#new status punjabi

[shayaripunjabi]

Beautiful nature🌿🍃

[dulyansongs]

BONITA VIDEO SONG | Bonita Punjabi Hip Hop | Bonita Punjabi Style

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[thelensofyashunews]

CHANI NATTAN, INDERPAL MOGA & AR PAISLEY BRIDGE BORDERS WITH JOINT PUNJABI-ENGLISH HIP-HOP EP EAST TO WEST

 Today, Chani Nattan, Inderpal Moga and AR Paisley bridge East and West with the release of their highly-anticipated joint EP “East To West”  via 91 North Records. Merging authentic western hip hop sounds with traditional South Asian roots, the 7 track tape, which draws inspiration from early 90s and 2000s Hip Hop, sees Vancouver’s Chani Nattan and Inderpal Moga unite with Toronto’s rap titan AR Paisley in a project of timeless music that stays true to its roots while breaking international boundaries.

Featuring evocative bars, as well as a soulful, emotive blend of nostalgic sounds, East to West is sure to cement Nattan, Moga and Paisley's status as the new titans in the Punjabi - Hip Hop scene. Opening track 'Block Boys', blends the essence of early 2000s hip-hop with vibrant Punjabi sounds, in a dynamic fusion that highlights the artists lyrical flair, while fueling an exciting narrative of their collective grind and hustle.

‘Heater’ splices hypnotizing synths, and bouncy bass-heavy percussion over laid-back production from collaborator Jass G, on a track that embodies an aura of dominance and carefree enjoyment. The vibrant and uptempo vibes of ‘Dancer’, an experimental and innovative sound influenced by 90s disco, gives way to ‘Mehndi’, a song inspired by the vibrant culture of Punjabi wedding season - an interplay of nostalgia and romantic undertones that exemplify the artist’s versatility.

The project changes pace on love song ‘All Eyez On You” an intense cut that beautifully reflects on the feeling of being completely enamored by a single person that becomes the center of one’s world, despite the constant allure of the spotlight.  Nattan, Moga and Paisley ride out the ups and downs of life's relational tides, with their most introspective single to date “Seasons’ - an ode to the unpredictable nature of relationships that compare to ever changing seasons. Rounding out the tape is the 2023 release, ‘What’s Beef’, the first collaboration between the artists, which started their ascent together in the hip hop space.

Chani Nattan, Inderpal Moga and AR Paisley are one of the most exciting breakout rap talents of recent years. With music that is relatable in every sense, driven less by punchlines and more by traditional roots and nostalgia, the artists reflect on their personal experiences of the process saying, “We feel nostalgic when we listen to music right now, the sound reminds us of when we were in middle school going to theme parks, playing basketball etc. We had a lot of relatable connections to music like the music that resonated with us most during our upbringings.”

Chani Nattan, Inderpal Moga, and AR Paisley also blaze a trail as the first Canadian South Asian trio to showcase Punjabi hip-hop on the viral platform On The Radar.

Shot in New York City, the trio delivered a dynamic East To West Cypher freestyle on the platform, which has seen the likes of Drake & Central Cee, Lil Baby, Lil Yachty amongst other notable rap acts. The East To West tape follows an exciting 2024 for the rising stars, with a consistent slate of releases from Chani Nattan and Inderpal Moga that includes their 91 North Records debut ‘Facetime’ which garnered nods from outlets such as Billboard Canada, reaching #1 on Spotify Canada's Vancouver Pulse Chart and recent release ‘Bhabi’. 

The year has also proved to be a breakout one for Paisley, whose surprise collaboration ‘Drippy’ with the late Sidhu Moose Wala accumulated over 15 million views in under a week, charting #9 on Canada's Billboard Hot 100. They are set to round out the summer with a performance at the UK’s R5B Festival on August 31st!  

[wrvtchedhearts]

ZAKIR SETHUPATHI - the poet

Stats --

FULL NAME: Zakir Aamir Sethupathi

AGE & DATE OF BIRTH: 28 -- January 8th

OCCUPATION: rapper, translator, interpreter

ASSOCIATE OF DEAD HAND

GENDER & PRONOUNS: cis-man, he/him

SEXUALITY: Bisexual, Biromantic

LANGUAGES:  mother tongue: Hindi, Urdu fluent: Arabic, Spanish, English, Russian, Punjabi, Gujarati conversational: Japanese, Cantonese learning: Portuguese, Mandarin, Bahasa Malay

RELATIONSHIP STATUS: Single ( crushing on Anchali )

FC: arpan kumar chandel aka King

Biography --

Zakir was sixteen when he moved from New Delhi to New York City hoping to find a richer more full-filling life there. He hoped to become a famous rapper. He grew up the oldest son of a Muslim and Hindu couple, with little prospect in life other than continue his father's business. His uncle - a friend of his father rather than his actual uncle - told him stories of America, of New York City, and the American Dream.

He got into crime because he needed funds and connections to gain his fame. He's known for making songs in which he fluently meshes languages and meanings together, rapping under the alias Baagee. However, a lot of his time is spent translating for Dead Hand or using his understanding of languages to decipher coded messages.

He's been releasing songs steadily during the past five years, and has been an official associate of Dead Hand for three years.

Timeline

Headcanons --

He's a polyglot; he speaks multiple languages and easily picks up new ones. Currently he's learning Portuguese, Mandarin & Bahasa Malay. He's however always interested in learning more.

He addresses anyone his age with either habibi/habibti ( ‘my dear’ or 'my love’ in Arabic ) or bhai/bhen ( 'brother’/'sister' in Hindi / Indic language ), and anyone older than him as auntie or uncle. Does this consistently and with respect.

Despite his mastery of languages, Zakir still has a distinct accent when speaking in Russian, English or Spanish.

He produces his own music.

He's a romantic, friendly and charming, and a little afraid of violence. Will always portray the role of a diplomat in a conflict.

Zakir was raised in a Muslim and Hindu household, though neither him nor his siblings got much of a choice which religion they wanted to follow. As a result he still follows a lot of rules from Islam and participates in all its religious days, including Ramadan.

