eclipse twins I feel are more into the astronomy side of the museum (hard not to since Space) and demand that they stay for a lecture on objects in the solar system. And if there's a planetarium - oh boy you know the cubs (and the grown-ups too) are gonna be entranced by the projections of all the stars and planets.

Wukong, pointing to a star: "Hey I know that guy! We fought one time!" Tang: "...what?" Wukong: (*pointing to Zeta Piscium*) "Wood Wolf of Legs; Revati." Tang, gasping: "The Yellow Robed Demon." Wukong: "Yeah!" Luzhen, in baby babble: "He's very far away." (*tries grabbing for the projection of the star*)

The gift shop is decimated. XD