He doesn't drink or smoke - though he on occasion uses the drugs available at El Anhelo, and has his way to say why those aren't as bad.

He has an augmentation in his eyes, installed just before he moved to the United States by a street engineer. Because it was a prototype, he's had to get it checked out several times. It essentially works as a video camera: he can zoom in, zoom out, rewind, slow down, and speed up. As well as choose to save certain moments to his phone to view later. Because his eyes are more sensitive now, he wears sunglasses or tinted glasses almost all the time.

wanted and established connection can be found here.

Slang --

Some slang Zakir might use and its meaning:

Yaar: friend/buddy/dude, addressing someone.

Arre yaar: addressing someone while expressing disappointment, surprise, or frustration.

Mashallah: 'God has willed it'

Inshallah: 'if God wills'

Wallah: 'I swear', said very often, presume Zakir never lies when he says this, as it's a sin.

Yallah/Chalo/Vamonos: Let's go!

Alhamdulillah: 'Praise to God'

Subhanallah: 'Glory to God'

Māśūqa: sweetheart, used for Anchali

Chai: Zakir never says tea

Jhakaas: Awesome!

Mast: excellent or fantastic

Bhai __ hai?: he uses this in restaurants mostly when he wants something quickly.

Theek hai: ok or it's okay

[gkfarming]

Haryana was part of the Kuru Kingdom during the Vedic era during 1200 BCE.

Haryana has been inhabited since the pre-historic period. Haryana was part of the Indus Valley civilization during the Bronze Age period. The ancient sites of Rakhigarhi and Bhirrana are some of the oldest Indus Valley civilization sites.(5) Haryana was part of the Kuru Kingdom during the Vedic era during 1200 BCE.(6)(7)(8) The area now Haryana has been ruled by some of the major empires of India. The Pushyabhuti dynasty ruled the region in the 7th century, with its capital at Thanesar. Harsha was a prominent king of the dynasty.(9) The Tomara dynasty ruled the region from 8th to 12th century. The Chahamanas of Shakambhari defeated them in the 12th century.(10)

Harsha Ka Tila mound, ruins from the reign of 7th century ruler Harsha.

Lal kot built by Anangpal Tomar in 1052

Portrait of Hem Chandra Vikramaditya, who fought and won across North India from the Punjab to Bengal, winning 22 straight battles.(11)

In 1192, Chahamanas were defeated by Ghurids in Second Battle of Tarain.(10) In 1398, Timur attacked and sacked the cities of Sirsa, Fatehabad, Sunam, Kaithal and Panipat.(12)(13) In the First Battle of Panipat (1526), Babur defeated the Lodis. Hem Chandra Vikramaditya claimed royal status after defeating Akbar's Mughal forces on 7 October 1556 in the Battle of Delhi. In the Second Battle of Panipat (1556), Akbar defeated the local Haryanvi Hindu Emperor of Delhi, who belonged to Rewari. Hem Chandra Vikramaditya had won 22 battles across India from Punjab to Bengal, defeating the Mughals and Afghans. Hemu had defeated Akbar's forces twice at Agra and the Battle of Delhi in 1556 to become the last Hindu Emperor of India with a formal coronation at Purana Quila in Delhi on 7 October 1556. In the Third Battle of Panipat (1761), the Afghan king Ahmad Shah Abdali defeated the Marathas.(14)

In 1966, the Punjab Reorganisation Act (1966) came into effect, resulting in the creation of the state of Haryana on 1 November 1966.(15)

Distribution

Haryanvis within Haryana

See also: Demography of Haryana

The main communities in Haryana are Gujjar, Jat, Brahmin, Agarwal, Ahir, Chamar, Nai, Ror,Rajput, Saini, Kumhar, Bishnoi etc.(16) Punjabi khatri and Sindhi refugees who migrated from Pakistan had settled in large numbers in Haryana and delhi.

Haryanvi diaspora overseas

(icon)

This section needs expansion. You can help by adding to it. (July 2021)

See also: Indian disaspora overseas

There is increasingly large diaspora of Haryanvis in Australia, Canada, Singapore, New Zealand, Saudi Arabia, UAE, UK, USA, etc.

In Australia, the community lives mainly in Sydney and Melbourne, has set up Association of Haryanvis in Australia (AHA) which organise events.(17)

In Singapore, the community has set up the Singapore Haryanvi Kunba organisation in 2012 which also has a Facebook group of same name. Singapore has Arya Samaj and several Hindu temples.

Culture

Main article: Haryanvi culture

Language

Main article: Haryanvi language

Haryanvi, like Khariboli and Braj is a branch of the Western Hindi dialect, and it is written in Devanagari script.(18)

Folk music and dance

Main article: Music of Haryana

Folk music is integral part of Haryanvi culture. Folk song are sung during occasion of child birth, wedding, festival, and Satsang (singing religious songs).(2) Some haryanvi folk songs which are sung by young woman and girls are Phagan, katak, Samman, Jatki, Jachcha, Bande-Bandee, Santhene. Some songs which are sung by older women are Mangal geet, Bhajan, Sagai, bhat, Kuan pujan, Sanjhi and Holi. Folk songs are sung in Tar or Mandra stan.(19) Some dances are Khoriya, Chaupaiya, Loor, Been, Ghoomar, Dhamal, Phaag, Sawan and Gugga.(19)

Cuisine

Haryana is agricultural state known for producing foodgrains such as wheat, barley, pearl millet, maize, rice and high-quality dairy. Daily village meal in Haryana consist of a simple thali of roti, paired with a leafy stir-fry (saag in dishes such as gajar methi or aloo palak), condiments such as chaas, chutney, pickles. Some known Haryanvi dishes are green choliya (green chickpeas), bathua yogurt, bajre ki roti, sangri ki sabzi (beans), kachri ki chutney (wild cucumber) and bajre ki khichdi. Some sweets are panjiri and pinni prepared by unrefined sugar like bura and shakkar and diary. Malpua are popular during festivals.(20)

Clothes

See also: History of clothing in the Indian subcontinent and History of Textile industry in India

Traditional attire for men is turban, shirt, dhoti, jutti and cotton or woollen shawl. Traditional attire for female is typically an orhna (veil), shirt or angia (short blouse), ghagri (heavy long skirt) and Jitti. Saris are also worn. Traditionally the Khaddar (coarse cotton weave cloth) is a frequently used as the fabric.(21)(22)

Cinema

See also: Haryanvi cinema and List of Haryanvi-language films

The First movie of Haryanvi cinema is Dharti which was released in 1968. The first financially successful Haryanvi movie was Chandrawal (1984) which spurted the continuing production of Haryanvi films, although none have been as successful.(23) Other films such as Phool Badan and Chora Haryane Ka followed with only about one out of twelve films being profitable at the box office.(23) In 2000, Aswini Chowdhary won the Indira Gandhi Award for Best Debut Film of a Director at the National Film Awards for the Haryanvi film Laddo.(24) In 2010 the government of Haryana announced they were considering establishing a film board to promote Haryanvi-language films.(25)

[deeptixbhandari]

STATISTICS

FULL NAME : Deepti Bhandari ALIAS : AGE : 34 DATE  OF  BIRTH : January 5th, 1989 HOMETOWN : Dehli, India TIME IN EAST HAVEN : Since 2005 RESIDENCE : Claret Park FACECLAIM : Deepika Padukone trigger warning: huntington disorder, bullying

EDUCATION : Business and Management OCCUPATION : Co-Owner and Manager at House of Dehlicasies GENDER : Cis-Female PRONOUNS : She/Her SEXUALITY : Bisexual RELATIONSHIP STATUS: Single HAIR COLOUR : Brown/Black EYE  COLOUR : Hazel brown HEIGHT : 5'7" /171 cm BUILD : Slim ACCENT : American with a hint of Indian LANGUAGES : Hindi, English, Punjabi Urdu TATTOOS : Butterfly tattoo on her neck SCENT: Olympea by Paco Rabanne. ZODIAC : Capricorn LOVE LANGUAGE : Words of affirmation, quality time. CLOTHING: Classy, Business Chique HAIR STYLE:  ( x )

CONDITIONS : Huntington Syndrome ALLERGIES : Strawberries EXERCISE HABITS : Yoga and Pilates SLEEPING HABITS : Uses two pillows and a side pilow, side sleeper. ADDICTIONS : None DRUG  USE : None ALCOHOL USE : Occasionally

POSITIVE  TRAITS : Clever, Hard-working, mature NEGATIVE TRAITS : Resentful, blunt, distant PHOBIAS : Athazagoraphobia FEARS : Starting to forget HOBBIES : knitting, puzzles, pilates HABITS : mimicks sounds on the radio or tv. USUAL DEMEANOUR : Composed.

FATHER : Zahir Bhandari MOTHER : Jiya Bhandari SIBLINGS : four siblings. PARTNERS : None CHILDREN : None PETS : None.

BIOGRAPHY

Deepti was born in a loving family back in busy Dehli. Her father Zahir, took over the reins of his family restaurant that he ran with his wife, Jiya. Her parents were barely in their twenties when Deepti was born, bringing much joy and happiness to their family, which only grew from that point. Deepti is able to say she counts four siblings, which made for a crowded and very crowded household. In Dehli, Deepti remembers having been the most happy. Looking back fondly to the festivals, the temples she visited with her family. The community and way of life was one she thought she would never have to miss. But when she was sixteen, Deepti’s parents decided to move out of the country for political reasons, and she had to say goodbye to her dear Dehli.

They settled down in Providence Peak, Colorado. A place that barely resembled her old neighbourhood, her own home. Her father had made enough with his restaurant that they were able to settle in a house large enough for the seven of them, even starting a new restaurant within the town’s center: the House of Dehlicasies, a name chosen by her brother who always did love a good pun. Having to finish ‘high school’ in the USA was strange to say the least, and after discussion between her parents and the school she, along with her other siblings, would have to redo a whole year to acclimatize to their new surroundings. Deepti didn’t mind, feeling rather overwhelmed by everything and everyone. Having to survive in the American system definitely hardened Deepti, who along with her siblings were often the target for bullying due to their accents, the fact they had their father’s homemade cooking to school and the fact they weren’t as sharp to American customs and sayings as their peers were. Going to college, Deepti definitely adjusted, standing her ground and not letting anything drag her down. She didn’t have a lot of friends but the few she did create are ones to last a lifetime.  

Deepti graduated college in a degree for business and management, always having been great with schedules and numbers. She worked for numerous of companies through her life; ranging from law firms to an accountant firm and even for the government at some point, which is where she met Lewis Negan, a gallant officer in the U.S. Army who swept Deepti off her feet. Out of the flings and short relationships she had, she never pictured herself to be able to fall as hard as this. It didn’t take them long to get engaged, getting him as far as to want to settle in Providence Peak so she could be close with her family, which was a good call.

Her mother began to forget things, and not in a way where she couldn’t find her keys or mixed up the names of her children, but important chunks of information. When the twitching in her hand started, Zahir took her to the hospital where she was diagnosed with Huntington’s disease. This being an inherited disorder, Zahir and Jiya brought their children up to speed as soon as possible, leaving it to each of them to get tested or not. Deepti decided to do so, and was faced with the horrible truth that she was indeed a carrier of the mutation, meaning that she would start showing symptoms between 35 and 55 years old. Being thirty-four, Deepti felt her clock had begun to ran out at a rapid pace. She hoped for the support of her Lewis, but not being able to deal with the idea of having to take care of his wife at an early age, Lewis decided to end their engagement and left Providence Peak.

For the last year, Deepti has put her energy into renovating her home that she now inhabits alone. She’s also quit her job so that she can help her father run the restaurant and is working there fulltime so he can spend time with his wife. Deepti has definitely become bitter about the newfound information of her health and the inevitable ending of her life. Why make memories when in the end she will forget them after after all? With her 35th birthday coming closer, Deepti definitely feels like she is spiraling.

[ladychandraofthemoone]

💚💙❤️♥️💛3/3❤️♥️💙💛💚 Happy Late 3/3 Day!! I’m two days late here but have all the 3s in my au! SELECT YOUR CHARACTER🎮👾 Here we have:

A plant loving tree hugger 🌲🌿🍃🌱🪴

A literal bluebird tweety man🦅 🐦

A snappish yet wise rich prick 💰💸💵

A whimsical musical alp grandparent🎵 🎼🎵

A mortal turned god of fortune 🔮 🍀🪔✨

References/Trivia/Notes: (cause this post is long enough already lmao 😂 🤣)

Henry’s pose I used this basis from https://animebases.info/

Wilfred’s pose I mainly based it off of Brook mainly this official one:

RANDOM STUFF:

Wilfred is said to love music (he canonically whistles) so that’s kinda the reasons why I’ve picked Brook like if Ernest is the wise elder figure, Wilfred is totally the eccentric bouncy grandparent 

I Gave him a more whimsical look like Brook like fancy (two feathers just for aesthetic) yet still willing to get dirty. Fun fact the music notes on his coat are from the Swiss national anthem, he has a conductor staff just for fun of it (his name and number are on the back of his coat) 

Human/humanoid au he totally knows how to play many instruments and sings, totally uses the radio 📻 to listen to music, I know he looks like a henry but I saw a slighter different color on him on Deviantart made by LeatherBootlace with yellow so I added that to him

Off topic but Wilfred totally adopts my cfr diesels ocs (Corran Aldyn Shiloh Poll-ny-Chrink) since they also are musically in-tuned, he’a also a grandfatherly figure towards the others as well despite his moments of cynicism and age gap

Kyle very much has so many outfits throughout the years like the ones I’ve drawn during his time as Proteus so this would be of one his first appearances, he chooses the more storytelling fairytale like aesthetics like his feet are made entirely of gold dust so are his clothes he wears a cape simply to cover others in need and I tried to lean a bit more into his heritage

he looks up to Lady (still does but branches out later on and different views over humanity and morals and rights and wrongs that stuff honestly it’s complicated…) so sparkles at first he’s happy and excited over learning despite breaking down in tears to lady cause he wanted to fit the role despite being very modest and humble trying to look at the bright sides of things✨

kyles necklace is made up of many good luck charms like (four leaf clovers 🍀 horseshoes eye of Fatima etc)same with his belt he gets once he decides to wear a outfit he feels comfortable in, still quite elegant but he feels like himself since he still has control over his life somehow plus he brings good fortune instead of granting wishes (he kinda can but there’s a price)

Everyone in human au except Kyle (who’s mixed Bengali-Punjabi) and Adam (Filipino, maybe Jewish?) are Latino cause I couldn’t help myself haha , still working out the details on specific ethics

Henry has heterochima, still haven’t figured out the shades out though and Kyle can turn his sclera pupils and retinas into complete shades of different yellow to fit his new status (that was fun since he can use it to fit his cryptic nomad style later on after his first official fight) only his eyes remain sparkling gold in every other form✨

[lafzbheegehain]

Watch Legendary love story ghazal song Lafz Bheege Hain

Sufiscore celebrates an epic Indian love story, an ‘amour eternal’ on the new release Lafz Bheege Hain (“Words Drenched in Tears”). The album features lyrics from the esteemed contemporary poet, Ajay Sahaab with beautifully sung melodies from lead vocalist Pratibha Singh Baghel. The songs on Lafz Bheege Hain follow the story of unrequited love involving two eminent writers from India’s social justice-oriented Progressive Writers Movement, Punjabi Amrita Pritam (1919-2005) and Sahir Ludhianvi (1921-1980). Pritam, a novelist, essayist and poet, discusses her unrequited love for Ludhianvi, the poet and film lyricist, in her 1977 autobiography ‘Rasidi Ticket’ (a.k.a. The Revenue Stamp).

“There is a saying in India that if you want to express love, you resort to Urdu,” declares poet Ajay Sahaab. Sahaab drew on his lifelong passion for Urdu to evoke a familiar “tear-drenched” story that has almost acquired the status of a legend or folk tale.

Lafz Bheege Hain consists of five songs, modern in sound and conception, yet following the traditional form of the ghazal: a poem with rhyming couplets in prescribed patterns, usually sung in Urdu, the “love language” par excellence of the subcontinent. This great love story between Amrita Pritam and Sahir Ludhianvi has been depicted in literature and film — and in that spirit, director Parasher Baruah has created a sequence of videos to accompany all of the ghazals of Lafz Bheege Hain, featuring famed actors Prachi Desai and Som Chattopadhyay in the leading roles.

The emotions summoned by this love story”, says singer Pratibha Singh Baghel, “are held in common throughout the world. Those feelings of love and separation and sadness are the same everywhere. The poetry and compositions of Lafz Bheege Hain are for everybody who can relate to this.” Desai strikes a similarly universal chord: “I don’t know where we all find our strength, but after some of the biggest losses we ever have, we somehow make it through. It’s a hopeful message for anyone watching these videos or listening to this music.”

To capture these nuanced sentiments, composer Rajesh Singh drew upon what are known in Hindustani classical music as “evening ragas,” scales and tonalities associated with the time of day, he says, “when the solitude is very intense, and the melancholy and sadness comes throbbing upon us.” From these evening ragas come the beautiful melodies of Singh’s imagination. The rhythms are hypnotic; the lush, flowing chord progressions are informed by Western harmony but applied in such a way as to underline the ragas’ traditional character. “As a composer I had to find a correct mood and balanced sound to express the melancholy and divinity of pain portrayed in these ghazals,” adds Singh. “I observed that the pain of separation expressed by the poet here has no bitterness, and there is a subtle acceptance of separation due to social circumstances. Hence the notes had to be carefully woven not to sound depressing or negative.

Arranger and producer Paras Nath played a crucial role in bringing Singh’s compositions to life with rich and varied instrumentation and sonic character. “Because of Paras’ contribution,” says Pratibha Singh Baghel, “I was able to deliver the way that I did. So a lot of credit for this project goes to him.” Building upon Singh’s vision for each composition, Paras Nath reports trying “to enhance the feel of the ghazal. In every song I used something different.”

Cello, acoustic guitars, violin, viola and keyboards enter into the mix of Lafz Bheege Hain as well as Hindustani bansuri flute, the fretless sarod and the bowed sarangi. “Each instrument has its own character,” Paras Nath observes. “I didn’t want a loud arrangement,and I was careful not to overshadow the singing and the lyrics.”

Along with her extensive accomplishments in Indian musical theater and Bollywood playback singing, Pratibha Singh Baghel has devoted herself to the art of classical Hindustani music in a forward-looking, internationally minded modern vein. Lafz Bheege Hain is a vital part of that effort. To the poet Sahaab, the goal is to “revive the classicity of the ghazal,” bringing the traditional form into vibrant contact with Western elements before a worldwide audience. “In a very humble way but with energy,” says Sahaab, “we are trying to convey emotions so that modern generations can feel the intensity of words, music, poetry, composition and instruments.

“For me the songs on Lafz Bheege Hain are part of a single work of cinema,” says Parasher. “I wanted to narrate certain aspects of the story and portray universal themes of love and longing. I approached the cinematography with an idea of recreating the 1950s and ’60s, a personal homage to the heyday of Indian cinema when romance was celebrated in all its emotions, blending poetry with visual storytelling. Choosing to shoot in colonial Pondicherry and Mumbai, our choice of locations, production design and styling helped in this a lot.” For Prachi Desai, the alluring beauty of the audio tracks generated all the inspiration and excitement she needed: “When I first listened to Lafz Bheege Hain, time stopped,” she recalls. “I knew I had to be a part of this. I’m glad that this was my first ghazal ever.”

Lafz Bheege Hain

[indizombie]

Many young boys and girls in the age bracket of 12 to 18 years shared their personal experiences of religious discrimination at school that further reinforced their perception of their low social status and identity. While sharing the reason for leaving school in grade 7, a 15-year-old son of a sweeper woman said: “My Muslim classmates ridiculed and bullied me because of my Christian faith. They often hurled derogatory Punjabi expletives such as choorra at me and made fun of our religion. I had successfully hidden the cleaning profession of my parents from them until one of them saw my father sweeping the streets. He spread this news among my friends, who then laughed at me. It led to a fight and I had to leave the school.”

Ayra Indrias Patras, ‘Once a sweeper…?’, Dawn

[shayaripunjabi]

punjabi status new

[murder-popsicle]

𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑 𝐒𝐇𝐄𝐄𝐓

𝐁𝐀𝐒𝐈𝐂𝐒 ――

FULL NAME.  Jane Buchanan Barnes

NICKNAMES.   Bucky, Buck

ALIAS(ES).   Winter Soldier

SEX.  Female

HEIGHT.  5′11

AGE.  Verse dependent; born in 1917

ZODIAC.  Pisces

SPOKEN LANGUAGES.  English, Irish, Russian, Yiddish, Italian, Polish, Greek, French, German, Spanish, Brazilian Portuguese, Haitian Creole, Italian, Arabic, Farsi, Pashto, Kurdish, Hebrew, Turkish, Serbian, Czech, Romanian, Hungarian, Tagalog, Mandarin, Cantonese, Thai, Korean, Japanese, Vietnamese, Hokkien, Punjabi, Gujarati, Hindi, Bengali, Tamil

𝐏𝐇𝐘𝐒𝐈𝐂𝐀𝐋 𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐈𝐒𝐓𝐈𝐂𝐒 ――

HAIR COLOR.  Dark brown

EYE COLOR.   Blue

SKIN TONE.   Fair

BODY TYPE.   Tall, broad, solid. A bit of a human tank.

VOICE.   A clear alto with a New York accent thick enough to float rocks.

DOMINANT HAND.   Right, but since Zola’s experiments she can use her left with equal skill.

POSTURE. Straight, self-controlled. Good at not looming, despite her size.

SCARS.  So, so many.

TATTOOS.  None

PIERCINGS. One in each earlobe

BIRTHMARKS.   None

MOST NOTICEABLE FEATURES. High-tech prosthetic arm

𝐂𝐇𝐈𝐋𝐃𝐇𝐎𝐎𝐃 ――

PLACE OF BIRTH.  Brooklyn, New York

HOMETOWN. Brooklyn, New York

SIBLINGS. Four sisters and one brother; her brother and one of her sisters died in childhood.

PARENTS. George Barnes and Winifred O’Brien

A𝐃𝐔𝐋𝐓 𝐋𝐈𝐅𝐄 ――

OCCUPATION.  Grocery store clerk, US Army sergeant, prisoner of war, assassin, SHIELD agent, Avenger

CURRENT RESIDENCE(S). New York.

CLOSE FRIENDS. Steve Rogers, Natasha Romanoff, Sam Wilson, Maria Hill, Clint Barton (most of the time), Yelena Belova, @oftomorrow‘s Clark Kent

FINANCIAL STATUS.  Adequate

DRIVER’S LICENSE.   Yes

CRIMINAL RECORD.   Verse dependent

VICES. Whiskey, cigarettes, holding on to broken things in case she ever needs to repurpose their usable parts

𝐒𝐄𝐗 𝐀𝐍𝐃 𝐑𝐎𝐌𝐀𝐍𝐂𝐄 ――

SEXUAL ORIENTATION. Bisexual.

LIBIDO. Medium.

TURN-OFFS.  Poor hygiene, playboy attitude, callous treatment of others

LOVE LANGUAGE. Food, words, physical affection (massages, hair-washing, foot rubs, etc.)

RELATIONSHIP TENDENCIES.  She loves Natasha Romanoff with her whole heart and is deeply committed to their relationship.

𝐌𝐈𝐒𝐂𝐄𝐋𝐋𝐀𝐍𝐄𝐎𝐔𝐒 ――

CHARACTER’S THEME SONG. “Medusa” by Karine Polwart

HOBBIES TO PASS TIME. Cooking, reading, fiber crafts, playing with the cats

MENTAL ILLNESSES. Depression, PTSD, occasional anger/aggression issues

SELF-CONFIDENCE LEVEL.  Varies depending on what kind of day she’s had.

tagging: @abrooklynboy (Stella), @aoete, @bokketo (Stevie and/or Clint), @taliaromanova, @parainvestigate, @symbioteburnout, @flighttruth, @invncibleiron, @madeofmarblex, @knowseverythingaboutyou, @lovelostdelinquent, @despair-with-walnuts​

[thelensofyashunews]

Indian Rap Heroes DIVINE & Karan Aujla are Anime Action Stars in "HISAAB" Video

DIVINE and Karan Aujla are heroes in the fast-growing Indian hip-hop scene. The groundbreaking duo puts their power into action in "HISAAB," a new anime-influenced video from their new collaborative album Street Dreams. "HISAAB" mixes traditional Indian instrumentation with a hip-hop pulse, as DIVINE and Karan Aujla trade bars–DIVINE rapping in Hindi, Karan Aujla rapping and singing in Punjabi–to examine the price of fame and the responsibilities incurred. Directed by Debjyoti Saha for Goppo Animation, the video for "HISAAB" is a visually-striking, action-packed, Anime-influenced short film. DIVINE and Karan attempt to escape from a surreal asylum, full of autonomous soldiers and giant cobra snakes, in an effort to save their freedom and sanity in the harsh world. The video surpassed 1 million views in just 12 hours and is currently in the Top 10 of YouTube's Trending Chart.

Last week, DIVINE and Karan Aujla shared Street Dreams, a 7-track effort that demonstrates why they are among the most exciting artists in the Indian scene. Out now via Mass Appeal India, Street Dreams had an extremely successful debut, reaching #1 on Apple Music within 24 hours of release, and taking over the number one spot on Apple Music's Album Charts in 40 countries, including India, Canada, New Zealand, and Australia. All seven songs from Street Dreams charted on Spotify's Daily Top Songs in India, and are currently trending on Instagram. 

is a relentless effort, bringing bilingual bars that express sentiments that need no translation. The album features production from Western heavy-hitters like Boi-1da, WondaGurl, Harry Fraud, Leven Kali, and Trox, who deliver premium productions for Karan and DIVINE to annihilate, along with hip-hop producers from the Indian scene. "Hisaab" finds the two artists counting their myriad accomplishments in 6/8 time, taunting any comer who can't match their quick maths, while "Top Class / Overseas" lays playful strings atop sliding 808s as DIVINE and Karan proclaim their valedictory status. "Yaad," meanwhile displays a softer side of the duo, as they trade off vocals with Indian-Canadian singer Jonita Gandhi. 

Also among the highlights is "100 Million," the tape's lead single and music video, which made waves across the globe. Defined by nostalgic hip-hop production reminiscent of Y2K-era Dr. Dre, in this case produced by American producer Trox (50 Cent, Cordae), “100 Million” is an anthem for those with grand dreams, the two icons reflecting on the enduring habits that propelled them to greatness. The song arrived in mid-January, with a video filmed in Dubai and directed by Karan Aujla’s long-time collaborators Rupan Bal, Dilpreetvfx and Anmol Raina. The song and video immediately became a huge success–the song reached the #1 spot of the YouTube Trending Charts in India, and reached the Top 10 in countries including Canada (#2), New Zealand (#4), UK (#6), Australia (#8) and the UAE (#8). Overall, the song racked up over 21 million YouTube views to date, as well as over 6 million Spotify streams. 

Karan Aujla and DIVINE have individually topped several charts across India with their albums and songs such as Karan's “Softly”, “White Brown Black”, “Mexico,” and “Players,” and DIVINE's “Mirchi”, “359 AM”, “Baazigar” (80 million YouTube views), and “Kaam 25” (65 million YouTube views). Their upcoming collaborative project is the first of its kind in the Indian music space and is poised to be a landmark moment in Indian music history. 

With Street Dreams out now, the dynamic duo prepares to make their presence felt on American shores. Stay tuned for more videos and announcements from DIVINE and Karan Aujla in the near future.

[wrvtchedhearts]

ZAKIR SETHUPATHI - the poet

Stats --

FULL NAME: Zakir Aamir Sethupathi

AGE & DATE OF BIRTH: 27 -- January 8th

OCCUPATION: rapper, translator, interpreter

ASSOCIATE OF DEAD HAND

GENDER & PRONOUNS: cis-man, he/him

SEXUALITY: Bisexual, Biromantic

LANGUAGES: Hindi, Urdu, Arabic, Spanish, English, Russian, Punjabi, Gujarati, Japanese, Cantonese

RELATIONSHIP STATUS: Single

FC: arpan kumar chandel

Biography / Headcanons --

Zakir was sixteen when he moved from New Delhi to New York City hoping to find a richer more full-filling life there. He hoped to become a famous rapper. He grew up the oldest son of a Muslim and Hindu couple, with little prospect in life other than continue his father's business. His uncle - a friend from his father rather than his actual uncle - told him stories of America, of New York City, and the American Dream.

He got into crime because he needed funds and connections to gain his fame. He's known for making songs in which he fluently meshes languages and meanings together, rapping under the alias Baagee. However, a lot of his time is spent translating for Dead Hand or using his understanding of languages to decipher coded messages.

He's a polyglot; he speaks multiple languages and easily picks up new ones. Currently he's learning Portuguese & Mandarin.

He addresses anyone his age with either habibi ( ‘my dear’ or 'my love’ in Arabic ) or bhai ( 'brother’ in Hindi / Indic language ), and anyone older than him as auntie or uncle. Does this consistently and with respect.

Despite his mastery of languages, Zakir still has a distinct accent when speaking in Russian, English or Spanish.

He produces his own music.

[musicverse11]

Bollywood Breakthrough: Jassie Gill’s Foray into Indian Cinema

Jassie Gill, a name that resonates with music and movie enthusiasts alike, has carved a niche for himself in both the Punjabi and Bollywood entertainment industries. From a humble beginning in a small village in Punjab to becoming a household name, Jassie’s journey is an inspiring tale of talent, resilience, and adaptability. With his melodious voice, infectious charm, and acting prowess, he has emerged as a multifaceted artist who continues to captivate audiences worldwide.

Introduction to Jassie Gill’s Beginnings

Born Jasdeep Singh Gill on November 26, 1988, in Jandali village near Khanna, Ludhiana, Jassie grew up surrounded by the rich cultural tapestry of Punjab. Music and art were deeply embedded in his upbringing, and he found his passion early on. Despite his love for music, the road to success was far from easy. Jassie worked hard to balance his education and his burgeoning interest in music. He attended Gobindgarh Public College, where he not only pursued music but also honed his performance skills through various youth festivals.

It was during these formative years that Jassie began to lay the foundation for what would become a remarkable career. Winning second place in youth festivals four consecutive times was a testament to his dedication and burgeoning talent. But the journey from a college student with a dream to an internationally recognized artist required more than just raw talent — it demanded perseverance, adaptability, and an unyielding passion for excellence.

Musical Breakthrough and Stardom

Jassie’s big break came in 2011 with the release of his debut album Batchmate. Featuring the hit song “Churiyan,” the album became an instant success, earning him recognition and a loyal fan base. This marked the beginning of Jassie’s journey as a Punjabi music star. His subsequent albums, including Batchmate 2 and Replay, solidified his status in the Punjabi music scene.

Songs like “Lancer” and “Pyar Mera” became anthems, resonating with audiences for their catchy beats and heartfelt lyrics. His music videos, often characterized by vibrant visuals and relatable storylines, further endeared him to fans. Jassie’s ability to connect with his audience through his music set him apart from his contemporaries and helped him build a unique brand.

Expanding Horizons: Transition to Bollywood

While Jassie was already a star in Punjabi music and cinema, he sought to expand his horizons by venturing into Bollywood. This transition was not just about geographical boundaries; it represented a shift in audience, language, and expectations. Jassie made his Bollywood debut in Happy Phirr Bhag Jayegi (2018), where he starred alongside Sonakshi Sinha. His portrayal of the character Khushwant Singh Gill was praised for its simplicity and charm, proving that he could hold his own in a competitive industry.

Jassie’s breakthrough in Bollywood came with the 2020 film Panga, where he played the supportive husband of Kangana Ranaut’s character. His performance was widely appreciated for its authenticity and depth, showcasing a new dimension to his acting skills. This role established Jassie as not just a singer-turned-actor but a versatile artist capable of delivering impactful performances.

Challenges and Triumphs

Jassie’s journey to stardom wasn’t without its share of challenges. Moving to a new industry meant facing stereotypes, language barriers, and the pressure to prove himself. However, Jassie approached these challenges with the same determination that had propelled him to success in the Punjabi music industry.

One of the significant hurdles was balancing his dual career as a singer and actor. Both fields require immense dedication and time, yet Jassie managed to excel in both. His ability to seamlessly transition between these roles is a testament to his work ethic and passion.

Another challenge was staying relevant in an ever-evolving industry. Jassie constantly reinvents himself, experimenting with different music styles and film genres to cater to diverse audiences. His collaborations with other artists and his openness to exploring new avenues have kept him at the forefront of the entertainment scene.

A Global Star with Punjabi Roots

Despite his success on a global scale, Jassie remains deeply rooted in his Punjabi heritage. His music often reflects the essence of Punjabi culture, celebrating its traditions, language, and spirit. This authenticity has endeared him to fans, particularly among the Punjabi diaspora, who see him as a representative of their cultural identity.

Jassie’s work also serves as a bridge between regional and mainstream entertainment, bringing Punjabi music and cinema to a broader audience. His efforts have not only elevated his own career but have also contributed to the growing popularity of Punjabi culture worldwide.

An Inspiration to Many

Jassie Gill’s journey from a small village in Punjab to the glitzy world of Bollywood is nothing short of inspirational. He embodies the spirit of hard work and perseverance, proving that dreams can be achieved with passion and dedication. Whether it’s through his soulful songs or compelling performances on screen, Jassie continues to touch hearts and win fans across the globe.

As he explores new projects and collaborations, the future looks incredibly bright for Jassie Gill. His story serves as a beacon of hope for aspiring artists, reminding them that success is possible no matter where you come from.

Are you a fan of Jassie Gill? Explore his incredible discography on Spotify or YouTube and dive into his Bollywood performances on streaming platforms. Follow him on social media to stay updated on his latest projects and join the journey of one of the most versatile artists of our time! Let us know your favorite Jassie Gill song or movie in the comments below!

[my-music-1460]

Shree Brar: A Songwriter Who Speaks the Language of the People

Shree Brar has become a household name in the Punjabi music industry, celebrated for his unparalleled ability to craft songs that resonate deeply with listeners. From poignant lyrics that echo the struggles of everyday life to high-energy beats that spark celebrations, Shree Brar’s journey reflects the spirit of Punjab’s heartland. Known not just as a singer but also as a prolific lyricist, his songs blend cultural authenticity with modern appeal, setting him apart in the competitive music landscape. This article takes a closer look at the life, achievements, and growing influence of Shree Brar, a name synonymous with creativity and passion.

Early Life and Background

Shree Brar hails from a small town in Punjab, where the rich traditions of Punjabi music played a significant role in shaping his love for melodies. Growing up in a modest household, he was exposed to the raw, authentic sounds of folk music and the vibrant stories of his community. This upbringing laid the foundation for his lyrical depth and understanding of the human experience, elements that have become hallmarks of his music.

Breaking Into the Industry

The path to success was not easy for Shree Brar. Like many aspiring artists, he faced rejection and setbacks. However, his relentless pursuit of excellence eventually bore fruit. His breakthrough came with the release of a song that captured the collective imagination of Punjabi youth. With relatable lyrics and a unique sound, Shree Brar quickly gained recognition, becoming one of the most sought-after talents in the industry.

A Unique Blend of Tradition and Modernity

What sets Shree Brar apart is his ability to balance traditional Punjabi folk elements with contemporary beats and trends. His songs often carry the essence of rural Punjab while addressing themes relevant to today’s audience, such as youth aspirations, societal issues, and personal triumphs. This combination has made his music universally appealing, transcending geographical and cultural boundaries.

Iconic Hits and Collaborations

Over the years, Shree Brar has delivered numerous chart-topping hits that have solidified his position in the industry. Tracks like [Insert Song Names or Themes] showcase his lyrical prowess and ability to connect with listeners on a personal level. Collaborating with some of the biggest names in Punjabi music, Shree Brar has also expanded his reach, contributing to blockbuster hits that have amassed millions of views and streams globally.

Cultural Impact

Shree Brar’s music is more than just entertainment; it’s a celebration of Punjabi culture. His songs often highlight the values, traditions, and struggles of his community, giving voice to stories that are often overlooked. Through his work, he has preserved and promoted the cultural heritage of Punjab, inspiring pride among Punjabis worldwide.

Global Appeal

In recent years, Shree Brar has gained a loyal fanbase beyond India, particularly among the Punjabi diaspora in countries like Canada, the UK, and the USA. His music’s universal themes, coupled with catchy tunes, have made him a global ambassador for Punjabi music. Whether it’s a wedding celebration or a casual road trip, his tracks have become staples for audiences around the world.

Future Projects and Vision

With a career trajectory that shows no signs of slowing down, Shree Brar continues to innovate and push boundaries. Fans eagerly anticipate his upcoming projects, which are expected to further cement his status as one of the leading voices in Punjabi music. His vision for the future includes experimenting with new sounds, collaborating with international artists, and using his platform to address meaningful issues.

Conclusion: Shree Brar is more than just a musician; he is a storyteller who has captured the essence of Punjabi life through his art. His rise from humble beginnings to international fame is a testament to his talent, resilience, and dedication to his craft. By staying true to his roots while embracing change, Shree Brar has created a legacy that will inspire generations to come. Whether you’re a long-time fan or discovering his music for the first time, there’s no denying the profound impact Shree Brar has had on Punjabi music and culture.

[fromcinder]

INTRODUCING: DOMINIQUE JOHANSSON ... A STUDY IN: the trauma of remembering your own death, the workaholic, tragic heroism, rising from the ashes, running from the pain, pushing through the fear, death is not the end, a childhood dream turned nightmare.

BASICS AND BACKGROUND UNDER THE CUT.

BASICS. NAME: dominique johansson. NICKNAME(S): dom. AGE: thirty-five. BIRTHDAY: april 20th. GENDER: cis female. PRONOUNS: she/her. SEXUALITY: butch lesbian. MARITAL STATUS: single. previous engagement dissolved in the aftermath of her first death. ETHNICITY: biracial. british-jamaican mother, american father. SPECIES: phoenix. BIRTHPLACE: sunderland, uk. LANGUAGES: english. jamaican patois. BSL. ASL. enough urdu, punjabi and polish to help during an emergency. OCCUPATION: firefighter at station 13. POSITIVE TRAITS: friendly, outgoing, diligent, charitable, warm-hearted, adventurous. NEGATIVE TRAITS: impulsive, avoidant, perfectionist, inattentive, workaholic. LIKES/INTERESTS: her job, her motorcycle, baked goods, strong coffee, dancing, sunderland football club, working out, ginger cake, early morning jogs, powerlifting, jamaican food, her mom's cooking, calls from home, metal music, playing the bass guitar. DISLIKES: maths, newcastle football club, bullies. DEATH COUNT: two. CAUSES OF DEATH: - flashover during a warehouse fire. - severe head trauma during a ceiling collapse.

PHYSICAL. HEIGHT: 5ft10. EYES: hazel. HAIR: dark brown. kept neat and short. naturally thick and straight. BODY TYPE: muscular and athletic. prides herself both on her aesthetic appearance and her endurance. broad shoulders, narrow waist. thick thighs and calves. extra padding around the middle. build is similar to that of a rugby player or a powerlifter. TATTOOS AND PIERCINGS: none. yet. used to have her ears and tongue pierced but retired them when she started work.

ABOUT/HISTORY.

born to roslyn johansson (née jarrett), a british jamaican school teacher, and patrick johansson, an american born firefighter, in the english city of sunderland. raised working class on an inner city housing estate and is the oldest of three siblings. has both a brother and a sister. her parents divorced during her early teens.

worshipped the ground her father stepped on and chose to follow in his footsteps the moment she could walk.

struggled academically but flourished athletically. played a variety of sports during her childhood and discovered weight lifting in her teens. broke a couple local youth lifting records and earned a black belt in taekwondo.

joined the fire service during early adulthood and excelled up until her first death.

killed in the line of duty while battling a warehouse fire. inexperience led to her missing the signs of an incoming flashover, during which she perished along with the colleague who'd attempted to pull her out.

the loss of her co-worker took interest away from the strange circumstances of her own death and rebirth, and also made national news. the media reaction to the tragedy led to bitterness, the dissolution of dom's engagement, and dom's quitting the service to follow her father to america, where she became a firefighter in new york.

was yet again killed in the line of duty when a ceiling collapsed during a housefire, crushing both her and one of the house's occupants beneath it. learned of her imperviousness to fire and smoke during this incident, but ultimately succumbed to a head injury.

extremely traumatised by her second death, quit the force and came upon portum by chance during a weekend getaway. joined portum's fire service after moving to the town, hoping the slower pace and supernatural inhabitants would allow her to fulfill her lifelong dream without too much further incident.

suffers from night terrors and insomnia, leading her to rely on the more magically enhanced section of baked goods procured from the sweetest tooth.

hasn't dated since her fiancee left a few months before her move to portum.

WANTED CONNECTIONS. - coming soon!